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Short filmTranscript
00:00No, I don't think it's a big...
00:02I'm so sorry, I didn't see you.
00:06Elliot!
00:07Um...
00:08Hi, uh...
00:09Oh, let me call you back.
00:14What are you doing here?
00:20Well, I could ask you the same thing.
00:22Excuse me, my ex-rential boyfriend.
00:26You're going for a job at Empire.
00:28It's not a good business.
00:30That's funny, I thought you were bragging that night
00:32with your complicated family.
00:34Great steak, by the way.
00:36Could you show a little respect to your ex-client?
00:38Don't be so rude.
00:40You know, after that negative comment you made,
00:43I'm very curious about the detailed feedback you have about my service.
00:47Garrett, I'm sorry, okay?
00:49That bad review was an accident.
00:51I would have chosen excellent if I had a second chance.
00:54Well, there's a way to fix it.
00:57Just book my service again.
00:59I don't need that service.
01:01I have a free voucher from the company.
01:03Let me just send it to you.
01:04And just book within the next couple days.
01:05No, thanks.
01:06No, really.
01:07It's on the house.
01:08Plus, I'll do whatever you want during my service.
01:12I'll think about it.
01:14What brings you here?
01:16Don't tell me you actually work for Empire.
01:18Well, guess what?
01:24You were right.
01:25I work in HR.
01:31You.
01:34You work in HR.
01:36Now, why would I lie to you?
01:38What about your rent to boyfriend gig?
01:40That's just a side hustle.
01:42It's for fun.
01:44Uh-huh.
01:48Okay.
01:49Before I go, you're not actually going to be my interviewer, are you?
01:53It's me.
01:55Jesus.
01:56So you better be nice to your ex-boyfriend then.
01:59Rental ex-boyfriend.
02:00Whatever.
02:01Just use the voucher in a couple of days, okay?
02:03And that's an order from your HR interviewer.
02:08Fine.
02:09I'll think about it.
02:11And I really gotta go.
02:13I'm trying to be on time.
02:14Well, good luck.
02:16I'll see you in there.
02:21What am I doing?
02:22This is crazy.
02:27Thank you so much for having me.
02:29And those are my renderings.
02:31Um, I thought there were gonna be two interviewers.
02:38It's usually just me.
02:40Oh.
02:42I just spoke with Elliot and he mentioned that he might be here too.
02:46And Elliot-
02:47Sorry I'm late, everyone.
02:50Did you get my message?
02:58What?
03:01Okay, let's get started.
03:04Shall we?
03:06Says here you used to work at Next Day Studios.
03:10Why'd you leave?
03:11Why'd you leave?
03:24Shit.
03:28I was laid off.
03:30The studio hadn't been making a profit for six months.
03:33Understood.
03:35Well, your work experience is impressive.
03:40Oh.
03:43Says here in your file you're a single mother.
03:49Is that correct?
03:50Yes, sir.
03:51I have a son.
03:52How old is he?
03:53He's just over 11.
03:54Okay.
03:55He won't be holding back my work.
03:56Thank you so much.
03:59Aren't you gonna say anything to your ex-boyfriend?
04:00Maybe ask me to help you get a job?
04:01What is your problem?
04:02Is this amusing to you?
04:03Humiliating me during this interview?
04:04Are you happy now?
04:05I have been struggling and trying so hard
04:16Aren't you gonna say anything to your ex-boyfriend?
04:22Maybe ask me to help you get a job?
04:24What is your problem?
04:26Is this amusing to you?
04:28Humiliating me during this interview?
04:30Are you happy now?
04:32I have been struggling and trying so hard to make this work,
04:36and you just ruined everything!
04:39I'm sorry, I didn't mean to mock you. It was just a joke.
04:42Just a joke!
04:43Bringing up my son!
04:45If I upset you, I apologize. I can make this right.
04:49Don't bother. Enjoy your day.
05:00I did ruin it.
05:02I hope you don't mind the traffic here. This is perfect.
05:07Of course. If you need anything, just let me know.
05:10Thank you so much.
05:14Oh my god, that can't be right. Oh my god.
05:27I hope you don't mind the traffic here. This is perfect. Thank you. Of course.
05:33If you need anything, just let me know. Thank you so much.
05:44You chose a good spot for her, Leslie.
05:52Good luck on your first day. Sally, I'm one of the senior designers.
05:57I really appreciate you, Sally. Don't mention it. If you need anything, feel free to ask.
06:02Please.
06:04Hi, Elena. I'm not Elliot Carter. I'm actually Coles Easton, the CEO.
06:13That doesn't work.
06:18Hey, Elena. So, about the other day, I...
06:24What's going on?
06:34Well, I've made some changes to the drafting scheme, but meeting this deadline that Joyce gave us with this workload might be impossible.
06:43What about the new hire? Can she assist?
06:45Helena?
06:46Yeah. Is there a problem?
06:48No.
06:49No. It's fine. I'll get her started.
06:57Hi there. So sorry to dump this on you on your first day, but this is top priority project for Mr. Easton, our boss.
07:05Got it.
07:06It's a bit complex. It's a lot of information to sort through, but if you're comfortable with the software, we'd really appreciate your help getting started on the blueprints once you're done sorting through this.
07:17Sure.
07:18I'll handle it.
07:20Thanks. I appreciate it.
07:35Oh, I'm so sorry.
07:57What are you doing here? Is everything okay, Mr. Easton?
08:21Yeah, it couldn't be better.
08:23Mr. Easton, don't you mean Mr. Chris?
08:26This is Mr. Easton, our CEO.
08:35It's okay. I've got it.
08:42Sally?
08:43Oh, it's the damn CEO.
08:54Oh, it's the damn CEO.
09:03Looks like it's time to call it a day.
09:06Yeah, just a few more files left.
09:08Did you know the boss beforehand?
09:13Um, not really. Just an acquaintance.
09:18Well, goodbye. I'm off. Can't be late for my date. I'll see you tomorrow.
09:25See you.
09:33Fine.
09:38I just hope he's not the nightmare boss type.
10:00Hey, move.
10:03Need this done today? End of day at the latest.
10:05All of this by today?
10:08Any issues with that?
10:10Nope.
10:12You're the boss.
10:14A bit bossy though.
10:16It's part of the job.
10:24It's a lot.
10:25I know.
10:26And he can be demanding.
10:28You're doing great though.
10:30Here is the initial draft.
10:32It just needs adjustments based on the client's latest feedback.
10:37And then I'll help you with the rest.
10:39Thank you, Sally. This is so helpful.
10:42We're a team here.
11:02Here we will do.
11:03I've done a couple of months.
11:04We've done a quick break.
11:05We need a good break.
11:06So, we'll do a couple of months after we go to the next one.
11:08We'll move on.
11:10And then we'll move on.
11:11We'll be able to move on.
11:12All right.
11:13And now we can save the next one.
11:14We'll be able to go.
11:15So, let's go.
11:17And now we'll be able to get that.
11:18So, let's go.
11:20I'll have a couple of minutes.
11:22We'll have a couple of minutes.
11:23We'll be able to go.
11:24Yeah, we'll be able to go.
11:55You know you just asked for permission to enter my office.
12:04I discovered something significant.
12:07Okay.
12:09Helena Winslet, or should I say Helena Anderson, is the daughter of Thomas Anderson, the Anderson family.
12:19Helena Winslet, no, Anderson, is the illegitimate daughter of Mr. Anderson, the powerhouse behind Titan Global Corp, our rival.
12:32Thank you, Sally. This is enough for now.
12:43Coles, I have to tell you, it's an extreme risk to keep Helena Anderson at this company.
12:50She could be a plant by the Anderson family, a ploy to deter your pap to succession.
12:56She can't stay at this company any longer.
12:58Your father sent me here to help you win the succession.
13:05I'm saying this only for you, not only as your business partner, but also as a close friend who grew up together with you.
13:16Thank you, Sally. I need a moment alone.
13:22Dad!
13:41We're divorced. It's over, okay?
13:44Do you understand that? You can't just show up at our house.
13:47Steven needs me.
13:48No, he doesn't need creditors at the door or the police. Please just leave.
13:52Just trust me, Helena.
13:55Alright? Do you know how happy Steven would be to see me?
13:59I promised Dad to teach him how to play the harmonica.
14:04Leave.
14:04Mom, I really want to play the harmonica with Dad.
14:20Okay, we'll think about that.
14:22You ready?
14:22You are looking stunning tonight, sweetie.
14:41Oh, thank you. You look beautiful, too.
14:44I noticed you didn't have a drink.
14:46Thank you. I'm not really a drinker.
14:48Oh, but the drinks here are so delicious. You gotta try it. It's peachy.
14:53Okay, I'll try it for you.
15:00Okay, yeah, that's really good.
15:02I told you so.
15:02It's like punch.
15:05How about joining me for a drink, ladies?
15:11I'm gonna try this whiskey. It's so good.
15:14Am I supposed to swirl it?
15:15Yeah.
15:16I don't know.
15:18Cheers to you.
15:18Cheers.
15:25I just haven't ever seen you before.
15:28Oh, I'm going to the department.
15:30I'm going to just...
15:31Well...
15:33Excuse me.
15:37It's just time to hear me.
15:42Mr. Houston?
15:44Leave her alone.
15:45You didn't have to be so violent, Mr. Easton.
15:55You've been here ten minutes, and you're just going to drink anything.
15:59Some stranger hands you?
16:01He's homeless.
16:06Are you jealous?
16:09I think you're jealous.
16:10No.
16:10No.
16:14Well, I need some air.
16:16Come with me.
16:17Come with me.
16:17Hold on.
16:39Why didn't you bring me out here?
16:41Why don't you go back inside?
16:41to the side, it's cold.
16:42Oh, I know, I know.
16:51I can't stand company parties.
16:56Why's that?
16:57I just feel like I have to be someone else.
17:04Where are you now?
17:08Oh yeah.
17:10Or Kohl's.
17:11For you, Helena Winslet, I can be both.
17:41Oh, good morning.
17:46Can you explain why I'm here?
17:48You had a lot to drink last night.
17:50Oh, and so you brought me here.
17:54Yeah, I thought it was better than leaving you to fend off unsavory characters.
18:02Like yourself?
18:07Ooh, I do have a soft spot for bacon though.
18:09Well, I guess I made the right choice.
18:11But I don't really like scrambled eggs.
18:13I don't really like scrambled eggs.
18:14Ah, too late.
18:15Because you didn't mention that last night.
18:30Something is up with Helena and Mr. Easton.
18:32They were way-
18:33How about we focus on the work at hand?
18:37Like the abandoned building project.
18:39Thank you for the food.
18:41You're welcome.
18:42Where's your necklace?
18:43What?
18:44What?
18:45The necklace you wore to your uncle's dinner.
18:46Oh, um...
18:47I've lost it.
18:48What?
18:49Why does it matter?
18:50It was just an-
18:51An orphanage to your uncle's dinner.
18:52Okay.
18:53Thank you for the food.
18:54Thank you for the food.
18:55You're welcome.
18:56I'm sorry.
18:57Thank you for the food.
18:58You're welcome.
18:59Where's your necklace?
19:00What?
19:04The necklace you wore to your uncle's dinner.
19:09Oh, um...
19:10I've lost it.
19:14Why does it matter?
19:17It doesn't matter.
19:18It was just an ordinary necklace.
19:22Was it really?
19:27You know something, don't you?
19:30You're Thomas Anderson's daughter.
19:37Biologically, yes.
19:41Why have you been alone all these years?
19:43Oh, it's a long story.
19:47I'd rather not come inside.
19:54Well, whenever you're ready,
19:56there's no pressure to share.
20:05Steven, I haven't heard from him since last night.
20:08He's with Cameron, he'll be fine.
20:10That's exactly why I'm worried.
20:17Hey, Mom.
20:18Hi, baby.
20:19Is everything all right?
20:20Did you get my message?
20:21Yeah.
20:22But last night, Dad took me to a circus show.
20:23It was so cool.
20:24Oh, I'm so glad you had fun.
20:25Just come home soon, okay?
20:27Can I stay a bit longer, please?
20:28Will you have school tomorrow, honey?
20:29But Dad doesn't take me to school.
20:30I want to spend more time with him.
20:31Let me speak with your dad.
20:32Okay.
20:33I'm sorry.
20:34I'm sorry.
20:35I'm sorry.
20:36I'm sorry.
20:37I'm sorry.
20:38I'm sorry.
20:39I'm sorry.
20:40I'm sorry.
20:41I'm sorry.
20:42I'm sorry.
20:43I'm sorry.
20:44I'm sorry.
20:45I'm sorry.
20:46Will you have school tomorrow, honey?
20:48But Dad can take me to school.
20:50I want to spend more time with him.
20:52Well, let me speak with your dad.
20:57Come on.
20:58He really wants to stay, Helena.
21:00You better bring him home soon.
21:02Please, Mom.
21:03Just one more day.
21:07Okay.
21:08But just for today, alright?
21:11Alright.
21:12But the whole day, you got that harmonica I bought you?
21:15Yeah.
21:22Why do I have this bad feeling?
21:24It'll be fine.
21:26You just need to relax a little bit.
21:28Come on.
21:29Come on.
21:30Come on.
21:31This one's no good, man.
21:32It's broken.
21:33You want a new one?
21:34Can we go now?
21:35Yeah, let's do it.
21:36Come on.
21:37Come on.
21:38Your food is actually pretty good.
21:39Is it worth a good review?
21:40For you, Coles Easton?
21:41Or for you, Elliot Carter?
21:43Maybe both.
21:44This one's no good, man. It's broken.
21:47You want a new one?
21:49Can we go now?
21:50Yeah, let's do it. Come on.
21:56Your food is actually pretty good.
21:59Is it worth a good review?
22:01For you, Coles Easton?
22:04Or for you, Elliot Carter?
22:09Maybe both.
22:14Yeah?
22:29Okay.
22:31Yeah, I'll be right there.
22:34I have to go. We have competition. Joyce is considering a new designer.
22:39Okay, I'll go with you.
22:44All right.
22:49This is cool, right?
22:50All right, come on. Grab a seat.
22:53All right, so I need you to wait here, play a couple games.
22:57All right, I'm going to go ahead and make a couple of money, and we'll get that harmonica for you afterwards, okay?
23:03All right.
23:05I'm going to hit this big red button.
23:08I'm just going to spin, spin, spin, spin, spin.
23:10Eventually, it's just going to stop.
23:11And, yeah, it shows you if you won or lost.
23:13All right, give it a try.
23:14Can I come with you?
23:19Can I come with you?
23:20Not this time.
23:21All right, I need to make some money first, and then afterwards we can get that harmonica together.
23:25Come on.
23:26Give it a go.
23:27It's fun.
23:28You promise?
23:29Yeah, man. I promise. Of course.
23:31It's fun.
23:33Just do this for a bit, okay? I'll be right back.
23:49Can you please go back to your office?
24:05I thought my presence here was actually very productive.
24:09Yes, but your presence is not distracting me.
24:13Okay.
24:19Dad, I can't find my phone.
24:28Did you check your backpack?
24:34It's not there.
24:36Just don't worry about it, okay? We'll look for you later afterwards.
24:40Okay.
24:42Okay.
24:44Finally done.
24:47All this project will be ours.
24:50There's no doubt about that now.
24:54Thank you for your hard work.
25:00It's my pleasure.
25:02You are so beautiful.
25:12I just have to call Steve in before we head out.
25:17Please leave a message after the beep.
25:22It's weird it went to voicemail.
25:27We'll call Kevin.
25:32Blackjack!
25:33Yes!
25:34Come on, man. Give me the money.
25:36I think you'll be okay.
25:49Come on.
25:51Let's go.
25:52I'm gonna find my son.
25:55Any idea where they might be?
25:57The casino.
25:58Good.
25:59Give me your phone.
26:00He knows me.
26:01Hello?
26:02Are you at the casino?
26:03With Steven?
26:04No, I'm not at the...
26:05No, he's safe at home.
26:06Hello?
26:07Are you at the casino?
26:08With Steven?
26:09No, I'm not at the...
26:10No, he's safe at home.
26:11Hello?
26:12Steven?
26:13Cameron?
26:14What's up?
26:15Where?
26:16Dave?
26:17Where?
26:21Big Money Street.
26:22There is an underground casino there.
26:23I'm gonna find my son who's shouting.
26:24Hello?
26:25Steven?
26:26Cameron?
26:27He...
26:28What's up?
26:29Where?
26:30Where?
26:31Big Money Street.
26:32There's an underground casino there.
26:33What's up?
26:34What's up?
26:35What's up?
26:36What's up?
26:37What's up?
26:40What's up?
26:41I will kill you if anything happens, Stephen.
27:11What happens to him?
27:18Take your fucking hands off of her.
27:24Maybe you should focus on your son who's in the emergency room because of you.
27:31How is he?
27:32He's stabilized his vitals but he remains unconscious.
27:37The impact caused significant head trauma.
27:41We've stopped bleeding but we're concerned about brain damage.
27:45If he doesn't wake up soon, he may not fully recover.
27:50He's only 11.
27:53There's a chance that he wakes up.
27:55It's more than 40% which is significant.
27:58Oh my gosh.
28:00Take care.
28:02Now?
28:03Yeah.
28:04I got it.
28:05It's going to be okay.
28:07It's going to be fine.
28:08It's going to be okay?
28:09Yeah.
28:10You have to run back to the office quickly.
28:11Okay.
28:12You're not going to be one.
28:13I think it's going to be fine.
28:14I'll be back soon.
28:19Leslie.
28:20He's been here for over an hour collecting data from Helena's computer.
28:34We sent the blueprints to Joyce today.
28:38How could they accuse us of plagiarism so quickly?
28:50Somehow, Titan Global Corporation presented a similar proposal to Joyce before us.
28:56Undercutting us by 5%.
28:59Titan Global Corp?
29:01The Anderson family.
29:03What?
29:08Officer.
29:13Mr. Easton.
29:14There are allegations of unfair business practices against your company.
29:18We need your cooperation.
29:21Eleanor Winslet.
29:26There are accusations of trade secret leaks linked to you.
29:30We're going to require your assistance.
29:38The relationship with Coles Easton.
29:42Is it a ploy facilitated by a rent-a-boyfriend service?
29:45I'm not speaking to you without my lawyer present.
29:49Well, your involvement makes it look like you're trying to advance him in the company unlawfully.
29:55Ms. Winslet.
30:07That was a lawyer for the Anderson family.
30:10They paid your bail.
30:11You're free to go.
30:12Okay.
30:14Alvar, we may require your cooperation in the future.
30:21Mr. Easton, the investigation is ongoing.
30:26Helena's connection to Titan Global hasn't been dismissed.
30:31It was my fault.
30:43It wasn't me.
30:45It was me.
30:48Explain.
30:50I didn't do it.
30:53Rent a boyfriend.
30:55Rent a boyfriend, planning a job at my company.
30:59It's all coincidence.
31:01Why would I sabotage everything?
31:03You had access, Anne Motive.
31:05You could have leaked the proposal to your father.
31:08I've never seen him that way in my entire life.
31:12You wore your family necklace to your uncle's dinner.
31:14After I recognized it, you haven't worn it since.
31:17Why?
31:21You never trusted me, did you?
31:25Someone like you?
31:29Some new rents-a-boyfriend to go show them off to your family?
31:34Why would I?
31:39I'm done, you're going to go.
31:55I'm done, I'm done.
31:59You're already a mother.
32:02Listen to me.
32:04I'm done, too.
32:06I'm not done, too.
32:07So, let me explain.
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