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20:13So, like, is it rude to keep asking why you're a kid?
20:21I don't mean to impugn.
20:24It's just like, are you okay?
20:26You know, they're not, like, forcing you to be here, are they?
20:34Oh, fuck.
20:41Why are we going to the security room?
20:43Why are we going to the security room?
20:48Uh-huh.
20:50I don't know.
20:52Okay, just as soon as I'll be looking at the security room.
20:57Okay, so what am I going to do?
21:09I don't do any other things.
21:11We can do anything.
21:11I don't have any other things.
21:12Wow.
21:32Dylan?
21:37Hi.
21:43Hi.
21:51Dylan G.
21:53Through good behavior and output,
21:55you've earned an 18-minute visitation event
21:57with your Audi's wife, Gretchen G.
22:02Cool.
22:04Your time begins now.
22:12Should we sit?
22:36Nice sack.
22:38Sorry?
22:39Uh, you're the, uh...
22:43Oh, thanks.
22:45Um, they made me put my stuff in here.
22:50Badass.
22:53You really don't...
22:55know me at all?
22:58No.
22:59Um, well, I mean from the photos from just now, but...
23:05Yeah, Seth warned me that this might be weird.
23:10Who's Seth?
23:12Don't you...
23:13Please refrain from sharing information
23:15that may be privileged or sensitive.
23:20Okay.
23:21Who is that child?
23:23Miss Wong.
23:24Oh.
23:25Okay.
23:30Look, uh...
23:32It's really nice to meet you, but am I in trouble?
23:36Oh, no, no, you're not, you're not in trouble.
23:40Um...
23:44We have three kids.
23:48Right.
23:50And...
23:52You, um...
23:54No, he.
23:55Or...
24:00My husband has had trouble...
24:03Keeping other jobs.
24:07He dumb?
24:09No.
24:11He a dick?
24:13Well, what is wrong with it?
24:15Oh, nothing's wrong with him.
24:17He just...
24:21He never quite found his thing.
24:23So he's actually...
24:33Kind of a fuck-up?
24:35Do you want to see a picture of the kids?
24:49Yeah.
24:50Okay.
25:04So Jim is six.
25:06He's in the first grade now.
25:08And Ruth is four.
25:11And Merrick just turned two.
25:16Shit.
25:20Look at them.
25:23They're awesome.
25:26They are.
25:34And we live on a cattle ranch?
25:35Cattle ranch?
25:42And Edith, and Bert says...
25:45I don't care if you're a bear goddamn eagle.
25:50You don't come to my department and tell me how to print a snow globe.
25:56I...
25:58My God.
25:59His name is Felix.
26:00I worked with Bert.
26:02For six years.
26:04And I only ever saw him scared of one thing.
26:09He spent two hours on his hair the first time he went to visit you.
26:13Really?
26:19I should...
26:21I should show you something.
26:23If we see her...
26:25Not her. Not her. It's...
26:26Here.
26:29Here.
26:34Oh, Irving.
26:36It's lovely.
26:38I'd draw one every day. I couldn't see him.
26:42My numbers went down.
26:44But I didn't even care.
26:45Oh, no.
26:55That's...
26:56That's not Bert.
26:57That's...
26:58That's something else.
26:59That's just a...
27:00That's nothing.
27:02It's...
27:06How do you know about the Exports Hall?
27:08I'm sorry?
27:13I'm sorry?
27:18We send a lot of shipments there.
27:22Used to go ourselves.
27:24But now...
27:26They send a guy.
27:31Do you remember...
27:33Where it is?
27:34Hello.
27:48Hi.
27:58Excuse me. Have you seen this woman?
27:59Hey, stop that.
28:01Her name's Miss Casey.
28:03She was the wellness director.
28:04Stop that.
28:05Have any of you seen her?
28:07Enough!
28:09We've decided to send a courier to inform Mr. Milchick of your inquiry.
28:12No, no, no, no. You can't do that.
28:14They could kill her if they find a...
28:16That's not a mammalian's problem!
28:18It's in any problem.
28:20Listen, we used to be afraid of other departments, too.
28:22We're not afraid of you!
28:24Look, they just disappeared her.
28:26And if we let this happen to Miss Casey, then who's gonna step up when it happens to us?
28:37If one of your goats went missing, wouldn't you go looking for it?
28:41Are you looking for it?
29:03She used to come do her sessions in our husbandry tanks.
29:11She had a gentle way about her.
29:15She said my Audi excels at stargazing.
29:21And a great deal to me.
29:28As far as we know,
29:30she was retired just like they say.
29:32But if you suspect otherwise,
29:35we won't hinder your search.
29:41Yes, thank you.
29:43But before you go, we would...
29:45I'd like to see your bellies.
29:50Our bellies.
29:52Please.
29:54Please.
29:56I'd like to see your bellies.
29:58Our bellies.
30:00Please.
30:01See?
30:02Pouchless.
30:03I'd like to see your bellies.
30:07Our bellies.
30:11Please.
30:12Proves nothing.
30:25See? Pouchless.
30:33Proves nothing.
30:40Uh, okay.
30:42So we're just, yeah.
30:55I'm, I'm glad we did this.
31:02I mean, I hope for you this was, I don't know.
31:07Yeah, it was.
31:09And I'll be good.
31:11I'm going to make you all proud.
31:14I'm always proud of you, Dylan.
31:18Cool.
31:22Uh.
31:22I love you.
31:32Oh.
31:35Sorry.
31:37No, it's...
31:38Okay.
31:49All right.
31:52Yeah.
31:55Yeah.
31:56Mm-hmm.
31:57Let's go.
32:27Do you remember Merrick's ear thing, okay?
32:30Copy that.
32:32Left ear?
32:33Yep.
32:34And did you do the cookies for Jim's class?
32:37It's our week for cookies.
32:40I did not do the cookies.
32:44Sorry.
32:47It's a tube, and you just need to slice them,
32:50and then you put them in the oven.
32:51Got it. Yeah.
32:53Yeah.
32:55Hmm.
32:56Hey, um, how was the thing?
32:59What thing?
33:02The thing with me.
33:05Oh.
33:07Yeah.
33:08It was good.
33:09Yeah?
33:09Yeah.
33:11Weird good, but good.
33:13Cool.
33:15Yeah.
33:16Okay.
33:17Okay, okay.
33:18I'll see you in the morning.
33:20Bye.
33:21Bye.
33:22Bye.
33:22Bye.
33:22But surely beer and juleps cannot fill the void left by love.
33:34Indeed, only wine can achieve this.
33:37But it is famously costly.
33:39Which is why sadness is among the most recurrent issues facing the poor.
33:43Remarkable.
33:46It's so astute.
33:47Is it?
33:48That's what I was going for.
33:50Hi.
33:50Hmm.
33:51Oh.
33:52My babe.
33:53Um.
33:54This is Natalie Kalin from Lumen.
33:58Is everything okay?
33:59Oh, yes.
34:01God, yes.
34:02Uh, Natalie just stopped by to, um, discuss my book, actually.
34:07Oh.
34:09It's a joy to meet you, Devin.
34:11You must be so proud.
34:13Hmm.
34:13I am.
34:16I'm sure you know by now that your husband's work has found its way on to our severed floor.
34:21Yeah, do we know how that happened yet?
34:24Uh, so, we've actually moved beyond that, and we are now discussing the, um, what was the term you used?
34:32The result.
34:33The result.
34:34Rickon's words have had a profound effect upon our workers.
34:37We think he's really tapped into something.
34:39And, uh, Natalie wants to discuss a version of the UUR specifically for innies.
34:47Oh.
34:49Okay.
34:50Well, that's cool.
34:51I mean, but what's wrong with the current version?
34:54Nothing.
34:55No, uh, the explanation is actually very interesting.
34:59Uh, um.
35:03It's fascinating, actually.
35:04You, please.
35:05There's a certain verbiage to which innies respond more favorably if we just tweak it here and there.
35:12They think that it could be a real game changer.
35:17Gotcha.
35:19Um, I gotta go, but she needs a bottle in an hour.
35:22Of course.
35:25Devin.
35:26Yes?
35:26Can I just say, your brother is one of the sweetest members of our severed team.
35:34Okay, he's a good egg.
35:36Okay.
35:37One hour.
35:42So, she said her name's Natalie?
35:44Natalie Kalin, I think.
35:47Well, what, what, was she asking, like, what I'm up to, or?
35:50Nope.
35:51Because it's Rickon they're after.
35:53Rickon?
35:54Yep, his book.
35:55What?
35:56I guess you and your work friends were so inspired by it.
35:59Oh, Jesus Christ.
36:01They're, they want to do, like, an any specific cut.
36:04Wow, okay.
36:05Well, there's just, there's a lot I'm not gonna say.
36:08And that is so appreciated.
36:12Have you told Rickon what we're doing here?
36:14Are you insane?
36:15No.
36:16Okay.
36:18Good.
36:19Okay, so you need to see the after image for, like, two and a half minutes?
36:22Two minutes, 18 seconds.
36:24It's from the parking spot to the elevator.
36:27Give or take.
36:30Yeah.
36:32I think the whole Mind Collective would be very proud of this.
36:35As well as your kindergarten teacher.
36:36What the fuck was her name?
36:37Mrs. Lustgarden?
36:38Yeah, Mrs. Lustgarden.
36:40Wow.
36:41She really got me.
36:43Yeah.
36:44Fuck, I gotta skedaddle.
36:46Will you be careful, please?
36:49Yeah.
36:49Okay.
36:53I do love you.
36:56Okay.
36:57Even though you left me with the check at Pipps, you dick.
37:00Thanks.
37:01You're welcome.
37:02You're welcome.
37:02I'm welcome.
37:24Bye.
37:25Let's go.
38:554, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 14, 15, 16, 16, 17, 17, 18, 18, 18, 19, 19, 20, 20, 20, 21, 21, 21, 22, 22, 22, 23.
39:16I don't know.
39:46I don't know.
40:16I don't know.
40:18If you want me back, you must accommodate my needs.
40:24I'm listening.
40:28I don't know.
40:30MDR.
40:32Non-negotiable.
40:34Marcus is so close to completing Cold Harbor.
40:42I intend to finish the work that I started, which is why Milchak must go.
40:52He's not equipped for the task.
40:56I must be floor manager.
41:00I hear ego.
41:10Hubris.
41:12Arrogance.
41:14Care teaches us they only cause pain.
41:20Everything I accomplished, I earned.
41:24Through dedication and industry.
41:30Not because I was born into it.
41:34I think you've overestimated your contributions.
41:46And underestimated your blessings.
41:48We didn't have to ask you back.
41:54You didn't have a choice.
41:58Are you sure?
42:02Why don't we reset?
42:08It doesn't have to be this way.
42:16It doesn't have to be this way.
42:30Natalie.
42:32Please see if the board is available.
42:36For Ms. Cobell and myself.
42:52Let's go speak with them together.
43:06Let me take care.
43:10All right, thanks everyone,
43:26Shi.
43:30Hi, Minnie.
44:00Hi, Minnie.
44:30Hi, Minnie.
44:32Hi, Minnie.
44:38Hi, Minnie.
44:40Hi, Minnie.
44:44Jesus Christ!
44:46Are you trying to burn a message to your Eni into your retinas because your computer told you that was a brilliant idea?
45:02Yeah.
45:06No, no.
45:08What?
45:10No, no, no, no.
45:12What?
45:14It doesn't work.
45:16Oh, shit.
45:18Which briefly dilates the pupils.
45:20Clean slate.
45:21Okay, thank you.
45:22Also, you could blind yourself.
45:23Thanks.
45:24And how was the Eni gonna send you a message back?
45:26Uh, that's his problem?
45:28I don't know.
45:30Mark, unlock the door.
45:32Why?
45:33We need to talk.
45:35Oh, my God.
45:36Mark, unlock the...
45:37Oh, my God.
45:38Mark, unlock this fucking door!
45:40What?
45:41There's an easier way.
45:42Didn't seem particularly easy for Petey.
45:46Heard about the OTC.
45:47Yeah, my sister talked to my Annie.
45:48He said a lot of things.
45:49Did he tell her your wife is alive?
45:50No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
45:51What?
45:52What?
45:53There's an easier way.
45:57Didn't seem particularly easy for Petey.
46:01Heard about the OTC.
46:07Yeah, my sister talked to my Annie.
46:09He said a lot of things.
46:14Did he tell her your wife is alive at Lumen?
46:16Who told you that?
46:33Miss you.
46:34Is Chum a wife?
46:49She was the last time I saw her.
47:04Miss you.
47:32How could you not tell me?
47:34We were interrupted, if you recall.
47:37Mark.
47:39I want to help you, but you have to trust me.
47:45There's one way and one way only to get information in and out of Lumen.
47:49And that's reintegration.
47:51I'm better at it now.
47:53I can make it work with you.
47:55I can sew together a version of you that loves her with a version of you that can...
47:59Yes. Do it.
48:04You're sure?
48:07I want to see my wife.
48:33I can't do it.
48:36I have to do it.
48:45I can use my wife.
48:46I'll be in my chair.
48:48I can't do it.
48:50I can use my wife.
48:52I can use my wife.
48:53The monitors differentiate the five brainwave frequencies of the Enne and Audi, delta, theta,
49:10alpha, beta, gamma. One frequency, two waves per oscilloscope. The waves aren't in sync,
49:20not yet, anyway. That's what we're here to do. Lean forward.
49:29Uh... Is it gonna hurt? Ideally not. What does your mouth taste like?
49:41Nothing. Good.
49:50Uh, what the fuck? Shit.
49:59You all right? I don't know. Am I? I'm gonna start with easy questions and get more complex. Do you remember protocol?
50:06Uh... Is that the first question? No, we haven't started yet. Uh, yes, I remember.
50:19Relax your body. You should feel good when this is over. Who am I?
50:25Okay, so are we... We started. Who am I? Uh, Sol Rigabi.
50:34Where are we? My basement.
50:38What was your mother's name? Fern's coat. What was her eye color?
50:44Uh... Seriously? Brown. Brown.
50:50Brown. Did you love her? Yeah.
50:58Name a dam. Hoover.
51:03What does MDR stand for? What?
51:07MDR.
51:11Mystic. That's wrong.
51:13What is something for which you feel shame?
51:18Uh... Shame.
51:20My dog died when I was a kid. It was my fault.
51:24Why?
51:26I left the gate open.
51:30Where were you born?
51:32I... I'm not sure.
51:38I'm not sure.
51:41What month is it?
51:43You mean what quarter?
51:45Wait.
51:47What is your first memory?
51:51I don't know.
51:53Tell me.
51:55I...
51:57I don't know.
51:59Tell me. I don't remember.
52:01Tell me your first memory.
52:03Hey there. You on the table.
52:05I wonder if you'd mind taking a brief survey.
52:08Five questions.
52:10To start out...
52:12Who are you?
52:14Who are you?
52:27The sun shines
52:31People forget
52:33The spring flies
52:39Speedboat climbs
52:42People forget
52:44Forget they're hiding
52:46The girls smile
52:48People forget
52:52Snow packs
52:58And skid tracks
53:00People forget
53:02Forget they're hiding
53:06Behind an eminent spot
53:09An eminent spot
53:11It's a put-on
53:17It's just an eminent spot
53:19An eminent spot
53:21It's a put-on
53:27An eminent spot
53:29An eminent spot
53:31It's a put-on