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  • aujourd’hui
Transcription
00:00Sous-titrage Société Radio-Canada
00:05Let's dance.
00:08Sometimes when you dance you're expressing aspects of yourself
00:12that can't be expressed.
00:14They're too full of joy.
00:23When I spoke to Mike I was like,
00:24we have to go big here.
00:26We have to go big or go home.
00:28Before Annalise and I met in Alabama,
00:30I would work with an associate choreographer in London,
00:34learning different dances, learning all the different styles.
00:37They taught me swing dance, bossa nova, cha-cha,
00:40these things that were very new to my dance vocabulary.
00:43And then eventually this magical thing happened
00:45when Mandy and Annalise and Taylor flew to London
00:48and we all spent a week together dancing all day every day
00:52with Taylor Gordon, conducting the entire thing
00:55from behind her drum kit.
00:56With Mandy by her side and her assistant choreographer Jonathan,
00:59I felt like I could do anything.
01:01Mandy Moore is one of the world's absolute best choreographers.
01:05I lost count of how many times we would do it full through every day.
01:08We would do the full five minute routine.
01:10Burned holes in the soles of my shoes,
01:12which felt like a rite of passage in some way.
01:15We thought, how do we get the two of us to a level
01:18where we can execute this extraordinary choreography
01:21but also do it with total confidence and freedom
01:24and spontaneity and grace.
01:27If you dance every day, it does something to your spirit.
01:31Yeah, it was like nothing else I've ever experienced.
01:34This was certainly the most joyful experience I've had on a film.
01:44Let's dance.
01:45Let's dance.
01:46Let's dance.

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