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00:00:00Ready now?
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00:07:59Hello, hi to all the press and media.
00:08:03I worked on this film, it was a different experience.
00:08:06I like to say thanks to Mohan Babu sir and Vishnu sir for that.
00:08:10In this film, in this film from Avram, to Avram, to Akshay Kumar sir, to Akshay Kumar sir,
00:08:23Mohan Babu and Mohan Babu, everyone has performed, everyone has performed, everyone has performed
00:08:41greater than the whole film and you will really feel it.
00:08:45Me being a Christian, I felt it, I felt really bad while, you know, while watching the last
00:08:52end, I almost cried words and tears and it is really touching the climax.
00:08:58So I would like to say thanks to the director for such a lovely film.
00:10:58and the international audience should also know the audience.
00:11:01So that's why you have to have to watch the show.
00:11:04This is such a strange story that should remember until generations.
00:11:08The other reason is that whoever the actors are,
00:11:11their performance is so great in this film.
00:11:14Whether they are small to small character or big to big character,
00:11:18everyone has put their knowledge in the film.
00:11:21And because of this film,
00:11:23you are watching this film,
00:11:25you are watching this film for 3 hours,
00:11:27but you will not know that.
00:11:28Every actor, everyone has put their experience in it.
00:11:34So these are the two reasons for which you should watch this film.
00:11:38And the rest, you can see,
00:11:40remove everything from your mind,
00:11:42and look at it and see it.
00:11:47And after that, whatever your verdict will be,
00:11:49we will keep our whole team in mind.
00:11:55Okay.
00:11:56Vishnu Garu,
00:12:01make a question.
00:12:02Here.
00:12:03Hi.
00:12:04Okay.
00:12:05Okay.
00:12:06Okay.
00:12:07Okay.
00:12:08Okay.
00:12:09So, you know,
00:12:10one lakh fifteen thousand tickets,
00:12:11one lakh fifteen thousand tickets,
00:12:12you know,
00:12:13I am humbled.
00:12:14Okay.
00:12:15Okay.
00:12:16And this,
00:12:17this,
00:12:18this,
00:12:19this,
00:12:20this,
00:12:21this,
00:12:22this,
00:12:23this,
00:12:24Okay.
00:12:25Okay.
00:12:26Okay.
00:12:27Okay.
00:12:28Okay.
00:12:29Okay.
00:12:30Okay.
00:12:31Okay.
00:12:32Okay.
00:12:33Okay.
00:12:34Okay.
00:12:35Okay.
00:12:36Okay.
00:12:37Okay.
00:12:38Okay.
00:12:39Okay.
00:12:40Okay.
00:12:41You know,
00:12:42I am humbled.
00:12:43Okay.
00:12:44Okay.
00:12:45Okay.
00:12:46Okay.
00:12:47Okay.
00:12:48Okay.
00:12:49Okay.
00:12:50Okay.
00:12:51Okay.
00:12:52Okay.
00:12:53Okay.
00:12:54Well,
00:12:55the
00:13:22I didn't know how to fight.
00:13:29I didn't know how to fight.
00:13:32I didn't know how to fight.
00:13:36I didn't know how to fight.
00:13:40I said, I'm afraid we are going to talk about Hinduism.
00:13:47I didn't know how to fight.
00:13:54I didn't know how to fight.
00:13:59It was a lot of discussion.
00:14:03Then, I didn't know how to fight.
00:14:07One thing was that,
00:14:09I didn't know how to fight.
00:14:11I didn't want it personally,
00:14:13but the director and Anthony wanted to fight.
00:14:17So, I was like,
00:14:19I don't know how to fight.
00:14:21So, I said, I didn't know how to fight.
00:14:23So, those were the two things and blood were on the ground.
00:14:31And,
00:14:32I didn't know how to fight.
00:14:38I didn't know how to fight.
00:14:40I said,
00:14:41They also have to look at the larger picture.
00:14:44So, minor minor, we felt it was okay.
00:14:47Okay.
00:14:48In
00:15:03Sir, why did the ticket rates hike in cinema?
00:15:07Why are you watching Telangana?
00:15:09Sir, in Andhra Pradesh, first and foremost,
00:15:13there is no ticket hike in Telangana.
00:15:16Every day, there are popcorn prices and coke prices.
00:15:23That day, I am doing it in multiplexes.
00:15:28Because this cinema is only one of the families.
00:15:33In other countries, there are no tickets.
00:15:37There are no tickets.
00:15:39There are no tickets.
00:15:41There are no tickets.
00:15:42There are no tickets to the pie centers.
00:15:47There are no tickets to the flat.
00:15:50If you are requesting tickets,
00:15:53there are no tickets to the balcony.
00:15:55In the other countries, there are no tickets.
00:15:59In the United States, in America,
00:16:02we have a flat $12.
00:16:06In the premiere show, we have a $12.
00:16:10We have a flat $14.
00:16:12We have a flat $14.
00:16:13We have a flat $12.
00:16:15We have a flat $12.
00:16:18We ought to see the Below.
00:16:19Anything that is for acknowledge.
00:16:21Don't subscriptions consider that of my view.
00:16:24I used to see Ramayana, Mahabharata.
00:16:25What could you see every time.
00:16:26You would see Jenn ecosee on this television?
00:16:28Whether it is Ramayan, Mahabharata.
00:16:29All over 근�κ.
00:16:31Same kind cinema.
00:16:32So, you know, it is my attempt.
00:16:50So, you know, it is my attempt.
00:17:02So, you know, it is my attempt.
00:17:32So, you know, it is my attempt.
00:17:34So, I never asked him.
00:17:36So, I never asked him.
00:17:37So, what is his mentality?
00:17:39So, I never asked him.
00:17:46So, I never asked him.
00:17:47So, I never asked him.
00:17:49So, I never asked him.
00:17:50So, I never asked him.
00:17:51So, what is his mentality?
00:17:52So, I never asked him.
00:17:53So, I have a chance.
00:17:54I never asked him.
00:17:55So, I had to give him a video bite.
00:17:58That was because he wasn't feeling too good also. You know, shooting also has to cancel him. So, why do you even want to attempt that? That's the reason.
00:18:24You have a press note release. In the cinema release, there was a producer and a hero. This was the first time.
00:18:33You know, there was a warning for the trollers. Do you have a warning for the review?
00:18:40See, I am not in a space. I am not in a space. I am not in a space. I am not in a space. I am not in a space.
00:18:53But I am sure, majority of them will be nudged. That notice is to protect creative integrity.
00:19:02Now, you are all seasoned journalists. You have to protect the cinema.
00:19:11I am not in a space. You are all seasoned people. I have different people in the world.
00:19:22There are rules. For example, in Tamil Nadu, only the media are in a slot.
00:19:29They have the rules that we have to respect.
00:19:39They have to look at the reviewers.
00:19:45And, they have to look at embargo.
00:19:48They have to look at the opinion, but they have to look at the release during the film.
00:19:54That's the rule.
00:19:56I have seen a cinema in Bombay, I don't have a control, everyone is looking at it,
00:20:05I don't even have a control in Karnataka print.
00:20:09You know, we are, last minute mark, we are having pressures like that.
00:20:14When I was trying to get the film out of the cinema, you know, it's the first time, the outsiders need to get the idea of them and get into the film.
00:20:30The three of them got a first bite, you might have seen them in Prasad Lab.
00:20:36I am not sure why they are not, I am not sure why they are talking about it.
00:20:42See, I felt, I didn't know what I reacted. He said, last one hour, I didn't leave my life. You know, it was that heart touching. See, it gave me a lot of confidence, of course.
00:21:04I felt like I was watching, I felt like I was watching, I felt like I was watching.
00:21:13So, after this, I had to review the embargo every night.
00:21:18The review is 1.5, I had 4.5.
00:21:23I had to request you, Sir, you at least wait till Friday morning.
00:21:33Friday morning, Friday morning.
00:21:35This review was only three hours ago.
00:21:40There were reviews that you can see on the television,
00:21:42cinema only 0.515,
00:21:45and there were two reviews on Twitter.
00:21:52Now, there is a team,
00:21:55you have a contract with us,
00:21:58for those of us,
00:22:00it is only for them,
00:22:01not for seasoned professionals like you.
00:22:03If you look at them,
00:22:05you don't have a lot of cinema.
00:22:07But these are for the mischief-mongers.
00:22:10If you look at the cinema,
00:22:12you see a video,
00:22:13that is very wrong.
00:22:14If you enjoy the cinema,
00:22:16you don't want to go anywhere.
00:22:18We have mapped it.
00:22:20Their accounts, YouTube channels,
00:22:22if they do piracy like that,
00:22:24they will be totally blocked.
00:22:26So, in that world,
00:22:28we can see the cinema ultimately.
00:22:30They are destroying the culture of cinema.
00:22:34They are destroying the culture of cinema.
00:22:38That's why,
00:22:39there is a warning.
00:22:41What is this situation?
00:22:43What is this situation?
00:22:44what is this situation?
00:22:45What is this situation?
00:22:46What is the situation?
00:22:48That is what is happening.
00:22:50That is what is happening.
00:22:52I am anticipating,
00:22:53that in the morning,
00:22:54there is a popular theatre.
00:22:57There is also information.
00:22:58So,
00:22:59there is a lot of information.
00:23:01I am very attractive maybe.
00:23:31I am very attractive.
00:24:01See brother, I didn't face any difficulties.
00:24:06First of all, I should say thanks to my father.
00:24:12Because I didn't face anything like that.
00:24:17And the film executive producers, Vijay,
00:24:24and I am very happy with Vijay Maheshwarikar.
00:24:29You have to take things.
00:24:31You have to take creative liberty,
00:24:33and you have to take the financial burden,
00:24:35and the production burden.
00:24:38I am a lot relaxed.
00:24:41You are happy that you are going to go to the gym.
00:24:46You are going to go to the gym.
00:24:49You are going to go to the gym.
00:24:53For me, the direction department, the editorial department,
00:24:57I am not really thankful for the cinema.
00:25:01I am thankful for that.
00:25:03For them, I thank you.
00:25:05And they took the entire pressure.
00:25:07I am just taking the...
00:25:11See, what's happening now?
00:25:14My name is the director, editor,
00:25:17Hilaamdar,
00:25:19We are all waiting for the movie.
00:25:27You know, if you want to release, release, release, release, release, no.
00:25:31It's like exam result, but we are all, you know,
00:25:37Jeevithaan is always a position, a time.
00:25:40You have to flip the coin, heads or tails.
00:25:46Cannapa is that position.
00:25:49The industry is a number game, sir.
00:25:51It's a business.
00:25:54If you want to do something, you want to do something,
00:25:57you want to do something, you want to do something,
00:25:59you want to do something, sir.
00:26:01Finally, you want to do something.
00:26:04That's not what I am doing.
00:26:07Yes, sir.
00:26:10Actually, Cannapa's first posters released,
00:26:14a little bit of negativity.
00:26:16After the trailer time, it was completely positive.
00:26:22And now, the people are really looking forward to the film with a positive frame of mind.
00:26:29So, in this case, I am going to do something.
00:26:33Thank you, brother.
00:26:34Another thing, three generations of Munchoos have acted in this film.
00:26:40How much are you?
00:26:42I'm a very young man.
00:26:45You also said to me, my wife, too.
00:26:47My father, my father,
00:26:49there was a location where Avram was shooting at.
00:26:52There was a scene where the director was shooting at.
00:26:55There was a dialogue that Airu was talking about.
00:26:58Airu is my father.
00:27:00He was two and a half years old.
00:27:02Avram was four years old.
00:27:04He was talking about the dialogue.
00:27:06He was talking about the dialogue in the making.
00:27:08He was talking about the dialogue in the making.
00:27:10That is Airu.
00:27:12He said,
00:27:14everyone is talking about the dialogue in the making.
00:27:19He's talking about the dialogue in the making.
00:27:22So,
00:27:24you know,
00:27:25it will happen and it happened.
00:27:28And it happened.
00:27:29It is my great fortune.
00:27:31I want to show you a family today.
00:27:35Because I like to love a father in my love.
00:27:38But you are a blessing.
00:27:42But Miranathu, brother, the positivity, beginning nobody believed that Kannappa will be so big.
00:27:53So, they were not sure. I don't blame them.
00:27:56Vishnagar.
00:27:57Vishnagar.
00:27:57Vishnagar.
00:27:58I'm not lying. Because I had to eat a lot of protein and I'm a non-vegetarian.
00:28:22I'm not lying. And I'm not lying. I'm not lying.
00:28:29I'm lying. I'm lying. I'm lying.
00:28:35So, in this case, there's a lot of success in Kubera religion.
00:28:43I don't know. Cinema generally, that's a different genre.
00:28:48Telugu film industry, that's a lot of money. And I'm really happy for it.
00:28:55Because in theatres, I don't want to play a lot. And the same thing,
00:29:01people are looking at Kannappa. And the audience are there.
00:29:06Actually, they are talking about Sanathana Dharma Guru. So, this is Kannappa. Sanathana Dharma Guru.
00:29:13See, Sanathana Dharma Guru.
00:29:28I was shocked. I was shocked. I was shocked.
00:29:43Shiva Bhakti, every one of these people know this.
00:29:55They don't know who Vishnu is.
00:30:00I don't know who Vishnu is.
00:30:05But going by what they said,
00:30:08I was anticipating anticipation.
00:30:12See, in the morning, I was like,
00:30:15We are going to win the race. We are going to win the race.
00:30:19We are going to win the race.
00:30:20But, in the morning, I said,
00:30:22I was going to finish a sprint.
00:30:24I was going to do a 100-meter sprint.
00:30:26That's my heartbeat.
00:30:28Okay?
00:30:29So, I was like,
00:30:31I was going to win the race.
00:30:33I was going to win the race in Karnataka.
00:30:34I was going to win the first show in Karnataka in Karnataka.
00:30:38I am very, very thankful for the Rock Line.
00:30:43And they were going to win the films.
00:30:47They were released on the three screens.
00:30:52The first film is a straight hero film.
00:30:55They are going to release only because of the first film.
00:30:58I will be honest with you.
00:31:00And in Karnataka,
00:31:01one of the biggest releases so far.
00:31:04And I have to thank Rock Line Venk Tejgar.
00:31:08You are going to win the race.
00:31:10How many shows are there?
00:31:12How many shows are there?
00:31:13How many shows are there?
00:31:14Two o'clock show.
00:31:15How many early in the morning?
00:31:16Morning, later in the morning?
00:31:18How many?
00:31:19How many shows are there?
00:31:21How many shows are there?
00:31:22How many tickets are there?
00:31:24How many tickets are there?
00:31:25How many shows are there?
00:31:26How many tickets are there?
00:31:28How many tickets are there in the morning?
00:31:29Let's talk about the movie.
00:31:38Let's talk about the movie.
00:31:40Vishnugaru is here.
00:31:41Vishnugaru is here.
00:31:42And actually, OTT deal is made by the cinema.
00:31:46But you have made deals and deals with the cinema.
00:31:49You have made a grand release.
00:31:51You have made a grand release.
00:31:52And you have made a lot of freedom with the cinema.
00:31:58But I have a very, very large freedom.
00:32:00My movie will not come to OTT before 10 weeks.
00:32:04Padivara ala mundhu naa cinema OTT lho raadhu.
00:32:09That is the deal I have.
00:32:11And amduke pakkan bitu nao I have naa ka release pressure lehu.
00:32:14Okay.
00:32:15So that is the…
00:32:16That is the thing.
00:32:17Naa kundne release pressure rehen te aein te ae,
00:32:19Preksha kul ki I want to show the best.
00:32:23And that is what we aimed at.
00:32:25I don't have that OTT release pressure.
00:32:28Vishnugaru, no.
00:32:28Vishnugaru.
00:32:29Vishnugaru.
00:32:29Vishnugaru.
00:32:30Vishnugaru.
00:32:30Vishnugaru.
00:32:31Vishnugaru.
00:32:32Vishnard.
00:32:33Vishnan.
00:32:33Vishnugaru.
00:32:34Vishnango.
00:32:34Vishn prawn,
00:32:41Vishnitara.
00:32:44See, this is the original thing that I have said about the sector.
00:32:56That's a lot.
00:32:58That's why I don't have much respect for the publicity.
00:33:06I don't have respect for everyone.
00:33:08They are not clear people.
00:33:14They are not good people.
00:33:15My director is a Brahmin.
00:33:17He is a Brahmin.
00:33:19He is a Brahmin.
00:33:21He is a Brahmin.
00:33:23So, that's the question.
00:33:26If you do the same thing,
00:33:31should you just stand at the end of the video?
00:33:34As it is,
00:33:35should you stand at the same movie?
00:33:36But, it's a Brahmin.
00:33:38Because he is a Brahmin character.
00:33:39He is a good character in the Shri.
00:33:43He is a God.
00:33:46He is a God.
00:33:48If you first want to know your character,
00:33:51you will do it.
00:33:52This is a Brahmin character.
00:33:54You will do it.
00:33:56He was not the same as his character.
00:33:58He was not the same as his character.
00:34:01He was the same as you are inspired by Maharishi Vishwamith.
00:34:06His character is an unrighteous,
00:34:08one of the greatest character.
00:34:10He was given to the same character.
00:34:12This character was only the same as his character.
00:34:16This film is the lesson for the end of the movie.
00:34:20Ultimately, you know what they told us about this movie?
00:34:26No need to be mediated, no need to be mediated, no need to be mediated, no need to be mediated.
00:34:34You can see God as many as you are. That is the underlying message.
00:34:41This is not only a sanatana dharma. Any religion, any religion,
00:34:47if you see God as many as you are, this is the cinema lesson.
00:34:55Vishnagar. Yeah. Hi.
00:34:58Mohan Mahavkaru, here you go, I have a blockbuster cinema.
00:35:02Pedrail Land, industry heads too.
00:35:04That's why, for this cinema, in particular,
00:35:06I have a budget for you, for you, for you.
00:35:11Very good question.
00:35:14One thing,
00:35:18if you want to do that script, that was all.
00:35:24If you want to do this commercial cinema,
00:35:26if you want to do this budget,
00:35:28you don't have to question your hypothesis.
00:35:30But because,
00:35:32this is a powerful devotee,
00:35:36that risk is also a good person.
00:35:40Vishnu…
00:35:41Vishnu…
00:35:42Vishnu…
00:35:43Vishnu…
00:35:44you don't have a book.
00:35:56Hzuyorum…
00:35:59See, his total episode, his total episode is 40 minutes.
00:36:09He has entered the entry.
00:36:11He has seen it in India.
00:36:13It's a lot of people.
00:36:16If he is an individual, if he is a person,
00:36:20maybe he is 5 or 10 people.
00:36:22Because he has a close-up,
00:36:24he is a long shot.
00:36:26So that is the thing.
00:36:28But Mohan Lalgari,
00:36:31I will tweet this morning.
00:36:33I will tweet this morning.
00:36:36I will tell you that.
00:36:37I will tell you that.
00:36:38I will tell you that.
00:36:39I will tell you that.
00:36:41Mohan Lalgari character will be the biggest surprise and shock element in the movie.
00:36:55Vishnagaru, first of all, I congratulate all your team for all the best efforts you have put in against every odd, every difficulty and everything.
00:37:06And I wish you a great success.
00:37:08Thank you very much.
00:37:09Vishnu Garu.
00:37:10Vishnu, I wish you all the very best.
00:37:12God bless you with a glorious landmark in your career.
00:37:16And in the family history of Manchus.
00:37:25And in the family history of Manchus.
00:37:27I think, just you referred now,
00:37:30this is Mohanlal Gurunche,
00:37:32that's the third place in the theatre.
00:37:34In Hindi, Akshay Kumar.
00:37:36In Kerala, it's not.
00:37:38In Kannadan, it's not.
00:37:40In Tamil, it's not.
00:37:41In Telugu, you are here.
00:37:44One minute. One minute.
00:37:47No, no, no.
00:37:48My question, let me, let me run.
00:37:50You know, people all know you very well.
00:37:53Yes.
00:37:54And Prabhas is a great guiding force to the film.
00:37:57All over the country.
00:37:59All over the country.
00:38:00And Vavars is abroad everywhere.
00:38:02All languages.
00:38:04Ippudu,
00:38:05entamandhi yaak chesina cinema lo,
00:38:08entamandhi spearheads unna,
00:38:10the whole show,
00:38:12the honors of the whole show,
00:38:14is on your shoulders.
00:38:16Final ga, you have to convince the auditoriums,
00:38:19you have to convince,
00:38:21appease the audience,
00:38:22and entertain them.
00:38:24Tch, ee aangil lo,
00:38:26how far you could stand.
00:38:28Vaal andther ni,
00:38:30vaal andther meedan,
00:38:32ookha towering influence laga,
00:38:34cinema lo,
00:38:35kenpinchin apppude,
00:38:36cinema ki, adhi,
00:38:37nii character play sotthinthi,
00:38:38cinema sex sotthinthi.
00:38:40Vaal andther ho passing clouds laga.
00:38:42They are not,
00:38:43they are all passing clouds,
00:38:45though they are very prominent in the film.
00:38:47Yeah, I understand that I am the anchor in the film.
00:38:49Yes, you are the anchor,
00:38:50seat anchor of the film.
00:38:52What is your comment on that?
00:38:54How could you really?
00:38:55My director wants to answer that question.
00:38:59I have another question for you.
00:39:01Let him answer.
00:39:02Let him answer.
00:39:03See,
00:39:04Please, please, please.
00:39:15Please, please, please.
00:39:18Yes, exactly.
00:39:32Yes, please, please.
00:39:47So,
00:39:48how could you save,
00:39:52how could you sustain,
00:39:54how could you accentuate,
00:39:57That is the USP film tomorrow, Kannappa.
00:40:04That is the USP film tomorrow, Kannappa.
00:40:07That is the USP film tomorrow, Kannappa.
00:40:12Tomorrow is Friday and this Friday is mine.
00:40:16Yes.
00:40:17It is Shivudu Asisilato, this Friday will be mine and I will talk to you after the first show tomorrow.
00:40:31Fantastic.
00:40:32Fantastic.
00:40:33As an actor, I will talk to you as an actor.
00:40:42I will talk to you in the last 40 minutes.
00:40:49I will talk to you in the last 40 minutes.
00:40:52Tomorrow is Friday is mine.
00:40:54I will talk to you in Shri Shri Ghar.
00:40:58I have a question for the director.
00:41:07See, this is a story or this is an episode, this is an anecdote from our scriptures of Andhra Pradesh and Telugu's more particularly.
00:41:19And now our Vishnu is introducing this content to the rest of the country and to the people who do not know about Kannappa.
00:41:29Right.
00:41:30But as a person from northern sphere of this country, right, how could you really connect it to you?
00:41:36Did it really emote you?
00:41:38Because you have directed the entire film.
00:41:40Otherwise, unless and until you were moved by the fabric of that emotion of that Kannappa.
00:41:46How could you really connect it to that?
00:41:49And what is your experience in that?
00:41:52See, the reality is every character and every incidence of any part of India belongs to whole India.
00:42:01It's not about that it happened in Tirupati or Pathappi Nadu area.
00:42:06So the other part of people cannot connect with it.
00:42:09Adi Shankaracharya born in Kerala, but whole India worship him equally.
00:42:15You will not find any place where he is, oh, he is from that part, so he is not there.
00:42:19But Adi Shankaracharya is a personality known to every region through Hindu cult,
00:42:26to every region of this country, nook and corner of this country, but not Kannappa.
00:42:32So this is the time for Kannappa to shine all over the world, not only in India.
00:42:37Because 50 years ago the last film was made on Kannappa.
00:42:40So this is the time, see, he is the, 63 Nayanars are there in that southern part of India,
00:42:45where all the big devotees of Shiva called Nayanar.
00:42:48He is considered 10th Nayanar.
00:42:50And as per my research, he is the only Nayanar who was not literate.
00:42:55He doesn't know how to write, he doesn't know how to recite, he never read any scripture.
00:43:00But still he is considered as the 10th Nayanar, one of the most important Nayanar,
00:43:05and one of the greatest devotees of Lord Shiva.
00:43:10So this is the time that all India and all over world people should know about him.
00:43:15Till now people did not know.
00:43:17See, the devotion has a similar language.
00:43:19Hanumanji from Hampi.
00:43:21But his devotion towards Ram, whole world worship him because of his devotion.
00:43:26So Kannappa was also a devotee of Lord Shiva.
00:43:28But he shown a path that everybody, you, me and everybody, whenever we go to God,
00:43:33we ask for something.
00:43:34We only go there, okay God give me this, give me this, give me that.
00:43:38But he shown that what is the real meaning of devotion.
00:43:42He never asked anything to God.
00:43:44Instead he gave his most precious things, his eyes.
00:43:47So Kannappa is an inspiration for whole generation.
00:43:51That how you should worship God and what is the real meaning of devotion.
00:43:55And we all should know.
00:43:56So till now, Northern part of India do not know about that.
00:43:59But because of this movie, there is an awareness.
00:44:02Many people are asking and many people are now circulating the stories of Kannappa.
00:44:07In Northern part of India also.
00:44:08So I think this credit goes to Mohan Babu sir and Vishnuji to bring this story and that also on this label.
00:44:16He could have made just a Telugu film or this part of India.
00:44:19But they always wanted to take this movie to all over world.
00:44:22Not only for the southern part of India, not only to the northern part of India, but to whole over world.
00:44:28So how much we succeed or not, we will know tomorrow.
00:44:31We will know tomorrow.
00:44:32But we tried our best.
00:44:33All the very best.
00:44:34All the very best.
00:44:35I just want to…
00:44:36I just want to…
00:44:37I have a request.
00:44:40I have a request here.
00:44:41All media personnel have a request.
00:44:44Please do not write it as a mythological film.
00:44:48It is not a mythological film.
00:44:50It is my book.
00:44:51The book that is sitting in the near future.
00:44:53It is written by Dr. Gavangamana from the north side of India.
00:44:57It is a book that is a book that is used against us.
00:45:00It is given to the book like you.
00:45:02From this time to the book of Kannappa.
00:45:04It is written by the book that isn't responsible.
00:45:06You can write it for a book.
00:45:07If the book is written in the beginning, if the book is written in the beginning,
00:45:12If you are written in the book, then you will have a text on that book.
00:45:15I don't know if there are national networks here, but my request to all the national media
00:45:25is that Kannapa is not a mythological film, it's based on a historical figure.
00:45:33Kannapa was amongst us.
00:45:36So you know, I'm requesting you, this is not a mythological film, he lived, he was a…
00:45:42We can debate whether, you know, what language he spoke, but he was with us and he lived amongst us.
00:45:51So I request you to not keep saying this is a mythological movie.
00:45:55Sorry to interfere.
00:45:57Indulow Chinna Parupattu Nadi Vishnu noo cheppin dhankelo.
00:46:01Indikente, all the mythological characters are not fictional.
00:46:06They are living characters on the land of India.
00:46:10Every character, Agas Chudu, Dorvas Dhu, Viswa Mithrudu.
00:46:13Vakarim Shah, the very word mythological, what's the short form of mythological?
00:46:18You tell me.
00:46:19Myth.
00:46:20What is it, myth?
00:46:22Myth.
00:46:23Does not mean, myth means, sometimes it is, it sounds like an illusion, myth.
00:46:28Sometimes, always.
00:46:29Always, always.
00:46:30Myth.
00:46:31So, I…
00:46:32Myth is a…
00:46:33Myth is a…
00:46:34Myth is a illusion.
00:46:35Wherever there is a…
00:46:36See, we can debate, we can debate about Webster's dictionary later, okay.
00:46:38But…
00:46:39I am not…
00:46:40You only, you only took that point.
00:46:41No, I am a hundred percent saying, I stand by my word.
00:46:43Kannappa is a historical figure.
00:46:44Not a myth.
00:46:45He is not a myth.
00:46:46He is not a myth.
00:46:47He is not myth.
00:46:48Who said, no, no character that is related to the god and…
00:46:50When Telegraph India, when Telegraph India writes about a mythological character, what does
00:46:51it refer to?
00:46:52When GQ India is writing about Kannappa today, right now I was just checking on it.
00:46:57Telugu films do not get into GQ UK.
00:46:58They just wrote that this week, one of the largest releases over there after F1, Megan 3 is Kannappa, okay, in UK.
00:47:10That's what I was just showing him also, okay.
00:47:13So, they just wrote that this week one of the largest releases over there after F1, Megan 3 is Kannappa, okay, in UK.
00:47:23That's what I was just showing him also, okay.
00:47:26So, they call it a mythological character.
00:47:29So, what do they think it is?
00:47:32In their sense, it can be their own idea that is.
00:47:35Exactly, exactly.
00:47:36But our…
00:47:37As far as our…
00:47:38Webster's Dictionary, we can discuss later.
00:47:40I am not talking about Webster's Dictionary.
00:47:42Not at all.
00:47:43You are talking… taking it in a wrong… on the other side.
00:47:46I don't say it's wrong… wrong way.
00:47:48But…
00:47:49What I was saying…
00:47:50I was talking about…
00:47:51Bhagavan, Bhagavan, Bhagavan, Bhagavan, Manjina, Anusandha, Nanga, Kathalugani, Nijamayna, Yadardha, Gathalugani.
00:47:58That's what happened in this world, in this world, in this world, in this world.
00:48:01No characters are created characters.
00:48:04That's what you said.
00:48:06That's why you said it.
00:48:07That's why you said it.
00:48:08It's mythology.
00:48:09Mythology…
00:48:10Mythology and Reiki…
00:48:11Sorry, Mir Japaner Japla, sorry.
00:48:12Ah…
00:48:13Mir Japaner Japla
00:48:14mythology, right in Bharat boom, he's been working on the land of India.
00:48:17All mythological characters once lived on this earth.
00:48:21Not only Kanapa.
00:48:23That's your definition.
00:48:24Okay, so Vishnu.
00:48:25So, right now, the difference between this stage is going.
00:48:30So, when the cinema released a month ago, there will be lots of speculations.
00:48:33And, there will be people who will take it in a wrong way as well.
00:48:37as well. There is still chances in any part of the India. So, post-release tensions clear
00:48:50and avoid what kind of care you are taking. See when you watch the movie, you will realize
00:48:59that what went through it, our last 40 minutes to an hour, I am not saying that there is a few
00:49:11experience, there is a few witness. They will witness it. There is no doubt about it.
00:49:17There is no doubt about it. I could have fought that. I could have fought that. As a democratic country,
00:49:35my cinema, if you choose, you refer to RC. Not if you refer to RC. If you refer to RC,
00:49:43you refer to RC. I said, okay. First to 46 juicer. That is the first time I have seen
00:49:50the cinema in the university. After that, a subject expert from Bombay,
00:49:58here is the first time I have seen the cinema juicer. I am not talking about it.
00:50:05I am not talking about it. I am not talking about it. This is the same.
00:50:12If you wait for yourself, this is the same. It is the same.
00:50:14I am talking about it that you are finding the cinema. I am talking about it,
00:50:15everyone is watching the cinema. If you have watched it at this time,
00:50:19then you will notice it at this time. Now when you are watching it at this time,
00:50:24there will be a movie is you very much. It is 99.99% she is the movie in the movie.
00:50:29It is you know, it is a movie. For example, we have a tremendous doubt in this morning,
00:50:35biggest doubt is
00:50:36one morning poster.
00:50:38It is not a pre-pide
00:50:40that poster.
00:50:41There is a statue
00:50:42Because our image
00:50:44of the statue
00:50:45we have an even statue
00:50:46of the statue.
00:50:47The statue were
00:50:49pieced out in the bottom.
00:50:51That's why I know.
00:50:52It is not very important
00:50:54they don't know.
00:50:54It is not aware
00:50:56they will know
00:50:56by doing not knowing
00:50:56by doing that
00:50:57they will verify it.
00:51:01Second thing
00:51:01I want to say
00:51:02the biggest pride
00:51:03is
00:51:03Because in March, the film was postponed to the film,
00:51:08I saw you on the first time of Shri Kalahast,
00:51:11a Sanskrit college principal,
00:51:13a ex-chairman,
00:51:16a Kalahast board chairman,
00:51:18and saw you on the blue screen,
00:51:21and saw you on the blue screen.
00:51:25I saw you on the sensor board,
00:51:30I saw you on the frame,
00:51:32and saw you on the frame.
00:51:34I also saw you on the screen.
00:51:35I saw you on the screen,
00:51:36and you also saw that video.
00:51:38I saw you on the right hand.
00:51:41I saw you on the screen.
00:51:42I saw you on the right hand.
00:51:44I saw you on the right hand.
00:51:46I saw you on the right hand.
00:51:48I felt that it was the greatest certificate.
00:51:50Shri Kalahast,
00:51:51I told you that you had a lot of pull-off.
00:51:53Like Prabhaz or Shri Thukmar,
00:51:55I told you that,
00:51:56why not Rajini?
00:51:59I don't know if I'm an Abhimanant, but I don't know if I'm an actor.
00:52:03See, I have a chance to talk to you about the first time.
00:52:07The first time I talk to you about the first time,
00:52:11the second time I talk to you about the first time.
00:52:15It's not about the first time.
00:52:17If you don't want to see you about the first time,
00:52:22and you don't want to satisfy it,
00:52:25it's not about beingminded because even if you're not,
00:52:27you'll marry a girl.
00:52:30So, talk stuff to you about the stardom,
00:52:32talk to you about the stardom,
00:52:34talk to you about the stardom and talk to you about the flu.
00:52:36Talk to me about the stardom,
00:52:37talk to you about the pure red star.
00:52:39Talk to you about the stardom and Iklaوب
00:52:42and not to be strong again.
00:52:44Don't even recognize that
00:52:48don't remind you about it,
00:52:50it's so great to look at it.
00:52:51They come with a baggage.
00:52:54I don't think the character of Rajinikandha is in touch with me.
00:52:59Because I have a track, I am doing a little bit of a track.
00:53:03I am talking to him and I am talking to him too.
00:53:06I am talking to him in the industry today.
00:53:11I am talking to him in a message,
00:53:15I am talking to him and he is talking to him and he is talking to him.
00:53:19Because industry knows what kind of risk I am taking and what kind of risk father has taken.
00:53:27And I am just hoping and praying that we will all have good wishes.
00:53:42What kind of risk do you think about it?
00:53:57When the cinema is released, I will show you the time, I will show you the time, and I will show you the time.
00:54:05I will show you the time.
00:54:09See, he has got an entire state responsibility on him.
00:54:16So, I am going to show you the time.
00:54:19Because as an actor, I am a senior.
00:54:23I am going to show you the time.
00:54:29Vishnugaru?
00:54:30Vishnugaru?
00:54:31Vishnugaru?
00:54:32You must be a bad actor.
00:54:33About the角u.
00:54:34There is someone who is interested in this film.
00:54:35Your father has all the time.
00:54:36You will be satisfied with Vishnugaru.
00:54:38Not always.
00:54:39That is what I show you.
00:54:40I do not know.
00:54:41You will be satisfied with the wish.
00:54:43My name is Bosnum, my name is Bosnum, my name is Bosnum, I am in New Zealand, I don't know how to do this, I enjoy it.
00:54:58I will answer that question.
00:55:00I will answer that question.
00:55:02One of my closest friends is Shiva.
00:55:05He is in the cinema casting.
00:55:08He is called Nanagar.
00:55:10When we go to the office, Shiva is coming.
00:55:13He is doing this.
00:55:15We have to keep working on that.
00:55:20Shiva is coming.
00:55:24I am a friend of mine.
00:55:29In the cinema, there is a character in the cinema.
00:55:33There is a character in your own.
00:55:35But he is only a character in four days, five days.
00:55:40He is a young person.
00:55:43He is an actor of reasonable stature.
00:55:47He is a young person.
00:55:49Shiva is coming.
00:55:51As a man, I was like,
00:55:56I am a man.
00:55:57He is a man.
00:55:59He said,
00:56:01Okay Shiva, I'm going to do it.
00:56:02Please come.
00:56:03In the character,
00:56:04I am not going to do it.
00:56:07Shiva character elevation only in the last climax.
00:56:11That's it.
00:56:12See, every point of view,
00:56:14one close-up is enough to feel satisfied.
00:56:19That is, Prabhu Deva Garu, Shiva, 100 percent, sir.
00:56:24That is the climax.
00:56:26Vishnu Garu, this project has a lot of hand-held, sir.
00:56:32Sorry, Anthony Garu is not afraid of him, he is not a girl friend in Madras.
00:56:36Oh, sorry, sorry, I am sorry.
00:56:49Vishnu Garu, Vishnu Garu is not a girl friend here.
00:56:52Vishnu Garu, Vishnu Garu.
00:56:54Sorry, sorry.
00:56:55Vishnu Garu, this project has a lot of success.
00:57:01Akshay Kumar has said,
00:57:03he is a director, he is a director, he is a director.
00:57:08He is never a director.
00:57:10Because, what I humour on the spot is, he is a director or the hooligan background.
00:57:17However, we have looked at a crowdfunding,
00:57:21whether we looked at a receiver or something related to an incident or something is strange.
00:57:25In that case, the behavior of a woke man is still pregnant every day.
00:57:30I had a VIET day every night.
00:57:33When you were released, you did see the video the last October.
00:57:42When you were released, you were taken to the project.
00:57:44When you were produced or you were held in the movie,
00:57:48it was a VFX Heavy Movie.
00:57:51You were directed by the director of the Bond.
00:57:54It was his fault.
00:57:56You were talking about projects like this,
00:57:59What he saw in me as a director, I don't know.
00:58:29I don't know, let's see.
00:58:50See, I have to create action, okay, for… I am making a commercial movie, in documentary theatre,
00:59:00I have to do double kawal. If you have to do double kawal, if you have to do double kawal.
00:59:05So, if you have to do something interesting, you can create action sequences.
00:59:11Because I believe action plays a very important role.
00:59:14We are a big warrior.
00:59:17So, if you have to do something, then of course, maybe you have to do something,
00:59:21or you have to do something, or you have to do something, or you have to do something.
00:59:26I have to ask you a question.
00:59:27What is the name of Bhakta Kannapun, and Kannappup title?
00:59:29That is, Thinnadu.
00:59:30So, what is the name of Kannappup title?
00:59:33Is that a justification?
00:59:35Let's try to make a film, Thinnadu.
00:59:38That original name is Thinnadu.
00:59:42Thinnadu, you can call Thinnadu.
00:59:45But in the name of Bhakta Kannapun,
00:59:48I don't know who is the name of Bhakta.
00:59:51Vishnugaru.
00:59:52Sir, I think you have to do something like GST,
00:59:56and I think there is a news for GST.
00:59:58You have to ask that question.
01:00:00You know that you are GV,
01:00:02you have to tell the budget.
01:00:03If you don't want to go to the office, please tell me what to do in the office.
01:00:12Vishnugaru, thank you.
01:00:14Actually, if you don't know where you are from here, you are connected to that prayer.
01:00:20So, you are going to play this film. You are going to play this film.
01:00:25You are going to play the stars.
01:00:27You are going to play this film as an actor, as a human.
01:00:37Very interesting question.
01:00:40Every single day, every single day, every single day, there is a question mark.
01:00:47There is a question mark.
01:00:49There is a question mark.
01:00:59Somewhere down the line, we will question the existence of God.
01:01:03That we don't have to say.
01:01:05It would be possible to ask you to take you to ask yourself, and to ask you to ask yourself, or do not do not do that.
01:01:11So, it really gives us a question.
01:01:15If you want to know what you are doing in the editing room, then you can choose what you are doing in New Zealand.
01:01:32After you choose what you are doing in the editing room, you are doing it.
01:01:37This is Shivagnath and Shivalelath. You are doing it. You are doing it.
01:01:44You are doing it. You are doing it. You are doing it. You are doing it.
01:01:48I am very strong.
01:01:49I am thinking about how to do it in the editing room.
01:01:52In my life, there is no positivity in my life.
01:01:57That is very strong.
01:02:00Although it is a amazing feel that this is in the editing room for your cinema, without a number of tickets.
01:02:11Shivalelath is not a努力.
01:02:12Professor, in the drama of Krishna Murazgaar,
01:02:15there was such drama of Krishna Murazgaar,
01:02:18past 15 hours,
01:02:20the TV events at the cinema was also done.
01:02:23Father, this is amazing.
01:02:26Even if you're doing a film as a pure man, you would have given the best wishes to be.
01:02:34Vishnu Gha.
01:02:35If you're doing a devotional movie, you're doing a devotional movie.
01:02:41If you're doing a devotional movie, you're doing a little bit more.
01:02:44If you're doing a body of personal life, I am giving you a 30-30-30-30-30-30-30-30-30.
01:02:48What are you doing with God?
01:02:50You don't think you're doing a devotional movie today.
01:02:53let me as you.
01:02:58Then failure 2 and 5 student jobs.
01:03:05Once you resign Americans,
01:03:08Mr. Economic.
01:03:10gì?
01:03:12Mr. Social Work.
01:03:15holds the same stories to me.
01:03:18working inside a mission situation and
01:03:19Who knows? I don't know.
01:03:26Vishnagar.
01:03:27Sorry, sorry. I'll just take the question from the lady.
01:03:30Vishnagar, this is Prajavan from Tayak Dalgoyal.
01:03:32Sir, if you talk about cinema, you can take liberty for cinema.
01:03:38What percentage do you have to take?
01:03:40Even if you think about them and you say, God has to take a prayer, God has to take a prayer, God has to take a prayer.
01:03:50That's it. Because that's not going to be a shiv.
01:03:53If you think about it, that's why you are prepared.
01:03:56That's why you are prepared.
01:03:58It's not going to be done.
01:04:00If you think about that, you should make a fictional character, you should do that.
01:04:09Dr. Kishnagar, why are you smiling, so you are not making the cinema?
01:04:17Dr. Kishnagar, we're still 100%.
01:04:22Of course, we never made the TV show.
01:04:26That doesn't exist.
01:04:28I am so sorry, Frank.
01:04:31I asked about this film,
01:04:34If you are the only one, you can't make a final copy.
01:04:40I don't have a show in the morning in the theater.
01:04:44Even if you are in the theater, you can't make a 845 show.
01:04:52I don't have a ticket to my executive producers.
01:04:57So, I haven't seen the movie yet. I'll be watching it tomorrow.
01:05:02I will see the movie tomorrow, too.
01:05:04I will be watching the IMAX in the evening.
01:05:07I would am able to check the show.
01:05:09I'll see you in the theater.
01:05:11I will watch the show at 8 o'clock, which I don't mind.
01:05:15Anyway, I will tell you the story.
01:05:18I will say the story shortly.
01:05:22Okay? Okay.
01:05:23So, I will be watching you.
01:05:25Yeah, hi Vishnugaru.
01:05:27First of all, congratulations.
01:05:29We are eagerly waiting for the movie tomorrow actually.
01:05:31Thank you, my brother.
01:06:01Thank you, my brother.
01:08:17You asked about the sequel, Kanappa part 2.
01:08:20Interestingly, after watching the movie, the priest from Srikala Hasthi temple, they asked
01:08:25the same question, when are you going to make Kanappa part 2?
01:08:29I told them that give me another story because this is a standalone story.
01:08:33The story we knew, we portrayed.
01:08:35In the time of the sequels and prequels where every big movie is either a sequel or either
01:08:39a prequel, this is a standalone movie.
01:08:42I think that can be a prequel.
01:08:45Maybe there could be a prequel.
01:08:46I don't know.
01:08:47You have a prequel with success.
01:08:49I don't know.
01:08:50But that will be a total war movie.
01:08:51Vishnagaru, sir, here, here.
01:08:54Sorry.
01:08:55Sorry, brother.
01:08:56We were doing the film, we saw the Pan-India level.
01:09:00We saw the Pan-India stars on the cinema.
01:09:03We saw the Pan-India stars on the Netflix and all the Kajalagarwal.
01:09:06But we saw the Pan-India stars on the FM.
01:09:10We saw the Pan-India promotions, so why did we see the film later?
01:09:14It was a very major show in the Ujjani Mahakal temple, in the indoor.
01:09:29The Madhya Pradesh Chief Minister also invited to the show.
01:09:33There was a show in many media.
01:09:36I don't want to talk about that episode.
01:09:43That entire thing canceled.
01:09:46I did not have any interviews.
01:09:49After that, we did the interviews.
01:09:54Vishnu Garu?
01:09:55Yes, ma'am.
01:09:56From the Kanapa cinema, we found the show on the Shibur path to the Shibur path.
01:10:04What are the reasons for this?
01:10:06No, I am not a Shibur.
01:10:08If you don't follow the poster, Paola.
01:10:10Akshay Kumar and all Shibur.
01:10:12That is the first role to make a Shibur.
01:10:15No, I am not a Shibur.
01:10:18Vishnugaru.
01:10:19Yes.
01:10:20So, Bangalore's song release is also available in every promotion content of Bangalore.
01:10:27So, you can see Jyothir Lingal. Thanks for that.
01:10:31And Mohan Babu Garu's talk to you and interact with me.
01:10:35So, I'm going to show you the cinema.
01:10:38I'm going to show you the first time of Vishnu and Sivay Medha.
01:10:41So, I'm going to show you the cinema release.
01:10:44I'll tell him personally.
01:11:03Because that's… that's very emotional for me.
01:11:06You know, that's a conversation.
01:11:09That's very personal for me.
01:11:14All the best, sir.