కన్నప్ప స్పెషల్ ఇంటర్వ్యూ | Manchu Vishnu Exclusive Interview on Kannappa | Asianet News Telugu - video Dailymotion

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Transcript

00:00:00First and foremost, thanks to everybody, Muthigaru, G.V., Anwar. Thank you very much that you all came up with me.

00:00:06You all came up with G.V. on the 12th Jadwet and the first two websites opened.

00:00:13And of course, I was very proud of Anwar.

00:00:19I was proud of you as a journalist, but I was proud of you. You are a 4th generation.

00:00:26I was proud of you.

00:00:29You are a 4th generation.

00:00:31You are a 3rd generation. You are a 5th generation. You are a 4th generation.

00:00:35And now you are a 5th generation.

00:00:37Yes. You are a 3rd generation.

00:00:39You are a 4th generation.

00:00:41There are a lot of names.

00:00:43You are a big number of names.

00:00:47But thank you.

00:00:49Why not I am not a individual because I thought, let's do something innovative.

00:00:56Let's have a free talk.

00:00:58I don't want to talk about it, but whatever we are doing right here, I just wanted to talk.

00:01:02So, thanks for coming.

00:01:04And before going to start,

00:01:08I think the word is better to say that.

00:01:10Sure, sure.

00:01:12What is the word?

00:01:13Isn't it?

00:01:14I am not saying that.

00:01:16I am not saying that.

00:01:17I am not saying that.

00:01:18I am not saying that.

00:01:19I am saying that.

00:01:20I am saying that.

00:01:21I am saying that you are saying that.

00:01:23That's okay.

00:01:24You should be seeing people without mentioning the digital habits.

00:01:26No, I mean you see content.

00:01:28It didn't say you doing anything, but I am not saying that.

00:01:31Well, just here at the present, it would be very cool.

00:01:34That's the one.

00:01:36Currently, I am the trending person, I am happy for it.

00:01:39If you are doing a podcast,

00:01:41I shall see when you discuss it and discuss it

00:01:44that it could have been the use of with Isa.

00:01:46Do you believe that?

00:01:47That may even be a Inspix Australiafic Casey,

00:01:50but the best advantage is a bad person.

00:01:51it would have to say,

00:01:55so he could sign a person,

00:01:57so he can sign a person,

00:02:02so they don't want to say,

00:02:04so they don't want to sign a person.

00:02:07I'm going to tell them to sign a person,

00:02:10But you have to say,

00:02:13to come back and see,

00:02:18Then you have to say,

00:02:19Not in general.

00:02:20See, if you have journalism, you will accept it because you will have to accept it in the mainstream.

00:02:29Unfortunately, negative news goes faster than positive news.

00:02:33So, that is the reason that negative news is that only a select few news will travel.

00:02:38I am going to tell you that the people who are going to go to the world is going to go to the world.

00:02:46The people who are going to go to the world is going to go to the world.

00:02:48Suppose you make someone who is going to go to the world.

00:02:51All of them, they can do that if you do it.

00:02:52You have to set where to go, you are going to go into the world.

00:02:54The person who is like to say that is one of the people who cannot go to the world is going to be there.

00:02:58It is easy to say that even you can take the world's self-taught.

00:03:00As you can think of yourself.

00:03:00You can take the world's self-taught.

00:03:02So, when you take the world's self-taught, you can take the world's self-taught.

00:03:06So, you do not want to go to the world's self-taught.

00:03:09You know, Sir, I can't choose Twitter or Twitter that you could use your own light.

00:03:13I think I can't choose your own light.

00:03:16No, it was funny. You know what?

00:03:19This is very funny, you know.

00:03:21But then you can see me on a photograph.

00:03:24I took a photo of the camera, before I took the photo of the camera,

00:03:28and took a picture of the camera, it was there.

00:03:30So, I took a photo of the camera.

00:03:32You have a hobby?

00:03:34Yes, it is.

00:03:34Then you saw it.

00:03:36I saw it on my team, too.

00:03:37Sir, I went to my key three camera,

00:03:39and came to my school.

00:03:41Okay.

00:03:42I went to my development.

00:03:43Okay.

00:03:43That's the story.

00:03:44That's the story.

00:03:44I'm sorry, I'm sorry. I'm sorry.

00:03:46So, we will talk about this.

00:03:49So, if you have any accounts, you can pay for the account.

00:03:52It's in triple figures.

00:03:55Triple figures, in the middle figures.

00:03:56Sir, there are triple figures in the world.

00:03:59I don't know.

00:04:01I don't know.

00:04:03I'm going to tell you.

00:04:05I'm going to tell you about books.

00:04:06I'm going to tell you about IT.

00:04:09You already have IT.

00:04:11I don't know if there are any other questions in the books, so I'm going to ask you how clean it is.

00:04:17I'm going to open it up and say, we are from IT.

00:04:21I'm afraid I'm going to buy my office.

00:04:23I'm going to buy my tax.

00:04:25I'm afraid I'm going to buy my IT.

00:04:28I'm afraid I'm going to buy my IT.

00:04:31I don't know about it, but it's probably one of the biggest budget movies.

00:04:39I'm afraid I'm going to buy it.

00:04:41This year is the biggest budget?

00:04:43So far, it will be one of the biggest budget.

00:04:47Why is the biggest budget in this year?

00:04:49If you have the biggest budget in the cinema, that could be bigger.

00:04:53That will definitely be bigger.

00:04:55OJ also has the budget.

00:04:57I don't know.

00:04:59I think it's around 200 crores or something.

00:05:02This will be bigger.

00:05:04Sir, this is the 5th anniversary of the movie.

00:05:07Three hours, ten minutes.

00:05:09This is the scenario in this day.

00:05:11After 3 hours, after 4 hours, there are two parts.

00:05:16Do you have any idea?

00:05:17I mean, when I was shooting, I would say,

00:05:19I would say, I would say, I would say, I would say,

00:05:21what is your occuring in a sketch?

00:05:22At the same time, I would say, no.

00:05:23Therivedo is the time of the book.

00:05:24I'm going to teach the book.

00:05:25You are going to teach the book.

00:05:26You are going to teach the book.

00:05:27You have to teach the book.

00:05:28You have to teach the book before God's book.

00:05:30If you are the Chronicles of Kannabpa before God's blessing, it is okay.

00:05:38See, the whole idea of this is that I am very excited about it.

00:05:43How many of you know, Kannabpa knows how many of you are.

00:05:47That means, if you are 1636 or 1636 or 1636, it is okay.

00:05:53But, how many of you know, God is the only one who is the one who is the one who is the one who is the one.

00:05:59If you want to make a first point, you want to make a second point, and you want to make a second point.

00:06:08So that graph was very interesting for me to write. That is the major story.

00:06:13If you follow a character, it's only because of that.

00:06:16If you are in Sarangamiku, Krishna Rajagarthi Kannappa, Bakhtu Kannappa,

00:06:20If you want to make a last few sequences, because that is the story.

00:06:25That is the thing. But what happened before that is what is important for me.

00:06:30And that is what you can do. That's all make-believe.

00:06:34That's what you can prepare.

00:06:35You can prepare for that. You can prepare for fantasy.

00:06:38If you want to make a first idea, if you want to make a first idea,

00:06:47I'm a huge fan of Lord of the Rings. Lord of the Rings.

00:06:54If you are in college, you can do comic books, comic books, novels, and movies.

00:07:01I've been extensively watching the movies.

00:07:03I've been doing the Rings of Power.

00:07:06For me, there was an opportunity for this. The world of Kannappa.

00:07:14And then I said, okay, why can't I do this?

00:07:17That's what I wanted to do.

00:07:19And I said, I told Vishnu, if you are in the middle of the Rings,

00:07:23I've been in the middle of the Rings.

00:07:25I've been in the middle of the Rings.

00:07:27I've been in the middle of the Rings.

00:07:29I've been in the middle of the Rings.

00:07:31I've been in the middle of the Rings.

00:07:32Even though I've grown up great Heads and I've been in the middle of the Rings.

00:07:34I've brought in storyboard artists.

00:07:37Did you know Sri Kala has crossed his mind during the time,

00:07:40I know he was a person who offered.

00:07:42And he's taking the input from the table and from the table and from the table.

00:07:45Inputs, any of you, any of you, any of you, any of you,

00:07:49That's it.

00:07:50So parallel, I was working on the storyboarding,

00:07:53I was working on costumes, characters,

00:07:58Location scouting, there are a lot of countries.

00:08:01In 2019, they decided to leave New Zealand.

00:08:07I was like, this is where my Kanapa is coming.

00:08:11I don't want to leave the Kanapa.

00:08:13And then we locked.

00:08:15So, if you look at the cinema, there are extraordinary visuals.

00:08:20But in general, I have been shooting.

00:08:22I have been doing a set in a couple of years.

00:08:25It's easier to set one set.

00:08:27Do you want to set the cinema?

00:08:30That's the beauty, isn't it?

00:08:31Many of you have been set for a lot of people.

00:08:34That's right.

00:08:35That's why you have given a 9,000-acre farm.

00:08:39After the 9,000-acre farm, there was a set in a couple of years.

00:08:44I was like, I'm very happy that you don't have to set the cinema.

00:08:49Why?

00:08:50Because it's a lot of people who don't have to set the cinema.

00:08:52And Chanaman said that there were a lot of VFX in the first teaser.

00:08:56That's why we wanted to do Vimersil.

00:08:59We wanted to do CG, and we wanted to do Vimersil.

00:09:04Second teaser had very large VFX.

00:09:08That's why they didn't have to do that.

00:09:10So, that's how the people psyche is.

00:09:13I don't know.

00:09:15Most of them, in your visuals, most of them are outdoor.

00:09:19So, if you want to set the set in a set.

00:09:23Probably, that's why.

00:09:24See, as long as you talk about it,

00:09:26Because we like that, the film doesn't have to set it.

00:09:32The film doesn't have to set it in a blue map.

00:09:35The film doesn't work in a lot.

00:09:36Once you understand that, let's do this in a direction.

00:09:38So, you want to do the direction.

00:09:39Now it's like the director.

00:09:39The cameraman.

00:09:40So, you want to do this in the direction,

00:09:41and the production designer did a great job.

00:09:43That is what I think, and I hope in this cinema,

00:09:46you want to make sure that the film is worth the value of it.

00:09:49We went majorly on the story, and that you will see. See, one thing which I am very very confident, I was very confident of the music.

00:10:04We released four parts. In the four parts, we have got huge responses. Shiva Shiva Shankara, Dandaratha Love Song, Dandaratha Nanagarthi Introduction Song, Dandaratha Srikalasi Stalapurano.

00:10:19So, the biggest barometer of my life is that it is a musical hit. It is a musical hit. And the question is, Stephen Devesi is a music director.

00:10:31A lot of people know that Stephen Devesi, Shankara Mahadeva, is a very famous Ganesh Tothra, Ganadakshaya, Ganadikshaya.

00:10:39Breathless.

00:10:40Yes, Breathless Ganesh Tothra. This is Ganesh Tothra.

00:10:43And his album is called Sacred Chance.

00:10:46Sacred Chance is produced by the sacred chance, and it is called Kalki Bhagavan.

00:10:52So, Kalki Foundation is traced.

00:10:55He is a music director. He is not a music director.

00:10:58He is a music director. He is a music director. He is a music director. He has a music director.

00:11:02And he is. Yes. Stephen Devesi.

00:11:04In 2017, Stephen Devesi reached out to Ramoji Film Theater. He is a shooting at Ramoji Film Theater.

00:11:09I said, I don't know, but I'm a music director. Because the sound is not too bad.

00:11:23I've been doing the cinema for under 30 years.

00:11:29For 30 years, I don't have theater goers.

00:11:33But maybe 10-15% in the first week.

00:11:40So, I wanted to create a music that would resonate with each generation.

00:11:46So, he did a great job.

00:11:48It was a Prabhas intro, a Mon Lalgar intro.

00:11:51Then, all clangs, five tribes songs.

00:11:58So, I wanted to make a song for a good song.

00:12:00That song.

00:12:01That song is a good song.

00:12:05I wanted to make a song for a good song.

00:12:10I just bought WC.

00:12:13I made a song for a lot of people.

00:12:15I wanted to make a song for a good song.

00:12:17The song was like, I don't want to make a good song.

00:12:19I'm like, okay, I'll come.

00:12:21I'll come.

00:12:23So, he was gracious.

00:12:24So, I wanted to make a song.

00:12:26Well, I can tell you.

00:12:28In my personal opinion,

00:12:30Today's project,

00:12:32Today's project,

00:12:34Today's project,

00:12:35Today's project,

00:12:36Today's project,

00:12:37Today's team,

00:12:39Today's technicians,

00:12:40Today's project,

00:12:41Today's project,

00:12:42Today's project.

00:12:43Today's project.

00:12:44Could be,

00:12:45Maybe,

00:12:46But...

00:12:47I'm not about the hero.

00:12:48No, no, no. I understand,

00:12:49I'll tell you.

00:12:50I'll tell you.

00:12:51See, everybody has a limited buzz.

00:12:53Buzz. Okay, it depends on the market. Okay.

00:12:58If you want to tell the project that you want to make a new project,

00:13:02it would have created only probably a certain bus even in Telugu states.

00:13:08But, I wanted the story to be very large. Very large.

00:13:13I want to explain to you my question.

00:13:15So, there are cinema audiences in Telugu states.

00:13:21People are not talking about it.

00:13:23They are not talking about the cinema, they are talking about the cinema, they are talking about the cinema.

00:13:28They are not talking about the negativity.

00:13:34What do you think?

00:13:36What do you think?

00:13:37I think it's not the thing.

00:13:39What do you think?

00:13:40I want to explain to you a chance.

00:13:42What was my track record in the last 2-3 Fridays?

00:13:46My track record in the last 3 releases.

00:13:48They were not up to the mark.

00:13:50So, when someone with not up to the mark,

00:13:53is trying to do something so ambitious,

00:13:55first and foremost,

00:13:57I want to explain to you a question mark course.

00:14:01Okay.

00:14:02Two of them,

00:14:04will you pull it off?

00:14:06If you want to explain to you a subject,

00:14:08you will be able to explain to you a bit.

00:14:09You will be able to explain to you a bit.

00:14:11You will be able to explain to you a bit.

00:14:13That's what it is.

00:14:14It's only the morning show that you have to do.

00:14:18Yes, of course.

00:14:19Okay.

00:14:20It's only the morning show that you have to do.

00:14:21I have the biggest confidence in both of them.

00:14:23I have the biggest confidence in the major.

00:14:24I have the previous Ravi.

00:14:26I have the other Ravi.

00:14:27Yes.

00:14:28Oh, and get involved in the work.

00:14:31When I want to explain to you a bit,

00:14:32I will tell you a bit about the Ravi.

00:14:34They are first off.

00:14:36Ravi, oh, oh, oh, it was so amazing.

00:14:41They are now asking me and why I am not here to be mixed with them.

00:14:46And they aren't doing any of these things.

00:14:49I will look at the second round, and then the second round.

00:14:53I will tell you.

00:14:54I have to avoid two months after two months.

00:14:59That's right.

00:15:01That's right.

00:15:03I know that the film is going to be postponed.

00:15:06What I said in March is that, okay,

00:15:09this rough year of VFX,

00:15:12Srikalasi is called Pradhanachukul,

00:15:14he is called Sanskrit College Principal,

00:15:17he is called former Devastanam Board Chairman.

00:15:21My film is now on June.

00:15:23I will tell you,

00:15:24I will tell you,

00:15:25I will tell you,

00:15:26I will tell you,

00:15:27I will tell you.

00:15:28And then, Ashok,

00:15:29he is called the show.

00:15:30He is called the Raviyan.

00:15:32He is called the Kona Venket.

00:15:35He was very rough.

00:15:38He was not in the RR,

00:15:40he was not in the blue mantle,

00:15:41he was also in the VILAC.

00:15:44He was in the first 10 minutes,

00:15:48I was told to hug him,

00:15:49that he was pumped for me to say,

00:15:51I am not in the blue mantle,

00:15:53I was told to hug him.

00:15:54And he was very close.

00:15:59There were many different things,

00:16:00there were several different things,

00:16:01and then there were several different things,

00:16:03there were several different things,

00:16:04and then there were several different things.

00:16:05This is what I have achieved, that's what my message was.

00:16:09Of course, if you don't have any questions, you will have a dialogue.

00:16:12You will have a blessing.

00:16:15Then, Vinny was a father, his wife, Sudeikhar.

00:16:22Uncle Jus is one of them.

00:16:25You are the only one that I've ever seen before.

00:16:30But it's not Hinduism, it's a pure devotion.

00:16:34It's a pure devotion, it transcends all religions.

00:16:37It's a pure devotion, it's a superb movie and I feel like it.

00:16:41See, it gives me encouragement.

00:16:43But, if you don't know about it,

00:16:46if you want to find an extraordinary art in the film,

00:16:51you can reach out to the audience.

00:16:53For example, if you want to see the film,

00:16:56there is a D-release.

00:17:00In 2006, November 23rd, there was a D-first show in the Prasad Lab.

00:17:06It was released on April 13, 2007.

00:17:08There was a Prasad Lab that came to the show in the Prasad Lab.

00:17:12But, if you want to see the film, you can see the average of customers.

00:17:17And then, you can't distribute it.

00:17:19That's why it was the last year of Nanagar.

00:17:22God, there is a lot of distribution.

00:17:24In the average of the film, there is a lot of blockbusters.

00:17:26There is a lot of blockbusters.

00:17:27There is an example.

00:17:28There is a lot of history.

00:17:30Money.

00:17:31So, all that, so, what I am trying to say, when it comes back,

00:17:35ultimately, I have disappointed Nanagar fans.

00:17:42I hope with this movie, I will be able to say sorry.

00:17:48But, I will say, I will tell you, because Ramjojagar Tarsan has a lot of work in the process.

00:17:52But, this is the point of the film.

00:17:54But, I will tell you, it will tell you that I will tell you that.

00:17:57I hope, maybe, that is a slow start, it will be released on the start,

00:18:02But, Ramjojagar Tarsan has a lot of work.

00:18:05It will probably be my answer.

00:18:08But so far, in this year, in the T-series, it was released in Mahashivarath in one month in Mahashivarath.

00:18:17It was released in the T-series. It's not my data, it's my dad.

00:18:22It was released in the highest played song.

00:18:26In the first two days, Srikala has the release of Mahashivarath in Mahashivarath.

00:18:31It was released in the early days of Mahashivarath.

00:18:35We had a call on Mahashivarath. They said, please do not release it. This is going too high attraction on Mahashivarath.

00:18:42It was released only now, Mahashivarath.

00:18:44It was released in the early days of the Apple and iTunes. It's in the top 7 trending.

00:18:51It's Shiva Shiva Shankara.

00:18:53So, we were quite happy with it, of course.

00:18:56If you listen to the audio...

00:18:58Are you listening to that?

00:18:59Who is listening to the audio?

00:19:01Who is listening to the audio?

00:19:03You are going to be able to distribute it.

00:19:04I am not sure.

00:19:05No, I am not sure. I am not sure.

00:19:06I am not sure. I am not sure.

00:19:07I am not sure.

00:19:08You are listening to the audio?

00:19:09You are listening to the audio?

00:19:10Okay.

00:19:11Even though.

00:19:12I am not sure.

00:19:13In the last 5-6 years ago, the music was released.

00:19:15I am not sure.

00:19:16I am not sure.

00:19:20I am not sure.

00:19:21You are listening to the audio video.

00:19:23I am not sure.

00:19:24Somewhere.

00:19:25July – that song over 3 years ago…

00:19:28In the last year, the score was made 83 lakhs.

00:19:33In 2012, it made 83 lakhs, that one song.

00:19:38That's why it was a full run, it made a few crores, that one song.

00:19:42So I realized the potential of the songs.

00:19:44If you want to hear the song, you can hear the song.

00:19:48See, it's only folk songs.

00:19:51So if you want to hear it, I have a collection of about 150 songs.

00:19:55It's directed to Eshwara.

00:19:57If you want to hear it, I have bought rights of songs, like many villages, etc.

00:20:08So I know the potential of the song.

00:20:10So that one song was pretty high.

00:20:13I can tell you about it, I can tell you about the drama of the song.

00:20:16How can I tell you about it?

00:20:18Love song.

00:20:20In my career, I believe that's one of the best love songs.

00:20:23If you want to release that song,

00:20:26You can see the interaction of the song and the other side of the song.

00:20:32It made a sense of it, a lyrical video.

00:20:36I can tell you about it.

00:20:39I'm going to tell you about it.

00:20:41Sensor.

00:20:42Yes.

00:20:43I was like, what?

00:20:45This, he had a wife.

00:20:47Her name was Neela.

00:20:49He had a wife.

00:20:50She has a wife.

00:20:52We live in the room.

00:20:53I don't know.

00:20:54You know, it's like a romance.

00:20:56Then the next pill is going to get a drum song.

00:20:57It was an extraordinary song.

00:20:57A drum song.

00:20:58It's an extraordinary song.

00:20:59It's a drum song.

00:20:59It's an extraordinary song.

00:21:00It's a drum song.

00:21:00Huge.

00:21:01Huge.

00:21:02I was stuck over there.

00:21:04Now, how do I explain to this?

00:21:06I was like, Shivudu Parvati is the biggest love story.

00:21:08Orkama is that?

00:21:09Orkama is that?

00:21:10Orkama is that?

00:21:11Orkama is that?

00:21:12Orkama is that?

00:21:13Orkama is that?

00:21:14esserian Who are food so many women?

00:21:15Orkama.

00:21:16Orkama is that?

00:21:17Orkama resistance?

00:21:18Orkama is that?

00:21:19Orkama is become true?

00:21:20Orkama resistance to Do level it.

00:21:21Orkama is that?

00:21:22The boyhood También karşıests have also had tolerance.

00:21:24These women are a great year.

00:21:26They feel hopelessly frameworksàng afraid of

00:21:28they don't feel others.

00:21:31They don't see the impact.

00:21:32Who's going to be interesting.

00:21:34The song called STUDENT VOICE is

00:21:36Today's WA Sankar did I call it SIVA SHIVA SHANKARA.

00:21:38We don't want to enter your songs,

00:21:40I have to read other songs.

00:21:41Bettina close to my statue.

00:21:42If you want to go to the note, you can go to the note.

00:21:45If you want to go to the note, you can see it in the background.

00:21:48That's recorded proof.

00:21:50If you want to go to the cinema or the camera, you can see it in the cinema.

00:21:53I had an issue with that.

00:21:55But if you want to go to the original, you can see it in the middle of the note.

00:21:59The two of them, you can see it in the middle of the note.

00:22:03So, there are two versions.

00:22:06So, I think I'll have more challenges as the sensor comes to it.

00:22:09The data will come always four months later.

00:22:18Four months later.

00:22:19T-Series will have to give us the entire data.

00:22:21You can see the number of three figures.

00:22:28About 200.

00:22:30Maybe 200 or 300.

00:22:32Yeah, 300.

00:22:34Below 300.

00:22:36That's a good point.

00:22:37But, what rights are you?

00:22:39How do you think about it?

00:22:43You know, I have a very interesting question.

00:22:45You know, I have a very interesting question.

00:22:46You know, I have a mark-layer rate.

00:22:50There was a Bombay company which wanted to release it all over India.

00:22:52A corporate company.

00:22:54So, I am talking about...

00:22:56Theatrical release?

00:22:57About the...

00:22:58Theatrical release.

00:22:59Other than Telugu states.

00:23:00Other than Telugu states.

00:23:01Other than Telugu states?

00:23:02Only North Hindi were released.

00:23:03Only North Hindi were released.

00:23:04You know, Valdagar said.

00:23:05Well, over the topic, they were like,

00:23:10See, what's your advanced life?

00:23:13You know, we're going to do that.

00:23:15We'll be looking at it.

00:23:17I said, wait.

00:23:19Maybe you and your company.

00:23:21You have to go to the court in the court.

00:23:23You have to get a job.

00:23:25You have to get a job.

00:23:26You have to get a job.

00:23:27You have to get a job.

00:23:29I don't want you to distribute your movie, if you think, I don't want a single penny from you.

00:23:41I told the CEO, I don't want a single penny from you.

00:23:45I walked out and I told him, I see it as my baby, I want such a partner.

00:23:57I don't want a single penny from the first conversation, but I can't do it.

00:24:02I walked out and he said, this is purely my own funded money.

00:24:08You can do it in the banks.

00:24:11Okay, no film finances, no film finances, no traditional finances.

00:24:16You can pay the bank to pay the bank.

00:24:18If you do this, you know, you don't have any rights.

00:24:23You don't have any audio anymore.

00:24:27I wanted a very large number for OTT.

00:24:32They gave a via media number.

00:24:35But I was like, no, if the movie is a hit, what would be a number?

00:24:41They gave a very interesting number.

00:24:43They said, if you collect this movie, we will give you this number.

00:24:47I said, I will get the check ready.

00:24:51Check ready to get the check ready.

00:24:52Can the minimum guarantee amount add to it?

00:24:55No, once you get locked in, we have an upside down.

00:25:00We have an upside down.

00:25:02I am pretty sure that you have seen it in the theatre.

00:25:06So, OTT depends on the performance, which is it?

00:25:11Yes.

00:25:11Depends on the performance.

00:25:13How did you say that?

00:25:14They announced it.

00:25:16They are not supposed to announce.

00:25:17Sure.

00:25:18And plus, there is a gap in 8 weeks.

00:25:208 weeks.

00:25:218 weeks gap is clear.

00:25:22So, it is 100% multiplex release.

00:25:23Yes, 100% multiplex release.

00:25:25So, OTT is clear.

00:25:29Yeah.

00:25:29Now, satellites are going to start negotiations.

00:25:33Now, what I want to say is that I am doing this range of movies first time.

00:25:40But I do not know how the sales are happening.

00:25:43So, if I hire a sales company,

00:25:46they will be able to start negotiations.

00:25:49If you are not in front of it,

00:25:50you will be able to start this number.

00:25:52Let them do it.

00:25:53One hard question.

00:25:55Please.

00:25:56If you have a small family,

00:26:00they will start to make it a couple of years into the cinema.

00:26:05Hmm.

00:26:06That is one of the things.

00:26:08The cinema has been in the same place.

00:26:10You have seen many films.

00:26:12You have seen many films, you have seen many films.

00:26:13And you know, now you are saying that.

00:26:16There is an investment.

00:26:17But I have done a fairfarm.

00:26:21You have seen a banner for me,

00:26:23and you have seen a film for me.

00:26:25I was like, I was like, I am a single film in the last year.

00:26:28But you're like, I'm a home band.

00:26:32You're like, I'm not a bad person.

00:26:34You're like, I am a person.

00:26:37I was like, I'm a person.

00:26:40You're like, I'm a person.

00:26:42So, I have...

00:26:43I have two questions.

00:26:45I'm like, I'm a person.

00:26:47I'm a person.

00:26:49I'm a person.

00:26:51How did you get to the cinema?

00:26:54How did you get to the making?

00:26:55How did you get to the making?

00:26:58Industry.

00:26:59So, how did you get to the carmical?

00:27:00That means, we can't get to the carmical.

00:27:04You are the father, right?

00:27:05Yes, I am.

00:27:06I am the father of the education institution.

00:27:12I asked him to get to the income and get to the cinema.

00:27:20Okay, yes. That's a good thing.

00:27:22Now, Sri Lidhyana said that educational trust is not my business.

00:27:27Please understand that.

00:27:28It is a trust.

00:27:30It is a trust.

00:27:31Trust.

00:27:32Okay.

00:27:33So, why did you get to David Chetan?

00:27:35If you get to the carmical, you can get to the carmical.

00:27:38You can get to the carmical.

00:27:40If you get to the carmical, you can get to the carmical.

00:27:42You can get to the carmical.

00:27:44If you have any business, you don't even have a clue.

00:27:49You can get to the carmical.

00:27:50You can get to the carmical, you can get to the carmical.

00:27:51Yeah, that's the only thing.

00:27:52You can get to the carmical.

00:27:53You can see other institutions, engineering colleges, other colleges, from LKG to LKG.

00:27:58Even university.

00:27:59Even university.

00:28:00MBU.

00:28:01That's it.

00:28:02I mean, it is a trust.

00:28:04Yes, that entire university is an trust.

00:28:06You can't touch the trust.

00:28:09Any educational institution, it has to be a trust in the country.

00:28:13Okay. But trust me, is it okay that you produce art collection?

00:28:18No, no, no. What kind of art collection is your worth?

00:28:22So, how much art collection is it?

00:28:24But I have an art collection. You know, how much art is worth?

00:28:27Paintings or art pieces?

00:28:29Paintings. Paintings. Only paintings.

00:28:30Art is there? Paintings. Paintings.

00:28:35Any notable artist?

00:28:38This generation is all contemporary artists. I will tell you one thing.

00:28:41I have a painting of a Padmati Devi.

00:28:45Delhi artist came to the first campsite in 2014.

00:28:50And in that kitchen, she got 3-4 lakhs ROJ.

00:28:53Okay. But ROJ was worth very high.

00:29:00Now, that same artwork is worth around 2 crores.

00:29:06Wow. That's not true.

00:29:08I have quite a few. I think I have around...

00:29:10No, no, no. Everything. No, no, no. Everything. I have the artwork. All my artwork.

00:29:16You have a university.

00:29:19I don't think you went around the university.

00:29:21No, I didn't.

00:29:22Yes.

00:29:23In the Baharat.

00:29:24In Asia, it is one of the best campuses.

00:29:29Of any university.

00:29:30You can make sure.

00:29:31I don't understand.

00:29:32My work is worth 25 crores.

00:29:33The people who are preparing to prepare for a long time.

00:29:37The challenge is to let anybody replicate Moun Babu University.

00:29:41But what do you think about it?

00:29:43My library is worth 25 crores.

00:29:46All my artwork is in the library.

00:29:49That library? Yes.

00:29:51All my artwork.

00:29:52If you want to call it,

00:29:54everybody should enjoy art.

00:29:57They should come. And you also know,

00:30:00The property belongs to the trust of you.

00:30:03The art foundation is mine.

00:30:06But do you know that,

00:30:07as I am talking about it,

00:30:09when I am talking about art work,

00:30:12the artist is the name of the artist.

00:30:15An artist is the name of the artist?

00:30:17Yes.

00:30:18Expensive art is the name of the artist.

00:30:21There are quite a few.

00:30:23There are many artists who are interested in Therugurashtra.

00:30:26People who are interested in with the true video,

00:30:28Because of the artist as a famous artist,

00:30:30The name of the artist is Ramesh Gorjarar that is the name of a poet.

00:30:32That is the name of the artist.

00:30:34And to the artist,

00:30:37the artist is the name of the artist.

00:30:38And the name of the atem support is the name of the artist.

00:30:40The Prime Minister autographed that and gave it to me.

00:30:41I was talking about that,

00:30:43Ramesh Gorjala.

00:30:44He is the name of Ramesh Gorjala.

00:30:45First to start, one by one size was around 15,000 rupees. Now the same one by one is 80,000 rupees. I kept investing on it.

00:31:07It was a share market. Pure share market. But these artists don't have knowledge, so there is somebody else who looks into it and all that.

00:31:16No, that's what I'm saying. So, investment, this is, we are doing business.

00:31:22It doesn't make sense. We keep making movies.

00:31:27Not only in the film industry, there is zero sense. This is pure passion.

00:31:36This is pure passion.

00:31:38There is a passion in the industry.

00:31:41You have a business, you have a director, you have a business,

00:31:46and you have to do a project in the same way.

00:31:50Especially with my family.

00:31:52You have to talk to me, you have to talk to me.

00:31:55You have to talk to me. He's achieved, he's done it.

00:31:57You have to talk to me.

00:31:59I believe that this is a nature.

00:32:02Other than this, I don't know anything else.

00:32:05People say that maybe for you, journalism might you know, give you a kit.

00:32:10For me, he doesn't want to talk to me like that.

00:32:13This is all I want to do in my life. There is nothing else I want to do.

00:32:16You should not think that.

00:32:17Are you making a business partner?

00:32:19Well, there is funding for you.

00:32:21It would be a survival goal.

00:32:22But it does not take a survival goal.

00:32:23Survival goal.

00:32:24If you talk about businessmen, it's 100% success. I'm not. I'm not.

00:32:28But you don't have to say anything about it.

00:32:29No, that is your perception. You don't have to say anything about business.

00:32:32You don't have to say anything about the chain of schools.

00:32:36If you don't have to say anything about businessmen, my wife,

00:32:40you don't have to say a bottle of water.

00:32:43Boutique.

00:32:44Yeah, not a boutique.

00:32:45In 2022, she launched a bottle of Chinnapilala, Maison Eva.

00:32:50Under 12 years of kids, she started a Pukka building.

00:32:54Right now, in 2022-2025, she's now in 14 countries.

00:33:01Her head office is in Milan, Italy.

00:33:03And she's the biggest store in Nalabai.

00:33:07First Indian designer, Harrods.

00:33:10In 175 years history, in London, Harrods,

00:33:13she's the first Indian designer to be displayed there.

00:33:15Next to Louis Vuitton, in London.

00:33:17She's the first Indian designer.

00:33:19How do you do this business?

00:33:20She is far more educated.

00:33:22I am.

00:33:22In the water business school, she's graduated.

00:33:24So she is far more better.

00:33:26You are better than you, and you are getting a lot of money.

00:33:28You are getting a lot of money, and you are getting a lot of money.

00:33:31You have to raise money.

00:33:34How do you deal with a lot of money?

00:33:36No, I am.

00:33:37I am getting a lot of money at all.

00:33:39Amen.

00:33:40Yeah.

00:33:42Choose not.

00:33:43Yeah.

00:33:44I don't want to choose not.

00:33:46Sorry.

00:33:47But in India, we have the best stars in this culture.

00:33:50Mohanlal, Prabhas, Akshay Kumar.

00:33:54Do you have any options?

00:33:58Do you have any options?

00:34:00I think there was one option I wish it would have been great.

00:34:05In my opinion, I had to let go of the character.

00:34:14But in my opinion, my wish list would have been Rajnikan.

00:34:18In my opinion, he was a major.

00:34:20In my opinion, if there was an announcement about a track,

00:34:26the writers feel like they took it out.

00:34:28But in my opinion, that would have been my own.

00:34:31But in my opinion, Rajnikan is a major.

00:34:34But it's not a big deal.

00:34:37It's not a big deal.

00:34:39I don't want to ask a question about the situation like this.

00:34:41Same thing.

00:34:42To say, Prabhas,

00:34:44if you choose not,

00:34:46you should choose what you want to do with Prabhas.

00:34:48See, I wanted someone like a giant to come there.

00:34:51A giant to come there,

00:34:53a giant to come there,

00:34:54a stage on a chip,

00:34:55automatically come there.

00:34:57So that is why I had to go and

00:34:59and Prabhas is not the same.

00:35:00You don't have the characters.

00:35:02If you choose both of them,

00:35:03you can choose to choose both of them.

00:35:04He's a giant to come there.

00:35:05He chose Rudra's character.

00:35:07And when his development took place,

00:35:09he was more instrumental.

00:35:11But would you like Shiva character?

00:35:13No.

00:35:14He didn't like Shiva character.

00:35:15He didn't like Shiva character.

00:35:16He didn't like Shiva character.

00:35:17He didn't like Shiva character.

00:35:18He didn't like Shiva character.

00:35:20He was a giant to come there.

00:35:21See Walni,

00:35:22let them go ahead and go and be silent.

00:35:23We didn't want to acknowledge,

00:35:24we didn't want to deny.

00:35:25Sir,

00:35:26don't you want to say anything about this film?

00:35:27Does he say anything about this film?

00:35:28Well, well, well, well, well, well.

00:35:29Well, all of them have two big blockbusters.

00:35:31It's not my luck.

00:35:33It's a huge luck.

00:35:34I was lucky.

00:35:35And in the world,

00:35:36the world's famous actor,

00:35:38he's in the world's famous.

00:35:40He was a kid in the mood and he was a kid. He was a kid in a book called Matlade.

00:35:46He said, I was a kid.

00:35:50He said, I was a kid, I was a kid, I was a huge fan.

00:35:55I was a kid who was traveling and I was a kid and I was a kid.

00:35:59He said, he was a kid who was watching a hot star.

00:36:06He is one of the biggest superstars, and in the room, let it be, even the chief ministers, anybody, they get up, they wish him, that is a state chair and aura he has.

00:36:19He doesn't act even 1% of his stardom.

00:36:23He is a Shivaraj Kumar.

00:36:26He is a Shivaraj Kumar.

00:36:31He is a Shivaraj Kumar.

00:36:36These big superstars are so humble.

00:36:39That is what I learnt, being humble.

00:36:42The third thing.

00:36:44The third thing is, I don't want to do it.

00:36:48If you are in the studio, I don't want to do it in New Zealand.

00:36:52I want to do it in 6-7 days.

00:36:55I want to do it in New Zealand.

00:36:57I want to do it in New Zealand.

00:37:00I want to do it in New Zealand.

00:37:02I want to do it in New Zealand.

00:37:04I want to do it in New Zealand.

00:37:06I want to do it in New Zealand.

00:37:08I want to do it in New Zealand.

00:37:10Plus, I am a huge fan of yours.

00:37:12I want to do it in my wife.

00:37:14I want to do it in my husband.

00:37:15Look at this fellow, he is behaving very silly.

00:37:18No, no, auntie.

00:37:20I don't want to hug you.

00:37:21I said, you don't realise how big a thing for me it is.

00:37:24So, Jiwi, I grew up looking at these legends.

00:37:27I have access to them.

00:37:29But, I don't want to do it in New Zealand.

00:37:33I don't want to do it in New Zealand.

00:37:35I don't want to do it in New Zealand.

00:37:37Audience audulation, I already got it.

00:37:39D, I know. D, I know. D, I know.

00:37:41Even my first film.

00:37:42I don't want to do it in New Zealand.

00:37:44I want to do it in New Zealand.

00:37:46I want to do it in New Zealand.

00:37:48You never question my acting skills.

00:37:50You always question my choice of making movies.

00:37:53You always question me.

00:37:55But for me, internally,

00:37:57I want to give praise to an actor.

00:38:01For me, my acknowledgement was Mohnalal.

00:38:04But the biggest confidence I got was Ram Gopal Ormagar.

00:38:10I look up to him as my guru.

00:38:12If I was angry, I would say, he's a guru, guru.

00:38:16He's a raudi.

00:38:17He's a raudi.

00:38:18He's a raudi.

00:38:19He's a raudi.

00:38:20He's a real person.

00:38:21He's a real person.

00:38:22He's a real person.

00:38:23He's a real person.

00:38:24He's a real person.

00:38:25He's a real person.

00:38:26He's a real person.

00:38:27So, that is my relationship with Monlal Garu and the way he came and performed.

00:38:31Phenomenal.

00:38:32Phenomenal.

00:38:33Jivin, in the first one, there was a big deal of dialogue with three pages.

00:38:37I had to say it.

00:38:39I have to ask him to apologize because he's called a Matlada.

00:38:43If he was a Matlada, he is a member of his team.

00:38:46If he is called a Matlada then, he is a member of his team.

00:38:50If he is a member of his team, he will be ok.

00:38:51He will give you two steps.

00:38:52He said, Monne, you did a good job.

00:38:57Very good job.

00:38:59He said, I didn't get up from there for two minutes, I didn't get up from there.

00:39:05I didn't get up from there. It was such a great feeling for me.

00:39:11You know, I got an acknowledgement from one of the greatest actors.

00:39:15So, there was a sequence.

00:39:18After the third time, there was a fight.

00:39:20I was able to do a fight.

00:39:22I was able to do a fight.

00:39:24I was able to do a shot.

00:39:27What is it? I was able to do that in the film.

00:39:29I was able to do it.

00:39:31I was able to do it.

00:39:32It was an extraordinary shot.

00:39:33It was a wide shot in the mountain.

00:39:34It was a superb shot.

00:39:36But it was a wide shot.

00:39:39It was a mountain edge.

00:39:41After the third time, there were a lot of similarities.

00:39:44I was able to do once and see how I lived to the high.

00:39:49You are not alone.

00:39:50You can take a shot.

00:39:52You can take a shot.

00:39:54That's why I started a psychosis.

00:39:56What's the highest?

00:39:57You take me to the top of the building.

00:39:59I was able to climb into this bar.

00:40:00As I was able to see, I broke my bottom leg.

00:40:02My left ankle is broken.

00:40:04Then I was able to see how I gained.

00:40:06So all I was able to bring in the highest place.

00:40:08There are people who with me.

00:40:09I have Aage-la Patron, family members.

00:40:11Friends.

00:40:12In the same way, there was a different feeling.

00:40:14I was like,

00:40:15That's right.

00:40:16The director said,

00:40:17Vishnu said to me,

00:40:19Vishnu said to me,

00:40:20He said to me,

00:40:21He said,

00:40:22He said,

00:40:24He said,

00:40:26I can't ask him to wear a harness.

00:40:29He said,

00:40:32He said to me,

00:40:34He said to me,

00:40:37He said,

00:40:39Vishnu, what's going on?

00:40:42Uncle, nothing.

00:40:44They just compose this, do that.

00:40:46We're just changing it.

00:40:47Uncle, we'll do a cut shot.

00:40:49Why?

00:40:51Anad,

00:40:52You will...

00:40:53Yeah, I saw it long back.

00:40:55I'm already wearing a harness.

00:40:56Anad,

00:40:57Fightmaster,

00:40:58I don't want to use this.

00:40:59He's not going to use this harness.

00:41:01He did the first take.

00:41:03He was done.

00:41:05I was like,

00:41:06Wow, our shot will be a highlight shot.

00:41:08In a short time,

00:41:10He's got two shots from the climax.

00:41:13That is,

00:41:14Full visual worthy.

00:41:15I think so.

00:41:16He just stopped timing.

00:41:21I said,

00:41:22I'm not going to have time.

00:41:23I wouldn't have time.

00:41:24I'm not going to work.

00:41:25I'm not going to work.

00:41:27I'm not going to have a good job.

00:41:28That's not.

00:41:29He was not going to have managers.

00:41:31I'm not going to have the doctor.

00:41:32He's smart.

00:41:33He's a great manager.

00:41:34In other words, we also have an audience in the cinema channel.

00:41:39They have a lot of barriers to the heroes.

00:41:46If there is a fan of Nagarjuna,

00:41:49they have a member of the family,

00:41:51they have a lot of them.

00:41:52They have a lot of previous fans.

00:41:54They have a lot of them.

00:41:55They have a lot of them.

00:42:00But they have a lot of them.

00:42:02They have a lot of them.

00:42:04But how do you decide your family?

00:42:06That's why you have a lot of them.

00:42:08I don't know how many people are doing.

00:42:13But I will also tell you,

00:42:14that I will say,

00:42:15that I am sorry for the fans.

00:42:18That's why I am sorry for the fans.

00:42:20That's why I am sorry for the fans.

00:42:24Why would you say something about my fans?

00:42:30It's not related to success.

00:42:33Even if you look at senior hero, junior hero, talk hero,

00:42:39If you look at the failure, you might think of it as a hero.

00:42:43But you don't have to be aware of it.

00:42:44You don't have to be aware of it.

00:42:46Yes, you don't have to be aware of it.

00:42:47You don't have to be aware of it.

00:42:49You don't have to be aware of it.

00:42:51You are defending and defending the fight in social media.

00:42:55That would definitely be there.

00:42:57If you look at your phone number, they will probably answer this question to you.

00:43:03They will probably be a better judge than this.

00:43:05No, there are a lot of fans.

00:43:07If you look at me at the same time, check me out and check me out.

00:43:12You don't have to be aware of it.

00:43:15You don't have to be aware of it.

00:43:16You don't have to be aware of it.

00:43:19You don't have to be aware of it.

00:43:22You don't have to be aware of it.

00:43:24You don't have to be aware of it.

00:43:27My English is an issue.

00:43:29Man, I don't have to be aware of it.

00:43:31But maybe as much as a big family, there are no other people,

00:43:35or Vishnu or anything like that, there are two people who don't come,

00:43:40They would say that there are fans who don't come either.

00:43:43Or audience from the audience.

00:43:44Do you think your friends are particularly free.

00:43:45Do you think our health services are more than that?

00:43:50Yes.

00:43:52There are more than that, my friends are more than that, my family is more than that.

00:43:56You can't take a whole amount of fans or a half of that.

00:43:59You can shift in the major.

00:44:00There are many fans.

00:44:02If you have the same thing about the cinema, the audience will shift to the show.

00:44:08The show will shift to the show will be the show too, but the show will be the show will be the show.

00:44:14The loyalty of the fans will be there as long as you satisfy their desire.

00:44:20They spend their time, effort and money. And I should respect that also. And that culture is there, not here, around the world.

00:44:39They spend their time with Taylor Swift and Amitabachchan. After a stage, let us say the stage of Father, Chiranjeev, Amitabachchan, Rajnikan, everybody becomes a fan of them.

00:44:52And they go for the younger generation. So that keeps shifting. Maybe mine will start increasing after June 27th.

00:45:00I will say that. If you are interested in the future, you will be interested in the attitude.

00:45:09I will say that my attitude is not going to be any problem.

00:45:15I will say that. I will say that.

00:45:17I will say that you have a summary of all the interviews.

00:45:21If you are interested in the attitude of your family, you have an attitude of your family.

00:45:29My attitude is mine. I was born with this attitude.

00:45:32You are not going to be any problem. This is my attitude.

00:45:36My attitude is not going to be true.

00:45:38If you are in public, you are in public, you are in public, you are in the public, you are in the public.

00:45:44I should be myself. I can't act in public. I shouldn't act in public.

00:45:50I should not act in public. No, that is cheating. I can never cheat.

00:45:54That is something I can never believe.

00:45:56If you are fans, I will say that.

00:45:57I will say that.

00:45:58I will say that.

00:45:59I will say that.

00:46:00I will say that.

00:46:01I will say that.

00:46:03See, I will tell you one thing.

00:46:04Sir, you have to go down to earth and add a little bit of a variation.

00:46:07I have to go down to earth and add a little bit of a variation.

00:46:09How does it go down to earth and add a little bit of a variation?

00:46:10If there is success, I will be highly tied to the actor.

00:46:13That is it.

00:46:14That is it. It is matter of success.

00:46:15Sir, I will say that.

00:46:16It is a matter of success.

00:46:17I will say that.

00:46:18I will say that.

00:46:19I will continue to put a lot of success in the posting of the fans.

00:46:22If the fans sing a lot of content, there will be a lot of success.

00:46:24No.

00:46:25I did.

00:46:26I lost it.

00:46:27I will beaccoonate.

00:46:29I will be honest with you.

00:46:30I will beaccoonate.

00:46:31But if they are the best generation, but they will be still here.

00:46:36They will not be the best generation.

00:46:37If fans think about cinema, they are such a much.

00:46:41That has a very much success.

00:46:43In other words, the biggest competitor for everybody, I'll tell you, when you talk about it, you'll agree to it, is YouTube. Nobody else.

00:46:56And content consumption is pretty high. Content consumption is pretty high.

00:47:01You have to give them something, which they do not get elsewhere. If you don't like TikTok, you'll do a lot of people.

00:47:13They were competing with everybody. They were competing with us.

00:47:16If you were creative, those guys were doing far better creative things than us.

00:47:21So it became a cash. But I'm also telling you, because the topic came,

00:47:25So, before the interview, we were very scared about how artificial intelligence is going to take over the entire thing.

00:47:38And the third thing is, the attitude of this hero is not that I'm a fan of it,

00:47:45I'm not a fan of it, I'm not a fan of it.

00:47:46I'm not a fan of it, I'm not a fan of it.

00:47:50You must have created a character. There is a movie you should watch.

00:47:57What's your point?

00:47:58You can tell me, what you want to do, what you want to do in the future.

00:48:04But now, the only motion capture is your face, your expression, me and not you.

00:48:09Yes, yes, it's a whole.

00:48:10You can do measurements and measurements.

00:48:13What?

00:48:13I'm going to talk about it in Bangalore.

00:48:16It's in Bangalore. Bangalore government is a part of the Whitefield.

00:48:20But one week back, when I was in the next film, we just got a photogrammetry.

00:48:25Yes.

00:48:25What is it?

00:48:26It's simple, okay, 20 days, 30 days, you will have a body of the day,

00:48:33and then you will have a body of the day.

00:48:35So, you can tell me, what you want to do?

00:48:37Okay, third thing is, you can do live music.

00:48:41When you are recording another song, you can record another song and then the other song you can record.

00:48:46You can record another song, from there, each song is replaying it.

00:48:49There are little songs that you can record in the studio, we can record,

00:48:53One song that you would record will be a single song.

00:48:57The story is still one single歌.

00:49:00Very different songs that perform a little music, they have to sing it all over again.

00:49:05That is what I said about in the movies, Balu, I had 12 years, 15 years played in the movie.

00:49:11There is a gus and take-take and gus. So, we saw that. What is now?

00:49:18Now, if you have a song in a live orchestra or you already have a song in a digital instrument,

00:49:25then you don't have a song in a park.

00:49:28Then you say, Vishnu, Prabhasa, Nijanga act,

00:49:33then you say that you don't have a dupe act.

00:49:37Then you say that you don't have a dupe act.

00:49:44You don't have a dupe act. You don't have a dupe act.

00:49:47You don't have a dupe act. You don't have a dupe act.

00:49:50So, what's your problem? There shouldn't be a problem for you.

00:49:54So, Vishnu is a bodybuilder?

00:49:56You don't have a dupe act. You don't have a dupe act.

00:50:00But he was four inches shorter than me.

00:50:04So, you don't have a dupe act.

00:50:07You don't have a dupe act. You don't have a dupe act.

00:50:10I said, I said, if you have a double unit,

00:50:14you can do a long shot.

00:50:16You don't have a dupe act.

00:50:17You don't have a dupe act.

00:50:19You don't have a dupe act.

00:50:20You don't have a dupe act.

00:50:21It would help a bodybuilder.

00:50:23I'm searching, but I don't have a dupe act.

00:50:26So, I don't have a dupe act.

00:50:28You don't have a dupe act at the time.

00:50:29Prabhasa, you're a dupe act.

00:50:32I'm a dupe act.

00:50:33You don't have a dupe act.

00:50:34I have a dupe act.

00:50:36You don't have a dupe act.

00:50:37I just don't have a dupe act.

00:50:38I don't have a dupe act.

00:50:39I have a dupe act.

00:50:40I have a dupe act.

00:50:41I have a dupe act.

00:50:42I have a dupe act.

00:50:43Because we had limited dates.

00:50:44Less than 10 days, we will be done.

00:50:46So, we will be done.

00:50:47We will actually shot everything,

00:50:49set up and set.

00:50:51Matching the lighting.

00:50:53The cameraman, the theatre artist,

00:50:56camera movement so that the director,

00:50:59The director said, this is what it is.

00:51:01We will shoot, edit, choose,

00:51:05and we will talk about corrections.

00:51:07These are the dialogues. This is it.

00:51:09Done.

00:51:10Actors are going to shoot.

00:51:12So we reshopped the entire thing again.

00:51:14Actors are already out.

00:51:16We will do the actors in the place.

00:51:19So the cameras were locked. That was locked. This was locked.

00:51:21I have to look at the body double.

00:51:23I have to look at the camera.

00:51:25I have to look at the camera.

00:51:27That's not his.

00:51:29That's what I'm talking about.

00:51:31Of course.

00:51:32You are to look at the camera as the camera.

00:51:35That's why.

00:51:36Now I'm talking about the camera.

00:51:38At this screen, I would be starting to khay.

00:51:43Why does you talk about the fact that you are the hero?

00:51:45Once you will see that.

00:51:46If you can choose your cinema,

00:51:48if you have a figure to do it,

00:51:50when we don't get players,

00:51:52it doesn't make sense.

00:51:54The discussion itself,

00:51:56What is that action sequences are going to be duped?

00:52:00That's why it takes a lot of time.

00:52:03So, you are also going to excuse me.

00:52:05The heroes are going to excuse me.

00:52:07You are going to excuse me.

00:52:09You are going to do this and you are going to prepare me.

00:52:12To satisfy you, we are using the technology.

00:52:15The audience is going to satisfy you.

00:52:17So, there is nothing wrong.

00:52:20You should be happy.

00:52:22If you do this, then you should question it.

00:52:24That's why it's duped.

00:52:25I'm going to ask you for the first time.

00:52:27I'm not convinced that I have to blame you.

00:52:28I'm going to blame you.

00:52:29I'm going to blame you as a hero.

00:52:32I'm going to blame you as a hero as a hero.

00:52:34I'm going to blame you as a hero as a hero,

00:52:35and this is a fan.

00:52:37This is a funny feeling.

00:52:39So, I've said that one day,

00:52:41the audience will evolve as well.

00:52:43As long as the difference is not known, it is okay.

00:52:45But, if you're interested in any of this movie,

00:52:47it will be given to anyone.

00:52:49For example, the Fall Guy.

00:52:51In English, that's what he said.

00:52:53What a Hollywood hero said,

00:52:55he said, he said,

00:52:59He said, my body doubles.

00:53:01He said, this is rock.

00:53:05He said, body doubles as it is, they will flaunt him outside.

00:53:08They will show, this is my body double.

00:53:10And that is okay.

00:53:11He said, Mark Wahlberg's pose.

00:53:15He said, he said, who will be Mark Wahlberg.

00:53:19So that is fine.

00:53:20He said, that's fine.

00:53:22He said, he has a lot of angles.

00:53:24He's handsome.

00:53:25If you look at the angles,

00:53:27you have an image.

00:53:31What's your face?

00:53:34Yes.

00:53:35Yes.

00:53:36Yes.

00:53:37He's a big fan.

00:53:38He's a big fan.

00:53:39He's a big fan.

00:53:40He's a big fan.

00:53:41He's a big fan.

00:53:42He's a big fan.

00:53:43Okay, he's a big fan.

00:53:45You're a big fan.

00:53:47You're a big fan.

00:53:50And now you're a big fan.

00:53:51You're a big fan.

00:53:52You're a big fan.

00:53:53You're a big fan.

00:53:54You're a big fan.

00:53:55Let me take the case of Prabhasan.

00:53:58Now you have to scan the whole thing.

00:54:02If you see Prabhasan, you've scanned it.

00:54:04You've scanned it.

00:54:05You have to scan it.

00:54:06And then you've been given it.

00:54:07Next I am talking, which is going to come in the next 5 years

00:54:105 years later, let's talk about 3 years

00:54:133 years later, the first scan of Prabas

00:54:16Your mother is the director

00:54:18Okay?

00:54:19You don't want to have Prabas in the theater

00:54:25Okay, every 8 months, the Prabas will be released

00:54:29The Prabas script says, this is what I would do

00:54:32This is what I would do

00:54:35I would say, that I would do this for 20 days

00:54:38I would say, I will be a creative coach

00:54:41I will be a creative coach

00:54:43If you are a creative coach, only Prabas will be there

00:54:46Not just Prabas, any hero and Prabas will not age

00:54:49Vishnu will not age, Allo Arjun will not age

00:54:52Gopichand will not age

00:54:54They will always be like that

00:54:56The RAP is the same way

00:54:58If you are a kid, okay

00:55:00RAP is like Ramara and Nanana and the supporting character

00:55:06If you are a female-manager character, the next child will be the character

00:55:11Okay.

00:55:13Okay. I want to give him the character, and I want to give him the character.

00:55:16I want to give him the character to his character.

00:55:20I'm going to ask him the character to his character.

00:55:23Then he's going to act like that.

00:55:24I don't think he's the character.

00:55:26He's going to be like, he's going to be a little bit more like this.

00:55:30I don't understand that.

00:55:31He's going to be like that.

00:55:32I'm going to give you some advice.

00:55:34No.

00:55:35Look, what happened here?

00:55:37I can do it today.

00:55:39What do you want to do?

00:55:42Do you want to do anything? Do you want to do anything?

00:55:46Suppose, I don't have permission.

00:55:50I want to create a character in the cinema.

00:55:53Beautiful question.

00:55:54Now, this is what the Movie Artists Association has revised the agreement.

00:56:01Now, the entire council has spoken to me.

00:56:04Do you want to do anything about my character?

00:56:08Do you understand?

00:56:09There are two things.

00:56:11When I started to strike Hollywood two years back,

00:56:14this day, Prabas came out and started acting.

00:56:18When I saw you in the cinema,

00:56:20the Chronicles of Karnappa,

00:56:22after I saw you in the movie,

00:56:24I saw you in the movie in the movie.

00:56:28I used the character,

00:56:30and I asked you,

00:56:31how can you use that?

00:56:33You are not going to do anything about me.

00:56:35You are not going to do anything about me.

00:56:36I am going to do anything about you.

00:56:37I am going to do anything about my character.

00:56:39Who holds the IP?

00:56:41I already had a judgment,

00:56:42I did not see you.

00:56:44I was a singer,

00:56:46or...

00:56:47Yeah.

00:56:48What did you say?

00:56:50What did you say?

00:56:52You are a song of the song of the song.

00:56:54It's not your voice.

00:56:56In the music as a song of the song,

00:57:02I was a singer of the song.

00:57:03And a youthful song were a song of the song.

00:57:05I was a singer of the song.

00:57:07I was a singer of the song of the song.

00:57:09Yes, now that's why you run a point correctly. You know they are impersonating. They are not saying impersonation or mimicry. They are not impersonating.

00:57:19If you are a Vishnu, they will come and say, okay, you are a Vishnu. They will come and do drama. That is acceptable. Imitating is acceptable. Impersonation is wrong.

00:57:31So, you can't use my voice. You can't use my voice. You can protect your voice. Now, every actor is on board to do all of this.

00:57:42I imagine that they are not saying that they are imitating, not impersonating.

00:57:51You are not saying that you are not a human being. You are not a human being. You can't use it as a human being.

00:57:57So, when a Hollywood strike was in a very recent, this was the reason why they strike.

00:58:01But I did not judge anyone who did that. I did not judge anyone. I called for a dialogue.

00:58:06All actors' agreements revised. As you and as you and as you and as your character, we made an entire love of the lawyers.

00:58:14With my own money, I did it. And I passed it on to the Movie Artists Association.

00:58:19Let every actor use this terminology.

00:58:22There will be a lot of problems in the future.

00:58:24There will be IP rights to the producer.

00:58:26There will be IP rights to the producer.

00:58:28There will be IP rights to the producer.

00:58:29So, the question is a very grey area.

00:58:32I can replicate it. I am the producer.

00:58:34Rajnikan is an actor.

00:58:36So, I mean, if I do part 2 extended cameo, he can't fight me out.

00:58:41Actually, I have a question for the Nallinikanth, Rajnikanth,

00:58:46if you look for the poor man's challenge, Rajnikanth is a person.

00:58:49I am serious about it.

00:58:51If you look for Nallinikanth, Rajnikanth, they come here too.

00:58:54This is the case.

00:58:55The IP rights to the IP, like the AAUsasana.

00:58:59Yes. Writers. First, we start with the writers.

00:59:02I am the SAG following.

00:59:04Screen actors.

00:59:05That's the case.

00:59:07Now, there is artificial intelligence in Kannapal.

00:59:11It's very new, now there are only main actors in Kannapal.

00:59:16Maybe another one and a half, two years in Kannapal.

00:59:19You will not know how to start the film in Thiluk.

00:59:26You will not know how to start the film in the original language.

00:59:31Why, now I will not know how to start the film in Thiluk.

00:59:40So, what will you do to tell the film in Thiluk.

00:59:45A dubbing artist will tell the film in Thiluk.

00:59:49Now, we will map this voice in AI.

00:59:53As it is, I will talk to Thiluk.

00:59:56As it is Thiluk, I will show you in the editing room right now.

00:59:59As it is, Akshay Kumar will talk to Thiluk.

01:00:01I will talk to Thiluk.

01:00:03I will talk to Thiluk.

01:00:05After that, I will shoot the first time.

01:00:08After that, I will tell the voice dubbing artist.

01:00:11They will not be able to start a company in Canada.

01:00:13They will not be able to start a company in the Canada company.

01:00:17They will change the company in the Bombay company.

01:00:20As it is, Akshay Kumar will talk to Thiluk.

01:00:25Tamil, Malayalam, Vishnu's voices are in all languages.

01:00:28So, we went one step ahead.

01:00:31We changed a lot.

01:00:33We changed it.

01:00:34Lip sync as per the language.

01:00:35As per the language.

01:00:37We changed it.

01:00:38In this film, there are only female characters in the film.

01:00:44In which we have seen all female characters in the film.

01:00:47We have seen all male characters in the film.

01:00:48So, what is the character in the film?

01:00:49There is a long song.

01:00:50Heroin?

01:00:51In that one.

01:00:52That's right. Of course, Madhubala Garu, the introduction J. Suman, the Andhra, Parvati Devi.

01:01:00There are a lot of women's characters. There are characters in Suraikamani Garu, Ayishwarya Garu.

01:01:05They are also in the teaser.

01:01:07Did you set the set of the movie? No, no. Director.

01:01:11Action work is also in the director.

01:01:14Action work is also in the director.

01:01:16And any sequence is also in the movie?

01:01:19Yes, yes.

01:01:20Did you say the war sequence?

01:01:22The war sequence is in 18 minutes to 12 minutes.

01:01:25Now, I'm going to go to the movie's trim gym.

01:01:28It's very difficult.

01:01:29It's very difficult to see the war sequence in the movie.

01:01:33Since it's beginning to build up, it will be a very phenomenal war.

01:01:37In other words, we have a lot of experts in the war episodes.

01:01:40We have a lot of people who are looking at the screen.

01:01:44We have a lot of standards.

01:01:47Maybe they will raise the standard. Let's hope. Let's pray.

01:01:51We never...

01:01:52We never...

01:01:53We will never expect that they will raise the standard.

01:01:56They will never expect that they will raise the standard.

01:01:57The people who are going to consume,

01:02:00they will set the standard.

01:02:02So, I hope and pray that they will accept it as a new trend.

01:02:08I think like one of the main main tasks is that the king will retain the standard.

01:02:12There are 15 minutes or 20 minutes or 25 minutes.

01:02:15We have an last term.

01:02:16There is a last term.

01:02:17There is only one.

01:02:18So, we're going to take a pre-claiming.

01:02:19Correct.

01:02:20That is correct.

01:02:21And once you start the pre-claiming of the fact that, if they are thinking about the profession, who would choose to well choose what would the profession also?

01:02:28If you call the profession, who would choose to go the profession

01:02:32Between the next and the profession, the profession would choose to the and the profession would choose to be a tough task

01:02:41After all, this expectation, is a tough task

01:02:46Do you want to go back to these two?

01:02:48First of all, I want to ask you the biggest question that you missed.

01:02:54These two are the main question.

01:02:55If you want to ask a question,

01:02:58what is the first question?

01:03:02Everybody knows the climax.

01:03:07If you want to see any cinema,

01:03:11you can see the question mark in the climax.

01:03:14If you want to see any cinema,

01:03:16you can see the climax of the climax.

01:03:18Now, if you want to see any movie,

01:03:21So, I believe we wrote a very good script.

01:03:25And the father-son emotion between Sarat Kumargaru and mine,

01:03:30we are the main villain of Goudalu.

01:03:36All that will lead to Goudalu's fight.

01:03:40Kangua.

01:03:41Kangua.

01:03:42Kangua.

01:03:43There is also a concept.

01:03:45Kangua is a fight between each other.

01:03:48The story is...

01:03:49It is also a good one.

01:03:50It is a good one.

01:03:51It is a good one.

01:03:53It is a good one.

01:03:54It is a good one.

01:03:55The story is a good one.

01:03:58As far as he was face,

01:04:07I would say it was very popular.

01:04:16See, I look at it very positive way.

01:04:18Shivaya, it became, probably, that was comical because of the film.

01:04:28Otherwise, it became, you know, it was quite a thing.

01:04:32If I didn't accept God's name, I didn't accept it.

01:04:37Okay, that I didn't...

01:04:40But, I think, in a single film, that dialogue was done.

01:04:46Do you want to get serious action?

01:04:48I want to get serious action.

01:04:49That's the problem is that you're going to get back to the film.

01:04:52If you're going to get back to the film, you're going to get back to the film.

01:04:55You've got to get sketches, you've got to get a lot of risk.

01:05:00I don't have time, I don't have time.

01:05:05I don't have time to get back to the film.

01:05:07I don't know what I'm thinking about, it was only positivity for me.

01:05:12I don't think I'm going to get back to the film.

01:05:16But, if you have to answer your question, you'll answer your question.

01:05:19But, you're very good, isn't it?

01:05:23I don't know what you're thinking about in the mind of the film.

01:05:29Do you think you're afraid of people?

01:05:32You're a factionist, you're a lack of potential.

01:05:35You're afraid of people.

01:05:38You're afraid of people.

01:05:39You're afraid of people.

01:05:40You're afraid of people.

01:05:41You're afraid of people.

01:05:42You're afraid of people.

01:05:43You're afraid of people.

01:05:44You're afraid of people.

01:05:45You're afraid of people.

01:05:46You're afraid of people.

01:05:48You're afraid of people.

01:05:49You're afraid of people.

01:05:50You're afraid of people.

01:05:51You're afraid of people.

01:05:52You're afraid of people.

01:05:53You're afraid of people.

01:05:54You're afraid of people.

01:05:55You're afraid of people.

01:05:56You're afraid of people.

01:05:57You're afraid of people.

01:05:58You're afraid of people.

01:05:59I wrote a letter to the producer concert.

01:06:02This is the action.

01:06:04No, I will tell you what I wrote.

01:06:05This is also called the producer concert.

01:06:08When we were all in a time, and at a time,

01:06:12we were all in a time.

01:06:18We were all in a time.

01:06:24In the industry, there were a few questions.

01:06:28Of course, there is no way to congratulate the message, but there is no way to comedy.

01:06:36No way to cinema.

01:06:39This is a big trend in the industry.

01:06:42If you want to address it, you don't have to go to cinema.

01:06:49So, if this is the new normal, then I answer.

01:06:53No, if this is the new normal, then you tell me, maybe I will learn this is the new normal.

01:07:01Like this. Then the producer council came into the picture.

01:07:04They said, no, no, it shouldn't have been done.

01:07:06I will tell you about 60 people, but I will tell you about 60 people.

01:07:12I will tell you about 60 people.

01:07:16Suppose I will say, I will say, I will say, I will say, I will say, I will say.

01:07:20We will say I will say, I will say I will say I will say, I will say, I will say, I will say, I will say, I will say video, is most popular.

01:07:29Very popular. See, the only thing is that, what I have learnt is that, when you look at the trend, memes are reaching very fast.

01:07:39We will talk about the first time in the interview.

01:07:41Sir, I was going to ask you a question in the first time.

01:07:45I know that you are not going to ask me.

01:07:51Sir, I am not going to ask you.

01:07:53You are very positive.

01:07:55I will answer you.

01:07:57I will answer you.

01:07:58I will answer you.

01:08:00I will answer you.

01:08:02So, whatever he says,

01:08:04That's why I have a son, and I will not accept it when they say it.

01:08:09So, I will tell you, I will tell him that I will tell him I will tell him.

01:08:13He will tell him I will tell him.

01:08:14See, he is almost 80 years old.

01:08:17And I am not a son, I am not a son. I am not a son.

01:08:22And I will tell him, okay, okay.

01:08:25I will tell him I will tell him.

01:08:26That's a video, isn't it?

01:08:29He is a big guy.

01:08:30He is a big guy. He is a big guy.

01:08:32He is a big guy, I will tell him that's why.

01:08:36That's not what I say. I don't know if you are ready to go.

01:08:38One thing is that I will tell him the answer.

01:08:40That's why I am the right person.

01:08:42Because if I am the right person, I will tell him,

01:08:45I will tell him, he will tell him,

01:08:48So, that's the one that I have to tell him.

01:08:50That made me a national issue.

01:08:52And I had to handle it.

01:08:53He got to go to the council,

01:08:54and I have to check the other side,

01:08:55and he'll tell him I will tell you,

01:08:56and he will tell him what's the problem,

01:08:58and he doesn't have the right person.

01:09:00He is a hero family.

01:09:01So I had to get inside the National Interior. I had to sit down, I had to talk.

01:09:05Where are you guys sitting in the ocean and sitting in the car?

01:09:10I have to say, you're all talking.

01:09:14If you are sitting there, your car is parked, your car is parked, the car is parked.

01:09:20This is why the president is being a Master Jason.

01:09:24This will be something like this velopment.

01:09:27The department who has ever tried anything in our department

01:09:31There's a lot of people in the department meeting, and there's a lot of memes on it.

01:09:40See, there are healthy means.

01:09:45Okay, there are beautiful healthy means where you can talk. See, I'm talking about it.

01:09:49There are really funny things which are going to say,

01:09:52You can talk about it and you can talk about it and you can talk about it.

01:09:57We keep doing it regularly, which is genuinely funny.

01:10:02There's a lot of hatred in the car.

01:10:05That is a line that you should do.

01:10:08You can't even go anywhere.

01:10:09Yes, you can't even go anywhere.

01:10:11Is it?

01:10:12Yes.

01:10:13Who?

01:10:14You're a hero, right?

01:10:16You're a hero, you're a top hero.

01:10:18You're a hero.

01:10:19You're a hero.

01:10:20You're a hero.

01:10:21You're a hero.

01:10:22You're a hero.

01:10:23You're a hero.

01:10:24You're a hero.

01:10:25You're a hero.

01:10:26So, on behalf of that, seven people motivated you?

01:10:29No, my lawyers, they saw what I did.

01:10:31Okay.

01:10:32So, they asked the lawyer information.

01:10:33You want to take a class action suit.

01:10:35Once you get this,

01:10:39You're a website, you're a new site.

01:10:43Dude, website, you're a new site.

01:10:46In the sense, people who do not have authenticity,

01:10:50And who write whatever rot they want.

01:10:53Okay.

01:10:54Now, digital laws are not existent, non-existent.

01:10:59Okay.

01:11:00Now, all the world governments are,

01:11:04They don't have to do it.

01:11:05They don't have to handle it.

01:11:07So, it's a neutral reaction of the laws that you pass in the same way.

01:11:13And the law is always passing,

01:11:14It's not supposed to be passed.

01:11:15You don't have to contact the law.

01:11:16No, no.

01:11:17They're also showing class action suit.

01:11:19But after the teaser release or YouTube videos, nobody is doing anything negative about you or Karnappa now.

01:11:32See, they can do creative criticism.

01:11:35See, there was a bunch of four people who did VFX breakdown.

01:11:39They spoke really nice.

01:11:41Well, actually, they spoke sense.

01:11:43Okay, then I said, okay, reach out to them.

01:11:45They asked them to do the QC.

01:11:49Request them, bring them on board, let them do the QC.

01:11:53So, they did a video of QC.

01:11:57One of the reasons to postpone that is, they didn't pass the QC.

01:12:01They didn't pass the QC.

01:12:03They didn't pass the quality check.

01:12:05So, then we brought them, they saw, they are the people.

01:12:08They are the final.

01:12:10That's not controlling.

01:12:12That was genuine criticism.

01:12:14Okay.

01:12:15So, if you didn't pass the quality check.

01:12:16That's genuine.

01:12:17That's true.

01:12:18That's true.

01:12:19Okay.

01:12:20If you don't want to, let them pass the quality check.

01:12:22That's true.

01:12:23Review rate, I'll tell you about the future.

01:12:25Review rate, I'll tell you about that.

01:12:28Me taste very, me taste very, me taste very.

01:12:32There is a beautiful website, Rotten Tomatoes.

01:12:35That's true.

01:12:36If you don't stay in the audience, you don't stay in the audience.

01:12:39They are too different.

01:12:40They never, very rarely are in the audience.

01:12:43Okay, Mission Impossible.

01:12:45Audience loved it so much.

01:12:47But the critics didn't like it as much as they think.

01:12:50You see it in a different angle, you see it in a different lens. But unfortunately, it doesn't look like you.

01:12:57In a few days, the perception changes according to their favourite actors also.

01:13:03It doesn't look like that. So that weighs on the thing.

01:13:07You see it in a different way, you see it in a different way.

01:13:24They didn't say Brahman. They said, it's nice, but you have to market it in a way where multiple audiences reach out. We all understand.

01:13:32But I didn't know how much of the cinema came from. I was promoted to the film.

01:13:39The film was released as a rape film.

01:13:41I was surprised by the people.

01:13:44I was surprised by the people who were standing at the same time.

01:13:49Home area, the people who died.

01:13:52I realized that I didn't make the movie for this audience.

01:13:57This film was due to the rape film.

01:13:59I was like a rape film. My son didn't know that I had to rape film.

01:14:02It was an amazing thing.

01:14:03I was surprised to say that, this film is so the same thing.

01:14:06But I'm tired of the movies.

01:14:07I thought, I was scared of this film?

01:14:09That one thing is like my future film is in a movie scene.

01:14:11Who's a funeral?

01:14:12Who's a funeral?

01:14:14Who's a funeral?

01:14:15The film is a funeral, who's a funeral?

01:14:17The film's funeral, she's a funeral.

01:14:18I'm like, you'll see it.

01:14:19I'm like, you'll see it.

01:14:20But sir, now we have been doing a show for the people of the world.

01:14:25Exhibitor, distributor, producer, and war.

01:14:31During that time, the hero has been talking about a lot of people.

01:14:34This topic is not a big deal.

01:14:36Sir, this topic is different, sir.

01:14:38This topic is different, sir.

01:14:41See, now we are talking about the biggest mistake.

01:14:45I don't know, I'm a hero, I'm a hero, I'm a hero. You know, all the 10-15 heroes.

01:14:52We all should come out with one film in Soundshan.

01:14:55Minimum one film will be a rotation in the theatre. That is the biggest mistake that we heroes are doing.

01:15:02But again, I'm going to blame him as a director.

01:15:05I'm going to blame him, and I'm going to blame him.

01:15:17The directors have to come forward, the producers have to come forward.

01:15:21The two are the theatre, exhibitors, distribution. They are two different things.

01:15:29You know, it's an open secret to all of us.

01:15:34You're also the one.

01:15:35You're the one.

01:15:36You're the one.

01:15:37You're the one.

01:15:38You're the one.

01:15:39You're the one. They control it.

01:15:40Okay?

01:15:41If you're talking about it, I'm not sure.

01:15:43If you're talking about it, it's misconstructed.

01:15:47And that leads to miscommunication.

01:15:51I don't want to talk about cinema release.

01:15:53I don't want any controversy.

01:15:55I want to talk about cinema release.

01:15:57But it's a hero-driven industry.

01:16:01Yes.

01:16:02If you're talking about the hero, everything will fall in place.

01:16:05Right now, if you're talking about the hero, it's not only cinema.

01:16:09It's not only cinema, it's not only cinema.

01:16:11It's not only cinema, it's not the theatre.

01:16:13Then we have to talk about the problems of theatres.

01:16:16But theatres are feeding.

01:16:18That's the foremost thing.

01:16:20The biggest mistake that we all have done is that industry will survive only because of the producer.

01:16:31Not hero.

01:16:32Nobody else.

01:16:33Heroes are all instrumental.

01:16:35The producer is not the film industry.

01:16:38The film industry is not the same.

01:16:39The film industry is not the same.

01:16:40The only one is strong.

01:16:42The industry is strong.

01:16:43The only one is strong.

01:16:47The producers have to come together and stand together.

01:16:50That's the same.

01:16:51Not a job.

01:16:52Have you ever been using harddisk?

01:16:54No.

01:16:55You can't do that.

01:16:56You don't have to be using backup.

01:16:57It has only been a problem.

01:16:58The only way you put up.

01:16:59The violence is true.

01:17:00The only reason for piracy is a good thing.

01:17:02But there will be not a reason for piracy.

01:17:04In seconds, there will be the issue for piracy and the person who in the second place.

01:17:08As of the time it will be released, it's not why it will be released.

01:17:11Besides that, it will be released.

01:17:12That's why I'll get him to the same place.

01:17:13I know.

01:17:14But.

01:17:15It was a film in the first place, but it was a film in the first place.

01:17:18The VFX is a courier.

01:17:23So, the back story is bigger.

01:17:26If you don't know anything in the police company,

01:17:31so I will tell you what exactly happened.

01:17:33Haiwan company, they sent it online to the DI studio.

01:17:40The first pass was jitters.

01:17:42The second pass was fine with it.

01:17:44But if there were any problems,

01:17:48I was able to take a hard drive and pump the company.

01:17:52Backup?

01:17:53Backup.

01:17:54If you pump the office address, you can't pump the office address.

01:17:58You can pump the GST registered address.

01:18:01You can't get the GST registered address in the film.

01:18:04After all, you have to take it to the manager.

01:18:08That's why you don't have the GST registered address.

01:18:11That's the GST registered address.

01:18:14Now, there is no problem.

01:18:16Now, there is no problem here.

01:18:17There is no problem here.

01:18:19There is no problem here.

01:18:21There is no problem here.

01:18:24There is no problem here.

01:18:26There is no problem here.

01:18:28There is no problem here.

01:18:30There is no problem here.

01:18:31There is no problem here.

01:18:32There is no problem here.

01:18:36That's why our journey is there. We understand that this is not a big issue, I don't know.

01:18:41So, you can tell us about the first time we can pump a hard drive.

01:18:44It's not a big issue.

01:18:46It's not a big issue.

01:18:49I have a voice in the police.

01:18:52What do we do with the FAR book?

01:18:54The media has been getting it for five days.

01:18:57They didn't know anything.

01:18:59So, then it went on.

01:19:00They will investigate. Police has the entire thing.

01:19:04If you say, if you say, if you say, whatever I said is wrong,

01:19:08you can say, if you say, I will tell you, I will tell you,

01:19:12if you say, if you say, I will tell you, anybody can do it.

01:19:14They will tell you.

01:19:16They will tell you, but we know where it is.

01:19:19So, I am very confident with the police. They will take care of it.

01:19:23Can you tell us about the same thing?

01:19:25That is, any hard drive today going on, it will be password protected.

01:19:30But anything, my phone will break, 99% safe, any phones.

01:19:34There is this point, there is this 1% chance where you can break any password.

01:19:40So, we are afraid that we will go online.

01:19:44Okay, okay.

01:19:45But it's unfortunate.

01:19:49Yeah.

01:19:50But thank you very much.

01:19:52I really appreciate it.

01:19:54I will need your support and love and blessings for Kannapa.

01:19:57It's coming out. You know, a labour of pain and it's more my baby.

01:20:02It's more my baby.

01:20:04No doubt, sir, any reviewer or any journalist can lend their hand

01:20:09Till the movie release.

01:20:11Of course.

01:20:11After the movie release, it's in the hands of the audience only.

01:20:15I don't know.

01:20:16I will not be able to do it.

01:20:17I will not be able to do it.

01:20:18I will not be able to do it.

01:20:20I will not be able to do it.

01:20:20Cinema content will talk.

01:20:22I need your help in it.

01:20:23What will happen to you?

01:20:24I will definitely need the media help in it.

01:20:26I will not be able to do it for you.

01:20:27If you have a 30th round, the media can do some favor.

01:20:28100% of it.

01:20:29Up to 30th round, the media can do some favor.

01:20:32As long as there is no negative news, no positive news, it will help you.

01:20:35See, I think, till now, no native news.

01:20:38That's all because of Shivali Lante.

01:20:40Shivali Lante.

01:20:41Thank you so much, Andy.

01:20:42Thank you very much.

01:20:43Thanks, thanks, thanks.

కన్నప్ప స్పెషల్ ఇంటర్వ్యూ | Manchu Vishnu Exclusive Interview on Kannappa | Asianet News Telugu

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