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NewsTranscript
00:00Hello everybody, this is Renu.
00:02So finally, July 10th, we are going to release Kumari 21F.
00:07We are going to release a lot of fans in the theatre.
00:13Because I am a fan of Kumari's character.
00:24So now we have Siddhu and Kumari with us. Let us talk to them.
00:27Hi!
00:28Hi, hi.
00:29How are you?
00:30Fine, thank you.
00:31Yeah, actually, you have Abba's character.
00:35Kumari's character.
00:37So, the way he entered into the set, she entered into the set and all,
00:41that is a vibe, Kumari's vibe.
00:44So, you still have a character?
00:46I actually think so, because even when I am talking to her,
00:49I realise that she is the same.
00:52So, how long have you been talking to her?
00:56Are you in touch with the regular?
00:59No, not really.
01:00Not really.
01:01But like 5 years?
01:02I think it has been 5 years since I was school.
01:055 years?
01:06Yes.
01:07Okay, okay.
01:08So, finally, Kumari 21F re-release.
01:10So, how long have you re-release?
01:12No, actually, I was very excited because it is one of my favourite films that I have done.
01:22Yeah.
01:23So, I saw a lot of films that I have done.
01:25And now it is re-releasing.
01:27So, to be honest, my film is theatre-like.
01:31Okay.
01:32I don't usually watch my films in theatres.
01:34Okay.
01:35But re-release after this one I have also.
01:37Okay.
01:38So, I want to experience that in theatres.
01:41Okay.
01:42May we know the reason why there are films in theatres?
01:46Actually, there are many reasons.
01:50I don't want to get disconnected from this film.
02:05Okay.
02:06So, I don't want the result to affect me.
02:08Okay.
02:09So, whether it is good or bad.
02:11So, we have given our best.
02:14Now, it is up to the audience.
02:16So, I try to get disconnected.
02:17Now, I have to get disconnected from the cinema and see how to get disconnected.
02:20But the film is going to be a big error.
02:21So, I try to get disconnected.
02:22Okay.
02:23That's why I try to get disconnected from within that.
02:24And we also look at it for 8 days.
02:26The second release is that I try to get disconnected.
02:31Okay.
02:32So, more fluctuations are going to be balanced.
02:35It's as simple as that, because of that, there is no reason to raise it.
02:39Okay. Kumar, you are 21 years old.
02:40If you look at the script, what do you feel?
02:45To be honest, first of all, it's not a script.
02:48For me, I am a communist.
02:50I am a part of a world of cinema.
02:58I am a part of a world of cinema.
03:00If you are from Vaisak, you will understand how far it is.
03:07If you are from Vaisak, you will understand how far it is.
03:09Okay.
03:10That cinema is in your mind.
03:12So, when I heard about the combination of Kumargar, Pratnavelgar, DSVgar, that's good enough for me.
03:20I just want to be a part of this combination.
03:26So, after that, Pratnavelgar, first of all, I was talking about Sukumargar, I was talking about it, and then Vijaygar, Thomas, and then I was talking about it.
03:37So, to be honest, it doesn't matter.
03:39I just want to be a part of it.
03:41But if you want to be a part of it, if you want to be a part of it, you will be a part of it.
03:45Okay.
03:46So, I think that in the past, women-oriented films are also the same.
03:51It's a different way.
03:55I don't want to talk about it completely.
03:59So, I think your personal life, or your age, your maturity, how do you connect with them?
04:08I think that in the past, I think I'm a little more mature than that.
04:12Okay.
04:13I think that in the past, it's not related to that.
04:15Like, if you want to be a part of it, you can connect with them.
04:23Yeah.
04:24So, the other people are connected with them.
04:25It's not about my son.
04:29It's about my son.
04:31Right.
04:32If you want to be a part of it, you can do something.
04:34I don't know.
04:35So, I'm going to be a part of it, I'm going to be a part of it.
04:40That is the main point of the story.
04:42And, I mean, like, there is no story.
04:44But, it's a different story.
04:46Obviously, the story is a character graph.
04:49You have to be immature, you have to be immature.
04:53You have to be immature, you have to be immature.
04:55But, the main point is that, I'm going to be a part of it.
04:58It's not that island.
04:59It's not that island.
05:00It's not that island.
05:01It's not that island.
05:03Right, right.
05:04So, Habba, how are you feeling about the re-release?
05:07I'm very excited.
05:08I've been wanting for it.
05:09Ever since the re-release trend started, I've been wanting and hoping that they get this
05:15thought that they re-release the film.
05:16So, I'm very happy on the 10th year, they decided to do this.
05:20Every film promotion, I'm very excited.
05:22I'm very excited.
05:23I'm very excited for Chattara.
05:24No, not just the template.
05:26I don't enjoy promotions.
05:28I don't enjoy promotions.
05:29Dude, let me defend you.
05:30Even if the customer is in cinema, obviously, you will be excited for it.
05:33Yeah.
05:34And I have template answers.
05:36Unless I feel very strongly about something very differently, which I definitely don't
05:42feel during the promotions.
05:44So, my answers are fairly template answers.
05:46So, you're not feeling different about the re-release of her film?
05:52I am.
05:53I am very, very excited.
05:54I am very, I'm excited.
05:56The result of the film is already out.
05:58I'm telling you, she is so beautiful that she is so transparent.
06:02Like, the re-release fate of the film does not matter to me.
06:08Whatever Kumari had to give me, it has given me enough in the last 10 years.
06:11And that's your first film, actually.
06:13That's my second film.
06:14Second film.
06:15First film was that.
06:16Oh, yeah.
06:17Yeah.
06:18So, everything I already had to get from the movie.
06:20So, grow up, career, grow up, starting stage, there is a lot of character in Kumari 21.
06:24And most of the time, heroines, industry entry, more bubbly character strips.
06:32Of course, your character is bubbly, but character emotion, depth, characterization, depth are very different.
06:38But to be honest, I didn't know Telugu at that time.
06:40So, at that time.
06:41So, I did not understand the depth of the character.
06:44I think you are good enough now in Telugu.
06:46No, no.
06:47No, no.
06:48No, no.
06:49No, no.
06:50No, no.
06:51No, no.
06:52No, no.
06:53No, no.
06:54No, no.
06:55No, no.
06:56No, no.
06:57Everyone kept telling me there is a lot of depth because I did not understand the language during
07:02Kumari.
07:03I did not understand the depth.
07:05No, no.
07:06No.
07:07No.
07:08No.
07:09No.
07:10No.
07:11No.
07:12No.
07:13No.
07:14No.
07:15No.
07:16I did not know this story for the longest time.
07:18I was just doing, scene, scene, scene.
07:22For the first time, the flow I understood when I went to watch it in the theatre.
07:26Before the film i did not know.
07:27Was it just from the theatre to вызarthed clients?
07:29I looked nice on camera.
07:30No.
07:31No.
07:32No.
07:33I look nice.
07:34I act nice on camera.
07:35No.
07:36I am nice.
07:37I will tell you.
07:38See, at that time used to not understand Telugu.
07:39I used to just think this scene is nice because people are clapping.
07:41So this scene is nice.
07:42I was talking about the cinema, but I was talking about it.
07:49I was talking about the cinema, so I was talking about it.
07:53So, Kuma and the character were looking for a lot of people.
07:59Auditions, screenshots, screenshots, and any other.
08:05We are in the past, we are still in the past, we are still in the past.
08:11Yeah.
08:12Are we going to go to the office?
08:17Yes sir.
08:18We are called Pratapkar and we are still in the past.
08:22And she is like that.
08:27She is like that.
08:29Not entirely.
08:30Now I understand Telugu's body language.
08:32Yes.
08:33I was praising you.
08:37But no, this actually happened.
08:39Oh.
08:40This actually happened.
08:41Was it Telugu?
08:42Yes, we did Telugu.
08:44Okay.
08:45I think that in the high industry, we are going to be a hero in the industry.
08:50This high.
08:52Are we expecting that?
08:54No.
08:55We are going to be in the 21F set, we are going to shoot.
08:58This is going to be the biggest hit ever.
09:01See, I knew it was going to be a hit.
09:04I would be lying if I said it was not.
09:06Hey, let us know.
09:07Let us know.
09:08Let us know.
09:09Let us know.
09:10Let us know.
09:11Let us know.
09:12Let us know.
09:13Let us know.
09:14Let us know.
09:15Let us know.
09:16You know, sometimes, I don't, you know, everybody around you knows that this film is going to do well.
09:25Right.
09:26And everybody works accordingly.
09:28So, I think from that point…
09:29It's the energy in the set also.
09:31It speaks…
09:32But I think…
09:33I am pretty old now.
09:38I was not that yanked.
09:42No, no.
09:43Continue, sorry.
09:44So, what was your first scene?
09:45In Kumari, what was my first scene?
09:48First shot or first scene you acted?
09:51Was it…
09:52Malakweed?
09:53Yeah, Malakweed.
09:54Most of it was Malakweed only.
09:57There was one…
09:58Just…
09:59What was the first scene?
10:00The walking…
10:01Your intro…
10:02Yeah, there was one white dress.
10:03Yeah, your intro.
10:04That I wear and walk.
10:05That was my first scene.
10:06What did you do?
10:09I'm going to give you $500 a month.
10:13Okay, the first scene.
10:15Was it?
10:16Yeah.
10:17No.
10:18Night scene.
10:19Yeah, I think that was the first scene.
10:20Okay.
10:21So, Kumari…
10:22I thought it was actually…
10:23Antenna?
10:24Yeah.
10:25Okay.
10:26So, first, Kumari, I thought love at first sight.
10:27I thought it was funny.
10:28You're on a roll.
10:29Sorry, sir.
10:30No, no.
10:31I don't believe in love at first sight.
10:32You don't believe in love at first sight.
10:33Okay.
10:34Can you define love?
10:35That also I can't do.
10:36Define love.
10:37Deep love or like okay, okay.
10:38I don't know.
10:39You define love, not love making.
10:40I have an idea.
10:41Okay, okay, okay.
10:42Love, deep love.
10:43It's not variation.
10:44Okay.
10:45It's okay.
10:46It's okay.
10:47It's okay.
10:48It's okay.
10:49It's okay.
10:50It's okay.
10:51It's okay.
10:52It's okay.
10:53It's okay.
10:54It's okay.
10:55You're on a roll.
10:56Sorry, sir.
10:57No, no.
10:58I don't believe in love at first sight.
10:59You don't believe in love at first sight.
11:00Okay.
11:01Can you define love?
11:02That also I can't do.
11:03Define love, not love making.
11:04No, no.
11:05Do you have an idea?
11:06Okay, okay.
11:07Love, deep love.
11:08It's a variation.
11:09Okay.
11:10So for me, a good friendship is great love.
11:13Okay.
11:14From my personal life.
11:15This is not from movie promotion point of view.
11:17Okay.
11:18For me, love is unconditional.
11:19Okay.
11:20It is conditional for me.
11:21No, no.
11:22For me, it's unconditional.
11:23Okay.
11:24If at all, if at all Siddhu choose,
11:25and in real life,
11:26I feel like Raj has an impression.
11:28Okay.
11:29Okay.
11:30Love, deep love.
11:31No, don't shed fats, okay?
11:32Please.
11:33I know you are in a very good mood today.
11:39Try to act in interviews also once in a while.
11:42Yeah.
11:43So me question.
11:44Will it be like okay-okay love or deep love?
11:46Unconditional true love.
11:48No.
11:49Thank you so much.
11:50I owe you one.
11:51So Raj Gurencha Maivar,
11:53can you tell me in your mind?
11:55No.
11:56No.
11:57No.
11:58No.
11:59No.
12:00Please.
12:01Give me a break.
12:05Why can't you tell us Raj Gurencha?
12:07Define him.
12:08He is an open book.
12:11Okay.
12:12But he has several closed chapters.
12:15Chapters which were closed.
12:17They are good.
12:18This is a good one.
12:19Give it.
12:20This is a good one.
12:21Sorry, please forgive me.
12:22I am not so rubbish with the interviews.
12:23Please tell me.
12:24Please tell me.
12:25I am not so rubbish with the interviews.
12:26Please tell me.
12:27I am not saying anything.
12:28I am not saying anything.
12:29I am not saying anything.
12:30Seriously.
12:31Do something.
12:32You go there.
12:33Are you not saying anything?
12:34Not on my mind.
12:35What are you doing?
12:36You are listening to me.
12:37Please tell me.
12:38Please tell me.
12:39No.
12:40Professional questions.
12:41They have the personal questions?
12:42What are you doing with the interviews?
12:44Okay. So, how do you choose the set as a choice?
12:49How do you know the language?
12:50Or how do you know the number of takes?
12:55Actually, it's not in the set.
12:59It's not in the office.
13:02Okay.
13:03Because it's not in the office,
13:08it's not in the office,
13:10it's not in the office.
13:12It's not in the office.
13:14It's not in the office.
13:16But you can see it's not in the office.
13:18Because it's just a character.
13:22Basically, I mean, how she behaves whatever it is.
13:26It's a language.
13:30But not in the office,
13:32but in the office,
13:34you can change a dialogue.
13:36Then you can change that.
13:38So, it's not in the office.
13:40So any challenging scene?
13:42The whole movie was a challenge for me.
13:44So many problems.
13:46And it was very easy for me to give compliments also, but what she faced, she only knows.
13:52No, no, the whole film on the whole was a challenge because firstly, I was there in 90% of the film.
14:00There are very few scenes that I am not there in the film.
14:03And that also in the movie also she talks a lot.
14:05It's not like she's standing silently in the background.
14:07She doesn't know Telugu but she has to keep talking throughout the movie.
14:16So, yes, the easiest scene was probably the climax because I was sleeping for the most part.
14:22Okay, emotional scene.
14:27No, no, emotions were his, I was sleeping in the background.
14:32I think there is one scene, I remember this.
14:36Because I was very irritated with myself.
14:39He goes to meet this other girl.
14:41And I dress him up to go meet that girl.
14:43And I make it like, okay, what is the big deal?
14:45You go meet her.
14:46So that is the time I am still brushing his hair, getting him ready.
14:50For some reason the activity and the expression and the dialogue were not coming in sync at the same time.
14:55Okay.
14:56So that was the time I think I took easily 15 to 20 days.
14:58Okay.
14:59So that was the time I think I took easily 15 to 20 days.
15:02I was sleeping in the background.
15:03And I was sleeping in the background.
15:04I was sleeping in the background.
15:05I was sleeping in the background.
15:06I was sleeping in the background.
15:07Okay.
15:08So in real life, is it easy to be a boyfriend?
15:11No.
15:12You should ask yourself this question.
15:17You should also take it easy to be a boyfriend and take it easy to be a boyfriend.
15:23But she is a fictional character.
15:25Yeah.
15:26Real life, no.
15:27No.
15:28Not at all.
15:29No.
15:30If it at all is fine, let me have a boyfriend.
15:32He can feel hyperactive and maturity.
15:36So he has a boyfriend and daisy behavior.
15:38If our character, Siddhu character is hyperactive,
15:42our character will accept it in real life.
15:45Personal life? No.
15:46No.
15:47I like boring guys.
15:51You told you like Rajdhara.
15:53He is also boring.
15:54I am very boring.
15:56I am very boring.
15:59Who told you he is fun?
16:01We thought because he is a lover boy.
16:04So, Kumari is a bold character.
16:06So, at that time, a film released at that time,
16:08that we will not be able to talk about it.
16:10So, we will get open-minded people.
16:12So, at that time,
16:13what was your challenge after the movie release?
16:16Yeah, there was a little bit of stereotyping,
16:19but no, the rewards were much higher than the challenges.
16:22So, I have no complaints with the challenges.
16:25Okay.
16:26So, what was your family members' film?
16:30No, not really.
16:31Because it was released only in theatres in Hyderabad at that point.
16:35It was in Andhra and Talang.
16:36Yeah.
16:37Bombay made it.
16:38And it was actually,
16:39you will get surprised,
16:40it was a very big event in Karnataka,
16:42in Bangalore.
16:43Okay, so they remade it in Karnada also.
16:44No, no, no.
16:45It is remade in Karnada.
16:46In Telugu.
16:47No, it was remade in Karnada later,
16:48but in Telugu also it did very well in Bangalore.
16:50Yeah.
16:51Telugu also released a lot in Karnada.
16:53I don't know.
16:54See, all these things that I did not pay any attention to.
16:57Do you have any questions?
16:58Either it is Sidhu or Pratap Garu?
17:00Naveen actually.
17:01Okay.
17:02Your best friend.
17:03Why?
17:04Induku.
17:05He is very funny.
17:06I like funny people.
17:07He is very quirky.
17:08Okay.
17:09Like he has a very good sense of humor.
17:10I like funny people.
17:11Okay.
17:12Or I will talk to like my staff.
17:13Okay.
17:14How is it working with Pallanathic Kratap Garu?
17:17It was nice.
17:18He is also funny.
17:19Kratap Garu has a different kind of sense of humor.
17:23So, he is the intent of asking for a manaspur to ask for a manaspur to ask a manaspur to ask a manaspur to ask for a manaspur.
17:36Okay.
17:37Okay.
17:38In the past, you know, people work, Sukumargarh work,
17:44you have a thought process in your mind.
17:46You know, Sukumargarh work in the American world, it's a dream come true.
17:52I'm talking about the commercial, Sukumargarh, DSP and Ratnavale.
17:58It's like a customer who wins.
18:03So, that happened. And,
18:08most importantly, Elant, Elant team to work, Prathapagala,
18:12our director, he is one of the best directors.
18:19Doubt it.
18:19Okay. Prathapagala has versatility.
18:22What do you find in him?
18:25Prathapagala?
18:25Yeah.
18:27He, he, he, he, he, he, he, he, he, he, he, he, he.
18:32He, he, he, he, he, he.
18:36He, he, he, he, he, he, he, he, he.
18:38And, I think if anyone, anybody, anybody, anybody, or at the same time,
18:46I feel like it, I feel like it's a frustration,
18:48I feel like it's a joke.
18:50Oh!
18:52Frustration?
18:53Yeah, I feel like it.
18:55Okay.
18:56Well, I mean one day,
18:59It was very good for working with them.
19:06There is a language barrier, so we will talk about the fun.
19:10Now I understand.
19:12We will talk about the serious matters, like the script, or the fun moments.
19:18What are you doing? What are you guiding us to do?
19:22Pratap sir was there, he would explain it to me.
19:25Then there was Vikram who would explain things to me.
19:28Most people were kind enough also to talk in Hindi and English to explain things to me.
19:34It's not like they were like you understand this language otherwise go.
19:37It was not like that.
19:39So everyone was kind enough to translate or speak in a language that I also understood.
19:44What's your favorite song in the film?
19:46Which is my favorite song?
19:50I like Bang, Bang, Bang, Bang.
19:52I was surprised.
19:54I thought you will see the song which you were in.
19:57Actually, it's not a song because she's happy.
20:06No, I like that song.
20:07It's very party-type.
20:08No, if you're sleepy, if you play that song, you wake up.
20:11How many years did you sing Bang, Bang?
20:13I've heard it 50 million times.
20:14Bang, Bang, Bang, Bang, Bang, Bang, Bang, Bang, Bang.
20:18How many years did you sing songs?
20:26Like a week before or a month before?
20:30From Kumaila.
20:31No, I haven't got it.
20:33Actually, 2-3 days ago.
20:35Bang, Bang, Bang, it will keep coming up in Reels.
20:37Yeah.
20:38Okay.
20:39So, in this film, Sukhmar Garu, he's the biggest director in the film industry.
20:45So, Sukhmar Garu's screenplay work on his banner.
20:51How do you feel?
20:52It was truly a once-in-a-lifetime opportunity for me.
20:59At that point, I didn't even know the gravity of the direction of Sukhmar.
21:04I just at that point knew that sir had done a film with Mahir Babu.
21:08So, that's all I knew.
21:09I did not know about the previous filmography or anything.
21:13I think that made it easy for me.
21:15I did not know the scale of the film.
21:17Yeah.
21:18I was just doing each day as it comes.
21:20She was mostly only worried about her lines.
21:22Because I could not remember my lines for the...
21:25So, everything else was not saying.
21:27Because of her memory.
21:28It's because of the language.
21:30Okay.
21:31So, have I seen a lot of things under my own?
21:35I'm impressed with Unpinch.
21:37Actually, there was one scene.
21:43I come drunk, no?
21:48Yeah, when I slapped you.
21:50Yeah.
21:51She slapped you very hard.
21:53Oh, how nice?
21:54No, because...
21:55Any takes I even...
21:56Only?
21:57One single take.
21:58Single take, yeah.
21:59Okay.
22:00With being killed.
22:01She killed it.
22:02Okay.
22:03No, but that I didn't know.
22:04I was...
22:05There is a technique of hitting someone without actually hitting them.
22:08She killed her performance and she almost killed.
22:10Okay.
22:11It's a joke.
22:12No, Pratap sir, as a joke told me slap him.
22:16I said, okay slap him.
22:17I said, okay slap him.
22:18Yeah, I was like...
22:19Yeah, I was like...
22:20Yeah, I was like...
22:21Yeah, I was like...
22:22I was like...
22:23But no, she actually killed it.
22:25I was like...
22:27But no, she actually killed it.
22:28That's right.
22:29So, actually, as a girl, I mean...
22:33I mean...
22:34I mean...
22:35I mean...
22:36I mean...
22:37I mean...
22:38I mean...
22:39I mean...
22:40I mean...
22:41I mean...
22:42I mean...
22:57Every moment you understand a wonderful message that you have.
23:01So, you have a conflict with your parents.
23:05So, that is a beautiful message. What do you say about it?
23:09That is true.
23:11I am talking about writers like Sukumar,
23:13Butchubabu, Vikram, and Srinu.
23:16I am talking about script writers.
23:22And I am talking about that.
23:25But we are a core writing team.
23:28One script or draft.
23:33They are a good writer.
23:38And they never used to give up.
23:43They never used to give up.
23:47Betterment, betterment, betterment.
23:53So, that is a conviction and custom.
23:58They are a good writer.
24:00So, it is a good writer.
24:02So, what do you think of it?
24:04How did you think of it?
24:05How did you think of it in a scene?
24:07Why did you think of it?
24:11To be honest, I am a great writer.
24:16What did you think of it?
24:18I used to say that the character, the character, the director and the director were in film.
24:25When I said that I was in cinema, in the edit room, I'd say that it was in the theatre.
24:31Right.
24:31If I look at the theatre, I'd say that I would say this is what I had to say.
24:38I just saw the theatre.
24:40I could have liked it, I could have liked it.
24:43And the cinema photography, Ratnavela Karthi, cinema and beautiful frames.
24:48in Hyderabad in a small colony in Hyderabad.
24:53There was a lot of beautiful lighting and all.
24:55In Malakpet, it was RFC.
24:57Right, yeah.
24:58When we saw it, first, when we saw it,
25:01we saw it, we saw it, we saw it, we saw it, we saw it,
25:04we saw it, we saw it, we saw it.
25:06In Malakpetl.
25:07In Malakpetl.
25:08In Malakpetl.
25:09In Malakpetl.
25:10In Malakpetl.
25:12Okay.
25:13So, any funny incidents in Malakpetl?
25:15Lots.
25:16There are a lot of funny incidents in this movie.
25:18It's very tough to just say one.
25:20But, funny incidents in Malakpetl.
25:27You were there every day.
25:29Yeah, that's what I am thinking.
25:33And actually, you were in a self-esteem.
25:35No, that time no one knew me, no one knew too.
25:40Once a movie was released,
25:42No.
25:43In Malakpetl.
25:44No.
25:45In Malakpetl.
25:46No.
25:47No.
25:48Even I am thinking,
25:49I am thinking,
25:50you know,
25:51you know,
25:52you know,
25:53you know,
25:54you know,
25:55you know,
25:56Sudarshan,
25:57you know,
25:58you know,
25:59you know,
26:00I will tell you.
26:01I will tell you.
26:02I,
26:03there was just one incident.
26:05You know,
26:07you know,
26:08you know,
26:09you know,
26:10you know,
26:11okay.
26:12Now,
26:13you understand Telugu,
26:14but you will also understand this.
26:15So,
26:16me,
26:17Noel,
26:18Sudarshan,
26:19and Naveen.
26:20you know,
26:21Sudarshan shot,
26:22they'll have a shot,
26:23he's taken a shot.
26:26He'll jump in.
26:28He'll jump to the ground.
26:30He'll jump in.
26:31He's done a little,
26:32he'll jump in.
26:34If you're not trying,
26:35it's better.
26:36No,
26:37no,
26:38no,
26:39no,
26:40no,
26:41no.
26:42But he didn't have a problem in the monitor.
26:45I thought he had a problem with the monitor.
26:50Noelle's a laser.
26:55So, he was thinking that the monitor had a problem.
27:00So, how are your favorite Muguru friends?
27:03Naveen Garu, Sudarshan Garu and Noelle.
27:05Noelle's not Muguru.
27:06But Sudarshan worked with him a lot even after that.
27:09But Muguru, they are very good friends.
27:12Sudarshan and I worked with him a lot.
27:13Okay.
27:14One of them I put a release of a cinema for five years.
27:16And the other one I can't see.
27:17We worked together more.
27:19Okay.
27:20Compared to.
27:21But Naveen and Naveen also worked quite a few films.
27:24Noelle's not Muguru, but we have been good friends.
27:30Yeah.
27:31In that case, everyone can talk about it.
27:33But it's been a while since we met.
27:36But.
27:37So, Muguru, what Sudarshan?
27:39Who is more crazy?
27:40Naveen.
27:41Who is more crazy?
27:42Yeah.
27:43Frequent one.
27:44Naveen.
27:45Naveen.
27:46Her favorite.
27:47No, no, no.
27:48Who is more crazy?
27:49I know all three of them.
27:50Yeah.
27:51Sudarshan, I don't think he has any crazy.
27:53Naveen, Noelle is too sweet.
27:55Naveen is the crazy one.
27:56Tarun?
27:57Raj Tarun?
27:58I don't know.
27:59Some nice things.
28:00I will give to you something.
28:01I don't know.
28:02See, some nice things about Raj Tarun, no?
28:04I said so many nice things.
28:05I said so many nice things about it.
28:07Okay.
28:08Okay.
28:09I don't think I am of that level to say anything about it.
28:13Other than it.
28:15She is in a very good mood today.
28:17I am telling you.
28:18I don't know.
28:19I don't know.
28:20I don't know.
28:21The flow is just like comedy.
28:24See, there are some people.
28:27Like.
28:28Okay.
28:29Challenge with them.
28:30Okay.
28:31Three things.
28:32Raj Pogadali.
28:33Pogadali means?
28:34Pogadali.
28:35Praise.
28:36Okay.
28:37He is very cooperative as a co-star.
28:38Okay.
28:39Not as a co-star.
28:40Just as Raj Tarun.
28:43He is patient.
28:44Okay.
28:45He is...
28:46For the most part of it is sweet.
28:48And...
28:50He is easy going.
28:53Okay.
28:54It's not that difficult.
28:56Thank you so much.
28:57Yeah.
28:58I was so scared.
29:01What are you doing, right?
29:03Sir, Rameer should be doing it.
29:05Yes, he should be doing it.
29:06He should be doing it.
29:07He should be doing it.
29:08He should be doing it.
29:09He should be doing it.
29:11What did I say?
29:13I just said that...
29:14No, no.
29:15That's why I was like...
29:16I was waiting.
29:17Some people are very big entities.
29:18You should not...
29:19Will you comment on Neville Abdul Kalam?
29:20No.
29:21Oh my god.
29:22Ayyoh.
29:23No.
29:24No.
29:25No.
29:26No.
29:27No.
29:28No.
29:29No.
29:30I'm not doing it.
29:31You also tell three nice things.
29:32Three nice things.
29:33Can some people tell about Mother Teresa?
29:35You know?
29:36Mother Teresa.
29:37That's why...
29:38If you ask me a question, I'm not talking about it.
29:39But you don't have to talk about it.
29:40I will talk about it also.
29:41No.
29:42You'll try to talk about it.
29:43You will try to talk about it.
29:44I finished giving three qualities.
29:45Yeah, yeah, three qualities.
29:46Okay, three.
29:47Three.
29:48I think she is an amazing person.
29:50She is extremely transparent.
29:52What does it look like?
29:54What does it look like?
29:56What does it look like?
29:58What does it look like?
30:00What does it look like?
30:01What does it look like?
30:02And thirdly, I think she is very intelligent
30:10That also, intelligence and innocence to Rindu Kalpundavani Chalakastro.
30:17She has that.
30:18Oh, intelligence plus innocence.
30:20And innocence.
30:21Both.
30:22Okay.
30:23Will you accept that?
30:24Yes, yes.
30:25So, are you innocent?
30:27Now, depends in what situation.
30:30Okay.
30:31That is what intelligence means.
30:33Okay.
30:34So, Heba, like Raj Tarun can be a perfect boyfriend qualities?
30:39Do you have any qualities?
30:41Lots.
30:43Still, I am convinced.
30:45Still, the cinema is released.
30:47So, this is a lot.
30:49Raj Tarun can be a perfect boyfriend now.
30:52I think now I am.
30:54He can be.
30:55Now I am matured enough, old enough and now I am.
30:59I think.
31:00I am managing.
31:02Yeah.
31:03So, do you think he has that maturity?
31:08I hope and pray he does.
31:11We have met after 5 years.
31:12I have met after 5 years.
31:14I generally don't discuss personal lives with people I work with or their anymore.
31:21Okay.
31:24I was like, I was not about to say anything new or new.
31:30He has taken a target chase.
31:31He has taken a target chase.
31:32You can't.
31:33So, I don't know if, if you can.
31:34If you ask me this question.
31:35So, I don't know what his personal, like I don't know about his maturity but if you ask me this question, end of day I'll be able to give you a more honest answer.
31:51End of day.
31:52Okay.
31:53So, there are two songs of Friends already like Break Up and Patch Up, Bangkok Ghani.
32:00So, I'll be able to give you a more honest answer.
32:03I'll be able to give you a more honest answer.
32:05Okay.
32:06And Bangkok's song, I enjoyed it so much.
32:13And I'll take a shoot.
32:17You, Novel, Sudarshan, Naveen and Devigar.
32:24So, Devigar is a good song.
32:26Yeah.
32:27Devigar is a good song.
32:29I was very impressed.
32:30I didn't have a favorite song in Bangkok at all.
32:32I was very impressed if it's a good song.
32:35But I enjoyed it and it's very good to be honest.
32:39And what I enjoyed was, to work or personal enjoyment.
32:44Personally, this was a pleasure shooting this Bangkok song because all of them were there.
32:50But to work, I'm not going to be able to do it.
32:54Okay. So, Bangkok, even a funny moment?
32:59With Noel and Sudarshan?
33:01No. We used to go out, we used to go have food here, there,
33:11Thirikuthri and rehearsals.
33:17And they also had a lecture master.
33:18And I was there for writing a script.
33:27So, I was there for writing a script in Bangkok.
33:30And the intent is that everyone is comparatively.
33:35But everyone is not a good thing, everyone is not a good thing.
33:40So, basically, I don't know how to do it.
33:45I was excited to see.
33:47But, I love it.
33:49So, dance rehearsal center.
33:53Now, I have to say,
33:55in a special school,
33:57in a special class,
33:59I have to say,
34:01I don't know.
34:03I don't know.
34:05So, we had a lot of fun.
34:07The biggest lie is that
34:09you have to say,
34:11just take a rehearsal,
34:13and take a rehearsal.
34:15I don't know.
34:17Did I say any?
34:19He was like,
34:21No. I mean, I don't remember.
34:23I don't remember.
34:25I don't remember.
34:27I don't remember.
34:29I don't remember.
34:31How did you do choreography for DSP?
34:33How did you do choreography for DSP?
34:35I don't remember.
34:37I said,
34:39I said,
34:41I don't remember.
34:43I said,
34:45I don't remember.
34:47I said,
34:49I did.
34:51So, I said,
34:53I don't remember.
34:55I was like,
34:57I don't remember.
34:59I am a secret.
35:01I did.
35:02Okay.
35:03So, we can do that.
35:06So, DHP choreographed style?
35:09Oh, he's choreographed.
35:12We know him as an amazing music director, a blockbuster music director.
35:20But perfection is not just a music director, but whatever he does, he does it is perfection.
35:31So, when he does the song choreographed, every short, detailed short,
35:40where he does it, where he does it, he does it.
35:43Short.
35:44Right.
35:45The song, only the short, only the short, only the short, only the short, only the short, only the short, only the short.
35:53That's perfect.
35:55Detailing.
35:56Detailing.
35:57He was, I think that, I think, it has success in the next section.
36:03Because he was that, I think that detailed, and I think that perfect in the second section.
36:11And lyrics too?
36:12Yeah.
36:13Lyrics too.
36:14Lyrics too.
36:15Lyrics too.
36:16Lyrics too.
36:17They've come, you've come, you've come, you've come, you've come, you've come, you've come.
36:19Yeah. So, amazing things. So, you told me that it was the biggest hit in London, the classic film.
36:28We remember the last day of the shoot, we all went to the beach and we just popped open a champagne and we were just chilling.
36:40And because we enjoyed so much. We were so chilling and so happily we shot the whole song.
36:55It's also because of Devigarh and the details and he knows every second what shot he wants and he tells you.
37:04And Randigarh, he is an amazing cinematographer, but he is also such a very nice, cute person.
37:15So, when I came to the shoot, I thought, let's do it.
37:22So, the last day we just popped open a champagne and we were just chilling in the beach.
37:29And there were both sides, the other side, the other side, the other side.
37:33One of them opened champagne after that, you didn't even know that one person.
37:40That's right. Champagne, he is a good one. Champagne is a good one.
37:46It's a taste. It's a taste. If you think about a cricket match in F1 or F1, then you can open it.
37:56It's a taste of champagne. I mean, mostly it's a taste.
38:05So, that's why there is a taste and they will let it go. Mostly it's a taste of champagne.
38:11Oh, taste.
38:13Maybe.
38:15Okay. So, what about your film? Do you want to show a frame?
38:20Do you want to show a frame?
38:24So many shots, but I think one, I think in the climax scene.
38:30No, when I write the letter at that time.
38:34Okay.
38:41Alright. You are lying on the bed and writing a letter.
38:44Writing a letter that short. Yeah.
38:46Or my introduction scene.
38:48I was about to say that.
38:49My introduction.
38:50Yeah.
38:51And in Meghalu Leikum.
38:53I saw that.
38:54Those three, I think those were my favourites.
38:56The song is Gurudan, Meghalu Leikum.
38:57Yes.
38:58Can you just hum for us?
38:59No, no.
39:00Mad water.
39:01They will stop the re-release if I sing.
39:05No.
39:06Just promo me the party in the way.
39:07If both of us sing, no.
39:08We will run away from here.
39:09No, no.
39:10Just try for just two lines.
39:11No, no.
39:12Singing.
39:13I don't really shock me.
39:14No, dance still you can manage.
39:15Yes.
39:16Okay.
39:17I'm also not saying that you are a bad singer.
39:19I am a bad singer.
39:20It's fine.
39:21I am just being nice.
39:22So, actor has a Marxist out of 100.
39:24Is it Kumari?
39:25Yeah, art angle.
39:26I was about 95.
39:27She nailed the character because she is itself.
39:28I am not.
39:29She is so good.
39:30I am not.
39:31I am not.
39:32She is a good actor.
39:33I am not.
39:34I am not.
39:35I am not.
39:36No.
39:37No.
39:38I am not.
39:39No.
39:40I am not.
39:41No.
39:42No.
39:43No.
39:44No.
39:45No.
39:46You should be a kumari.
39:48Just a pair of kumari.
39:50Just a pair of kumari.
39:52Just most of the characters, that body language.
39:56Okay.
39:58So,
40:00one line that we want to make,
40:02I will be very happy.
40:04Okay, we'll go with Sidhu.
40:06He'll sing the whole song.
40:08And a kumari.
40:10No pair of kumari.
40:12You tell me.
40:14Okay.
40:16Into the camera.
40:18Take one.
40:20Ready? Stop.
40:22Action.
40:24My name is Kumari.
40:26My age is 21.
40:28I'm a female.
40:30I love you.
40:32My background is Kavali.
40:34Kavali.
40:36Correct.
40:38My name is Kumari.
40:40My age is 21.
40:42Sorry, I'm a female first.
40:44I'm not just a public check.
40:46Okay, okay.
40:48I'm not just a public check.
40:50I'm not just a public check.
40:52What is the difference?
40:54You already know,
40:56I'm a hero.
40:58Okay, okay.
41:00Three, two, one. Action.
41:02I'm Averkumari.
41:04I'm age 21.
41:06I'm a female.
41:08I'm a female.
41:10I'm a female.
41:12I'm a female.
41:14Okay, right.
41:16So, any marks is there?
41:18For this?
41:19No, don't, don't, don't.
41:20Please.
41:2110.
41:22Out of 100.
41:23Out of 1000.
41:24Out of 100?
41:25Yeah.
41:26Out of 100 you'll give 10.
41:27Not as an actor.
41:28I don't know.
41:29I'm not as an actor.
41:30I'm a female.
41:31Okay.
41:32So, you guys are a female.
41:33I'm a female.
41:34So, you're a female.
41:35I have a female.
41:36I can't do that.
41:37No, I'm not.
41:38I'm a female.
41:39I'm a female.
41:40No, actually.
41:41You're a female.
41:42No, I'm not.
41:43You're a female.
41:44I can't do that.
41:45It's not the same.
41:47No, no.
41:48Okay.
41:49This is a fact, no.
41:50This is a fact, no.
41:51This is a fact.
41:52This is a fact, no.
41:53So, what is it?
41:54What is it?
41:55If a female,
41:56is a partner?
41:57What partner means?
41:58Just in case.
41:59Just in case. Just in case. Just in case. Just in case. Just in case. Just in case. Just two posters.
42:11So, here. Okay. And here.
42:16Ante illa. Ante illa. Lovable ga. Romantic ga. Alla untara. Leathantri family ga. Koojilu punis karal. Atla.
42:30First headband aduye ya. Headband ishya.
42:33I think we will go for the Sankranti ki waasthu love poster.
42:37Oh! Sankranti ki waasthu naa. Meeer expect jay kaalara antha homely ga?
42:42Adhan kala. Sankranti. Did you think that I would pick that poster? See, I don't have a romantic point.
42:51See, if I ever marry someone, I will be like that close and no no no. I will be that close only no no.
43:00So, you will pick the first poster? Yeah, yeah. If I marry. What is the point? Yeah, yeah.
43:06Okay. So, Mee, Kovella, Mee ko husband avalande qualities yala ondal?
43:11Nala ondokadu.
43:13Tahan, already perfect boyfriend and chappie sinning.
43:16I don't know. I don't have a list.
43:21But maybe. Dream? Yala ondali. Yala ondali.
43:27See, if maybe.
43:36Can you pick a fictional character? That will be easier.
43:39Yeah. Like, I watched this Amal film, Tourist Family.
43:44Yeah. Rishashi Kumar sir.
43:46Such a beautiful film.
43:48So, maybe him as a, like how he is with his wife, probably a husband like that.
43:54I went very deep.
43:57It's not deep, it's actually.
43:59Probably, probably, maybe marriage times even have chances.
44:04So, maybe someone like him.
44:06Someone like him. Okay.
44:07Okay. So, okay.
44:08So, okay.
44:09Veedra Kalzi, Mali Oka film cheeshte yala nti film raaburtun.
44:11Yala nti film cheya ala nindi, with Heba.
44:14See, I would want to do a murder mystery where I kill him.
44:17Very good.
44:20See, now, if I actually die tomorrow.
44:23Joking heen leeda.
44:24No, if I actually die tomorrow.
44:26In the movie.
44:28They'll come after you.
44:29Movie, movie. Just movie, okay.
44:31Okay. So, Heba Oka murder mystery cheeshta aru.
44:34Where?
44:35No, I, I actually, I'll tell you.
44:38See,
44:40Mehevra Kalzi, Mali Oka film cheeshte yala nti film chaashtam vani adhi.
44:43It depends on the script that comes.
44:46So, that would depend on them.
44:48It's always,
44:50I don't know about her, but I'm always ready to work with her.
44:54Kaini naak madara tinta want to do an out and out comedy.
44:58Oh, sorry, shit. I should have said that.
45:00Shit.
45:01At least, while we understand that I'm matured in.
45:03I take my answer back. Same answer.
45:06So, comedy version on the climax.
45:09No, no, no. Murder is cancelled.
45:12Murder cancelled now.
45:13That genre is cancelled. I should have thought of this answer.
45:17Yes.
45:18Okay. So, actually, you are Kumari 21's climax.
45:22So, you are connected with me.
45:24And,
45:25And,
45:26And,
45:27That is one of the best climaxes.
45:30So,
45:31That is one of the best climaxes.
45:33I don't know. I can't even imagine.
45:37And, I will tell you the beauty in that scene.
45:43That scene.
45:44That scene,
45:45That scene,
45:46You know,
45:47That's the issue.
45:48You know,
45:49That's my last letter.
45:51I'll keep crying.
45:52I'll keep crying.
45:53You know,
45:54You know,
45:55You know,
45:56You know,
45:57It is so easy for everybody to see one more.
46:02One more isn't it.
46:04I like the one more isn't it.
46:05When I'm feeling emotionally,
46:08but one more isn't it.
46:11What is the difference?
46:14First thing,
46:16if you have an iPad,
46:19the size is correct in the universe.
46:23One more isn't it.
46:25That was when Pratapgari came to get to get to that, that was when Pratapgari came to get to get to that, that was when we understood why.
46:42So, I don't think there can be any kind of a better climax. That's a beautiful climax.
47:08So, finally, Kumari 21F is the 10th Manumanth. So, my audience came.
47:15Kumari 21F is re-releasing on the 10th of July. Pleased to go watch it in theatres.
47:21I am just very excited that it's coming back all over again. May you all give the same love and affection and the same acceptance you all had the first time it released.
47:30I hope you all like it equally or more this time around as well.
47:33And I hope she will also be there but I will definitely be there in theatres and I will watch it with you there.