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00:19:29So, uh, you were my father's lawyer.
00:19:34Yes.
00:19:37Did you know, Mom?
00:19:40Yes.
00:19:43I, uh, I never knew him.
00:19:45He didn't stick around very long after I was born.
00:19:52What was he like?
00:19:56It's not proper for me to discuss my client.
00:19:59Uh, I never could understand how a man could just walk away from his own flesh and blood.
00:20:10Why even have a child if he's just gonna walk away?
00:20:15Instructions from your father.
00:20:17Instructions?
00:20:18Is it customary for the deceased to leave his last wishes?
00:20:22Right, of course.
00:20:27These are the probate papers.
00:20:29Look them over.
00:20:30If you have any questions, you have my card.
00:20:36Also from your father.
00:20:38I will return in a day or so for the papers.
00:20:50Uh, thank you, Mr. Yates.
00:20:54I can't shake hands.
00:20:55Uh, goodbye, Mr. Yates.
00:21:02Goodbye.
00:21:02Goodbye.
00:21:02Cory, my dear son.
00:21:15Cory, my dear son.
00:21:29A few years ago, I discovered a peculiar coven of souls endowed with uncommon restorative powers.
00:21:35So extraordinary was their power that they could give life back to the dead.
00:21:41Toward the end of my life, I grew determined to develop their power in order to live again.
00:21:46Cory, I am convinced that with your love and support, I will be able to rise up from the grips of death and return to the world of the living.
00:21:53Sometime in the next few days, she will teach you the necessary steps to affect my resurrection.
00:22:02Son, do not falter in this important effort.
00:22:06Son, do not fail me.
00:22:08Do not disappoint me.
00:22:12Hello.
00:22:16Hello.
00:22:18You're a young man, Cory Thornton, I assume.
00:22:21Yes, I am.
00:22:22But, uh, why does everybody call me young man Cory Thornton?
00:22:26It's just an old southern salutation.
00:22:29It means you're the new heir.
00:22:31Ah, I see.
00:22:33And, uh, who might you be?
00:22:36Well, I might just be trouble for you, young man Cory.
00:22:42I have been under lust after older men.
00:22:47Especially when they're as cute as you.
00:22:50Much to the embarrassment of my sweet but hopelessly overprotective mother.
00:22:56Do you met her?
00:22:58The melancholy madam of Belle Oak Estates.
00:23:01Yes, I met her.
00:23:04So?
00:23:06Young man Thornton.
00:23:10You like what you see?
00:23:12Diane.
00:23:14Mother.
00:23:16Dearest mother.
00:23:17I was merely warning young man Thornton, none of the dangers of his new home.
00:23:25Diane, please.
00:23:28Please forgive me.
00:23:31I'm misbehaving again.
00:23:34I'm sorry, mother.
00:23:35Mother.
00:23:36After you settle in, I'll take care of two of the place.
00:23:41I'd like that.
00:23:43Keep your hands off him, mother.
00:23:49He's mine.
00:23:53I'll show you to your room now, Mr. Thornton.
00:23:58Dinner will be ready at seven.
00:24:11Unless, of course, you'd prefer another time, Mr. Thornton.
00:24:14No, seven will be fine.
00:24:15Good.
00:24:16I've left you some tap here drink if you get thirsty.
00:24:19Mrs. Palmer.
00:24:23Would you mind calling me Corey?
00:24:26I'd rather not, if you don't mind.
00:24:29It doesn't seem proper.
00:24:32Mr. Thornton is a habit of mine.
00:24:34Even if I wanted to, I don't think I could change.
00:24:37Excuse me?
00:24:47Uh-oh.
00:24:48No, you're not supposed to be in here.
00:24:50Naughty, naughty.
00:24:54It was Dolores who first introduced me to the bird people
00:25:06and taught me how to give life back to the dead
00:25:09and how to store the souls of bad people in the bodies of birds.
00:25:14The first time I witnessed the ritual of souls,
00:25:17Dolores revived a woman who had just been killed by a jealous lover.
00:25:20From the curative practice of using the instrument of an injury to cure the injury,
00:25:25Dolores proceeded to bring the murdered woman back alive.
00:25:28To bring the murdered woman back alive.
00:25:29The image of Dolores exuding such a gift began to consume me.
00:25:35Releasing from me a renewed sexual desire.
00:25:41Dolores was the most explicitly sexual creature I had ever known.
00:25:44But more than her sexuality, I was drawn to her power.
00:25:49A power I was determined to have for myself.
00:25:54From my sexual escapades with Dolores,
00:25:56I was imbued with the commission of giving life to the dead.
00:26:00And it was then that I began thinking about how to use this power
00:26:05to restore life to my own body after my death.
00:26:09I became obsessed with making love to Dolores,
00:26:11as if by consuming her, devouring her sexually,
00:26:16would somehow fill me with all her extraordinary power.
00:26:21Come with me.
00:26:31Come with me.
00:26:33Come with me.
00:27:17Why are you screaming?
00:27:44It's only a dream, right?
00:27:45I mean, Dolores, I'm sorry.
00:27:51Just like his father, a sexual pre-epic.
00:27:55Help me, Cory.
00:28:10If you wanted to see me without my clothes on,
00:28:37the least you could have done was try to seduce me in the proper fashion.
00:28:42After all, I'm not a child or some silly southern belle that's been kept all alive under glass.
00:28:48I, um, I'm sorry. I really am.
00:28:51If I tried to explain, I don't think you'd believe me.
00:28:54I shouldn't even be speaking to you.
00:28:58Well, I'm glad you are.
00:28:59How else would I get a guided tour if you weren't speaking to me?
00:29:01How kind?
00:29:09How kind?
00:29:09I don't know.
00:29:39You grew up with my father, didn't you?
00:29:41Yes.
00:29:43What was he like?
00:29:45I liked him.
00:29:47I did. I thought he was a good man.
00:29:51But he changed as he grew older.
00:29:55He became more reclusive.
00:29:59Then, in the last months of his life,
00:30:03he took up with a local woman from Tonk's place.
00:30:07What is Tonk's place?
00:30:09That is Tonk's place.
00:30:17The locals pretend it's just a little country brothel,
00:30:21but it's much more than just that.
00:30:23This whole area is just filled with people who practice black magic
00:30:27in one fashion or the other.
00:30:29You know, love potions,
00:30:33revenge spells,
00:30:35mostly homish stuff.
00:30:37At Tonk's place,
00:30:39it's dangerous.
00:30:41No, it doesn't sound dangerous.
00:30:43Sounds fun.
00:30:45Don't ever
00:30:47go there, Cory.
00:30:49Tonk's place is where your father died.
00:30:53Did I scare you?
00:31:09Come on, Cory.
00:31:11You be that young man Thornton, ain't you?
00:31:13Yes.
00:31:15Come on, Cory. He's crazy.
00:31:17You be right, boy.
00:31:19I am crazy.
00:31:21Crazy old Bijou.
00:31:25Watch out for crazy old Bijou.
00:31:27He just might take his fishing knife and fillet you right up the middle.
00:31:33But then maybe I won't.
00:31:35But then maybe I won't.
00:31:39But then maybe your daddy wanted me to help you.
00:31:41What?
00:31:43I'll take you over to Tonk's place.
00:31:45So you can help your daddy like he wants you to.
00:31:47You get the hell out of here, you crazy old man.
00:32:01I'll kill you.
00:32:03Okay.
00:32:07Child.
00:32:09I've lived in these parts all my life.
00:32:13You think I'm gonna let a tiny little drop of spit like you scare me off?
00:32:21I'll be waiting for you.
00:32:23Whenever you're ready.
00:32:29You got spirit.
00:32:31I'll give you that, baby one.
00:32:33A woman with that much spirit.
00:32:35Bound to be a good poke.
00:32:53Diane!
00:32:55Diane!
00:33:01I'm scared, Mama.
00:33:05It's all right, baby.
00:33:07I'm not gonna let anything hurt you.
00:33:11Get some sleep.
00:33:19Is she all right?
00:33:21Yes.
00:33:22Just very upset.
00:33:23Good night.
00:33:24Uh, Mrs. Palmer.
00:33:26Yes?
00:33:27I'm sorry.
00:33:29I know I haven't made much of an impression, but, uh...
00:33:31On the contrary, Mr. Thornton.
00:33:33You've made quite an impression.
00:33:35Just not a very good one.
00:33:43I don't mind what you do with your life.
00:33:45Really, I don't.
00:33:47I just don't want you to involve my daughter in your troubles.
00:33:51Good night, Mr. Thornton.
00:33:53Good night, Mr. Thornton.
00:33:55Good night.
00:33:57Good night.
00:33:59Hello, she's home.
00:34:01Good night, Mr. Thornton.
00:34:05Good night.
00:34:07Oh yeah!
00:34:37Well, look what the devil sucks in. Young man thoughtin' in the flesh.
00:34:57Well, I was hopin' I'd find you here.
00:34:59Well, here I be, my friend.
00:35:02Tell you what, I buy the first round of beer, you buy all the way.
00:35:06What'd you say to that?
00:35:08I'd say you're a gambling man.
00:35:10What's he mean?
00:35:12Gambling I won't leave after the first round.
00:35:15That's good, boy, very good.
00:35:19I like you, boy.
00:35:22What'd you say, young man thoughtin'?
00:35:25Disturbs some shit, huh?
00:35:28You want to dance with me?
00:35:30Uh, no, thanks.
00:35:32But I'm a good dancer, come on.
00:35:34Sure you are, Bijou, but I'm gonna sit this one out.
00:35:38I'll dance with you, Bijou.
00:35:40Fuck off, Donna.
00:35:44I want to dance with the boy.
00:35:50Hey, asshole.
00:35:52You want to pick on somebody?
00:35:58Pick on me.
00:36:00Come on, man.
00:36:04Now what you say, pretty boy?
00:36:10Dance with me?
00:36:14Look, Bijou, I didn't come here to dance with you.
00:36:18I don't want to make any trouble either.
00:36:20I just came here to talk to you about my father.
00:36:22I'm making fun with you, boy.
00:36:28Trying to loosen you up, that's all.
00:36:30This is Donk's place.
00:36:32Shit's supposed to happen here.
00:36:36The old man.
00:36:40The old man.
00:36:52Let he live again.
00:37:10You silly boy.
00:37:14I told you not to go to that place.
00:37:18You silly boy.
00:37:20I told you not to go to that place.
00:37:24Cory Thornton.
00:37:40Cory Thornton.
00:37:54People didn't like your father.
00:38:24Why not?
00:38:27He owned all the land in these parts.
00:38:31He was rich, powerful.
00:38:36And he was touched by the devil.
00:38:54It's Dolores.
00:38:59Where you go, boy?
00:39:04She's busy.
00:39:07Oh, my God.
00:39:36Excuse me, uh, Lois.
00:39:42I need to talk to you, man.
00:39:44Sorry, darling, I'm busy right now.
00:39:46It'll just take a minute.
00:39:47Can you hear, mister? She's busy.
00:39:49It's important, okay?
00:39:51How important?
00:39:55Wait inside.
00:39:57Wait inside, baby.
00:40:04I don't know where you're from, Lois.
00:40:07But you don't see me get how things work around here.
00:40:14Now, you may not believe this, but I like you.
00:40:18I do.
00:40:19And I'm gonna be good to you.
00:40:22First of all, I'm gonna let you live.
00:40:26Second, I'm gonna let you pay me for liking you so much.
00:40:31Don't want to thank him.
00:40:53Now get.
00:40:55Go on.
00:40:57Get.
00:41:02I hate being a mean bastard.
00:41:10Go on.
00:41:11Go on.
00:41:12Go on.
00:41:12I'm gonna let you fly.
00:41:13Oh, God.
00:41:43Oh, my God!
00:42:13Come on.
00:42:43Come on.
00:43:13Oh, good morning.
00:43:34Good morning.
00:43:36Looks like you had a rough night.
00:43:38Oh, yeah.
00:43:39I'm not used to the heat.
00:43:42Here.
00:43:43This will come you down.
00:43:54What?
00:43:56How adventuresome are you?
00:44:00I don't know.
00:44:01What did you have in mind?
00:44:03This is where your father's buried.
00:44:05What?
00:44:08I don't know.
00:44:10I don't know.
00:44:17I don't know.
00:44:20Spooky, isn't it?
00:44:39Looks just like your father.
00:44:50What is that?
00:45:00I don't know.
00:45:03Just one other silly thingamajigs.
00:45:14My father wants me to revive him.
00:45:18He wants me to bring him back from the dead, Diane.
00:45:22I need your help.
00:45:25Corey, you have no idea what you are saying.
00:45:34I like you.
00:45:37I would do just about anything for you.
00:45:41Please do not get me involved in this.
00:45:44People could die.
00:45:47You don't understand.
00:45:49No, you don't understand.
00:45:52You'll die, Corey.
00:45:55Just like your father died.
00:45:57No.
00:45:59You're done.
00:46:00You may be ...
00:46:01I don't know.
00:46:02No, you're not.
00:46:03I'm sorry.
00:46:05No, you're not.
00:46:07No, you're not.
00:46:08No, you're not.
00:46:09No.
00:46:11No, you're not.
00:46:13You're not.
00:46:14a strange thing happened today i saw a little black girl with the strangest blue eyes down
00:46:36by the river she was playing all along with a little toy boat i'd been watching her for a while
00:46:44when she accidentally fell in the poor thing couldn't swim and went under almost immediately
00:46:50before i could get to her she sank and drowned i pulled her body from the water and i took her to
00:47:00dolores according to the rights of souls if you borrow a spirit from the keeper of the birds to
00:47:07give life back to an innocent one you will be hallowed by the rightness of life
00:47:13so dolores kissed the little girl and gave her life again it made me cry
00:47:23so
00:47:33so
00:47:43so
00:47:45so
00:47:55so
00:47:57so
00:48:07so
00:48:09please don't
00:48:36please
00:48:40no please i was just trying to see my daughter no please please no no
00:48:48no
00:49:01wait walores
00:49:06Wait, Dolores?
00:49:28Looking for someone in particular?
00:49:30Yes, I'm looking for Dolores
00:49:32Mmm, Dolores
00:49:34Well, I think she's occupied at the moment
00:49:36But how about one of my other ladies?
00:49:38Uh, no, I need to see Dolores
00:49:40Well, sure, sugar
00:49:42The customer always knows best
00:49:44If you don't mind waiting a while
00:49:46I'll wait
00:49:50Billy C
00:49:52Honey, take care of this handsome young man for me
00:49:54Yes, ma'am
00:49:56I'll be back, sugar
00:49:58What'll it be, Marnie?
00:50:00Uh, cold beer, please
00:50:02Cold beer, come in, right up
00:50:12You're staring at me
00:50:14I'm sorry, uh...
00:50:16It's okay, everybody does
00:50:18I don't really mind
00:50:20You probably think I'm one of those
00:50:22Celebrity impersonators, don't you?
00:50:25Wow
00:50:26Yeah
00:50:28Don't you?
00:50:29You still don't get it, do you?
00:50:33No, I guess I don't
00:50:34I am, Marnie
00:50:36First I was alive
00:50:38And then I was dead
00:50:40And now I'm alive again
00:50:42They did it for me
00:50:44You can do it for your father
00:50:46Don't disappoint him
00:50:50Shh
00:50:59Okay, she's waiting for you, honey
00:51:02Who?
00:51:04The Lawrence
00:51:06Are you all right?
00:51:10She said she was the real Marilyn
00:51:12Of course she did, sugar
00:51:14I'm Mary Magdalene
00:51:15She's Marilyn Monroe
00:51:16I got a girl
00:51:17Who likes to go as Jane Fonda
00:51:19And another one who dresses up as Madonna
00:51:21Customers like a little fun
00:51:23And be actress with their fucking
00:51:29Okay, Hanson
00:51:30Tell you what you do
00:51:31The girls' rooms are one floor below
00:51:33You go down those stairs over there
00:51:35Take the first turn
00:51:37And when you get to the corridor
00:51:38Dolores' room is the third one on the left
00:51:41She can't wait to see you
00:51:42Thanks
00:52:05Oh
00:52:26What?
00:52:28Some fucking good show, huh cowboy?
00:52:31What do you say?
00:52:32Want something like that?
00:52:33What do you want?
00:52:35Who do you want?
00:52:36What?
00:52:37What do you have here?
00:52:38Oh cowboy
00:52:39Oh cowboy
00:53:01You get tired of Dolores
00:53:02Come pay me a visit
00:53:03I've got some tricks nobody else in the world knows about
00:53:10See ya
00:53:33Shh
00:53:34Oh
00:53:36Oh
00:53:40Oh
00:53:41Oh
00:53:42Oh
00:53:44Oh
00:53:45E
00:53:47Oh
00:53:49Well
00:53:50Oh
00:53:51How
00:53:52Oh
00:53:53Oh
00:53:54Oh
00:53:56Oh
00:53:57Oh
00:54:29You really do have it.
00:54:33Have what?
00:54:35The power my father wrote about.
00:54:39That's right.
00:54:41I have it.
00:54:43The same power I gave your father.
00:54:59Dolores, I'm talking about bringing my father back from the dead.
00:55:07Will you teach me that?
00:55:09I'll teach you everything I know.
00:55:13Heart, body, and soul.
00:55:21I'll do anything.
00:55:23As long as you teach me what I need to know.
00:55:27I'll teach you.
00:55:31I'll teach you everything.
00:55:35I'll teach you everything.
00:55:53I'll teach you everything I know.
00:55:58There will be things for you.
00:55:59I will teach you everything I know.
00:56:01I will wait for you.
00:56:03I'll teach you everything I know.
00:56:05I'll study again.
00:56:07Any organic food.
00:56:09Anyモ rä ça Lindemarenes of the staleørze
00:56:13as felt like oil masters And Iaux disse?
00:58:15She blinded me.
00:59:02Oh, my God.
00:59:50What's wrong?
00:59:52She put a spell on me.
00:59:54I've gone blind.
01:00:19I've gone blind.
01:00:49I've gone blind.
01:01:19I'm taking my mother to the hospital.
01:01:25What's wrong?
01:01:27I don't know.
01:01:28She can't see.
01:01:28I don't know.
01:01:38I don't know.
01:01:41I don't know.
01:01:51I don't know.
01:01:53Good morning, good morning, good morning, good morning, good morning.
01:02:04Good morning, counselor.
01:02:05Would you please tell Dolores.
01:02:17I'm sorry, no one here till dark.
01:02:18Good morning, counselor.
01:02:18I'm sorry, no one here till dark.
01:02:20Did she leave you, sir?
01:02:21I don't know.
01:02:22Did she leave something for me?
01:02:22Did she leave something for me?
01:02:22Yes.
01:02:24Yes.
01:02:24Good.
01:02:25We need to get it closer to the boy.
01:02:27Good.
01:02:28Handsome specimen.
01:02:35Very handsome.
01:02:38See you next time, counselor.
01:02:58Like a father, like a son.
01:03:26Yes!
01:03:28Perfect fit, huh, Dad?
01:03:47Corey, my dear son, I am convinced that with your love and support, I will be able to rise from the grips of death and return to the world of the living.
01:03:55Rise, father.
01:03:58Hmm.
01:04:00What do you think?
01:04:01I wish I was a king in the middle of the living room where I有沒有 surs.
01:04:03I'm a king.
01:04:05I'm a king.
01:04:06Watch this one right here.
01:04:07Thanks.
01:04:08Let's go.
01:04:09Let's go.
01:04:10Let's go.
01:04:11Let's go.
01:04:12Let's go.
01:04:13Let's go.
01:04:15Let's go.
01:04:45Let's go.
01:05:15Let's go.
01:05:45Let's go.
01:06:15Let's go.
01:06:45Let's go.
01:07:15Hello there, young man Thornton.
01:07:25Mr. Yates, how are you?
01:07:31Thirsty.
01:07:35Would you like me to fix us some taffia then?
01:07:41That would be fine.
01:07:43Okay.
01:07:45Okay.
01:07:55Okay, here we are.
01:08:05There you go.
01:08:07There you go.
01:08:27Ah.
01:08:29And our attractive palmer ladies.
01:08:39Where might they be?
01:08:41I got your mother to the hospital this morning.
01:08:43Hospital?
01:08:45Why?
01:08:49Well, she...
01:08:51She said her mother couldn't see.
01:08:53Oh, my.
01:08:54Oh, my.
01:08:55Blind?
01:08:57What a thing.
01:09:01What a terrible thing.
01:09:03What a terrible thing.
01:09:05What a terrible thing.
01:09:09What a terrible thing.
01:09:11It's a terrible thing.
01:09:13Oh, my.
01:09:15It's a terrible thing.
01:09:17I can't believe that.
01:09:19I can't believe that.
01:09:21Let's go.
01:09:51Hey.
01:09:56How is she?
01:09:58She's resting.
01:10:01Mr. Yates offered to stay with her.
01:10:05What do the doctors say?
01:10:08They want to leave the bandages on a few more days, and they're going to run some more tests.
01:10:13There appears to be no medical reason whatsoever for her to be blind.
01:10:16What do they think it is?
01:10:18They hope it's psychosomatic.
01:10:22Do you know what I think?
01:10:24I think she's just trying to get my attention.
01:10:28She can't expect to keep me under her wings too much longer.
01:10:33I'm not a little girl anymore.
01:10:37She can't go blind every time I do something that doesn't have her blessing.
01:10:40But I want to help you with your father, Corey.
01:10:51Diane, I've changed my mind.
01:10:56Everything that's happened with your mother, I just, I don't think it's a good idea.
01:11:00I really don't.
01:11:03I'm sorry.
01:11:03I'm sorry.
01:11:03I'm sorry.
01:11:03I'm sorry.
01:11:03I'm sorry.
01:11:03I'm sorry.
01:11:07I dreamt about you last night.
01:11:34I, uh, dreamed a lot of things about you last night.
01:11:39You want to bring your father back today, don't you?
01:11:47Yes.
01:11:48Am I ready?
01:11:49Before your soul can be separated from your body, Corey, you must find the rightness of
01:11:57life and hope you're guided in the proper direction.
01:12:01It's an unpredictable journey that will take you to one side or the other of strange.
01:12:06Are you ready for that?
01:12:09Yes.
01:12:09Good.
01:12:11Now I want you to think about the goodness of your father, about how you wish it had been.
01:12:17Close your eyes.
01:12:21Wow.
01:12:22Try to tell me what you see on your journey.
01:12:25There's a small bird heart and a scared cardinal.
01:12:33What else?
01:12:34There's a figure.
01:12:39I think it's me.
01:12:43Good.
01:12:43That means you're in.
01:12:46Now I want you to concentrate on finding your father.
01:12:49Let your dreams of him pull you into the light.
01:12:52Why can't I find my father?
01:13:16Shh.
01:13:17Just keep searching.
01:13:18Let your dreams of him pull you into the light.
01:13:22So weird.
01:13:35Shh.
01:13:37Corey, I want you to call for your father.
01:13:40How?
01:13:41Call for him.
01:13:44Father?
01:13:46Father!
01:13:52Oh, son.
01:14:13I knew you wouldn't disappoint me.
01:14:18Father?
01:14:19Don't you recognize me?
01:14:22There's something wrong.
01:14:27You weren't expecting him to look like that.
01:14:29No, no, no. It's something else.
01:14:34How about you and your father a nice kiss?
01:14:43Come on.
01:14:43Come on.
01:14:44Let's have a look at you.
01:14:59Oh, you're nice of this one.
01:15:09Oh, you're young.
01:15:11Strong, Artie.
01:15:14You turned out very well, Corey.
01:15:18Thank you for doing this, boy.
01:15:21Take him to my place?
01:15:23That's not right.
01:15:25He didn't tell us it was about switching.
01:15:30See, if my son, my only flesh and blood takes my place,
01:15:35then I'm free to return to the land of the living.
01:15:38No.
01:15:38No.
01:15:39No, Father.
01:15:41Why are you doing this?
01:15:43No.
01:15:43No.
01:15:45No.
01:15:45Handsome specimen.
01:15:54Very handsome.
01:15:56You should have danced with me, pretty boy.
01:16:07Ah.
01:16:08Ah!
01:16:08Ah!
01:16:08Ah!
01:16:08Ah!
01:16:09Ah!
01:16:09Ah!
01:16:10Ah!
01:16:10Ah!
01:16:10Ah!
01:16:10Ah!
01:16:10Ah!
01:16:11Ah!
01:16:11Ah!
01:16:11Ah!
01:16:12Ah!
01:16:12Ah!
01:16:13Ah!
01:16:13Ah!
01:16:14Ah!
01:16:14Ah!
01:16:15Ah!
01:16:15Ah!
01:16:22How are you doing this to me?
01:16:27You're my own father.
01:16:29Christ died for his daddy.
01:16:32What are you complaining about?
01:16:37Diane?
01:16:45Oh, my God.
01:17:15Corrie, listen to me. You can get out. You know what to do.
01:17:23His father has him.
01:17:33What can I do?
01:17:36You love him.
01:17:38Yeah.
01:17:45Yeah.
01:17:48Wow.
01:17:51Yeah.
01:18:01What are you doing?
01:18:03.
01:18:09Yeah.
01:18:10I don't know.
01:18:40See what happens when people are bad.
01:19:10No!
01:19:13Never keep me here!
01:19:17Never!
01:19:20Never!
01:19:22Never!
01:19:40Good morning, Father.
01:20:08Never!
01:20:38Never!
01:20:44Never!
01:20:46Never!
01:20:48Never!
01:20:54Never!
01:20:56Never!
01:20:58Never!
01:21:00Never!
01:21:04Never!
01:21:06Never!
01:21:08Never!
01:21:10Never!
01:21:14Never!
01:21:16Never!
01:21:18Never!
01:21:20Never!
01:21:22Never!
01:21:26Never!
01:21:28Never!
01:21:30Never!
01:21:32Never!
01:21:34Never!
01:21:38Never!
01:21:40Never!
01:21:42Never!
01:21:44Never!
01:21:46Never!
01:21:48Never!
01:21:50Never!
01:21:52Never!
01:21:54Never!
01:21:56Never!
01:22:06Never!
01:22:08Never!
01:22:10Never!
01:22:12Never!
01:22:14Never!
01:22:16Never!
01:22:18Never!
01:22:20Never!
01:22:22Never!
01:22:32Never!
01:22:34Never!
01:22:36Never!
01:22:38Never!
01:22:40Never!
01:22:42Never!
01:22:44Never!
01:22:46Never!
01:22:48Never!
01:22:50Never!
01:23:00Never!
01:23:02Never!
01:23:04Never!
01:23:06Never!
01:23:22Never!
01:23:24Never!
01:23:26Never!
01:23:28Never!