Love Me Tonight (Full Movie) | English Romantic Film | HD 1080p | Love Story 2025 - video Dailymotion

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#LoveMeTonight #RomanticMovie #EnglishFullMovie #HDMovie #LoveStory #NewMovie2025 #watchnow   Love Me Tonight (Full Movie) | English Romantic Film | HD 1080p | Love Story 2025   Love Me Tonight (Full Movie) | English Romantic Film | HD 1080p | Love Story 2025   Love Me Tonight (Full Movie) | English Romantic Film | HD 1080p | Love Story 2025    🎬 Movie Title: Love Me Tonight   📅 Release Year: 2025   🎭 Genre: Romantic / Drama   🕒 Duration: Full Movie (HD)   About the Movie:  "Love Me Tonight" is a heartwarming romantic film that follows the journey of two strangers who fall in love under the most unexpected circumstances. A story of passion, fate, and emotional connection.   ✨ Perfect for fans of heartfelt love stories and emotional drama.   👩‍❤️‍👨 Cast:  - Emma Blake   - Nathan Carter   - Directed by: Sarah Monroe    🎥 Credits:     Written by: Lucas Wright   Filmed in: Los Angeles, CA   📢 Don’t forget to **LIKE**, **SHARE**, and **SUBSCRIBE** for more romantic films!   👇 Comment your favorite scene below!   🔔 Turn on the bell icon to stay updated with new releases!   romantic movie,  love me tonight full movie,  english love story,  emotional movie,  romantic drama,  new romantic film 2025,  love story movie,  hollywood romantic movie,  full hd movie,  watch free movies    #LoveMeTonight #RomanticMovie #EnglishFullMovie #HDMovie #LoveStory #NewMovie2025 #watchnow

Transcript

00:00:00.

00:04:34How's my old pal?

00:04:36Bonjour, Maurice.

00:04:37How are you?

00:04:38How about Friday?

00:04:42Friday is my day.

00:04:44Oh, what a man!

00:04:46How are you?

00:04:48How's your bakery?

00:04:50I need a boat.

00:04:52Where's your husband?

00:04:54He needs the dough.

00:04:56Hello, Mrs. Bendix.

00:04:58How's your appendix?

00:05:00And what is more?

00:05:02How are you?

00:05:04Bonjour.

00:05:06Bonjour.

00:05:07Hello, sir.

00:05:08How is the grocer?

00:05:10You owe 10 francs.

00:05:12How are you?

00:05:14Ah, how's my boyfriend?

00:05:16Some other boyfriend?

00:05:18This is my wife.

00:05:19This is my wife.

00:05:20How are you?

00:05:22How's your grandpa?

00:05:24He's back in jail.

00:05:26How's your business?

00:05:28How can it fail?

00:05:30Bonjour, Monsieur Cohen.

00:05:32How are things going?

00:05:34Come on, Savara.

00:05:36How are you?

00:05:58How are you?

00:06:04How are you?

00:06:06How are you?

00:06:24Happy evening.

00:06:25Morning, Maurice.

00:06:26Nice there for your wedding.

00:06:27Yes.

00:06:28Is my suit ready?

00:06:29Certainly.

00:06:30I want to pay you today, Maurice.

00:06:32No hurry.

00:06:33No, no, no.

00:06:34You're just getting started.

00:06:35Business is bad.

00:06:36Look at these.

00:06:38All sold?

00:06:39One is yours.

00:06:40And the rest?

00:06:41For the Vicomte de Varese.

00:06:43Vicomte de Varese?

00:06:45The best dressed man in France?

00:06:47I'm making his clothes now.

00:06:49And he'll make my reputation.

00:06:51He owes me 40,000 francs.

00:06:53That's what I call success.

00:06:54That's why.

00:06:552,000 francs, right?

00:06:56Right.

00:07:02Oh, it's the across Paris front.

00:07:11Oh, it's the across Paris front.

00:07:12Yeah, yeah, yeah, yeah.

00:07:13Mr. Le Vicombe.

00:07:15Maurice.

00:07:17Mr. Le Vicombe was in the rest?

00:07:19No, no, just temporarily.

00:07:21Maurice, have you some of my clothes ready?

00:07:23Are 15 suits enough?

00:07:25Oh, well, lock the door and give me a suit quickly.

00:07:27He may come along any minute.

00:07:29Who?

00:07:31The girl's husband. He came home unexpectedly.

00:07:33What girl?

00:07:35He came home unexpectedly.

00:07:37What girl?

00:07:39Well, she's...

00:07:41Well, I don't remember.

00:07:43The husband started running after me,

00:07:45and I ran, and I found myself in the race.

00:07:47I presume Mr. Le Vicombe has no more need of this.

00:07:49No, no, no, I got that off a fruit stand.

00:07:51Emile, Emile, would you mind giving the room to Mr. Le Vicombe, please?

00:07:55Oh, yes, yes.

00:07:57With pleasure.

00:07:59Oh, thank you, thank you, Maurice, thank you.

00:08:01Emile, Emile.

00:08:03Would you mind giving the room to Mr. Le Vicombe, please?

00:08:05Oh, yes, yes.

00:08:07With pleasure.

00:08:12Go right in there.

00:08:16Monsieur, Monsieur Le Vicombe.

00:08:18About the bill.

00:08:24About the bill, Monsieur Le Vicombe.

00:08:26Yeah, the pants are a very good fit, Maurice.

00:08:30Monsieur Le Vicombe, about the bill.

00:08:32Oh, well, tonight, Maurice, I'll go down to my family's chateau

00:08:36and my uncle, the Duke, to hand over my next allowance.

00:08:38Oh, thank you, Monsieur Le Vicombe.

00:08:40What about my friend, the shirt maker, who's making the new shirts for you?

00:08:44Again, his bill, too.

00:08:46And what about my friends, the hatter and the boot maker?

00:08:49I'll pay them all at once.

00:08:50A clean and sweet, Maurice.

00:08:52Oh, thank you, Monsieur Le Vicombe.

00:08:54Oh, very nice, very nice.

00:08:56And now, Maurice, do you suppose you could let me have a little something?

00:09:02Money?

00:09:03Yes, yes.

00:09:05You see, I'm running around without my wallet.

00:09:07How much could you spare?

00:09:08A thousand francs?

00:09:09Oh, no, no, no, no, no.

00:09:11That's too, that's too much.

00:09:12Now, if you'd said 500.

00:09:13Oh, Monsieur Le Vicombe, take the thousand.

00:09:15No, no, no, no, no.

00:09:16I, no, no.

00:09:17Monsieur Le Vicombe, many did you?

00:09:18Well, I'll tell you.

00:09:19You let me have the 2,000, then we'll say no more about it.

00:09:25Tomorrow, Maurice, I'll be here with bags of gold for you.

00:09:28Bags of gold.

00:09:29A thousand thanks, Monsieur Le Vicombe.

00:09:44Maurice, it's beautiful.

00:09:46Just the little cloth.

00:09:49You make a work of art.

00:09:50A tailor's art for your sweetheart.

00:09:52Oh, it's like poetry in a book.

00:09:55Oh, how beautiful I look.

00:09:57The love song of the needle united with a thread.

00:10:01The romance of the Caesar.

00:10:02So Claire and I can win.

00:10:05Movie.

00:10:06Oh, oh, Amy, Amy.

00:10:08Oh, you're a magician.

00:10:10Isn't it romantic?

00:10:12My face is glowing.

00:10:14I'm energetic, the art of sewing.

00:10:17I find poetic.

00:10:19My needle punctuates the rhythm of romance.

00:10:22I don't give a stitch if I don't get rich.

00:10:25A custom teller who has no custom is like a sailor.

00:10:30No one will trust them.

00:10:32But there is magic in the music of my shears.

00:10:35I shed no tears.

00:10:37I shed no tears.

00:10:38Lent me your ears.

00:10:40Isn't it romantic?

00:10:42Soon I will have found some girl that I adore.

00:10:47Isn't it romantic?

00:10:49While I sit around, my love can scrub the floor.

00:10:54She'll kiss me every hour.

00:10:58Or she'll get the sack.

00:11:01And when I take a shower, she can scrub my back.

00:11:07Isn't it romantic?

00:11:09On a moon night light, she'll cook me onion soup.

00:11:13Tiddies are romantic.

00:11:15And if we don't fight, we soon will have a trope.

00:11:20We'll help the population.

00:11:24It's a duty that we owe to France.

00:11:29Isn't it romance?

00:11:33Isn't it romantic?

00:11:35Da, da, da, da, da.

00:11:37A very catchy strain.

00:11:39Isn't it romantic?

00:11:41Da, da, da, da, da.

00:11:43Oh, I forgot my cane.

00:11:46Oh, thank you very much.

00:11:49I'd better fix your time.

00:11:52Da, da, da, da, da, da, da, da, da, da.

00:11:57Goodbye.

00:11:58Isn't it romantic?

00:12:00Da, da, da, da, da.

00:12:01Taxi.

00:12:02Oh, no.

00:12:03I need some air.

00:12:04Isn't it romantic?

00:12:06At last I've got a fare.

00:12:10Railroad station.

00:12:12Not too fast.

00:12:13I hate to take a chance.

00:12:15Isn't it romance?

00:12:16Isn't it romantic?

00:12:17Isn't it romantic?

00:12:18To fly around the town.

00:12:19Isn't it romantic?

00:12:20Da, da, da, da, da.

00:12:21I think I'll take that down.

00:12:22Isn't it romantic?

00:12:23Da, da, da, da, da.

00:12:24I think I'll take that down.

00:12:29Isn't it romantic?

00:12:30Isn't it romantic?

00:12:31Da, da, da, da, da.

00:12:32Isn't it romantic?

00:12:46Da, da, da, da, da, da.

00:12:50I'll write some words as well Isn't it romantic

00:12:54Sitting in a dream As long as God calls

00:13:00Oh, la-la-la-la-la-la-la-la-lai

00:13:03Can't be made plays had man

00:13:08Isn't it romantic?

00:13:11Isn't this a right word?

00:13:14Isn't this a ventering sound?

00:13:17You're in great shape, you're in great shape.

00:13:21What you all can't get on to your own name.

00:13:26You're in great shape, you're in great shape.

00:13:33You're in great shape, and you can't go.

00:13:47¶¶

00:14:17Isn't it romantic music in the night, a dream that can be heard?

00:14:34Isn't it romantic that a hero might appear and say the word?

00:14:45¶¶ Brought by a secret charm or by my heart's command ¶¶

00:14:55¶¶ My prince will ride in armor just to kiss my hand ¶¶

00:15:05¶¶ Isn't it romantic ¶¶

00:15:10¶¶ He will hear my call and bend his royal knees ¶¶

00:15:17¶¶ Isn't it romantic ¶¶

00:15:20¶¶ He'll be strong and tall and yet a slave to me ¶¶

00:15:27¶¶ With the number of my fancy ¶¶

00:15:33¶¶ Will you ever come tonight ¶¶

00:15:37¶¶ To know for a chance ¶¶

00:15:44¶¶ Isn't it romantic ¶¶

00:15:50¶¶

00:15:54¶¶ Princess, Janet ¶¶

00:15:57¶¶ Count, I'm going to bed ¶¶

00:15:59¶¶ I just came up to join you ¶¶

00:16:00¶¶ Join me? ¶¶

00:16:01¶¶ Join you in a little chat before dinner ¶¶

00:16:03¶¶ Not tonight ¶¶

00:16:05¶¶ I've had another fainting spell ¶¶

00:16:07¶¶ And my uncle the duke thought bed was the best place for me ¶¶¶

00:16:09¶¶ I always think that ¶¶¶

00:16:11¶¶ If one isn't well ¶¶¶

00:16:13¶¶ Why the latter? ¶¶¶

00:16:14¶¶ Oh, it's more romantic ¶¶¶

00:16:16¶¶ Oh, careful ¶¶¶

00:16:19¶¶ I brought along my flute hoping to entertain ¶¶¶

00:16:22¶¶ No, Count ¶¶¶

00:16:24¶¶ Not tonight ¶¶¶

00:16:27¶¶ Oh, before I go ¶¶¶

00:16:28¶¶ You remember what I said to you down by the horse troll? ¶¶¶

00:16:31¶¶ Quite well ¶¶¶

00:16:32¶¶ What was it? ¶¶¶

00:16:33¶¶ I simply wished to see if I made ¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶�

00:17:03Oh, Count, did you break your leg?

00:17:05No, I fell flat on my flute.

00:17:33Ah, slowly so, but not too long.

00:17:39Oh, may it help our niece grow strong.

00:17:42Plants from the woods and herbs from the dells

00:17:45are certain cures for painting spells.

00:17:48Please, heaven, we don't star in vain.

00:17:51May morning bring our health again.

00:18:03Oh, my dear Duke, you can get rid of me for 20,000 francs.

00:18:21My dear, come on.

00:18:24Come on.

00:18:27Oh, my dear Duke, you can get rid of me for 20,000 francs.

00:18:32My dear, Contess, I have...

00:18:34Oh, Uncle, don't be so pumped.

00:18:36I'm only asking you for some of the money you're holding in trust for me.

00:18:38If I gave you any, you'd go straight back to Paris.

00:18:41You're staying here, Valentin.

00:18:43What you need is more of the simple life, young woman.

00:18:45Oh, Uncle.

00:18:46I say, come in.

00:18:49The new footman, Your Grace.

00:18:51Oh.

00:18:54Uncle?

00:18:55No.

00:19:02Can't we ever get a footman under 40 in this place?

00:19:08Valentin.

00:19:09There you do, Flamoy.

00:19:15About the schedule for the guests for tomorrow, Your Grace.

00:19:17Oh, tomorrow.

00:19:19The bridge at three.

00:19:22And at dinner at eight.

00:19:24And after dinner, bridge.

00:19:27Rather an amusing day, Flamoy.

00:19:29Quite exciting, Your Grace.

00:19:31And what are the guests doing now, Flamoy?

00:19:33Playing bridge, Your Grace.

00:19:34Ah.

00:19:35Ah.

00:19:36Ah.

00:20:05You wait.

00:20:06I'm going right back to Paris.

00:20:29Hey there.

00:20:32A man.

00:20:34Oh, no.

00:20:36Just cousin Gilbert.

00:20:37What are you doing?

00:20:39Trying to get up enough energy to go to bed?

00:20:41Oh.

00:20:42What are you doing in this dull hole?

00:20:43No, I'm just passing through.

00:20:44I've got a taxi waiting to take me back to Paris.

00:20:46Take me with you?

00:20:47That's not a bad idea.

00:20:49It might save me from having to see Uncle.

00:20:51How much money can you loan me?

00:20:52I'm over my allowance and Uncle won't let me have any money.

00:20:55Oh.

00:20:56Well, you don't know how to handle the old Skyhawk.

00:20:58I'll tell him I need the money for charity.

00:21:00To provide good homes for bad stenography.

00:21:03No more.

00:21:04Uh-oh.

00:21:05Send that taxi away.

00:21:06No, now, Uncle.

00:21:07Look, I've got to get back to Paris.

00:21:08You can't.

00:21:09What?

00:21:10You're staying here permanently.

00:21:11And if I hear any more of your debts, any more bills, I'll cut you off without a shoe.

00:21:15Oh, now.

00:21:16Do you understand?

00:21:17You imp, imp, uh, what's the word?

00:21:20Impecunious?

00:21:21No, no, no.

00:21:22Impudent?

00:21:23No, no.

00:21:24No, no.

00:21:25Imp, imp, imposter.

00:21:26No!

00:21:27No.

00:21:28Impertinent.

00:21:29Ah, that's it.

00:21:30You impertinent Jack...

00:21:31Jack...

00:21:32Jackall.

00:21:33No, no, no.

00:21:34Well, I'm sorry.

00:21:35Jackass.

00:21:36No, no.

00:21:37I wish you'd go to bed.

00:21:38Impetinent Jackanates.

00:21:39Liar.

00:21:40Cheek.

00:21:41Yeah.

00:21:42You'll be insulting me in a minute.

00:21:43Nitwik.

00:21:44Namskull.

00:21:45No.

00:21:46Nankumpu.

00:21:47Lord, grant her rest be sweet and deep.

00:21:50And nights go riding through her sleep.

00:21:53Her own prince charming, young and bold.

00:21:56Who came to princesses of old.

00:21:59Never to us.

00:22:01Never to us.

00:22:03Never to us.

00:22:05Stir slowly.

00:22:08Slowly.

00:22:09And may it heal her.

00:22:12Holy.

00:22:13Holy.

00:22:14Holy.

00:22:35выпed.

00:22:41Extra majestformed.

00:22:42I want the money for my shirt.

00:22:43And my shoes.

00:22:44And my hats.

00:22:45You introduced this fellow to us.

00:22:48You said this vogal.

00:22:49It warped like Peter.

00:22:50I saved our house.

00:22:52I used to do that these Biden police officers.

00:22:54Very beautiful.

00:22:55singing, 당시 movimento.

00:22:56Funny women is seriouslyunto.

00:22:58Well, you are poor.

00:22:59Yes.

00:23:00Hmm...

00:23:01He looks drunk and divisive.

00:23:02He looks gegrolling.

00:23:03No.

00:23:04You said that his trade would bring other business.

00:23:06It will.

00:23:07We must be careful not to insult the Vicomte de Varese.

00:23:10He comes from the old nobility, weak to take offense.

00:23:13And slow to pay.

00:23:15Maurice Caudelin?

00:23:16Yes.

00:23:19I understand you made a lot of clothes for the Vicomte de Varese.

00:23:22You see, you see, Monsieur Hazard, that I make clothes for the Vicomte.

00:23:25If Monsieur will take the chair, I'll show him samples.

00:23:27Monsieur is a friend of the Vicomte?

00:23:29Not at all.

00:23:30You know who I am.

00:23:34Oh, now, now I understand.

00:23:36Oh, Monsieur, Monsieur, why don't you try to forgive and forget?

00:23:41This is Paris, city of romance, love.

00:23:44Oh, please, please, forgive the Vicomte and forgive also your wife.

00:23:48I have no wife. What is all this?

00:23:51You are not the man who chased the Vicomte in his BVDs?

00:23:54Certainly not.

00:23:55I am the credit manager of the Association of Retail Merchants.

00:23:59I came here to tell you that not a tailor in Paris would make that fellow a suit

00:24:03without full payment in advance.

00:24:06You, you, you, you mean he...

00:24:08I mean the Vicomte de Varese never pays.

00:24:13The Vicomte never pays?

00:24:15My shirt.

00:24:16What hurt?

00:24:17My boots.

00:24:18My suits.

00:24:19Gentlemen, you have my profound sympathy.

00:24:22The old nobility, eh?

00:24:24Do you know what I'd like to do?

00:24:25I'd like to get a crowd, march down there and attack that chateau.

00:24:28That's not a talk.

00:24:29Wait.

00:24:30That's an idea.

00:24:31You think we could?

00:24:32Just like in the old days?

00:24:33What about the police?

00:24:34I don't mean attack it with a crowd.

00:24:35Let me attack it alone.

00:24:37I'll be a one-man French Revolution.

00:24:38Let me have all the goods the Vicomte ordered.

00:24:39I'll deliver them to the chateau, and I'll make him pay.

00:24:44I don't mean attack it with a crowd.

00:24:46Let me attack it alone.

00:24:48I'll be a one-man French revolution.

00:24:50Let me have all the goods the victor ordered.

00:24:53I'll deliver them to the chateau, and I'll make him pay.

00:24:56I just heard you were going.

00:24:58Let my husband drive you.

00:25:00He has to go to be after me.

00:25:02I just heard you were going.

00:25:04Let my husband drive you.

00:25:06He has to go to be after me.

00:25:08I just heard you were going.

00:25:10Let my husband drive you.

00:25:12He'd love to drop you.

00:25:14Tell Maurice you'd love to drop him.

00:25:16I'd love to drop you.

00:25:18Get in.

00:25:20That's fine.

00:25:22Over here.

00:25:24I hope you have a grand time, Maurice.

00:25:26Just like a millionaire.

00:25:28A millionaire.

00:25:30That's fine, Maurice.

00:25:32Come on.

00:25:34I'm not going to drink.

00:25:36Come on.

00:25:38My bag.

00:25:40My hat.

00:25:41Take care.

00:25:43Take care.

00:25:44Take care.

00:25:45Take care.

00:25:46Take care.

00:25:47Don't want to eat.

00:25:48Take care.

00:25:49Take care.

00:25:50Don't come down.

00:25:52Don't forget.

00:25:53Good love.

00:25:54Don't forget.

00:25:55Don't forget.

00:25:56Love, when you find me, will you blind me with your glow?

00:26:14May speak up behind me on my wall.

00:26:19Kiss me, hear me saying, gently praying, I'll obey.

00:26:31Like two children playing in the hay.

00:26:37He'll be my lord and my master, I'll be a slave to the last.

00:26:48He'll make my heart be so faster.

00:26:52Not too fast.

00:26:57Lover, when you take me and wake me, I will know.

00:27:05Lover, you can make me, you will know.

00:27:11Look out!

00:27:13Look out!

00:27:14Oh, Pierre, Pierre, you.

00:27:18You take the horse, I'll take the lady.

00:27:21Mademoiselle, are you hurt?

00:27:23Oh, no.

00:27:25Mademoiselle, put your arms around me.

00:27:27Oh, no, thank you. I can manage alone.

00:27:29No, please, please.

00:27:31I still suggest that you put your arms around me.

00:27:33But do you think I put my arms around people I don't know?

00:27:35My name is Maurice.

00:27:36Oh!

00:27:37Now.

00:27:43Oh, that's nothing.

00:27:47Search at anchor.

00:27:48No, no, no, it's quite unnecessary.

00:27:49Don't stand on it yet.

00:27:50But I'm sure it's better.

00:27:51No, no, no, no.

00:27:55Tell me, do you live down here?

00:27:57I often wonder.

00:27:59No, I said, do you live down here?

00:28:02I heard you.

00:28:03I wonder if you can call it living.

00:28:05Seems so dead.

00:28:07I must go.

00:28:08Oh, no, no, not right away.

00:28:10See, one foot wants to go, the other wants to stay.

00:28:13They both want to go.

00:28:15My family's waiting for me.

00:28:17But what about me?

00:28:18What do you mean, what about you?

00:28:20Well, I mean, I mean, I'm stuck here.

00:28:22I can't go.

00:28:23My car is in disrepair and, and I'm lonely.

00:28:27You can't leave me.

00:28:29Aren't you a little insane?

00:28:31Yes.

00:28:32Let me sing for you.

00:28:33You are insane.

00:28:35But you sang for me.

00:28:37I didn't even know you existed.

00:28:40You don't exist either.

00:28:42You're a dream.

00:28:43Oh, give me just a moment.

00:28:45Just to sing to you, Mimi.

00:28:48Mimi.

00:28:49You're mad.

00:28:50And my name's not Mimi.

00:28:52Yes.

00:28:53I am mad.

00:28:54My left shoe's on my right foot.

00:28:56My right shoe's on my left.

00:28:58Oh, listen to me, Mimi.

00:29:00Of reason I'm bereft.

00:29:02The buttons of my trousers are buttoned to my vest.

00:29:05Oh, listen to me, Mimi.

00:29:07There's fashion in my breast.

00:29:11Mimi, you funny little good for nothing.

00:29:15Mimi, am I the guy?

00:29:17Mimi, you sunny little honey of Mimi.

00:29:22I made me high.

00:29:24Mimi, you got me sad and dreamy.

00:29:28You could free me if you'd see me.

00:29:31Mimi, you know I'd like to have a little son of Mimi.

00:29:36But Mimi, you funny little good for nothing.

00:29:42Mimi, I think Mimi, I'm the guy.

00:29:45Mimi, you sunny little honey of Mimi.

00:29:49I made me high.

00:29:51Mimi, you got me sad and dreamy.

00:29:55Mimi, you could free me if you'd see me, Mimi.

00:30:00Mimi, you know I'd like to have a little son of you all mine.

00:30:05Goodbye.

00:30:07You think I'm rude, vulgar?

00:30:09You know, since you came into my life, I'm not myself.

00:30:11Perhaps I'm in love with you.

00:30:12Oh, really now?

00:30:13Afraid?

00:30:14Of what?

00:30:15Of me.

00:30:16Of what conceit?

00:30:17Afraid of yourself.

00:30:18What insolence?

00:30:19You think it takes years to fall in love?

00:30:22You're right.

00:30:23I've known you a hundred years.

00:30:24A thousand years.

00:30:25You're impossible.

00:30:26I hope to see you again somewhere soon.

00:30:28Perhaps in another thousand years.

00:30:33I dream of you every day.

00:30:35Every night.

00:30:36Everywhere.

00:30:37I love you.

00:30:38I love you.

00:30:39I love you.

00:30:40I love you.

00:30:41I love you.

00:30:42I love you.

00:30:48Your hat.

00:30:51Look at it.

00:30:53What will you do without your straw hat, Maurice?

00:30:56And where's that smile of yours?

00:30:58No straw hat?

00:30:59No smile?

00:31:00It's all over, Maurice.

00:31:01You can't go on.

00:31:14Now we can go on, Pierre.

00:31:15Good old Pierre.

00:31:16We can go on if I ever fix this car.

00:31:23Oh no sir.

00:31:24Yes sir.

00:31:25Oh no sir.

00:31:26Oh no sir.

00:31:28I'm五 o'clock.

00:31:29I'm falling.

00:31:30I want no cross virginis.

00:31:31Oh no sir...

00:31:41Look me.

00:31:44I want a Mark.

00:31:46Oh no sir.

00:31:49Oh yeah I want you.

00:31:51You think you've got to save me.

00:31:51Princess! Help! Help! Help! Help!

00:31:58Help! Help!

00:32:04She's fainted again.

00:32:09You know, I had an elder brother who used to faint quite often.

00:32:14He was a nipple maniac. A what? A nipple maniac.

00:32:17He used to go around finching things.

00:32:19Oh, I had a friend like that. He used to pinch business girls in elevators.

00:32:23They had to send him to a cooler climber.

00:32:25No. I knew a girl...

00:32:26This is no kind of reminiscence.

00:32:28Go and get a couple of footmen to carry her upstairs.

00:32:30But you gave the servants the afternoon off.

00:32:32Our footmen are playing football against the old soldiers' home.

00:32:35Well, you two carry her upstairs. Someone fetch a doctor.

00:32:37Yeah, you carry her. I'll get the doctor.

00:32:43Valentin, can you go for a doctor?

00:32:45Certainly. Bring him right in.

00:32:47No, no, no. It's for Jeannette. She's fainted again.

00:32:50Oh.

00:33:03Princess, permit me to introduce Dr. Armand de Pagliac.

00:33:07Your Highness.

00:33:08Doctor.

00:33:18And now, my dear, remove your dress.

00:33:20My what?

00:33:21Your dress.

00:33:22Oh?

00:33:23There's no occasion for distress.

00:33:24Is that necessary?

00:33:26Very. Yes.

00:33:28As long as professional ethics apply, I'll see you with only a doctor's eye.

00:33:33Oh, dear.

00:33:46The doctor's eye is satisfied.

00:33:48Now, I'll hear your heart.

00:33:52Don't sigh.

00:33:56Very good. Nothing wrong here.

00:33:58Now, I'll take your pulse, my dear.

00:34:02Perfectly regular. Right on the tip.

00:34:05Madam, oh, madam, you cannot be sick.

00:34:09Then why do I lie awake in bed?

00:34:11And why does blood rush to my head?

00:34:13At night?

00:34:14Quite right. At night.

00:34:17And why does music make me sad?

00:34:19And why do love songs drive me mad?

00:34:22At night?

00:34:23Quite right. At night.

00:34:26And frequently, I faint.

00:34:29That's quaint.

00:34:31I feel depressed when I'm alone in bed at night.

00:34:36How old are you?

00:34:38I'm 22.

00:34:40While other people dance, I feel so dead at night.

00:34:45At 22.

00:34:46Oh, this won't do.

00:34:50Are you married?

00:34:52My husband died three years ago.

00:34:54At 16, I was wed.

00:34:55You've been a widow for three years?

00:34:57Three years the prince is dead.

00:34:59Are you very happy with your spouse?

00:35:02He was the son of a noble house.

00:35:05It was the happiness of great peace.

00:35:09A rochambeau.

00:35:12My better half.

00:35:13Good job.

00:35:15And here you have his photograph.

00:35:16Yes.

00:35:27How old was your bridegroom, dear?

00:35:3072.

00:35:3172?

00:35:3272.

00:35:33Oh, this won't do.

00:35:34Sweet music makes me cry on part.

00:35:40Perhaps I'd better journey south.

00:35:44Perhaps my tonsils should come out.

00:35:48Well, it's a very pretty month.

00:35:50I'm wasting away.

00:35:51For three years I've sat alone.

00:35:52No joy I've tasted.

00:35:53With eyes and red lips and a figure like that?

00:35:56You're not wasted away.

00:35:57You're just wasted.

00:35:58You're just wasted.

00:35:59Well, Doctor, we had planned an outing in the forest for this afternoon, but I suppose we'd better call it off.

00:36:05No, no.

00:36:06Go right ahead.

00:36:07Oh, then Jeanette is not in any danger.

00:36:08Well, nothing immediate.

00:36:09Ah.

00:36:10But...

00:36:11The princess ought to be married.

00:36:12Married?

00:36:13To a man of her own age.

00:36:14Ah.

00:36:15Oh, yes.

00:36:16You're not wasted away.

00:36:17You're not wasted away.

00:36:18You're just wasted.

00:36:20Well, Doctor, we had planned an outing in the forest for this afternoon, but I suppose we'd better call it off.

00:36:23No, no.

00:36:24Go right ahead.

00:36:25Oh.

00:36:26Then Jeanette is not in any danger.

00:36:27Well, nothing immediate.

00:36:28Ah.

00:36:29But the princess ought to be married.

00:36:34Married?

00:36:35To a man of her own age.

00:36:37Ah.

00:36:38But the only two eligible men in France.

00:36:41The only two of rank equal to her highness are, well, not exactly of my niece's age.

00:36:46How old are they?

00:36:47One is 85, and the other will be 12 on his next birthday.

00:36:53Ah.

00:36:54Well, this is a problem.

00:36:55What do you recommend?

00:36:59Exercise.

00:37:01Exercise.

00:37:02And exercise.

00:37:08Exercise.

00:37:15This gives me new hope.

00:37:16Eh?

00:37:17About my chances of marrying Jeanette.

00:37:19I'll ask her to consider me as a prescription.

00:37:21My dear Countess Arvignac, the only obstacle lies in the delicate matter of rank.

00:37:27Jeanette demands a prince at least.

00:37:29And you are not a prince.

00:37:32Well, that would have been if our family hadn't have been badly gypped during the Crusades.

00:37:36Anyway, your grace mustn't forget the 10th Countess Arvignac.

00:37:39What about him?

00:37:44Marie Antoinette?

00:37:45Positively.

00:37:46Now may I ask Jeanette?

00:37:48Yes, but not this afternoon.

00:37:50Quite right.

00:37:51Of course, that's me, you know, always impetuous.

00:37:54I'm going to find you on the sucedade.

00:37:55You can have a child.

00:37:56You can have a child.

00:37:57I'm going to find a good one.

00:37:59I'll find a good one.

00:38:00I'm going to find you on the trail.

00:38:01Bye.

00:38:02Bye.

00:38:03Bye.

00:38:04Bye.

00:38:05Bye.

00:38:07Bye.

00:38:08Bye.

00:38:09Bye.

00:38:10Bye.

00:38:11Bye.

00:38:12Bye.

00:38:13Bye.

00:38:14Now may I know that, George.

00:38:15Bye.

00:38:16Bye-bye.

00:38:17My dear man.

00:38:18Bye-bye.

00:38:19Bye-bye.

00:39:50I'm looking for the Vicomte de Varese.

00:40:12I didn't know he was expecting a friend.

00:40:14Are you alone?

00:40:16Alone?

00:40:17I mean in life.

00:40:18You're not married.

00:40:19No.

00:40:20I'll be right down.

00:40:25Merci.

00:40:26Who made that for you?

00:40:30McClintock and Armstrong, monsieur, of London.

00:40:33Might I recommend them for your own servants?

00:40:36Oh, no, no.

00:40:38I'm looking for the Vicomte de Varese.

00:40:40Possibly in the drawing room, monsieur.

00:40:43Madame.

00:40:55Monsieur.

00:40:56Oh, his smile is so disarming.

00:40:59So frank.

00:41:00So gay.

00:41:01So charming.

00:41:02Madame.

00:41:03Oh, we bore you without selling.

00:41:06Sewing?

00:41:07Quite so.

00:41:08Oh, no.

00:41:10A needle is magnetic.

00:41:12Not true.

00:41:12And how poetic.

00:41:15Madame.

00:41:15Monsieur.

00:41:16Oh, dear.

00:41:18Oh.

00:41:19Oh.

00:41:20Oh.

00:41:23Oh, dear.

00:41:24Oh, dear.

00:41:32Hey.

00:41:33Hmm?

00:41:34Oh, no, no.

00:41:35Never use silk on armor.

00:41:37Flannel is the thing.

00:41:38Oh.

00:41:39Are you interested in armor?

00:41:40Any kind of wearing apparel.

00:41:42Is this your only job?

00:41:43Oh, no.

00:41:44I potter around.

00:41:45Tell me, where can I find the Vicomte de Varese?

00:41:46Oh, he's somewhere about.

00:41:48I hate him.

00:41:50Hey, Maggie.

00:41:51He would like to tear down this beautiful chateau.

00:41:53No.

00:41:54It would be better to tear down the Vicomte.

00:41:56Ah.

00:41:57You're a man after my own heart.

00:41:59You have a soul.

00:42:00Someone looking for me?

00:42:02Ah, monsieur le Vicomte.

00:42:04Maurice.

00:42:05I came down about those.

00:42:08My, my, how well you're looking.

00:42:10You, uh, you've met my uncle?

00:42:13Uncle?

00:42:14The duke?

00:42:15Oh, yes.

00:42:16We had a little chat.

00:42:17He's the first of your friends that I haven't wanted to hit with a battle axe.

00:42:21No.

00:42:22He recommended flannel.

00:42:23Yeah, flannel.

00:42:24Uh, would you pardon us a moment, Uncle?

00:42:27Uh, Maurice, may I have a word with you?

00:42:29Uh, Maurice, did you tell Uncle about those bills?

00:42:32But I didn't get a chance.

00:42:34And I didn't know he was your uncle.

00:42:35Oh, well, that's okay.

00:42:36Now, now, Vicomte, I've brought all your clothes, and I, I want the money.

00:42:40See?

00:42:40It's 63,000 francs.

00:42:42Oh.

00:42:42And I'm here also on behalf of my fellow creditors.

00:42:46Put yourself in their place.

00:42:47I'd like to.

00:42:48It isn't everyone who can be a creditor nowadays.

00:42:51Now, Maurice, I'm going to be frank with you.

00:42:54Right now, I can't pay you.

00:42:56Ah, then I'll have to see the duke.

00:42:58Shh, shh, shh.

00:42:59He'll throw you out.

00:43:00He hates tradesmen.

00:43:02He'll throw me out, too.

00:43:03So what's the use?

00:43:04I won't leave the chateau without my money.

00:43:06Oh, why do you say that?

00:43:08Well, I, I, I've got it.

00:43:11Then stay here.

00:43:12I'll have the money in a few days.

00:43:13I'll borrow it.

00:43:14No, no, no.

00:43:15This is no place for me.

00:43:16A tailor in a chateau.

00:43:17Well, why not?

00:43:18No, no, I'm going to see the duke.

00:43:20Oh, Maurice, please.

00:43:22Oh, oh, oh, charming, isn't it?

00:43:25I'm, I'm trying to persuade him to stay.

00:43:28Oh, I'm sorry.

00:43:29I can't.

00:43:30Oh, there you are.

00:43:31Yes.

00:43:31Because we're trying to persuade him to stay.

00:43:33No, really, I wish I would stay.

00:43:35Jeanette, Contessa Vignac, let me present, um, um, Gilbert.

00:43:41Present your friend.

00:43:43Yes, yes, yes, of course.

00:43:45Uh, this is my good friend, Maury, uh, Baron Cortellan.

00:43:51Yes, I've met the Baron.

00:43:52We're trying to persuade him to stay.

00:43:55Are we?

00:43:56The Baron must have changed.

00:43:58He used to make very sudden decisions.

00:44:05I stand!

00:44:07Oh, my God.

00:44:09Oh, my God.

00:44:10Oh, my God.

00:44:11Oh, my God.

00:44:15Oh, my God.

00:44:18Ah!

00:44:19Ha!

00:44:20Ha!

00:44:21Ha!

00:44:22Ha!

00:44:23Ha!

00:44:24Ha!

00:44:25Ha!

00:44:26Ha!

00:44:27Ha!

00:44:28Ha!

00:44:29Ha!

00:44:30Ha!

00:44:31That baron, eh?

00:44:32Ha!

00:44:33Ha!

00:44:34How did it go?

00:44:36Mimi, you funny little good for nothing Mimi, am I the guy?

00:44:43Mimi, you sunny little honey of the Mimi,

00:44:47Mimi, I'm aiming high.

00:44:50Mimi, you've got me sad and dreamy.

00:44:54You could free me if you'd see me.

00:44:58Mimi, you know I'd like to have a little son.

00:45:02I'll meet me by and by.

00:45:06That's not an end. I'm in the wrong field.

00:45:11Mimi, you're funny little good for nothing, dear.

00:45:16Am I the guy?

00:45:18Mimi, you're sunny little honey of a Mimi.

00:45:23I'm aiming high.

00:45:25Mimi, you've got me sad and dreamy.

00:45:29You could free me if you'd see me.

00:45:33Mimi, you know I'd like to have a little son.

00:45:40Mimi, you funny little good for nothing, Mimi.

00:45:44Am I the guy?

00:45:47Mimi, you're sunny little honey of a Mimi.

00:45:51I'm aiming high.

00:45:53Mimi, you've got me sad and dreamy.

00:45:57You could free me if you'd see me.

00:46:00Mimi, you know I'd like to have a little son of a Mimi.

00:46:05I'm aiming high.

00:46:07Mimi, you funny little good for nothing, Mimi.

00:46:11Mimi, am I the guy?

00:46:14Mimi, you sunny little honey of a Mimi.

00:46:18I'm aiming high.

00:46:20Bah!

00:46:21Bhaaah!

00:46:31Bhaah!

00:46:33Bhaah!

00:46:35Bhaah!

00:46:37Uh, hi, Count.

00:46:45If you, Grace, with your permission,

00:46:48I'd like to do my honey indoors today.

00:46:51Indoors?

00:46:53No.

00:46:54No.

00:46:55No.

00:46:56No.

00:46:57No.

00:46:58No.

00:46:59No.

00:47:00No.

00:47:01No.

00:47:02No.

00:47:03No.

00:47:04No.

00:47:05But what's the doofs?

00:47:07Much as I love a good gal Odys, I'm giving it up in your interest.

00:47:11Yes, but, but why all this mystery?

00:47:14It concerns the baron.

00:47:16I've never heard of the cor d' cuestelans in all my historical research.

00:47:19Have you?

00:47:20No, but I'm not as familiar as I might be with a nobility of the south.

00:47:24I ran through eight or ten volumes before breakfast

00:47:27and found not a cor d' ln.

00:47:29Yes, my sir.

00:47:30and found not a causal on it.

00:47:31That's not sure.

00:47:32Mind you, I still have 36 more volumes

00:47:34to look through before I'm sure.

00:47:36Yes, but this fellow's a friend of Gilbert's.

00:47:39Gilbert, I need only remind you, is none too choosy.

00:47:42Well, you go right ahead, my boy.

00:47:49Oh, well, Maurice, you look great.

00:47:52Is that my new riding habit?

00:47:53No, no, not until you've paid for it, Monsieur Bicot.

00:47:57I've been up since daybreak altering it to...

00:47:59fit me.

00:48:00Oh, I see.

00:48:01Have you picked out something good to ride on?

00:48:03The best I could get.

00:48:04Is it the big gray one?

00:48:05No, small.

00:48:06Orange with black stripes.

00:48:08Orange with black...

00:48:09What is it, a zebra?

00:48:10No, a bicycle.

00:48:12You can't use a bicycle in a hunt.

00:48:15You've got to ride a horse.

00:48:16No, but I've never been on a horse in my life.

00:48:18Baron, Baron, I want to loan you a horse.

00:48:21Worthy of a quarter line.

00:48:22Thunderbolt.

00:48:23Thunderbolt?

00:48:24He's fast, but furious.

00:48:26Well, thank you, but I think I'd better not.

00:48:28You see, the harder the horse, the harder I get.

00:48:32I might hurt Thunderbolt, or he can take it.

00:48:35Oh, Baron, I took the liberty of choosing a horse for you.

00:48:38Oh, that's so kind of you.

00:48:40I won't need you, Thunderbolt.

00:48:41What's my horse's name?

00:48:42Solitude.

00:48:43Oh, Solitude.

00:48:45Well, good hunting.

00:48:47Well, I'm sad.

00:48:49Solitude sounds just my type.

00:48:51Do you know why they call him Solitude?

00:48:53Why?

00:48:54Because he always comes home alone.

00:48:56Solitude for Baron Corcala.

00:48:58Right here for Baron, hurry up.

00:49:01Solitude for Baron Corcala.

00:49:03What's the point in giving the Baron a horse like that?

00:49:05I won't attest to Baron.

00:49:06I could think of several better ways to do that.

00:49:08Let me try.

00:49:09Don't bother.

00:49:10Tell me, do you ever think of anything but men, dear?

00:49:12Oh, yes.

00:49:13Of what?

00:49:14Schoolboys.

00:49:15Oh.

00:49:16Look out!

00:49:17Look out!

00:49:18Look out!

00:49:19Look out!

00:49:20Look out!

00:49:21Look out!

00:49:22I know that's Solitude.

00:49:23No, that's only Thunderbolt.

00:49:28There's Solitude.

00:49:32There's Solitude.

00:49:43There's Solitude.

00:49:44You're a one-year-old.

00:49:45Look out!

00:49:46Look out!

00:49:47Hey!

00:49:48Go!

00:49:49Go!

00:49:50Go!

00:49:51Go!

00:49:52Go!

00:49:53Go!

00:49:54Go!

00:49:55Go!

00:49:56Go!

00:49:57Go!

00:49:58Go!

00:49:59Go!

00:50:00Go!

00:50:01Go!

00:50:02Go!

00:50:03Go!

00:50:04Go!

00:50:06Go!

00:50:08Go!

00:50:09Go!

00:50:10Go!

00:50:11Go!

00:50:12Oh, Gilbert, he's not going to, oh, Gilbert, don't let him, oh, Gilbert, don't let him, oh, Gilbert.

00:50:42Oh, Gilbert, don't let him, oh, Gilbert, don't let him, oh, Gilbert, don't let him.

00:51:12Oh, Gilbert, don't let him.

00:51:42Oh, Gilbert, don't let him.

00:51:44Oh, Gilbert, don't let him.

00:51:46Oh, Gilbert, don't let him.

00:51:48Oh, Gilbert, don't let him.

00:51:50Oh, Gilbert, don't let him.

00:51:52Oh, Gilbert, don't let him.

00:51:54Oh, Gilbert, don't let him.

00:51:56Oh, Gilbert, don't let him.

00:51:58Oh, Gilbert, don't let him.

00:52:00Oh, Gilbert, don't let him.

00:52:02Oh, Gilbert, don't let him.

00:52:04Oh, Gilbert, don't let him.

00:52:06Come on!

00:52:36Here. Stand back. Stand back.

00:53:06What is this?

00:53:08This? This is oats, madame.

00:53:11Very wild.

00:53:13And this is the stag.

00:53:15Very tired.

00:53:17And where's solitude?

00:53:20Oh, we agreed to separate.

00:53:24He went home, alone.

00:53:27And what are your plans?

00:53:29Oh, very simple, madame.

00:53:31After supper, the stag will go right to bed.

00:53:34He's had a hard day.

00:53:37Then the hunt just stops, I suppose.

00:53:39A very happy ending, madame, of which we both approve.

00:53:42I do not approve.

00:53:43No, I mean the stag and myself.

00:53:46No true nobleman would mock the tradition of the hunt like this.

00:53:49There are things too fine, too sacred to be made ridiculous.

00:53:52Oh, your highness is losing your temper.

00:53:55I'm not losing my temper. You let that stag go.

00:53:58No. No, he'd be caught and killed.

00:54:00You wouldn't want that, madame.

00:54:02Look. Look at those eyes.

00:54:11Oh. Oh.

00:54:13You're not a gentleman.

00:54:14You, you need some lessons.

00:54:16Then you, your highness, are not a woman.

00:54:17What?

00:54:18You need some lessons too.

00:54:19Ah.

00:54:20You know too much about hunting, etiquette, tradition.

00:54:22You know nothing about style, charm, love.

00:54:27Oh.

00:54:28Your riding habit.

00:54:30Hmm?

00:54:31Look, your riding habit.

00:54:32It's not graceful.

00:54:33It's not in the mood.

00:54:34And your hair.

00:54:35It's too prim, madame.

00:54:37No, it's too severe.

00:54:38Please, let, let me fix that just.

00:54:40That, that, that, that, that.

00:54:41But your riding habit.

00:54:42Oh, oh, oh.

00:54:43It's discouraging.

00:54:45Well, what are you doing now?

00:54:47I'm thinking.

00:54:48I'm thinking of you without these clothes.

00:54:50Open your eyes at once.

00:54:51Oh, no.

00:54:52Pardon, madame.

00:54:53I mean, I mean with different clothes.

00:54:55Smart clothes.

00:54:56Oh.

00:54:57Here they are.

00:54:58The clothes?

00:54:59The hunts.

00:55:01What's the meaning of this?

00:55:16The stag.

00:55:17The stag.

00:55:18He's asleep.

00:55:19What?

00:55:20We must go back.

00:55:21He's very tired.

00:55:26Go back.

00:55:27Go back.

00:55:28Quickly and quietly.

00:55:30On tiptoe.

00:55:33On tiptoe.

00:55:34Oh, madame.

00:55:57Oh!

00:55:59Oh, my God.

00:56:08Good hunting?

00:56:10No luck.

00:56:11The Baron and the dear made friends and called the whole thing off.

00:56:15Well, I've had good hunting.

00:56:17There's no such title as Baron Cortala.

00:56:19What? Yes, you're bad.

00:56:21Did you hear that? Are you sure?

00:56:23I've even been through the better class illegitimate.

00:56:25And still no Cortala?

00:56:27Not a Cortala.

00:56:28Now Gilbert, who the deuce is your friend?

00:56:32Well, Uncle, I don't think I'd better tell you.

00:56:34It wouldn't be safe.

00:56:35Wouldn't be safe?

00:56:37You see, I owe Maurice something.

00:56:39You owe him something?

00:56:41Uncle, you shouldn't keep repeating everything I say.

00:56:44You're living a life of an echo.

00:56:46Will you kindly come to the point?

00:56:48Uncle, we're living in the age of toppling thrones,

00:56:52of uneasy crowns,

00:56:54of persecuted royalty,

00:56:56compelled at times to travel under strange names.

00:57:00Right?

00:57:01Ah, are you trying to hint that your friend is royalty?

00:57:05Well, I, uh...

00:57:07He has the Habsburg lip.

00:57:09And the name?

00:57:11Baron Cortala is...

00:57:13a mere nom de pullman.

00:57:16Mm-hmm.

00:57:18He does not say the Marge.

00:57:20He's Are you trying to hint.

00:57:21As you wish,

00:57:22We have a huge amount of glory,

00:57:23we are?

00:57:24Yes, yes, yes.

00:57:25He Wooly-n-Phir.

00:57:26I will find you.

00:57:27What is it?

00:57:28Let me put you in.

00:57:29And..

00:57:30I feel like I'm smoking a person.

00:57:32I need to wait.

00:57:33But it's not very long,

00:57:34but it's very long,

00:57:35but it's...

00:57:36It's not very long,

00:57:37but it's super long,

00:57:38even though I'm just looking at it.

00:58:09Well, we're all here, except the Baron.

00:58:12Good. Then we're all here.

00:58:14Count, could you do something to entertain?

00:58:16No, I haven't helpless since my accident.

00:58:18Accident?

00:58:19I fell flat on my flute.

00:58:24Ah, Emperor.

00:58:29Have you seen Valentin, Uncle?

00:58:31Why, no, she's not here either.

00:58:33The Baron and Valentin are both met.

00:58:36You know, Uncle, it's dangerous inviting guests here with a girl like that around.

00:58:38Somebody will sue us.

00:58:40Ah.

00:58:40Ah, there you are.

00:58:42The Baron will be down in a moment.

00:58:44He had to send to Paris for his costume, and it was late getting here.

00:58:47I've been watching him put it on.

00:58:49You've been what?

00:58:53It's all right, Uncle.

00:58:54She has the room next to Maurice, and she's bored holes in the connecting door.

00:58:58Yes.

00:58:58Valentin!

00:58:59Are you aware that...

00:59:02Are you...

00:59:03Are you...

00:59:04Now, are you aware that...

00:59:07...

00:59:08...

00:59:09...

00:59:10Do you find my costume out of place, madame?

00:59:34Well, there is beauty and light.

00:59:45Yes, but people should be on guard against him.

00:59:48You don't like the Apache, eh?

00:59:49Just like his institute toward women.

00:59:51Oh, ma'am, you understand the Apache.

00:59:54He's not always such a bad fellow.

00:59:57He wants to really feel.

00:59:59Ah, I'd love to know.

01:00:00And I am not interested.

01:00:03Are they always so brutal with girls?

01:00:05Haven't they any weak moments?

01:00:06How do I listen to that?

01:00:07That's interesting.

01:00:30How do you feel?

01:00:37Good.

01:00:38Good night.

01:03:41I want you over here because I want you.

01:03:42No, Countess.

01:03:44I want you to keep as far away from me as possible.

01:03:47Countess, I'll try.

01:03:48Pardon me, Countess.

01:03:55There's something I must be...

01:03:56someplace I must go.

01:03:57I want you to keep as far away from me.

01:04:05Princess.

01:04:30Princess.

01:04:33Princess, open your eyes, Princess.

01:04:36Open your eyes.

01:04:40No.

01:04:42Don't open your eyes.

01:04:44Sleep.

01:04:46So that I can tell you how beautiful you are.

01:04:50How beautiful.

01:04:52And how I love you.

01:05:03How dare you!

01:05:07Wait.

01:05:13Why did you do that?

01:05:16Because I love you.

01:05:18I love you.

01:05:21I love you.

01:05:24I love you.

01:05:26I love you.

01:05:28I love you.

01:05:30Because I love you.

01:05:41You... you kissed me, Princess.

01:05:45Why?

01:05:50Because...

01:05:52I love you, Maurice.

01:05:55You... you love me?

01:06:00Yes.

01:06:02Oh, I fought against it.

01:06:04I was afraid.

01:06:06Oh, my darling.

01:06:08How foolish I was.

01:06:11Perhaps you were wise.

01:06:13Why?

01:06:14Fear is a warning, Princess.

01:06:19I don't understand you, Maurice.

01:06:21Huh?

01:06:22Now...

01:06:23Let... let me... let me dream this dream a little longer.

01:06:28When I wake...

01:06:30I'll go away.

01:06:32Go away?

01:06:36Don't you want me, Maurice?

01:06:38Hmm, I want you, my Princess.

01:06:41But...

01:06:42I have wanted the moon, too.

01:06:44Look.

01:06:45My hands are empty.

01:06:47Your arms need never be empty of me, Maurice.

01:06:53Hmm.

01:06:54We have found each other in darkness.

01:06:58Like ships...

01:07:00That come into harbor...

01:07:02Together...

01:07:03At night.

01:07:04When morning comes...

01:07:07One stays...

01:07:09One sells away.

01:07:12Hmm.

01:07:14We'll sail together.

01:07:18Or stay together.

01:07:21Hmm.

01:07:22I love you, my beautiful Princess.

01:07:25I love you.

01:07:27This, I can tell you...

01:07:29This is mine.

01:07:30Jeanette.

01:07:32Maureen.

01:07:33You don't know who I am.

01:07:37You are you.

01:07:40And I love you.

01:07:42But if...

01:07:44If I...

01:07:45If I...

01:07:46If I...

01:07:47Were not...

01:07:49What you think...

01:07:51I am...

01:07:52If I...

01:07:53Whoever you are...

01:07:55Whatever you are...

01:07:57Wherever you are...

01:07:59Wherever you are...

01:08:02I love you.

01:08:06Jeanette.

01:08:07Jeanette.

01:08:08Jeanette.

01:08:09Yes.

01:08:10You know what I think.

01:08:11I think I am mad.

01:08:15And that you are mad.

01:08:17And that the whole world is mad.

01:08:19But I am the luckiest madman of all.

01:08:22And the happiest.

01:08:24Listen, my beautiful Princess.

01:08:27I love you.

01:08:29I love you.

01:08:31And whatever comes tomorrow...

01:08:33Love me tonight.

01:08:35Love me tonight.

01:08:36Love me tonight.

01:08:38Come before me.

01:08:39Run baja research.

01:08:40Hold for the place.

01:08:41Be good to out.

01:08:43Come and see in the long...

01:08:45I love you today.

01:08:47You've been waiting for my business.

01:08:48Come and see.

01:08:49Serbian fuck Pretoria.

01:08:50You have to run boss.

01:08:51And that...

01:08:52onboard me.

01:08:53I love you tonight.

01:08:54Love you tonight.

01:08:55Good night.

01:08:56Just stay out.

01:08:57Be good good.

01:08:58Go and see you tonight.

01:08:59You've been thirsty.

01:09:00Employee Grace people justify...

01:09:01From your Orleans înton...

01:09:03Whoever you are, whatever you are, wherever you are, I love you.

01:09:23Oh, my princess.

01:09:24You don't know who I am.

01:09:27I am... I am a tailor.

01:09:30A tailor?

01:09:31A tailor!

01:09:33Isn't it romantic?

01:09:35Oh, I love you.

01:09:38Your heart and my heart were made to meet.

01:09:45Don't make them wait.

01:09:48Love me tonight.

01:10:03Love me...

01:10:20Love me tonight.

01:10:34Love me tonight.

01:10:37Love me tonight.

01:10:44Come on.

01:10:50There, it's superb.

01:10:52Oh, come in.

01:10:56You sent for me, Princess?

01:10:58Yes.

01:11:00Yes?

01:11:02Yes.

01:11:07I'd like your advice on my new riding habit.

01:11:10Beautiful.

01:11:12You really think so?

01:11:14Perfect.

01:11:16How about the length?

01:11:18Hmm. Divine.

01:11:22Here, look at it more closely.

01:11:28The closer I get, the more perfect.

01:11:32Monsieur has taste.

01:11:34How about the collar?

01:11:36Lucky collar.

01:11:38Oh.

01:11:40Anything wrong?

01:11:42Oh, certainly.

01:11:44The collar rides up.

01:11:46Oh, no, that won't go at all.

01:11:48You think so, Monsieur?

01:11:50Oh, yes, Madame, yes.

01:11:52Look, look, it's too tight here, Madame.

01:11:54It's too tight across, across the chest.

01:11:56And the lapels, the lapels.

01:11:58They're too stiff.

01:12:00No, no, really.

01:12:02The whole thing like, like smartness, youth, grace.

01:12:04Oh, no, no.

01:12:06Oh, no.

01:12:07Oh, Maurice.

01:12:08Your Highness, I have never been so insulted.

01:12:10With your permission, I'm going.

01:12:12Madame Putois.

01:12:13Madame Putois.

01:12:14What?

01:12:21Maurice, what am I going to do now?

01:12:23Don't worry, Jeannette.

01:12:26Hmm.

01:12:27We'll fix it.

01:12:28How?

01:12:29Oh.

01:12:30Oh, let's...

01:12:31No, no, no.

01:12:32Really, no.

01:12:33That's not possible, you know.

01:12:34Ha, ha.

01:12:35We'll make you a riding habit that will turn solitude.

01:12:43But how?

01:12:45The important thing is not to hurry.

01:12:50I have never been so insulted in my life.

01:13:00Who, insulted?

01:13:01Who?

01:13:02No.

01:13:03Insulted.

01:13:04Insulted.

01:13:05Insulted.

01:13:06Insulted.

01:13:07Insulted, crisps.

01:13:08Oh.

01:13:09Madame Putois has been insulted.

01:13:10Putois has been insulted.

01:13:11What?

01:13:12Madame Putois has been insulted.

01:13:14At her age?

01:13:15Remarkable.

01:13:16Putois has been insulted.

01:13:17Some men have no taste.

01:13:19The old girl must have something.

01:13:21The old girl must have something.

01:13:33Let us look into this.

01:13:47What's this? An offering?

01:13:50A scandal!

01:13:51I'll shoot him.

01:13:52Oh, let me die.

01:13:54No, let me explain.

01:13:56I was only fixing the princess's riding habit.

01:13:58What?

01:13:59Uncle, Uncle, that's the truth.

01:14:01Preposterous.

01:14:03No, I'll give you my word of honor.

01:14:06Why, the Baron often gives people advice about their clothes.

01:14:09Be quiet.

01:14:10What you say is insulting.

01:14:12I'll run him through for this.

01:14:13You've already shot him.

01:14:14Silence!

01:14:15Silence!

01:14:16I'll prove I'm telling the truth.

01:14:19Give me two hours.

01:14:20And I'll remodel that riding habit.

01:14:22What?

01:14:26All right.

01:14:27I'll convict you by your own fortune.

01:14:29I'll give you two hours, sir.

01:14:30Yeah, he'll do it.

01:14:31I'll bet he can't do it.

01:14:32I'll bet you 10,000 francs he can.

01:14:34I'll bet you 50,000 he's alive.

01:14:36You're done.

01:14:37Your grass, thumb flies.

01:14:39Quite right.

01:14:40Leave them alone.

01:14:41Everybody.

01:14:42I'll give you two hours, sir.

01:14:4550,000 francs now, huh?

01:14:47Maurice, what will you do now?

01:14:49You'll see.

01:14:50Two hours to go.

01:14:52Wait a minute.

01:14:53Here.

01:14:54Now.

01:14:55End this.

01:14:57Now I start.

01:14:58Five.

01:14:59Now.

01:15:00Twelve.

01:15:01Two.

01:15:02Now.

01:15:03Twelve.

01:15:04Twenty-two.

01:15:05Twenty-two.

01:15:08contemplative.

01:15:10Twenty-eight.

01:15:12Twenty-eight.

01:15:1628

01:15:2013

01:15:2642

01:15:32Excuse me

01:15:3434

01:15:4042

01:15:4443

01:15:4644

01:15:4844

01:15:5045

01:15:5245

01:15:5445

01:15:5646

01:15:5846

01:16:0046

01:16:0246

01:16:0447

01:16:0647

01:16:0848

01:16:0948

01:16:1148

01:16:1349

01:16:1549

01:16:1749

01:16:1949

01:16:2150

01:16:2350

01:16:2550

01:16:2750

01:16:2950

01:16:3150

01:16:3350

01:16:3550

01:16:3750

01:16:3950

01:16:4150

01:16:4251

01:16:4350

01:16:4551

01:16:4750

01:16:4951

01:16:5751

01:16:5852

01:16:5952

01:17:0051

01:17:0152

01:17:0351

01:17:0453

01:17:0554

01:17:0653

01:17:0654

01:17:07Does that make so much difference?

01:17:13Taylor!

01:17:18Last night, you said to me,

01:17:23whoever you are,

01:17:25whatever you are,

01:17:27wherever you are,

01:17:29I love you.

01:17:31Remember?

01:17:33Oh!

01:17:37Jeanette, what happened?

01:17:45My Baron, what happened?

01:17:49I just told her I'm not a Baron.

01:17:51I'm a tailor.

01:17:53A tailor?

01:17:55Yes.

01:17:57A tailor.

01:17:59Oh!

01:18:07Oh!

01:18:09Oh!

01:18:11Oh!

01:18:12Oh!

01:18:13Oh!

01:18:14Oh!

01:18:15Oh!

01:18:16Oh!

01:18:17Oh!

01:18:18Oh!

01:18:19Oh!

01:18:20Oh!

01:18:21Oh!

01:18:22Oh!

01:18:23Oh!

01:18:24The Baron!

01:18:25He's not a Baron!

01:18:26He's a tailor!

01:18:27What?

01:18:28The Baron!

01:18:29He's not a Baron!

01:18:30He's a tailor!

01:18:31Oh!

01:18:40Oh!

01:18:41Ah!

01:18:42What do you know about this?

01:18:44Well, I... I... I... I... I... I...

01:18:47You see, I owed him some bills.

01:18:49Bills?

01:18:50I'll deal with you later.

01:18:52But first, I'll have Plamont give this treatment his money and kick him out!

01:18:56Oh!

01:18:57Oh!

01:18:58Oh!

01:18:59Oh!

01:19:00Oh!

01:19:01Oh!

01:19:02Oh!

01:19:03Oh!

01:19:04Oh!

01:19:05Oh!

01:19:06Oh!

01:19:07Oh!

01:19:08Oh!

01:19:09Oh!

01:19:10Oh!

01:19:11Oh!

01:19:12Oh!

01:19:13Oh!

01:19:14Oh!

01:19:15Oh!

01:19:16Oh!

01:19:17Oh!

01:19:18Oh!

01:19:19A tailor!

01:19:20What a tailor!

01:19:21A tailor!

01:19:22A tailor!

01:19:23A tailor!

01:19:24The bounder is a tailor!

01:19:25The princess mustn't hear of this, or the breath of life would fail her.

01:19:28I'd rather throw a bomb at her than have her way to Commodore!

01:19:32And nothing could be commoner than the Commodore who's a tailor!

01:19:36No!

01:19:37No!

01:19:38A tailor!

01:19:39A tailor?

01:19:40The bounder is a tailor!

01:19:41The news would make your ancestor upon the wall grow paler.

01:19:44If painted ears could hear at all,

01:19:47that flame would crash from off the walls.

01:19:53The son of a gun is nothing but a tailor.

01:20:00The son of a gun is nothing but a tailor.

01:20:14Come here, you geese.

01:20:16The great Maurice is not a knight of the golden fleece.

01:20:19The son of a gun is nothing but a tailor.

01:20:22My lord, I said and bent my head,

01:20:24and now I wish I were dead instead.

01:20:26The son of a gun is nothing but a tailor.

01:20:29It makes me boil with rays to think I blacked his boots.

01:20:33I should have blacked his eye.

01:20:37To think I pressed his coat and vest

01:20:39when he's the one who can press the best.

01:20:41The son of a gun is nothing but a tailor.

01:20:44I made the bed where lay his head,

01:20:46and now my cheeks are burning red.

01:20:48The son of a gun is nothing but a tailor.

01:20:52I used to flirt until it hurt

01:20:54while he stood there and he's undershirt.

01:20:56The son of a gun is nothing but a tailor.

01:20:59I've given indigestion to a president

01:21:03towing to a dude.

01:21:07Imagine cooking pheasant for a guy who's just a pheasant.

01:21:11For the son of a gun is nothing but a tailor.

01:21:15Working with a red-hot iron makes a lady keep his fire

01:21:17until her strength is just about to fail her.

01:21:20But it's worse to stand above a board

01:21:21and scrub the britches of the son of a gun

01:21:23who's nothing but a tailor.

01:21:25Down upon my hands and knees is washing out his BBDs

01:21:28is a job that hardly pleases me.

01:21:30If I had known I would have tore the buttons off his panties

01:21:33for the son of a gun is nothing but a tailor.

01:21:36Nothing but a tailor.

01:21:39Nothing but a tailor.

01:21:42Nothing but a tailor.

01:21:45Nothing but a tailor.

01:21:49The son of a gun is nothing but a tailor.

01:21:51The son of a gun is nothing but a tailor.

01:21:53The son of a gun is nothing but a tailor.

01:21:56The son of a gun is nothing but a tailor.

01:21:58The son of a gun is nothing but a tailor.

01:22:00The son of a gun is nothing but a tailor.

01:22:03The son of a gun is nothing but a terror.

01:22:33I am a tailor.

01:22:40A tailor. A tailor.

01:22:43Does it make so much difference?

01:22:47I love you. I love you.

01:22:50This I can tell you. This is mine.

01:22:52I love you, Maurice.

01:22:54You don't know who I am.

01:22:56Whoever you are. Whatever you are.

01:22:58Wherever you are. I love you.

01:23:03I love you, Maurice.

01:23:05You are a stranger.

01:23:07This is me.

01:23:08I love you, Maurice.

01:23:09They are a stranger.

01:23:12I love you, Maurice!

01:23:13Whale.

01:23:14You are a stranger.

01:23:15I love you, Maurice.

01:23:17I love you.

01:23:19You are an stranger.

01:25:58No, no.

01:26:42Oh, Howes.

01:26:52Once upon a time,

01:26:54there was a princess and the prince charming.

01:26:56Who was not a prince.

01:26:57But who was charming.

01:26:58And they lived happily ever after.

Love Me Tonight (Full Movie) | English Romantic Film | HD 1080p | Love Story 2025

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