- 6/24/2025
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30Transcription by CastingWords
00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed to Javanese royalty, renounced everything.
00:01:12Her title? Her riches. Much to her family's displeasure, she was Marchanda Damayanti, the Princess Pirate.
00:01:42She's led a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a new family.
00:01:59A loyal crew of women she saved from the shackles of servitude or title.
00:02:04It was on the high seas she forged a friendship with the notorious pirate, Red Cat Mildred.
00:02:20Together they ruled the Wraiths, becoming each other's only true ally.
00:02:27But their past was never far behind.
00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.
00:02:36When her pursuers eventually closed in, Marchanda entrusted her share of the riches to Red, who in turn gave her a wrist device that would lead her back to Red and the treasure.
00:02:50She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one would dare follow.
00:03:00But tragically, her ship was lost to the ice.
00:03:05Lost for hundreds of years.
00:03:07Until now.
00:03:08Lost for hundreds of years.
00:03:37Lost for hundreds of years.
00:03:38I don't know.
00:04:08I don't know.
00:04:38I don't know.
00:04:40I don't know.
00:04:42I don't know.
00:04:44I don't know.
00:04:46I don't know.
00:04:48I don't know.
00:04:50Scott!
00:04:52We have one of the homeless again.
00:04:54Get Mr. Walsh down here immediately!
00:05:02Hey!
00:05:06Get out of here!
00:05:16Get the boss!
00:05:18Get Mr. Walsh!
00:05:20Daddy, she's hungry!
00:05:26Catch!
00:05:28She did not pay for that spring roll!
00:05:44Stay there, Gary.
00:05:46No!
00:05:48No!
00:05:50No!
00:05:52No!
00:05:54No!
00:05:56No!
00:05:58No!
00:06:00No!
00:06:02No!
00:06:04No!
00:06:06No!
00:06:08No!
00:06:10No!
00:06:12No!
00:06:14No!
00:06:16No!
00:06:18No!
00:06:20No!
00:06:22No!
00:06:24No!
00:06:26No!
00:06:28No!
00:06:30No!
00:06:32No!
00:06:34No!
00:06:35No!
00:06:36No!
00:06:37No!
00:06:38No!
00:06:39No!
00:06:40No!
00:06:41No!
00:06:42No!
00:06:43No!
00:06:44Jay's toilets is blocked again,
00:06:46and I've got a big meeting with this finance tosser of Collins.
00:06:50He's in the bar waiting right now, and the timing's terrible.
00:06:54You know, sometimes I think it's a sign.
00:06:58You know, sometimes I think you want me to lose this bar.
00:07:02Hmm?
00:07:04Fine.
00:07:06I'll do it, you know.
00:07:09Oh, I love the way you unblock a toilet.
00:07:12Yeah.
00:07:29Sorry, sorry.
00:07:31Sorry, sorry.
00:07:34What's...
00:07:38I don't speak.
00:07:43I'm really sorry.
00:07:44Listen, I don't...
00:07:45I'm recording.
00:07:48Um, do you know I'm recording?
00:07:50You're hiding from someone, isn't it?
00:07:51It's going to be okay.
00:07:56Excuse me.
00:07:57A woman run through this way, she's now.
00:07:58Lady in the medical gown?
00:07:59Yes.
00:08:00Yes.
00:08:01Yes, she shoved me and went that way.
00:08:02She just left you nice and we'll be able to catch her.
00:08:06Thank you, thank you.
00:08:07Lee!
00:08:08Lee!
00:08:09That was so exciting.
00:08:10I've never lied to the police before.
00:08:11Oh crap.
00:08:12The Uniscape killer on a violent rampage.
00:08:13That's just getting inside.
00:08:14Hey, there's food inside.
00:08:15Food?
00:08:16I have no idea.
00:08:17Here.
00:08:18Take this.
00:08:19Catch.
00:08:21Wait, wait, wait.
00:08:23No, no, no, no.
00:08:24I promise.
00:08:25Come here, wait.
00:08:26More?
00:08:27Good.
00:08:28Good.
00:08:29Good.
00:08:30Good.
00:08:31Good.
00:08:32Good.
00:08:33Good.
00:08:34Good.
00:08:35Good.
00:08:36Good.
00:08:37Good.
00:08:38No.
00:08:39Mm.
00:08:40No.
00:08:42Oh, no.
00:08:43Oh, no.
00:08:45Nope.
00:08:46Oh, no.
00:08:47No, no, no!
00:08:48It's good.
00:08:49Mmm.
00:08:49Mmm.
00:08:50Good.
00:08:51Oh, no, no, don't, don't, don't.
00:08:52Oh.
00:08:58Catch him.
00:09:02No, it's not the hell.
00:09:03Here on the other one.
00:09:04Here on the other one.
00:09:05Here on the other one.
00:09:06Here on the other one.
00:09:07Here on the other one.
00:09:08Here on the other one.
00:09:10Here on the other one.
00:09:11What?
00:09:12I don't want you to want to bring in a home, Skye.
00:09:14You didn't do anything.
00:09:15This kid big posts.
00:09:18Hey, to me.
00:09:24Okay.
00:09:25Time to distract Eddie.
00:09:34Eddie.
00:09:36What do you mean?
00:09:37Skips it?
00:09:37There's totally to block down about it.
00:09:39On it, yeah, yeah, yeah.
00:09:40On it, yeah.
00:09:40Oh, oh, oh.
00:09:41Oh, oh, oh.
00:09:42Oh my God.
00:09:43Eddie, come on.
00:09:44Listen, bye.
00:09:45When are you?
00:09:45Who can I?
00:09:46Oh!
00:10:16Oh, that's the trick!
00:10:18Ah!
00:10:36State of that shitting bar, make it yourself, did you?
00:10:39Oh!
00:10:46Yeah, I like it too.
00:11:07Skip's great-great-great-great-great-great-great-great-great-great-grandfather had it commissioned or something.
00:11:15Oh!
00:11:17You're all right, Billy?
00:11:19You're all right, Billy?
00:11:21I'm sorry.
00:11:23I'm sorry.
00:11:25I'm sorry.
00:11:27I'm sorry.
00:11:29I'm sorry.
00:11:31I'm sorry.
00:11:33I'm sorry.
00:11:34I'm sorry.
00:11:35Can I travel you for another?
00:11:37Yeah, of course.
00:11:39Hey, how sick are you going?
00:11:41Oh, you know.
00:11:43Another day on the right side of the grass and oh, they let me keep the spots.
00:11:49Very nice fair dues.
00:11:51Hey, the usual?
00:11:52Oh, yes, please.
00:11:53I think maybe something will discharge the light brigade.
00:11:57Oh.
00:11:58Oh.
00:11:59No worries, leave with me.
00:12:00Come on, I need to get you unhooked from this taser.
00:12:18This is going to suck, but hey.
00:12:19Ah!
00:12:20Ah!
00:12:21Ah!
00:12:22Ah!
00:12:23Ah!
00:12:24Ah!
00:12:25Ah!
00:12:26Ah!
00:12:27Ah!
00:12:28Ah!
00:12:29Ah!
00:12:30Ah!
00:12:31I'm sorry.
00:12:32I think I understood that and I'm really, I'm really sorry.
00:12:34I'm so sorry.
00:12:35I'm so sorry.
00:12:36I'm so sorry.
00:12:37Bear with.
00:12:38Ah!
00:12:39I'm so sorry.
00:12:40Bear with.
00:12:41Bear with.
00:12:42Breathe.
00:12:43Let's get you into something a little less conspicuous.
00:12:50Looks good.
00:12:53Well, let's see.
00:12:58It's amazing that people are moving behind in pubs after cubelines, honestly.
00:13:03Well, these supplies will fit, so I'll try these on.
00:13:14Okay, let's, let's get you some real food, right?
00:13:16Um, what are you fancy?
00:13:17Scalty fries?
00:13:18Beef crisps?
00:13:19Are you vegetarian?
00:13:20Because that's all we have.
00:13:22Order your tea.
00:13:25Right, okay.
00:13:26Um, you might be a mass motor and I'm here asking about your dietary requirements.
00:13:30I'm an idiot, so fucking please stay hidden, right?
00:13:32I'll be right back.
00:13:37Hey, hey!
00:13:38Ready yourselves for another delightful concoction from London's greatest mixologist.
00:13:43I call this one Succo de Gerno.
00:13:46Angel cheers.
00:13:47Welcome, explorers, to the Smuggler's Tavern.
00:13:51The pirate's private party palace.
00:13:54This is the most historically infamous sordid den of villainy and underworld chicanery that ever was in old London town.
00:14:01And it's here our walking tour of London should pause for refreshments and use of the facilities.
00:14:07Mine's a brandy Alexander if anyone's buying.
00:14:11No?
00:14:12Fair enough.
00:14:13No?
00:14:14Fair enough.
00:14:15No!
00:14:16Ah!
00:14:17A froze banana!
00:14:18Oh, sack!
00:14:19I need to talk to Skip about our deal.
00:14:20He's busy.
00:14:21Hmm.
00:14:22She's getting.
00:14:23I just said he's busy.
00:14:24Yes.
00:14:25Yes.
00:14:26Yes.
00:14:27Yes.
00:14:28No, no, no.
00:14:29No!
00:14:30Oh!
00:14:31Ah!
00:14:32A froze banana!
00:14:33Oh, sack of dust.
00:14:35I need to talk to Skip about our deal.
00:14:37He's busy.
00:14:38Huh?
00:14:39She's getting.
00:14:40I just said he's busy on this.
00:14:42Yes.
00:14:43Yes.
00:14:44I'm not selling.
00:15:06Mr. Orch is offering you a break.
00:15:08I'm not selling.
00:15:09I know, it's been in your family for generations, but you need to think about it.
00:15:12I will not change my mind.
00:15:16Fine.
00:15:17Mr. Orch won't be happy.
00:15:23Hey, look, I know you're really doing everything you can to help out.
00:15:27Is there anything you can do to just help out a little bit more?
00:15:32Well, if he doesn't pay any of you this month, he might just scrape by, but...
00:15:37What will happen this month?
00:15:40Hey, don't worry.
00:15:42You can always be a barmaid somewhere else.
00:15:46It's not the only pub in London.
00:15:47You can always be a barmaid somewhere else.
00:15:52Eddie will be with you shortly.
00:15:58Eddie will be with you shortly.
00:16:03He's missing his cue.
00:16:05He's in the middle of something.
00:16:05Shit.
00:16:06Here, tell this lovely girl or woman about the dastardly dealings that the smugglers have.
00:16:15You do two for one cocktails between now and six.
00:16:32Nice.
00:16:34Cocktails.
00:16:39Actually, you can find that our listening general knowledge expert knows a lot more than I do.
00:16:45Lots of the legends here are true.
00:16:47I mean, it's a most mysterious place, this.
00:16:52Before the Great Fire of 1666.
00:16:56Um, lots of nefarious stuff.
00:16:59And right here, I mean, this, this bar, it's built right on top of the lost rivers in caves of London.
00:17:09Oh, you're lost.
00:17:10When they rebuilt both fire, her name.
00:17:20To reach your destination, you must leave the shore.
00:17:24Ah, yes.
00:17:25The maxim of ferocious pirate Catherine Morgan, or Red Cat, she was known.
00:17:30Oh, yeah, because she had nine lives.
00:17:31Cat discovered a baby kraken orphaned from its mother.
00:17:43She cared for this crackling, naming her Lucy.
00:17:47A fierce protector of the pirate who raised her.
00:17:51Help!
00:17:53Help!
00:17:55Help!
00:17:56Help!
00:17:57Help!
00:18:11Red Cat spent years trying to find a friend.
00:18:14Eventually, Cat turned up here.
00:18:17Her last hope was that her friend would follow in her footsteps to the infamous smuggler's tavern,
00:18:22known as a black market for trading pillaged riches.
00:18:25Allegedly, she left a trail of clues should Marshanda return to claim her share,
00:18:32before Cat herself became nothing more than legend.
00:18:40The man being shot by Red Cat in the painting bears a likeness to Skip's forefather,
00:18:46who owned the tavern at the time,
00:18:48leading many to believe Skip's family were more involved in the sordid deeds of this notorious pirate than we know.
00:18:55Cool.
00:18:58Uh, I'll take two of those crackpails, please.
00:19:01I can...
00:19:02It's a nice touch.
00:19:04I had to have some more than a crack.
00:19:05I can...
00:19:06See, what was it all?
00:19:10I hope you enjoy day-long sci-fi sessions with an unwashed, flaccid ape man.
00:19:29He feeds off self-esteem this one, so I'd look out for that, yeah?
00:19:32Hey, Eddie, can you pass yours in?
00:19:34Hey, check this out.
00:19:35See this four over there?
00:19:37Sir.
00:19:37She.
00:19:38Used to date.
00:19:39Him.
00:19:40And it looks like they've dragged new dates to the same place.
00:19:44What if you kick this date into phase two and just shit off to Nando?
00:19:50You shit off to Nando, you punks.
00:19:52Eddie, the water.
00:19:58Oh, hey, um, they've called down.
00:20:01Delivery's waiting.
00:20:01Been up there for about ten minutes.
00:20:03Ten minutes?
00:20:08Stick your apology.
00:20:09Yeah.
00:20:09Hey, well done.
00:20:22Another delivery's been nicked.
00:20:23This one's on you, Edward.
00:20:25Oh, come on, don't be like that.
00:20:26Mia!
00:20:27No.
00:20:29Skip, Eddie, there's a...
00:20:30Oh, no, no, no!
00:20:31Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:20:39Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:21:09Quit, I'm here.
00:21:29Quit, I'm here.
00:21:39I don't know that, Chris.
00:21:47Are you all right down there, Skip?
00:21:50I think so.
00:21:52Call an ambulance, Eddie.
00:22:04Hey, don't kill him! Don't!
00:22:09No! No!
00:22:16Help! Help!
00:22:32It's the same Chris as the rest of the next door.
00:22:35Hey, what does this mean?
00:22:37It's...
00:22:42It's...
00:22:44Your vocals sound obliterated. That's not healthy.
00:22:47Sounds like you've been doing eight phantoms a week.
00:22:49That's serious.
00:22:51I can fix this.
00:22:53Skip!
00:22:55Oh, hey, you can't be back here.
00:22:56Yep, just knocking together a cheeky vocal tonic.
00:22:59Eddie, they cut the landline before roughing me up.
00:23:02That's another thing an ALF to pay for.
00:23:06Oh, you?
00:23:09See, if I was fifteen years younger, I'd throw you about like an empty tracksuit.
00:23:14What's this?
00:23:18Gunpowder.
00:23:19And this is why you can't be back here.
00:23:24All right.
00:23:30Hey, you're a polyglot.
00:23:32Maybe you can communicate with her what she's saying.
00:23:34I'll see what I can do.
00:23:36Get some ice on that.
00:23:37There's no signal down there.
00:23:38I know.
00:23:39Right, I'll go and call the police.
00:23:48I don't think the police are going to help her.
00:23:51What is she looking for?
00:23:55Hey, who are these guys?
00:23:59They're just some people who'd want to cash in on mummy's fortune.
00:24:02I can't even afford to keep the lights on.
00:24:07And they can smell the blood in the water.
00:24:10So I'm going to have to sell.
00:24:15They laid my father down.
00:24:18I can, I can help you.
00:24:19I've been saving up.
00:24:21Oh me.
00:24:23No.
00:24:24I can't, I can't do that again.
00:24:25Yes, please.
00:24:26Yes, you can.
00:24:27It's fine.
00:24:28You can owe me.
00:24:29I can't.
00:24:31Skip, please, it's fine.
00:24:32Mia?
00:24:34No.
00:24:36It's surely a bar.
00:24:38It's our hope.
00:24:41I can't.
00:24:43I can't.
00:24:49It's not up to you.
00:24:51I'm going to help you.
00:24:54I won't be eating this anytime soon.
00:24:56So much for travelling the world.
00:24:57Come on.
00:24:59Come on, you.
00:25:02Let you go.
00:25:03Come on.
00:25:06Okay, let's see how good this translation out is.
00:25:08I don't see a blog.
00:25:09You're welcome.
00:25:11Hmm.
00:25:12Well, look good.
00:25:14Language not recognized.
00:25:18See if you can translate.
00:25:20Do your thing.
00:25:21What's this, eh?
00:25:25Who are you?
00:25:26Marshanda Damayanti.
00:25:28Marshanda?
00:25:29Marshanda.
00:25:30I'm Mia.
00:25:32Mia.
00:25:33Mia.
00:25:34Yes, Mia.
00:25:35Marshanda.
00:25:37Sod this shithole.
00:25:39Ladies, to Shumpers.
00:25:44The police are on their way.
00:25:49Weishen.
00:25:50Danger.
00:25:51Danger.
00:25:52Danger.
00:25:56Hey.
00:25:57Lisa can be here in a little bit.
00:25:58And I don't want my friend to get in trouble.
00:26:00Can she come with you?
00:26:01Just for a short while.
00:26:02I'll come find her and drinks will be on me.
00:26:04I have some bloody day, baby.
00:26:07Tell her that she needs to go and I'll come find her.
00:26:09Go.
00:26:10Go.
00:26:11Should we stay for that?
00:26:13None of you saw her.
00:26:14Especially you.
00:26:15Don't.
00:26:16Don't.
00:26:17You're not supposed to go anywhere until the police...
00:26:18Don't.
00:26:19Don't.
00:26:20Don't.
00:26:21You.
00:26:22Help.
00:26:23I will get you.
00:26:24You can't stop it.
00:26:25You're surprisingly strong.
00:26:26Wait, no.
00:26:27Nora.
00:26:28Nora.
00:26:29Nora.
00:26:30I don't know.
00:26:31Go.
00:26:32Nora.
00:26:33I don't know.
00:26:34Come on.
00:26:35Go on then.
00:26:36Listen, I can't.
00:26:37I can't leave them.
00:26:39What are you doing?
00:26:40No.
00:26:41No.
00:26:42No.
00:26:43No.
00:26:44No.
00:26:45No.
00:26:46No.
00:26:47No.
00:26:48No.
00:26:49No.
00:26:50No.
00:26:51No.
00:26:52No.
00:26:53No.
00:26:54No.
00:26:55No.
00:26:56No.
00:26:57No.
00:26:58No.
00:26:59No.
00:27:00No.
00:27:01No.
00:27:02No.
00:27:03Did you call the police?
00:27:04Yes.
00:27:05Yes, I did.
00:27:06Um, and they are coming to take statements, so everyone needs to stay here.
00:27:13What about the ambulance?
00:27:14Yeah, ambulance too.
00:27:16We can't have the police coming here.
00:27:18Huh?
00:27:19Why not?
00:27:20Well, Shanda, she might be running for something, I think.
00:27:23For what?
00:27:25What is she looking for?
00:27:27Look.
00:27:29I don't know.
00:27:30I don't know.
00:27:31Until I figure that one out, let's maybe not throw it under the bus, right?
00:27:35The thing on the wrist.
00:27:40It's crest.
00:27:41What is it?
00:27:42What?
00:27:43That crest is ancient, and it's been in that building upstairs long before it was a restaurant.
00:27:53They've been trying to buy me out.
00:27:55And they'll try anything apparently.
00:27:57Look, I'm sorry, but we'll keep this quiet.
00:28:02They've got a bid in for this place.
00:28:05It's three times what the place is worth.
00:28:08Maybe she's involved with it.
00:28:10No, no.
00:28:12She's not with them.
00:28:16Then keep her out of sight.
00:28:20What makes you think this is going well?
00:28:22No, no, no, it's...
00:28:24Me and Crowey?
00:28:26No, no, the police said not to leave.
00:28:31Help me out.
00:28:34Mia?
00:28:37Help me out.
00:28:49Hello, Matt.
00:28:51Mr Walsh, fancy seeing you here.
00:28:53This is DC Cross.
00:28:55Been a bit of a disturbance in the area.
00:28:57I just wanted to check our lovely neighbours were all right.
00:29:02Come on, go on.
00:29:03In here, go.
00:29:04In here.
00:29:05Stay at night.
00:29:06Stay at night.
00:29:07Stay at night.
00:29:08We need to keep you out of sight.
00:29:09Stay at night.
00:29:10I find a place here on the list.
00:29:12Stay at night.
00:29:13You have to find a place, too.
00:29:14Stay at night.
00:29:15Sorry, sir.
00:29:16Never!
00:29:17Stay at night.
00:29:18Stay at night.
00:29:19So, not the other members, I'm tired.
00:29:20You're not going to be talking to us.
00:29:21Do you care to do that?
00:29:22I'm a part of my family.
00:29:23You're going to be talking to us more.
00:29:24Good.
00:29:25I'm going to be talking to your family.
00:29:26You're the one and I'm going to be talking.
00:29:27Well, looks like our suspect committed similar acts on your premises.
00:29:34You're scared. Who is this guy?
00:29:36Theodore Walsh.
00:29:38He inherited the restaurant from his father and also acquired his lust for this place.
00:29:43Who we did. Actually, no, Mr. Walsh.
00:29:46My associate believes our suspect is here.
00:29:51My niece.
00:29:53Your niece?
00:29:58We are just concerned.
00:30:08Well, maybe we should just wait for the police, eh? Sort this all out.
00:30:13We are the police. Anyway.
00:30:18You got any ID?
00:30:20Isn't that how you do things here?
00:30:24Come here.
00:30:29Look at my face.
00:30:32This is all the ID you need.
00:30:34Take a good, long look.
00:30:37Every pull.
00:30:38So, your niece, yes.
00:30:50Hospital guard. Violet.
00:30:53Quite the character. Troubled your woman, I have to say.
00:30:56We were in the process of getting some assistance. Psychiatric assistance.
00:30:59She had an episode. Randomly. Millennials.
00:31:09Your niece.
00:31:15You're her uncle.
00:31:17Yes.
00:31:18And this lot?
00:31:20They're your task force?
00:31:21Uncle.
00:31:22We're also uncle.
00:31:23We're also uncle.
00:31:24Also uncle.
00:31:28Big family.
00:31:33More police are on the way.
00:31:35Are they?
00:31:41We were just trying to leave.
00:31:42Hi, we have a schedule to keep.
00:31:48Hey.
00:31:50Don't touch me.
00:31:56Relax.
00:31:58Let's all have some drinks. That's why we're here, right?
00:32:01All we need is the woman.
00:32:03Where is she?
00:32:04She, um, she was here, Mr. Walsh.
00:32:14I, uh, I, uh, I don't know where she is currently.
00:32:20Whoops.
00:32:22I'll get those up.
00:32:24Let's try again.
00:32:34Let's try again.
00:32:58Well, look who it is.
00:32:59Come on, darling.
00:33:05Why were you hiding in there?
00:33:23Nia.
00:33:25These men are dangerous.
00:33:28Hey, no!
00:33:29Stop!
00:33:31See?
00:33:32Wait.
00:33:33I'm sorry.
00:33:34I'm sorry.
00:33:42Look, Mr. Walsh, I'm not who you're looking for.
00:33:44Mr. Walsh?
00:33:48Uh, Mr. Walsh, I think I might have seen them going into the toilets together.
00:33:56She might still be in there.
00:34:03Made a new friend today.
00:34:06Hmm?
00:34:08I wonder what you both talked about.
00:34:32Mia!
00:34:33Huh?
00:34:45Mia!
00:35:02I wonder if she was there, boss.
00:35:03That's her.
00:35:04Oh, yes.
00:35:05I wonder if she was there, boss.
00:35:06That's her.
00:35:07Oh, yes.
00:35:09I wonder if she was there, boss.
00:35:10That's her.
00:35:11Oh, yes.
00:35:20I want you all out of my bar.
00:35:23To my bar.
00:35:35Ready?
00:35:36Glass?
00:35:37Glass.
00:35:38ogre.
00:35:39Oh, no.
00:35:41No.
00:35:47Right now.
00:35:50No!
00:35:52No!
00:35:54No!
00:35:55No!
00:35:57No!
00:35:58No!
00:35:59No!
00:36:00Ah!
00:36:01Ah!
00:36:02No.
00:36:03No!
00:36:04No! No!
00:36:08Do you want to see this thing, Max?
00:36:10Do you want to get the fuck out of here?
00:36:15Get back! Get back!
00:36:17Take closer, girls.
00:36:34Get back!
00:36:49Get back!
00:36:53Get back!
00:36:57I've been shocked.
00:37:12What is this?
00:37:14It's history.
00:37:16It's history.
00:37:17It's history.
00:37:19Claire.
00:37:21My browser history.
00:37:27It's going to be.
00:37:29That's life.
00:37:31Sorry.
00:37:34Bring her to me.
00:37:37No witnesses.
00:37:39Kill them all.
00:37:57Oh, shit.
00:38:14Oh, shit.
00:38:15Oh, shit.
00:38:18Ah.
00:38:19Oh, shit.
00:38:21Ah.
00:38:22What is that?
00:38:42This really was this one to send centuries ago, you know that?
00:38:46Well...
00:38:46Yes.
00:38:47Something's better than nothing.
00:38:52It looks like a hatch.
00:39:10It looks like a hatch.
00:39:22Eddie!
00:39:25No!
00:39:27No!
00:39:27Eddie!
00:39:32No!
00:39:38Stop!
00:39:39No!
00:39:42I don't know.
00:39:43I don't know what this man said.
00:39:51No!
00:39:51No!
00:39:51No!
00:39:52No!
00:39:53No!
00:39:53No!
00:39:54No!
00:39:54No!
00:39:55No!
00:39:55Please.
00:39:55I don't know.
00:40:25I don't know.
00:40:55I don't know.
00:40:56It's going to be...
00:40:58That's what they want.
00:41:00It's okay.
00:41:01We'll get...
00:41:02We'll get you...
00:41:03Please help.
00:41:04We'll get everything sorted.
00:41:05We'll get you the help you need.
00:41:06We're okay.
00:41:07There's a way out.
00:41:08There's a crowd.
00:41:10No, I'm not...
00:41:11I'm not leaving your mind.
00:41:14They all love river.
00:41:16They all love...
00:41:18What do you mean the all love river?
00:41:21Skip, no!
00:41:23Run!
00:41:24Run!
00:41:25Run!
00:41:26Run!
00:41:27Run!
00:41:30Run!
00:41:32Run!
00:41:34Run!
00:41:36Run!
00:41:37Run!
00:41:39Run!
00:41:42This is for醫生 Thebis.
00:41:48Go see what's in there for me.
00:42:07No, thank you, Mr. Walsh.
00:42:09We should leave.
00:42:14Okay.
00:42:18Come on, Mr. Walsh!
00:42:21Game of Warfare!
00:42:22What are we doing?
00:42:32There has to be a way out.
00:42:34Hey, you sit with me now, come on!
00:42:35Come on!
00:42:36She works, David, come on!
00:42:38What?!
00:42:48Guys, there's another group back here!
00:42:56Come on, let's go!
00:42:57Hurry, hurry, hurry, come on, come on!
00:42:59Come on, let's go!
00:43:00Hurry, hurry, hurry, come on, let's go!
00:43:05Watch out the car, let's go!
00:43:10Help me!
00:43:24Come on!
00:43:25Come on!
00:43:26Go, Betty!
00:43:27Betty!
00:43:28Come on, Betty, come on!
00:43:30Happy rest!
00:43:47Please, what are you doing?!
00:43:51Take him long!
00:43:52No, let go!
00:43:53Put the girls in here with me, Mr. Rose!
00:44:00Why do they want her?
00:44:02I don't know.
00:44:03How long have you worked here and not had access to this room?
00:44:06I have no idea. This was here. It's a minute ago.
00:44:08Do you think these are access points to fix the pipes?
00:44:11Well, who cares?
00:44:13Let's lock it up.
00:44:14Try to shoot it in.
00:44:16Hurry in.
00:44:23You shot me!
00:44:53I need a doctor!
00:44:59Portia, I'm sure I thought, Jen.
00:45:02How many muskets?
00:45:04Muskets?
00:45:05God, they're happening. He's updating. Yes, muskets. Very bad.
00:45:11What do they want with her?
00:45:14There's no way to run. You should...
00:45:17All Up River.
00:45:23River.
00:45:24You think this pipe leads to one of the sunken rivers?
00:45:28All Up River's for some sort.
00:45:30You lot need to get your prior at you straight.
00:45:32There is no All Up River.
00:45:34The nearest sunken river's a tide wing or something.
00:45:38Might as well just give it up.
00:45:41All Up.
00:45:43All Up is the most part of a ship where the ropes are calves.
00:45:46The skiff said All Up River, but...
00:45:49It could be a way out.
00:46:02Look, is there anything we can do to keep your boss happy?
00:46:11Well, they're obviously looking for... what?
00:46:16Something Cap Morgan brought down here hundreds of years ago.
00:46:21Red Cap Morgan.
00:46:26Are you talking about Red Cap's treasure?
00:46:30That's just a myth.
00:46:31It's just a myth.
00:46:36Look.
00:46:38Look.
00:46:39Look.
00:46:43Your phone. Can you translate this?
00:46:48Language not found.
00:46:50It's not a language in the app.
00:46:52Maybe you can have her say something and it'll translate that.
00:46:55Can you read this?
00:46:56Read it.
00:46:58Do destination advance.
00:47:02Coast departure urgent.
00:47:04No, no, no, no. I think I get it.
00:47:06It's read so much or written in some coded language.
00:47:09Skip said follow the old river and the pipe says all up steel on it.
00:47:10I think Cat, Red Cat must have left that painting for someone and Marchanda knows something about it.
00:47:24I bet whatever the artist threw this pipe and Skip realized it when he saw the hatch.
00:47:31Let's try and find it.
00:47:32Hey, let's try and find it, yeah?
00:47:34Maybe we can give a seat, boss.
00:47:36We can throw things over by some time and we'll keep running.
00:47:40Okay?
00:47:41Okay?
00:47:42You're safe.
00:47:43We are safe.
00:47:44Right?
00:47:53Come on, come on, come on.
00:48:08That's that away, right?
00:48:11I really can't do this.
00:48:20Save yourselves!
00:48:21Stop stopping us!
00:48:31Quick!
00:48:32No!
00:48:34My God!
00:48:35Oh, my God!
00:48:41Boss!
00:48:42The room's empty.
00:48:43They've disappeared!
00:48:44I need a...
00:48:47Well, well, well.
00:48:48What have we here?
00:48:50Now, what is the deal with that room?
00:48:51How would I know?
00:48:52I've never been in there.
00:48:53And besides, I'm way too hench to fit through that shit.
00:48:57You saying I'm not hench enough?
00:48:58It's a fucking hatch.
00:48:59What do you want?
00:49:00Good point.
00:49:01What do you want?
00:49:02Good point.
00:49:03What we want is the girl.
00:49:04And more specifically, something she has, a little wrist device and what she can find.
00:49:08But the chief consent is where they could have gone because they've not been there.
00:49:09I think this one may be able to work it out.
00:49:10Me?
00:49:11What?
00:49:12What?
00:49:13What?
00:49:14What?
00:49:15What?
00:49:16What?
00:49:17What?
00:49:18We call it a hunch.
00:49:21What we want is the girl, and more specifically something she has, a little wrist device and
00:49:26what she can find with it.
00:49:28But the chief consent is where they could have gone because they're not even there.
00:49:33I think this one may be able to work it out.
00:49:37Me?
00:49:38What makes you think that?
00:49:40Call it a hunch.
00:49:48It's not my hat.
00:49:51Come on.
00:49:54Come on, get home with it.
00:49:59Get home with it?
00:50:01Where did they go?
00:50:06There is a secret door in here or something.
00:50:14I can't believe it.
00:50:14I can't believe it.
00:50:16I can't believe it.
00:50:17Well, I can't believe it.
00:50:18A secret door in here or something.
00:50:22Find it.
00:50:43Keep moving!
00:50:45We can get him!
00:50:47Get him where?
00:50:49Out of the way.
00:50:50Bad guys.
00:50:52You're right.
00:50:55Come on!
00:50:56Don't push me!
00:50:57We're moving!
00:50:58Stop!
00:50:59Stop!
00:51:00Stop!
00:51:01Stop!
00:51:02Stop!
00:51:03Keep moving!
00:51:05Go!
00:51:06Go!
00:51:08No!
00:51:09No, no, no, no, no!
00:51:16Stop!
00:51:18Get him and build me.
00:51:19in his world.
00:51:22No, no...
00:51:23I don't know what to do.
00:51:53Please!
00:51:59Oh, God! No! Stop pushing me!
00:52:03I want to stop!
00:52:05Stop!
00:52:06I'm stuck!
00:52:07Stop!
00:52:21I helped.
00:52:22I know, but keep me your dog.
00:52:25No.
00:52:27No, no, no, no.
00:52:29Hey.
00:52:30No, no.
00:52:33What's going on? Why are we stopping while the lights are?
00:52:35Can someone talk to me, please?
00:52:36No!
00:52:38What are you doing?
00:52:39Stop it!
00:52:40What are you doing?
00:52:41Mom!
00:52:41Mom!
00:52:43Mom!
00:52:45Mom!
00:52:46No!
00:52:47No, I'm gonna die.
00:52:52Breathe!
00:53:00Breathe!
00:53:02Breathe!
00:53:20Here, take this.
00:53:22It's her penis.
00:53:34Sorry.
00:53:35She's good!
00:53:38The...
00:53:39The American girl is good!
00:53:41Hello?
00:53:44Something's... something's coming.
00:53:49Something's coming!
00:53:52No!
00:53:53No!
00:53:54No!
00:53:55You good?
00:53:57I found a way out!
00:53:59It's a crazy call.
00:54:03It's not mine.
00:54:04Sorry.
00:54:05Okay.
00:54:06Doesn't mean anything.
00:54:07Okay.
00:54:08It's not mine.
00:54:09No!
00:54:10No!
00:54:11You're a idiot.
00:54:12No!
00:54:13No!
00:54:14No!
00:54:15I'll get closer!
00:54:16No!
00:54:17No!
00:54:18No!
00:54:19No!
00:54:20I'll get closer!
00:54:21They definitely do it this way.
00:54:22What?
00:54:23Try this one.
00:54:24We'll get closer.
00:54:26They definitely have to go this way.
00:54:52If all this is under the bar.
00:55:03Under the bar and so far back we are no longer in Soho.
00:55:07Here's no shit.
00:55:09This keeps starting your guts, please.
00:55:15I heard voices.
00:55:16They're coming.
00:55:22The way out is that way.
00:55:24Well, let's move, yeah?
00:55:26If they catch us, we're dead.
00:55:29Someone's been paying attention.
00:55:32Follow the breeze.
00:55:41Hang on.
00:55:43I'm going to yell you out.
00:55:45Good translation.
00:55:48It's still working.
00:55:50Let's move.
00:55:51We can't hang about.
00:55:52One second.
00:55:53One out.
00:55:54One out.
00:55:55I need to go this way.
00:55:56Oh, no, no, no.
00:55:57We need to get out of here.
00:55:58It's too dangerous.
00:55:59Hey.
00:56:00The danger.
00:56:01We're here.
00:56:08What do we do?
00:56:09I'm sticking with her, but if you want to go, you can go.
00:56:12I'm still with you guys.
00:56:14It seems safe.
00:56:15We do hang about.
00:56:16Come on.
00:56:18It's that way.
00:56:20You said follow the breeze.
00:56:22The breeze is that way.
00:56:24You're following the echo of the breeze.
00:56:27What?
00:56:28Echo of the breeze.
00:56:29Makes sense to me.
00:56:30Moshanda.
00:56:31Slow down.
00:56:32Moshanda.
00:56:33Moshanda.
00:56:34Moshanda.
00:56:35Slow down.
00:56:36Moshanda.
00:56:37Moshanda.
00:56:38Moshanda.
00:56:39Moshanda.
00:56:40Slow down.
00:56:41Moshanda.
00:56:42Moshanda.
00:56:43Moshanda.
00:56:44Moshanda.
00:56:45Moshanda.
00:56:46Moshanda.
00:56:47Moshanda.
00:56:48Moshanda.
00:56:49Moshanda.
00:56:50Moshanda.
00:56:51Moshanda.
00:56:52Moshanda.
00:56:53Moshanda.
00:56:54Moshanda.
00:56:56Moshanda.
00:56:57Moshanda.
00:56:58Moshanda.
00:56:59Moshanda.
00:57:01Moshanda.
00:57:12Moshanda.
00:57:14You'll come to me.
00:57:21What do you think?
00:57:25Ah, my friend.
00:57:27Oh!
00:57:41What's wrong?
00:57:43Try to get a mandarin
00:57:53My sister, my friend
00:57:58My friend
00:58:00Oh god, she's found her
00:58:02Found who?
00:58:05Red cat Morgan
00:58:06Oh my god
00:58:09My friend
00:58:10That thing around her neck
00:58:14That's what Walsh has been looking for
00:58:15Walsh's father was a respected historian
00:58:19And archaeologist
00:58:20Specializing in 18th century piracy
00:58:24In particular
00:58:25Red cat Morgan
00:58:27And her vast riches
00:58:29On one of his expeditions
00:58:31He discovered three small bundles of cloth
00:58:33All decorated with a distinct crest
00:58:36In one
00:58:37A pendant
00:58:38In the other two
00:58:40Nothing
00:58:41It led him to buy
00:58:44The dragon princess restaurant
00:58:46Thinking
00:58:47The crest was a sign of where the treasure
00:58:49Or at very least
00:58:50The other two pendants were kept
00:58:53That's why the symbol on her wrist
00:58:55Matches the one in the dragon princess restaurant
00:58:57He was wrong
00:59:00It was a red herring
00:59:01And there was no treasure
00:59:02There was no more pendants
00:59:04He got the wrong place
00:59:05It was an obsession that spread from father to son
00:59:10All that spurred them on was that single pendant
00:59:14Which they knew was only one of three
00:59:17Months ago a geological expedition stumbled across Marshanda's ship
00:59:25Walsh used all his underground connections to get Marshanda's body
00:59:29And what she wore around her wrist
00:59:32It was only then he learned what his father never knew
00:59:35The wrist device contains a compass
00:59:39Which locks in on each of the pendants
00:59:41When all three are brought together
00:59:43And inserted into the wrist device
00:59:45The compass would guide the wearer to the final treasure
00:59:49Marshanda's pendant guided her to red cat
00:59:53Now it's only Walsh's piece that needs to be added
00:59:56Before he can finally get what he wants
00:59:59I'm nowhere now
01:00:10You're safe
01:00:12Take care of you
01:00:14Sister
01:00:16You don't want to go, right?
01:00:36Which way?
01:00:46No, no, that must look like the wrong way
01:00:49You said it was that way
01:00:50Hold on
01:00:54See, no
01:00:55You go, I fight
01:00:57Good idea, she should fight
01:00:58Shut up
01:00:59She's great at it
01:01:01What do you want from me?
01:01:02No
01:01:02What, I don't know
01:01:03Clacks?
01:01:04Yeah
01:01:04I must have gone down there
01:01:05Yeah, I see
01:01:06I can't either
01:01:07Oh
01:01:09Move, move
01:01:12Get them out of bed
01:01:29Get them out of bed
01:01:59Get them out of bed
01:02:29Oh
01:02:30Oh
01:02:31Oh
01:02:32Oh
01:02:36Oh
01:02:37Oh
01:02:38Oh
01:02:40Oh
01:02:41Oh
01:02:42Oh
01:02:43Oh
01:02:44Oh
01:02:45Oh
01:02:46Oh
01:02:47Oh
01:02:48Okay, let's get your gun
01:02:49I can't go back
01:02:50They'll kill Eddie
01:02:51I'll be busy
01:02:53I'm gonna get help
01:02:54Run
01:02:54Oh, shut the
01:02:55They need her alive
01:02:56You do better than the others
01:02:57Better than the others.
01:02:58Get out of here.
01:02:59Hold the breeze. Go. Go.
01:03:00Alright.
01:03:27Look out!
01:03:44Look out!
01:03:57No!
01:04:04No!
01:04:06No!
01:04:27We've got them all now, boss.
01:04:49They're not going anywhere.
01:04:52Good.
01:04:53I'll go get Mr. Wolfs down here.
01:04:57Let's finish this.
01:05:27No, no!
01:05:28You're not going to get away with this.
01:05:33Don't you trotting her face off!
01:05:43Whoa!
01:05:44Careful!
01:05:46Sorry.
01:05:47What?
01:05:48It's him!
01:05:49I knew I'd find you.
01:05:51Shut up!
01:05:52I thought you were dead.
01:05:54I thought you were all dead.
01:05:55We tried to slip a gun off one of them and then these two gave them the old Liam Neeson.
01:06:00Which one of these is loaded?
01:06:01I don't know.
01:06:02Why is she going to be alright?
01:06:03Well, she's made up pretty tough stuff.
01:06:04We have to go.
01:06:05We can't get her through that pipe.
01:06:06No, no.
01:06:07She's our call.
01:06:08Worse than that.
01:06:09There's more of them waiting on the other side.
01:06:10We have to go.
01:06:11We need to get out of here.
01:06:12We need to fall in that breeze.
01:06:13Tough guys out there.
01:06:14Yeah, well.
01:06:15We have these.
01:06:28Can we go?
01:06:29Left it in the car.
01:06:43It's going to be okay.
01:06:44We're going to get out.
01:06:45You guys.
01:06:46I found it.
01:06:47My way out.
01:06:48South Bank.
01:06:49I can see Pizza Express.
01:06:50It's this way.
01:06:51Oh.
01:06:52If you wouldn't mind leaving a positive trip advisor of you, I'd be very grateful.
01:07:06Perhaps best not to mention the hostage situation or all the dead people.
01:07:14Get them out.
01:07:15Call the police now, buddy.
01:07:16You're not coming.
01:07:17I know.
01:07:18Passcode's one, two, three, four.
01:07:19Don't.
01:07:20Check my messages.
01:07:21What are you doing?
01:07:25I just thought we were really good back then.
01:07:38I didn't know.
01:07:39No.
01:07:40Not really.
01:07:41No?
01:07:42Don't ever do that again.
01:07:45Right.
01:07:46Sorry.
01:07:47Sorry.
01:07:48Sorry.
01:07:49You're a strange man.
01:07:54You have to.
01:07:55I know.
01:07:56I've gotta have them.
01:07:57I'm trying to get it.
01:07:58Oh, my God.
01:07:59I'm trying to get you out of it.
01:08:00Oh, my God.
01:08:01No.
01:08:02Oh, my God.
01:08:03Oh, my God.
01:08:04Oh, my God.
01:08:05Oh, my God.
01:08:06Oh, my God.
01:08:07Would you let them do this?
01:08:08Ah, so fast, so I turn her faces to soup.
01:08:17All clear.
01:08:21Wonderful.
01:08:23You're all here.
01:08:29Where's Eddie?
01:08:31Resting easy with the dock.
01:08:34Helping restore your little tavern to its former glories.
01:08:38There he is.
01:08:43You like playing with rocks, do you?
01:08:51Look at me.
01:08:57No, stop, stop, stop, stop!
01:09:01Put your hands down.
01:09:04Put your hands down.
01:09:09Please.
01:09:12Please.
01:09:13Please don't let...
01:09:14Please don't let your men hurt him.
01:09:15Please.
01:09:15Please, honestly, we'll help you.
01:09:21Jesus!
01:09:22Ah-yah!
01:09:39Bring me the wrist device.
01:09:40I'm sorry.
01:09:52It still works.
01:09:54We found Red's piece, and of course, my Shandis.
01:09:58Let's hear.
01:09:59Bring our niece, and the barmaid, to keep her well behaved.
01:10:11Keep the rest here as a bit of extra collateral.
01:10:12If you behave, they'll live.
01:10:13If she behaves, you'll live.
01:10:14If she behaves, you'll live.
01:10:15Yeah.
01:10:16Uh-huh.
01:10:17Uh-huh.
01:10:18Uh-huh.
01:10:19Uh-huh.
01:10:20Uh-huh.
01:10:21Uh-huh.
01:10:22Uh-huh.
01:10:23Uh-huh.
01:10:24Uh-huh.
01:10:25Uh-huh.
01:10:26Uh-huh.
01:10:27Uh-huh.
01:10:28Uh-huh.
01:10:29Uh-huh.
01:10:30Uh-huh.
01:10:31Uh-huh.
01:10:32Uh-huh.
01:10:33Uh-huh.
01:10:34Uh-huh.
01:10:35Uh-huh.
01:10:36Uh-huh.
01:10:37Uh-huh.
01:10:38Uh-huh.
01:10:39Uh-huh.
01:10:40Uh-huh.
01:10:41Uh-huh.
01:10:42Uh-huh.
01:10:43Uh-huh.
01:10:44Uh-huh.
01:10:45Uh-huh.
01:10:46Uh-huh.
01:10:47Uh-huh.
01:10:48Uh-huh.
01:10:49Uh-huh.
01:10:50Uh-huh.
01:10:51Uh-huh.
01:10:52Uh-huh.
01:10:53Uh-huh.
01:10:54Uh-huh.
01:10:55Uh-huh.
01:10:56Why?
01:11:13Because I can, and he couldn't.
01:11:16Is that worth murdering my friends?
01:11:19Needs must.
01:11:21And I need her.
01:11:26I need her.
01:11:56I need her.
01:12:26I need her.
01:12:33Coordinates leading to riches, my riches.
01:12:41Aren't you rich enough?
01:12:47No.
01:12:49I want to be double rich.
01:12:51How do you let me know, Dad?
01:13:00With these scrolls in this particular order, I...
01:13:05You fucker.
01:13:12Do you remember the order they were in?
01:13:14No.
01:13:15Let's keep in mind them.
01:13:18Does anyone remember the order they were in?
01:13:21Fuck!
01:13:22Years we've been working on this.
01:13:28Does it say what order they should be in?
01:13:31Oh, I can't read this shit.
01:13:33This is some dead pirate code.
01:13:35Mia, catch!
01:13:50Mia, catch!
01:13:57That's amazing.
01:13:59The code.
01:14:09It's in silence.
01:14:11Now we hope we open them up.
01:14:13Oh, that's a baby trap.
01:14:16Come on, Mia, come on.
01:14:20Come on, come on.
01:14:22Think, think, think.
01:14:23Come on, Mia, think.
01:14:24Come on!
01:14:50What do you see?
01:14:51Oh, no!
01:14:52No!
01:14:53No!
01:14:54No!
01:14:55Oh!
01:14:56Oh!
01:14:57No!
01:14:58What do you see?
01:15:21I got the codex.
01:15:32Hey, I don't suppose the goons holding up for us hostage will be a problem for you?
01:15:38No.
01:15:40No!
01:15:41You can't leave!
01:15:44I have money!
01:15:46Asshole!
01:15:47You can't leave me!
01:15:53Wait!
01:15:56No!
01:16:17Welcome to the smuggler's tavern!
01:16:19So, head to the toilets, empty those bladders before entering Benny's hatch and crawling through the claustrophobic labyrinth of Sebastian's tunnels.
01:16:27Yarr!
01:16:28Welcome, mateys, to the underground caves of Soho!
01:16:32Waterproofs are available just through here.
01:16:35It is quite claustrophobic, so you have been warned.
01:16:37No refunds.
01:16:38How much do pirates pay for their yearly aids?
01:16:42A buccaneer!
01:16:43Ha, ha, ha, ha!
01:16:44Come on this way!
01:16:48Alright, Raph.
01:16:51Be careful.
01:16:54Don't fuck the place up, Eddie.
01:16:59Ah, she's getting really good at that.
01:17:00I know, it's the most pertinent sentence.
01:17:03Seriously, though.
01:17:04Be careful.
01:17:05Very nice, and I've got pictures on my phone and the cloud, so we've got a plan B.
01:17:15Yo!
01:17:16Go lay my school!
01:17:19Nice.
01:17:20Amy.
01:17:25Thanks.
01:17:26What?
01:17:34Hey!
01:17:39Why are you going to hold a hand with that?
01:17:40Ah!
01:17:56Say it, then.
01:18:22No!
01:18:24I don't know.
01:18:54I don't know.
01:19:24I don't know.
01:19:54I don't know.
01:20:24I don't know.
01:20:54I don't know.
01:21:24I don't know.
01:21:54I don't know.
01:22:24I don't know.
01:22:54I don't know.
01:23:24I don't know.
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