Skip to playerSkip to main contentSkip to footer
  • today
Saturday, June 28, 1pm
Event M21: THE BACH CELLO
SUITES: REFLECTION, CATHARSIS,
JUBILATION, St Paul's Church,
Churchside, Chichester, PO19 6FT
Pavlos Carvalho performs and
shares thoughts on two of the most
contrasting movements from the
Bach solo cello suites. The moving,
meandering and reflective 2nd suite
in D minor, cathartic and spiritual, is
followed by the bold, adventurous,
dancing and jigging C major suite.
Music to uplift the soul and have you
dancing in your seats. Tickets £12,
under-19 £5, under-7 free.

Category

🎵
Music
Transcript
00:00Good afternoon, my name is Phil Hewitt, group arts editor with Sussex Newspapers and also
00:06chairman of the Festival of Chichester and, well, one of the most important, one of our
00:10favourite people at the Festival of Chichester every year, Pavlos Cavalier. You come along
00:15and do several concerts, doing three this year, you're kicking off, well, with your favourite,
00:21your absolute favourite, that's right to say, isn't it? Bach means everything to you, doesn't
00:25it? And you were playing the Bach Cello Suites under the title Reflection, Catharsis and
00:30Jubilation on Saturday, June the 28th at 1pm in St Paul's Church. Now, we've spoken a lot
00:37about Bach over the years, why is he so central to your musical thinking?
00:44It's the first recollection I have of music, the first sound I can remember is Bach and
00:52I've carried it with me in different ways all through my life through today. But I think
00:57that's very important. From the very first moment, I'm conscious of the sound of music.
01:01I remember my father, who was a cellist, playing the prelude of this G major, which, you know,
01:09I've heard since, I can remember, as I say, and still play. I just did a recital the other
01:14day that wasn't Bach, but we included this because one can never get tired of it. Every time,
01:20every time you come to that, it's like drinking a fresh glass of water, you know, you always
01:25need it, and it always feels necessary.
01:28And I feel a bit like that.
01:29It means different things to you at different points in your life, doesn't it? It changes
01:33with you.
01:34Absolutely.
01:34Doesn't it?
01:36It does. I remember we spoke, you know, when you're a young boy, and you're not so conscious
01:43of, you know, harmony and theory and all of this, you're just learning it because it's
01:50just beautiful, simple, simple sounding music. And ultimately, the funny thing is, throughout
01:56all the years, when you then become more conscious of the harmony, and you see the genius of how
02:00he ties things together, and this is the language of Bach, is that you spend all this time with
02:04it, analysing and maybe overthinking and going around, just so that you can find the simplicity
02:09again. So it's like you go full circle. As a young child, you start learning it simply
02:15like with a nice fairy tale, you know, a layered fairy tale, because it's a good story or it
02:19sounds beautiful. Then you analyse it, and you analyse it to death, so that you can find
02:25your way back to the simplicity of it, where you don't have to think about it, and it just
02:29comes naturally. And this is a constant journey and a constant search.
02:33Wow. Well, that kind of is what I was going to ask you about, the title for the concert,
02:37so that reflection of selfless and jubilation, you've just said it all, I think, haven't you
02:42really?
02:43Yeah. Yeah, I mean, even that title you can see on different levels. I mean, you see in
02:48every Bach suite, you have these three feelings. There's always, whether it's the opening G
02:55major suite or the second more introspective and fifth introspective as D minor, C minor
03:01suites, or the last jubilant D major suite. All of them have these characters, there are
03:08movements where it feels really sort of still and reflective. And as a result, of course,
03:15it's very, very cathartic, this calmness. And then there are these dance movements that
03:20fills, especially the last suite, like bells ringing and orchestras playing. So you have
03:26this sense of jubilation as well. And it's something, these three characters, you find in all the
03:30Bach suites from the first to the sixth. It's also, you know, in one's wider context of life,
03:38where you feel these things, this sort of jubilation at the end of a concert or in a particular part of
03:43your life that's going well. I remember we spoke about this during the lockdown. And this was a
03:49moment where it wasn't necessarily the feeling jubilation, but a moment where all of us, you know,
03:55locked away in our houses had the time to reflect and to get through things. And this Bach at this
04:02time, where there was no way of playing complete music with big groups, it's the repertoire that we
04:08have, which is complete. You play all, you know, you're playing lots of instruments on one. And so
04:13it felt very, it gives you time to reflect with the music and to feel cathartic because you have all
04:20this time with it and do nothing else. So, you know, it's just this idea of reflection, catharticism.
04:27And just a word about the festival. The fact is that you are so loyal to us in Chichester,
04:31which we love. You keep coming back, which is great. What does the festival mean to you?
04:37It's home. The festival is home of all the festivals I play. Even, look, even the, as we were
04:43speaking earlier, I was saying we've just come out the end of this Greek music festival that I'm,
04:49I'm one of the founders, founders of the Chichester festival is, is actually, it feels even more home
04:55because this is, this is the one I've been going to for, for longest, always welcomed, whatever
05:02programs we, we do. And everyone always looks after us so well. People always turn up to our concerts.
05:10It's, it's just, it just, like I say, I think there's no other way to put it that it just feels
05:16like home, you know, and also when having organized another festival myself, when I come to the Chichester
05:23festival and all I have to do is turn up with my cello and sit down and play and then walk away
05:28feeling absolutely amazing. I always, I cannot walk away without having in the back of my mind,
05:34people like you Phil and everyone organizing it where I know you do one concert, you can't even
05:39enjoy that. You have to think about the next one, you're organizing the next one. And it's only a
05:42month after where you can reflect on the magnificence of what you've done. So I really, I love going
05:48there because I know the effort that everyone puts into organizing it so that we can just turn up,
05:52sit down, play and leave. You know, it's, it's very, it's a breath of fresh air for me every year.
05:58Lovely words to hear. Long may that continue. Your home will always be enjoyed.
06:02Thank you all so much. And good luck with those three concerts you're doing for us.
06:06Thank you so much. Good luck with the rest of the festival.

Recommended