manhattan baby 1982 horror movie

retro tv gold

An archaeologist opens an Egyptian tomb and accidently releases an evil spirit. His young daughter becomes possessed by the freed entity and, upon their arrival back in New York, the gory murders begin.

Transcript

00:00:00It's, uh, for Susie.

00:00:18She's never seen a real Egyptian scorpion.

00:00:22Don't forget to tell her.

00:00:24It's a symbol of death here.

00:00:25Yeah.

00:00:28Well, I think that's a bit heavy to spring on a nine-year-old.

00:00:30You're going back to the camp.

00:00:31I'll not be with you, Professor.

00:00:32See you later.

00:01:00Don't slouch like that.

00:01:02Look happy.

00:01:02Smile.

00:01:03There.

00:01:04There.

00:01:05The torch is almost over, but then I have to take some more scenery for the magazine.

00:01:11There.

00:01:12I have to take some more scenery for the magazine.

00:01:16There.

00:01:17I have to take some more scenery for the magazine.

00:01:23There.

00:01:24There.

00:01:25There.

00:01:26There.

00:01:27There.

00:01:28There.

00:01:29There.

00:01:30There.

00:01:31There.

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00:01:33There.

00:01:34There.

00:01:35There.

00:01:36There.

00:01:37There.

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00:01:50There.

00:01:51There.

00:01:52There.

00:01:53There.

00:01:54There.

00:01:55If Amy, please look at her, she will get over.

00:01:5600.

00:02:08Oh, my God.

00:02:38Oh, my God.

00:03:08If you're tired, you wait for me here, okay?

00:03:16Uh-huh.

00:03:38Be right back.

00:03:42Okay.

00:03:42Bye.

00:03:43Bye.

00:03:44Bye.

00:03:46Bye.

00:03:48Bye.

00:03:49Bye.

00:03:51Bye.

00:03:53Transcription by CastingWords

00:04:23CastingWords

00:04:53CastingWords

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00:05:53The message chiseled all those many centuries ago

00:06:14Well professor have you anything exciting to tell me just bits and pieces

00:06:19But there's no doubt in my mind that stone holds the key to mysteries that have stymied cryptologists for years

00:06:28It might be the answer that to move a human or no one there does so far

00:06:32You want to enter you have no company the excavation was a mistake the workers say they believe that old have new

00:06:37Bedar's tomb has a terrible curse on it. I'll go with you

00:06:41We'll return for you at sundown right see you later

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00:10:35Look at this

00:10:37Incredible

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00:10:43Watch out

00:10:45Oh

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00:38:25I'm sorry for disturbing you, but I really was afraid. With that door locked, I guess I panicked. I didn't know what to think.

00:38:31What are they doing now?

00:38:33Well, now they're upstairs watching a kiddie show. Hi, Mama. Hi, Mama. Hi, Mama. Mama. Did you hear? Did she tell you, Jamie, it won't open?

00:38:43The door. I heard. I heard. I will open it up with one of my magic tricks. I know I'm a small kid, but I better bet you won't open that door with magic. Right, Mama?

00:38:55Wait

00:38:57And I will show you something

00:39:01Abracadabra

00:39:05Focus

00:39:07Focus

00:39:09Pinecone focus

00:39:11Focus

00:39:13Locus mocus

00:39:15Where is the door?

00:39:17Rocus docus

00:39:19Abracadabra

00:39:21Locus

00:39:23Mocus

00:39:25Pocus

00:39:27Pocus

00:39:29Abracadabra

00:39:31Open sesame

00:39:33Locus

00:39:35Cadabra

00:39:37Open sesame

00:39:39Open sesame

00:39:41Open sesame

00:39:41Luke!

00:40:11Luke!

00:40:41Luke!

00:41:11Luke!

00:41:13Luke!

00:41:23Luke!

00:41:41Jamie Lee, I'm famished.

00:41:52When do we eat?

00:41:53You want to eat?

00:41:54Me too, Jamie Lee.

00:41:55Thanks.

00:42:11Luke, Luke, if this is none of your jokes, stop it.

00:42:32You're acting like an utter idiot.

00:42:41You're acting like an utter idiot.

00:43:11If you ask me, you'd better get the police here.

00:43:23What for?

00:43:25To say that Luke Anderson, a colleague of yours, came up here to the kids' room?

00:43:32And disappeared into thin air.

00:43:34George, tell me at least what we've got to do, huh?

00:43:38First, we'll call your office and see that he's there.

00:43:43That he's not playing some stupid joke.

00:43:47It's a very elaborate kind of joke.

00:43:52Well, it makes a hell of a lot more sense than him disappearing,

00:43:55turning into a pile of sand.

00:43:56George, am I crazy?

00:43:58I don't know.

00:43:59I don't know.

00:44:00I don't know.

00:44:01I don't know.

00:44:02I don't know.

00:44:03I don't know.

00:44:04I don't know.

00:44:05I don't know.

00:44:06I don't know.

00:44:07I don't know.

00:44:08I don't know.

00:44:09I don't know.

00:44:10I don't know.

00:44:11I don't know.

00:44:12I don't know.

00:44:13I don't know.

00:44:44Hi.

00:45:04A little calmer?

00:45:10A little.

00:45:14Was Luke there?

00:45:21No.

00:45:23He didn't show it all at the office.

00:45:25And at his house, no answer.

00:45:27It might be some joke, but I doubt it.

00:45:31He always was an idiot.

00:45:34I know you disapproved of Luke.

00:45:36All right, he's a frivolous guy, but this is serious.

00:45:43Watch how I do the spin, okay?

00:45:46Amazing grace.

00:45:51There.

00:45:51I hope you didn't take my picture when I was falling down.

00:45:56In a moment, I'll show you.

00:45:57Is it ready?

00:45:58I want to see it too, okay?

00:45:59Hold your horses.

00:46:01But a moment to go.

00:46:02The picture's a dud.

00:46:14Defective stock.

00:46:15Got film?

00:46:16Let's try it again.

00:46:17It's finished.

00:46:18We don't have any more.

00:46:18I'm sorry, guys.

00:46:19And anyhow, I think we better get back to the hatienda.

00:46:21Let's try it again.

00:46:51Let's try it again.

00:47:21Let's try it again.

00:47:51I'll wait.

00:47:56You'd better to call the others first.

00:48:02Call me back in an hour.

00:48:03Call me back in an hour.

00:48:04Call me back in an hour.

00:48:05Call me back in an hour.

00:48:06Call me back in an hour.

00:48:07Call me back in an hour.

00:48:08Call me back in an hour.

00:48:09Call me back in an hour.

00:48:10Call me back in an hour.

00:48:11Call me back in an hour.

00:48:12Call me back in an hour.

00:48:13Call me back in an hour.

00:48:14Call me back in an hour.

00:48:15Call me back in an hour.

00:48:16Call me back in an hour.

00:48:17Call me back in an hour.

00:48:18Call me back in an hour.

00:48:19Call me back in an hour.

00:48:20The End

00:48:50of the third century, this ancient jewel symbolizes the eye of evil, the negative counterpoint

00:48:58of Aleph, the principle of all being, Abnoumenorum.

00:49:04Mrs. Huckert.

00:49:21Mrs. Hacker, this is for you.

00:49:43It concerns your children.

00:49:46Mrs. Huckert.

00:49:58Mrs. Huckert.

00:50:00Mrs. Huckert.

00:50:02Mrs. Huckert.

00:50:04Mrs. Huckert.

00:50:06Mrs. Huckert.

00:50:08Mrs. Huckert.

00:50:10Mrs. Huckert.

00:50:12Mrs. Huckert.

00:50:14Mrs. Huckert.

00:50:16Mrs. Huckert.

00:50:18Mrs. Huckert.

00:50:20Mrs. Huckert.

00:50:22Where'd you get it?

00:50:52A woman called out to me on 10th street, said it was something that had to do with the kids.

00:50:57There's a name written on it.

00:51:03Adrian McCarto.

00:51:12I see. Mind if I take you to the laboratory?

00:51:17If you find anything interesting, give me a buzz, okay?

00:51:20I'd be sure to, George. Now I'll get going.

00:51:24Try to relax, Emily.

00:51:26Yes, Robert.

00:51:27What was this lady like?

00:51:32I was curious.

00:51:34She appeared normal to me, normal as any other.

00:51:36But I felt very strange, anyhow. There was something about her.

00:51:43Well, did she give the impression that she knew you?

00:51:45No. But I did get the impression, the impression that somehow she knew the children.

00:51:53And there's something else, George.

00:51:54Olaf Steiner analyzed a sample of that sand on the carpet.

00:52:01This morning I got the report.

00:52:06A lot of silt from the Nile.

00:52:21This sand comes from Egypt.

00:52:24Egypt.

00:52:37That sounds like Tommy.

00:52:38Oh, my dog!

00:52:39Oh, my God!

00:52:40Oh...

00:52:41Oh...

00:52:42Oh, my God!

00:52:43Oh, yeah, my God!

00:52:44To the Nile.

00:52:45Oh, no, no!

00:52:46Oh, no, no!

00:52:47Oh, no!

00:52:48I should be mad!

00:52:49By Tommy!

00:52:50Oh, no...

00:52:51Tommy!

00:52:52Oh, no, no!

00:52:54Oh, no!

00:52:55Oh, no, no.

00:52:58Oh, no, no...

00:53:29I made the contact.

00:53:34Now it's only a matter of time.

00:53:59Let's go check the kids' room.

00:54:06Incredible.

00:54:07What do you think happened?

00:54:22I don't know.

00:54:24Maybe we better ask Jamie Lee and the kids.

00:54:26Ask us what?

00:54:28Huh, Papa?

00:54:30Ask us.

00:54:30Go ahead.

00:54:31Where are your toys, Tommy?

00:54:41Hidden somewhere by Susie.

00:54:47Where's Jamie Lee?

00:54:48Answer your father.

00:54:58Where is Jamie Lee?

00:55:00She hasn't returned yet.

00:55:02Returned from where?

00:55:10Her voyage.

00:55:12She went on a trip?

00:55:13Suzie, are you awake?

00:55:27Suzie?

00:55:31Yeah?

00:55:32It wasn't my fault.

00:55:39Please go to sleep now.

00:55:50Poor Jamie Lee.

00:55:51Come on.

00:55:52I'm sorry.

00:55:53I'm sorry.

00:55:54I'm sorry.

00:55:54Bye.

00:58:26It's going to be all right.

00:58:28Susie, relax.

00:58:30Susie, please.

00:58:32Just relax.

00:58:34Susie.

00:58:36Susie.

00:58:38You're going to be all right.

00:58:44You're going to be all right.

00:58:54You're going to be all right.

00:58:58You're going to be all right.

00:59:10This is the photograph I gave Weiler.

00:59:16But if that's a photo, how could Susie...

00:59:17That's a good question.

00:59:24Mercato.

00:59:26Would you call your magazine?

00:59:30I see what you're able to find out about him.

00:59:32Yeah, shall do.

00:59:33Papa, Susie always screams when she goes on a voyage.

00:59:37What do you mean?

00:59:38It's a part of the rules.

00:59:40The rules?

00:59:44The game she invented, Susie.

00:59:49Tommy.

00:59:52Tell me about this game.

00:59:54Nah.

00:59:56This is very, very important.

00:59:59Do you know how to play this game?

01:00:04Yes or no?

01:00:06Have you ever played it?

01:00:08Uh-huh.

01:00:08Have you made a voyage?

01:00:10Yeah.

01:00:11How far'd you go?

01:00:12I really don't know, Dad.

01:00:14It's a place I didn't know at all.

01:00:16Oh, but, um, on one of the voyages, I came back with a real nice souvenir.

01:00:20Want to have a look at it?

01:00:26Show me.

01:00:27This is my souvenir.

01:00:27I found it on the trip that I took last week.

01:00:37What is it?

01:00:38I found it on the riverbank.

01:00:39This is...

01:00:40This is...

01:00:40This Anubis from the Third Dynasty.

01:00:43Ah, his name is Anubis.

01:00:45Where'd you get this?

01:00:47I found it on the riverbank.

01:00:49Tommy, are you lying to me?

01:00:51I knew it.

01:00:52I knew I would end up getting yelled at.

01:00:55I'm gonna go to sleep.

01:00:56What do you think it means?

01:01:06What do you think it means?

01:01:36I've been waiting for you.

01:01:43I knew you'd come.

01:01:46Sooner or later.

01:01:56What can I do for you?

01:01:59Are you Mr. Marcato?

01:02:02You didn't come here to discuss names.

01:02:06What's the name of the riverbank?

01:02:28I want to...

01:02:29I just want to know how you're involved with that photograph

01:02:38and what it has to do with our children.

01:02:40What do you know about parapsychology?

01:02:48As much as anybody else.

01:02:51I think that that much means little or nothing.

01:02:55The jewel that appears in this photo

01:03:01was discovered many thousands of years ago

01:03:05and symbolizes evil.

01:03:10Excuse me, but I don't see what my daughter has to do with this jewel.

01:03:14Oh, come on, come on.

01:03:16Are you trying to tell us that Susie was grabbed by some unearthly spirit?

01:03:20She's got the evil eye on her and all that stuff.

01:03:21It's quite possible that your daughter

01:03:25has absorbed the energy radiated by the gem.

01:03:29Silly superstition.

01:03:31Earthly objects also have their spirituality.

01:03:35Objects that gather, concentrate, and assimilate

01:03:38the constant variables in humans.

01:03:40You've seen, I'm sure,

01:03:42the gems that change color according to the humors,

01:03:44the personality, the spirituality of the wearer.

01:03:49Yes, of course, I own one.

01:03:52Your daughter

01:03:52is in great danger.

01:04:01And you're out of step with reality, Mr. Mercato.

01:04:05You come on like some kind of oracle.

01:04:08But you're trying to scare us, and I don't know why.

01:04:10If you think that I'm just a quack,

01:04:15you can leave now.

01:04:18But don't come back later.

01:04:21Because I shan't help you.

01:04:25Whatever, whatever you do,

01:04:27make sure that your daughter

01:04:29doesn't have the jewel.

01:04:33where you find the jewel.

01:04:35Oh, Lord.

01:04:36Oh, Lord.

01:04:37Aw, Lord.

01:04:38Okay.

01:04:39Oh.

01:05:10Do you think we ought to try calling Mr. Mercado?

01:05:25It's hard to take him seriously.

01:05:27Better at this point to get back to science.

01:05:31Weiler's our best bet right now.

01:05:33He's an Egyptologist as well.

01:05:36He'll come up with something.

01:05:40I'll get it.

01:05:54Hello?

01:05:58Yeah.

01:05:59Yeah.

01:06:01Now.

01:06:02What?

01:06:06Banks are calling.

01:06:06Who is it?

01:06:10The university.

01:06:11What do they want?

01:06:13It seems Weiler was killed by a poisonous snake.

01:06:18George, Weiler had the photo.

01:06:21That's exactly what I was thinking.

01:06:23We better call Mercado.

01:06:25I got to...

01:06:26Papa!

01:06:27Papa!

01:06:28Help!

01:06:29What?

01:06:2995...

01:06:29What the fuck?

01:06:34That...

01:06:34Come...

01:06:35No!

01:06:37No!

01:06:40Ha ha!

01:06:42No!

01:06:44No!

01:06:47No!

01:06:48No!

01:06:52No!

01:06:53No!

01:06:54No!

01:06:55No!

01:06:56Oh, my God.

01:07:26Oh, my God.

01:07:56Oh, my God.

01:08:26Oh, my God.

01:08:56Oh, my God.

01:09:27And this illness of Susie's.

01:09:29I tell you, it's unnatural.

01:09:32Emily, listen.

01:09:32No.

01:09:33Please, I've listened to all I intend to.

01:09:37I've heard too much about parapsychology and about tombs in the desert.

01:09:40And the university calling is like an omen.

01:09:44And I'm frightened to death of the man upstairs, George.

01:09:50I don't want his voodoo.

01:09:52The man's perverse.

01:09:53But you wanted to call him, too.

01:09:55But you wanted to call him, too.

01:09:55Well, it was a mistake.

01:09:58Phone a medical doctor.

01:09:59That's what we should do.

01:10:00Phone the police.

01:10:02Phone at least someone we know and whom we can trust.

01:10:06Mama!

01:10:07Mama!

01:10:16Mama!

01:10:17Help me!

01:10:20Your daughter is a prisoner.

01:10:50A prisoner of what?

01:10:53Of this stone.

01:10:59This gem is endowed with evil powers,

01:11:02a force that has seized your daughter's mind

01:11:05and that is now using her as a medium

01:11:08for its own dark and wicked malefactions.

01:11:15What do you mean?

01:11:17The power within this gem

01:11:20can open the infernal gate of time and space

01:11:27and work miracles of evil

01:11:29beyond all arcane dimensions.

01:11:34That's impossible.

01:11:35Is it really?

01:11:38Look at it, George.

01:11:40It's a desert stone.

01:11:42Now, give me your hand.

01:11:47We shall journey together

01:11:49to the land of that stone's origin.

01:11:52The End

01:11:57George, she's dying.

01:12:11George, she's dying.

01:12:15George, she's dying.

01:12:25Susie.

01:12:28Susie.

01:12:30Our prayers are rejected.

01:12:32What can I do?

01:12:46Let me...

01:12:47Please let me go.

01:12:49Maybe I can still do something

01:12:53to save your daughter.

01:12:57Mama.

01:12:58Yes?

01:12:59I'm so cold.

01:13:03Cold.

01:13:07I'm cold.

01:13:11So cold.

01:13:12Dr. Sanders, who operating theater, too.

01:13:28Dr. Sanders, who operating theater, too.

01:13:31Dr.Paul, I think I would do it.

01:13:32So cold.

01:13:58shit.

01:13:59I'd feel a lot better if you were at the house seeing to Tommy.

01:14:15I spoke to Aunt Dorothy.

01:14:18He'll be expected around now.

01:14:21I'll take him.

01:14:29It's inexplicable.

01:14:35I'm throwing an x-ray scan, Phil.

01:14:59I'll take him.

01:15:29I'll take him.

01:15:59I'll take him.

01:16:29I'll take him.

01:16:39Vector Foster, the girl's x-rays.

01:16:59Vector Foster, the girl's x-rays.

01:17:01Vector Foster, the girl's x-rays.

01:17:03Vector Foster, the girl's x-rays.

01:17:05Vector Foster, the girl's x-rays.

01:17:09Vector Foster, the girl's x-rays.

01:17:11Vector Foster, the girl's x-rays.

01:17:13The man's x-rays.

01:18:15Thank you, Jamie Lee.

01:19:15Oh, Susie.

01:19:41Oh, Susie.

01:19:43Sweetheart, darling.

01:19:51Marcato.

01:19:53Marcato, where are you?

01:19:59Mr. Hacker.

01:20:03I think...

01:20:05I think your daughter is out of harm's way for now.

01:20:09What?

01:20:11You mean...

01:20:15You mean she's...

01:20:17There has been a transference.

01:20:19I have substituted for your daughter.

01:20:21What?

01:20:23It's useless that I explain.

01:20:29You would never understand.

01:20:31What do I have to do?

01:20:33What do I have to do?

01:20:35You have nothing to worry about.

01:20:37Your daughter is redeemed.

01:20:41If you wish to do something for me,

01:20:45throw this into the deepest and darkest part of the river.

01:20:49Mama?

01:20:59I'm scared.

01:21:01I know, darling.

01:21:02Only now you're all right.

01:21:03Mama, were you worried?

01:21:05You have to rest for a while.

01:21:07You're going to be yourself again.

01:21:09Oh, Susie.

01:21:11You're going to be yourself again.

01:21:13You're going to be yourself again.

01:21:43You're going to be sleeping on your bed.

01:21:45You're going to be having my relax.

01:21:55A molyan!

01:22:13Tassi, the water.

01:22:43Tassi, the water.

01:23:13Tassi, the water.

01:23:43You can take my life with stuffed birds, but you shall not have my immortal soul of Lumenor.

01:23:57Birds of darkness, consume me!

01:24:09Tassi, the water.

01:24:39Mmmmm!

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