Skip to playerSkip to main contentSkip to footer
Bonus Channel
  • 2 days ago
Transcript
00:00:00The End
00:00:30Oh, my God.
00:01:00Wait.
00:01:06You needn't come up with me.
00:01:08I can get into the apartment without your assistance.
00:01:14Wait.
00:01:30Jerry, darling, please, please forgive me for what happened tonight.
00:01:44I admit I was wrong.
00:01:46You did all right.
00:01:47For yourself.
00:01:49Why do you insist on spoiling a perfectly good New Year's Eve?
00:01:52I haven't.
00:01:53It's hardly midnight.
00:01:54You won't lack company.
00:01:57You didn't earlier this evening.
00:02:00Jerry, that's not like you.
00:02:03I know.
00:02:04I'm a brunette.
00:02:12Besides, I...
00:02:13I didn't think you noticed it.
00:02:16I tried not to.
00:02:17For some time.
00:02:20After all, my dear, a man must live.
00:02:23I've often wondered why it was necessary in some cases.
00:02:27I've never seen it.
00:02:36Would you please be serious?
00:02:37I am serious.
00:02:38The trouble has been that you haven't been serious.
00:02:41Don't you see to a girl it means so much more than just an adventure?
00:02:45Jim, you've been the only man in my life.
00:02:46I wish I had known it was going to end this way.
00:02:52Well, it doesn't have to end this way.
00:02:55Oh, please, dear, let's forget it.
00:02:57Let's start this New Year's right.
00:02:59I am starting it right.
00:03:01Without you.
00:03:03With whom, then?
00:03:05You would ask that.
00:03:07I'm starting it with myself, me, Jerry, your ex, uh...
00:03:11Jerry.
00:03:12I'm not ashamed nor afraid.
00:03:15Goodbye, Jim.
00:03:16Have a good New Year.
00:03:18I'm going to have the best New Year I ever had since I've grown up.
00:03:30Jerry.
00:03:33Will you marry me?
00:03:36What an effort that must have been.
00:03:39Oh, stop that.
00:03:42Well, it might work out.
00:03:44We married all of us.
00:03:45The chorus girl, the widow, and...
00:03:47Who told you about...
00:03:48Oh, it's a secret.
00:03:49Nobody knows but me.
00:03:50And the Associated Press.
00:03:53Well, I...
00:03:54I haven't offered to marry anyone else.
00:03:58No, why not?
00:04:00Well, because I...
00:04:01Because once I asked you to...
00:04:04Ah, he remembers.
00:04:07I also remember there was some difficulty about, uh...
00:04:11Setting the date.
00:04:14Thank my lucky stars.
00:04:16I'm really serious.
00:04:20I really mean it this time, Jerry.
00:04:22Mean what?
00:04:24Well, marriage and...
00:04:26And...
00:04:26And all that.
00:04:28No, I'm afraid there'd be, uh...
00:04:30Too little marriage and too much...
00:04:32All that.
00:04:33Are you absolutely...
00:05:03Definite about this, Jerry.
00:05:05So definite.
00:05:11Well...
00:05:12It was beautiful, while it lasted.
00:05:21Jim, come back.
00:06:05I can't wait.
00:06:06I can't wait.
00:06:07Take these designs to the shop. I've made the changes and they can start on them at once.
00:06:31Oh, yes. And tell Miss Curtis that Mrs. Hoffenstein's gown must be ready this evening.
00:06:35That Buster Collins is on the phone.
00:06:40And tell him I'll be over early in the morning.
00:06:43Well, what time?
00:06:44At 12 o'clock.
00:06:49Hello, Buster.
00:06:51Hello, Jerry. Can I come over and bring a friend?
00:06:55I'm not dressed. Who is it?
00:06:58Tony Blake.
00:06:59Tony Blake?
00:07:01Oh, Anthony Blake. Of course. Bring him along.
00:07:05I'd like to meet him. Tell him I think his book is wonderful. But don't tell him I haven't finished it.
00:07:13Why does he want to meet me?
00:07:15I don't know. Get him to tell you. You have to have something to talk about.
00:07:23Oh, all right.
00:07:25Hey, Tony.
00:07:26What?
00:07:27It's all set.
00:07:27Hey.
00:07:28Oh, and Kate, I'm going to meet Anthony Blake.
00:07:32Now, what's so good about that?
00:07:33He's the one who wrote this book.
00:07:34Any idiot can write a book.
00:07:35Mm-mm. Not a good one.
00:07:36Oh, I can hardly wait until I meet him.
00:07:37You'd better take a shower and cool off a bit.
00:07:39Well, it's all right.
00:07:40Hey, Kate, put a tune on the piano for me. I love music.
00:07:41Oh, I love music.
00:07:42Oh, I love music.
00:07:43Oh, I love music.
00:07:44Oh, I love music.
00:07:45Oh, I love music.
00:07:46Oh, I love music.
00:07:47Oh, I love music.
00:07:48Oh, I love music.
00:07:49Oh, I love music.
00:07:50Oh, I love music.
00:07:51Oh, I can hardly wait until I meet him.
00:07:54You'd better take a shower and cool off a bit.
00:07:57Well, it's all right.
00:07:58Hey, Kate, put a tune on the piano for me.
00:08:00I love music.
00:08:21Well, anyway, the boy gets the girl in the end.
00:08:24Oh, what an unusual finish.
00:08:28Hurry up now.
00:08:29Come on.
00:08:30Get him.
00:08:31Get him.
00:08:36Why get so excited over a man before you've even met him?
00:08:40I hope he's a little man with a prop coat and a beard.
00:08:44Can't you hear me?
00:08:46Well, what I'd like to say is if I don't like him,
00:08:50I don't like him.
00:08:51I'll run him out of here.
00:08:53Oh, you will, will you?
00:08:57Well, now, if you've been here so well,
00:08:59turn on the cold water.
00:09:05Oh, I still like him even after a cold shower.
00:09:10If he's anything like his book, he's wonderful.
00:09:13They never are, dearie.
00:09:16I once knew Buffalo Bill.
00:09:19I've heard you say he's good.
00:09:20I've seen all the cold water.
00:09:21You're the best for the cold water.
00:09:22It's a little olive oil.
00:09:23I'm so sorry.
00:09:24I'm so sorry.
00:09:25I'm sorry you've been Ooof.
00:09:26I'm so sorry.
00:09:27I'm so sorry, I'm sorry.
00:09:28I'm sorry, I've been able to see a breakthrough.
00:09:31I'm sorry, I can't wait for a walk in the back of my life,
00:09:32but I've seen a whole movie.
00:09:34All things in life are plenty of, what could this, that or the other, if you haven't got love?
00:09:52Three meals a day, a roof above, what could this, that or the other,
00:10:04if you haven't got love?
00:10:08Life is sweet, but love provides the rest of it.
00:10:15Give me love, and you can keep the rest of it, that or the best of it.
00:10:24For love and joy, go hand in glove.
00:10:31What could this, that or the other, if you haven't got love?
00:10:42Mrs. Kate Smith and Miss Jerry Trent, may I present Mr. Anthony Blake.
00:10:46That's great, Buster.
00:10:48What do they mean?
00:10:55I've just decided you look even better with your clothes on.
00:11:00What?
00:11:01Didn't I explain?
00:11:02Come here.
00:11:03You see that building?
00:11:04I have an apartment there, and on a clear day I see you here on the roof taking your sun bath, in your bathing suit.
00:11:10Why?
00:11:11I know how you feel about it.
00:11:12I feel the same way.
00:11:14We should be married at once.
00:11:15You're probably going to say you don't know me well enough.
00:11:16So let's get acquainted.
00:11:17What do you do?
00:11:18I own a shop.
00:11:19You know, very smart things, I don't have to know.
00:11:20Well, I'm not a good man.
00:11:21I'm not a good man, I don't know him.
00:11:22I'm not a bad man.
00:11:23I'm a bad man.
00:11:24Why?
00:11:25I'm not a bad man.
00:11:26I'm a bad man.
00:11:27I'm not a bad man.
00:11:28What do you do?
00:11:29We should be married at once.
00:11:35You're probably going to say you don't know me well enough.
00:11:37So let's get acquainted.
00:11:39What do you do?
00:11:40I own a shop.
00:11:41You know, very smart things for very smart ladies.
00:11:44Good.
00:11:45Any profits?
00:11:47Not many.
00:11:48You see, I won't sell the nicest things.
00:11:51I keep them and wear them myself.
00:11:53Too bad.
00:11:54I thought for a minute I'd be able to quit work.
00:11:56Well, no matter.
00:11:57Now that I know you, I'm still willing to go through with it.
00:12:00Will you marry me?
00:12:01You are crazy.
00:12:02Why am I crazy?
00:12:03I obey my impulses.
00:12:04Like the character in your book.
00:12:05I am the character in my book.
00:12:06But let's get back to our marriage.
00:12:08Now then.
00:12:09If we went around together for several months, the usual thing.
00:12:12You'd find out that I don't like carrots and...
00:12:14And you'd find out that I dunk my doughnuts.
00:12:17Exactly.
00:12:18It's twice as much fun marrying first and getting together to get together.
00:12:21You'd find out that I dunk my doughnuts.
00:12:23Exactly.
00:12:24It's twice as much fun marrying first and getting acquainted afterwards.
00:12:28Have you ever done it before?
00:12:30Uh...
00:12:31No.
00:12:32But right now I have an impulse to do it and I always obey my impulses.
00:12:36We miss so much in life by not doing what we're really feeling.
00:12:39Did you ever want to trip a waiter when he's carrying a tray full of dishes?
00:12:42Yes.
00:12:43I've done it.
00:12:44It's marvelous.
00:12:45It only cost me $28.60.
00:12:47What are you doing tonight?
00:12:48Why?
00:12:49Do you want to go out and trip a waiter?
00:12:50Yes.
00:12:51I'd rather ring doorbells and run.
00:12:53Oh, the fun we're going to have together.
00:12:58That's just what I wanted to know.
00:13:00A good woman.
00:13:01That's right.
00:13:02There's not many other hats out, eh?
00:13:04There it is.
00:13:05What?
00:13:06Joel must be sailing for home about now.
00:13:07What?
00:13:08I say your sister Joel must be sailing for France about now.
00:13:10That's right.
00:13:11What time is it?
00:13:124.15.
00:13:134.15.
00:13:14Here.
00:13:15Let me see.
00:13:16Over there it must be...
00:13:179.15.
00:13:18We're away on time.
00:13:19I'll be so glad to get home to see Sister Aunt Kate.
00:13:40How long since you've seen your sister?
00:13:42It's been two years.
00:13:43And then just for a few days I'm away over here to school.
00:13:46You see, I lived with my aunt in Oklahoma.
00:13:47Oh.
00:13:48You think a lot of your sister, don't you?
00:13:49Everyone who knows their love is.
00:13:50I could never tell you how wonderful she's been to me.
00:13:53She worked so hard to pay for my schooling over here and...
00:13:55Oh, don't get me started on the subject of Jerry or I'll talk all the way home.
00:13:59How well did you know her?
00:14:00Oh, uh...
00:14:01It was just one of those things.
00:14:02I'm sorry.
00:14:03I'm sorry.
00:14:04I'm sorry.
00:14:05I'm sorry.
00:14:06I'm sorry.
00:14:07I'm sorry.
00:14:08I'm sorry.
00:14:09I'm sorry.
00:14:10I'm sorry.
00:14:11I'm sorry.
00:14:12I'm sorry.
00:14:13I'm sorry.
00:14:14I'm sorry.
00:14:15It was just one of those things.
00:14:17I remember her all right.
00:14:20But I don't know if she'll remember me.
00:14:22Wouldn't you be surprised if she knew we were engaged?
00:14:27Don't forget.
00:14:28That's our secret.
00:14:45You can't be as happy as you look.
00:14:49I've never been so happy.
00:14:51I'm falling more in love with him every day.
00:14:55But it can't go on.
00:14:58For heaven's sake, why not?
00:15:03I've got to tell him, you know, about Jim.
00:15:07Now, don't be a fool.
00:15:09That's the one sure way of losing him.
00:15:12I know.
00:15:13But I won't feel right unless I tell him.
00:15:16Well, you'll probably feel right if you do.
00:15:20Think it over, carefully.
00:15:22Well, I guess I'm just a modern girl with an old-fashioned conscience.
00:15:37I've got to tell him.
00:15:42Press this for me.
00:15:43Bye.
00:15:47Bye.
00:15:48Well, here we are.
00:16:01And just in time.
00:16:06There you are.
00:16:09Let go.
00:16:11I want to turn on the light.
00:16:12Keep me with you.
00:16:13I'm afraid of the dark.
00:16:14All right.
00:16:18Let go.
00:16:21Still scared?
00:16:22Mm-hmm.
00:16:28Still scared?
00:16:29A little.
00:16:31Should we have some music?
00:16:33Pick a station.
00:16:35And the baby swallows the pill, thinking it's candy.
00:16:46Still scared?
00:16:49A little fire and everything set.
00:17:03I think your feet are wet.
00:17:04You know, they're not.
00:17:05They might be.
00:17:06I didn't step in the puddle.
00:17:07Well, let's see.
00:17:12Are they warm now?
00:17:13Mm-hmm.
00:17:19Ow.
00:17:20What?
00:17:22I'm sorry.
00:17:23Better get a shoe on.
00:17:29Here we are.
00:17:30An inventor as one as a writer.
00:17:32You know, Blake.
00:17:34Let Dr. Blake feel your pulse.
00:17:36You'll live.
00:17:38I wonder when I'm with you.
00:17:39I'm the one who's just begun to live.
00:17:40I wish I'd met you years ago.
00:17:41I wish you had.
00:17:42I wish you had.
00:17:43I wish you had.
00:18:14one today.
00:18:16What's wrong?
00:18:19Nothing.
00:18:23Aren't you going to autograph one of your books for me?
00:18:26Right now.
00:18:27I wish you had.
00:18:28I wish you had a nice dress.
00:18:30Well, you know why.
00:18:33I wish you had one of my friends.
00:18:36Not again.
00:18:38I wish you had one of my friends.
00:18:39You can do what?
00:18:41You're not.
00:18:42You're not looking for a beer.
00:18:44Yeah, I wish you had someone else.
00:18:45I wish you had dinner.
00:18:46You, I wish I got dinner.
00:18:47You were going to drink.
00:18:48You couldn't smoke.
00:18:49I wish you had enough.
00:18:50I wish you had enough.
00:18:51Let's go.
00:18:52Wait a minute.
00:19:01Don't pee.
00:19:17Tell me.
00:19:19Hmm?
00:19:19Do you believe everything in that book?
00:19:21Of course not.
00:19:22Well, you said you were the central character, wouldn't you do what he does?
00:19:29Well, I'd try to.
00:19:31You see, he's me.
00:19:33Idealized, of course.
00:19:34That's beautiful, darling.
00:19:35So you'll love me more each hour until you're a hundred years old.
00:19:44After that, I may start chasing around.
00:19:45I'll always treasure this.
00:19:46I'll dedicate the next one to you.
00:19:47I'd love to write it in Paris.
00:19:51Now, if I had a wife to go with me.
00:19:52Sort of a severest critic.
00:19:53I'd love to write it in Paris.
00:19:54I'd love to write it in Paris.
00:19:55Now, if I had a wife to go with me.
00:19:56Sort of a severest critic.
00:19:57I have an idea for a new novel.
00:19:58I have an idea for a new novel.
00:19:59I'd love to write it in Paris.
00:20:04Really?
00:20:05Yeah.
00:20:06You should call it Love and Kisses.
00:20:07I'd love to write it in Paris.
00:20:08I'd love to write it in Paris.
00:20:09I'd love to write it in Paris.
00:20:11I'd love to write it in Paris.
00:20:13I'd love to write it in Paris.
00:20:14If I had a wife to go with me.
00:20:16If I had a wife to go with me.
00:20:17Sort of a severest critic.
00:20:20I'd love to write it in Paris.
00:20:22I'd love to write it in Paris.
00:20:23Really?
00:20:24Yeah.
00:20:25You should call it Love and Kisses.
00:20:29And you could point out the difference between love and just kisses.
00:20:42Say, that's not bad.
00:20:46Suppose by way of plot, a girl who's had an affair with one man falls in love with another.
00:20:56Should she tell him?
00:20:58That all depends on the man.
00:21:00Supposing you're like the character in your book.
00:21:03Oh, I see.
00:21:04Well, it might be better for her to tell him than to let him find out for himself.
00:21:09That's what I thought.
00:21:10On the other hand, it might be wise for her to say nothing.
00:21:13What a man doesn't know won't hurt him.
00:21:17I guess if everyone told the truth, nobody would marry anybody.
00:21:22Then honesty isn't the best policy.
00:21:24Rarely.
00:21:25The modern baby face looks up at the chump she's going to marry and says,
00:21:29You're the only one I've ever loved.
00:21:32And the big sap says,
00:21:34Yeah.
00:21:36And they live happily ever after.
00:21:39Oh, I don't know.
00:21:43It's hard to say what a girl should do who's faced with that situation.
00:21:48But I am, Tony.
00:21:50You're what?
00:21:51Faced with that situation.
00:21:54I was like a man and a girl.
00:21:55This doesn't matter.
00:21:56It's your head.
00:21:57It's a man's house.
00:21:58You and I was like,
00:22:00You're right.
00:22:01You're like, I'm going to lie.
00:22:03I'm not going to lie.
00:22:04There's no man's house.
00:22:05They're fishing.
00:22:06But he's not me.
00:22:07I'm not going to lie.
00:22:08I'm not going to lie.
00:22:10I am going to lie.
00:22:11I'm not going to lie.
00:22:12I'm not going to lie.
00:22:14I'm not going to lie.
00:22:15Did you love him?
00:22:26Tell me.
00:22:28If you love him, I'll die.
00:22:30I only thought I did.
00:22:32Don't you see, I had to think I did.
00:22:34He was...
00:22:36I don't want to know anything about him.
00:22:38I don't even want to know who he is.
00:22:40Just promise me you'll never see him again.
00:22:46Oh, no fear of that.
00:22:57Jerry.
00:23:01I have a confession to make.
00:23:03Once I...
00:23:05One out for the girl.
00:23:09That makes us even.
00:23:13Please help me.
00:23:17In spite of my great mistake, will you marry me?
00:23:20I'd like to see anything stop me.
00:23:35I'd better go.
00:23:40Oh, why?
00:23:41It's raining.
00:23:42No, it didn't.
00:23:43It stopped.
00:23:46And my...
00:23:47And my sister comes in tomorrow.
00:23:49And I have to meet her.
00:23:50And besides, I have some letters to write.
00:23:52Oh, those aren't reasons.
00:23:54Well, they'll do.
00:23:55Goodbye.
00:23:56Wait, I'll go with you.
00:24:05The neg Griffith.
00:24:06Yeah, that's right.
00:24:07What are you doing?
00:24:08Oh, my God.
00:24:09We're waiting.
00:24:10They're waiting.
00:24:11Gabriel, give you one cut at 7 a time,
00:24:24...ì!
00:24:26Cuz, you've got to see Kenneth it.
00:24:28Mr. Nathily, you saw that?
00:24:30Yeah, and I saw a Wrong semaine.
00:24:32I know you should get ihrerç•™ volver.
00:24:33It's not easy.
00:24:34I forgot my book.
00:24:53Tony, you didn't change what you had written, did you?
00:24:58Yes, a little.
00:24:59Oh.
00:25:01I want it.
00:25:04Give it to me.
00:25:14Give it to me, please.
00:25:31Well, I don't know.
00:25:34But we'll give it to you.
00:25:36Show us theмин благодар.
00:25:38That's all right.
00:25:39That's all right.
00:25:40I'll hear you.
00:25:42You're welcome.
00:25:44Just listen to me.
00:25:46Come on, don't you?
00:25:47I can't believe it.
00:25:49I can't believe it.
00:25:50No, you're right.
00:25:51You're faking.
00:25:52I can't believe it.
00:25:53I can't believe it.
00:25:54You're going to.
00:25:55I can't believe it.
00:25:56Well, hello, Michonne.
00:25:58Hello, Huldah.
00:26:00Come.
00:26:02Oh, and you don't know how good it looks to me.
00:26:04I'm so happy.
00:26:06Well, I'm going to help Huldah unpack your thing.
00:26:08All right.
00:26:10Oh, and Kate, New York is so different from Paris.
00:26:12The trunks will be here about an hour.
00:26:14Mm-hmm.
00:26:16Yeah.
00:26:18I'm going to help Huldah unpack your thing.
00:26:20All right.
00:26:22Oh, and Kate, New York is so different from Paris.
00:26:24The trunks will be here about an hour.
00:26:26Gee, it's great to see you, baby.
00:26:32Hey, what's the matter?
00:26:34Please, Master.
00:26:36I have to unpack and everything.
00:26:40Say, aren't you glad to see me?
00:26:42Of course I'm glad to see you.
00:26:44But...
00:26:46But what?
00:26:48Quit being so young.
00:26:50I mean, you're older than you are.
00:26:52Well, I could.
00:26:54It's rather silly to think that
00:26:56things would be the same between us after two years.
00:27:00Oh, you're kidding.
00:27:02Aren't you coming?
00:27:04It was nice of you to want to give me a party.
00:27:06But you really shouldn't do it.
00:27:12Hey, Jerry, help me out.
00:27:14She's giving me the chill.
00:27:16Says she doesn't want to go to my party.
00:27:18What's the matter?
00:27:20Won't you go?
00:27:22There you are, my lad.
00:27:24From now on, it's up to you.
00:27:26See you about 7.30.
00:27:30All right.
00:27:32And you and Tony?
00:27:34And you too, Mrs. Brown.
00:27:36And you too, Mrs. Brown.
00:27:50Oh, I can't get over the way you've grown.
00:27:52It was only yesterday I was looking at these.
00:27:54Look.
00:27:56There you are, before going to Paris.
00:27:58Before and after.
00:28:00Aha.
00:28:02What the well-dressed baby used to wear.
00:28:04Oh, my lap.
00:28:06What the well-dressed baby used to wear.
00:28:08Oh, my lap.
00:28:10What the well-dressed baby used to wear.
00:28:13Oh, my lap.
00:28:31That reminds me.
00:28:34I promised to look after you.
00:28:40The times I worried about you being out of my sight for so long.
00:28:48You didn't have to.
00:28:51I couldn't help it.
00:28:58I hope we have as much fun here as we have in Oklahoma.
00:29:01Do you remember the night you went out with Spore Wardell?
00:29:04I know.
00:29:05Isn't that funny?
00:29:06Chugged along.
00:29:08And he made you get out and walk.
00:29:11And even at that, I beat him home.
00:29:18What's that?
00:29:19I was wondering if you'd remember.
00:29:21Of course I do.
00:29:24Don't tell me.
00:29:27Don't tell me.
00:29:29I need you now.
00:29:31So keep your while.
00:29:32That's the last part of it.
00:29:34I remember it.
00:29:36It's the SOS.
00:29:38When you had a bow in the parlor and he got too bowish,
00:29:42you'd sing this which was my signal to come in and say,
00:29:45Jerosie.
00:29:47Bedtime.
00:29:48It saved my life many times.
00:29:51Start over.
00:30:18Come to me.
00:30:20Come to me.
00:30:22In answer to my call.
00:30:30Somewhere on a hill.
00:30:34Then a whipper wheel.
00:30:38Calling with me as a shadow.
00:30:42Oh,
00:30:46I need you now to keep your love.
00:30:52Come to me.
00:30:55Come to me.
00:30:58My life.
00:31:01My love.
00:31:05My love.
00:31:10You'll never hear me calling dear.
00:31:19When he's here.
00:31:20Oh, he's good looking.
00:31:22Who is he?
00:31:23Anthony Blake.
00:31:24The novelist.
00:31:26And your future brother-in-law.
00:31:29No.
00:31:30Yes.
00:31:31Oh, he's terrific.
00:31:32You'll meet him tonight.
00:31:34Oh, you, you poor darling.
00:31:36You've been in a convent so long.
00:31:38I suppose you've forgotten what boys look like.
00:31:40I have.
00:31:41Well, except one.
00:31:42He hasn't forgotten you either.
00:31:43Oh, I don't mean Buster.
00:31:45No?
00:31:46No.
00:31:47No, this one I met in Paris.
00:31:48I think you know him too.
00:31:50Who is he?
00:31:51Jim Woodward.
00:31:53Don't you know him?
00:31:55Yes, I'm trying to place him.
00:32:00He said you might not remember him.
00:32:02Oh, Jerry.
00:32:03He wears the cutest clothes.
00:32:04Says the most adorable things.
00:32:06And dances divinely.
00:32:07If you'd ever met him, you'd remember him.
00:32:09I remember him.
00:32:10Vaguely.
00:32:15Well, I suppose you want a manicure and a wave for tonight.
00:32:19I'll go with you.
00:32:20I need one too.
00:32:21Oh, and you can wear one of your new Paris gowns to Buster's party.
00:32:24It'll be a wonderful party.
00:32:26Really, it will.
00:32:30What a party I'm giving.
00:32:37I asked a friend of mine to drop in on the party.
00:32:56I hope you won't mind.
00:32:58That's crazy.
00:32:59What's her name?
00:33:01Jim Woodward.
00:33:07Well, I just want to have someone bring a cape.
00:33:16Shall we tell them about us?
00:33:18Why?
00:33:20I want to pin you down in public.
00:33:27Why not?
00:33:29Not now.
00:33:33Hello, Joe.
00:33:34Hello.
00:33:37You remember, Mr. Woodward.
00:33:40Jerry.
00:33:42And more beautiful than ever.
00:33:48Meet me, Mr. Woodward.
00:33:49Tony Blake.
00:33:50I'm the fellow who's supposed to make all those pretty speeches to Jerry.
00:33:54And my aunt, Mrs. Smith.
00:33:56How do you do?
00:34:00And this is Mr. Collins.
00:34:02Mr. Collins?
00:34:03Mr. Collins.
00:34:20Have a drink, Woodward?
00:34:21Yes, Mike.
00:34:23Very good.
00:34:33What a party I'm giving.
00:34:44Well, here's to...
00:34:47Well, what shall we do?
00:34:54Something important to drink to.
00:34:56The minute I laid eyes on Jerry Trent, I wanted to be a slave.
00:35:00I offered my services as a chauffeur.
00:35:04She said, no, I...
00:35:05Myself.
00:35:06I said, well, what about a secretary?
00:35:08She said, no, I handle all correspondence myself.
00:35:12No matter what I suggested, it seemed she didn't need me.
00:35:14Then one day I remarked that she might like to, uh...
00:35:20Marry and, uh...
00:35:22Raise a...
00:35:24Family.
00:35:26Yes.
00:35:27I got the job.
00:35:28I go to work Monday.
00:35:30You've been going on, Buster. Congratulations.
00:35:32Thanks, Buzz.
00:35:37Well, likewise.
00:35:39Thanks.
00:35:45Here's hoping you'll never discharge.
00:35:48Thanks, old man.
00:35:54May I dance as glad you did?
00:35:55Of course.
00:35:57Jerry.
00:36:14Can I be best man?
00:36:18He's the best man I ever knew.
00:36:21Is that nice?
00:36:24Roses round the door.
00:36:26Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:36:28Ehm...
00:36:31Roses round the door.
00:36:44Did he'sky's on the floor.
00:36:46Are you gonna go for bad...
00:36:48Why not?
00:36:49I love him.
00:36:58This doesn't mean anything to you and Joan, does it?
00:37:05Why?
00:37:06You know why.
00:37:11Just ran Harris on the boat.
00:37:15She's only a child.
00:37:17I think she's getting a bit...
00:37:20See that she doesn't.
00:37:23You know me?
00:37:25That does it too well.
00:37:28That's how beautiful it was!
00:37:34Buffalo Bill.
00:37:39Now's a good time to invite them.
00:37:41Where?
00:37:42To your home.
00:37:44I've been to you.
00:37:46I've been to you.
00:37:48I've been to you.
00:37:50I've been to you.
00:37:52I've been to you.
00:37:54I've been to you.
00:37:55I've been to you.
00:37:56I've been to you.
00:37:57Our family should meet sometime if we're going to be married.
00:38:02There's plenty of time for that.
00:38:04But you said you'd arrange it as soon as you got back.
00:38:11Attention, please.
00:38:13Stand by for a station announcement, please.
00:38:19I'm giving a big weekend party, in my father's name, at Westbury.
00:38:24And I want you all to come.
00:38:26And maybe you'll get a surprise too.
00:38:31I'll bet I know. Another engagement.
00:38:33I'll bet you'll be back.
00:38:34Well something you'll drink to anyway.
00:38:35I'll bet you for a while.
00:38:36But you don't want to have a good weekend.
00:38:37You are a good weekend.
00:38:40Well it's something you'll drink to anyway.
00:38:41Thank you, brother.
00:38:44Thank you, brother.
00:38:52Thank you, brother.
00:38:54Thank you
00:38:55Thank you, brother.
00:38:56Why didn't you tell me we weren't going to the Woodward's before I got all dressed up?
00:39:17I'm sorry, Ann-Kate. We shouldn't go and Joan shouldn't go either.
00:39:21It's bound to be an awkward situation for all of us.
00:39:23Well, on second thought, perhaps you're right. It might cause a lot of trouble, even a big scandal.
00:39:30Joan has no business there. And from what you tell me about Jim Woodard, even I wouldn't be safe with him.
00:39:38Besides, Joan might find out about...
00:39:46What's the matter? Aren't you going?
00:39:48No, and you shouldn't go.
00:39:51But Jerry, his parents want to meet us.
00:39:54And you think he wants to marry you?
00:39:56Of course.
00:39:57What about Buster?
00:39:59He's just a kid. I like older men.
00:40:02Naturally, you would at your age. What'd you tell, Buster?
00:40:06I had that out with him this morning. He'll get over it.
00:40:09He's a fine boy.
00:40:12You mean to imply that Jim isn't?
00:40:14Darling, you've always listened to me. Please listen to me now.
00:40:19I know something about life. You're only on the brink of it.
00:40:22And I want you to benefit by my experience.
00:40:24You mustn't have heartaches that you can possibly avoid.
00:40:27That's why I want you to believe me when I say that Jim Woodward's not the sort of man you should marry.
00:40:31How do you know so much about him? You said you barely remembered him.
00:40:34Well, I knew a girl that he went with and how he treated her and lots of others.
00:40:39I don't care about his others. Every man has had others. Ask Tony.
00:40:43Joan, just a moment, Aunt Kate. At least Jim didn't love the others.
00:40:47And now that he's engaged to me, he's through with them all. He told me so.
00:40:50He told you so. Would you believe Black was white if he told you so?
00:40:53I have to know that he promised to marry this particular girl, and she believed in him.
00:40:57All the while he was running around with a dozen others that believed in him, too.
00:41:00You've no right to talk to me like this. I'm old enough to know what I'm doing.
00:41:03You think so?
00:41:04Yes, I do. How do you know this girl's telling the truth about Jim?
00:41:07I wouldn't believe anything I heard from that kind of girl.
00:41:10Oh, yes, you would from this kind of girl.
00:41:12No, I wouldn't. She's probably lying. Who is she?
00:41:15You want to know who she is? I'll tell you who the girl is.
00:41:18Let her alone. Go on, Joan. Go on to Westbury. Marry the man you love.
00:41:25Why, you girls ought to be ashamed of yourselves. Falling like this.
00:41:31Goodbye, Joan.
00:41:33I just couldn't let you go through with it. You were right. Just give that Jim Wood her time. He'll open her eyes himself.
00:41:42By then it might be too late. Jim isn't going to be on the level with her. It just isn't in him.
00:41:48Oh, Joan only knew him as I know him.
00:42:18Hello, darling.
00:42:19Oh, hello, darling.
00:42:20Everything's all set. Ten o'clock, the little church around the corner, then to your house for food.
00:42:31I'm no fool. Well, say, how much should I give the minister?
00:42:36Whatever you think it's worth, I suppose.
00:42:38Oh, I couldn't afford to pay that much.
00:42:42What are you laughing at?
00:42:43The passports just got here.
00:42:45Oh, tell me my picture. Isn't it dreadful?
00:42:49We're a great pair.
00:42:55We don't look as if we're trying to get out of the country. We look as if we're trying to get in.
00:42:59Oh, by the way, Jerry, I can't go to the Woodwards.
00:43:05No, I've got to run down to Washington after all.
00:43:07Oh, that's all right if you have to go. I'm not going either.
00:43:11Oh, you shouldn't stay home on my account.
00:43:13You ought to go anyway. Well, you'll probably have lots of fun.
00:43:17Don't be silly. I couldn't have any fun without you.
00:43:22Well, hurry back. I'll miss you.
00:43:27I'll miss you.
00:43:29Be a good boy.
00:43:31Goodbye, darling.
00:43:43And Kate.
00:43:44Yes?
00:43:45Get ready. We're going to Westbury.
00:43:57Oh, Miss Trent. I'm so sorry your sister and aunt couldn't come.
00:44:02I was so anxious to meet them. I'm sorry, too.
00:44:05Well, here they are now. Pardon me, please.
00:44:08Oh.
00:44:09Mary. What a surprise.
00:44:11And I have shame.
00:44:13Why? I don't understand that, Alex. What a surprise.
00:44:17Well, Mother, Dad. I want you to know Miss Trent.
00:44:20How do you do?
00:44:21How do you do?
00:44:22And her aunt and Mrs...
00:44:23Hello.
00:44:24Jones.
00:44:25Jones.
00:44:26Jones.
00:44:27Jones.
00:44:28Jones.
00:44:29Jones.
00:44:30Jones.
00:44:31Why don't you come in? Thank you.
00:44:32Jones.
00:44:33Hello?
00:44:34Yeah?
00:44:35You attended to it.
00:44:36Thanks a lot. I didn't want to go to Washington anyway. Goodbye.
00:44:54I'm terribly sorry about you and Jones. I did all I could. But I'm defeated.
00:45:11I don't know why you're on my side. But I love you for it.
00:45:19And after I've finished these, I'm going in and get Jim's old man to call the whole thing off.
00:45:24I think I'm brave enough now.
00:45:54I'm interested in Miss Trent.
00:45:57I like Joan. I like the sister. But that aunt...
00:45:59Oh, she seems all right.
00:46:00Come in.
00:46:01How do you do?
00:46:02Hello?
00:46:03When I met you today, Mr. Woodward, I don't think you remembered me. I'm the son of Timothy Collins.
00:46:08Buster Collins.
00:46:09Buster Collins.
00:46:10Why, we knew you when you were that high.
00:46:11Now I'm this high.
00:46:12I came in here to ask you, Mr.
00:46:14Woodward, if you knew that Jim intended to marry Joan Trent.
00:46:15No, really.
00:46:16No.
00:46:17No.
00:46:18No.
00:46:19No.
00:46:20No.
00:46:21No.
00:46:22No.
00:46:23No.
00:46:24No.
00:46:25No.
00:46:26No.
00:46:27No.
00:46:28No, no.
00:46:29No.
00:46:30No.
00:46:31No, I'm this high.
00:46:32I came in here to ask you, Mr. Woodward, if you knew that Jim intended to marry Joan Trent.
00:46:40Who knew that Jim intended to marry Joan Trent?
00:46:43No, really.
00:46:45Well, we hadn't heard, but I should be very glad if it were true.
00:46:51We're anxious that Jim should settle down.
00:46:54Oh, but what do you know about these Trents?
00:47:00Nothing much.
00:47:02They seem to be nice people.
00:47:04Well, not from what I heard.
00:47:08But if you're satisfied, all right.
00:47:10Buster, one moment.
00:47:13Tell us what you heard.
00:47:14Oh, it doesn't matter much.
00:47:16Oh, it certainly does.
00:47:18Tell us what you know.
00:47:21Well, I heard that the ant was a bootlegger.
00:47:26What did I tell you?
00:47:27Nonsense.
00:47:28I don't believe it.
00:47:31You may not believe that, but that's not the half of it.
00:47:35Oh, but I can see you're not interested.
00:47:37Oh, Buster, just a minute.
00:47:39Tell us what you know.
00:47:42Do you want to know all?
00:47:44All.
00:47:47Well, it's pretty bad.
00:47:53I wish I hadn't have mentioned it.
00:47:55Young man, will you speak up?
00:47:57All right, if you ask for it, everyone that knows the Trents knows
00:48:07that there's a dash, just a teeny weeny dash of insanity
00:48:15in the family.
00:48:27I feel like a cat.
00:48:29Now, I feel like a cat.
00:48:38How did you do, Comrade?
00:48:39I did all right.
00:48:41What do you mean, you did all right?
00:48:43I don't think there'll be any Woodward's marrying any Trent.
00:48:47Really?
00:48:48Buster, what did you say?
00:48:51I'd rather not tell you.
00:48:53You must tell me.
00:48:55I'd rather not.
00:48:56You might not like it.
00:48:58I swear I love it.
00:49:00You won't get sore now.
00:49:01Cross my heart.
00:49:02Well, I told him that there was a dash.
00:49:18Just a teeny weeny weeny dash of...
00:49:23of...
00:49:24of...
00:49:25I told him that there was a dash.
00:49:28Weeny weeny weeny dash of...
00:49:32of...
00:49:32insanity in your family.
00:49:35Buster!
00:49:36Oh!
00:49:38Oh, that's...
00:49:39that's awful.
00:49:40Well, I said there was just a teeny weeny dash.
00:49:58Well, let me get someone to do it.
00:50:01That's a good idea.
00:50:03I thought, you know.
00:50:05I'll say, oh, you're all right.
00:50:07And you'll see, oh, we're here.
00:50:09Mrs.
00:50:12Willard, you'll see you next time-
00:50:14I'll see you next time.
00:50:15Look.
00:50:16And you'll see us, while I was thinking.
00:50:18Good luck.
00:50:19I'll see you.
00:50:20Good luck.
00:50:23Good luck.
00:50:24Good luck.
00:50:25Good luck.
00:50:26Good luck.
00:50:27Good luck.
00:51:08Those are embarrassing crackers.
00:51:10You know, you can get a kind that won't break.
00:51:13Of course, you can't eat them, but you can butter them.
00:51:19What's the matter?
00:51:20Nothing.
00:51:21Aren't you going to have your consomme?
00:51:24Consomme?
00:51:26No.
00:51:33Would you pass the sugar?
00:51:36Please.
00:51:37Sugar?
00:51:38Sugar.
00:51:46One, two, button your shoe.
00:51:48Three, four, shut the door.
00:51:51Five, six.
00:51:53Pardon me.
00:51:55Do you realize that, sugar?
00:51:57Oh, yes.
00:51:58Yes, yes, I've heard of that before.
00:52:00I'll bet you'll love it.
00:52:02Say when.
00:52:03When, when.
00:52:04What's the matter?
00:52:05Nothing.
00:52:06What's the matter?
00:52:07Nothing.
00:52:22What are you looking at?
00:52:23Nothing.
00:52:24What's the matter?
00:52:25Nothing.
00:52:26What's the matter?
00:52:27Nothing.
00:52:29What are you laughing at?
00:52:30Nothing.
00:52:31What are you laughing at?
00:52:32Nothing.
00:52:33What are you laughing at?
00:52:34Nothing.
00:52:35What are you laughing at?
00:52:36Nothing.
00:52:38What's the matter?
00:52:39What's the matter?
00:52:40What's the matter?
00:52:41Nothing.
00:52:42What are you laughing at?
00:52:43Nothing.
00:52:45What's the matter?
00:52:46What's the matter?
00:52:47What's the matter?
00:52:49Nothing.
00:52:55What are you laughing at?
00:52:56Nothing.
00:53:14Oh, Aunt Kate, I have news for you.
00:53:19Mr. Woodward's new Buffalo Bill.
00:53:44Look at that.
00:54:06What did you call me?
00:54:08I probably had a drop of lunch.
00:54:09What do you mean by inviting these friends to our house?
00:54:12They are crazy.
00:54:14Crazier than the rest of our guests?
00:54:16Absolutely mad, I tell you, they stand out.
00:54:21Oh, you must be mistaken, Dad.
00:54:26Go up and quiet her down.
00:54:28Order a straitjacket, do something.
00:54:30All right, all right.
00:54:33And didn't you know, Buffalo B.O.?
00:54:36What are you doing in this lady's bedroom?
00:54:40What are you doing in this house?
00:54:42Oh, that's it.
00:54:43I think I'll finish lunch with my bathing suit.
00:54:46That ought to convince them.
00:54:57Hello, Collins.
00:54:59What are you doing in this lady's bedroom?
00:55:04What are you doing in this house?
00:55:06When I think of the answer to that, I'll be back.
00:55:15Oh, Jerry!
00:55:19Closed in, Dizzle James.
00:55:22What's going on here?
00:55:23What are you up to?
00:55:24Nothing, nothing.
00:55:25I've given up.
00:55:26Let anybody marry anybody.
00:55:28You're the winner, Jim LaBourde the winner.
00:55:30Rawr!
00:55:32My old man's terribly upset.
00:55:34He thinks you're crazy.
00:55:35Crazy?
00:55:36Why?
00:55:37I only obey my impulses.
00:55:38That's all.
00:55:39What are you talking about?
00:55:40We miss so much in life, we're not doing the things we want to do.
00:55:43If you feel like doing something, why shouldn't you do it?
00:55:45Vereskis.
00:55:46Well, love.
00:55:47Oh, for example.
00:55:48I don't like his expression.
00:55:50I'd catch on.
00:55:51Yes, it would.
00:55:52Oh, baby.
00:55:53This is a perfect house for obeying impulse.
00:55:55I have work here.
00:55:56It'll take me days.
00:55:57Ha, ha, ha, ha.
00:55:58Ha, ha, ha.
00:55:59Ha, ha, ha.
00:56:00Ha, ha, ha.
00:56:01Ha, ha, ha.
00:56:02Oh, baby.
00:56:03This is a perfect house for obeying impulse.
00:56:05I have work here.
00:56:06It'll take me days.
00:56:07Ha, ha, ha.
00:56:08Ha, ha, ha.
00:56:09Ha, ha, ha.
00:56:16Ha, ha, ha, ha.
00:56:28Ha, ha, ha, ha.
00:56:31Oh, Jerry.
00:56:34Now I have another impulse.
00:56:35You get out of here.
00:56:36Go on.
00:56:37Up and go.
00:56:38Uh-oh.
00:56:39Oh, yeah.
00:56:40Go.
00:56:41No.
00:56:42What do they think downstairs?
00:56:43I don't care what they think.
00:56:44I have a bigger impulse.
00:56:45I want to stay.
00:56:46I haven't laughed like this in years, Jerry.
00:56:49I always did have a good time with you.
00:56:51I have a bigger impulse.
00:56:54I want to stay.
00:56:55I haven't laughed like this in years, Jerry.
00:56:58I always did have a good time with you.
00:57:01Why talk about that?
00:57:04I'm just beginning to realize what a fool I was to let you get away from me.
00:57:09Are you trying to make love for me?
00:57:12That's the impulse.
00:57:14What about Jones?
00:57:17Jones will never be a Jerry.
00:57:20I think the only reason I'm going to be a Jerry,
00:57:23I'm going to be a Jerry.
00:57:26I'm going to be a Jerry.
00:57:28I'm going to be a Jerry.
00:57:29I'm going to be a Jerry.
00:57:30I think the only reason I ever felt with Joan in the first place
00:57:32was if she reminded me so much of you.
00:57:36Can't we start all over again?
00:57:42You mean it?
00:57:44I was never more serious in my life.
00:57:52Just a moment.
00:57:53Let me think.
00:57:55I'd hate to hurt Joan any more than is necessary.
00:57:59Joan's just a kid.
00:58:00She'll get over it.
00:58:01I bet I know what you're thinking.
00:58:03Blake.
00:58:04Oh, forget him.
00:58:05Don't you want me back?
00:58:07Isn't there just a little spark still burning?
00:58:08Why do you suppose I was so anxious to break it up between you and Joan?
00:58:19Jealousy!
00:58:20Jealousy!
00:58:21What a fool I was not to have seen it before.
00:58:25Oh, you mustn't be too hasty, Jim.
00:58:26Please.
00:58:27Oh, Jerry.
00:58:28Do you suppose it'll work out?
00:58:29Why certainly.
00:58:30Could we ever recapture the happiness in the old days?
00:58:31Why, of course we could!
00:58:33How the happiness was for a little heart?
00:58:35What a fool I was not to have seen it before?
00:58:36Well, what a fool I was not to have seen it before!
00:58:39Oh, I must be too hasty Jim!
00:58:40Oh, I must be too hasty Jim!
00:58:43Please.
00:58:44Oh, Jerry.
00:58:47Do you suppose it'll work out?
00:58:48Why certainly.
00:58:49Could we ever recapture the happiness in the old days?
00:58:56The happiness in the old days.
00:58:58Why, of course we could.
00:59:02Remember the gay nights?
00:59:04The music, the dancing?
00:59:08Well, the same places are still open.
00:59:12You used to tell me that you liked nothing better
00:59:15than to sit for hours while I sang with you.
00:59:20I liked that, too.
00:59:22You did, didn't you?
00:59:24Do you remember?
00:59:26If you can't hear me calling, dear,
00:59:32come to me, come to me,
00:59:37my life, my love, my own.
00:59:45From near or far, where'er you are,
00:59:50come to me, come to me,
00:59:55in answer to my call.
01:00:00Somewhere on a hill,
01:00:06there was a whipper of will,
01:00:10calling with me as a shadow's fall.
01:00:17I need you, my love, I'll keep your love.
01:00:22Come to me, come to me, my life, my love, my love.
01:00:28Come to me, come to me, my life, my love.
01:00:35My love, my love, my love.
01:00:48Come to me, my love, my love.
01:00:57Well, that's it.
01:00:59Oh, oh, Jones, man.
01:01:05Now, now, Joan, don't make a scene.
01:01:12That's right.
01:01:13Now, Joan, don't make a scene.
01:01:16What am I supposed to do, applaud?
01:01:20We were just, we were just, we were just discussing things.
01:01:25That's right.
01:01:26Jim was trying to tell me how much he loved you.
01:01:29Well?
01:01:31Well, uh...
01:01:33I think you'd sound more convincing with your coat on.
01:01:37Yes.
01:01:40No wonder you didn't want me to have him.
01:01:42You wanted him for yourself.
01:01:44Why, a man like Jim has enough love for both of us.
01:01:48I won't share his love with anyone.
01:01:52Well, I guess you're gonna have to choose between.
01:01:56Pick yourself a Trent.
01:01:59Well, maybe this'll help.
01:02:01Ibbity-bibbity, sibbity-saf.
01:02:03Ibbity-bibbity.
01:02:04Canabba.
01:02:05Canabba.
01:02:06Canabba in.
01:02:07Canabba out.
01:02:08How does it go?
01:02:09Oh, stop it.
01:02:11Why do you hesitate?
01:02:13Is there any doubt?
01:02:14Of course there's a doubt.
01:02:16Jim's very fond of his Jerry.
01:02:18Aren't you, Jim?
01:02:20Jerry, I don't know how you could do this to me.
01:02:24John, don't cry.
01:02:27Please.
01:02:28I'm not hurt.
01:02:31But you'll soon forget.
01:02:32Really, you will.
01:02:33There, don't cry.
01:02:34Let me alone.
01:02:35Don't touch me.
01:02:36Oh, Joan.
01:02:37I don't think you quite understand.
01:02:39You see, well, you see, Jerry and I were once sweethearts.
01:02:55You and Jerry?
01:03:12Yes, Joan.
01:03:14Oh.
01:03:16We've just discovered each other.
01:03:18all over again.
01:03:20Haven't we, dear?
01:03:45Oh, please.
01:03:46Tony, wait.
01:03:47Don't misunderstand me.
01:03:48Take your hands off of me.
01:03:49It doesn't mean anything.
01:03:50He doesn't mean anything.
01:03:51I don't care why you did it.
01:03:52Oh, but, Tony.
01:03:53That's the man.
01:03:54And you promised me.
01:03:55I know I promised you.
01:03:56But, Julie, you of all people will understand.
01:03:57Why even your book, you said?
01:03:58But I don't happen to be a character in a book.
01:04:00How did he take it, darling?
01:04:01How about it?
01:04:02How about it?
01:04:03I'm beginning to understand you, Jim.
01:04:08You're not bad.
01:04:09You're just not very bright.
01:04:14You're just not very bright.
01:04:15You're not bad.
01:04:16You're just not very bright.
01:04:21You're not bad.
01:04:22You're not bad.
01:04:28You're just not very bright.
01:04:35I'm going to break!
01:05:06Hello, Jerry.
01:05:18What's the matter? Sick?
01:05:20Well, I'm all right.
01:05:23I talked to Joan this morning on the phone.
01:05:25And what do you think?
01:05:29She called me.
01:05:31Looks like everything's going to be all right.
01:05:40See, what happened out there the other night?
01:05:43Tony no more than got there and he left.
01:05:46And then you left.
01:05:48And then everybody left.
01:05:50So I left.
01:05:58Hello, Joan.
01:06:07Buster.
01:06:09Do you mind if I meet you down the car?
01:06:12I want to talk to Jerry a moment.
01:06:14Sure.
01:06:16See you soon, Jerry.
01:06:26I want to tell you, Jerry.
01:06:27I understand everything now.
01:06:32And I'm sorry about Tony.
01:06:35I know you are.
01:06:39And I... I want to tell you.
01:06:42But...
01:06:57You want me to stay home with you.
01:07:01I don't have to go out with Buster.
01:07:03I think it would be nice if you would.
01:07:06Will you be all right?
01:07:13I'll be home early.
01:07:14I'll be home early.
01:07:22Oh, Miss Trent.
01:07:24I want you to see something wonderful.
01:07:26It just comes.
01:07:37See, it is not beautiful.
01:07:38Not beautiful.
01:08:09I'll be home early.
01:08:12Are you going to stand around all day and admire that atrocity?
01:08:15Oh, you ought to be ashamed of yourself.
01:08:18I'm getting sick and tired of it.
01:08:20What do you mean?
01:08:22Here you are in love with a man.
01:08:24Yet you sit around all day moving.
01:08:26While he sails right out of your life.
01:08:28Are you sure he's failing?
01:08:29Certainly. I called his house.
01:08:30You didn't.
01:08:31Of course I did. Why not?
01:08:32Oh, shame on you.
01:08:34What did he say?
01:08:35Nothing.
01:08:37He wasn't there.
01:08:39But his servant tells me that he's sailing for Europe.
01:08:41We were going together.
01:08:43Now he's gone.
01:08:45No, he hasn't.
01:08:47He doesn't sail for 35 minutes.
01:08:49Now, if you're any sort of a girl at all,
01:08:52and if you're worthy of the name of Trent,
01:08:54you'll get out of here and go after him.
01:08:58He's your man, isn't he?
01:09:00You love him, don't you?
01:09:02Well, you're always preaching to me about a day in those...
01:09:05instincts.
01:09:07Now, why don't you practice what you preach?
01:09:09But I couldn't make the boat in 35 minutes.
01:09:12Besides, I haven't anything packed.
01:09:14Yes, you have.
01:09:16Now, get out of here.
01:09:18Come on, come on, get out of here.
01:09:20Right here, right here.
01:09:21Here's your coat.
01:09:23Now, come on, come on.
01:09:24Get your things together.
01:09:26I'm sure there's something you've forgotten.
01:09:30Your good ones, of course.
01:09:31Here, here, come on, get your coat out.
01:09:32I haven't got any time to lose.
01:09:34Why are you not here?
01:09:36Yeah, yeah, I got the one that's going here.
01:09:38Get into this yourself.
01:09:40Hurry, hurry.
01:09:42Now, have you got everything?
01:09:44Yes, Aunt Kate, tell Joan about it.
01:09:46She'll love to know.
01:09:47Yes, I will.
01:09:49Oh, I don't know.
01:09:51Now, have you got your grip?
01:09:53Hurry now.
01:09:55Oh, Aunt Kate, you're a darling.
01:10:00What will I ever do without you?
01:10:03Well, then you get to Paris,
01:10:05and you still can't do without me.
01:10:07Stand for me.
01:10:09Goodbye.
01:10:24Oh, Aunt Kate.
01:10:25Is Jerry here?
01:10:26She's out.
01:10:28Oh, I must see her at once.
01:10:30I started to say it without her, but I couldn't.
01:10:32I don't care what's happened.
01:10:33I want her.
01:10:35I said a lot of things I'm sorry for,
01:10:36and I want to tell her.
01:10:38Why, I'm mad about her.
01:10:39I'm simply crazy.
01:10:41That's what I said the first time I saw you.
01:10:43I guess I'd better tell you.
01:10:45She's gone.
01:10:47I'm mad about her.
01:10:48I'm simply crazy.
01:10:49That's what I said the first time I saw you.
01:10:50I guess I'd better tell you.
01:10:53She's gone to the boat looking for you.
01:10:55Gone to the boat looking for me?
01:10:57Yes.
01:10:58Looking for me?
01:11:00Goodbye.
01:11:02Oh, hurry.
01:11:03I'm sorry for you.
01:11:04Got you.
01:11:05I'm sorry.
01:11:06See you.
01:11:07Yes.
01:11:08Mr.
01:11:10Mr.
01:11:12I have the ticket ready.
01:11:13Ticket, please.
01:11:15I'm sorry to go.
01:11:16What's wrong?
01:11:17No, the ticket ready?
01:11:19I haven't seen it.
01:11:21I have a ticket ready.
01:11:22You can't get a boat without a ticket.
01:11:23But I'm sailing on this boat.
01:11:24You're not sailing on this boat without a ticket.
01:11:25But I must sail!
01:11:26You must not sail unless you have a ticket,
01:11:28will you please stand the sign?
01:11:29Sir.
01:11:31Show your ticket, please.
01:11:32Everything is ready everything is ready, please
01:12:02I'll take a break.
01:12:04I'll take a break.
01:12:24Have you seen a girl go by here?
01:12:26Do you think that's going for man only?
01:12:28Wait a minute, really?
01:12:30Really, she... she come up about... about here on you.
01:12:34What's the idea?
01:12:35Oh, honestly, she's a cute little thing.
01:12:37She looks like this.
01:12:39Have you got a ticket?
01:12:46All right.
01:12:47Take that just a minute here.
01:12:50Oh, well, if you see her, tell her I'm on board.
01:12:53I'll tell her.
01:13:00I'll tell her.
01:13:30Donnie, you don't want to break me.
01:13:34Donnie, let go. Let go.
01:13:37I had to get on the ship, and I'm perfectly willing to pay my ticket.
01:13:41Even if you had a ticket, the cabin's left on me.
01:13:44Oh, tell her, Donnie.
01:13:46Donnie, Donnie.
01:13:47Donnie.
01:13:48Oh, don't worry, officer.
01:13:49She can share my cabin.
01:13:53I'm sorry, sir.
01:13:55But this is a first-class boat.
01:13:58Well, to save the reputation of the boat, the captain can marry us.
01:14:03With the lady's consent, of course.
01:14:11Donnie. Donnie, Donnie!
01:14:28Donnie!