- 6/22/2025
The Ache Din Institute is turned upside-down when Selfie Mausi announces that the next big acting lesson will be a live Bhojpuri-film audition. Within minutes the campus is draped in fake mud walls, plastic rifles and papier-mâché hills, transforming a quiet classroom into the dusty badlands of a 1980s dacoit movie.
Krushna Abhishek swaggers in as “Bulletin Bhai”, a moustache-twirling bandit chief who delivers every line in booming Bhojpuri couplets. His sidekicks—Shakeel, Mubeen and Siddharth—follow, practising slow-motion marches and over-dramatic trigger poses. Bharti Singh, meanwhile, hijacks the rehearsal as “Thakurain Gudiya”, a fearless village belle who vows to out-gun the bandits with equal parts sass and slapstick. Every time Bulletin Bhai threatens the village, Gudiya counters with taunts about his “illy-fitted belt” or his “two-rupee revolver,” sending the classroom audience into peals of laughter.
The plot, such as it is, revolves around Bulletin Bhai’s plan to loot the “Institute Treasury” (really a prop cupboard stuffed with chalk and biscuits). To rehearse the heist, Mausi instructs the cast to improvise everything: getaway songs, slo-mo fistfights, and even the tragic back-story for Bulletin’s life of crime. Cue Shakeel’s mock pathos—he bursts into tears describing how Bulletin once lost a kachori to a rival dacoit. The villains vow revenge… and then break into a garba number because Bharti accidentally turns on the wrong backing track.
Mid-episode, Archana Puran Singh (as “Maafia Mausi”) walks in with a surprise twist: a “live audience challenge.” She orders the makeshift gang to stage a climactic showdown in five minutes using random props—an umbrella, a balloon and a harmonium. The result is riotous: Krushna duels with a balloon-sabre, Bharti blocks bullets with the umbrella, while Shakeel underscores the chaos by pumping out off-key Bhojpuri melodies on the harmonium.
Krushna Abhishek swaggers in as “Bulletin Bhai”, a moustache-twirling bandit chief who delivers every line in booming Bhojpuri couplets. His sidekicks—Shakeel, Mubeen and Siddharth—follow, practising slow-motion marches and over-dramatic trigger poses. Bharti Singh, meanwhile, hijacks the rehearsal as “Thakurain Gudiya”, a fearless village belle who vows to out-gun the bandits with equal parts sass and slapstick. Every time Bulletin Bhai threatens the village, Gudiya counters with taunts about his “illy-fitted belt” or his “two-rupee revolver,” sending the classroom audience into peals of laughter.
The plot, such as it is, revolves around Bulletin Bhai’s plan to loot the “Institute Treasury” (really a prop cupboard stuffed with chalk and biscuits). To rehearse the heist, Mausi instructs the cast to improvise everything: getaway songs, slo-mo fistfights, and even the tragic back-story for Bulletin’s life of crime. Cue Shakeel’s mock pathos—he bursts into tears describing how Bulletin once lost a kachori to a rival dacoit. The villains vow revenge… and then break into a garba number because Bharti accidentally turns on the wrong backing track.
Mid-episode, Archana Puran Singh (as “Maafia Mausi”) walks in with a surprise twist: a “live audience challenge.” She orders the makeshift gang to stage a climactic showdown in five minutes using random props—an umbrella, a balloon and a harmonium. The result is riotous: Krushna duels with a balloon-sabre, Bharti blocks bullets with the umbrella, while Shakeel underscores the chaos by pumping out off-key Bhojpuri melodies on the harmonium.
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FunTranscript
00:00Thank you very much.
00:30Thank you very much.
01:00Thank you very much.
03:56Lama, how are you?
04:02Lama, how are you?
04:04Lama, Lama, Lama, Lama.
04:06Lama, how are you?
04:07Lama, what are you doing?
04:11Why are you doing that?
04:13What did you do?
04:15Come on!
04:17Come on, come on!
04:19Where did you come from?
04:21My stomach is bad, right?
04:23What did he do?
04:25What did he do?
04:27We will do it with your son and his son
04:29We will put a bomb in his mouth
04:31I don't understand how to run away from him
04:33And you don't know Bulletin Singh
04:35Bulletin Singh always keeps his life in a village
04:39There are all the women who ask
04:41The women who ask
04:43Because they can make a woman
04:45Oh my brother, it's so dangerous
04:47It's so dangerous
04:49They are so dangerous
04:51They have to kill themselves
04:53But they are young
04:55Don't do it with us
04:57Don't do it with us
04:59Don't do it with us
05:01Don't do it with us
05:03Do you understand?
05:05We are not a Muslim
05:07We have to pray for justice
05:09Sir?
05:10Every day our crimes are not
05:11They call them
05:12Four Muslims
05:13They are called to bring their head
05:14They are like a fight
05:15There are so many fights in the house
05:16There are so many fights
05:17Yes, sir!
05:18I am a fight
05:22I am a fight
05:23I am a fight
05:24When the fights
05:25They were not with the dogs
05:26They were with the dogs
05:27They were with the dogs
05:28I am talking about this
05:29What are you?
05:30What are you looking for?
05:31What?
05:32What?
05:33I am a fight
05:34I am a fight
05:35I am a fight
05:36I am a fight
05:37Oh!
05:38What?
05:39My encounter was being
05:40We were running
05:41We walked on the railway station
05:42We went on the railway station
05:43We went on the railway station
05:44We went on the rail station
05:45We went on the street
05:46Up and down
05:47Why are we taking these kind of legs?
05:48What?
05:49How are you doing?
05:50What?
05:51I am telling you
05:53About the dog
05:54When are you starving?
05:55How are you starving?
05:56No!
05:57No!
05:58No!
05:59No!
06:00He said that he drank his blood in his mouth.
06:03My mother?
06:05Sali?
06:08We drank my mother's blood in his mouth.
06:10No, no, no, no.
06:12That's why he's dying for years, so many years.
06:15Hey, old man!
06:17Let's kill the poor little girl.
06:20Hey!
06:22The cowardly who said my son like a bitch,
06:26will they cut it?
06:28Do you understand?
06:29Hey, you're tired, sit down, sit down.
06:32Hey, girl!
06:33Huh?
06:34Get out!
06:35What did he do?
06:36We stole his blood in his mouth.
06:41He stole his blood in his mouth.
06:45If he stole his blood in his mouth,
06:49then we cut his hand away from his hands.
06:53Yes, brother, he's so dangerous, so dangerous,
06:57he stole his blood in his mouth.
06:59He stole his blood in his mouth.
07:00He stole his blood in his mouth.
07:01Pick his blood in his mouth.
07:03Pick his blood in my mouth.
07:03Pick his blood, or...
07:04Pick your boyfriend.
07:05Pick her?
07:06Pick her rules!
07:08I will die too, and you will kill a slid.
07:12polls?
07:13Yes!
07:14It's enough to get hurt.
07:15What did you want?
07:16Is it not?
07:17Yes, it is.
07:18There are so many sassians Анжойs.
07:19Okay, I'm scared of my son.
07:26Kill Salek. Kill and kill Salek.
07:29It's a very bad thing.
07:31I don't want to be scared of him.
07:34Why is he making a down?
07:36He's like this.
07:38He's like this.
07:39He's the son.
07:40He's the son.
07:41He's the son.
07:42He's the son.
07:43He's the son.
07:44He's the son.
07:45He's the son.
07:46He's the son.
07:47He's the son.
07:48Him
07:49He's the son.
07:50He's the son.
07:51He's the son.
07:52By calling?
07:53The son,
07:54Bitch,
07:55I don't want to be able to hear anything about God,
07:57Because he noses in jail.
07:58They don't want to be afraid into the morning.
08:00He's going to be sitting.
08:02He'll die.
08:03Because he wants to bubble up my xion.
08:06It keeps funny and guding intangible.
08:11Is he?
08:12No, I don't know.
08:15I'll kill myself
08:19I'll kill myself
08:22Well, old man.
08:23Huh?
08:24Just tell one thing.
08:25Yes, I'll ask.
08:26Do you think it's an acidity problem?
08:28No.
08:29So why did you get into it like a dumbass guy?
08:32Do not tell you dumbass of the dumbass guy.
08:35Tell him your ass shit.
08:37Do you know your ass?
08:39Hey!
08:40Why don't we wake up?
08:41Wait, don't get in the mood.
08:43You don't want to hit the ball.
08:44If you hit the ball, you won't hit the ball.
08:48No, you're not a bad guy.
08:50You're scared.
08:51You're making a mood.
08:52Your mother doesn't have to learn.
08:54My daughter is going to take it away.
08:56No, there's no normal thing to take it away.
08:58One minute.
08:59One minute.
09:02Take it away from her daughter.
09:04I love her.
09:05I love her.
09:06I haven't done it for half an hour.
09:07I've done it for 2-3 weeks.
09:08Then I go and feel that something is happening with us.
09:13You're not a single person.
09:15But we've done it.
09:16Okay.
09:17That's the same.
09:18Hey, Papua.
09:19Get out of the 25 number.
09:22We're going to take the ball.
09:25Why are you going to take the ball?
09:27We're going to take the ball.
09:28Let me take the ball.
09:29What is it?
09:30We're going to take the ball.
09:31We're going to take the ball.
09:34We're going to take the ball.
09:36You're ready for the ball.
09:38We're going to wear a suit.
09:40We're going to wear a perfume.
09:42What do you do, brother?
09:45Oh, brother.
09:47Who's going to take the ball?
09:48Yes, brother.
09:49What did you do?
09:50You've got a full circle with our brother.
09:52Brother.
09:53If you're going to kill the ball,
09:57then it will be your fault.
09:58Who will tell your father?
09:59What?
10:02It's wrong.
10:03What happened?
10:05What happened?
10:06What happened?
10:07What happened?
10:08We're not leaving.
10:09Pull the ball.
10:11Pull the ball.
10:12Pull the ball.
10:13Pull the ball.
10:14Pull the ball.
10:15Turn it to us.
10:16Never pull.
10:17Hey, brother.
10:18You're having fun.
10:19We're being punished, right?
10:20Salih,
10:22we're hanging out and our head.
10:24My boy,
10:25my boy,
10:26the 침が開花された
10:27its head won't fall.
10:28So what will I do, brother?
10:29What will I do?
10:30What?
10:31Papua!
10:32No!
10:33I'll die!
10:34No!
10:35No!
10:36No!
10:37No!
10:38No!
10:39I'll die!
10:40No!
10:41No!
10:42No!
10:43Gullu!
10:44Do you love me?
10:46No!
10:47Tell me, Eka, where did you get this first time?
10:51Hey Papua!
10:52You also tell us, where did Gullu get this first time?
10:56Where did you get this first time?
10:58Oh, brother, in the sand of the sand,
11:00Aisha put a hand in the back of the house,
11:02Aisha took a puppy.
11:03Then, brother,
11:04Aisha put a hand in the back of the house,
11:06Aisha took a puppy.
11:07But, brother,
11:08You can't tell the third puppy,
11:09or you'll kill us.
11:10Why?
11:11Why are we not coming?
11:13No!
11:15This can't happen.
11:17Our brother can't turn the back of the house,
11:20or he can't turn the back of the house.
11:23This can't happen.
11:25And, no, a puppy can't happen.
11:28It's a joke.
11:29It's a joke.
11:30It's a joke.
11:31It's a joke.
11:32Who are you telling me?
11:33You're telling me?
11:34You're telling me.
11:35You're telling me.
11:36Tell me.
11:37Tell me.
11:38What is the truth?
11:39Mother.
11:40Tell me.
11:41We are going to tell you.
11:42We are going to become a family.
11:45Now, in this house,
11:46everyone is going to hear the sound of children.
11:48Why are you opening the play school?
11:50No.
11:51No.
11:52We are going to become a family.
11:54Hey, pupua.
11:55Get out of 300 volts.
11:57300 volts?
11:58Get out of 300 volts?
11:59You're going to kill us from the current.
12:01You're telling me.
12:02Brother.
12:03We are going.
12:04What?
12:05We can get our children.
12:07What?
12:08Yes.
12:09Bulletin, brother.
12:11Well, we're going to become a family.
12:13It's the drama.
12:14We've been back here.
12:15Hey, I'm tired.
12:16I'm tired.
12:17I'm tired.
12:18I'm tired of this.
12:19Ah, haven't you?
12:20Ah!
12:21No, I'm tired.
12:22Let's get out of there.
12:23Hey, Gunaat!
12:24Hey, how has she brought her?
12:27How?
12:28You haven't gotten her pregnant?
12:29Where are she?
12:30Mother?
12:31We don't have a lot of money.
12:32She's a multi-plex grown girl,
12:33she'll give up at six children.
12:35Haha.
12:36Let's go.
12:37Haha.
12:38Don't hear anything.
12:39Pounce her.
12:40I'm saying I'm a little girl.
12:42Hey!
12:43It's not a good thing in this situation.
12:45You can fall from your mouth.
12:47Do you know, mama?
12:48Whenever we fall from your mouth,
12:50how will the child fall?
12:51I'll keep you in the house,
12:53you can fall from there.
12:54Mom, my mother will understand it.
12:55Ha! It's gone!
13:00You've never thought this again?
13:03Huh?
13:04That you're a bulletin sinker,
13:05no bulletin sinker!
13:07You're going to marry this man?
13:09Huh?
13:10Who's like a mouth like this?
13:11Mom!
13:12So, you're going to be cool,
13:14you're going to be cool,
13:15what did you think?
13:16We took it for the time.
13:17We will marry the doctor,
13:19we will marry the engineer.
13:21I thought,
13:23we'll call it Ritik,
13:25we'll call it for dancing.
13:27I thought,
13:29I thought,
13:30I'll call it Shakira Bhoji.
13:32Mom,
13:33look at her face,
13:34she's a photo,
13:35don't do it.
13:36Don't do it.
13:37It's like a mouth like her.
13:39What are you saying,
13:40Mom?
13:41I think that it's true,
13:42that her mouth is like a mouth like a pig,
13:44but her love is like a pig.
13:48Mom,
13:50put a little clothes on her face,
13:52then it will look like a pig.
13:53Huh?
13:55Say that it's a lie.
13:58No, it's true, Mom.
14:00How much is it?
14:01How much is it?
14:02How much is it?
14:03How much is it?
14:04Yeah,
14:05we were sitting alone in the house.
14:07We were bored.
14:08Now,
14:09we were so hungry,
14:10that we didn't sit in the house.
14:12But,
14:13you were eating food in the house,
14:15you were wasting.
14:16So,
14:17we thought,
14:18how much is it?
14:19What?
14:20What?
14:21I've eaten two,
14:22four,
14:23four,
14:24two,
14:25four,
14:26two,
14:27two,
14:28two,
14:29three.
14:30Yes,
14:31brother.
14:32Yes,
14:33brother.
14:34Yes,
14:35Yes,
14:36brother.
14:37Yes,
14:38yes,
14:40Yes,
14:41yes.
14:42You're going to come here.
14:43Yes,
14:44yes,
14:45Yes,
14:46yes,
14:47yes,
14:48yes,
14:49Yes,
14:50evil dad.
14:51Mother.
14:52Yes.
14:53Mother.
14:54Yes.
14:55Yes.
15:08Look,
15:09now we've become young.
15:10Or,
15:11you're going to be a heroine for us,
15:13or,
15:14we're going to be set with someone in the house.
15:16What?
15:17What?
15:18what?
15:19What?
15:20What?
15:21Oh,
15:22what?
15:23Oh,
15:24you're the plot of the plot.
15:25Oh,
15:26you're going to be a plot,
15:27big boy.
15:28What the hell?
15:31I'm not in the house.
15:33What?
15:34He's going to be a heroine.
15:38Oh,
15:39we're going to be a heroine.
15:41Don't put a gun on me.
15:44Okay, let's go.
15:45What?
15:46Hey?
15:47Hey!
15:48Hey!
15:49Hey, buddhan!
15:50Hey!
15:51Hey!
15:52Hey!
15:53Hey!
15:54Hey!
15:55Hey!
15:56Hey!
15:57Hey!
15:58Hey!
15:59Hey!
16:00Hey!
16:01Hey!
16:02Hey!
16:03Hey!
16:04Hey!
16:05Hey!
16:06Hey!
16:07Hey!
16:08We've done our
16:21We've eaten Los Angeles,
16:23We've been eating strangers
16:24We've eaten dishes
16:25Hey, how am I going to eat them?
16:27It's terrible!
16:28It's true!
16:29We're eating all over the world!
16:31We're eating all over the world!
16:33But we're eating all over the world,
16:35We're eating all over the world!
16:37Oh, God, no.
16:39Give us the praise, please.
16:41Give us the praise.
16:44And Papa.
16:45What a prostitute of a son!
16:47A little bit of a son's face.
16:51Sorry!
16:52The king of a son, the king!
16:54Okay!
16:55Say a bit, a bit, please,
16:57Tell.
16:58The king of a son,
16:58You had brought me a son.
17:01Tell me,
17:02He had a son of a son.
17:05Oh, that's the tomato, which I have done,
17:07is to cut the leechy.
17:09Hey, what the hell is this, Papua?
17:12He's talking about leechy.
17:16Now, I'll tell you how many boyfriends will be in front of the girls.
17:22The whole town is ruined.
17:26What?
17:27Oh, but let's go, child.
17:30Our town is a small town.
17:32How will it be ruined?
17:33Hey, bullittan, hey, bullittan.
17:35Hey, listen, son.
17:36See, bohurya laya ho ki iske slagher me kus garam masala
17:40tadkaad ka marwa hai ho.
17:42Oh, oh, bulawara masala ko.
17:53Som mangal ghul daila,
17:56ay gail jumma chaklethia ke le laharaja.
18:00Mitha mitha chumma chaklethia ke le laharaja.
18:10Mitha chumma chaklethia ke le laharaja.
18:13Mitha mitha chumma chukững laya ha hao少.
18:14Say hi, 000
18:43So, how do you feel?
18:48Hey, son, I'm in a nationals.
18:51If you leave your heart for 2 minutes,
18:54the kidney is also a big jerk.
18:56And something else?
19:00If you just get to dance one time,
19:03the skin will also be a big jerk.
19:06The E-Bahuriya?
19:10Oh, what a joke!
19:12Oh, what a joke!
19:14Oh, what a joke!
19:16Oh, my father Chaudhary and Ram Jane!
19:19Oh, my son!
19:21The money of the dhari was done.
19:23Oh, my son!
19:25I'm gonna kill the gulis!
19:27I'm gonna kill the gulis!
19:28Don't kill them!
19:29I had to take them 10 years to get the cheetah.
19:33Oh, my God!
19:36Come on, Inspector Sahib!
19:38We got the only one who took our sister to take care of the family.
19:43You also took our sister to take care of the family.
19:46Look, the police are calling you. What is your situation?
19:49What?
19:50What?
19:51What did you do?
19:54For an outdated partner,
19:56an outdated brother is taking care of the police.
19:59That's right, Salih.
20:01Come on, we'll take you good.
20:04Let's go, brother.
20:06Bulletin Singh is our partner.
20:14Yes, it's our parmeswar.
20:16And there's another bulletin coming.
20:20Huh?
20:21What?
20:23It's not fast.
20:26Because we've got our entries,
20:29so we've got a lot of bullets.
20:32Bulletin.
20:34Bulletin.
20:35Bulletin.
20:36Can you see us, son?
20:37Don't stop, Bulletin.
20:42Bulletin.
20:44Bulletin.
20:46Bulletin.
20:47I'm not leaving this day.
20:49Hey, little bulletin.
20:51You've given him a ton of money.
20:55But bulletin, start with your mouth.
21:00Now the bulletin will change you to change your mind.
21:04Now the bulletin will be bigger and turn it over.
21:08Look at your father's death.
21:11Look at your brother's house.
21:15How strong are you, grandma?
21:17What?
21:19How are you doing this?
21:21I remember it was 3-4 years ago, but I didn't remember it.
21:25But don't worry about it.
21:27I'll give you a big deal with her.
21:28Her daughter looks very bad.
21:31What did you do?
21:33I'll give you a big deal, I'll give you a good deal.
21:35Stop it.
21:36There's nothing going to happen.
21:37You're also talking to our brothers.
21:39We're going to be 6-7.
21:41What do you know?
21:42What do you know?
21:45No, brother, we'll tell you the truth.
21:48Don't cut the dog.
21:49We'll cut the dog.
21:51We don't cut the dog.
21:53What's that, Pandya?
21:54We've called the 4-4 hours before.
21:56You're coming.
21:574 hours before?
21:58What happened to you?
22:00Tell us.
22:01Our brothers are coming out of their own.
22:04You're coming out of your own.
22:06You're coming out of your own.
22:08What's going on in the town?
22:10Our brothers are coming out of our country.
22:12Our brothers are coming out of our country.
22:13Some people are coming out of their own.
22:14We're living in our country.
22:16It's a lot of things.
22:18The world is coming out of our country.
22:20No one's coming out of our country.
22:21Everything is coming out of their country.
22:22He's coming out of our country.
22:23We're coming out of our country,
22:24and we're coming out of our country.
22:25How do you think about it?
22:27Why do you think about it?
22:28That's the unexpected?
22:29What's the deal?
22:30The love of the girl.
22:35Let's see.
22:36I don't want you to be able to enjoy it.
22:38Just one time.
22:39What do you think, sir?
22:40Our house is very big.
22:41I'm not giving you a person.
22:42Look at how many people are.
22:44They come from far away, sir.
22:45They come from the house.
22:46They come from the house.
22:47They come from the house.
22:49What did I tell you?
22:50Put the water in the helicopter.
22:52I'm going to play a helicopter.
22:53Today is the day.
22:58What do you do with me?
22:59I'm going to take one hand.
23:00Can I tell you?
23:01Yes.
23:02Hey, sir.
23:04Hey, sir.
23:05Hey, sir.
23:06Don't even call anyone.
23:07You're right.
23:08You're right.
23:09You're right.
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