Raqs-e-Bismil _ Episode 14

Abdus Samad khan

#RaqseBismil #SarahKhan #ImranAshraf Raqs-e-Bismil Episode 14 HD Full Official video - 26 March 2021 at Hum TV official YouTube channel.  Subscribe to stay updated with new uploads. https://goo.gl/o3EPXe   Momina Duraid Productions presents "Raqs-e-Bismil"  #RaqseBismil #HUMTV #MasterPaints #Drama #ImranAshraf #SarahKhan #MehmoodAslam #NidaMumtaz  Raqs-e-Bismil Episode 14 Full HD - Raqs-e-Bismil is a latest drama serial by Hum TV and HUM TV Dramas are well-known for its quality in Pakistani Drama & Entertainment production. Today Hum TV is broadcasting the Episode 14 of Raqs-e-Bismil. Raqs-e-Bismil Episode 14 Full in HD Quality 26 March 2021  at Hum TV official YouTube channel. Enjoy official Hum TV Drama with best dramatic scene, sound and surprise.   Starring : Imran Ashraf, Sarah Khan, Mehmood Aslam, Nida Mumtaz, Anoushay Abbasi, Momin Saqib, Javeria Abbasi, Gul E Rana, Saleem Mairaj, Rashid Farooqui, Mohammad Faisal Imran, Zara Shaikh, Azeem Sajjad, Furqan Qureshi, Sajid Shah, Shazia Qaiser, Farah Nadir, Tahir Jatoi, Shahzad Mukhtar, Faria Hassan, Benazir Khan, Taha Humayun, Abu Rohan, Umer Alam, Farrukh Darbaar & Others.  Writer:  Hashim Nadeem  Director: Wajahat Rauf  Producer:  Shazia Wajahat & Momina Duraid Productions  _______________________________________________________  WATCH MORE VIDEOS OF OUR MOST VIEWED DRAMAS  Ehd e Wafa: https://bit.ly/3g0daIM  Suno Chanda Season 2: https://bit.ly/3exOdEd  Suno Chanda Season 1: https://bit.ly/3eC24tj  Yakeen Ka Safar: https://bit.ly/3dDYcGE  Bin Roye: https://bit.ly/3dAMPPR  Ishq Tamasha: https://bit.ly/2Bh54wH  Mann Mayal: https://bit.ly/3ig8YXo _______________________________________________________    / humtvpakist.  . http://www.hum.tv/ http://www.hum.tv/dramas/raqs-e-bismi...   / humtvpakistan     / humtvnetwork      / humtvost      / jagopakistanjago      / humawards      / humfilmsthemovies      / humtvtelefilm      / humtvpak

Transcript

00:00Satsang with Mooji

00:30People like me, like you are very loved.

00:35Have you ever tried a film?

00:37Come on, come on.

00:41Come on, come on.

00:53Where are you from?

00:55Come on, come on, come on.

00:57Hey, Na Murad Hai, what are you doing?

00:59Last class.

01:00Have you been waiting for a few days?

01:02This is my friend, Usa.

01:04Where are you from?

01:06You have to get a lot of attention.

01:08Come on, please.

01:09Come on, brother.

01:15Adam.

01:17Hey, Na Murad Sahib, you've seen a lot of fun this time.

01:25Have you been sitting?

01:27Yes.

01:28Yes.

01:37Your friend is my friend.

01:40How will this be here?

01:44Hey, ma'am.

01:46You will be with me, right?

01:48You will forget everything.

01:50Ha, ha, ha, ha.

01:53You're very much.

01:54I love you.

01:55That you do not have a touch with your heart.

01:58At least,

01:59I wouldn't have any other people like that.

02:02You are not enough for the industry.

02:05Hey, Musa.

02:07This is also my style.

02:09You will always give me justice.

02:11You will never have an advantage.

02:13You will be prepared for 100%.

02:15You say that you don't have money, but I don't want to find people at home today.

02:28I've told you that the job is a little failure.

02:34Do you want to talk about this or do you want to talk with us?

02:44I say it. When I say it, I say it, that I say it, that I stop talking.

02:51We won't do it.

02:53Okay. Then, if you want to come to work with me,

02:59this is my body car type.

03:04I have a lot of leecher type financiers.

03:10I'm thinking about my security.

03:13Wow, madam.

03:15You have a right choice for this job.

03:20But, the rest of it is not my fault.

03:25No, no, no.

03:30And, before I said it, I said it.

03:34The penalty.

03:37Tell me, how much pressure you want?

03:40No.

03:41There is no pressure on the Musa.

03:46You want pressure on the pressure.

03:50When I say it, I have no service.

03:54When I say it, I will not do any service for any work.

03:59So, it will be great for you.

04:01Are you taking this?

04:03I mean, the enemy will stand up somewhere.

04:06And, where will it be?

04:11What is this?

04:16The enemy will stand up somewhere.

04:21I must fill the evil moments in potential.

04:23I must be your wife.

04:24There is no one's僕.

04:25Good luck and'.

04:26What?

04:27I must check the decision.

04:31Well, there is no or after no service.

04:32beautiful.

04:33The enemy's girl is pointing out,

04:34stubborn.

04:35It's not a good question.

04:36No one's looking for you,

04:37not a good star.

04:38No one's going to reach.

04:39no one's looking at her.

04:43If she didn't have a girl, who was she? Why didn't she say that she was a girl?

04:49I'll listen to you.

04:51I've never told her about her.

04:55I've never told her about her.

05:08If I can't ignore you, I'll ignore you.

05:11Then you will also be ignored by me, madam.

05:13Arshadji.

05:15I want you.

05:20Think about it.

05:22You will sit with your hands with thousands of jobs.

05:25You won't get such a job again.

05:27No problem.

05:29And now, you have been kept in prison.

05:35You know what?

05:37People like this,

05:39they run away from such people.

05:43You don't have to pay for money.

05:45I know.

05:47I'm not saying that I'm wrong.

05:51To make a mistake,

05:52to make a mistake,

05:54to make a risk,

05:56I won't give Moussa to you, madam.

05:58I want you.

06:02Let's go, Moussa.

06:04I'll never see you here.

06:06Let's go.

06:07Stop.

06:08Sit.

06:14Hello.

06:15Yes.

06:16Can I come back?

06:17Yes.

06:22What are you doing?

06:23Let's do this work.

06:25Moussa, I have appointed a guard.

06:27Let's go.

06:28Let's advance some of my work.

06:31Yes.

06:32Let's go.

06:33Let's go.

06:34Let's go.

06:35Let's go.

06:36Let's go.

06:37Let's go.

06:38Let's go.

06:39Let's go.

06:40Let's go.

06:41Let's go.

06:42Let's go.

06:43Let's go.

06:44Let's go.

06:45Let's go.

06:46Let's go.

06:47Let's go.

06:48Let's go.

06:49Let's go.

06:50Let's go.

06:51Let's go.

06:52Let's go.

06:53Let's go.

06:54Let's go.

06:55Let's go.

06:56Let's go.

06:57Let's go.

06:58Let's go.

06:59Let's go.

07:00Let's go.

07:01Let's go.

07:02Let's go.

07:03Thank you very much.

07:33Issa

07:37Did you know anything?

07:39No, my brother

07:41I've been looking for a place where I was hoping for him

07:45But he didn't get it

07:47Where did he go?

07:50He didn't have any friend in the city

07:53He was so cute

07:54He didn't have any friend

07:55He didn't have any friend

07:57This story for me is great

08:00I've never had any friends with him, but I've never had any friends with him.

08:07Jesus, look at him.

08:11Where will my child come from?

08:15If he hasn't come, my heart will be closed.

08:21There's no need for him to look at him.

08:25He's not a child.

08:27He's not a child, because he's lost.

08:30I feel like friends have put him in jail with his own enemies.

08:37The elders have said that the love of the people, the love of the people.

08:44The love of the people, the human beings are like the love of the people.

08:48He will be left with someone with them.

08:52What are you doing, Aabir?

08:54Aabir.

08:55Aabir.

08:57What are you doing, Aabir?

08:58Aabir.

08:59Aabir.

09:00Aabir.

09:01Aabir.

09:02Aabir.

09:03Aabir.

09:04Aabir.

09:05Aabir.

09:06Aabir.

09:07Aabir.

09:08Aabir.

09:09Aabir.

09:10Aabir.

09:11Aabir.

09:12Aabir.

09:13Aabir.

09:14Aabir.

09:15Aabir.

09:16Aabir.

09:17Aabir.

09:18Aabir.

09:19Aabir.

09:20Aabir.

09:21Aabir.

09:22Aabir.

09:23Aabir.

09:24Aabir.

09:25Aabir.

09:26Aabir.

09:27Aabir.

09:28Aabir.

09:29Aabir.

09:30Aabir.

09:31Aabir.

09:32Aabir.

09:33Aabir.

09:34Aabir.

09:35Aabir.

09:36Aabir.

09:37Aabir.

09:38Aabir.

09:39Aabir.

14:11Look, it's gone, now?

14:20Don't stop your mind off your mind.

14:25Look at this menu.

14:27Order it.

14:28How are you?

14:41Okay.

15:02Ma'am, who's...

15:04Ma'am, who's the phone?

15:11Where are you from the night?

15:24I also told you to go back home before the night before the night.

15:28It was not a picnic.

15:30There are thousands of problems in the production.

15:32And I told you that my two meetings are very important.

15:36It will be late.

15:37I understand everything.

15:39You are like women.

15:41This is a good idea.

15:42The night of the night of the night of the night.

15:44Tell me, tell me.

15:45Who did you meet at this point?

15:47Stop it, Taukir.

15:48If you have a doubt about me,

15:50then you don't take the office yourself.

15:52I will be at home,

15:53and I will not listen to you at home.

15:56If you have a business and a business,

15:58you will not have to do this.

16:00You don't have to do anything at home.

16:02What?

16:03You are giving me at home,

16:05you are giving me at home.

16:07I understand everything.

16:08That's right.

16:09I'm not giving you any attention.

16:10But we will go to our house.

16:12You were leaving from home you had to leave.

16:14You took off the film,

16:15and you followed me.

16:16But we will not handle anything at home.

16:21Ok fine, I'm sitting at home,

16:22and you have to take all your responsibilities in the background.

16:25I will kill you. I will kill you.

16:28I will kill you.

16:30Moussa!

16:32Moussa!

16:33Moussa!

16:34Stop! Moussa, this is my husband!

16:40Are you taking my hand in my house?

16:44Who is this?

16:46This is your new friend.

16:47Moussa, you go here.

16:49You go!

16:50This was for your phone.

16:54Stop!

16:55You become a big girl, right?

16:58I can enjoy you.

16:59Moussa, you go here.

17:03Don't do this wrong.

17:10I have not done this wrong.

17:13I want to go for it.

17:17I will kill you.

17:18You don't know me.

17:20My name is Taukir.

17:21Taukir Khalid.

17:24What are you doing?

17:25Shut up!

17:29I will see you in office.

17:33In the house?

17:38I am taking my hand in Taukir.

17:39I am taking my hand.

17:41I am taking my hand.

17:54I am taking my hand.

17:55Let me know you, I am taking my hand.

17:56is the man who was born with Zohra?

17:58Yes, but I thought,

18:00I'm mad and was like,

18:02if she was born with Zohra,

18:04who was she?

18:06You,

18:08I'm not eating for you.

18:10I'm not eating.

18:12Is it what you need to be

18:14feeling like this?

18:16I need to know that she has to be in any case.

18:18In my heart,

18:20the man who is who is the one who is a girl

18:22has just been in the corner of this girl.

18:24It's a very difficult time when it comes to your heart, it's very difficult to open your heart.

18:33My little shame.

18:35He left the military before the mayor.

18:39He put his wife's daughter into the night.

18:42What will your husband become?

18:44What would you know?

18:46I don't know why he's the husband.

18:48I think that he's the husband.

18:50I thought he's the husband.

18:52He's the husband.

18:54Then...

18:56...and he's the husband.

18:58I thought he's the husband.

19:00I feel like I'm going to have a bad-tumiz.

19:02So...

19:03...

19:04...

19:05...

19:06...

19:07...

19:08...

19:09...

19:11...

19:13...

19:15...

19:17...

19:19...

19:21...

19:23...

19:25...

19:27...

19:29...

19:32...

19:34...

19:35...

19:36...

19:37...

19:38...

19:39...

19:40...

19:41...

19:42...

19:43...

19:45...

19:46...

19:47...

19:48...

19:49...

19:50...

19:51...

19:52...

19:53...

19:54...

19:55How are you going to go through it?

19:58Taukir Khalid, if you haven't made a film,

20:04you will never ask me any questions.

20:08Taukir Khalid, film industry was a very successful factor.

20:13The film was a bad actor.

20:16What a bad actor.

20:19The film was a flaw.

20:22The producers had a mouth.

20:25Maidam's daughter had started.

20:28She is a hair.

20:30She would take a divorce.

20:31She would take independency.

20:33She would take a divorce.

20:36She would take a divorce.

20:39She would take the academic administration.

20:43She would take a production.

20:46She would go to town and work her.

20:49Now she would work with her,

20:51I am a woman.

20:53I am a woman.

20:55Where are women?

20:57Where are women?

20:59Where are women?

21:01I am a woman.

21:05Jaji,

21:07you have seen the world

21:09where women work

21:11and women sit at home.

21:15You have a woman

21:17in my hand.

21:19You are a woman.

21:23I will not do it.

21:25I won't know.

21:27I won't know.

21:43You have got a job.

21:45I don't mind.

21:47What happened to you? Why are you walking around?

21:51Where are you? He was making a joke in the room.

21:55He didn't tell me. He left me in the morning.

21:59He left me? But where are you?

22:02You are asking us.

22:04You should know that his wife ate anything without eating anything at night.

22:08How did he go from home?

22:10Okay, you call me.

22:12He will have to tell me.

22:16You have to keep up with me.

22:22God bless you.

22:24You have to look at this house.

22:27Don't think about it. Everything will be fine.

22:46You have to look at this house.

22:48You have to look at this house.

22:50You have to look at this house.

22:52You have to look at this house.

22:54You have to look at this house.

22:56You have to look at this house.

22:58You have to look at this house.

22:59You have to look at this house.

23:00You know what?

23:01I'm not sure of that.

23:03I am not sure of that.

23:04I know what you do.

23:06It's about 100% of the numbers of people.

23:12Okay, I'm going to go.

23:13But Issa, it's a good thing.

23:16My meaning that you are going to do this.

23:19Now they have to go back to their children.

23:22The thing that they have been doing is going back to their lives.

23:26They have to die.

23:27I don't think so.

23:30I don't think so.

23:32I have to tell you about one story.

23:36And yes, you remember your other job, right?

23:40No, no.

23:41If you look at Moussa, I'll see you in the first place.

23:45Let's go.

23:48I don't know why this person doesn't seem to see what he looks like.

24:09I told him to tell him about his story.

24:13You know what?

24:15The fire is open, but I will no longer work with water.

24:22I am really jealous of him.

24:24The people say there is a lot of damage,

24:25and he is very guilty of a jail.

24:28He has not won me as a jail.

24:33The jail is a jail.

24:36Police took his right to kill him.

24:39Three-three men was killed.

24:42But how did you get into it?

24:46Where did you get into it?

24:50I don't think it's a good idea.

24:52It's a good idea.

24:54But when did you get into it?

24:58Why did you get into it?

25:02Why did you get into it?

25:04It's a good idea.

25:06It's amazing.

25:08But one thing.

25:10Musa is very dangerous.

25:14Good.

25:16Keep it up.

25:18Because I don't want to do any kind of work in my own plan.

25:22I want to get out of here quickly.

25:26Hollywood's dream project is my dream.

25:30I don't want to do any kind of work in my dream project.

25:38And I just want to go into it.

25:50I just want to go around.

25:52Yes, you'd be in the office.

25:54You should have coffee and offer the business in there.

25:56No, not Mala.

25:58You ever leave the office at every time people will come in.

26:00You have to go to your office every time.

26:03And I didn't want this business deal to make me any business rival.

26:10So...

26:12I'll go to your house in the evening.

26:14Let's go.

26:15Okay.

26:16Let's go.

26:17See you.

26:18Okay.

26:19There's a situation.

26:20God blesses.

26:22Yes.

26:23That's good.

26:24Come on in the evening.

26:25Come on.

26:27We can't wait for dinner.

26:28Do you want to make some Italian food or Chinese food?

26:33Why are you taking home from office?

26:36Leave your office to me.

26:38You'll be ready to go to office.

26:40Why am I ready to go to office?

26:43Because if they are with their family,

26:46then who will do it?

26:48Take care of yourself.

26:50But...

26:58I'll be ready to do it.

26:59I'll be ready to go.

27:00I'm ready to go.

27:01I'll be ready to go.

27:02I'll be ready to go.

27:16Music

27:38Who?

27:39Issa

27:40Issa?

27:42Musa's brother

27:44I don't know any of you, I'm sure you've got to know the wrong.

27:47Yes, it's true.

27:48Open the door.

27:49You can open the door.

27:51I'll go back to the door.

27:53There's no enemy here.

27:55We've also got the case back.

27:57Look, I'm only going to do something with you.

28:01Open the door.

28:02If you don't open the door,

28:04then you'll get angry.

28:05And the door will not be my way.

28:07Open the door or open the door?

28:11I'm only 3-3.

28:131-2-

28:16Open the door.

28:17Open the door.

28:26You're the rest of your family.

28:30They don't come here.

28:32They're living in my house.

28:33I've done all of them.

28:38You said that you don't have to be with Moussa brother.

28:41Moussa brother.

28:42Why did you fire you?

28:43That's true.

28:44It's true.

28:45That's true.

28:46That's true.

28:47That's true.

28:48That's true.

28:49That's true.

28:50That's true.

28:52Look, you are so angry with me.

28:56I think she has no idea.

28:58Don't worry about anything.

29:01You are only asking me to answer the question and you are free from me.

29:06Who is the question?

29:08That day, the girl that was with Musa brother was gone is a call. I want her to know.

29:13Which girl? I don't know.

29:15Who is the girl?

29:16All the people are saying that

29:19there was a girl with a girl with a guy with a girl

29:23It was definitely because of the girl

29:28You have a better idea that you have to tell me everything you have to tell me

29:34Don't tell me, I haven't seen this girl

29:37I've seen this girl

29:40I mean, it's like that they play with me

29:42If I know that she's got a girl with a girl

29:45I've never heard of that.

29:47Who was the girl?

29:49I don't know your question.

29:50I don't know if God knows.

29:55Think about it.

29:57If you know me that you've told me

29:58that you've told me

30:00and you've explained to me

30:03then you'll be told to your head.

30:06Then I'll give you some help.

30:09Don't you tell me I'm angry.

30:11Forgive me.

30:15I don't know what the hell is going on.

30:22It's a mess.

30:25I don't know.

30:26I don't know how many days I'll tell you.

30:28Yes.

30:29I'm telling you that a lot of problems will happen.

30:32I'll tell them.

30:34Okay.

30:45How did you come here?

30:50It was a work?

30:52How long are you waiting for me?

30:55I've been waiting for a long time.

30:58Why?

31:00It was a necessary work, Laila Ji.

31:04I'll send you back first.

31:08This is Musa, my bodyguard.

31:11Why don't you take it in front of her? No problem.

31:14The bodyguard.

31:16You've been the first bodyguard.

31:19What are we talking about?

31:22If you've talked about the previous deal,

31:25then the project is completely ruined.

31:28And the hero is scared of you.

31:32It's very difficult to do this film again. Sorry.

31:35Madam Ji, you've tried to understand.

31:39It's so bad.

31:41You've got to stop someone.

31:43It's a waste.

31:44It's a waste.

31:45It's a waste.

31:46It was our joint project.

31:48I took a waste.

31:49I took a waste.

31:50And I took a waste.

31:51I took a waste.

31:52And I took a waste.

31:53I took a waste.

31:54It's a waste.

31:55It's a waste.

31:57Why did we take a waste?

31:59We didn't have to waste waste.

32:01I took a waste.

32:02Why did we take a waste?

32:03Why did we take that waste?

32:04It's fine, Mr. Chaudhiy.

32:12Chaudhiy.

32:13Yes, yes.

32:14Come on.

32:15We'll take a waste.

32:16Come on.

32:17Let's take a waste.

32:19Okay, we're going today, but we'll meet again.

32:30These people were great leaders. How will they go so easy?

32:35Unbelievable.

32:42Oh, wow.

32:44Don't worry about it.

32:46Don't worry about it.

32:48Don't worry about it.

32:50Now, you don't need to worry about it.

32:52Now, you don't need to worry about it.

32:54Why don't you have to worry about it?

32:56Why don't you worry about it?

33:08There is a Shibaz.

33:11I'm asking you.

33:14What is your Shibaz?

33:16Shibaz doesn't have to be back from the office.

33:23You...

33:24Go and tell them something.

33:26I'm asking you.

33:29What's your attitude about the President?

33:33These parties are the same.

33:36And this party is your husband.

33:39It's your marketing and promotion.

33:42I'm asking you.

33:43Excuse me?

33:44It's true.

33:48Have you ever tried a film?

33:51I'm not shocked.

33:52No, you're not a bad person.

33:55You're not a bad person.

33:56But this voice is a good person.

33:59And it's not so bad.

34:01What do you want to make a film?

34:02So what do you mean by the way?

34:06They do all the work with the beautiful girls around them.

34:10Do you know that?

34:13The girls in their own homes are very beautiful and especially sexy.

34:28Come, come, come, come Zohra.

34:31You were looking for my eyes.

34:36Do you want to leave your house?

34:41I don't want to meet your house with your house.

34:48Yes.

34:49I mean, you have to meet your house with your house.

34:56In the night of the club or in the official meeting.

35:01Today I am only here with you.

35:05After that, did you have to meet your house with your house?

35:09Why would you do that?

35:11You have to forget that you are not my friends.

35:17Let's go.

35:19You have to meet your house with your house.

35:21You have to meet your house with your house.

35:25You are going to meet your house with your house.

35:28Where are you going from now?

35:31Do you like your house to come here?

35:33You have to meet my house with aля displays and see you again.

35:36Where are you from?

35:38I'll leave you to my house.

35:40I'll leave you to my house.

35:42I'll leave you to my house.

36:06Who is the only one we can call?

36:08I'll leave you to my house.

36:10I'll leave you to my house.

36:12What I'll leave you to my house.

36:14When I do, the whole story is full.

36:16I have to go to my house.

36:18My house is good.

36:20I'll leave you to my house.

36:22I'll leave you in the corner.

36:24I'll leave you there.

36:26I'll leave you there.

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