1974 Double Agent '73 FULL HOT MILF MOVIE

Channal Nostalgic Movies

It's about a secret agent played by Chesty who hunts down a gang of heroin traffickers. A secret camera is installed in one of her mammoth breasts in order to

Transcript

00:00The End

05:29Okay, boys.

05:31Get rid of him.

05:36Right, Mr. Toppler.

05:37Toppler.

05:43Oh, come on.

05:50Oh, come on.

06:20Oh, come on.

06:50Oh, come on.

06:51Oh, come on.

07:00Who did this?

07:03Toppler.

07:05Toppler.

07:06Oh, come on.

07:08Oh, come on.

07:09Oh, come on.

07:10Oh, come on.

07:11Oh, come on.

07:12Oh, come on, oh, come on.

09:16Hello?

09:18I have a call for you from New York, Mr. Nay.

09:21Hello?

09:22Hello?

09:23How are you, Jane?

09:24Just fine.

09:25That's good. I'm glad to hear it.

09:28Or I was until this call came.

09:31I hate to interrupt your vacation, but I want you to take the next plane to New York.

09:35But, Bill, I just got here.

09:38I'm sorry, Jane. I know that, but it can't be helped.

09:41This is the first vacation I have...

09:43I'll expect you this evening.

09:44I'll expect you this evening.

09:44¶¶

10:14Oh, Jane. So nice to see you. You look splendid.

10:38All right. What's up?

10:39Listen closely, Jane. I have a very important assignment for you.

10:47You always like a challenge? Well, this is it.

10:50It would be nice if I could finish my vacation just this once.

10:54You can be instrumental in saving the lives of thousands of people. You...

10:58Can't Agent 101 handle this?

11:01I do have other agents working on this case, but I believe that you're the only logical agent for this assignment.

11:08Oh, really, Bill? I've heard that one before.

11:12Well, this is a little different and far more imperative.

11:15Go ahead.

11:17Let me give you a briefing first.

11:20You know that the states are being flooded with a low-grade heroin.

11:23This heroin ring is headed by Ivan Toppler, and we must get Toppler.

11:28We don't know what he looks like. He's planted some of his people in our agency.

11:33Well, what do you know about Toppler?

11:35The only information we have is what Agent 99 told us after he was hit by Toppler's men.

11:40The last sentence he uttered was...

11:42Well, what did Agent 99 say, Bill?

11:47Toppler. Scar.

11:49Then pointed to his cheek like so.

11:53Oh, I see.

11:54Give me the details pertaining to Toppler.

11:56The only identification will be this scar.

11:59I don't understand. Where do I come in?

12:01You may have to eliminate some of his henchmen.

12:06Another rough assignment.

12:09And we must know what these hoods look like.

12:12So, you see, we must have photographs of as many of Toppler's men as you can get.

12:17What's so important about identifying them?

12:20One of them may be Toppler.

12:21That won't be easy.

12:23Well, I'll explain exactly how you'll get these photographs.

12:25I know Toppler's men are posing as professional and legitimate businessmen.

12:31This folder contains some of their names and addresses.

12:34I will feed you whatever leads I can.

12:37How will I know if these leads are authentic?

12:39In this folder, there is a symbol.

12:41All leads will have this symbol on it.

12:43Put this folder away and guard it carefully.

12:45This caper will be known as Highlight One.

12:48I want you to keep in constant touch with me.

12:50You must be back in this office no later than 10 p.m. March 11th.

12:57This is extremely imperative, Jane.

13:01Remember.

13:03Dance, can't they?

13:06Yes, they can.

13:17Staying at this hotel?

13:19Yes, I am.

13:20Me too.

13:23I'm in room six if you get lonesome.

13:31Hey, you're a good-looking chick.

13:44Say, how about a refill?

13:46That would be nice.

13:48Okay.

13:50You're a good-looking chick.

13:51Okay.

13:52Bye.

13:55Bye.

14:12Bye.

14:13Bye.

14:14Bye.

14:15Bye.

14:16Bye.

14:17Bye.

14:18Bye.

14:19Bye.

14:20Oh, my God.

14:50Oh, my God.

15:20Oh, my God.

15:50Oh, my God.

16:20Oh, my God.

16:50Oh, my God.

17:20Where are we going?

17:21Where are you taking me?

17:23You'll know real soon, baby.

17:26You shouldn't have tried to fool me, baby.

17:29Nobody fools me.

17:30You'll never get away with this.

17:47Get out.

17:59Get out.

18:03What the hell are you dolling up for?

18:09I said, get out.

18:12What the hell?

18:23Let's go.

18:53Yeah?

18:55I have a job.

18:56Right, Mr. T.

18:57It's a woman, but we don't know who she is.

18:59A woman? You don't know who she is?

19:00That's right. We know where she lives.

19:02But you know her address. What is it?

19:04She lives alone at the Abbey House, apartment 9C.

19:07All right, I'll find her.

19:09Listen, Igor, this is important. We need a right hitman.

19:13Dimitri is a man for that job. I'll get back to you.

19:23Hello.

19:41Dimitri, Igor here.

19:43Hi, Igor. What's up?

19:44I've got a little job for you.

19:46Good. I can use the loot.

19:48Yeah, Mr. T wants some dame robbed out.

19:50Uh-huh. It'll cost you more. Who is she?

19:53We don't know who she is.

19:54Makes no difference to me. But where do I make the hit?

19:57This is how you can find her. This is her address.

20:00Mr. T wants action and he wants it fast.

20:03This is what I want you to do.

20:13Surprise!

20:14Why did you get into town?

20:15How are you?

20:16I'm fine.

20:33I'm fine.

20:34kork at?

20:35I don't care.

20:36It's just when it happens.

20:38Here you can climb down the hill.

20:39I'm out of the hill, big lou.

20:40Can a bash sign?

20:42I'm fine.

20:43I'm fine.

20:44I'm fine too.

20:45And the pitcher can pass every day in town.

20:47Ihreруж deutlich Agriculture School School School School.

20:53Cool.

20:54How are you?

20:55I won?

20:56Fenel mechanisms that were a GMO,

20:57�, chopped Research.

20:58You can put race as Papa and the使い people who loved you.

20:59Can a информation away,

21:00it was the best,

21:01their invention was a good idea.

21:02Oh, my God.

21:32Oh, my God, my God.

22:02Oh, my God.

22:32Oh, my God.

23:02Oh, my God.

23:33Pardon me.

23:33Can you tell me how to get to this address?

23:35Can you tell me how to get to this?

23:40It's been years since I've been to the zoo.

23:50I remember...

23:51What is this all about?

23:53Let's sit down.

23:53Are you okay?

23:59Are you all right?

24:03Yes.

24:04The chief wants me to keep an eye on you.

24:06I can take care of myself.

24:08I've been taking care of myself for a long time.

24:11I'm just following orders.

24:13Sorry.

24:14Let's go.

24:26Flowers are pretty, aren't they?

24:28Not as pretty as you.

24:29You're a very beautiful woman.

24:31It's too bad you're part of this dangerous business.

24:35Well, somebody's got to take the risks.

24:37Let's go.

24:38Let's go.

25:08You've got to be kidding.

25:10That was a real good hit.

25:12Mr. T is awful mad.

25:13All right.

25:14All right.

25:15I'll do this for nothing.

25:16And you'd better not muff it this time.

25:18Yeah, yeah.

25:19Or it's curtains for you.

25:20Now, wait a minute.

25:21Now, get her.

25:23Understand?

25:24I don't make the same mistake twice.

25:26Not me.

25:27You know where she is.

25:28Now, get her.

25:29Okay, okay.

25:30Hey, you're cool.

25:37Hey.

25:38Bye.

25:48Bye.

25:51Bye.

25:52Bye.

25:53Bye.

25:54Bye.

25:55Bye.

25:56Bye.

25:57Bye.

25:58Let's get started.

26:28Let's get started.

26:58Oh, I had a marvelous time.

27:08I haven't had so much fun in ages.

27:10I'm glad you agreed to come up for a nightcap.

27:13Well, it completes a wonderful evening.

27:14Why don't you sit down?

27:21Make yourself comfortable.

27:24How about a drink?

27:31The night is still young.

27:36I'll be with you in a minute.

27:37Here's to us, Skull.

28:00You know I'm crazy about you.

28:20I have been from the moment I saw you.

28:22You know it's against all rules and regulations for us to...

28:25Hello?

28:26This is Atlanta 7.

28:46Yes?

28:46Put the chief on.

28:55Yeah?

28:56This is Atlanta 7.

28:57I have a message that you wanted to talk to me.

29:00Oh, I'm glad you called, Tim.

29:02What's up, chief?

29:03Now, listen.

29:06Drop the investigation of Highlight 1.

29:09Highlight 1?

29:11Agent 73 has disappeared.

29:12We must find her.

29:13I'm afraid Ivan Toppler got to her.

29:17Find Jane.

29:18She should be at the big race tomorrow with Sam Burr.

29:23At the big race?

29:24I want you to go to the Morgan racetrack.

29:26Scott around.

29:27You may come up with something.

29:28Maybe you'll get some kind of lead.

29:30Keep in touch with me.

29:33Will do.

29:33Say, what's happening to me?

29:57I can't get Agent 73, Jane, out of my mind.

30:00She's a beautiful woman, but then I've had a hundred beautiful women.

30:06As beautiful as she.

30:10But there is something different about her.

30:13I never felt this way before.

30:15I don't want to fall in love with Jane.

30:18That would be too dangerous.

30:20And yet...

30:30Do what you see?

30:44I don't know.

30:45I don't know.

30:46I don't know.

30:47I don't know.

30:49I don't know.

30:50I don't know.

30:51My best friend.

30:52Do what you see?

30:53I don't know.

30:54I'm happy if we have money for her.

30:55Or something let's say.

30:56I don't know.

30:57I don't know.

30:57seul süper.

30:58I don't know.

30:59I don't know.

31:00All right, let's go.

31:30Well, if Jane and Sam Burr are here, I sure don't see them.

31:45It is now post time.

31:57No horses are at the gate.

32:00Hey, look!

32:04Raven breaks out in front with Tycoon a close second.

32:09As we pass the grandstand, Magno, Big Brian, Sponsor, Swing Tooth, Cannonball, Hale Bridge, Tycoon, and Raven is out front.

32:21Tycoon is making it.

32:28Running neck and neck in third and fourth place is Cannonball, Tycoon, Sweet Tooth, Big Brian.

32:40Raven is in front.

32:42Raven is in front.

32:46Hale Bridge is running third.

32:48Sponsor, Swing Tooth, Cannonball, Magno, and Big Brian running in that order.

32:53Raven is still in front.

32:55It's Raven all the way.

32:58Into the stretch, it's Raven by a length and a half.

33:02Hale Bridge second with Tycoon and Sweet Tooth, third and fourth.

33:06And fourth.

33:16To find Jane here would be like picking a long shot.

33:20What we have done, let's get

33:21let's get in front and a half.

33:24SA pens.

33:26Who use the exhaust?

33:30Good night.

33:31This was the first and forward видитеなん fall.

33:34Look at you.

33:37What we are.

33:38Boy, that last drink was too much, too much.

34:06What the hell did they put in it anyway?

34:12Oh, yeah.

34:13You're not going to be much used to me tonight.

34:15Don't worry about me, baby.

34:17I can still take care of you.

34:20Come here, baby.

34:21Okay, hold it.

34:37I'm not ready.

34:39Let me get into something more comfortable.

34:42I'm not ready.

34:46Oh, my God.

34:48Oh, my God.

34:50Let's go.

35:20Let's go.

35:50Let's go.

36:20You know how I feel about her.

36:23Now you listen.

36:24It is imperative that we find Jane.

36:26This is top priority.

36:27Do I make myself clear?

36:28Do I make myself clear?

36:58Do I make myself clear?

37:28Do I make myself clear?

37:29Do I make myself clear?

37:31Do I make myself clear?

37:34Do I make myself clear?

37:35Do I make myself clear?

37:41Do I make myself clear?

37:42Do I make myself clear?

37:44Do I make myself clear?

37:48Do I make myself clear?

37:49Do I make myself clear?

37:51Do I make myself clear?

37:53Do I make myself clear?

37:55Do I make myself clear?

37:57Let her have it.

38:01She does not look so pretty now, does she?

38:05Give me a glass of water.

38:08Please.

38:10Oh, of course.

38:11We must get some nice cold water for our capitalistic pig.

38:19Here you are, my dear.

38:20Just what you asked for, a nice glass of cold water.

38:27Oh, my dear.

38:33Yeah?

38:34Igor, Mr. T wants to talk to you.

38:36He just got a long-distance call. He'll be with you in a few minutes.

38:38Stay on the wire.

38:39Okay.

38:57Hello, Igor. You got Agent 73?

39:13Yeah, Mr. T, we've got her.

39:15You have, huh? I thought so.

39:16You know we always do our job.

39:19Now, you're not to hurt her, and I want you to let her go.

39:24Let her go?

39:25I don't understand.

39:28You don't have to understand.

39:31Whatever you say, Mr. T.

39:32Oh, my dear.

39:49Oh, my God.

39:50You wanted to speak to me?

40:17It's about Agent 73.

40:19She should have been here by now.

40:21Look at the time.

40:23You see what time it is?

40:25So she'll be here tomorrow or the next day.

40:27You don't understand.

40:29What do you mean?

40:30Agent 73 is on a rough assignment.

40:33She's out to get Ivan Toplar.

40:35Hmm.

40:36Ivan Toplar.

40:38Head of the dope racket that we're after.

40:40Yeah?

40:41We don't know what he looks like.

40:43Except for one clue.

40:44Agent 99 told one of our men that Toplar has a scar on his cheek.

40:48What's this all about, Bill?

40:50Agent 73 is supposed to get him.

40:53Well, why the panic button?

40:55She'll get him.

40:56Why are you so upset?

40:58She has a camera implanted in her left breast.

41:01I'm damned worried.

41:03What do you mean?

41:04That camera in her breast is set to go off at 10 o'clock tonight.

41:10Look at the time.

41:11It's, my God, almost 10 o'clock now.

41:14If she isn't here by then, she's in serious trouble.

41:17You actually mean you have a bomb implanted in her breast?

41:22If she's not here by now, then Toplar's men must have her.

41:25She's better off dead than in the hands of those monsters.

41:28Now, he wouldn't do a thing like that to Jane.

41:30A camera that will explode.

41:33I tell you, she's better off dead than in the hands of those monsters.

41:37It was a mistake to think that Jane could handle Ivan Toplar.

41:45Jane!

41:46Thank God she's here.

41:47We don't have any time to lose.

41:49Get an ambulance to my office immediately.

41:51Hurry!

41:52This is an emergency.

41:53Can't we do anything?

41:55Don't touch her.

41:56My God, we just can't leave her then.

41:58The film on the projector.

42:00I just want to see the stills.

42:04I don't want to see any documents.

42:06Okay.

42:07Hold it for a while.

42:08Jane will be here any minute.

42:10No, Bill.

42:11Art.

42:16All right, go ahead, Art.

42:17Let her roll.

42:22Mm-hmm.

42:23No scar on that one.

42:28Lisa Torrin.

42:30Is she still around?

42:31Was around.

42:36Put the neck still on, Art.

42:48Go ahead, roll.

42:52We're not having much luck, are we?

42:54It doesn't seem that way.

42:55What a bloody mess.

43:06Say, that's Igor Stotsky.

43:10So he's back in the States.

43:17Never saw him before.

43:19Hey, what's Tim doing here?

43:25Oh, I suppose I must have accidentally triggered the camera.

43:29You really have a thing for him?

43:31I guess I do.

43:34Tim.

43:36It's Topper.

43:36That's him.

43:46My God, that's Topper.

43:50I can't believe it.

43:53That's ridiculous.

43:56See that X on his earlobe?

43:58It's just a coincidence.

44:03It's Topper.

44:04Let's get him.

44:06Bill, please let me handle this.

44:09I'll get him.

44:11I don't think you should.

44:13Please.

44:13I said I'll take care of him.

44:15What a fool I've been.

44:36He's been using me.

44:38I really thought he loved me.

44:39And all the time he was using me.

44:42I thought I finally found the man I love.

44:45The man I could spend the rest of my life with.

44:48The man who could be the father of my children.

44:51A house in the country like other women.

44:54Oh, it's the use.

44:56What a fool I've been.

45:15Jane, thank God you're safe.

45:26My God, you feel so cold.

45:28Why are you dressed like this?

45:30I left my coat in the car.

45:31Jane, I love you.

45:44Don't you understand?

45:46Really?

45:57What's wrong, Jane?

45:58I want you to know everything there is to know about me.

46:18You must let me explain.

46:20Jane, I want to wipe the slate clean.

46:23I've been involved in some deals.

46:25Well, well, I don't know how to tell you, but I must.

46:30Jane, marry me.

46:34I love you.

46:35Don't you understand?

46:38I want you to be my wife.

46:40What's wrong with you?

46:44Jane, no.

46:45I love you.

46:46I love you.

46:47I love you.

46:48I love you.

46:49I love you.

46:50I love you.

46:51I love you.

46:52I love you.

46:53I love you.

46:54I love you.

46:55I love you.

46:56I love you.

46:57I love you.

46:58I love you.

46:59I love you.

47:00I love you.

47:01I love you.

47:02I love you.

47:03I love you.

47:04I love you.

47:05I love you.

47:06I love you.

47:07I love you.

47:08I love you.

47:09I love you.

47:10I love you.

47:11I love you.

47:12I love you.

47:13I love you.

47:14The End

47:44The End

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