ইটিভি ভারতের মুখোমুখি হয়ে তাঁর আসন্ন ছবি 'ম্যাডাম সেনগুপ্ত' নিয়ে অভিজ্ঞতা ভাগ করে নিলেন সুব্রত দত্ত ৷
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00:00Thank you so much for joining us today, Amina Bhunita, and today we will be happy to be here today.
00:22In the moment, Swabha said that he was a good person. If he could do something like that,
00:28then we can say that he was a good person.
00:32But in Kolkata, he was a good person.
00:34I think he was a good person.
00:36I think he was a good person.
00:38He was a good person.
00:40Thank you. I'm very happy.
00:42What's your good person about Madam Sangupta?
00:47I'm proud to say that Madam Sangupta, and I think he was a good person.
00:55I have seen him film in Bangala.
00:57They're very happy to be able to be an actor.
00:59I think it's like Rahula, Gosik Senda, Paranda, Khawraj, Shanti, Ami, Devokriyo.
01:07A very good actor.
01:09In the main direction was the main actor.
01:11Yes, I've got the character in the name of this character.
01:13In the main character, it's really important.
01:16And this character is a primary character.
01:17So he does another promotion.
01:20But in this particular position, what will you find?
01:22When someone is in the middle there, the actor is in the middle of the corner.
01:26Every actor is in the middle of the corner.
01:29And the actor's second character is on the screen.
01:31So I'll leave the mouth and just say, I'm going to get the right majority.
01:33But in this particular action, then the actor is in the middle of the corner.
01:38So this character is in the middle of the corner.
01:39And that is very interesting.
01:41Yes.
01:42And to me?
01:44I did not know the teaser version of the trailer, but I was the first one.
01:50But I am not the main protagonist, I am the main pillar.
01:55I am the main pillar of Ritu Anunna Rahul.
02:00This is a very good idea.
02:02Even the action sequences shoot.
02:05I am going to talk about this character.
02:09The fourth one is interesting.
02:11I am very proud to be aware of this character.
02:14But when I am the first one that I am the main pillar of Ritu Anunna Rahul,
02:19I am very proud of the mountain.
02:21I am very disciplined and I am very disciplined.
02:24So a lot of people can learn.
02:26I am not the only one who has done it.
02:29So, I am always happy to be with this character.
02:32It is always a pleasure to be working with Sayantan and Nandi Mubishi.
02:36I am very proud to be with you.
02:38So, the whole discipline of the day is not to be able to compromise, and the second release of the movies is a great amount of money.
02:49It is a great amount of money, and it is a great amount of money.
02:55So, this day, what did you say about this journey...
02:59what did you go to this journey?
03:01What did you tell me when you said...
03:03that was technical, you were thinking...
03:05what were the reasons you were thinking about.
03:08So did you say that you were going to be the best?
03:11I was asked for a few things...
03:13I didn't work the script for it earlier.
03:17I was asked for two things...
03:20I was asked for a few things...
03:21I was told to be the best,
03:23But I think that Shantan said that this is the best thing.
03:27And other director has said that this is not the best thing to do.
03:31But Shantan said that someone said that that's how he's going to edit.
03:36So that way he's, you know, that he's like,
03:39you know, he's like, you know, there's a lot of shots in the post.
03:42He's going to edit it.
03:44That's why he's going to do that.
03:46He's going to shoot a whole scene action.
03:48He's going to cut.
03:50So, that way, the poster is very difficult to shoot.
04:01That's why we have to shoot.
04:04And this is the question, as you know,
04:07that in the 14th of the year, we have to shoot.
04:12So, when we get to the perfect scene,
04:16So, in this case, I would like to speak to you that a lot.
04:22But, it seems that if you go to the end of the day after a day,
04:25you would need to be very careful.
04:28How do you think that is the fact that you have to speak to the end?
04:30The end of the day after a day after a day, it depends on the content.
04:34The one thing that tells you about the topic is very important.
04:37Even if we can shift it by the RIT, then we will start shooting there.
04:40It depends on which place it is and location.
04:43So, I said that it depends on the content.
04:47The government has been shooting 8 days.
04:49Ramoji said that he was not.
04:52And he said that he was shooting 9 days after the election.
04:55He said exactly the rate of the election.
04:58But the government has been talking about action,
05:01and the action of the election, the action of the election.
05:03So, I said that it depends on the election.
05:08So, we have to do a lot of work.
05:09Even though AI is not the same, we have to do a lot of work.
05:13We have to do a lot of work.
05:15Even though we have to do a lot of work.
05:17I am watching this interview on Google and YouTube.
05:22We have launched a lot of content.
05:26We have to do AI-generated content.
05:28So, we have to do a lot of work.
05:30And then, if you don't have a film,
05:32It is not real.
05:34There are no cyber cafe.
05:35There are no landlines.
05:38They are very difficult.
05:39The whole making will change.
05:41But there will change.
05:42What do you say?
05:44I have to do a lot of work.
05:46We are doing more work.
05:48We are doing more work.
05:50We are doing more work.
05:52We are doing more work.
05:54How do you say things like AI?
05:56How do you say things like AI?
05:58How do you say things like AI?
06:00Is it a very good job?
06:02No. When we were coming to the theatre, we were shooting all the time when it was cut.
06:06We were going to the cinema and we were doing the cinema.
06:08We were going to the bomb.
06:11Bombay was involved in the US century.
06:14Bombay was going to the first time in 2002.
06:17We were not going to the main role in the theatre.
06:20We were going to the main role in that film.
06:21In that film, we had to do the theatre.
06:26I think that there is no one in the past.
06:30There is no one in the landline, there is no one in the landline.
06:32There is no one in the format.
06:34I was shooting U.P. to the same day,
06:36but I was in the Indian city.
06:39I was thinking,
06:40what would you do on YouTube?
06:42I would have to be a little bit of a hall.
06:44I would have to be a small hall,
06:46but I would have to be a small hall.
06:48I would have to be a multi-place hall.
06:51The whole idea is that it is in 2013.
06:54There are a lot of people who are in the South.
06:56And, at least they are in the South.
06:58They are in the South.
07:00They are going to shoot 300 and they are going to shoot 300.
07:02And, they are going to generate AI.
07:04But, we are going to do this with a lot of things.
07:08What do we do in the rights?
07:12The first thing is, you don't know about the industry.
07:16The Federation Director Gilder has a very important thing.
07:21It doesn't affect the industry.
07:25Is there another family?
07:28Is there another family?
07:30Does this family have a family?
07:32If it's particularly an act, multiply the things.
07:35It's a very sad community.
07:37We are concerned about the people of Parliament.
07:39We are not concerned about the family.
07:41We are concerned about the family.
07:43We know based on the territory of the family.
07:45But what happens?
07:47I'm sure we are concerned about the fact that the military is not the right.
07:50Mothel Rameel is still in the middle of the shooting.
07:52However, I think that the industry has to be a problem
07:55that makes it clear that the cinema industry doesn't exist.
07:58This is the making process.
07:59If it exists in the cinema,
08:00this is the making process that we will have a relay shoot.
08:03If we have a camera shoot on the mobile,
08:05then we will have a steel photograph on the relay.
08:07We will have a few photos.
08:09So the making process is to be able to become a particular character.
08:13There is no character in the world.
08:14But when we see a particular scene at the weekend,
08:17there is a complete problem solved.
08:20How do you think about the Bangalore?
08:25Who saw the Bangalore?
08:29No, it's not the case.
08:32We have been doing regular things.
08:34We have not done the BAA.
08:37We have been doing the BAA.
08:39We have been doing the BAA.
08:42We have been doing the BAA.
08:44We have seen the BAA.
08:46We have seen the BAA.
08:48We have seen the BAA.
08:51We have seen BAA in Bahand.
08:53This is the reason we are doing some very well.
08:55This is the case.
08:57We were told that we have been working with a wife.
09:00We would basically be doing a divorce.
09:02If we had a BAA,
09:05then we have not seen the BAA.
09:07They have been taking the BAA.
09:08We will usually wait for the BAA.
09:11We have to leave a lot of the way for the BAA.
09:15...but it's not the case.
09:18We are still working very well.
09:21But it's not that it's our industry that's very hard.
09:24We're also working very well in hotels with the budget.
09:28And we're still working with our budget.
09:31But there's a gap that we'll have to produce.
09:34From about to about 4 or 6 days in this place, I'm a producer.
09:37So we're still working with our own business.
09:40We're still being mobile.
09:42So, it's a good job. It's a good job. I think it's a good job.
09:48It's a good job. I'm always happy. I was very well-appreciated.
09:56I'm very well-appreciated. I think I was very satisfied with a good job.
10:08And Ritu Swam is the hardest part.
10:10Hello, Ritu Swam is the hardest part.
10:15I can't wait to see Ritu Swam.
10:17So, Ritu Swam is the hardest part.
10:22And Ritu Swam is the hardest part.
10:24And the character is the most important part.
10:27He tells us that he's not the best of this.
10:30But Ritu is the hardest part.
10:32That's the hardest part.
10:34This is what you have seen in July, Madam Shenruth, which is a fantastic actress, Rahul Koshigda.
10:49Thank you so much.
10:53Thank you very much.
10:54Thank you very much.