পরিচালক-ফেডারেশন দ্বন্দ্ব মিটিয়ে নিক, ক'দিন পর সব কাজ তো করবে এআই: সুব্রত দত্ত

ETVBHARAT

ইটিভি ভারতের মুখোমুখি হয়ে তাঁর আসন্ন ছবি 'ম্যাডাম সেনগুপ্ত' নিয়ে অভিজ্ঞতা ভাগ করে নিলেন সুব্রত দত্ত ৷

Transcript

00:00Thank you so much for joining us today, Amina Bhunita, and today we will be happy to be here today.

00:22In the moment, Swabha said that he was a good person. If he could do something like that,

00:28then we can say that he was a good person.

00:32But in Kolkata, he was a good person.

00:34I think he was a good person.

00:36I think he was a good person.

00:38He was a good person.

00:40Thank you. I'm very happy.

00:42What's your good person about Madam Sangupta?

00:47I'm proud to say that Madam Sangupta, and I think he was a good person.

00:55I have seen him film in Bangala.

00:57They're very happy to be able to be an actor.

00:59I think it's like Rahula, Gosik Senda, Paranda, Khawraj, Shanti, Ami, Devokriyo.

01:07A very good actor.

01:09In the main direction was the main actor.

01:11Yes, I've got the character in the name of this character.

01:13In the main character, it's really important.

01:16And this character is a primary character.

01:17So he does another promotion.

01:20But in this particular position, what will you find?

01:22When someone is in the middle there, the actor is in the middle of the corner.

01:26Every actor is in the middle of the corner.

01:29And the actor's second character is on the screen.

01:31So I'll leave the mouth and just say, I'm going to get the right majority.

01:33But in this particular action, then the actor is in the middle of the corner.

01:38So this character is in the middle of the corner.

01:39And that is very interesting.

01:41Yes.

01:42And to me?

01:44I did not know the teaser version of the trailer, but I was the first one.

01:50But I am not the main protagonist, I am the main pillar.

01:55I am the main pillar of Ritu Anunna Rahul.

02:00This is a very good idea.

02:02Even the action sequences shoot.

02:05I am going to talk about this character.

02:09The fourth one is interesting.

02:11I am very proud to be aware of this character.

02:14But when I am the first one that I am the main pillar of Ritu Anunna Rahul,

02:19I am very proud of the mountain.

02:21I am very disciplined and I am very disciplined.

02:24So a lot of people can learn.

02:26I am not the only one who has done it.

02:29So, I am always happy to be with this character.

02:32It is always a pleasure to be working with Sayantan and Nandi Mubishi.

02:36I am very proud to be with you.

02:38So, the whole discipline of the day is not to be able to compromise, and the second release of the movies is a great amount of money.

02:49It is a great amount of money, and it is a great amount of money.

02:55So, this day, what did you say about this journey...

02:59what did you go to this journey?

03:01What did you tell me when you said...

03:03that was technical, you were thinking...

03:05what were the reasons you were thinking about.

03:08So did you say that you were going to be the best?

03:11I was asked for a few things...

03:13I didn't work the script for it earlier.

03:17I was asked for two things...

03:20I was asked for a few things...

03:21I was told to be the best,

03:23But I think that Shantan said that this is the best thing.

03:27And other director has said that this is not the best thing to do.

03:31But Shantan said that someone said that that's how he's going to edit.

03:36So that way he's, you know, that he's like,

03:39you know, he's like, you know, there's a lot of shots in the post.

03:42He's going to edit it.

03:44That's why he's going to do that.

03:46He's going to shoot a whole scene action.

03:48He's going to cut.

03:50So, that way, the poster is very difficult to shoot.

04:01That's why we have to shoot.

04:04And this is the question, as you know,

04:07that in the 14th of the year, we have to shoot.

04:12So, when we get to the perfect scene,

04:16So, in this case, I would like to speak to you that a lot.

04:22But, it seems that if you go to the end of the day after a day,

04:25you would need to be very careful.

04:28How do you think that is the fact that you have to speak to the end?

04:30The end of the day after a day after a day, it depends on the content.

04:34The one thing that tells you about the topic is very important.

04:37Even if we can shift it by the RIT, then we will start shooting there.

04:40It depends on which place it is and location.

04:43So, I said that it depends on the content.

04:47The government has been shooting 8 days.

04:49Ramoji said that he was not.

04:52And he said that he was shooting 9 days after the election.

04:55He said exactly the rate of the election.

04:58But the government has been talking about action,

05:01and the action of the election, the action of the election.

05:03So, I said that it depends on the election.

05:08So, we have to do a lot of work.

05:09Even though AI is not the same, we have to do a lot of work.

05:13We have to do a lot of work.

05:15Even though we have to do a lot of work.

05:17I am watching this interview on Google and YouTube.

05:22We have launched a lot of content.

05:26We have to do AI-generated content.

05:28So, we have to do a lot of work.

05:30And then, if you don't have a film,

05:32It is not real.

05:34There are no cyber cafe.

05:35There are no landlines.

05:38They are very difficult.

05:39The whole making will change.

05:41But there will change.

05:42What do you say?

05:44I have to do a lot of work.

05:46We are doing more work.

05:48We are doing more work.

05:50We are doing more work.

05:52We are doing more work.

05:54How do you say things like AI?

05:56How do you say things like AI?

05:58How do you say things like AI?

06:00Is it a very good job?

06:02No. When we were coming to the theatre, we were shooting all the time when it was cut.

06:06We were going to the cinema and we were doing the cinema.

06:08We were going to the bomb.

06:11Bombay was involved in the US century.

06:14Bombay was going to the first time in 2002.

06:17We were not going to the main role in the theatre.

06:20We were going to the main role in that film.

06:21In that film, we had to do the theatre.

06:26I think that there is no one in the past.

06:30There is no one in the landline, there is no one in the landline.

06:32There is no one in the format.

06:34I was shooting U.P. to the same day,

06:36but I was in the Indian city.

06:39I was thinking,

06:40what would you do on YouTube?

06:42I would have to be a little bit of a hall.

06:44I would have to be a small hall,

06:46but I would have to be a small hall.

06:48I would have to be a multi-place hall.

06:51The whole idea is that it is in 2013.

06:54There are a lot of people who are in the South.

06:56And, at least they are in the South.

06:58They are in the South.

07:00They are going to shoot 300 and they are going to shoot 300.

07:02And, they are going to generate AI.

07:04But, we are going to do this with a lot of things.

07:08What do we do in the rights?

07:12The first thing is, you don't know about the industry.

07:16The Federation Director Gilder has a very important thing.

07:21It doesn't affect the industry.

07:25Is there another family?

07:28Is there another family?

07:30Does this family have a family?

07:32If it's particularly an act, multiply the things.

07:35It's a very sad community.

07:37We are concerned about the people of Parliament.

07:39We are not concerned about the family.

07:41We are concerned about the family.

07:43We know based on the territory of the family.

07:45But what happens?

07:47I'm sure we are concerned about the fact that the military is not the right.

07:50Mothel Rameel is still in the middle of the shooting.

07:52However, I think that the industry has to be a problem

07:55that makes it clear that the cinema industry doesn't exist.

07:58This is the making process.

07:59If it exists in the cinema,

08:00this is the making process that we will have a relay shoot.

08:03If we have a camera shoot on the mobile,

08:05then we will have a steel photograph on the relay.

08:07We will have a few photos.

08:09So the making process is to be able to become a particular character.

08:13There is no character in the world.

08:14But when we see a particular scene at the weekend,

08:17there is a complete problem solved.

08:20How do you think about the Bangalore?

08:25Who saw the Bangalore?

08:29No, it's not the case.

08:32We have been doing regular things.

08:34We have not done the BAA.

08:37We have been doing the BAA.

08:39We have been doing the BAA.

08:42We have been doing the BAA.

08:44We have seen the BAA.

08:46We have seen the BAA.

08:48We have seen the BAA.

08:51We have seen BAA in Bahand.

08:53This is the reason we are doing some very well.

08:55This is the case.

08:57We were told that we have been working with a wife.

09:00We would basically be doing a divorce.

09:02If we had a BAA,

09:05then we have not seen the BAA.

09:07They have been taking the BAA.

09:08We will usually wait for the BAA.

09:11We have to leave a lot of the way for the BAA.

09:15...but it's not the case.

09:18We are still working very well.

09:21But it's not that it's our industry that's very hard.

09:24We're also working very well in hotels with the budget.

09:28And we're still working with our budget.

09:31But there's a gap that we'll have to produce.

09:34From about to about 4 or 6 days in this place, I'm a producer.

09:37So we're still working with our own business.

09:40We're still being mobile.

09:42So, it's a good job. It's a good job. I think it's a good job.

09:48It's a good job. I'm always happy. I was very well-appreciated.

09:56I'm very well-appreciated. I think I was very satisfied with a good job.

10:08And Ritu Swam is the hardest part.

10:10Hello, Ritu Swam is the hardest part.

10:15I can't wait to see Ritu Swam.

10:17So, Ritu Swam is the hardest part.

10:22And Ritu Swam is the hardest part.

10:24And the character is the most important part.

10:27He tells us that he's not the best of this.

10:30But Ritu is the hardest part.

10:32That's the hardest part.

10:34This is what you have seen in July, Madam Shenruth, which is a fantastic actress, Rahul Koshigda.

10:49Thank you so much.

10:53Thank you very much.

10:54Thank you very much.

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