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Exclusive: নিম্ন মধ্যবিত্ত নারী সমাজের প্রতিনিধি ছিলেন সুপ্রিয়া দেবী
ETVBHARAT
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1/8/2025
'আততায়ীর মতো পুরুষশাসিত সমাজকে বোঝাতে চেয়েছেন তিনি সামান্য নারী নন ৷ আর এখানেই সফল অভিনেত্রী ৷' অজানা নানা কথা শোনালেন চলচ্চিত্র গবেষক-অধ্যাপক সঞ্জয় মুখোপাধ্যায়।
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00:30
Today, I will talk to him.
00:32
I will get to know him through the stories of Supriya Chowdhury,
00:36
which many of us are unaware of.
00:37
Welcome to ETV Bharat.
00:39
SUPRIYA CHOWDHURY Thank you.
00:40
How are you, sir?
00:41
I would like to know that.
00:42
SUPRIYA CHOWDHURY I am fine.
00:42
Tell me, I am even happier that you are here.
00:46
I am also happy to be here.
00:50
So, what I will say first is that actress Supriya Chowdhury,
00:53
artist Supriya Chowdhury, along with her,
00:57
Mahanao Kuttam Kumar,
00:58
Sangini Bandhu,
01:00
Sevika,
01:01
Supriya Chowdhury.
01:02
I will get to know all of this through you.
01:04
Supriya Chowdhury, it's nice to meet you.
01:06
SUPRIYA CHOWDHURY Supriya Chowdhury,
01:08
the one who was very familiar with me,
01:10
she is not.
01:11
She is a little older than me,
01:13
and there are other things as well.
01:14
But I would like to start with an incident.
01:16
Once, on the birthday of Hrithik Ghatak,
01:19
in Bodhai TV,
01:22
there was an ashram.
01:25
Supriya was coming there.
01:28
She came a little later,
01:29
just 2-3 minutes later,
01:31
but she came with a lot of difficulty,
01:32
saying that I am only for Hrithik Ghatak,
01:35
only for Hrithik Ghatak,
01:36
otherwise I wouldn't have come.
01:37
Her knee replacement had been operated.
01:41
So, she came.
01:43
When she came,
01:44
everyone told her to take rest for 2-3 minutes.
01:47
She was crying, crying very loudly.
01:49
She is 78 years old.
01:51
So, she was taking rest.
01:55
I was sitting next to her.
01:58
I was looking at her leg.
02:00
She suddenly looked at me.
02:01
People were looking at her leg,
02:03
and she was laughing a little unimpressed.
02:06
I was also very nervous.
02:08
I said, I was looking at your leg.
02:11
She said, leg?
02:12
I said, why leg?
02:13
She said, Hrithik Ghatak uses the leg.
02:16
I said, why?
02:18
She said, to make a goddess statue,
02:20
you need a long neck.
02:22
Your leg is very long.
02:24
I said, I didn't think about it.
02:26
She said, you said it in a story.
02:28
What do you know about it?
02:30
I didn't know about it.
02:32
You said, you have written it.
02:34
So, the day she came to meet me for the first time,
02:36
we were talking,
02:38
at Ganga Prasad Mukherjee's house.
02:40
I had an appointment at 5 o'clock.
02:42
The shooting would get delayed.
02:44
I couldn't reach by 5 o'clock.
02:46
She shouted,
02:48
My name is Siddharth.
02:50
I was in a hurry.
02:52
I saw a long beard on the other side.
02:54
I didn't know when I would come.
02:56
I was in a hurry.
02:58
I went to my name.
03:00
I lost my hair.
03:02
I lost my hair.
03:04
I didn't know what to do with my hair.
03:06
I didn't know what to do with my hair.
03:08
I didn't know what to do with my hair.
03:10
I took my hair in my hand.
03:12
I crossed the road and went home.
03:14
She took care of it.
03:16
I think she had planned it
03:18
from the last scene of Meghithagatara.
03:20
from the last scene of Meghithagatara.
03:22
from the last scene of Meghithagatara.
03:24
The first successful film of Uttam Kumar.
03:26
Subriya Devi was also there.
03:28
The Asu family.
03:30
Subriya Devi was also there.
03:32
Subriya Devi was also there.
03:34
Subriya Devi was also there.
03:36
Subriya Devi was also there.
03:38
Subriya Devi was also there.
03:40
Subriya Devi was also there.
03:42
Subriya Devi was also there.
03:44
The main mystery in Subriya.
03:46
The main mystery in Subriya.
03:48
The main mystery in Subriya.
03:50
A sort
03:52
introvert,
03:54
unknown,
03:56
it was in Hollywood.
03:58
it was in Hollywood.
04:04
She is just so completely
04:06
She is just completely
04:08
introvert,
04:10
The woman who is
04:12
NARESH MARKARIAN NARESH MARKARIAN
04:42
It is my responsibility to say that till date, the way Bengalis dance,
04:48
it is mainly Manipuri, Shantiniketani dance.
04:51
Outside of that, if you go to a Biliti dance,
04:55
even that is not exactly a Biliti dance.
04:59
For that reason, we depend a lot on western cinema or southern cinema.
05:03
Shupiya Chowdhury had a huge batik troupe.
05:07
When he was in Burma, he did a performance of this dance.
05:12
The Prime Minister of Burma at that time had congratulated him.
05:16
In that situation, it was highly possible that he was a dancer.
05:21
That too, a Bengali actor.
05:23
He didn't use it at that time.
05:25
He didn't get the opportunity to do that.
05:27
I don't know about you, but if you come to my house,
05:29
you will be shot dead by a bullet.
05:31
In this film, the way Arnold Neumann or Kakee
05:33
is portrayed in the film,
05:35
the way Shupiya is portrayed in the film,
05:37
that is possible only for Shupiya.
05:39
And we don't give importance to Shupiya.
05:42
We think that, in terms of his body,
05:46
he is the only one.
05:49
Not only that, when he is introduced to the world,
05:52
like Ajay Kaur, Suno Varunari,
05:54
he has done an extraordinary performance.
05:58
And with Uttam Kumar,
06:00
he is not only a great singer,
06:02
but he is also a great actor.
06:04
Like Jorno Tarje, Prattha Ghat,
06:06
in Chirodin's film,
06:08
Lal Pathar,
06:10
in that film, you will see,
06:12
he has an independent existence.
06:14
Actually, there is a foreign sociologist,
06:16
Andrei Moro,
06:18
he said that,
06:20
the heroine,
06:22
the star,
06:24
is recognized as an actor with a biography.
06:27
An actor with a biography.
06:30
From that point of view, Shupiya is a biography.
06:33
You are saying that, Shupiya
06:35
had a deep relationship with Uttam Kumar.
06:38
This is a proven fact.
06:41
And at that time,
06:43
Khabarikabad has written
06:45
a lot about him.
06:47
And we had a lot of expectations
06:49
about Shupiya.
06:51
How he will show his acting,
06:53
I was thinking about that.
06:55
I was thinking about that.
06:57
How Uttam Kumar's house was destroyed,
06:59
how he was arrested,
07:01
I was thinking about that.
07:03
After seeing that,
07:05
when Shupiya was called
07:07
for the competition,
07:09
I saw him in a different way.
07:11
And from the point of view of acting,
07:13
I would say that,
07:15
the Bengali society had an opinion about Shupiya.
07:17
They tried to remove the shadow of Uttam Kumar.
07:20
Shupiya is a representative
07:22
of Bengali life.
07:24
You will see,
07:27
Shupiya can't do anything.
07:29
She can't do anything.
07:31
Shabitri Devi can,
07:33
but Shabitri Devi is a brave,
07:35
moderate, homely woman.
07:37
And the weakness,
07:39
the unwillingness,
07:41
and the angry look
07:43
that I saw in Shupiya's eyes,
07:45
after the partition of the country,
07:47
we had no other option.
07:49
Shupiya's self-determination,
07:52
even before Uttam Kumar,
07:54
he was an actor.
07:56
He was able to show
07:58
how much effort he had to make
08:00
for his family.
08:02
From the point of view of acting,
08:04
he was able to show his self-determination.
08:06
I think in the middle ages,
08:08
there were many big actresses.
08:10
At that time,
08:12
when Shupiya Choudhury
08:14
would give herself up
08:16
as a romantic actress,
08:18
she would be very happy.
08:20
In Migiraka Tala,
08:22
she spoke in Dhakai Bengali
08:24
which is also possible
08:26
if you are a Bengali from Burma.
08:28
But in Gita,
08:30
the way she spoke in Dhakai Bengali,
08:32
the way she spoke in Dhakai Bengali,
08:34
the way she spoke in Dhakai Bengali,
08:36
the way she spoke in Dhakai Bengali,
08:38
I mean, in just two months,
08:40
I saw this in Gita,
08:42
Shupiya Choudhury was learning Dhakai Bengali.
08:44
At that time,
08:46
the determination to become an actress,
08:48
as a teacher,
08:50
and as a teacher,
08:53
they were both very determined.
08:55
Then in just two months,
08:57
the language they practiced,
08:59
that language,
09:01
it was not some unusual language,
09:03
that they were doing an independent film
09:05
Basinda Naan.
09:07
It was popular in cooking class.
09:09
They had a good cooking skill
09:11
and they were good at it.
09:13
There is no doubt about it.
09:15
But, think about it,
09:17
as much as Benuddin's cooking skills are popular,
09:19
his acting skills are not that popular.
09:21
I don't want to talk about corruption, I don't want to talk about listening and understanding.
09:25
When a politician and an economist talk about political events,
09:29
then they don't talk about politics as much as they talk about political events.
09:33
Thank you very much.
09:34
Please stay well.
09:37
With cameraman Dhiman Haldar,
09:38
I am Navneeta Dutta Gupta,
09:39
ATV Bharat, Kolkata.
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