Skip to player
Skip to main content
Skip to footer
Search
Connect
Watch fullscreen
Like
Comments
Bookmark
Share
Add to Playlist
Report
How To Play '2022' With L.S. Dune's Frank Iero And Travis Stever
Guitar World
Follow
6/14/2025
Learn how to play “2022”, from L.S. Dunes' debut album, Past Lives.
Category
🎵
Music
Transcript
Display full video transcript
00:00
Hey everybody, I'm Frank Iguro.
00:02
This is a run-through of the song 2022 by the new band L.S. Dunes.
00:10
The record comes out 11-11-22 on Fantasy Records.
00:17
The record is called Past Lives.
00:19
And this is one of the singles off of that record called 2022.
00:24
We're going to do a little bit of, I guess, a tutorial and then a playthrough.
00:29
This song for me is basically like a two to how many minutes is this?
00:37
A three-minute solo? Basically a four-minute solo.
00:40
It's a lot of riffing happening.
00:44
So bear with me and I'm going to try to show you everything that's happening.
00:49
The first, I guess, thing to say about this song is that when this song first came into the band,
00:55
it was a song that Anthony Green, our singer, wrote.
01:00
It was a very bare-bones demo.
01:04
It was so beautiful and so heavy that he came into the band and said that he really wanted this band
01:12
to kind of take his demo and do something different with it
01:16
and kind of put the L.S. Dunes treatment on it, if you will.
01:21
So Tucker, I think, was the first one to jump onto the demo.
01:25
And with his drum beat, it was very telling exactly where we needed to go with this song.
01:32
And so I remember hearing his syncopation when he came back with that track,
01:40
the drum track on Anthony's demo,
01:43
that I immediately went to play basically the chorus, if you will, like this.
01:50
So it's going to start on G.
01:52
So basically you're going to go offsetting those two for the chorus.
02:14
So once we do that, I guess then I'll stop and then come back for what the verses are
02:19
because the verses are allowed just...
02:22
When I wrote the song or when I recorded my parts of the song,
02:26
it was very improvisational.
02:28
So that's why I think you're getting so many different things for every verse.
02:35
I'm not afraid to go
02:38
I'm not afraid to go
03:08
I'm not afraid to go
03:38
And back to your chorus.
03:48
So the first thing of that verse is kind of sliding up from the D on your A string here.
03:56
Everything's in standard, by the way.
03:58
You are going to need at least 22 frets for this guitar run-through.
04:04
Just so you know.
04:06
By the way, I'm playing my Ernie Ball Stingray
04:08
in a weird ghost metallic that my friend Tim Dove sent me.
04:13
And this is also a Mesa Rectifier Badlander that I'm playing through.
04:20
Everything I was playing through, everybody leapt up.
04:22
So let's see.
04:24
So you're in standard, you're on your A string, and you're going to start D, which is in the
04:30
right here position.
04:31
Kind of doing one of those things, and then you slide up to your G.
04:41
It's on the A string, and then here, you're going to slide up to your G string.
04:52
High E.
05:12
And then you'll lock it back down.
05:13
And then back to your chorus.
05:31
What I'm doing here is basically G chord, D chord, and when you get to that D, you're
05:39
going to kind of keep that chord in place, but your low E string, you're going to fret here
05:45
for like a B flat, A, and then you move.
06:04
One of those.
06:05
All right, so where are we?
06:09
All right.
06:39
A little bit of a difference.
06:49
A little different here.
06:58
And then we're going to go into a solo.
07:01
All right, so back to that solo section right here, which comes after that second verse.
07:06
So the second verse basically is played just a little bit quicker.
07:10
It's essentially the same ascending progression.
07:16
It's just a slight variation.
07:18
So still staying on that D, but you're going to go quicker.
07:21
And then go back to the G here.
07:22
And then go back to the G here.
07:28
Hang out.
07:32
You're just kind of dancing around and playing around with that vocal.
07:35
So again, with the walk, the kind of like call and response on the G string to D string.
07:46
And then when you go up to that high, you're going to go a little bit quicker.
07:50
Walk right down.
07:51
Back up to the 20th second fret.
07:56
And then it comes into this, I guess, a solo of a solo, right?
08:00
So put that in time.
08:29
Find it.
08:30
Keep it.
08:35
Keep it.
08:56
Keep it going.
08:58
Let Anthony and the drums take it off from there, Travis comes in with like a picked out
09:14
part and some, I think there's like a little bit of a, maybe like a pull off or a tapping.
09:21
I'll come back in here around 3 minutes, 5 seconds and there'll be a picked screen.
09:38
Take a rest and sit at about 3.05 where the picture comes in.
09:50
And the last chorus.
10:14
The last chorus.
10:15
The last chorus.
10:16
The last chorus.
10:21
And that's it.
10:46
Hey, I'm Travis Stever from LS Dunes.
10:55
I'm going to do a rundown of the song 2022 from the upcoming album Past Lives.
11:02
This song in particular is quite different than the rest of them in the sense that it
11:07
was already a song that Anthony had and he presented it to us as a demo, which had beautiful
11:14
instrumentation on it, but it was very bare bones and he said, I would like you guys to
11:18
rewrite this song musically to the vocals basically, which we did.
11:23
There was one part on it that does come in and out that we all agreed we wanted to keep
11:28
on the version that we were doing and it was a finger picking.
11:39
Which is, starts in, it's a G minor finger picking kind of run.
11:43
I learned it, so this is how I play it and I've taken the, I've taken it up live, but
11:51
how I play it is, I've started.
11:59
So it starts up on the seventh fret on the G string on the D.
12:04
Well, it's on the, yeah, it's on the G string, but D on the G string on the seventh fret and
12:09
so we'll come back to that because that finger picking does dip in and out, but the rest of the
12:30
stuff that I performed on it and Frank performed on it was what we built.
12:35
Uh, and what we wrote to Anthony's vocals into what Tucker and Tim wound up playing as well.
12:41
Um, I believe that Frank had the, uh, the chords that the notes of chords that he was striking
12:49
on the verse and I just wrote my part to that, which, um, starts, I start also on the seventh fret.
12:58
Uh, I'll play the part regular speed and then we'll, um, slow it down, but
13:05
So I'll come up, do it a little slower.
13:15
I'm starting on the seventh fret, going up a half step.
13:17
Going up to the D string onto the eighth, seventh, tenth, back to the seventh, and keeping a steady.
13:35
That's the part the whole time, keeping a steady.
13:47
Very primal picking approach.
13:57
So I'll play it along with the song.
13:59
It does that the whole verse.
14:01
Here we go.
14:29
Here we go.
14:41
Here we go.
14:45
Here we go.
14:49
Here we go.
14:58
So, stop it now.
15:10
That verse part stays the same, like I said, the whole time.
15:22
After that, what I guess you would call kind of like, you know, the chorus, pre-chorus.
15:30
I mean, the song is very interesting in the way that it's also arranged.
15:34
I'm not sure what to call exactly the chorus a lot of the time, which I think is really cool.
15:41
Basically, right after that, what I'd call the verse, we go into what could be the chorus
15:49
or a pre-chorus.
15:50
If you think the breakdown is the, I'm not sure.
15:52
But anyway, what I'm playing there is sort of an octave kind of thing, which starts on
15:57
the fifth fret on the D string.
16:00
And then you also on the eighth fret are on the B string, one of these kind of, one of
16:08
these kind of octave joints, which I tend to use a lot.
16:12
And so it's.
16:20
That's adding the opener.
16:26
With a little bit of like.
16:27
So that's how I'm striking.
16:41
Just stabs.
16:43
Starting on that fifth fret, doing the octave thing on there, continuing with the same structure
16:56
going up to the eighth.
16:59
Back down to seventh.
17:00
All the way up to the tenth.
17:04
Third.
17:06
So that's basically how I'm doing that.
17:09
And then it goes back into the finger picking.
17:11
We're going to continue the song playing it.
17:14
I do basically the same things until I reach a finger tapping part, basically.
17:19
So, here we go.
17:49
I do.
17:54
And then that's how I feel like.
17:55
I'm going to continue the centre of my head.
18:18
hey so this is uh part two of 2022 i got cut off there but i think everything else was really
18:36
usable um we're we're right here in the finger picking finger picking part that i was talking
18:45
about at the beginning of part one where it's it's pretty dominant in this part but frank is playing
18:52
a lot of lead stuff and i added a little bit of guitar which we'll get into in a second um but
18:57
this is the same part that we were describing before which starts off on this g minor area right
19:05
here and stays doing that and above it i added a
19:15
so you can hear that coming here
19:26
now it's just chords
19:43
now it's just going to be chords
19:49
so that's how i'm playing
20:14
so that's how i've adopted it live
20:16
to try and capture what the whole thing that's being played right here when it breaks down
20:21
then i come in with this
20:34
and i'll see you guys
20:38
and i'll see you next time
20:39
so
20:40
i'll see you next time
21:11
So, the, the, basically the finger tapping part is still the same chord that I described
21:27
before.
21:29
Starts there, but instead of doing the finger picking, I am doing this up on the 15th fret.
21:41
Still keeping my fingers, and then I'm adding my pinky up onto the 8th fret on the high
21:49
E.
21:52
The whole time bar, basically utilizing on this, on the 15th fret.
22:01
And then I come back in with the same chord progression, all octave chords.
22:27
And that's that.
22:40
Part 3 of 2022.
22:42
So, the end of the song, I'm just, I'm splitting them up into these three parts so it's easy
22:47
for you guys to throw together.
22:51
So, the end of the song is the same as the first and second verse.
22:56
I basically just end out the exact same way.
23:17
Ends on that good old octave.
23:37
Same old thing we were working on.
23:43
It just ends on.
23:46
And that's it.
23:47
That's pretty much all the parts.
23:49
Um, I hope this works.
Recommended
23:52
|
Up next
L.S. Dunes' Frank Iero and Travis Stever teach you how to play "2022"
Guitar World
5/18/2023
4:53
Reverend’s Billy Corgan Z-One - Demonstration and Review
Guitar World
6/23/2025
5:23
Donner’s Hush-I Silent Guitar Demo | Guitar World
Guitar World
2/16/2024
5:00
Andy Timmons On Targeting Chord Tones With String Bends
Guitar World
yesterday
3:45
Carbon Fiber Acoustic Demonstration - Donner’s Rising-G Pro
Guitar World
yesterday
3:16
How To Incorporate Volume Swells Into Solos With Joe Bonamassa
Guitar World
yesterday
8:55
Andee Blacksugar With KMFDM - Show Me The Gear
Guitar World
2 days ago
9:20
Lava Music’s Blue Lava's Original Acoustic Electric Guitar
Guitar World
2 days ago
2:19
Joe Bonamassa - Fleetwood Mac’s 'Lazy Poker Blues'
Guitar World
3 days ago
9:48
Luís Kalil – 'Boulevard' Reverse Tapping Lesson
Guitar World
3 days ago
11:53
FU-Tone's Hardware Guitar Upgrades
Guitar World
4 days ago
13:43
Demonstration Of The NUX MG-400
Guitar World
5 days ago
2:20
Andy Aledort On Incorporating Open-String Drones Into An Improvised Solo
Guitar World
5 days ago
3:00
Applying A Jimi Hendrix Approach To Improvising On 'Rollin Stone' With Andy Aledort
Guitar World
5 days ago
3:28
Josh Smith - More On The Live Version Of 'Triple J Hoedown'
Guitar World
6 days ago
6:27
Andy Timmons On Approaches To Expressive String Bending Techniques
Guitar World
7/1/2025
7:08
Andy Timmons - Finding The Melody Via Alternative String-Bending Techniques
Guitar World
6/30/2025
3:59
Orthodox – Head On A Spike Guitar Playthrough
Guitar World
6/30/2025
3:51
Martin's 000JR-10E Shawn Mendes Signature Review
Guitar World
6/29/2025
4:56
PRS Transparent Overdrive, Dual Analog Flanger And Optical Compressor
Guitar World
6/28/2025
8:06
Andy Timmons - The Chord Melody Approach For 'That Day Came'
Guitar World
6/28/2025
3:29
Josh Smith - The Danny Gatton Influenced Solos On 'Brown Gatton'
Guitar World
6/27/2025
2:40
Varied Soloing Approaches On 'Brown Gatton' With Josh Smith
Guitar World
6/27/2025
4:53
Reverend’s Billy Corgan Z-One - Demonstration and Review
Guitar World
6/30/2025
3:45
Carbon Fiber Acoustic Demonstration - Donner’s Rising-G Pro
Guitar World
6/28/2025