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00:27.
00:29.
00:30You want to put on 28 years ago?
00:31Or did you have a child?
00:32And you were a poor kid?
00:34You were thinking of being a country?
00:34Oh... what happened?
00:36I was doing it all for you
00:37I'm gonna die again.
00:39I'm going to die!
00:40What happened to the difference between you and me?
00:41He said that you came to L'Anareseil…
00:43and you gave me momentum with your man...
00:45and you gave him an order thing!
00:46And he gave me to order
00:48so that I didn't use my team
00:49And you gave me a call!
00:51So you have to take this issue!
00:52I'm going to give the letter to you
00:54to give me a descendية!
00:55You got to send his father!
00:58And he's got to send me a second!
00:59everyone is going to ...
01:01But have you something to do as it find it?
01:03The answer is to the same thing as Fajan and I know what thefellas are doing
01:07You mean that are you can't see?
01:09What's your mind like?
01:10Is it a love thing you might see?
01:11Aatz, you know, your stand-up?
01:12You said that when I turned to Fajan, I had to be lost in the city
01:17We all have to be lost in the city
01:18With LookFa-Rouz's, we all have to go with everyone
01:21You said that you have lost some people
01:22You didn't have to go with her
01:24You became a friend to her
01:25You didn't have to be that soon
01:27You said that what you have to go in the late studies
01:29You're gonna be saying what?
01:30This is the blood of the man!
01:32I'm sorry!
01:35This is the blood of the man!
01:38You're gonna be an officer!
01:41You're gonna be a woman!
01:43You're gonna be a woman!
01:45You're not a man!
01:46You're a man!
01:47Yeah.
01:49You're a woman!
01:51You're a woman!
01:53I've got a woman!
01:55I've got 30 years of my life!
01:57I mean, the mother she was born, she was born and said,
02:00that she was born, she was born.
02:02Why not be that? Why not to be named Fadi? Why not to be Smyr? Why not to be Aحمد Nabil Manja?
02:07You're saying what? I'm not going to be able to say this. I'm going to tell you this.
02:12I'm going to leave you alone!
02:14You're gone!
02:16I'm going to go and get to the end of the day.
02:19So I'm going to get to the end of the day and get to the end of the day.
02:27I'll see you in the next video.
02:57iç该 النصب التسكريكبير بيمثل مجموع الشهداء كأنهم وقفين لوحدهم
03:01الحزيني يا عزيزي إن حتى النصب التسكريكي دي كانت ملامحة مشوهة بسبب الرصاص
03:06منطقة يا عزيزي سهل نعتررها
03:09مهجورة تماماً
03:10ليه؟
03:10لأنها بتقع بين بيروت الشرقية وبيروت الغربية
03:14على الحدود الأمامية لكل بيروت فيهم
03:16فيه مسلحين متحصنين وراً متاريس
03:19يأكلوا ويشربوا ويناموا ويحربوا بعض
03:21Open the street!
03:24Here you get home!
03:29Philippe Colony!
03:33Let's eat!
03:35We'll
03:48Every other side of the world had different views for Lebanon
03:51All Islands, let me tell you, we are talking about the country
03:54But here are 18 states
03:57This is an attack army, it's a stronger way
03:59and that's what the main thing is, they will have to carry out everything in Lebanon
04:02And the terms should be
04:03And it dissipates
04:03geographic and religiously and religiously
04:05to the Bairot
04:06Bairot is a kendo
04:08and maish на shri.
04:09And it can transfer to the lanshi
04:10and Bairot is the other
04:11Bairot is a birerver
04:13And these are other Muslims
04:14The Boys I'm in Israel
04:15between 18 states
04:16Bairot
04:18Put this also on the outside of the region, which will come back to you
04:21Israël will get scored two times
04:23first, inerset 1978
04:24and the second, after 4 years, in the 1882
04:27the war will start to reduce the top of the order of the war
04:29and we'll go full of everything for 15 years
04:32one-third, the Maroniians will come back with one-round
04:33one-third, the Maroniians will come back with one-round
04:36one-third, the Maroniians will come back with one-round
04:38one-third, the Shia will come back with the Shiites
04:39and finally the Shia and the other, the Shia and the Maroniians will come back for a second
04:43so through this, I already started to live with one-round
04:44in Lebanon, I'm an individual who called themselves
04:46in Lebanon, and the Arab, and not the Arab, all of them.
04:49It's a bit more than you can see.
04:50As you can see, Azizy, all of them, there's a war with all of them.
04:52But let's give us, Azizy, another one.
04:53Let's go back to the beginning of the day.
04:55The Muslims who are living on the internet in Beirut,
04:58which is what they want to tell you, Azizy,
05:00there's no connection between them.
05:02But it happens to you, Azizy, in 1984,
05:04between all these these two thoughts,
05:06and all these these two thoughts,
05:07and all these these two thoughts,
05:09and all these these two thoughts.
05:10Fairoos is to create an album,
05:12an album with a new album,
05:14ANNA' MAH'RIFTI ФIYK,
05:15FI MACHHADNA YA YA AZIZY LIMUTEKAYL DDE!
05:17you can see a researcher in Beirut's
05:18in Beirut's
05:19and also a female than him,
05:21in Beirut's
05:22in the morning in Beirut's
05:23in Beirut's
05:24in Beirut's
05:24in Beirut's
05:25in Beirut's
05:26in Beirut's
05:27a new one
05:28and another two
05:28the two
05:29're another one
05:30in Beirut's
05:32the same thing.
05:33is people who can say
05:33the most
05:34thing that can tell
05:35in Beirut's
05:36in Beirut's
05:37from
05:38Beirut's
05:39in Beirut's
05:40in Beirut's
05:41in Beirut's
05:41in Beirut's
05:42The others, on their own, and on their own.
05:44The Fairos say...
05:45The Fairos says...
05:46The Fairos, the Fairos, the Fairos...
05:47The Fairos, the Fairs, the Fairos...
05:48The Fairos, making the Fairas...
05:49...
05:52...
05:52I lost his Gavin's face...
05:53...
05:53...
05:54...
05:55...
05:56Every one of them has been to hisz seahe...
05:58...
05:59...
06:00...
06:06...
06:09...
06:11the actual campaign is
06:12which means that the Al 1993 Serbian
06:12is against each other
06:14even even to think of the same thing
06:14even on the idea that they all have to throw
06:16but the audience
06:17was to throw them
06:17sound
06:18sounded
06:18so
06:18sounds
06:20into their view
06:21so
06:22like the other
06:23ones
06:23they have shared
06:24their relationship with the
06:25fire
06:25not to give away
06:26their thoughts
06:27but not to have a
06:28wisdom
06:29that in fact
06:30in order to make
06:32it is
06:32the eyes of your view
06:34are different
06:34like the
06:35by the
06:36icon
06:36so
06:36it is
06:37it is
06:37like the
06:38in the same time, and the same time is not
06:51at least in the same time, and at least in the same time, the same time is not
06:57The other one of them is not a good one
06:58Is a good one
06:59Is a good one
07:00Is a good one
07:00But not be able to think
07:01In this video, we're going to see you in this video
07:02We're going to see why in Beirut, what is this video?
07:05Hello, we're finally in Beirut
07:11But we're going back to the 1950s
07:13We're at the time in the this video
07:15And we're at the top of the video
07:15The one who is a good one
07:17And the one who is a good one
07:18Amalim Aroumi
07:19I'm going to tell you, Azizi, has a good one
07:20They're all about 15 years old
07:22When the director is asked about his name
07:23We're going to cut off a lot
07:24And we're going to say
07:25We're going to tell him
07:25We're going to tell him
07:26So I was going to put on a
07:27a
07:31a
07:31a
07:32an
07:33a
07:34a
07:35a
07:35a
07:36a
07:37a
07:37a
07:37a
07:38a
07:39a
07:40a
07:40a
07:41a
07:43a
07:44a
07:46a
07:47a
07:47a
07:48a
07:49a
07:50a
07:51a
07:52a
07:52a
07:53f
07:54a
07:55a
07:56And until the day of the day, Azizy is a trend,
07:58and Azizy is a trend,
07:59,
08:00,
08:01,
08:02,
08:03,
08:04,
08:05,
08:06,
08:07,
08:08,
08:10,
08:12,
08:14,
08:16,
08:18,
08:20,
08:22,
08:24,
08:25,
08:26,
08:28.
08:32,
08:34,
08:36.
08:38,
08:40umm
08:41.
08:42,
08:44,
08:45,
08:46,
08:48.
08:50.
08:53,
08:55He had arent while he was a house He had a fat
09:22and how much more
09:27with every child
09:28even after being
09:29and also
09:31it's also
09:32that they are not
09:32'.
09:33!
09:35and
09:36and
09:37it's
09:38a
09:39podcast
09:39I think
09:40I can
09:41I can
09:41I can
09:43I can
09:43you
09:43I
09:44I am
09:44I
09:45I
09:46I
09:47I
09:49I
09:49I
09:50I
09:52the same time,
09:54the same time,
09:56with the same time,
09:58the same time.
10:00She was looking for a couple of people
10:04.
10:06.
10:07.
10:08.
10:10.
10:12.
10:14.
10:16.
10:17.
10:18.
10:20.
10:22Also the show the gay man will be used to be used to the Lebanon
10:26or what you know about the Lebanon
10:28I'm not mistaken, I'm not mistaken, I'm not mistaken
10:30I'm not mistaken, I'm not mistaken, I'm mistaken, I'm mistaken
10:32This is the language that I'm mistaken
10:34The message is, I'm not mistaken
10:35The direction of the Amlaque, the Salah Jain,
10:37is to receive the Ramanian and to say
10:39that it has been affected by the show
10:41and the show every one who wrote the Amalian
10:43So you have to have a great idea of the American
10:44So you have to have a great idea of the culture of the culture
10:47with a shahraku, with a fanonini, with a man's dinkati,
10:50So that it's good to happen back to some sort of thing.
10:53Should we make a step-by-step system here?
10:55Or, hey?
10:56How much should we make those things?
10:59What's up with the other?
11:02How much should we do this?
11:05We're not sure about the medium-sized ribbons.
11:07It's available now,
11:08when we raided the beginning of the 75 years,
11:11when I went to the teens in an answer to them,
11:12products are super vividly
11:13or patterns in the 80s.
11:14The teens are very surprised that
11:16and they have is green light on the view
11:17and have a little bigger light on the cold.
11:18And in an 80s,
11:19and in the same way, in the same way, in the same way.
11:22So they heleed up these two fields,
11:24will generate one thing within the first half.
11:29I'm gonna own you.
11:29I'm gonna weanen,
11:31a little bit faster with a very simple words.
11:34There's noquites in the Arab or an other,
11:36no other��,
11:36no other,
11:37and no other words.
11:37I'm gonna get to you,
11:39I'm going to show you how to take me at least
11:40and then I'll show you how to take me.
11:42And then,
11:43I'll give you a little bit more!
11:45I'm going to show you what I need to get done.
11:46I go and turn your heart.
11:48I mean in actually your own stupid guilt and that means your actions are taken back.
11:52I have my own
12:07My own
12:08My own
12:08My own
12:09My own
12:11My own
12:11My own
12:12My own
12:13My own
12:14My own
12:15My own
12:15My own
12:16My own
12:17My own
12:17My own
12:18My own
12:18Fairoos is getting better!
12:19As far as Fairoos is getting better at the Nib sign of theukaan
12:22But thus it is right there, and with Fairoos is coming back
12:22Fairoos is a
12:24With Fairoos, it is going to be done
12:26From the audience that you see Fairoos is getting better at this moment
12:28To be a natural head
12:30At the first time you see Fairoos, is going well
12:32and you see this map
12:34It is the first time you see Fairoos in the future
12:36When you see Fairoos that you see Fairoos is getting better at the airport
12:40And you see that Fairoos is getting better at the search
12:42Not that you got better at camera
12:44The Press is already 해
12:45It's gone to an image of this one
12:47They are not good enough to see it.
12:49They are not good enough to one time to the first time to see it.
12:53The man, Azizei, was made with a child.
12:55This is the picture that was named by the Fairouz.
12:58The person who saw this sound is a good enough of a child.
13:01Because of that, they can't afford them to deal with them.
13:04They are, Azizei, they are very important.
13:06It's fragile.
13:07You can't fix it.
13:09Maybe Azizei, this is the vibe that it's been done with you for a while.
13:12Fairouz, on the opposite side of the village,
13:14the village,
13:14the village of the world,
13:16the village of the world,
13:17Go to the son of Al Arab fashion
13:18Go to the 찾아
13:38.
13:42and
13:45It's not an Instagram.
13:48It has to be one of my friends.
13:50You can go nine times for a long time.
13:51I'm imagine this woman .
13:52It doesn't have to stay on the line.
13:54When you built down the street, you knew she worked on a perry.
13:58How do you deal with it?
14:00People went to me.
14:01But as soon as I broke her, it could be a big one.
14:03But if I didn't have to go back to her father's dad's dad.
14:05That's the most common thing I don't care about her riding her.
14:09It's a Google account.
14:09So, as soon as I made her blue light in television, I'd be a solid.
14:12This year, as well, that's what is called
14:19I guess it wasn't just a thing about her
14:21but she was also very famous
14:22about her
14:23her beautiful
14:24and she's a fan
14:24she's another thing about her
14:25she is a good girl
14:26in the first couple of years
14:27that's the idea of thinking that she didn't hold her
14:29like why why no matter of seeing
14:30she was a bad girl
14:31she refused to sit
14:32and she refused to hold her
14:34at the same time
14:34like the tables
14:35where she started getting
14:37at this place
14:37like how she hid her
14:38like the lovers
14:39like the people who did
14:40or how she handed her
14:40it was like
14:41it was called
14:42It's not for you, you know, if you're ready to go.
14:44She's a microphone and just...
14:46The thing that, yeah, Azize, is that we do this to her
14:50for this one, and we're going to make her
14:51and that's what she's doing with her.
14:53And they're just working with her.
14:55But they're doing it on their own.
14:57The one that's the one that's the one that's what's going on.
14:59This is a weird thing.
15:00We're gonna take it and we'll do it again.
15:02We'll do it again.
15:03The first thing that you do is to go to the audience and to the audience.
15:06It's about 50 and 60's and 70's.
15:08It's about to live with a part of life.
15:12BAHIDA TEMAMAMEN UNT AYULAL IRLAM
15:14HAISHE TERABY ULADIT HA'AL-4
15:15ZIYAD
15:16WOHALY
15:16WOLAYAL
15:17WRIIMA
15:18NAHYAH, ASZEEZY, KANET MMAMENHAIAD FIYRUZ BYA LIFEIRA
15:19FIYRUZ BEA LFNANYA KAT TAYRA
15:21BITTERIA, YA, ASZEEZY, FUQ LIBNAN, WALAROASM-A-AHARABIE, WALALAM
15:25APLAMWU MAHARĚANATWU MESRACHIYAT
15:27KULHHA BINGT MEN KLAASIKIYAT MISRACH ALGYNIAI LIBNANI
15:31?
15:35?
15:39?
15:52?
15:53?
15:54?
15:55?
15:56?
15:57?
15:59?
16:00?
16:01?
16:01?
16:01that they could escape from the Al-Baqa
16:03and then they could move on the Al-Baqa
16:03and then they would show off
16:04a bint of Al-Baqa
16:05that they would say to them
16:06to be used to be used to be used
16:07but then the people in the Al-Baqa
16:08are insanlar who回答
16:09and then they could stop
16:09and then they would take pictures of the Al-Baqa
16:10and they would take pictures of them
16:11that was just about
16:12a war chiase
16:13and a war
16:13that happened
16:13that would happen
16:14between people and the al-Baqa
16:15The able
16:25the way it is
16:26that was made by the mythology
16:28that was a story
16:28But that's not what's happening
16:29because of the fact that
16:30Because the newspaper stands in foreign language.
16:33When it comes to the moment, the example, the moment the moment, the world emanations after that.
16:36The Schott between the old and the old, or the old and the time, are not aware.
16:41What if it comes to the hiding place?
16:43豈 live in the search?
16:43Is it possible for your members of the article?
16:45Or is it possible for you or is it possible for your part?
16:49The best of the article in the newspaper is based on the research.
16:53It is possible to protect you from all the works that are made in the artwork.
16:56In the book of Fairooz and Raha Bina, the
17:00The Dr. Fawad Sarabulsi, the
17:01The
17:01The
17:02The
17:03The
17:04The
17:05The
17:06The
17:07The
17:08The
17:09The
17:10The
17:11The
17:12The
17:13The
17:14The
17:15The
17:16The
17:17The
17:18The
17:19The
17:20The
17:21The
17:22The
17:23The
17:24The
17:25The
17:26The
17:27The
17:28The
17:29The
17:30The
17:31The
17:32The
17:33The
17:34The
17:35The
17:36The
17:37The
17:38The
17:39The
17:40The
17:41The
17:42The
17:43The
17:44The
17:45The
17:46The
17:47The
17:48The
17:49The
17:50The
17:51The
17:52The
17:53for that.
17:55I think that you can paint it
17:56that After Darren's eyes,
17:58can be
17:59from the top of her
18:00and to tie over her
18:01she's a girl
18:02under her
18:04not her
18:05she's a child
18:06hunter
18:06and the earth
18:07and the love
18:07of the world
18:08of her
18:09she saw
18:09and was moves
18:10to her
18:11she's
18:11I'm the microphone
18:12of the people
18:12I thought
18:13that they'd like to
18:13look at her
18:14and …
18:15and Farron's
18:15saw her
18:16with the same
18:17letter
18:17the
18:19does
18:20so
18:21It's an individual that has been a part of the world that has been a part of the world.
18:25And even when it comes to the world, it can't be a part of the world.
18:30Come on, my friend, take your own head off and let's go to Las Vegas.
18:33I'm Ahmed.
18:34I'm gonna talk with you.
18:35Why happened?
18:35Is it Vegas?
18:36Is it Vegas?
18:36What is it?
18:36What does it do?
18:37We're doing now at Las Vegas, in 1998.
18:40And we're going to be in the Garden Arena, in the casino MGM Grand.
18:44As far as I'm in the New York Times,
18:46I'm in Las Vegas.
18:48In the United States, the United States were 10,000 people
18:51The world was coming from almost every time in the world
18:53The world was coming from Brooklyn, Washington, London, and Buenos Aires
18:57And the other one was coming from the southern
18:59In the world, there was a guy who had 30 years ago
19:01One of the 1000 children who were born in the war
19:04The children who had a blooded and had kids in the war
19:06There was a long story from the Higra el-Libnanian
19:09It was coming from the first-19-19
19:11And before the war was released
19:13When you look at the L'Abbanaian, you can find all the people
19:16Titanic, yeah, Azizy!
19:18It was on the other side.
19:19The day, Azizy, it was on the other side of Lebanon.
19:21It's a big deal!
19:21You can find the Lebanese people in Brazil
19:23more than the other side of Lebanon
19:25in the other side of Lebanon.
19:26The other side of Lebanon.
19:27It's better than the other side of Lebanon.
19:29As I said to you, Azizy,
19:30the invasion of Lebanon was going to happen before the war.
19:32But it was going to be a mystery during the war.
19:34The people who went with her
19:35and had a nice life and had a good life.
19:37And they couldn't even know where they were.
19:39They didn't know when they came to Lebanon.
19:41They became the same Lebanon or another one.
19:42And here, Azizy, we found a virus
19:44that came from Lebanon
19:45in the other side.
19:47Everything is available at the same time.
19:49Everything is available.
19:51What should you do here is your life?
19:54Maybe you can apply it in the early days.
19:56Everybody is going to be well done.
19:58This is going to be more than Guroadahs.
20:00How are you talking about Lebanon?
20:03So the Ciaraan Territicohe is going to heiß
20:05and that is going to go.
20:06The Ciaraan Territicohe has gone down to Lebanon.
20:07The Ciaraan Territicohe is going to Lebanon.
20:08John Abdelicohe is going to Lebanon.
20:10He takes me on the earth.
20:11The Ciaraan Territicohe is going to be loved.
20:13And the Ciaraan Territicohe is going to Lebanon,
20:15Do you want to take me?
20:16I was going to be in the neighborhood of Lebanon?
20:17In the meantime, the UNIA was from the first to the last one
20:20And the first one was to talk about this
20:21Why did the UNIA get to talk about this?
20:23That is the UNIA that's written by New York Times
20:24That's the 6th century, which is the TNA
20:26And the UNIA' and the UNIA' and the UNIA' and the UNIA'
20:28It's got to see their own
20:28Of course, the UNIA' and the UNIA'
20:30But in the first one, the UNIA'
20:33But the UNIA has to make the UNIA'
20:34It's a real thing.
20:35And in the meantime, the UNIA'
20:36The UNIA' went to be seen from the UNIA'
20:38And the UNIA' and the UNIA'
20:38And the UNIA'
20:39there was one in jaw lunasy
20:42y of course that the psychologically casual
20:49not atидap dermal
20:50and he was all in the southern area
20:52without relying to demonic
20:53and that is unfortunately
20:56Mrs. Church lived in the earns
20:57because of the children
20:58but fromDP
20:59without all of the happiness happened to Lebanon
21:02and even sat there
21:03the internet
21:03and when Japanese
21:04is living in Britain
21:06that is défense
21:08Be fronts because in the first one.
21:09And you said ube the work your Flurans
21:10Don't you look for the quality of it!
21:12FYAOS andフYROZ
21:13FYAOS
21:14FYAOS
21:14F longo
21:15frame
21:16중요한嘴
21:17FBA
21:17TUP
21:18FOLT
21:19EMB
21:20E
21:21имо
21:23.
21:25FAAOS
21:27TB
21:30FAAOS
21:32FAAOS
21:32FAAOS
21:36FAAAS
21:38chtenleek between الوحدة والفراء والشوق والحنين
21:42تنقلك من الحزن والملل للأمل والحب من جديد
21:45وزي ما اقولك يا عزيزي انت هنا مش جاي صهر الطرم
21:48بمعنى ان هنا مفيش التفاعل اللي بيحصل مثلا بين الجمهور و الست
21:51الانتر اكشن اللي كلنا حفظينه
21:53مفيش اوهات جماعيه والمزيكة توقف بعدها
21:55مفيش الله يا ست و احسنت يا ست و وعيد يا ست فالست تعيد
21:59مفيش جايلك ممطنطا
22:00مرهن السلم يورك تايمز لما يقدر الحفلة
22:01I will see what Freunde will be moral and warm with the voice of Faiderouz
22:04Forget that he will learn Asian
22:25He will learn Hebrew talk about his arc introduced
22:28Last connection, Ichabab and when I see I feel that he is in front of him
22:30This one is not always like this, but in all cases, in all cases of the
22:38asy, it's too hard to find the way to get rid of this.
22:42To come back to Bairout, and I'm going to go to the road trip!
22:47If I was going to go to the road trip, I'm going to go to the road trip!
22:50I'll go to the road trip!
22:51I'm going to go to the road trip!
22:53The new man's land, the new man's land, the new man's land,
22:56the Bairout, the new man's land!
22:57The seven in September 1994,
23:004 years old on the war
23:01and then see the dc is my name
23:02under 14 years old
23:03and then it took the security
23:05to make it look at the prova
23:06and this is the ball
23:07and it has to see the virus
23:09for the first time in history
23:10and I think that in this day
23:11is not just that it was not bad at all
23:13and that was more honest since the dc becamegin
23:16of the virus
23:17and I'm dumb at it
23:18what happened to this point?
23:19There's no one who saw the virus
23:21and has no idea how he spoke to it
23:22until you thought that it was not bad at all
23:23to show the virus
23:24in the eyes of the virus
23:26and that was not bad at all
23:28go ahead and see her
23:30and her day
23:32and her mother and her mother
23:34and her mother
23:36and her daughter
23:38and she will be able to show her
23:40and before it's been
23:42months
23:44and the days
23:46and the days
23:48and the days
23:50and the day
23:52and the country
23:54...
24:23...
24:25...
24:30...
24:34...
24:43...
24:45It is also a third year
24:45It says that when we are going to have an opposition to beirut
24:48It is not going to be a friend
24:50Because it is a radical
24:51And it is a radical
24:52That it is an lower view
24:53And that it is a political for a better future
24:54And it is going to become a house has been a better future
24:56And it is going to stop the middle of the city
24:57That it feels like there's a problem
24:58It is going to be a problem
24:59It is going to be a problem
25:00So please, in the past, how do we get here to die?
25:00It is going to be a problem
25:02If i do not get out of it
25:02But that it is going to be a problem
25:05It is going to be in the village
25:06It is going to the whole village
25:06As it is going to be a幸福ite
25:07That is what the waters are going to be
25:08That is what it is
25:0950,000 film
25:11This is the link in the description of the video
25:13which was in the description of the video
25:15in the description of the video
25:17Bairoult and Faerouz
25:1950,000 film
25:21These people all have to be gathered after 20 years
25:23These people all have to be gathered
25:25and see Faerouz
25:27and see them in the same place
25:29What about 50,000?
25:31The girl who saw her
25:33about Faerouz in Bailba
25:35and even in the area of the area
25:37You can see your Azizy on Lebanon
25:39a story that I haven't seen before in her life
25:41but it was a sound Faerouz
25:43and the time was waiting for a first time
25:45with a Faerouz
26:05ولا يتعب الإيماني
26:06إنت اللي ما بتنساني
26:08ده يا عزيزي
26:08الامل اللي كان في صوت فيروز وأغانيها
26:11الامل، اتحقق هوا
26:12وك أني يا عزيزي بوقوط فيروز على هذا المسرح
26:15في هذا المكان بعد أكتر من 20 سنة من الحرب
26:19فيروز بتقول إن الحرب خلطت
26:21تعال يا عزيزي كمان بالمرة نبص على طفل غريب
26:24طفل اسمه نايل
26:25الطفل ده عنده سنة ونص تقريبا
26:26لسة ما بيعرفش يقول جملة مفيدة
26:28لكن بيعرف يقول كلمة مش واضحة
26:30This child is written between this
26:33It was despite of time
26:34No even when heном需 every single man
26:37He qualifies for call
26:38At work everything he is doing
26:39He gives him a toss
26:40He begins to give others
26:41One
26:41A woman starts from
26:42We know it can become ediyorum
26:44While there is a mystery
26:45like this
26:45He Dun what he tells
26:47He will enhance the 라는
26:47before he teaches
26:48We don't know the story
26:49No oneExp知
26:49Yeah, it looks like the
26:50Yeah, the
26:50Yeah, the
26:51Whate
26:52Yeah
26:52général
26:54Whatever
26:54사람� we want
26:57I want
26:58To get back
26:59And if we're going to the water from the water from the water, this is the food that doesn't have to go.
27:02And from this kid, this kid was born.
27:04Because the virus was entered into the religion of it.
27:06And it would be like this in the middle of it, until it was born the virus.
27:09The second thing is that the Arab is that the sound of the virus has something else.
27:14It has something else that is happening.
27:15Mحمد عبدالوهاب, the musicer of the Mocer, the big one,
27:16and the voice of the virus on that he came from the summer.
27:19He said that the history will be hard.
27:21But for the corona, how can it be with the virus new virus?
27:24Mحمد عبدالوهاب, the musicer of the Aegean.
27:26But what do you say about it?
27:27If you're searching for the virus, you'll se
27:52So if you're looking at a Samuraiazni, why don't you go to a website.
27:55To ask him, how can you sound phyrosis?
27:57He says he is a phyrosis.
27:59He says that phyrosis is always going to be a pharyon and a pharyon.
28:02And many people see that there are a lot of people who have seen it and a pharyon.
28:04They can't tell him the system of phyrosis.
28:06Or they can't think about the love or the world or the daily life.
28:09And it's a phyrosis that is a phyrosis that is a phyrosis that is a phyrosis.
28:11But at the same time, he is capable of making the phyrosis of the phyrosis.
28:16This is the most important thing for phyrosis.
28:17He is not between the fear and the fear and the fear and the fear.
28:22But if you want to make a phyrosis, you can't think about it.
28:23Or if you want to make a phyrosis?, he should know what to do in his new class.
28:26What's wrong with your million payers like this?
28:27Yeah, you know what?
28:28farewell to other people's
28:44Because of that,유 hvad,Selfi, you'll find an amazing thing about the phyrosis,
28:47the whoses in the phyrosis covenant or as it's used being built.
28:50With the last coin of the following, they might make a better side.
28:52and they are all in the description.
28:54But, dear, not only the sound of the sound of the one who made Faيروس a fan of the world
28:57and the 50s, the one who was talking about it.
29:00Faيروس was always a part of the sound of the fan
29:02and was a part of the sound of the fan.
29:04So, through the work of the RRHABNA or after the relationship of the RRHABNA,
29:06or after the relationship of the RRHABNA, in the 70s.
29:08Faيروس, in all the history of it,
29:09was a part of the RRHABNA with a number of people who could be able to get rid of the RRHABNA.
29:13For example, Mحمد Abdiil UHAB,
29:15who had a sound of a third one,
29:18the RRHABNA didn't have any questions about it.
29:19amız لتتغني وستبدأ في اغاني
29:26صاهبة اللحن المشهور الحنا عبدالوهاب
29:28وكلمات جبران خليل جبران
29:30Dream team
29:30ولكن ياعزيزي
29:31اللحظة الفاصلة في سيرة فيروز الفنية
29:34هي نفسها اللحظة الاكثر قتامة في حياتها الشخصية
29:38لاحظة انفصلها الانسان عاصر رحبان
29:40فكرك جزها الملحم الكبير
29:42ترحل عن بيتها في الجبل في المنطقة الشرقية
29:44عشان تعبر خطوط التماس لبيتها الثاني في بيروس الغربية
29:47And there is it boy.
29:50We have to go in the last nineteen 1979,
29:51not girls but need more.
29:54Getting closed on the front of the dès
29:58f technical wives
30:00and the new sage for theactic
30:03its story is like it
30:06and this story will live on everyone in the end
30:09and this story was very ess press
30:11and this story was just funny
30:14in front of the
30:16nicht nur die Schmerz.
30:18Wach handlar am Indigen.
30:21Das war eine einzige,
30:22eine das andere,
30:23in der Twins.
30:25du bist an der Van der Luft.
30:28Ngatschen nicht nur die Wirklichkeit,
30:30nicht für unsere Schmerzsinn.
30:32Wir sind auf olesen undTwins im Auslöschen.
30:34Aber im Auslöschen Wirklichkeit
30:35war, dass der Verkaufst immer
30:38Sofحة فنية وصفحة شخصية
30:39في بيروت الغربية كان في انتظار فيروز ابنها الكبير
30:42زياد الرحباني
30:43الفنان اللي طلع من جلباب أبوه وأمه
30:46مادر جدا من بداية السبعينات
30:47وبين سن صغير
30:48بين موهبة مصرحية وفنية وموسيقية جبارة
30:52كان عنده 17 سنة لما باع أول ألحانه
30:55ومش عايزة أقولك كان اللحن إيه
30:56كان اللحن بالحرف
30:57سألوني الناس عنك يا حبيبي
30:59أغنية لسه ترننج على زبوتفاي دلوقتي
31:01منصور الرحباني عم زياد
31:03اشتراها منه وهو عنده 17 سنة
31:05والأغنية العزيزي بالمناسبة
31:06كالتحية من فيروز ومنصور
31:08وزياد الرحباني لعاصي الرحباني
31:10بعد ما اتصاب عاصي الرحباني
31:11بنزيف في المخ
31:12كيوت قوي عزيزي الليبنانيين
31:13برضو جورج واسوف لما تعب
31:15غنو له أغنية بواديع
31:16الصفحات عندنا لما تعرف أن الفنان تعب
31:18بتورا تصوره
31:18رقم عزيزي زي ما قلت لك
31:19اللي منين مص على فيروز مثلا
31:21بنحس إنها مش محسوبة على حد
31:22وإن ما لهاش موقف سياسي واضح
31:23وإنها مبين
31:25غير الرحباني كان على عكس دا تماما
31:27زياد كان عنده موقف سياسي وأيدولوجي واضح
31:30يساري على رأس السطح
31:32عنده برنامج سياسي إذاعي ساخر
31:34وعنده مصرحيات وأغاني
31:36زياد كان في طريقه للتحول
31:38لما يشبه البطل الشعبي
31:39أو قائد اللغة الشبابية الجديدة
31:41اللغة مش غرآنة في الرموز
31:43والكلمات والتشبيهات الكبيرة
31:44زي اللي كانت موجودة مثلا في مسرح الرحبنة
31:46أو أغانيهم
31:47هو خارج من الجلباب
31:48ونقن عن الجلباب
31:49ووديه الغسيل
31:50وعلى عكس من القرى الرحبانية الخيالية
31:52اللي كان بتظهر في مسرح الرحبانية
31:54فمسرح زياد الرحباني كان في مدينة
31:56مرتبط بمدينة أكتر
31:57مرتبط بلاحظة زمنه
31:58قالوش دعوا بالماضي
31:59الناس فيه بيتكلموا كلام
32:00نفس كلام الناس في الشارع
32:01أسماءهم وهوياتهم الطائفية
32:04واضحة وصريحة
32:05بيشتموا وبيتعركوا
32:06وبيقولوا مواقفهم زي ما هي
32:08بنشوف زياد الرحباني
32:09مخرج مسرحي
32:09شغال على المروفات والديكورات
32:11في الأيام الأخيرة
32:12اللي قبل افتتاح مسرحيته
32:13جبال المجد
32:14هل يقول لك بقى يا عزيزي
32:15ان هذه المسرحية
32:17كانت نسخة كاريكاتيرية
32:19ساخرة
32:19من مسرحيات أبو وعمو
32:21كانت ها القرية
32:22الناس فيها عايشة
32:23بيحبوا بعض حب خيالي
32:25مبالغ فيه
32:25وفي صبيه عايشة
32:26هي نورت بلدها
32:35بيحصل لحد ما السر الكشف
32:36ان كل الغلط على الغريب
32:38فجأة يرجع الحب والأعيال
32:40على خشبة المسرح
32:41والكل بيرقوا ستبكى
32:42طبعا الممثلين على خشبة
32:44المسرح الرحباني
32:45هيتخنقوا مع بعض
32:46بسبب انتماءاتهم الطائفية
32:47وعدواتهم السياسية
32:48وهم كلهم لبنانيين
32:50مفيش فيهم غريب
32:50زياد كان عايز يقول
32:51ان مقهربة الأزمة اللبنانية
32:53مباشي منقافع بالفلكلور
32:54والكريشيهات
32:55والوعز المباشر
32:56واللوم كله على الغريب
33:05تيه فكرة سازجع
33:06احنا دلوقتي في التمانينات
33:07والزمن واللغة
33:08دلوقتي يتغيروا
33:09اللي انتو بتحملوه قديم
33:10ده خالي عزيز انت بتوحم على العيل
33:12فاللودي عزيزي يكبر
33:13ويطلع شبهك
33:14ومجبس كده
33:15يطلع حسن منك
33:16مش بس كده
33:16ياخد شغلك
33:17مش بس كده
33:17ده واخد ماما
33:18اللي هي امراتك في ايده
33:20فوقك من الرجل الكبير ده
33:21ده انا هلحنك أنا
33:21ابنك بيد على كريرك
33:23موقف صعب أبو جات ربنا يكون فعول
33:24سيد الرحمني هيعمل انقلاب على الأب في المسرح
33:27وهيعمل انقلاب مماثل بالمناسبة على أمه
33:29النسخة القديمة نسخة الرحبنة
33:31زياد هيقدم فيروس جديدة مختلفة
33:33ده لعزيزي
33:34ملحن شاب وحديث وعبقري
33:36يجيله وهو شاب واكسبرمنتل
33:39أحسن صوت يغنيله ألحانه
33:41وده مش عقده هو نجح يمديه
33:43أو جوازة تجوزها
33:44أو وسطة أو فرصة
33:46لا
33:47أنا شغال مع ماما
33:48أنا خلص لحنة يا تخلص غدا
33:49نتقابل على الصفرة نمضي
33:50أول ألبوم مشترك بين زياد الرحباني
33:53وفيروز كان معرفتي فيك
33:55نزل سنة 1984
33:56صحافة عزيزية توصف عايزة للألبوم
33:58بأنه بداية النهاية
34:00نهاية فيروز
34:01طب هل ده فعلا أبي أحمد كان نهاية فيروز
34:03ولا ده قصر نظر من الصحافة اللبنانية
34:05الصراحة عزيزي كان قصر نظر واضح
34:07الألبوم اللي بيلوح عليه فاشل ده
34:09وأنه نهاية فيروز
34:10عايزك تعد معايا في إيه
34:12فيروز غنت في إيه
34:13خليك بالبيت هلا أحب بيت
34:14زهل طول أنا وياك
34:15عودك رنان
34:16ضلك عيد يا علي
34:17غنت وحدهم
34:18غنت لبيروت
34:19اللي يعتبر بدون منازع
34:21النشيد الحزين لبيروت
34:24وقت الحرب اللحلية اللبنانية
34:26لغناء دي كتبها الشاعر جوزف حرب
34:27جوزف حربي عزيزي بالمناسبة
34:29هو الشاعر اللي هيدي فيروز
34:30أجمل ما غنت من ألحان فليمون واهبي
34:32لما على الباب أنا خوفي أسمينة
34:34ويا ريت منهم مددت إيدي وسرقتك
34:36ودي عزيزي اللي بتقول فيها جملة زي
34:38إذا رجعت بجن
34:39وإنت رقتك بشأة
34:41لا إدراني فيل ولا إدراني إبقى
34:43شو بقرح حياتي لما بشوفها عندك
34:46يابتحرمني منها
34:47يابتسرقها سرقة
34:48وشو قاله يا عمر
34:49حلو ما دقتك
34:50يا ريت
34:51يا ريت
34:52جميلة
34:52أنا جالك من صيدة يا ست
34:54سمحة دي يا عزيزي بالرغم إنها بتشتغل مع ابنها بتعتبر مرحلة مدوج فيروز
34:58زروة اختمار صوتها وتجربتها الفنية وشخصيتها
35:02فيروز هتقابل زيادة الرحباني اللي هو أصلا عنيد
35:04وهيسع تنزل عن المكانة العالية اللي هي فيها
35:07ومنصب سفيرة لبنان إلى النجوم
35:09وتتحول إلى سفتة عادية أربعينية بتغني
35:13بتحكي كلام أساسه الشعري
35:15إن هو ما فيهوش تكلف شعري ولا مبالغات
35:17كلام حقيقي
35:18كلام في قصة
35:19كيفك أنت؟
35:19ملا أنت؟
35:20هزيد طحفة الموسيقية العبقرية من كلمات وألحان
35:23ابنها زيادة الرحباني
35:24الأغنية هتكون نجمة الألبوم
35:26وهتصبح واحدة من أكثر أغاني فيروز شعبيتاً
35:30زيادة بشكل عبقري يقدر يطلع الصوت الداخلي لست
35:33تقريباً اتعزمت في قصة حب
35:34ست اختبرت الحب والانقصار والزعق
35:37ست عشرة الإحباط
35:38هيقول بصوتها أغاني تجد شخصية فيروز
35:40وتقدمها لجمهور واسع وأصغر سناً
35:43لغة بسيطة يومية
35:44فيها صخرية أنيقة
35:45موسيقى بتحسها سهلة
35:47هي هي نفس السهولة المنتنعة بتاعت الكلام
35:49هو ده نفس أسلوب فيروز في الغنى
35:51بتغني وهي سايب عيدها
35:52تعالي عزيزي فعلاً تأمل أغنية زي
35:54كيفك قلعاً بيقولوا صار عندك ولاد
35:56أنا والله كنت مفكرتك برات البلاد
35:58مفيش مالحمة
35:59مفيش نهاية سعيدة بتنتقن البطل مع البطل
36:01في اتنين كانوا بيحبوا بعض
36:02ما عرفوش شبوا مع بعض
36:03بس
36:04discussion بينهم
36:05بس
36:05زيادة الرحباني عرف فيروز
36:07إنها معدتش محتاجة مبلغة
36:08الصوت اللي خامته زي خامة فيروز
36:10بقى بيغني وبيدي مساحة اللحن والكلام
36:12الصوت يا عزيزي اللي شعريته
36:14لما تواضع شوية
36:15ما زاده التواضع إلا جمالاً
36:19تعالي عزيزي أخدك للمشهد الأخير في الحلقة
36:21هنروح لأنس
36:22دي عزيزي شخصية خالية
36:23في رواية الخلود للروائي ميلان كونديرا
36:25أنس وها ماشية في الشارع اللي بيوصفه ميلان كونديرا
36:28إنه شارع مليان عنف
36:29عنف بصري وسامعي
36:30ضوضاء
36:31متفكر إنها في يوم الأيام
36:32لما البشعة دي تبقى لها تطاق
36:34هتشتري ساق واحد بينتهي بزهرة صغيرة
36:36وهتمشي في الشارع المزعج دا
36:38وهي بتحاول تركز كل تركيزها على الوردة دي بس
36:41مش هيلها قدام عينيها
36:42بتحاول ما تشوفش أي حاجة تانية غيرها
36:44مش عايز تشوف في وسط كل القبح والدوشة والعنف دا
36:47زرنقطة زرقة هدية وجميلة
36:49زي ما تقول كده يا عزيزي
36:50في عيون الكثير من اللبنانيين
36:51في عيونة عاملة زي الزهرة الزرقة دي
36:53في وسط الحرب والعنف والإزعاج والانتسام والطائفية
36:58بتكون مش عايز غير إن انت تحط عينيك على صوتها
37:00ومنشوفش أي حاجة تانية
37:02أحياناً بتكون هي ملازك الأخير
37:04صديقك الخيالي الطيب
37:05اللي الواحده بيعرف يسمعك
37:07ويتكلمه ويرد عينيك
37:08فيروز هي للناس احتفلت بعيد ملازها التسعين
37:10السنة اللي فاتت
37:11صحيح إنها شخصة خجول
37:12ولكنها كريمة جداً
37:13ثابت هدايا ما بتخلصش للناس
37:15بتاع عزيزي ممكن تقضي عمرك كله
37:17بتفتح هدايا فيروز
37:19ودايماً هتتفاجئ إن فيه أغنية جديدة
37:21ولو مش هتفاجئ إن فيه أغنية جديدة
37:23فهتتفاجئ بشعور جديد
37:24هتلاقي أغنية تبكيك
37:26أغنية ترقصك
37:27أغنية ترجعك لبلدك
37:28أغنية تغربك وتحسزك بالغربة
37:30أغنية تحرق فيك ذكرى أو شعور
37:32يمكن عمرك ما تكون عرفته
37:33ممكن تفتكر أعدتك على رجل أمك
37:35أول حضن في حياتك
37:37لو جدت أملت يا عزيزي هتلاقي إن ممكن فصول السنة
37:39أوقات في اليوم تبقى مربوطة
37:41بفيروز
37:42الصباح
37:42المساء
37:43الصيف
37:43الشتاء
37:44زي ما تقول كده يا عزيزي
37:45مستحيل تعجز
37:46وإنت لسه بتسمع فيروز
37:47بس كده يا عزيزي
37:48أخيرا وليس أخيرا
37:49ما ستشوف الحد اللي فاتت
37:49شوف الحد الجاية
37:50تنسي بص على مصادر
37:51وإحنا على اليوتيوب
37:52اشترك على القناة
37:52تعرف يا عزيزي مرة واحد لبناني
37:54كان رجع القرية بتاعته
37:55ملقهاش
37:55الله
37:56اللي يا أبو أحمد
37:56قدائعة
37:57عزيزي لنني أرجوك
37:59بلاشتين بالإخت
38:26اشتركوا في القناة