While confronting his unfaithful boyfriend, Dusty blacks out. When he comes to, his boyfriend has been murdered and Dusty the prime suspect.
Category
🎥
Short filmTranscript
00:00:00Oh
00:00:30Oh, my God.
00:01:00Well, Guido, you've proven something.
00:01:28You really have demonstrated in your strip that even funnies can be revolutionary.
00:01:35Of course.
00:01:35Even Snoopy, in his own way, is anti-establishment.
00:01:38People already know everything.
00:01:43They're in agreement.
00:01:43I don't know.
00:01:45I don't know.
00:01:46I don't know.
00:01:47I don't know.
00:01:48I don't know.
00:01:49I don't know.
00:01:50I don't know.
00:01:51I don't know.
00:01:52I don't know.
00:01:53I don't know.
00:01:54I don't know.
00:01:55I don't know.
00:01:56I don't know.
00:01:57I don't know.
00:01:58I don't know.
00:01:59I don't know.
00:02:00I don't know.
00:02:01I don't know.
00:02:02I don't know.
00:02:03I don't know.
00:02:04I don't know.
00:02:05I don't know.
00:02:06I don't know.
00:02:16I don't know.
00:02:17I don't know.
00:02:26Oh, God, what a race.
00:02:46Sandra, let me try the Suzuki.
00:02:48Yeah, I admit it.
00:02:49We had one hell of a ride.
00:02:51You're a dear.
00:02:56I want to photograph you nude in a field of wheat.
00:03:02Okay.
00:03:04We'll talk about it.
00:03:04Thanks for the chicken.
00:03:06Oh, are you drunk?
00:03:08Oh, brother.
00:03:10Valentina Roselli, she is a photographer.
00:03:12Ciao, Anna.
00:03:12Ciao.
00:03:13A photographer.
00:03:14Only publicity, fashion, art, politics, and news.
00:03:17Haven't you ever heard of Cartier-Bresson?
00:03:20Sure, Cartier-Bresson.
00:03:21It's a pseudonym.
00:03:22Her real name is Valentina.
00:03:24Well, look, your only cost are your Indian ink.
00:03:26You can get that cheap enough.
00:03:28But try filming a motion picture, and then you'll really see what heavy costs are.
00:03:31Look at Godard.
00:03:32That guy makes a good example.
00:03:34He proved that it is necessary, Anna.
00:03:35Godard is good tired.
00:03:36What do you think about it, Valentina?
00:03:38Your guru hasn't done anything of merit since Piero LeFou.
00:03:40I'd much rather see Laurel and Hardy.
00:03:42You can expect a laugh.
00:03:44Is that all you like to do, is laugh?
00:03:46Are you going back to Milan tonight?
00:03:48Yes, with Guido.
00:03:49If I can tear him away from his comic books.
00:03:52Would you give me a ride downtown?
00:03:54Yes.
00:03:54But it's a sports car, if you don't mind sitting on Arnold's knee.
00:04:03No, I want to walk.
00:04:04But why?
00:04:05I haven't done anything, have I?
00:04:06Because I feel like walking.
00:04:08Thanks for the offer.
00:04:08Thanks for the ride, Guido.
00:04:10Ciao.
00:04:10Ciao, Valentina.
00:04:11Ciao, Arnold.
00:04:13Wait for me.
00:04:13I'll be right back.
00:04:14Look, be reasonable, will you?
00:04:18It'll take you a half hour to get home on foot.
00:04:20It's already three o'clock.
00:04:21That's the nicest time of the day.
00:04:26Foggiest time of the night.
00:04:28I know, but fog turns me on, okay?
00:04:31Is that the only thing that turns you on?
00:04:33I'd better go with you.
00:04:34You shouldn't be alone at night.
00:04:39Listen, Arnold.
00:04:40I don't feel like making love with you.
00:04:43Tonight.
00:04:44Good night, Arnold.
00:04:52And go straight home.
00:04:55A growing boy like you need to sleep.
00:04:59Ciao.
00:05:04Hey, Arnold.
00:05:06Your taxi's waiting.
00:05:14Well, are you sure you're ready?
00:05:28I don't know if I'll ever be ready for that check.
00:05:44Well, hello there, doggy.
00:06:10What are you doing out so late?
00:06:12You should be home in bed.
00:06:15What a strange mark.
00:06:18Funny little thing.
00:06:20What a funny ragamuffin you are.
00:06:25Good night, little dog.
00:06:34Look out!
00:06:36Help!
00:06:37Help!
00:06:42Oh.
00:06:44I'm very distressed.
00:07:13It's all right.
00:07:17I don't understand what happened.
00:07:20Nothing.
00:07:21It's my fault, really.
00:07:23I saw this little dog in the middle of the...
00:07:25Come.
00:07:26Get in the car.
00:07:27I'll drive you home.
00:07:29Really, it isn't necessary.
00:07:30I live nearby.
00:07:31I'll be right in the car.
00:07:32Please.
00:07:32Please.
00:07:33Why?
00:07:34It's the least I can do after the shock I've given you.
00:07:39I won't take no for an answer.
00:07:43All right.
00:07:43It wasn't the dog.
00:07:56It wasn't the dog.
00:07:57What did you say?
00:08:00I was driving too fast.
00:08:04I had to.
00:08:06I knew that something was about to happen.
00:08:08Our meeting was preordained.
00:08:13how did you know this is where i live there are many things that you'll want to know my dear
00:08:31but not now perhaps i'll be able to explain them to you later but first
00:08:42first i must be sure allow me
00:08:47oh i apologize
00:08:52but i need a personal object of yours be assured and i'll return it to you tomorrow
00:09:12good night my dear and don't forget my name my name is baba yaga
00:09:21oh
00:09:33Oh, no, no, no, no!
00:10:03Halt! Halt! Halt!
00:10:33Halt!
00:10:43Okay, I'm coming!
00:10:49All right, I'm coming!
00:10:57Morning, all. This is your local sheriff speaking.
00:11:02Very funny. What time is it anyway?
00:11:06This may come as a bit of a surprise to you, but it's almost noon. Here, I'll make you some coffee.
00:11:15Why sleepy?
00:11:16Come in late last night?
00:11:18Yes, but that's not it.
00:11:19What is it then?
00:11:26I had this nightmare last night.
00:11:29What about last night?
00:11:33It's nothing.
00:11:35Did you get the paper?
00:11:40So what's new?
00:11:42Not a lot.
00:11:43Not a lot.
00:11:44Your left-wingers are continuing to blockade the schools in Milano.
00:11:48You're a fascist.
00:11:50And you're an idealist.
00:11:53Let's go.
00:11:55Oh, my God.
00:12:25Oh, my God.
00:12:55Hey, are you still there?
00:13:01I can't hold this post for too much longer.
00:13:04Hmm?
00:13:05What?
00:13:05Oh, I'm sorry.
00:13:07What are you waiting for?
00:13:08We're finished.
00:13:09Good morning, my dear.
00:13:29Am I disturbing you?
00:13:31No.
00:13:33We've just finished.
00:13:35Come in.
00:13:35Come in.
00:13:35All right.
00:13:44Come in.
00:13:48Bye-bye, Valentina.
00:14:11See you.
00:14:13Bye. I'll see you tomorrow.
00:14:18Well, now, my dear, I've come to return this delightful little object which I took from you.
00:14:38May I put it back?
00:14:44Stop it.
00:14:45You can't do it.
00:14:50I'm not wearing the belt now.
00:14:53Oh, that is a pity.
00:14:56Last night you said our meeting was preordained.
00:15:10Preordained by whom?
00:15:13There are forces which control our actions and our feelings.
00:15:17What forces?
00:15:21It is too soon, Valentina.
00:15:24It is too soon.
00:15:32Ah.
00:15:32Do you always work with this?
00:15:43Yes.
00:15:44Well, it just depends on the kind of shot I'm after.
00:15:48That's the eye.
00:16:01The eye that breezes reality.
00:16:04Well, I shall have to go now.
00:16:17You must come to my house.
00:16:22Well, I don't know.
00:16:23I'm really very busy these days.
00:16:25Nonsense.
00:16:27You must come to visit me.
00:16:30I have a very old house.
00:16:32You might find it interesting, Valentina.
00:16:35Here.
00:16:36I'll leave you my address.
00:16:38Then may I count on it?
00:16:56I'll come.
00:16:57Definitely.
00:17:03Splendid.
00:17:08I'll leave you my address.
00:17:38Yes?
00:17:39Valentina, this is Arno.
00:17:41How was your walk last night?
00:17:43It was fine.
00:17:44Anything interesting happen?
00:17:45Oh, well, honey, I got $100,000 from an old man, and then a pimp slapped me around and took it away.
00:17:51And while I was in jail, I was raped by a dwarf. Is that enough?
00:17:56Yeah, well, I'm glad you had some fun, you know.
00:18:00Hey, listen, I'm shooting a TV show not far from your place.
00:18:03What are we talking about before I go down?
00:18:05Bring your camera over and take some shots.
00:18:07You remember that guy, Trudy, used to hang?
00:18:09Where are you?
00:18:10Wait a second, I'll ask.
00:18:12Excuse me, ma'am, can you tell me where we are?
00:18:14Where do you think we are? We're in Milan.
00:18:16Everybody's a comedian.
00:18:19Of course it's Milano, but what the hell's the name of the street, huh?
00:18:22It's on Via Moncoco, number two.
00:18:24Stay right on the Naviglio and look for Alfredo's.
00:18:26Via Moncoco, number two, take Porta Ticinesi and follow the Naviglio.
00:18:30Okay, I ought to be there in half an hour.
00:18:35I'm so sorry.
00:18:37I'm so sorry.
00:18:38Let's go, boy.
00:18:40I'm sorry.
00:18:41Let's go, boy.
00:18:43Let's go.
00:19:16What is he doing?
00:19:25Hey, I got him.
00:19:34Hey, he's a beauty, huh?
00:19:38Tell me what on earth are you going to do with it?
00:19:40You'll see.
00:19:46All right, my little friend.
00:19:49Now we go to work.
00:19:53There.
00:19:56Okay.
00:19:57A little more to the right.
00:19:58Good.
00:20:00Now let me get my fingers back.
00:20:02How's that?
00:20:02Great.
00:20:03Can I shoot it?
00:20:04Yeah, go ahead.
00:20:04What's going on?
00:20:19I don't know.
00:20:20It's jammed.
00:20:26You get the shot?
00:20:27I got a little bit.
00:20:31Okay.
00:20:32Tomorrow you come back, shoot up some more footage on it, huh?
00:20:35Right.
00:20:35Are you going?
00:20:36You know, I only got three or four shots of you.
00:20:38Oh, that's enough.
00:20:39Hey, listen.
00:20:40Can you give me a lift to your place?
00:20:41There's a subway station right near there.
00:20:43All right.
00:20:43But you drive.
00:20:44Okay.
00:20:44What are you going to do with that close-up of the rat?
00:20:52No, I don't know.
00:20:53Maybe I won't use it.
00:20:54And then maybe I'll show it next to a photo of some big industrialist, huh?
00:20:58You think they'll let it pass through on sensor?
00:21:00No, but I can still show it on a closed circuit, can't I?
00:21:05In other words, instead of showing it to a middle-class audience of 10 million,
00:21:10you'll show it to 10,000 intellectuals.
00:21:12And not in the service of ecology, but in the service of your own vanity.
00:21:16If you don't use the means that the system provides, what other possibilities have you got?
00:21:20Revolution.
00:21:21Revolution.
00:21:23And who starts it?
00:21:24The union does, right?
00:21:26Or intellectuals, writers, or movie directors.
00:21:30You're talking about me, aren't you?
00:21:33Hell, I'm only the little guy.
00:21:35Today, I shot a service on ecology.
00:21:37And tomorrow, I start a series of soap commercials.
00:21:40You're nothing but an old whore.
00:21:43That's true.
00:21:44And who isn't?
00:21:44We're all whores of various species.
00:21:46The only difference is that I'm a whore and admit it.
00:21:48While the majority are whores, but play at being saints.
00:21:51Believe me, Val, it's all a big farce.
00:21:53A game.
00:21:54And contradiction is the number one rule.
00:21:56Look, in some cases, contradiction is the only hope for salvation.
00:21:59You're right.
00:22:00And who should know that better than you?
00:22:01Because to be frank, Val, you are a complete contradiction.
00:22:04You know that.
00:22:05How so, for instance?
00:22:06How so?
00:22:08Pretty soon, I'll be getting dropped off into your place.
00:22:10And if you were consistent with your nature, you'd invite me up for a drink.
00:22:17Oh, all right.
00:22:18Come on up.
00:22:23You know what you're doing.
00:22:30You know what you're doing.
00:26:28Don't be ridiculous, for God's sake.
00:26:30What are you talking about there?
00:26:31Nothing.
00:26:32How about these blanks?
00:26:33Should I put them in now?
00:26:34Might as well.
00:26:35Come on, let's get to work.
00:26:36Okay.
00:26:37Okay.
00:26:46Now, shoot.
00:26:50Tony, what is it?
00:26:56What is it?
00:27:03What is it?
00:27:03What the hell is the matter with her?
00:27:04Here.
00:27:06Be careful.
00:27:14Tony, what's wrong?
00:27:28I don't know, Valentina.
00:27:29I feel sick.
00:27:31Would you like to go home?
00:27:33Yes.
00:27:34Do you feel up to it?
00:27:35Don't worry about it.
00:27:36I'll take care of her.
00:27:36I guess you're better.
00:27:37I'll get a taxi.
00:27:38I'll get a taxi.
00:27:48Hello?
00:27:49Could you send a taxi to be in my Chevron?
00:27:51I'm sorry, Valentina.
00:27:52Surgeon, yes, thank you.
00:27:53You're wasting your day.
00:27:55Don't be silly.
00:27:56I always have enough things to do.
00:27:58Just go home and take care of yourself.
00:28:00The taxi will be here in a few minutes.
00:28:02That's quick.
00:28:08Will you be here later?
00:28:10I don't know.
00:28:11I'll telephone you.
00:28:12Okay.
00:28:13Ciao.
00:28:22I don't know.
00:28:52I don't know.
00:28:53I don't know.
00:28:54I don't know.
00:28:55I don't know.
00:28:56I don't know.
00:28:57I don't know.
00:28:58I don't know.
00:28:59I don't know.
00:29:00I don't know.
00:29:01I don't know.
00:29:02I don't know.
00:29:03I don't know.
00:29:04I don't know.
00:29:05I don't know.
00:29:06I don't know.
00:29:07I don't know.
00:29:08I don't know.
00:29:09I don't know.
00:29:10I don't know.
00:29:11I don't know.
00:29:12I don't know.
00:29:13I don't know.
00:29:14I don't know.
00:29:15I don't know.
00:29:16I don't know.
00:29:17I don't know.
00:29:18I don't know.
00:29:19I don't know.
00:29:20I don't know.
00:29:21Let's go.
00:29:51Let's go.
00:30:21I am so happy to see you, my dear Valentina.
00:30:49I was sure you would come.
00:30:54Yes, I've come to ask you a favor.
00:30:58I have to photograph some jewels, you see, and I wondered if you wouldn't mind if I did it here.
00:31:04Of course, my house is at your disposal.
00:31:10I'm rather lazy today.
00:31:13Therefore, I won't accompany you.
00:31:16But you can go where you like and take as many photos as you want.
00:31:23Oh, what beautiful necklaces.
00:31:47Please, may I see them?
00:31:52Oh, they're lovely to touch, but even lovelier to hear.
00:32:14Oh, my God.
00:32:22Oh, my God.
00:32:23Oh, my God.
00:32:32Oh, my God.
00:32:35Oh, my God.
00:32:43Oh, my God.
00:32:44Oh, my God.
00:32:45Oh, my God.
00:32:47Oh, my God.
00:32:56Oh, my God.
00:32:57Oh, my God.
00:32:59Oh, my God.
00:33:29Valentina!
00:33:31You must not worry about that hole, my dear.
00:33:34That part of the house needs some repairs.
00:33:38You might find some interesting things to photograph upstairs.
00:33:59Sorsets of emerging world
00:34:02...
00:34:04...
00:34:08...
00:34:11...
00:34:13...
00:34:18...
00:34:23...
00:36:56Valentina.
00:37:03Aren't you feeling well, my dear?
00:37:05Is there anything I can do for you?
00:37:08No, thank you.
00:37:09I just had a dizzy spell, but I'm all right now.
00:37:12You've been too kind of dizzy.
00:37:13Oh, nonsense.
00:37:15I'm always alone here.
00:37:17Your visit has given me great pleasure.
00:37:19In fact, I want to give you a little present.
00:37:24Here.
00:37:27This is Annette.
00:37:32You must always have her with you.
00:37:36She will protect you from any harm.
00:37:42What do you mean?
00:37:44There's nothing threatening me.
00:37:46You never know, my dear.
00:37:47You never know.
00:37:50You never know.
00:37:50You never know.
00:37:50You never know.
00:37:51You never know.
00:37:51You never know.
00:37:57You never know.
00:37:58You're welcome.
00:38:28Why did I accept you anyway?
00:38:41Of course you can't answer, can you?
00:38:44You're just a little down, aren't you?
00:38:58You're just a little down.
00:39:28And I think those kids are only doing what they think is right.
00:39:47You're just a little down.
00:40:17You're just a little down.
00:40:19You're just a little down.
00:40:21You're just a little down.
00:40:23You're just a little down.
00:40:25You're just a little down.
00:40:27What's wrong with him?
00:40:29Help me.
00:40:31Somebody do something.
00:40:33Don't touch him.
00:40:35Don't touch him.
00:40:37Don't touch him.
00:40:39Don't touch him.
00:40:41Is he still breathing?
00:40:43Somebody get the help.
00:40:45You're just a little down.
00:40:47Don't touch him.
00:40:49Don't touch him.
00:42:51Hello?
00:43:07Hello?
00:43:09Hello?
00:43:11Hello?
00:43:13Hello?
00:43:17Hello?
00:43:19Hello?
00:43:23Hello?
00:43:29Hello?
00:43:31Hello?
00:43:33Hello?
00:43:39Hello?
00:43:41Hello?
00:43:43Hello?
00:43:53Hello?
00:43:55Hello?
00:43:57Hello?
00:44:07Hello?
00:44:09Hello?
00:44:11Hello?
00:44:13Hello?
00:44:15Hello?
00:44:19Hello?
00:44:21Hello?
00:44:23Hello?
00:44:25Hello?
00:44:35Hello?
00:44:37Hello?
00:44:39Hello?
00:44:41Hello?
00:44:43Hello?
00:44:45Hello?
00:44:47Oh?
00:44:49Hello?
00:44:51Hello?
00:44:53Hello?
00:45:25Hey, hi and hello there.
00:45:33Oh, Juby.
00:45:34Am I late?
00:45:36No, but I'd completely forgotten.
00:45:38But it doesn't matter, really.
00:45:40Rowena isn't here yet.
00:45:41I hope she won't be too late,
00:45:43because I've got a meeting at the university,
00:45:44and it's important.
00:45:45Well, I think you're cutting your own throats
00:45:47with that third world jazz.
00:45:49Those student meetings do nothing but create problems
00:45:51instead of solving them.
00:45:52And what ever made you think
00:45:54you could trust Rowena's punctuality?
00:45:59Hiya, people.
00:46:01Hiya, Rowena.
00:46:02What are we doing today, Val?
00:46:05Sex and civil rights, honey.
00:46:06No brows and black power.
00:46:08Fascinating day.
00:46:09How sexy.
00:46:10With brand X undergarments, folks.
00:46:12No more hypocrisy,
00:46:14no more false modesty,
00:46:15and no more racial prejudice.
00:46:17Take off your shirt, Abu Juby.
00:46:21You can leave your pants on.
00:46:23And I want you to forget that you have an education
00:46:25and live in a civilized world.
00:46:27You're overrating your university a little.
00:46:31Very funny.
00:46:32And now,
00:46:34let me see some nice, primitive drive.
00:46:37Okay?
00:46:37Like your ancestors.
00:46:39You know, the ones in the jungle
00:46:40that ate up the missionaries.
00:46:42Oh, how lovely.
00:46:43What a pretty doll.
00:46:45Don't touch it.
00:46:47But what's the matter?
00:46:51I don't know.
00:46:53There's something strange about that doll.
00:46:56Where did she come from, Valentina?
00:47:00I don't know.
00:47:01Someone gave her to me.
00:47:04I think I'll use another camera instead.
00:47:10If you're ready, let's start.
00:47:19Our Juby's in a hurry.
00:47:26Okay, move to order.
00:47:29Okay.
00:47:30Pull her to order.
00:47:31Sensually.
00:47:32Slowly.
00:47:36Okay.
00:47:36Good.
00:47:38Just hold it.
00:47:40That's beautiful.
00:47:42That's perfect.
00:47:49That's lovely.
00:47:51Beautiful.
00:47:53That's right.
00:47:55Touch you right there.
00:47:56That's perfect.
00:47:58It really turns you on.
00:48:05That's it, kid.
00:48:06Oh, you know what?
00:48:09Oh, would you be?
00:48:10I think the next time we do this,
00:48:12we ought to make love for real.
00:48:13It's okay with me, Rowena.
00:48:14How about right now?
00:48:16No, thank you.
00:48:16Oh, would you?
00:48:17The future of the third world is in your hands.
00:48:20Right on.
00:48:24Ciao, Valentina.
00:48:25Ciao.
00:48:26Ciao, Rowena.
00:48:27See you around, eh?
00:48:28More than likely.
00:48:29Oh, Diana, a short circuit.
00:48:47That's all we needed.
00:48:54There.
00:48:54I guess it wasn't a short circuit, Rowena.
00:48:56What's happened to you, Rowena?
00:49:24Oh, I'm all right.
00:49:26I just got a little dizzy.
00:49:29Isn't this weird?
00:49:30I pricked myself with something.
00:49:32Look.
00:49:40It's not even bleeding.
00:49:43I wonder what it was.
00:49:47Does it still hurt?
00:49:49No, not really.
00:49:50Just burns a little.
00:49:51Well, I'd better go.
00:49:53I still feel a little dizzy.
00:49:55Give me a call, will you,
00:49:56when the photos are done?
00:49:57Okay.
00:49:58I should have them tonight
00:49:59or tomorrow at the latest.
00:50:00Oh, great.
00:50:01Ciao.
00:50:01I'm gonna get you now.
00:50:02I don't know.
00:50:02Bye-bye.
00:50:02Bye-bye.
00:50:03Bye-bye.
00:50:03Bye-bye.
00:50:12Bye-bye.
00:50:14Bye-bye.
00:50:17Bye-bye.
00:50:30Anna, I have to talk to you right away.
00:50:38I'm waiting for you, Valentina.
00:51:00No, no! No! No!
00:51:13No! No! No!
00:51:17Oh, it's utterly fantastic.
00:51:31How did you do it, Captain White?
00:51:33All right, Fred, now zoom in.
00:51:37You see, all it takes is nettle.
00:51:40The wonderful detergent with the extraordinary action.
00:51:43Get some in the morning.
00:51:44Your dirty clothes will like its touch.
00:51:47Stop.
00:51:48How was it for you?
00:51:50All right, I'd like another one not so tight.
00:51:52Yeah, we'll make one more.
00:51:53Okay, set it up.
00:51:54Arno, you want to know which ones were the good ones?
00:51:57You were the good ones.
00:51:57What number do I use?
00:51:59The same one, just add an A to it.
00:52:01Okay.
00:52:02You know how to do them.
00:52:02Well, well, you guys take a break.
00:52:19Valentina, what brings you here?
00:52:31I must talk to you.
00:52:32Has something gone wrong?
00:52:34Everything's gone wrong.
00:52:35Hey, Arno, we're all set to shoot.
00:52:39Are you coming, huh?
00:52:40You go ahead and shoot it.
00:52:41You know what to do, huh?
00:52:42Okay, you're the boss.
00:52:44Let's get moving.
00:52:45Now, it all boils down to this mysterious lady who'd like to introduce you to the delights
00:52:51of sapphic love.
00:52:52So what?
00:52:53You give her a lovely curtsy and you say, many thanks, but I'd much rather make love with
00:52:58my friend Arno.
00:52:59Yeah, yeah, I like that.
00:53:00You don't understand anything.
00:53:02There's something different about Baba Yaga.
00:53:04It's as if she came from some other world.
00:53:06A world subject to other forces.
00:53:08Her eyes are so strange.
00:53:10The big world is full of people with strange eyes.
00:53:13No.
00:53:15Not like this.
00:53:19There's something else.
00:53:21I don't know what it is.
00:53:23I can't even imagine it.
00:53:25And that's what scares me.
00:53:26For example, that hole in her living room doesn't just lead down to her basement.
00:53:33There's no end to it.
00:53:34Don't you see?
00:53:36Soon you'll be telling me that it's the pearly gates of hell and your Baba Yaga is the custodian
00:53:40witch of it.
00:53:41How do you know she isn't?
00:53:44No.
00:53:46Because it's mad, that's all.
00:53:48Because we're living in the 20th century.
00:53:50We're putting men on the moon, transplanting organs.
00:53:54Witches don't exist.
00:53:55Listen, you're being a bit too naive.
00:54:00Hell, Val, if it's anything, it's the world we're living in.
00:54:05And if it did exist, I'll bet you, with all those souls, you can be certain that by now
00:54:11why it certainly would have been turned into some kind of supermarket.
00:54:13If only I could.
00:54:22But something happened today when the lights went out.
00:54:26I don't know what, but there's something, some detail that I can't pin down that would help me understand.
00:54:34Even if the idea scares me to death.
00:54:35Even if the idea scares me to death.
00:54:39Understand what, Val?
00:54:41Now look, you meet an old lesbian, and a friend of yours gets a headache, all of a sudden it's sorcery and witches.
00:54:48She's pale, her hands are icy.
00:54:50Listen, I have an old aunt in Trevisia who has two teeth like that, but that doesn't make her Dracula.
00:54:56I don't know, maybe you could use the night out.
00:54:59I have an idea that might help.
00:55:01How about coming over to the chinny club huh?
00:55:02Really?
00:55:03Uh huh.
00:55:04What's playing?
00:55:04It's a series on German expressionism.
00:55:05Alright.
00:55:06Anything's better than going home.
00:55:29What's the matter?
00:55:49Are you all right?
00:55:51It's interesting, isn't it?
00:55:55It's nothing.
00:55:56Sorry.
00:55:59I don't know.
00:56:29Come on, let's go.
00:56:48What's the matter?
00:56:49What is it?
00:56:49Come on, Harry.
00:56:50Shhh.
00:56:54Kyle, will you please tell me what the hell's going on?
00:57:08I just thought of it.
00:57:09I remember.
00:57:09The camera was on the table.
00:57:11The shutter was closed.
00:57:12And then the lights went out.
00:57:13And when they came on, it was near the down.
00:57:16And the shutter was released.
00:57:18So what?
00:57:18But don't you see?
00:57:20Someone used it.
00:57:21Someone took pictures with it when all the lights were out.
00:57:28But that's impossible.
00:57:30They couldn't.
00:57:33I know.
00:57:34You see, the film's used up.
00:57:49Are you certain you didn't use it off?
00:57:51Positive.
00:57:52I loaded a new film while I was talking to Awajubi.
00:57:55And then I remembered all those coincidences.
00:57:57Tony's illness, your camera jamming, the death of that hippie kid.
00:57:59And I thought this camera had a curse on it.
00:58:02So I used another just to be on the safe side.
00:58:05Well, we'd better develop it then, huh?
00:58:09But if they were taken in the dark, there won't be anything to see.
00:58:14Are you sure?
00:58:18Hmm?
00:58:19No.
00:58:23Let's try it.
00:58:29Hey, is that the doll named Annette?
00:58:33Yes.
00:58:36Not bad.
00:58:38If she ever becomes flesh and blood, call me.
00:58:40I'll talk to her myself.
00:58:59Oh, my God.
00:59:11It's impossible.
00:59:29We'll talk to her.
00:59:45Have a JC.
00:59:46What's Rowena's number?
01:00:16What's Rowena's number?
01:00:46Hello, this is Arno Trevi, may I please speak to Rowena?
01:01:00A friend of Valentina's, it's Mostergint.
01:01:05What?
01:01:08I'm sorry.
01:01:16Arno, is she dead?
01:01:21Two hours ago.
01:01:23Arno, is she dead?
01:01:30Arno, is she dead?
01:01:37Arno, is she dead?
01:01:46Let's go.
01:02:16Let's go.
01:02:46Let's go.
01:03:16Let's go.
01:03:46Let's go.
01:04:15Let's go.
01:04:45If you want it back, come and get it at once, without waiting for your friend, at once.
01:04:51Is that clear?
01:05:15Let's go.
01:05:21Let's go.
01:05:27Let's go.
01:05:35Valentina.
01:05:59Valentina.
01:06:30Why?
01:06:31I was not responsible for it.
01:06:38My dear.
01:06:39There are forces which can strike out at any moment.
01:06:45These forces make use of us.
01:06:46These forces make use of us.
01:06:52It is useless to oppose them.
01:06:54I will oppose them.
01:06:55I will oppose them.
01:07:01You're very presumptuous.
01:07:02You're very presumptuous.
01:07:08Then, all you people are.
01:07:10You think you hold the moon in the palm of your hands, but you don't even know the secrets of
01:07:16your own earth.
01:07:21You will come with me.
01:07:22You will come with me, Valentina, and you will know the secrets that men have been trying
01:07:28in vain for centuries to know.
01:07:32You will be rich and powerful.
01:07:37You belong to me, Valentina.
01:07:40So don't you forget it.
01:07:43I've already demonstrated that I can do with you as I like.
01:07:49No!
01:07:52I couldn't care less about power and riches and your cosmic secrets.
01:07:56And don't try to tell me who to make love with.
01:07:59Because no man has ever done that, let alone a woman.
01:08:09What you want is of no importance.
01:08:12You'll come with me whether you like it or not.
01:08:16Now go upstairs to the bedroom and wait till you're summoned.
01:08:21Valtina!
01:08:44Valtina!
01:08:47Valtina!
01:08:50Valentina, where the hell are you?
01:08:57Shit.
01:09:27Let's go.
01:09:57Let's go.
01:10:27Let's go.
01:10:57Let's go.
01:11:27Let's go.
01:11:57Let's go.
01:12:27Let's go.
01:12:57Let's go.
01:13:27Let's go.
01:13:57Let's go.
01:14:27Let's go.
01:14:57Let's go.
01:15:27Let's go.
01:15:57Let's go.
01:16:27Let's go.
01:16:57Let's go.
01:17:27Let's go.
01:17:57Let's go.
01:18:27Let's go.
01:18:57Let's go.
01:19:27Let's go.
01:19:57Why didn't you hear what I said?
01:19:58This place is going to be torn down.
01:20:00Abandoned?
01:20:01There's a for sale sign right outside if you've taken the trouble to look.
01:20:05It's owned by the Alexander Realty Company, but from what I understand, they finally sold it to a large concern.
01:20:09And rumors are they're going to put up a supermarket.
01:20:10Let's go.
01:20:10Let's go.
01:20:10Let's go.
01:20:12Let's go.
01:20:13Let's go.
01:20:14Maybe we're going to go.
01:20:15Maybe we're going to go.
01:20:19Let's go.
01:20:20Let's go.
01:20:21Let's go.
01:20:24Let's go.
01:20:25Let's go.
01:20:26Let's go.
01:20:27Let's go.
01:20:29Hey, look.
01:20:30Hey, look.
01:20:31Hey, look, there's an old doll's head.
01:20:34You see, Sergeant, I'm a photographer.
01:20:37I needed some pictures of a place like this.
01:20:39At night?
01:20:40All right.
01:20:41You may go now.
01:20:42But tomorrow I want you to come by the station.
01:20:44Of course, Sergeant.
01:20:45We'll be happy to.
01:20:46And thank you very much.
01:20:59All right.
01:21:00Let's go.
01:21:01You know, I think it's pretty obvious what those two were doing here, don't you?
01:21:04Wait a second.
01:21:05Aren't you going to arrest them?
01:21:06It's your duty as officers of the law to protect us citizens from people like those delinquents.
01:21:11Anyone can have the violence even up in a moment.
01:21:14All right.
01:21:15Let's go.
01:21:16Let's go.
01:21:17Let's go.
01:21:35Let's go.
01:21:36Let's go.
01:21:37Let's go.
01:21:38Let's go.
01:21:39Let's go.
01:21:40Let's go.
01:21:41Let's go.
01:21:42Let's go.
01:21:43Let's go.
01:21:44Let's go.
01:21:45Let's go.
01:21:46Let's go.
01:21:47Let's go.
01:21:48Let's go.
01:21:49Let's go.
01:21:50Let's go.
01:21:51Let's go.
01:21:52Let's go.
01:21:53Let's go.
01:21:54Let's go.
01:21:55Let's go.
01:21:56Let's go.
01:21:57Let's go.
01:21:58Let's go.
01:21:59Let's go.
01:22:00Let's go.
01:22:01Let's go.
01:22:02Let's go.