On the surface the women at the convent are your average nuns. However, what they get up to in their spare time is far from what you'd expect from nuns.
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00:00:00The Lone Ranger
00:02:20You ought to grease your hinges, sister.
00:02:22Perhaps you could see to it, Master Silva.
00:02:25Be happy to, sister.
00:02:28Grease all your hinges.
00:02:32Oh, I don't take a thing when I go to bed.
00:02:37I don't need it.
00:02:38I was born that way.
00:02:40Well, I need it.
00:02:41Otherwise, I wake up five or six times a night and I have nightmares.
00:02:45Oh?
00:02:46What about?
00:02:47Oh, things.
00:02:48It must be awful to have nightmares about things.
00:02:52Well, that's why I need a stiff hot chocolate.
00:02:54It's so warm and creamy and soothing.
00:02:58If you keep it up, you'll become addicted.
00:03:00What do you mean, sir?
00:03:01You're going to wake up screaming that you're being attacked by a hot, stiff chocolate.
00:03:05Praise be the Lord.
00:03:08Praise be the Lord.
00:03:09Use your joints.
00:03:10Mercy, sister, give Master Silva a chance to catch his breath.
00:03:15I can keep it up all day.
00:03:18You should see the size of the joints they get at the army garrison.
00:03:21Tremendous weight.
00:03:22Here I am from dawn to dusk and I complain.
00:03:25Our Lord Jesus carried his around without complaining either, except that's not so funny, is it?
00:03:29No, and a decidedly poor metaphor.
00:03:32Well, compare me with who you like, but when it comes to bearing joints, I can't be beat.
00:03:36A working man is safe to trust.
00:03:38His mind is free from thoughts of lust.
00:03:41How could anybody think anything beating the meat like that?
00:03:45Ah, you'll be all right with me, sisters.
00:03:48Eyes open or eyes shut.
00:03:50I always give a lady the respect she deserves.
00:03:53Mr. Clarissa?
00:03:54Yes?
00:03:55What is it?
00:03:56May I borrow your hat for a while?
00:03:58My face is going to break out all over.
00:04:00It's terrible.
00:04:01That's the way God made you, dear.
00:04:03Be content with your loss.
00:04:04I don't want to get thundered either.
00:04:06Oh, but at least you won't get freckles.
00:04:08I'll end up looking like a plane.
00:04:10Here.
00:04:11My skin isn't the least bit sensitive to sunlight.
00:04:13Or to moonlight.
00:04:15Curb your tongue, sister.
00:04:16I never leave my cell at night.
00:04:18But of course.
00:04:19I forgot.
00:04:20You get free home service.
00:04:22Clarissa.
00:04:23Such a dung wag, dear.
00:04:25Well, I'm glad to know exactly what kind of person you really are.
00:04:28Don't prick your thumb, dear.
00:04:29Oh, God.
00:04:30Don't prick your thumb, dear.
00:04:31Arir, you think you are.
00:04:56Oh, my God.
00:05:26I got muscles iron and veins of steel in these here arms.
00:05:30You want to see?
00:05:31No, no, it's clogged up.
00:05:32You mean you doubt it?
00:05:35Watch.
00:05:37I may be stupid, but I'm not crazy.
00:05:39Here, touch it.
00:05:41Go on, this here can hold up a whole joint.
00:05:45There, you see, rough and hard and tough as iron.
00:05:49And a ramrod with a mighty thrust.
00:05:51I could put a hole right through the walls of this house.
00:05:56Master Silva?
00:05:57Oh, my God.
00:05:58Thank you, sister.
00:06:01Praise be the Lord.
00:06:02Praise be the Lord.
00:06:04Till next weekend.
00:06:05Always a pleasure to come by.
00:06:08See you tomorrow.
00:06:10Sister Martina.
00:06:11Mother, come.
00:06:22Father, come.
00:06:25prep.
00:06:26Honesty FAR LEGLANDS
00:06:28Let me go.
00:06:29I'll make you a duplicate.
00:06:30удь Long.
00:06:30Not even if you want me to die.
00:06:32Excuse me, mother.
00:06:33Because I'll do this yesterday and for now,
00:06:34boy is your presence.
00:06:34typing.
00:06:35Let me go.
00:06:35Let us all own this mess.
00:06:36You stay here now.
00:06:37Hopefully, parce tells us us.
00:06:38Baby.
00:06:38Okay.
00:06:38You got to keep it greased and I see, a little bit here, a little bit there, that's a good, yeah.
00:06:58Oh, thank you, thank you so much, Master Silva.
00:07:01Help your neighbor and the Lord will help you.
00:07:02Yes, isn't that the truth?
00:07:04God bless you, Master Silva.
00:07:08You will speak with me, then you will.
00:07:18I will find you, Master Silva.
00:07:29Oh, bless it Lord.
00:07:30I scorn above all of men's sins, those I've committed myself.
00:07:34I would rather die than offend them.
00:07:36Help me to love and honor the always.
00:07:38Amen.
00:08:08Oh, the poor geese have gone batty.
00:08:25Silliness and revelry had no place in our lord's youth.
00:08:38Silliness and revelry
00:09:08Silliness and revelry
00:09:38Silliness and revelry
00:10:08Silliness and revelry
00:10:38Silliness and revelry
00:11:08Silliness and revelry
00:11:38Silliness and revelry
00:12:08Silliness and revelry
00:12:10Silliness and revelry
00:12:14Silliness and revelry
00:12:16Silliness and revelry
00:12:54Silliness and revelry
00:13:04Silliness and revelry
00:13:14Silliness and revelry
00:13:24Silliness and revelry
00:13:34Silliness and revelry
00:13:44Silliness and revelry
00:13:54Silliness and revelry
00:14:04Silliness and revelry
00:14:14Silliness and revelry
00:14:24Silliness and revelry
00:14:25Silliness and revelry
00:14:34Silliness and revelry
00:14:36Silliness and revelry
00:14:44Silliness and revelry
00:14:54Silliness and revelry
00:14:56Silliness and revelry
00:14:58Silliness and revelry
00:15:00Who are you I'm afraid I'm all tied up for the next two weeks
00:15:22what impudence you will answer for this at a court of hearing the man who was he I
00:15:34confess since you caught me but my friend's name is something I'll never
00:15:36tell you or anyone I asked a question answer yes mother since you've got to
00:15:42know every detail it's count Paolo Montesano before me I shall see you had
00:15:48announced to the national legation the procedure will be certain to cover your
00:15:52person with public dishonor you're addressing a frangimani I would watch
00:15:56how I threaten a girl of my rank if I were you this affair would be heard of in
00:16:00Rome in which case you'll find I'm sure that it's your convent shall suffer the
00:16:04dishonor this convent is a house of the Lord and my family Reverend mother counts
00:16:09one of the Lord's ablest lieutenants Cardinal frangimani and who's got
00:16:12special access to his papal ear young lady there are certain cases which are
00:16:18above the reach of even princes then I'll have to stand and shout out the truth in
00:16:22st. Peter's Square that my illustrious father and mother had me take vows when
00:16:25I was too young to realize what I was in for ha they were overjoyed for me
00:16:29except that they would never let any daughter of their station be put through
00:16:32such torture and hell it's you that needs punishing and with your own story
00:16:35you are distinguished from all other girls and from all other women by your holy vows
00:16:49by your way of life which is an imitation of that of your dear betrothed Jesus and of
00:16:56all the saints and christeners letting your hair grow so it covers your shoulders
00:17:01bearing your brow to other eyes and renouncing your symbol of virtue is
00:17:06sacrilege and a sin against the Lord it is betraying your sacred betrothed for
00:17:13Satan stay ever vigilant Satan hummers near each of you a wolf among the flock
00:17:20picking herding his victim out today sister Lucrezia tomorrow someone else any of you
00:17:26could be chosen by the king of darkness should the smallest temptation strike and
00:17:33insinuate itself into your soul chase it out instantly confess do not wait for the
00:17:38day of downfall and shame sister Lucrezia you have already repented to Christ through
00:17:45your pronouncements in the confessional repeat it to us in a loud voice here
00:17:58I repent Oh Lord and beg forgiveness according to the immensity of thy mercy I
00:18:09I repent Oh Lord and beg forgiveness according to the immensity of thy mercy
00:18:14oh
00:18:16oh
00:18:18oh
00:18:20oh
00:18:22oh
00:18:24oh
00:18:28oh
00:18:30oh
00:18:32oh
00:18:34oh
00:18:36oh
00:18:38oh
00:19:05oh
00:19:07Oh
00:19:08oh
00:19:09oh
00:19:10oh
00:19:12oh
00:19:13oh
00:19:13oh
00:19:13oh
00:19:14oh
00:19:15oh
00:19:17oh
00:19:30I am excited even now you gave me your body I can still feel your fleshy burning lips
00:19:35Oh, Amandina, love me, love me, I love you.
00:19:39Giuseppe!
00:19:41But everyone knows it was Sonomi who had to talk about this.
00:19:44No, no, that's not true.
00:19:45What do you mean?
00:19:46It was Sonomi who wanted his head.
00:19:48It was Heather Angellus who did the job.
00:19:50In the person.
00:19:53Your luncheon is in your cell, Reverend Mother.
00:19:56Sister Martina?
00:19:57Yes, Mother?
00:19:58Send me Sister Amandina right away.
00:19:59Yes, Mother.
00:20:01My body is yours completely without end.
00:20:04Who is this Giuseppe?
00:20:06He was my invention.
00:20:08I wrote all the letters.
00:20:09In two different handwritings?
00:20:11I wrote Giuseppe's letters with the left hand and mine with the right hand.
00:20:28Now write me a line.
00:20:31No, first with the right.
00:20:33Now the left.
00:20:39All right, that's enough.
00:20:49Now go directly to the chapel and pray for God's forgiveness.
00:20:52Your daughter was strong!
00:20:53Now doin' usilly.
00:20:54My daughter is for what is , goodness.
00:21:06San Giuseppe!
00:21:07Patriot of love most pure.
00:21:09Oh, help this poor frustrated sinner!
00:21:13Who is it?
00:21:35How about this now it's got to be about this large and full face not profile and with huge eyes and with a bushy beard
00:21:57Sort of about like this. Yeah, that's just right. Mm-hmm. You have any idea when it'll be ready?
00:22:05Saturday of next week. Is that all right? Oh, go on. Can't you before that? No, it's impossible before then.
00:22:13It'll be ready tomorrow. Thanks. Night. Night.
00:22:28Ah, it's you, is it? Praise be the Lord. Is this for me to come down sick?
00:22:31No, she's feeling fine. It's the third anniversary today of my entry into the continent. So this is a private holiday for me and I'm given door duty.
00:22:40Try it down, you whoring birds.
00:22:46I know that you're still doing it. And so does the whole convent. If for no other reason than your honour, I think you have an obligation to put an end to it.
00:22:53Heavens, has your aunt now put you up to converting me? Then she might just as well admit her impotence. Or better yet, admit that I've won the battle.
00:23:06In any case, she's not about to go and denounce me to the bishop. She knows I have more influence than she does.
00:23:23Lucrezia, such a front tree. God will decide. On the day of judgment.
00:23:30Clara, darling, you've never held a man in passion. You'll know, should ever that hour come, how a mere glance from my lover has more power and princely sway over me than all the orders and beastly punishments that your aunt could ever inflict on me.
00:23:47Punishments that mean nothing anyhow. Not to someone who belongs to the house of Frangimani.
00:23:54Will I belong to the house of Visconti? And as far as I'm concerned, the fidelity that willingly I swore to our Lord Jesus, who is my betrothed, is going to stay sacred.
00:24:10Helicopterus hippicus. Catastrophus orientalis. Garbus.
00:24:25Sit down, sit down. Thank you. Tomorrow...
00:24:27Everybody help you? No, no. Tomorrow, Clara and Lucrezia will start to embroider your cape. They'll be devoting all their time to it for you, Father, to honor your anniversary.
00:24:36You're awfully kind, though I've done nothing to deserve such a gift, Mother Clara.
00:24:41Father, you wouldn't know a certain Paolo Montesano di Forli.
00:24:44Son of the late Giovanni Montesano, may he rest in peace?
00:24:47Yes.
00:24:48Ah, well, the father made a will, according to which Paolo is to receive a very substantial stipend for the completion of his studies in America.
00:24:56In America? It's the wrong time of the year to cross over. You know how dangerous it can be. The great Atlantic swell can become a real inferno.
00:25:05In Livorno as a rule, the last step of preparation is confession, so I'd rather expect the person to go. To paradise, no.
00:25:12That I should help and not be a bodily burden to my fellow man.
00:25:17And give me, O Jesus, the...
00:25:20And give me, O Jesus, the gift of self-restraint, so that I neither covet nor shut to accept what may come to pass.
00:25:27So that I never exceed moderation. That I willingly take up those things whose time has come, and that those things I have begun before their time, I...
00:25:39...from my enemies, and make sure that I always honour what I am bound to uphold, and help the old...
00:26:01Yoga is merely an expression of oriental thought, and has nothing whatever to do with any of our Christian philosophies.
00:26:09Then why was it a man of the church, Abbot Perot, who introduced it to Europe?
00:26:13Shh! Quiet! Shameless chatterboxes!
00:26:16This is a little dignity. Enough of this idle gossip. I chew your fruit thoroughly.
00:26:26Help me, O Jesus, in executing faithfully tasks that are assigned. To humbly sweat...
00:26:46To my brethren as example.
00:26:51To my brethren as example.
00:27:16To your brethren as example.
00:27:19To move you people to theutive peace for your and your motivation.
00:27:20Question is correct.
00:27:21If you want I can lend you a new book on Jong huge steps if you'd pass your heart...
00:27:33If you want I can lend you a notebook on yoga that Albert Perot can translate to it in.
00:27:38If you want, I can lend you an old book on yoga that Albert Plerot translated way back in 1787.
00:27:49Praise be the Lord. Good night.
00:27:51Praise be the Lord. Good night.
00:28:08Too high for you to jump, my dear.
00:28:15Too deep for me to swim is more like it.
00:28:18And too far above all.
00:28:21Your Count Paolo Montesano has gone to America.
00:28:25America?
00:28:27Forever.
00:28:29The father confessor accompanied him to the ship in Livorno to make certain all terms of his father's will are respectfully carried out.
00:28:36What? Didn't he just leave money to Paolo?
00:28:38Not quite.
00:28:41The terms of the late and unfortunate Count Montesano's legal will state that the whole of his fortune be spent on the education of his son in America.
00:28:48That bastion of most ideal democracy, to use the words of his testament.
00:28:54But Paolo Montesano didn't stop to think that the voyage to America is long and perilous.
00:29:08Praise be the Lord.
00:29:10Praise be the Lord.
00:29:11Can't you sleep?
00:29:12I was doing penitence and almost about to kiss Jesus' knee.
00:29:17And then all of a sudden you knocked and Jesus flew away.
00:29:20The holy vision, yes.
00:29:22Get to bed.
00:29:23Immediately.
00:29:23I love you, Jesus.
00:29:28I love you with all the thoughts of my mind and all the feelings of my heart.
00:29:32Penetrate with your grace into my adoring soul.
00:29:36Come.
00:29:36Come into me, oh blessed Jesus.
00:29:38Come.
00:29:39I will love you for all eternity with all my soul.
00:29:43Oh my Lord Jesus, I want to love you with my whole being.
00:29:47Come, sweet, lovely Jesus.
00:29:49Come.
00:29:51Lovely Jesus.
00:29:52Hey, you, hold on a minute.
00:30:10Where are you going?
00:30:12I'm a cellar of art.
00:30:13What kind of art?
00:30:14Religious subjects.
00:30:16Oh yeah?
00:30:20Why do you have only the sixth and ninth station?
00:30:23They're the ones that my customers have the least interest in.
00:30:28Sounds like you're a bad salesman.
00:30:31No.
00:30:32I'm normally very good at it.
00:30:35Only prejudices are hard to overcome with people.
00:30:38You ought to change professionals.
00:30:41Yeah, well, I think I may just do that.
00:30:52Who is there?
00:30:53Open the door, please.
00:30:56Who is there?
00:30:57Open the door and you'll find out.
00:31:07Who are you?
00:31:08It's me, Rodrigo, your nephew.
00:31:13Uncle Luigi, how are you?
00:31:16What's the matter?
00:31:16Don't you recognize your own nephew?
00:31:17You're not my nephew.
00:31:19Of course I am.
00:31:20Your nephew, Rodrigo.
00:31:21Over here.
00:31:22Look at me.
00:31:23I'm looking, but no bells are ringing.
00:31:25Imagine me without a beard.
00:31:28Without a beard.
00:31:35Rodrigo, Rodrigo.
00:31:38Reading the dark spirited works of Alfieri has completely turned your head around.
00:31:42But you shouldn't play with fire.
00:31:44No, no, no.
00:31:45You're not carrying a pistol, are you?
00:31:47No, Uncle, come on.
00:31:47No, quiet.
00:31:48Don't say anything.
00:31:49What have you got in here?
00:31:51Let's see.
00:31:56Clever.
00:31:57Very clever.
00:31:59Don't mislead the gendarmes.
00:32:01Don't say a word.
00:32:02I'm on to the whole thing.
00:32:09I say to keep the beard.
00:32:10Right.
00:32:11Now we'll get you a place far away from here.
00:32:14Not too far, but away from me.
00:32:16I'll speak to Mother Clara.
00:32:18The house of Orsini.
00:32:19You can pretend you're doing certain studies of biblical libraries.
00:32:22The mash it will attend right there.
00:32:24Thanks, Uncle.
00:32:27I think Mother Clara would be delighted to receive such beautiful prints in exchange.
00:32:31Hark!
00:32:32Hark!
00:32:43No means of birth.
00:32:43I think she's getting it this morning, son.
00:32:45Hark!
00:32:45Hark!
00:32:50Hark!
00:32:52Hark!
00:32:53Hark!
00:32:54Hark!
00:32:55Hark!
00:32:55Hark!
00:32:56Hark!
00:32:56Hark!
00:32:57Hark!
00:32:57Hark!
00:32:58Hark!
00:32:58Hark!
00:32:58Hark!
00:32:59Hark!
00:32:59Hark!
00:32:59Hark!
00:33:00Hark!
00:33:00Oh, my God.
00:33:30Sister Clara, it's me, Rodrigo, Father Luigi's nephew.
00:33:58The Lord Shine is on you.
00:34:01Could you please unlock the gate?
00:34:06I don't have permission to.
00:34:08I want to.
00:34:09I would like to talk to you.
00:34:11To see.
00:34:12To be near you.
00:34:14Look, whatever you're thinking of, you're quite overstepping the limits of good behavior.
00:34:19Please, leave.
00:34:21Leave me alone.
00:34:22You might want a bigger one.
00:34:25You know, for variety.
00:34:28So, I had to pay extra, of course, but it was worth it.
00:34:31See, one big and one small.
00:34:33No.
00:34:33Put them away, please.
00:34:35I don't need anything.
00:34:36Doesn't interest me in the least.
00:34:39This one is perfectly good for me.
00:34:40It's beautiful.
00:34:43Unique.
00:34:43And I don't need variety.
00:34:47Sister Martina.
00:34:52Our poor mother's getting more irritable every day.
00:34:55I thought perhaps a little drop of opium would calm her down.
00:34:57Of opium?
00:34:58No, I'm sorry.
00:34:59These daily torments are becoming too much for us all to handle.
00:35:05It's fantastic.
00:35:06No.
00:35:08You know, I know everything, Sister Martina.
00:35:10A fine stud, isn't he, your Silva?
00:35:14You suffer so much, Martina.
00:35:16How unfair for true love to be considered a sin and punished,
00:35:19the way love is in this convent.
00:35:21Lucrezia.
00:35:23Silva wants money or else he says he won't go on.
00:35:27He's really poor.
00:35:44Hurry up.
00:35:57Go on.
00:36:02Looking glass of the devil.
00:36:04An extraordinary thing happened to me.
00:36:07I was with somebody together in my cell.
00:36:11Your cell?
00:36:12With someone?
00:36:13Who?
00:36:13When?
00:36:14Last night.
00:36:15With the King of Kings.
00:36:17Jesus Christ.
00:36:19Then how did he...
00:36:20Did he tell you who he was?
00:36:22No.
00:36:23He didn't speak.
00:36:25But I recognized him.
00:36:26I know his knees.
00:36:29You what?
00:36:29His knees.
00:36:30His feet.
00:36:32His ankles.
00:36:33His thighs.
00:36:34His whole body.
00:36:36His neck.
00:36:36Please, keep it down.
00:36:37His chest.
00:36:39His belly.
00:36:39Stop it, girl.
00:36:40Hush.
00:36:40His hips.
00:36:46Now then, what did you do with him?
00:36:49He got into my bed.
00:36:52Right next to me.
00:36:53Very close to my breast.
00:36:54And our legs entwined together like a pretzel.
00:36:57Entwined together like a pretzel?
00:36:59Is that possible?
00:37:00Well, how can these get tied in a pretzel?
00:37:02No, no, no, no.
00:37:03Just giving me a description will do.
00:37:05He did it in such a way that I felt like I had four legs.
00:37:12But we didn't commit any kind of sin.
00:37:14Oh, I confess it then, if it was an innocent visit.
00:37:18Because I hate our mother's superior.
00:37:20She burst into my cell all of a sudden.
00:37:23And chased Jesus Christ away with her black cane.
00:37:26Yes, ma'am.
00:37:29I swear she's anti-Christ, our mother.
00:37:31No.
00:37:32Yes?
00:37:33She is.
00:37:34That's your invention, what you're telling me.
00:37:37Now reflect on it.
00:37:38Then you come back to me on Friday morning, all right?
00:37:40To tell me you've repented.
00:37:42Now go on, go on.
00:37:42And what's this?
00:38:09Nothing.
00:38:09Yeah, what is it?
00:38:11A flyer, I admit.
00:38:12There's been such a lot of them around.
00:38:13They bothered me all summer.
00:38:15Don't lie to me, girl.
00:38:16No, I wouldn't lie.
00:38:17Huh?
00:38:17I swear.
00:38:20Oh, we had some tremendous chats.
00:38:22The remarkable thing of it is,
00:38:23they all had a lot to say about you.
00:38:25In their opinion, you are none other than the devil.
00:38:29The anti-Christ.
00:38:30Sister Martina, Sister Martina, I spoke to Fiorenza.
00:38:50It's her anniversary today and she's got door duty.
00:38:53Well, I got her to agree to leave the door open
00:38:55so that Silva can just walk in up the stairs
00:38:58and into your cell.
00:39:01And you can do it all night.
00:39:03My, thank you.
00:39:04Thank you, Laura.
00:39:05Oh.
00:39:06Oh.
00:39:06Oh.
00:39:08Oh.
00:39:18Oh.
00:39:20Oh.
00:39:21Oh.
00:39:22Oh.
00:39:24Oh.
00:39:24Oh.
00:39:25Oh.
00:39:25Shhh!
00:39:39Shhh!
00:39:55Shhh!
00:40:19Who's in there?
00:40:21Your nemesis, milady.
00:40:23Who has the mother superior's permission to do anything he wants in this place.
00:40:28No!
00:40:30Literally anything!
00:40:31Don't save me!
00:40:36It was very thoughtful of you to present us this gift.
00:40:40Youth is somewhat disappointing these days, but you're an exception, young man.
00:40:43Did you go to a university?
00:40:45Yes, I studied science and logic.
00:40:47Logic? Mathematics and physics make no sense to me.
00:40:50No, no. They may not be easy, but they're quite logical.
00:40:53And very useful.
00:40:54For instance, I use the science of optics to define the Holy Trinity.
00:40:58It's like a candle and a mirror.
00:41:00The candle is the Lord.
00:41:02And the mirror which reflects it is his son, Jesus Christ.
00:41:06And the Holy Spirit is the ray of light uniting the two objects.
00:41:10That's how science has taught me to reason.
00:41:12Where do you live, may I ask?
00:41:13Well, my home is far away, but I...
00:41:14Oh!
00:41:15What lovely roses!
00:41:16There are also two religious works, Sister Clara.
00:41:18Yes, the sixth and the ninth stations of the cross.
00:41:20You were saying?
00:41:21I've rented a house near the Father Confessor's.
00:41:23It's yellow and the front stoop is covered with flowers.
00:41:55This man is like an angel from Chile
00:42:04Will follow me, my heart
00:42:10The rose that is not...
00:42:15Sister Clara, it's me, Rodrigo.
00:42:20Praise be the Lord!
00:42:23Could you please open the curtain?
00:42:24I...
00:42:26Don't... don't have permission to!
00:42:29I'm sure your aunt would have no objections.
00:42:34What do you have to say to me?
00:42:37Could you come closer, please?
00:42:45It isn't easy to carry on a conversation through this heavy cloth.
00:42:49Open it, please, I beg you.
00:42:51No!
00:42:53Clara!
00:42:54I love you!
00:42:55No!
00:42:56I love you, Clara!
00:42:57Let go of me!
00:42:58I love you!
00:42:59No!
00:43:00No!
00:43:05Oh, I tell you, men are worse than children.
00:43:07Without constant attention, they'd wilt away.
00:43:09Hey!
00:43:10Sister Martina!
00:43:11What is it?
00:43:12What?
00:43:13Are you pretending not to hear?
00:43:15No, no.
00:43:16I heard everything.
00:43:17Malicious tongues.
00:43:18Oh, we weren't talking about you.
00:43:20You know, I think our silver would be more than delighted to be served a good hot chocolate once in a while.
00:43:27His work is so hard.
00:43:30We're all a lot of loafers, by comparison.
00:43:33I understand that chocolate is marvelous for restoring energy.
00:43:37That it tones up the muscle.
00:43:43What's the matter, Clara?
00:43:44Nothing, the wind.
00:43:45Nothing, the wind!
00:44:15Nothing, the wind!
00:44:16Come, tea.
00:44:17Take-and-you?
00:44:18What would that happen?
00:44:20No, mate?
00:44:21No, no.
00:44:24Thank you!
00:44:250534-30am!
00:44:26If you're spending a lot of time, the fish will be saved.
00:44:28It's not too much time or, if you'll be saved up.
00:44:29All right.
00:44:30I know your money.
00:44:31No, I know your money.
00:44:33It's a place.
00:44:34It's a place.
00:44:36It's a place.
00:44:37Now you have to walk over you.
00:44:39I know your money, you have to have a place.
00:44:41You're spending too much time, and sometimes you don't have to live.
00:44:43Blessed Mother, I beg thee.
00:44:46Oh, please, Blessed Mother, please help me.
00:44:50I beg thee, please forgive me all my sins.
00:44:56Please, oh, Blessed Mother.
00:45:04Please, please.
00:45:08Oh, Jesus.
00:45:13I have Jesus' wounds.
00:45:38Praise be the Lord.
00:45:40For your lovely girls.
00:45:41And for the lovely day.
00:45:42Yes, isn't that the truth?
00:45:43How are they hanging, sister?
00:45:44Lower every day.
00:45:55Oh, my Lord in heaven, blood!
00:45:58Don't be afraid.
00:45:59You see only pale copies of the wounds that wreaked more terrible suffering on the body of our Lord Jesus on the cross.
00:46:07This mortal flesh that I have too much indulged, I shunned from now on, is the most attested object in the world.
00:46:13And from this hour on should I commit any mortal sin.
00:46:18It shall only be to get punished all the more vehemently.
00:46:22Permit this body, O Lord, to sink lower still, that your wrath without mercy may render my suffering all the greater.
00:46:30Collecting the money will be up to you, Mother. If each family pays their share, perhaps the roof will get repaired.
00:46:46What about the gratings on the windows overlooking the lake, Mother?
00:46:49They are in very bad condition, and iron smiths are rather expensive these days.
00:46:56Yes?
00:46:57It's me, Sister Amelia!
00:46:58Mother! Mother! Sister Veronica! She's bleeding from her hands.
00:47:02Of course, I don't believe in miracles.
00:47:05But a miracle could.
00:47:07They are rare nowadays, I know.
00:47:10But I saw the wounds on her hands, they were.
00:47:12Calm down. Calm down, sister.
00:47:15Who, what, and where?
00:47:16Holy Mother, I lay me prostrate at your feet.
00:47:19Holy Mother, I lay me prostrate at your feet.
00:47:32Oh, bless me. My soul will sing to you of joy and love, Jesus.
00:47:37May I ever serve you homily, with my heart, my body, my whole being.
00:47:43Come on.
00:47:46Get up, sister. Get up!
00:47:58Explain yourself. What's going on?
00:48:02I was chosen by our gracious Lord.
00:48:05How do you mean, chosen?
00:48:06I touched the head of Our Lady Mary and began to tell her of my love for her son.
00:48:17In answer, I received this.
00:48:36You didn't think he was so famous, as I met her in the village.
00:48:39I was chosen by a mom.
00:48:41I have a friend.
00:48:46Why didn't you know?
00:48:47You were so cursed.
00:48:49You're so cursed.
00:48:51I had a man and a woman so I was together.
00:48:54I didn't get and I got to know.
00:48:56I was so cursed.
00:48:58You're so cursed.
00:48:59You are so cursed.
00:49:01You're so cursed.
00:49:02Let's go.
00:49:32Let's go.
00:50:02Let's go.
00:50:32Do you feel that our Veronica is telling the truth?
00:50:35I feel it, yes.
00:50:37And it also predicts events to come.
00:50:40Since time began, stigmata have always announced a radical change.
00:50:45Stigmata together with all manner of apparitions,
00:50:49unfailingly warn of some imminent upheaval.
00:50:52Go fetch Father Luigi.
00:50:53He'll confess the poor wretch and give me a report on the results.
00:50:56Yes, Mother.
00:50:57Yes, Mother.
00:50:57Yes.
00:50:57Yes, Mother.
00:51:03Oh, my God.
00:51:33Oh, my God.
00:52:03Oh, my God.
00:52:33Oh, my God.
00:53:03Oh, my God.
00:53:05Oh, my God.
00:53:07Oh, my God.
00:53:09Oh, my God.
00:53:13Oh, my God.
00:53:19Oh, my God.
00:53:21Oh, my God.
00:53:23Oh, my God.
00:53:25Oh, my God.
00:53:31Oh, my God.
00:53:33Oh, my God.
00:53:35Oh, my God.
00:53:37Oh, my God.
00:53:39Oh, my God.
00:53:41Oh, my God.
00:53:43Oh, my God.
00:53:45Oh, my God.
00:53:47Oh, my God.
00:53:49Oh, my God.
00:53:51Oh, my God.
00:53:53Oh, my God.
00:53:55Oh, my God.
00:53:57Oh, my God.
00:53:59Oh, my God.
00:54:01Oh, my God.
00:54:03Oh, my God.
00:54:05Oh, my God.
00:54:07Oh, my God.
00:54:09Oh, my God.
00:54:11Oh, my God.
00:54:13Oh, my God.
00:54:15Where's your cell?
00:54:17Upstairs.
00:54:23I'm going to leave you here and be on my way as fast as I can.
00:54:45I'm going to leave you here.
00:54:55I'm going to leave you here.
00:54:59I've got the cell phone.
00:55:03I'm going to leave you here.
00:55:08I'll leave you here.
00:55:13I'm dying, poisoned for having tried to stamp out the intrigues of my young charges, with
00:55:40all the men in the town, for all that I know right this second our sacred cloister is being
00:55:50Violet, hold on, lay still mother, Jesus, Joseph Mary, oh help me in my agony.
00:56:01Oh God, oh, oh, oh, oh, oh God.
00:56:10Sant'A Maria, Mato Dei, ora pro nobis precatoribus, nom jaitanora mortis mostri, amen.
00:56:19Sant'A Maria, Mato Dei.
00:56:33Till tomorrow.
00:56:35Till tomorrow.
00:57:05Yes, in the convent, the mother superior, the poor soul, she's dead.
00:57:17The mother is dead.
00:57:35No, no!
00:57:40Get him!
00:57:41No, no, no, no!
00:57:42Where are you going?
00:57:43Let go!
00:57:44Let me go!
00:57:45Let me go!
00:57:46Let me go!
00:57:47Let me go!
00:57:49Stop!
00:57:56That's him!
00:57:57I recognize him!
00:57:58He was the one who sold that cross and chain.
00:58:00I saw him selling it.
00:58:02Hey, what do you want from me?
00:58:04Hey, leave me alone!
00:58:08Hey, stop!
00:58:11Stop!
00:58:34Why did you open the front door?
00:58:41Open?
00:58:42It wasn't me.
00:58:43I swear it.
00:58:44Well, somebody must have opened it.
00:58:47I don't know anything.
00:58:48I fell asleep for just five minutes.
00:58:50But I don't know anything.
00:58:51Just five minutes, eh?
00:58:52Just five minutes, eh?
00:58:53What time did Silva enter the convent?
00:58:55It wasn't for very long.
00:58:56It wasn't for very long.
00:58:57Only a few minutes.
00:58:58Listen, I'm not interested in the duration of your copulation.
00:59:01I'm sorry I had to talk about these things.
00:59:04Just when did your man come through the door?
00:59:05I don't know.
00:59:06I don't know.
00:59:07I've had it.
00:59:08All right, sister.
00:59:09You're going to tell me.
00:59:10And right now, do you understand?
00:59:12Right now, who opened that front door?
00:59:13I don't know.
00:59:14I've had it.
00:59:15All right, sister.
00:59:16You're going to tell me.
00:59:17And right now, do you understand?
00:59:18Right now, who opened that front door?
00:59:19I don't know.
00:59:20I don't know.
00:59:21I don't know.
00:59:22I don't know.
00:59:23I don't know.
00:59:24I've had it.
00:59:25All right, sister.
00:59:25You're going to tell me.
00:59:27And right now, do you understand?
00:59:29Right now, who opened that front door?
00:59:30All right.
00:59:30for her and sakes, Clara.
00:59:32Clara opened it up to let her man in.
00:59:33Oh.
00:59:34Clara.
00:59:35Clara Visconti.
00:59:37Ah, so Clara.
00:59:38That's a man too.
00:59:39God.
00:59:40I do.
00:59:41But then I'm sorry.
00:59:42You're not.
00:59:43I'm sorry.
00:59:44You're not.
00:59:45I'm sorry.
00:59:46I'm sorry.
00:59:47You're not.
00:59:48I'm sorry.
00:59:49I had to talk about these things.
00:59:50Just when, did your man come through the door?
00:59:52Oh, God.
00:59:54And his name?
00:59:56It's Rodrigo Landriani, your own nephew.
01:00:01That's not true.
01:00:03You must be lying.
01:00:04No, I even saw them.
01:00:07And you know I can prove it?
01:00:09Your nephew lost this button climbing the stairs with Clara.
01:00:16Oh, God.
01:00:18Bring in the guards.
01:00:22Come and get her.
01:00:24Take her away.
01:00:25And shut her in her cell.
01:00:31Go on, go on, go on, go back to your duties.
01:00:33A black, black sheep among so many white ones.
01:00:36What shame.
01:00:37Go on, go on and pray for her.
01:00:39Father, confess her.
01:00:41What are you doing here? Go on back to your cell.
01:00:45The door, the person who opened it.
01:00:49Huh?
01:00:51He opened the door like a wisp in the moonlight.
01:00:55He?
01:00:57Jesus Christ.
01:01:01Get out of here.
01:01:02Go on.
01:01:03Get out of here.
01:01:04Get out of here.
01:01:06I'm gonna help you wonderin'.
01:01:14Aww...
01:01:17This is it.
01:01:18In you go.
01:01:19Lock it.
01:01:24Who is this?
01:01:25It's me, Father Luigi.
01:01:27Come right in.
01:01:33Speak up.
01:01:34Speak up, well?
01:01:36You've always been above any suspicion
01:01:40that you were always held up by the Mother Superior
01:01:42as the epitome of virtue itself.
01:01:44A shameless liar telling...
01:01:47Let's hear it, let's hear it.
01:01:49Oh, poor creature.
01:01:51A woman of such low extraction
01:01:53she could not possibly be compared to you.
01:01:54Maybe she's mad.
01:01:56Doesn't know what she's saying, doesn't...
01:01:57What is she saying?
01:01:58Who's saying?
01:02:00A cunning young nun who managed to insinuate herself
01:02:02into the good graces of our dear late Mother Superior.
01:02:05Martina, she's tempted to stain your virtue and integrity,
01:02:08saying that, well, that you introduced a man into the convent.
01:02:13But she's obviously lying,
01:02:15so I've locked her in her cell
01:02:16and tomorrow she'll be taken to the bishop.
01:02:18To the bishop.
01:02:20To the bishop, to the bishop himself.
01:02:22Well, it's all true.
01:02:24I took my lover into the convent
01:02:27and he taught me something.
01:02:30But the door, I'm afraid, I have no idea about.
01:02:35Because that's how I found it.
01:02:37Already wide open.
01:02:38Lady, pardon me, Sister Clara.
01:02:42You really fornicated inside the convent with a man?
01:02:46You, in whom we put all our hopes and aspirations?
01:02:51Clara.
01:02:53Clara, who is the man?
01:02:56Rodrigo Landriani.
01:02:58And I love him.
01:03:01And he is now my betrothed.
01:03:04Oh, dear God, in heaven, in thy infinite mercy, have pity.
01:03:08Spare this mad creature the torments of hell.
01:03:10Jesus, hear my prayer.
01:03:11Let him send me there.
01:03:13Oh, dear Savior, you're witness to this terrible moment.
01:03:17Yes, yes, pray.
01:03:20That's a boy.
01:03:22Tomorrow, the bishop will decide.
01:03:25He'll decide your fate.
01:03:27Murder, thievery, violence.
01:03:29What in heaven is this country coming to, may I ask?
01:03:32Beautiful countryside.
01:03:33You must use a jeweler's eye in order to judge a case.
01:03:37You have to scrutinize every facet.
01:03:39Yes, I do.
01:03:39Don't ever forget that.
01:03:41The point is, appearances are more often than not a refraction of reality.
01:03:47Of course, just because you see a lowly farmhand in possession of diamond crucifix and chain,
01:03:52you don't say that's conclusive.
01:03:54All right, all right.
01:03:55A little discretion, sir.
01:03:56I shouldn't have to remind you.
01:03:58Of course, your grace, sorry.
01:04:00Hear the walls themselves, my ears.
01:04:02Don't forget that for a minute.
01:04:10You don't have to remind you.
01:04:40You don't have to remind you.
01:05:10You don't have to remind you.
01:05:22Here, put it away.
01:05:34Lord, we humble sinners ask for your forgiveness.
01:05:36Yes.
01:05:48Two quells.
01:05:50The ink in two colors.
01:05:51Black ink for Denise.
01:05:54And brown for Sister Martina.
01:05:57Here, thank you.
01:05:59You stay here, you come with me.
01:06:06Hey, Walter Luigi.
01:06:35What is it?
01:06:36You better come and see.
01:07:06It's the same poison.
01:07:20This has become a charm, Maros.
01:07:36Oh, no.
01:08:02The gas in the coffin!
01:08:04Somebody else?
01:08:34Oh no, not there.
01:08:40Over this way.
01:08:54Oh, no, and not there.
01:09:01Oh, no, not there. Over this way.
01:09:21What are you doing? Stop. Here, take this.
01:09:23Stop. Go back into the temple.
01:09:26Stop it. Get away.
01:09:27Go on. Go back into the temple.
01:09:30Get out of here. Leave her alone.
01:09:32Go back to your prayers. Get out of here.
01:09:34Back to the chapel. Get the bodies out of here.
01:09:36Take them into the library. Go on. Go on.
01:09:39Harry, go on. Go play the organ.
01:09:41Play the organ.
01:09:44Get going.
01:10:00Get out of here.
01:10:09Sister, speak.
01:10:11Clara Viscounta, you never once lied to me.
01:10:13Please tell me what happened.
01:10:15Please open your eyes.
01:10:16Tell me what's going on.
01:10:18Tell me what's going on.
01:10:20Just tell me who opened the door.
01:10:21You've got to tell me who opened the door.
01:10:25Clara, tell me who opened the door.
01:10:28Speak.
01:10:30By God, she's dead.
01:10:32The girl is dead.
01:10:35Close all the doors. Let nobody enter. Nobody.
01:10:38And don't you leave the bodies alone for one moment.
01:10:40Not for any reason.
01:10:49Stop it.
01:10:50Stop it, Father.
01:10:51Stop ringing the bell.
01:10:53For the love of God, you want us all to plunge into the inferno?
01:10:57Don't you have even an ounce of shame?
01:11:10Don't you leave, Father.
01:11:11Don't you have even an ounce of shame?
01:11:13Have you God?
01:11:16Please look at the eyes for heaven's sake.
01:11:17Stop ringing the bell.
01:11:18Stop ringing the bell.
01:11:19Stop ringing the bell.
01:11:20The bell.
01:11:21Let the bell in the love of God.
01:11:22No.
01:11:23Satan.
01:11:24No.
01:11:25Satan.
01:11:26Get out of here.
01:11:27Help me.
01:11:28I need to help.
01:11:29Help me.
01:11:30Take her away.
01:11:32He is the king of Hell.
01:11:33The enemy of God.
01:11:35Completely mad.
01:11:36Let me go.
01:11:38It is he and crucify our Lord.
01:11:39No, Lord! He crucified my Jesus!
01:11:42Arrest him!
01:11:44Shut it up! Arrest him!
01:11:46Satan! Satan!
01:11:49O Lord, omnipotent, pardon us our sins.
01:11:53O merciful God in heaven, lest you abandon us
01:11:55like wandering sheep in the dark.
01:11:57So do we humbly commit our persons
01:11:59to employ all the authority at our command
01:12:02to use all of our intelligence
01:12:04and all our knowledge and coming and force
01:12:08to make sure that all that has passed by
01:12:11within these walls
01:12:13shall remain within these walls.
01:12:17Amen.
01:12:38I love you.
01:12:41I love you.
01:12:43Amen.