📸 Double Exposure (1944) | Crime, Deception & Murder | Vintage Mystery Thriller 🕵️‍♀️🔍 #fullmovie - video Dailymotion

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📰 In Double Exposure (1944), a newspaper photographer gets tangled in a deadly murder case when a photograph becomes the key to solving a twisted mystery. A fast-paced B-movie packed with suspense, double-crosses, and vintage noir vibes.   📽️ Plot Summary:  Jimmy, a sharp news cameraman, captures more than he bargained for when a routine shot leads to blackmail, secrets, and a murder investigation. As the body count rises, the camera lens reveals what the eye cannot—will Jimmy survive long enough to expose the killer?   🕰️ Year Released: 1944  🎭 Genre: Crime, Mystery, Film Noir  🎬 Directed by: William Berke  🎞️ Starring: Chester Morris, Nancy Kelly, Richard Gaines   🎯 Why Watch It?  ✔️ Gripping noir-style mystery with unexpected twists  ✔️ Classic 1940s journalism-meets-crime narrative  ✔️ Tense pacing and moody cinematography  ✔️ A hidden gem for noir and thriller fans   🔔 LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more film noir treasures, classic crime dramas, and public domain cinema!   👇 Discover more golden-age thrillers & vintage classics:  📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY  ━━━━━━━━━━━━━━━━━━  🎞️ #DoubleExposure1944 #FilmNoir #ClassicMystery #VintageThriller #PublicDomainMovies #ChesterMorris #OldHollywoodCrime #CameraClues #GoldenAgeCinema  ━━━━━━━━━━━━━━━━━━  📸🕵️‍♂️ A photograph holds the clue to a murder… but will the truth cost him his life? Watch Double Exposure (1944) now!  ________________________________________

Transcript

00:00:00The End

00:00:30Good morning Mr. Taylor. It's always a good morning if you're healthy. Have a carrot.

00:00:46Thank you Mr. Charles. Good morning Mr. Taylor. It's always a good morning if you're healthy.

00:00:53Have a carrot. Thank you. Thank you. Oh Mr. Taylor, would you please give me an okay list.

00:01:00What's the matter with you lens gremlins? These pictures are about as exciting as a house organ for a funeral parlor.

00:01:05But Larry, this week nothing happened. No murders, no accidents. Nobody even fell down in a bathtub.

00:01:10Maybe nobody took a bath. That's malarkey. When I was hustling a camera, the boss, all muscle bustle, scrap.

00:01:17Mr. Taylor, this is a delicious carrot. May I have another one to take home with me?

00:01:21Certainly, certainly.

00:01:30Good morning, Mr. Turlock. Good morning. Well, you'll excuse me if I finish this, won't you?

00:01:36Keep your back straight, like this. Oh yes, back straight. Well, how did you like this week's magazine?

00:01:42Swell cover, huh? Excellent. Fine, thank you. Stiff knees. Stiff knees, yes. Joe Jackson shot that. Good man.

00:01:48Only one thing about it. I've checked the police. No record of such an occurrence. I trust for your sake there was no tampering with the truth.

00:01:54Why, Mr. Turlock, are you accusing me of faking a picture? Me, the editor of Flick?

00:01:58Just wanted to be sure. Well, I'm glad you liked the issue. I didn't say I liked the issue.

00:02:03That picture on the cover was the only good one. We need some fresh blood, some new blood around here.

00:02:07Good photographers are hard to find, sir. Not if you keep your eyes open. Take a look at this.

00:02:15Picture by Pat Marvin, Iowa Daily Bugle. A man who takes a picture like that should be working for me, and men who don't know that shouldn't.

00:02:21Now, that's well spoken, Mr. Turlock. You know, the minute I saw this picture in an early morning edition, I wired Marvin an offer.

00:02:26Well, maybe you're smarter than I thought. I'm going to the gym. Want to step a few rounds? Better harden that up.

00:02:31Well, I'd like to, sir, but there's some work here that won't wait.

00:02:37I'm glad it isn't a fake.

00:02:51Send in Joe Jackson and bring your book.

00:03:11Get a hold of Jackson? He'll be right in. If I eat any more carrots, magicians will be taking me out of hats.

00:03:16Take a wire. Did you want to see me, Larry?

00:03:21Yeah, Joe. Come in.

00:03:25Sit down.

00:03:27You and me, we've sort of been through the mill together, haven't we, Joe?

00:03:30There we have, Larry. Sure, yes.

00:03:33And I've always been for you 100%, haven't I, Joe?

00:03:35That's right, Larry. 100%.

00:03:37Yeah. What's the idea of pulling this up?

00:03:41This? Why, what do you mean?

00:03:43Don't you think I know a fake picture when I see one?

00:03:45I didn't just drive up on a load of squash, you know.

00:03:48Okay, Larry. But you expected me to come up with something, so I came up with something.

00:03:52It was good enough for the cover, wasn't it?

00:03:54I'm no fiddle-flap, Joe.

00:03:55I don't follow you guys around, and I don't go over your swindle sheets with a magnifying glass.

00:03:59But there's one thing I won't stand for. That's one of my men faking a picture on me.

00:04:02Oh, Larry, now that...

00:04:04So long, Joe. Pick up your check from Hanson.

00:04:06See you around sometime.

00:04:08I was getting awfully fed up with those carrots.

00:04:17Take a wire. Little Muscle Bustle's got a new protege.

00:04:20Yeah? Who is it that says?

00:04:22Oh, some goof from the corn country.

00:04:24Send the wire to Pat Marvin, Iowa Deli Bugle.

00:04:27Council Point, Iowa.

00:04:34Have they been in long enough, Pat?

00:04:35Well, I think we can leave him in a few more minutes.

00:04:41Oh, no, Ben.

00:04:43Ben, you know, just because I'm in your kitchen, that's no reason to take advantage.

00:04:47Gee, Pat, I wish you'd stay here for always.

00:04:49Where in the kitchen?

00:04:50Oh, you know what I mean.

00:04:52I'll get it.

00:04:54Hey, I banged on that front door till I ain't got no knuckles left.

00:04:57What you doing back here?

00:04:58Never mind. And who's the telegram for?

00:05:00Pat Marvin.

00:05:01Your old lady told me you was here.

00:05:03Hey, what's burning?

00:05:05Oh, whoa.

00:05:09They all right?

00:05:10Yeah, they're a little stiff, but they'll be all right.

00:05:11Cooking pictures?

00:05:12Who gave you that recipe?

00:05:15When are you two going to get married?

00:05:17Why don't you ask her?

00:05:18What's the matter? Are you scared to ask her?

00:05:20Oh.

00:05:21Oh, Ben.

00:05:22Ben, look, look at this.

00:05:24Wait a minute. Outside, outside.

00:05:26Now, what's all the excitement about?

00:05:28You remember the airplane picture?

00:05:30Yeah.

00:05:31Well, I just got an offer for a job from New York.

00:05:34Flick Magazine.

00:05:35You offered your job?

00:05:36I mean, offered your job?

00:05:37Oh, yes.

00:05:38Oh, Ben, isn't it wonderful?

00:05:39You know how I wanted this.

00:05:40Pat.

00:05:41Haven't you forgotten something?

00:05:42What?

00:05:43The airplane picture.

00:05:44That was a fake.

00:05:45Oh.

00:05:46I just duped in the background for you for a gag.

00:05:49Just to make it look like it was crashing.

00:05:50Oh.

00:05:51Well, I'm still a good photographer, anyway.

00:05:55What does it matter how I got the job?

00:05:57I'll hold on to it.

00:05:58And I'm a level, too.

00:06:00Well, what's the matter, Ben?

00:06:02Don't you think I can?

00:06:04Yeah, that's the trouble I do.

00:06:06I'm fond.

00:06:08It isn't because I'm not fond of you.

00:06:11You know that.

00:06:12But, well, I've just got to have a try at it.

00:06:15That's all I don't.

00:06:16I'll turn into one of those women who keep talking about

00:06:18what a great career they would have had

00:06:20if they hadn't gotten married.

00:06:21I'll get fat and sour and...

00:06:23Not sour.

00:06:25Oh, Ben, I've just got to have a crack at New York.

00:06:29Okay, Pat.

00:06:31You take a crack at it.

00:06:33I'll stay here and keep the oven hot.

00:06:35Oh, Ben.

00:06:37Well, if I'm leaving tonight, I have a lot of things to do.

00:06:44I've got my shoes.

00:06:47Oh, Ben.

00:06:50You're sweet.

00:06:56I get kissed more on the cheek.

00:07:03Yeah?

00:07:04Pat Marvin is here.

00:07:06Who?

00:07:07Pat Marvin is here.

00:07:09Oh, send him in.

00:07:17Yes.

00:07:18Mr. Burke?

00:07:19Yeah?

00:07:20I'm Pat Marvin.

00:07:21Oh, come in.

00:07:22Pat Marvin?

00:07:23Yes.

00:07:24Well, won't you sit down, Miss Marvin?

00:07:26Oh, thank you.

00:07:27Well, so you're Pat Marvin.

00:07:29Well, what do you know?

00:07:30Pat Marvin.

00:07:31Well, yes.

00:07:32Is there anything so miraculous about that?

00:07:34Well, no, but to tell you the truth, I expected you to look a little different.

00:07:38Yes.

00:07:39Quite a little different.

00:07:40Well, I'm sorry not to live up to your expectations.

00:07:42Oh, not at all, Miss Marvin.

00:07:43It is Miss, isn't it?

00:07:44Yes, it's Miss.

00:07:45Fine.

00:07:46You know, the minute I saw a picture of that plane crash in the paper, I said to myself,

00:07:49now, there's a guy, a gal with plenty of moxie who deserves a break in the big time.

00:07:50That's what I said to myself, and I thought I was the guy who could give it to her, but now I'm not so sure.

00:08:07Well, what do you mean?

00:08:10Well, you're pretty young.

00:08:11I mean, you're quite young.

00:08:13I mean, you're quite young.

00:08:15I mean, you're pretty young.

00:08:18I mean you're pretty and young but I can see you've got a lot to learn and if

00:08:22there's anybody who can teach you it's it's me oh well I don't want to cause you

00:08:27too much trouble oh not at all now the first thing I'm going to do is give you

00:08:31the benefit of my experience all in front of you every day you've got to

00:08:34hustle your own shots sometimes you got to put your foot in the door and keep

00:08:37it in no matter how hard it's stamped on plus that's all right for another ten

00:08:41like mine but yours you know how to cut the mustard you've got to have a glove

00:08:45glove no woman could possibly have it well it sounds like a goldfish could

00:08:50have it what is it well gloves a combination of the four things you've

00:08:53got to be to get ahead in this business you've got to be a go-getter you've got

00:08:56to be lucky you've got to be up and at them and a bunco artist at heart G L U B

00:09:01glove that's uncle Larry's formula for success

00:09:06who's your expensive-looking friend that's Dolores mature formerly Schultz

00:09:12refugee from the chorus she's now the sixth wife of Sonny Tucker oh is that

00:09:16Sonny Tucker yes the girl happy millionaire but honey I have a very

00:09:19simple explanation I'm not interested in any of your explanations he's trying to

00:09:23beat Tommy Manville's record at the altar oh they certainly look like they're

00:09:27getting on each other's nerves well naturally they've been married almost a

00:09:30couple of months now would you like to dance well will you give me a few minutes

00:09:34repairs I'm getting that airdale look what kind of a scene are you figuring on

00:09:39this time hysterics or just throwing things it'll be one you'll never forget

00:10:04you better get a doctor right away Owen just took poison in there yes poison and not one of

00:10:16your martinis please not so not we'll take care of it quietly there is a doctor in the hotel next door

00:10:21I want to get something out of my coat please

00:10:28what are you thinking about oh I I was just thinking how wonderful it is of a great big

00:10:44important man like you to take so much time teaching me the ropes are you up I

00:10:51don't guess you'd like to stop off at my place and have a nightcap no I guess not

00:10:56catching call I think it's the change of card I suppose you have a boyfriend back home

00:11:11engaged you're going to sort of have to have someone look after you you know a young girl

00:11:20kicking around New York alone is liable to run into a lot of wolves especially an attractive girl

00:11:24like you you're a hundred percent right about that Mike it's something awful okay Mike

00:11:30there's been a wonderful mr. Burke the first name is Larry Larry oh I wonder if you'd mind if I

00:11:42use your telephone I got I'm supposed to check for the night boy oh no I wouldn't mind at all except

00:11:50that it might disturb Ben Ben yes Ben my my brother oh yes he's uh he's sleeping on the day bed in

00:12:02the in the living room next to the phone say you were you didn't tell me you had a brother with you

00:12:07oh didn't I no no why what's he doing here well he's he's sleeping on the day bed in the living room

00:12:17next to the telephone no I mean does he work here in New York oh no no he doesn't he he just came

00:12:25along to see that everything was all right you know I see as a matter of fact he thinks I was working

00:12:34tonight you know if he ever thought for a minute that I was out with a with a strange man on chaperone

00:12:40wait well I'll be a chaperone you mean you actually do that's all of course we do back home you see

00:12:46they're they're very strict about those things back there I see well uh good night good night good night

00:12:54night good night good night good night وال 뉴욕 glad I had better wait well the hunt's had better wait

00:13:17good morning am i late no only about eight hours

00:13:24eight hours here you were in the same nightclub with this Deloria's dame she tries to bump

00:13:27herself off you don't even get a sniff at it it just proves it women have no place in a job like

00:13:31this they just haven't got glub oh I suppose I should have guessed what she was going to do

00:13:35guessed it smelled it use a Ouija board at least come up with something oh well you must mean

00:13:40something like this yeah I must mean something wait a minute where'd you get who who where did

00:13:45you glub darling what a shot oh I love you oh no well what are you doing get away now breathe just

00:13:58breathe well Mr. Turlock how's your doorman fine fine push-ups that's what you need push-ups yes sir

00:14:10oh this is Pat Marvin our new photographer Mr. Turlock how do you do can I can I stop breathing

00:14:15now I'm breaking her in the Turlock way she made those wonderful pictures the airplane crash I

00:14:19know I know that's why I told you to hire him only I didn't know he was a her well how are you young

00:14:24woman how's it Bowman a little flabby soft can you touch the floor touch the floor touch the floor

00:14:35for Mr. Turlock well I can no no no no no no no stiff knees like this

00:14:47oh you can't no

00:14:53stiff stiff knees yes

00:14:59oh something snapped you're a little stiff have a carrot

00:15:05I was just complimenting Ms. Marvin on the neat job she did last night Delores Tucker right after

00:15:12she'd taken poison excellent why don't you go over to Tucker's apartment and get some shots of him

00:15:17and that fantastic love nest of his we'll use it next week for a featured layout uh Smitty will give

00:15:21you the address beat it before old muscle muscle gives you the complete workout he insists on all

00:15:26employees following the Turlock diet and exercise course thanks goodbye Mr. Turlock it was nice meeting you

00:15:35sorry Mr. Turlock but we have to strike while the iron's hot you know this

00:15:42oh me too you ready yes here we go ready yes one two three four one two three come on please

00:15:52Mr. Tucker is not seeing any newspaper person he is

00:15:56uh yes yes ma'am yes yes

00:16:11beg pardon sir but there's a Miss Bubbles to see you sir well sure in don't stand there jumping up and

00:16:16down like a yo-yo

00:16:24sit down bubbles

00:16:27oh but uh i'm i'm not really bubbles i'm a photographer from flick magazine

00:16:34a trick chick from flick help yourself uh i'd pour it for you but uh look you mean you're not

00:16:41you're not really angry because i'm a photographer there's nothing wrong with working my grandfather

00:16:47did oh well uh well then you won't mind if i just take a few pictures will you fire away bubbles all

00:16:55right you just stay that way keep the glass in your hand that's right

00:17:00have you any pictures of your wife wrong which one the last one dolores well there should be one of her in here

00:17:13yes no that's Suzette hmm i wonder whatever happened to her which one was she uh second

00:17:22no third i think yes third that was the year i had her and the measles

00:17:28yes oh here's dear little dolores hold this back a little

00:17:40how is she very affectionate in a revolting sort of way no i didn't mean i mean how is she after

00:17:48her experience last night oh that oh she'll be all right a few days in the hospital i think she dilutes

00:17:54her poison oh really seventh time it would be cheaper if i got her a dress with a built-in stomach

00:18:00pump well um what was the fight about last night oh same thing every time i go out with another girl

00:18:05she gets jealous unreasonable woman why did you try to commit suicide what are you going to do now are

00:18:10you going to get a divorce there'll be no divorce no divorce there was a little misunderstanding but it's

00:18:14all made up now you can say for me that we're very very happy why don't you give us a low down on the

00:18:21stand there staring at me please please no ma'am uh shall i announce you my own house you crazy

00:18:29yes ma'am well here we go well i'm at that door you're carrying on

00:18:34this is both she takes pictures you dog you hyena this is the laurie she throws high into the right

00:18:41that's for you now look mrs tucker i really have this all wrong but i get through you nobody will look

00:18:46at you you're not even here i'm only on business what kind of business yeah now i've got you we'll call

00:19:07this flick goes to the tuckers or have a duck in six easy lessons that's a swell job pat

00:19:13and i thought your foot was too small to get inside a door oh i didn't use my foot i use my head

00:19:18and a very pretty head it is too well i'll get this over to the art department and have it captioned

00:19:24oh swell tell the cashier to give you a 50 bonus well thank you

00:19:31i'll bet your brother will be pleased he certainly will you want to send him some prints

00:19:36oh i won't have to he's he's still here oh well um if there has any trouble getting his ticket back

00:19:44maybe i can help no thank you because i'll have to know a little in advance i mean it's rather

00:19:48difficult to get you know and uh what is he planning on leaving oh uh he hasn't decided oh he hasn't

00:19:56decided oh oh ben it's it's good to see you surprise i should say i am what are you doing in new

00:20:18york the minute you left the old town wasn't the same oh anyway i thought it over you're going to

00:20:23need someone around here to look after you a girl kicking around new york by herself's

00:20:27level to run into a lot of wolves that's that's very sweet of you what are you going to do oh i

00:20:36don't know well for one thing i can help you if you get stuck for shots you know rig up a few good

00:20:40ones now and then oh no no ben this is the big league and i want to be completely on the level

00:20:45and besides my boss wouldn't stand for any fake shots why he just tossed me right out people buy

00:20:49magazines to see interesting and exciting pictures

00:20:55if i can help you get some really good oh pat i oh this is this is my boss mr burke well how do

00:21:02you do i'm ben you know it's been well this is a pleasure pat's talked a lot about you she has oh

00:21:07you bet as a matter of fact you're all she talks about well yes that's right i've never met a girl

00:21:12who talks so much about it larry uh you wanted to see me didn't you ben won't mind waiting really

00:21:16it barely isn't that important uh i was hoping i'd meet you before you left before i left but i

00:21:20how's my little party tonight have you got time well sure i've got time well that's fine we'll make up

00:21:24a little foursome uh know any numbers new york number oh you mean girls yeah just pat but you do

00:21:31don't you you live here after all oh sure which do you prefer blondes brunettes or redheads oh i don't see

00:21:36what difference it makes which i prefer now that's what i like an open mind you leave everything

00:21:41to me pat you should have brought your brother in sooner he's a nice guy see you later ben larry i

00:21:49what was he talking about he said i was your brother did you tell him i was your brother

00:21:55no ben i didn't tell him you were my brother i just said i had a brother named ben but you haven't

00:22:03any brother named anything i know it well why'd you say you did then what's going on around here

00:22:09well ben i i thought it would be safe well i thought it would be safe a girl in new york

00:22:17if they knew that in the other room there was a big brother lurking around if who knew well if they

00:22:25anybody him has he been annoying you no of course not oh ben stop quibbling i'm quite nibbling i mean

00:22:30i'm not quibbling i had to say something and your name just popped out well if you had to say

00:22:36something why didn't you say i was your fellow because you're not well we were not engaged well

00:22:41i'm not your brother either at least then when they met me they wouldn't think hey he thinks he's

00:22:47taking you out tonight well what difference does it make we're all going to be together it makes a

00:22:52lot of difference i'm going to put a stop to this right now now then wait wait nothing listen think of

00:22:56my job what's your job got to do with it you have to go out with him to work for him is he that kind

00:23:00of a worm no he's not that kind of a worm well then oh ben look i lied to him i lied to him now think

00:23:11how you'd feel i am oh why did you come here at all well it looks like it's about time i did

00:23:18all right then all right then i go on tell him only if i get fired i'll never talk to you again as long

00:23:29as i live oh now pat no i mean it i mean it go on tell him you're you're sure it's your job you're worried

00:23:40about not him well if it was him he do you think i would have made it up in the first place i don't

00:23:48know this thing's got me all woosley all right then look we've got to find you someplace to stay

00:23:56we better get a room where i live come on here you are smitty thank you i'll pick you up about eight

00:24:10so nice to see a brother and sister so happy

00:24:24sorry everything is reserved don't worry honey child we'll get here

00:24:30you can get me a tip put it away it will only snag up my ink contacts good evening carol hello george

00:24:35big night same thing too many people with too much leather oh henry thank you larry

00:24:49well what do you have stinger it's a cocktail drink you know oh oh oh i'd like some sherry

00:25:10sherry i've seen uh two stingers a glass of sherry and uh how about you bet have you any vegetable

00:25:15juice juice oh you and tearlock would get along very well oh well i've been taking his correspondence

00:25:20course of exercises for years has he sent you the muscles yet two stingers one sherry and one uh

00:25:27fidgetful cocktail yes cigarette thank you

00:25:38you couldn't loan me a boy scout and a couple of sticks could you oh would you like to dance i doubt

00:25:42if there are any suicides going on tonight excuse me don't you believe it or is this uh dance this

00:25:51Tuesday oh i don't waltz or one step this isn't a waltz or one step is it no but i appreciate your

00:25:57frankness you've no idea how good heart to heart talk about dancing saves a girl's shoes

00:26:05ben doesn't seem to care much for that date i got it you know she's a palace girl one of the most

00:26:09popular gals in town he doesn't seem to give her a tumble i don't mean to pry but have you read

00:26:14any good books lately huh why don't you just stay at home send me a nice bottle of plasma oh sorry my

00:26:20mind was wandering lucky for you it can travel half fair i was wondering where she learned to rumba

00:26:27never rumbled at home would you like to join them you could make it ring around the rosy oh ben you

00:26:33ought to learn how to run away fine where did you learn oh it's easy ben all you have to do is swing

00:26:37it a tart and pretend you're scraping chewing gum off your feet well here's to a pleasant trip home

00:26:42trip didn't pat tell you no why i'm not going home oh well that's just standing i decided to stick

00:26:51around and see what new york has to offer that iowa hasn't how about a job your outfit for years my

00:26:56hobby's been photography you know developing and printing well i'd like to bend but there's a great

00:27:00difference between a hobby and a profession but my work's professional isn't it pat ask pat she'll tell you

00:27:08very good well i i guess i can find a spot for you thanks pal now uh how about a waltz with your big

00:27:15brother i'd love it wait till the aunts and uncles are on next week you'll have quite a staff you want

00:27:27to sit here and be sarcastic would you rather dance i'll bet they have a lot of unemployed cousins too

00:27:38coming

00:27:43of all the dirty underhanded tricks taking advantage of me that way i'm doing it for you

00:27:48i think you're infatuated that fellow i'm perfectly capable of taking care of myself is that why you

00:27:53made me up that had nothing to do with it that's completely different you can't get rid of a brother

00:27:58that easily

00:28:00oh the whole situation is completely ridiculous all you have to do is tell him i'm not your brother

00:28:05then

00:28:08come on let's dance something what happened to us

00:28:10come on

00:28:15pardon old sock may i cut in hello there bubbles oh mr tucker this is mr my brother thanks old sock

00:28:24let's try bubbles

00:28:27but i tell you my name isn't bubbles what's in a name almost all women i know are named mrs tucker

00:28:33it's a pleasure to meet one who isn't

00:28:36i see your point

00:28:37wait it's a big black cat tearing around in my head has to have a drink to quiet come on have something

00:28:43nothing for me thank you mr cat thirsty again mr tucker oh food right the usual please

00:28:57well um where's mrs tucker this evening i'll tell you a little secret we um

00:29:02oh well i can't say i'm surprised bubbles you're beautiful will you marry me as soon as i get my

00:29:09divorce oh but this is so sudden all my proposals are i see a woman i go for her i propose you certainly

00:29:17do it wouldn't be such a bad deal lots of laughs plenty of champagne and the usual hundred thousand

00:29:21dollars out of money well don't tell me we've already i'm leaving tomorrow for reno to divorce

00:29:27the lorries uh you can use my apartment while i'm gone have it redecorated if you like most of them do

00:29:35i believe you're serious of course i am here's the key what do you say oh i say i've got to get

00:29:40back to my party here try it on for size oh now look fun is fun i follow you what do i find you again

00:29:50you can't steal my husband and get away with it oh lady couldn't we talk this over in some nice

00:29:54public place like medicine square garden we're going to stay right here we're not going to talk

00:29:58either if you want i'll scratch your eyes out look you're asking for it let me go

00:30:11would you boys like a steady job let's get out of here before that female tornado breaks loose again

00:30:18uh maybe slips the other way you'll have to take a different care good night

00:30:21all right uh madison 50s

00:30:33flatbush and hennessy is that far it's brooklyn but i have my piggy bank with me oh

00:30:44i never was so embarrassed in all my life you don't really belong to cafe society until you've had at

00:30:50least one public brawl forget it oh well what's so funny here i am trying to make a good

00:30:56impression on your brother i wonder what he thought i guess larry's quite a ladies man quite

00:31:10probably makes love to every girl he goes out with probably

00:31:14i imagine a smart fella like him has quite a smooth line quite oh but i don't guess girls fall for

00:31:25that kind of stuff do they are you kidding you mean they do what is this information please uh driver

00:31:35stop the cab i just remembered i've got to have my appendix out i've got a cavity in it

00:31:39uh here take her to hat bush in fantasy and and good night and then madrew of glad you come on stop it

00:31:51hey butch what are you doing tonight

00:31:53oh larry it's been such an exciting evening is it all over well i i can't think of anything else

00:32:07it could happen okay good night

00:32:18gee pat i feel as if yes yes larry i feel like oh well i made it sorry we can't ask you in but

00:32:25tomorrow's a working day good night old man good night drinker uh come on sis

00:32:37it's like the magazine that's there when it happens

00:32:53what's that your cat just gave birth to 12 kittens and you thought we might like to have a picture

00:32:57of them i'm sorry lady no now have you had

00:33:02good morning good morning smithy good morning good morning smithy you too this is mr uh my brother ben

00:33:21this is miss smith smithy to the office hello how do you do will you tell mr burke he's here

00:33:27hey hey is she always like that in the morning oh i wouldn't oh yes yes she's always cheerful

00:33:47i'll see you in a minute thank you

00:34:09oh larry it was such a sweet surprise i'm glad you like them there's a little speech that goes with

00:34:15them is it as pretty as the flowers well i doubt it i'm not very good at speech making especially

00:34:21serious ones larry now don't try to stop me i've been up all night rehearsing no i've got to tell you

00:34:29something it's about ben yes i know he doesn't like me no no it isn't i tried my best i got him a date

00:34:36got him a job i don't know what else i can do well larry it isn't it isn't anything that you have to do

00:34:41it oh everything's mixed up and it's all my fault oh don't be upset pat

00:34:48maybe it's a good sign maybe you wouldn't be upset if you didn't

00:34:51like me no larry please let me tell you about it i'm oh here comes that dehydrated hercule

00:34:56morning morning good morning i was hoping i'd find you in miss marvin i'd like to put you on the

00:35:07mystery of the week next issue need some sparking up mystery yes it's a series we're running a murder

00:35:13story in a page of photos you know the crime and the victim and the clues can you solve this murder

00:35:17if not turn to page 63 yeah think of a good one maybe your brother could help you i put a brother

00:35:22around mr turlock great technician great fine i'd like a girl to have a brother have you been taking

00:35:26your exercises oh yes yes i have uh no uh no carrots wednesday turnips well it's been nice seeing you

00:35:35mr turlock i'll see about that mystery chin up chest out you know that navy deal we've been after it came

00:35:51through authorization to send one of our men on european convoy they finally went for it where

00:35:55there's a will there's a way that's what i always tell mrs turlock yes and what does mrs turlock say

00:36:00to that nothing we've been married 20 years keep this authorization you won't get word to the last

00:36:04minute i'll have one of our best men ready packed and waiting good good here oh thank you sir

00:36:12let's see first we'll take the masked lover and then we'll take the husband yeah and then the hand with

00:36:20a gun and finally the last shot will be the girl lying on the bed murdered it's exciting isn't it

00:36:29yeah tell you what we can do we can take the shots of the lover and the husband at the studio close

00:36:33shots yeah yeah but for the victim we're going to need a really plushy background oh you know

00:36:38something very exciting yeah say yep yeah then this is it what the key to sunny tucker's apartment

00:36:49come on let's hurry up because the crowd will be there soon there must be dozens of keys out

00:36:55oh say thanks for the assignment we're working on it right now oh i uh i still have a little speech to

00:36:59make well i have one too uh dinner tonight uh-huh all right you mean somebody lives here sure lots of

00:37:20people oh what a place for a murder well imagine a guy giving out keys to this place yeah well look

00:37:30you get started and i'll snoop around the bed

00:37:44ben look i hit the jackpot oh you better leave those alone why why should i hire a model when these

00:37:51things are available you go on and get set up all right hello big boy oh madam i'm sorry we

00:38:03moly hack girl holy mackerel well now let's see if the camera is here yeah yeah and uh

00:38:13uh she's shot from no no from from this window and um now the murderer is here and she walks towards

00:38:28the divan he shoots her bang oh that's good wait a minute take it before i suffocate

00:38:39how'd they come out oh fine

00:38:51that one of you is a honey yeah i'll get a print on it right away well

00:38:57you better do a good job of it ben because from tonight on you're on your own holding it

00:39:01you're on i'm going to tell him the truth about us but you said you'd get fired if i told him

00:39:09maybe i will well well there are worse things than getting fired ben you didn't think so yesterday

00:39:16well can't a woman change her mind that's about all some women do

00:39:29are you ready we'll be in a jiffy why don't you sit down make yourself comfortable

00:39:36thanks well what sort of a mystery did you cook up oh the usual triangle two men and a woman you know

00:39:44yeah what's the yarn well i i scribbled it there someplace oh it's in my purse on the desk if you

00:39:51want to take a look at it find it yeah

00:39:57how do you like it it's an unusual twist at the end don't you think great well you don't sound

00:40:15very enthusiastic i think it's great you certainly had me fooled oh you couldn't guess it could you

00:40:22well i just went along for the ride well well the ride's over this is where i get off

00:40:28larry what i thought i was the boy with all the answers next to you i'm alice in wonderland well

00:40:35oh oh you found out about ben i found out about a lot of things well larry i was going to tell you

00:40:42about it myself you know when i made up that story about about a brother why i had no idea things would go

00:40:47this far and never been funny oh sure it's nothing at all you get yourself a job count the boss along

00:40:53until he falls for you move the boyfriend in get him a job too saves rent coffee and oh larry surely

00:40:58you don't think that i don't think i know when i get through with that guy it's going to take an

00:41:02assembly line to put them together get out get out

00:41:19mr burke i've been waiting for you where's ben marvin in the dark room send him into me

00:41:23yes sir this just came i said to give it to you personally

00:41:32you want to see me

00:41:56yes ben

00:41:58come in how are you feeling oh fine fine great sit down ben thank you thank you everything all

00:42:04right yes yes have you uh seen pat oh yes yes i saw pat did you have a nice talk oh sure why oh

00:42:13nothing i just wondered so ben i want you to do a little errand for me that'll only take you a couple

00:42:19of hours well i was just finishing those mystery shots for the deadline wine i want you to do this

00:42:24especially for me uh run down to the point of embarkation and see the public relations officer

00:42:28there he'll tell you which ship and what to shoot and uh here's your identification card oh thanks

00:42:36you know you're a swell egg oh don't mention it

00:42:39say ben uh you better hurry you're due there in an hour okay

00:42:42okay and ben yeah hurry back oh i will

00:42:56it's going to be a little bit of a little bit of a little bit of a thought how do you think i'll see if

00:43:11Oh, Mr. Burke, that new guy, Ben, is he going on an assignment?

00:43:32Yeah.

00:43:33Well, he forgot his lenses.

00:43:35He's going to shoot anything.

00:43:36Oh, shove him in the lost and found.

00:43:38What?

00:43:39Shove him in the lost and found.

00:43:40He's on his way to Russia.

00:43:41Russia?

00:43:42Mm-hmm.

00:43:42But he doesn't know it.

00:43:48Click magazine, please.

00:43:50Can you click, please?

00:43:53Magazine.

00:44:05Hey, come on, wake up.

00:44:08Another day, another Karen.

00:44:10Oh, what a nurse, the matter with you.

00:44:17Hey, where is he?

00:44:18Over the window, do something.

00:44:19Hurry up, don't just stand.

00:44:22And where have you been for the past two days?

00:44:25Hold still, eh?

00:44:27I've been in a quiet little place, thinking.

00:44:30Thinking isn't the word for it, but it's close.

00:44:32Hey, um, what did you plant there?

00:44:39Petunias.

00:44:40Petunias, huh?

00:44:41That's nice.

00:44:43Oh.

00:44:47Thought you might like to look over this week's issue.

00:44:49They're out for quite some time now, almost as long as you have.

00:44:52I didn't okay this color.

00:45:09Was this your idea?

00:45:09What's so funny?

00:45:14Well, that's me.

00:45:16I posed for it myself.

00:45:19You mean this, this is a fake?

00:45:21Sure it is.

00:45:21We did it for the mystery.

00:45:22A pure 100% fake.

00:45:25I suppose that's your idea of revenge, putting a fake cover on the thing.

00:45:27No, no, it wasn't my idea.

00:45:31But you know all about everything.

00:45:32Why don't you try to explain it to Turlock?

00:45:33Listen, I can't explain nothing like that to Turlock.

00:45:37Are you Pat, Marvin?

00:45:38Mm-hmm, yeah.

00:45:40How'd you get that picture of Dolores Tucker?

00:45:42Well, that isn't a picture of Dolores Tucker.

00:45:44I posed for it myself.

00:45:46Yeah?

00:45:47I suppose you posed for this one, too.

00:45:54Well,

00:45:55Well, it looks like the same picture, almost.

00:45:59It isn't.

00:46:00A police photographer took it an hour ago.

00:46:03Well,

00:46:03I don't know what he's talking about.

00:46:06Oh, you don't?

00:46:07How come you got a shot of this Dolores in your magazine

00:46:10when we didn't run on to the murder till this morning?

00:46:12Murder?

00:46:12Say, who's getting who around here?

00:46:14Burke, there's been a murder.

00:46:16Your photographer knew about it before we did.

00:46:18I want to know how she knew.

00:46:20But, Larry, this is fantastic.

00:46:22I'm surprised at you, officer.

00:46:23You know a good newspaper man

00:46:25never divulges the source of his information.

00:46:27Okay.

00:46:27Maybe she'll divulge at headquarters.

00:46:29Oh, now, wait a minute.

00:46:31I'm not going to go...

00:46:32I think if I talk to her,

00:46:33maybe I can get her to cooperate with you.

00:46:35Okay.

00:46:35Five minutes.

00:46:36I'll be right here.

00:46:41Oh, now, look, Larry.

00:46:42Ben took this picture,

00:46:43and I'm going to have Ben tell him about it.

00:46:44Wait a minute, Pat.

00:46:45Ben isn't here right now.

00:46:46I sent him on an assignment for a couple of days.

00:46:48Well, then I'll tell him myself.

00:46:49Pat, look.

00:46:50This is the chance of a lifetime.

00:46:51Figure it out.

00:46:52You and Ben took the picture.

00:46:54After you left,

00:46:54somebody bumped off Delores.

00:46:56The duplication in pose

00:46:57is either accidental or on purpose.

00:46:58I don't know.

00:46:59But if you tell the truth now,

00:47:00all we'll get out of it

00:47:01is being shown up

00:47:02as publishing a phony picture.

00:47:03Well, it'll be the first time.

00:47:04Now, that's not true.

00:47:06We've never stood for a fake picture

00:47:07since the magazine started.

00:47:08Oh, come on.

00:47:09Play along with this.

00:47:10We can go to town.

00:47:12Think of it.

00:47:12Flick photographer beats police

00:47:14to scene of crime.

00:47:15Refuses to divulge source

00:47:17of mysterious tip.

00:47:17Think of it.

00:47:19Flick photographer rots in jail.

00:47:21No, thank you, Larry.

00:47:22I'm going to tell him about it.

00:47:23Now, look, Pat.

00:47:25I'm not asking you to do this

00:47:26as a personal favor to me.

00:47:28It's just being loyal

00:47:29to the magazine you work for.

00:47:30Oh, no, Larry.

00:47:32I quit this morning.

00:47:33Oh, nonsense.

00:47:35We'll milk this thing

00:47:36for a couple of additions

00:47:36and then we'll wash it all up.

00:47:38Oh, say you got

00:47:39a mysterious phone call or something.

00:47:41Oh, I don't know.

00:47:42Oh, I know you'll see it our way.

00:47:45Even if you despise me,

00:47:46remember, Turlock's been very nice to you.

00:47:48Oh, yes, he certainly has.

00:47:49Think of all the carrots

00:47:50he's given me free.

00:47:52Oh, that a girl.

00:47:54You'll never regret it.

00:47:55I'll get you out

00:47:55before you can say Jack Robinson.

00:47:58Jack Robinson.

00:47:59What?

00:48:00Well, now I've said it.

00:48:01Get me out of here.

00:48:02Oh, don't worry, Pat.

00:48:03They can't bluff us.

00:48:04Hello, Pat.

00:48:23Larry.

00:48:25Larry, how long

00:48:26is this going to go on?

00:48:27Page one, column one, not bad.

00:48:29You're going to get

00:48:29a $20 raise out of this

00:48:30I just took to Turlock.

00:48:31Yeah.

00:48:32I'll be the highest paid mug

00:48:33in the death house.

00:48:36Larry, I don't want a raise.

00:48:38I don't want publicity.

00:48:39All I want is to get out of here.

00:48:40Larry, all I want

00:48:41is to get out of here.

00:48:42Hey, you're scared.

00:48:43You're darn right.

00:48:44I'm scared.

00:48:45I'm scared to death.

00:48:47This thing has gone farther

00:48:48than I intended.

00:48:49But you've got to trust me, Pat.

00:48:50I don't mean just about this.

00:48:51I've been through the ring

00:48:52of the last couple of weeks.

00:48:53Finding out about you

00:48:54and Ben was a jolt.

00:48:57I said a lot of things

00:48:58I didn't really believe.

00:48:59I'm nuts about you, Pat.

00:49:00Oh, Larry.

00:49:02If only you could get me out of here,

00:49:04everything would be perfect.

00:49:05Okay.

00:49:06Turlock will kill me,

00:49:07but I'll tell the DA

00:49:08the picture was a fake.

00:49:10That'll fix everything.

00:49:12I hate to admit it,

00:49:13but I had that picture faked.

00:49:15Miss Marvin posed for it herself.

00:49:17Just happened that

00:49:17when Delores was killed,

00:49:18she fell in the same position.

00:49:20Rather coincidental, wasn't it?

00:49:21Oh.

00:49:22It doesn't make sense.

00:49:23If a woman kills another woman,

00:49:24she doesn't take a picture of her,

00:49:26let alone have it published.

00:49:27She might?

00:49:28Because it sounds so insane.

00:49:30Just to throw us off.

00:49:31That's a psychological bug.

00:49:32You've got no case

00:49:33and you know it.

00:49:34Oh, no?

00:49:35She and the murdered woman

00:49:36had two fights over Tucker.

00:49:37Item two.

00:49:38Tucker gave her a key

00:49:39to his apartment

00:49:40and then left for Reno.

00:49:42We verified that.

00:49:43Three.

00:49:44She went to the apartment,

00:49:46was trapped by Mrs. Tucker,

00:49:47and killed her.

00:49:48But Miss Marvin knew

00:49:49that her fingerprints

00:49:50were all over the place.

00:49:51So she figured out

00:49:52this photographic angle

00:49:53as a cover-up.

00:49:54That's a ridiculous lie.

00:49:56Miss Marvin.

00:49:56It's a lie.

00:49:57I never killed her

00:49:57and I never took that photograph.

00:49:59Bring me some proof

00:50:00and I'll be glad to listen to you.

00:50:01Otherwise, she goes to trial

00:50:02for murder next Friday.

00:50:03Suppose I produce the man

00:50:04who shot that picture,

00:50:05Miss Marvin.

00:50:06We'll be glad to listen

00:50:07to his story and check it.

00:50:08I'll have him here

00:50:08before the trial.

00:50:10The matron is waiting

00:50:10outside for you, Miss Marvin.

00:50:11She'll take you back

00:50:12to your cell.

00:50:13Don't worry, Pat.

00:50:14We'll get Ben.

00:50:14I'll have Turlock move

00:50:15heaven and earth.

00:50:16And he can do it.

00:50:17I wonder what takes them so long.

00:50:29Maybe they don't know

00:50:29where his ship is.

00:50:31Oh, the Navy doesn't

00:50:31misplace the convoy.

00:50:33They send him out on it.

00:50:33All they have to do

00:50:34is send a radiogram.

00:50:36Hello?

00:50:37What?

00:50:38Hello?

00:50:40Yes, this is Burke.

00:50:42Yes, I've got to know.

00:50:43Mr. Turlock has arranged

00:50:44to send a plane for him.

00:50:45He's wanted as a witness

00:50:46in a murder trial.

00:50:47He...

00:50:48The ship was a torpedo.

00:51:01Ben wasn't among the survivors.

00:51:04How ghastly.

00:51:06He's dead, Mr. Turlock.

00:51:08He's dead and I killed him.

00:51:10Oh, it wasn't your fault.

00:51:11You didn't know anything

00:51:12was going to happen to him.

00:51:13Oh, how am I going to tell Pat?

00:51:15That's not all.

00:51:16How are you going to get her out of this now?

00:51:17We've got to find the real murderer.

00:51:19Oh, that's great.

00:51:19What do we do?

00:51:20Put an ad in the paper?

00:51:21Where do we start?

00:51:22First, you question the suspects.

00:51:23What suspects?

00:51:24Pat's the only one.

00:51:25Well, find some.

00:51:26Oh, poor Ben.

00:51:27Oh, you wouldn't have wanted to go out any other way.

00:51:33He was doing his job.

00:51:35I wish I felt that way, Pat.

00:51:37Oh, Larry, it wasn't your fault.

00:51:40Well, you could have picked anyone else for the job,

00:51:42but you gave Ben the big assignment

00:51:44because you thought I was in love with him.

00:51:47You don't understand.

00:51:48Larry, it was a very unselfish thing you did for us.

00:51:51Then's your only chance, Pat.

00:51:53Turlock says he's getting Lowenthal to handle your case.

00:51:55Of course, he's never lost a client.

00:51:58There's always a first time for everybody,

00:52:00even Lowenthal.

00:52:02Oh, Pat.

00:52:03I've got to get him some ammunition.

00:52:05I've interviewed all of Tucker's previous wives,

00:52:07but I...

00:52:08Well, Larry, what are you going to do now?

00:52:11I've got a date with Tucker in an hour.

00:52:13Maybe he can give me a lead.

00:52:14I don't know.

00:52:14Oh, come on, Doreen.

00:52:16I love you.

00:52:23Rest your hips, Pips.

00:52:24It'll be just a minute.

00:52:25Hello, Sonny.

00:52:26Hi, Bert.

00:52:28Rather pleasant the way you mourn.

00:52:30Everybody knew Delores and I.

00:52:32I'm no hypocrite.

00:52:33What do you want to see me about?

00:52:34Did Delores have any particular enemies?

00:52:36Plenty.

00:52:37They weren't particular.

00:52:38For instance?

00:52:39Everybody, her masseuse, her couturier,

00:52:41even the kid that delivered the papers.

00:52:43They all needed her.

00:52:44No, no.

00:52:44I mean somebody who hated her enough to kill her.

00:52:46I thought Bubbles did.

00:52:49Well, we both know that Pat's getting a bad rap.

00:52:51I like that, Bubbles.

00:52:53But the picture of Delores she took,

00:52:55the one on the cover.

00:52:56That wasn't Delores, that was Pat.

00:52:58Awfully coincidental if it was.

00:53:00The same position as the way the police found her,

00:53:02even that one shoe-off.

00:53:03The same negligee.

00:53:05Amazing if it wasn't Delores.

00:53:08Yeah.

00:53:09Yeah, I guess you're right.

00:53:10I wish I could help you, Bert.

00:53:11Well, thanks just the same.

00:53:13Call me anytime.

00:53:14They say, do you want a gal?

00:53:15I can't make up my mind, kids.

00:53:20You two will have to toss for me.

00:53:21Yeah.

00:53:51THE END

00:54:21I don't know.

00:54:51The case comes up tomorrow, Burke.

00:55:04If you have anything to say, you can say it in court.

00:55:06When you see what I've got, it'll never get to court.

00:55:09No, it's new evidence.

00:55:12All right, then, listen.

00:55:13I want to arrange a little meeting between Miss Marvin and yourself this afternoon at 2.30.

00:55:18No, no, no, your office won't do.

00:55:20Sonny Tucker's apartment.

00:55:21The scene of the crime.

00:55:23Now, you arrange it with him.

00:55:26Yeah, okay, Mr. Merkle.

00:55:29Well, if this doesn't work, heaven help me.

00:55:31Help you?

00:55:32Heaven help Pat Marvin.

00:55:38Do you know what this is all about?

00:55:41If I find he's wasting my time, I'll have him jailed for...

00:55:43For...

00:55:44Withers.

00:55:44Well, I'll find something.

00:55:57Well, I'm glad you're all here.

00:55:58Hello, Pat.

00:55:59Hi, Burke.

00:56:00Disappear with us.

00:56:01Oh, well, just a minute with us.

00:56:02Stick around.

00:56:03You may be of assistance to me.

00:56:04Come to the point, Burke.

00:56:05I'm a busy man.

00:56:06All right, Mr. Merkle.

00:56:06You were satisfied with your case, so I...

00:56:08I thought I'd do a little investigating on my own.

00:56:10And what did you find out?

00:56:12Nothing.

00:56:13Burke, if you brought me here...

00:56:14That is, my investigating brought me nothing except a slip of the tongue, which led me to further investigating in our own photographic laboratory.

00:56:22Now, what do you think I found?

00:56:23Nothing.

00:56:25No, I found, uh, this.

00:56:31Well, all I can see is a blurry picture of this room.

00:56:33That's right.

00:56:34Blurred picture of this room.

00:56:36Uh, that's why it was discarded.

00:56:37It was the last print on your roll, Pat.

00:56:38Oh, but Larry, there wasn't...

00:56:39As I say, it's a blurred picture of this room taken by Ben Scribner, the man who made the cover picture, Miss Marvin.

00:56:44The man who so conveniently disappeared.

00:56:46Well, not conveniently, Mr. Merkle.

00:56:48Rather tragically, I'd say.

00:56:50Of course, this meant nothing to me until I connected it with that slip of the tongue I mentioned.

00:56:53And it proved, uh...

00:56:55Well, wait.

00:56:58Well, Withers, will you remove that picture from the wall, please, and, uh, close those curtains?

00:57:14Mr. Tucker!

00:57:28What does this mean?

00:57:30It means that Sonny Tucker hated his wife and wanted to divorce her.

00:57:32But unlike the others, Delores refused to give him an easy divorce and take his money.

00:57:36So he pretended to go to Reno, double back, and hid here in the apartment waiting for him.

00:57:40But Pat and Ben arrived first, so he...

00:57:42He hid over there.

00:57:44It's the butler's quarters, I think.

00:57:46And watched them shoot their pictures.

00:57:48This made it very convenient for him.

00:57:50When Delores arrived, he killed her and put her body on the couch.

00:57:53So it looked like the picture of Pat, thereby pinning the murder on her.

00:57:57What have you to say, Tucker?

00:57:58You heard him.

00:57:59What gets me is, what did I say that gave him the lead?

00:58:02Well, last night in the bar, you said, what an amazing coincidence that the picture should be so similar to the position in which they found Delores.

00:58:09Even with one shoe off.

00:58:11Well?

00:58:11Well, in the picture of Pat on the cover of Fleck, you couldn't see that one shoe was off.

00:58:15You could only see that from there.

00:58:18Larry, watch him.

00:58:20He may try to jump out.

00:58:21That only happens in movies, Bubbles.

00:58:24I've been using Winston for divorces.

00:58:26I wonder how he is on murders.

00:58:28You'll find out.

00:58:32Yes, but I still don't understand about that picture of Sonny Tucker.

00:58:36Now, I know there was no last print on that roll because we used it.

00:58:40I know.

00:58:40It was a fake.

00:58:41I duped it.

00:58:41But it worked.

00:58:42Oh, Larry, I could kiss you until...

00:58:45Something more I've got to tell you.

00:58:47Right now, you think I'm a great guy.

00:58:49But when you hear what I've got to say, you'll go out that door and I'll never see you again.

00:58:52And I deserve it.

00:58:54Well, Larry, what is it?

00:58:56Well, it's Ben.

00:58:58I tricked him into going on that convoy because I was jealous.

00:59:01He didn't know that boat was going to sail.

00:59:04I killed him, Pat, just as if I'd shot him with a gun.

00:59:08So now you know.

00:59:09Oh, but Larry...

00:59:09No, please don't say anything.

00:59:11I couldn't stand anymore tonight.

00:59:13Just go.

00:59:14Go.

00:59:14Ben!

00:59:22It's Ben!

00:59:23Oh, Ben, where have you been?

00:59:25You look wonderful in that car.

00:59:26Does he look wonderful?

00:59:26I just knocked you on the chair.

00:59:27Yes, now we're even.

00:59:28Oh, Ben, I'm glad to see you.

00:59:30Now you can tell me what you were going to before you...

00:59:31Oh, in front of Ben...

00:59:33Well, sure, he's got to know about us, sort of...

00:59:34Well, Ben, Larry and I are...

00:59:38Who's that?

00:59:41This is Natasha, my wife.

00:59:44She doesn't speak English.

00:59:45Oh, Ben, how did it happen?

00:59:47When?

00:59:47Well, after a tiny raise on a dad.

00:59:50I mean, 20 raise on a...

00:59:5220 days on a ramp.

00:59:55Well...

00:59:56Oh, it's wonderful.

00:59:57I mean, 20 days on a ramp.

00:59:59I mean, 20 days on a ramp.

01:00:00I mean, 20 days on a ramp.

01:00:01I mean, 20 days on a ramp.

01:00:02I mean, 20 days on a ramp.

01:00:03I mean, 20 days on a ramp.

01:00:04I mean, 20 days on a ramp.

01:00:05I mean, 20 days on a ramp.

01:00:06I mean, 20 days on a ramp.

01:00:07I mean, 20 days on a ramp.

01:00:08I mean, 20 days on a ramp.

01:00:09I mean, 20 days on a ramp.

01:00:10I mean, 20 days on a ramp.

01:00:11I mean, 20 days on a ramp.

01:00:12I mean, 20 days on a ramp.

01:00:13I mean, 20 days on a ramp.

01:00:14I mean, 20 days on a ramp.

01:00:15I mean, 20 days on a ramp.

01:00:16I mean, 20 days on a ramp.

📸 Double Exposure (1944) | Crime, Deception & Murder | Vintage Mystery Thriller 🕵️‍♀️🔍 #fullmovie

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