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  • 6/10/2025
πŸ•΅οΈβ€β™‚οΈπŸ’€ In Chinatown After Dark (1931), step into a world of shadowy alleys, hidden motives, and sinister secrets. This pre-Code crime thriller explores murder and mystery in San Francisco's Chinatown, with eerie atmosphere and bold storytelling that pushes 1930s cinematic boundaries.

πŸ“½οΈ Plot Summary:
A valuable jade is stolen and a murder follows, prompting an investigation that delves into Chinatown’s underbelly. As detectives try to crack the case, they uncover a tangle of smuggling, deception, and dark rituals. Will the truth surface before it’s too late?

πŸ•°οΈ Year Released: 1931
🎭 Genre: Crime, Mystery, Pre-Code Drama
🎬 Directed by: Stuart Paton
🎞️ Starring: Carmel Myers, Rex Lease, Barbara Kent

🎯 Why Watch It?
βœ”οΈ Rare look at early 1930s crime cinema
βœ”οΈ Atmospheric noir elements before noir was defined
βœ”οΈ Carmel Myers in a commanding femme fatale role
βœ”οΈ Bold themes from Hollywood’s pre-Code era

πŸ”” Don’t forget to LIKE πŸ‘ | COMMENT πŸ’¬ | SUBSCRIBE πŸ”” for more rare thrillers, pre-Code curiosities, and golden age mysteries!

πŸ‘‡ Explore More Public Domain Gems & Forgotten Crime Classics:
πŸ“Ί https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
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🎞️ #ChinatownAfterDark #PreCodeHollywood #1930sMystery #ClassicCrimeDrama #PublicDomainMovies #CarmelMyers #OldHollywoodThriller
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πŸ‰πŸŒ‘ When the lights go down in Chinatown, secrets come alive. Don’t miss the moody mystery of Chinatown After Dark (1931).
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Transcript
00:00The
00:30Oh, my God.
01:00I will see you again, Ling Chi.
01:17Without a doubt, madam.
01:19I always do business with you.
01:30I always do business with you.
01:39I always do business with you.
03:20Richard and Wentworth Rainey, attachΓ© to the American consul at Shanghai.
03:25And furthermore, who wants to know?
03:31Hello.
03:31Someone has been going through my stuff.
03:42I'm looking for the little trinket you're taking back to Lee Farm.
03:46Well, they'd hardly be after my socks.
03:49Oh.
03:50That doesn't sound so good.
03:53I guess it's just as well you're going back to the States.
03:56Oh, by the way, I brought your passport over.
03:59And the Maru sails tomorrow at noon.
04:01Thanks.
04:03Well, give my best to Frisco.
04:06I will.
04:07I wish you'd drop me a line.
04:09The Drake apartment.
04:11I'm stopping there with my brother, Jim.
04:13Sure.
04:14I'll send you a postal.
04:15Do that.
04:16Well, best of luck.
04:17And I'll try and get down to the ship and see you all.
04:20Thanks for coming over.
04:21Right-o.
04:22Right-o.
04:51Mr. Bonner?
04:58Yes?
04:58May I have a few words with you?
05:00Why, certainly.
05:01Won't you come in?
05:11Mr. Bonner, I'm at the...
05:13You have heard of him, perhaps.
05:16Mr. Vanhoff is a collector of considerable note.
05:19Oh, indeed.
05:20Well, it's a harmless hobby, I suppose.
05:23But, uh, I'm not interested.
05:26Oh, indeed.
05:27I was informed quite to the contrary.
05:29I was in hopes that, uh, you and I might do some business.
05:36Well, I'm not, uh, really interested in buying anything.
05:40No.
05:40You must understand.
05:41It is I who wish to buy.
05:46I don't get you.
05:47Well, you have in your possession a, uh, certain Chinese dagger.
05:53I should like to purchase it.
05:55I'm sorry, but it's not for sale.
05:57Now, Mr. Bonner, I shall make you a generous offer.
06:02Say, uh, a thousand dollars.
06:07A thousand?
06:07Well, I don't think it's worth a tenth of that.
06:12Well, then, uh, why don't you take advantage of your good luck?
06:17I'm sorry, but you see, it isn't mine.
06:20It's in, uh, your possession.
06:22Then, uh, why not consider?
06:24I'm not in the habit of selling property that doesn't belong to me.
06:31Mr. Varanoff is not in the habit of taking no for an answer.
06:36Well, this is one time that he'll have to.
06:39You're very foolish, Mr. Bonner.
06:41I offer you money for the dagger.
06:43Others might not be so scrupulous.
06:46Are you suggesting that someone is liable to steal it?
06:51Well, I'll take that chance.
06:54Now, if you don't mind, I'd like to continue with my packing.
07:03Good day.
07:05Mr. Bonner, I must trouble you for that dagger.
07:15All right.
07:39I think I'll keep this as a souvenir.
07:42You win, Mr. Bonner.
07:46Thank you, Mr. Bonner.
08:16Thank you, Mr. Bonner.
08:46Tell me, Mr. Bonner.
08:47Let's go.
09:17Mr. Varanoff wishes to see you, madame.
09:36Mr. Varanoff?
09:38Show him in.
09:47Will you be seated?
10:02My name is probably unknown to you, I only came recently to this country, but the fame
10:11of madame Wing Su is known even in Shanghai.
10:18Indeed.
10:20And what is said of me?
10:22That your wit is second only to your char.
10:30I hardly think you came here to make pretty speeches, Varanoff.
10:36True.
10:38I came to solicit your aid, madame.
10:41In what way?
10:43I have been commissioned to secure a certain dagger belonging to the royal house of Lipong.
10:52It is brought to this country by an American, Rav Banner.
10:56Our efforts to secure the dagger on the road were stopped.
11:02Fortunately, the American was put on his guard.
11:07Do you think I may succeed where you have failed?
11:11With your power and friends, I am sure of it.
11:18Perhaps.
11:19This dagger, is it of great value?
11:23Apparently, to the gentleman who desires it, is a great work of an ancient empire.
11:30There.
11:31I am sufficiently paid for securing it.
11:36And?
11:37And the hat.
11:39What I will get, will be yours.
11:44Yes.
11:45It belongs to the house of Lipong, you say.
11:55One of that name resides here.
11:59I wonder.
12:00I wonder.
12:01I wonder.
12:02I wonder.
12:06well, Jim, here I am.
12:23Well, Jim, here I am.
12:36Why, Ralph?
12:38I hardly thought you'd recognize your brother.
12:42I hope I was able to fool those other birds.
12:44Well, you didn't land in that outfit, did you?
12:46Well, I had to if I wanted to land on my feet.
12:53No, I didn't fool them.
13:03Well, what are you talking about?
13:06The reception committee awaiting me outside.
13:10What did you do, start a revolution over there or something?
13:14No, just minded my own business.
13:18Well, then what's all excitement about?
13:23I called on Lee Fong's honorable family to collect a little token for him and start at home.
13:32And from then on, boy, my life sounds like a dime novel.
13:38Attempt to strangle yours truly in his bed at the hotel.
13:43Attacked on board ship.
13:45State room rifled.
13:47What for?
13:48Well, to my benighted intellect, it seems that a certain person craves Lee Fong's gift.
13:57And I'll be mighty lucky if I get rid of the foolish thing.
14:02Well, is it very valuable?
14:06I wouldn't say so.
14:08But I won't breathe easily until I deliver it to him.
14:12Is there anything I can do for you?
14:16Yes.
14:18You can come along with me.
14:22On a night like this?
14:25Why, you don't think a little thing like that annoys me after what I've gone through, do you?
14:32All right, Ralph.
14:34When I get my coat, I'll be right with you.
14:35Good.
14:35Good.
14:35Good.
14:35Good.
14:35Good.
14:42What is it honored, Father?
15:04Why are you so nervous?
15:05Today is momentous, my dear child, for both of us.
15:14What it brings forth may change the course of our lives.
15:20My promise to your father will soon be fulfilled.
15:38I brought you back to your land to be educated among your people.
15:45Well, when Bonner brings me back that which I have sent for, you must take your place among them.
15:56Without you?
15:58You would not be accepted otherwise.
16:02Your masks have you shredded.
16:22Your masks have decreased.
16:27Don't, don't.
16:30Don't you like your guards.
16:32I didn't keep him out, but he pushed in.
16:43Don't you know me, Li Feng?
16:47Oh.
16:50Bonner.
16:53Of course I know you.
16:57Mean for it.
17:02Why this strange apparel?
17:08I'll tell you about that later.
17:10First, let me get rid of this.
17:11What?
17:20My people, they did not fail me.
17:28You have done well, my son.
17:31Yes, I was lucky to get back alive.
17:36You mean you were followed?
17:38Yes.
17:40Ever since I left Shanghai.
17:45And others know about this.
17:49It looks like it.
17:51But I don't understand.
17:53Why these people go to all this trouble?
17:55Follow me halfway across the world for a dagger.
17:58I will show you, my son.
18:12Boy.
18:15What a beauty.
18:17And I've had this all the time and didn't know it.
18:24It's with a king's ransom.
18:29Ah!
18:29Ah!
18:29Ah!
18:29Ah!
18:30Ah!
18:30Ah!
18:31Ah!
18:31Ah!
18:32Ah!
18:33Ah!
18:34Ah!
18:35Ah!
18:36Ah!
18:37Ah!
18:38Ah!
18:39Ah!
18:40Ah!
18:41Ah!
18:42Ah!
18:43Ah!
18:44Ah!
18:45Ah!
18:46Ah!
18:47Ah!
18:49Um!
18:57Ah!
18:58I'm going to say, let me know you hear me.
19:03Ah!
19:04Ah!
19:05Ah!
19:06Ah!
19:06Ah!
19:09Ah!
19:09Ah!
19:11Ah!
19:11I'm sorry to have to leave you, but I've got to go look for my brother.
19:18I'll be right back.
19:31Oh, I beg your pardon.
19:34Oh, it is I who should beg your pardon.
19:38I came in to escape the rain.
19:41There. I guess that's everything.
19:44There you are.
19:46Oh, the mirror is broken.
19:51You're not superstitious, are you?
19:54I'm literal.
19:55Oh, you don't need to worry about that because I'm the one who'll get the bad luck because I broke it.
20:02Oh, I hope not.
20:04I should hate to be the instrument of your misfortune.
20:08Well, don't let that worry you. Good night.
20:10Good night.
20:21Ralph!
20:23Ralph!
20:35Ralph!
20:37Ralph!
20:40Ralph!
20:46Hello.
20:47Hello.
20:50Hello?
20:51Hello, Dr. Robert Layton, please.
21:12Hello, hello, Doctor.
21:14This is Jim Bonner over at the Drake apartment.
21:16Could you come over right away, please?
21:18Yes, right away.
21:49This man that came to see Lee Fong just before the tragedy, do either one of you know who
22:04he was?
22:06He was dressed very rough, very dirty.
22:09I don't want to let him in, but, Master, he's very glad to see him.
22:13Hmm.
22:14And neither of you saw him leave?
22:16A man came into the room just as I did.
22:18He was well-dressed and very clean.
22:21Where is he now?
22:23I do not know.
22:25He said he would come back.
22:26I see.
22:34Well, did you find anything?
22:36This.
22:37The weapon's gone.
22:40Hmm.
22:40Chinese workmanship.
22:42Just as I thought.
22:43Another one of the bottom of it.
22:45But what about those two white guys that were in here, Chief?
22:50That's right.
22:51Listen, Chief.
22:52Put me in charge of this case, will you?
22:55I've got a hunch that I can bring in the murderer.
23:00All right.
23:01I'll put you in charge of the case, but I don't think you're going to find a thing.
23:06Well, good luck, I know.
23:10I'm liable to fool you, Chief.
23:21Now, miss, will you give me a full description of this bird?
23:26What bird?
23:28The bozo that crashed in here and then did the Houdini.
23:31Hey, you know, the egg that busted in here just after your old man was, you know.
23:39He means the young man that ran in.
23:43Oh, what do you wish to know about him?
23:46Just what did he look like?
23:48Oh, he was very nice.
23:50That's great.
23:51Now, all I got to do is run around town looking for a guy that looks very nice.
23:57Well, let me tell you something.
23:59When I get my hands on that guy, the case is closed.
24:05That is the guy.
24:10What do you do?
24:11Name?
24:13James Bonner.
24:14What's yours?
24:16Erase your duly.
24:17None of your business what my name is.
24:19Just what were you doing here this evening?
24:22I don't see why that concerns you.
24:24Oh, I beg your pardon.
24:29I came here with my brother.
24:30He had an appointment here.
24:32Yeah?
24:33You can't, you can't, you can't, you can't.
24:37All right, the date.
24:44Well, the date means that, uh, I'll be over to see him.
24:49Say, listen.
24:50Has Flatfoot found any new clues yet?
24:54Flatfoot?
24:55Oh, you mean the man who makes the funny noises.
24:58I do not think so.
25:01I don't wonder.
25:02One thing that puzzles him is the yin-su.
25:06You call it poppy.
25:07Mr. Flatfoot thinks it means something.
25:16Maybe Flatfoot isn't as dumb as he looks.
25:19No, he couldn't be.
25:22Well, I'll be seeing you.
25:23That's right.
27:18I saw your name on the design downstairs and thought I'd crash in.
27:22So I see.
27:30I hope you don't mind.
27:32On the contrary, I am honored.
27:35We might meet again, but I was afraid you might think me bold if I suggested it.
27:46Thank you very much.
27:47How did you find my name?
27:53Why, you dropped this last night in the hallway.
27:55Oh, my God.
28:01It must have dropped out of my bag.
28:05How careless of me.
28:07Well, if you hadn't have been, I don't see how I would ever have been able to locate you.
28:10Your name seems familiar.
28:17I knew a Ralph Bonaire in Shanghai.
28:21Yes.
28:22He was my brother.
28:25It is a small world after all.
28:33And how is your dear brother?
28:38He's dead.
28:40He's dead.
28:42How sad.
28:45Please accept my condolences.
28:49Was he ill long?
28:52No.
28:53It was very sudden.
28:55Recently?
28:57Only last night.
29:00Last night?
29:02How terrible.
29:05Funny that you were so near to him.
29:09Only outside his door.
29:15Life plays strange tricks sometimes.
29:20Yes.
29:22Your name is, uh...
29:24Madam Ying Su?
29:26Oh.
29:27In English, that means poppy, doesn't it?
29:33You are very learned, my friend.
29:36Oh, no.
29:37Not learned.
29:38Only I pick up things once in a while, and I always remember them.
29:46I'm sorry.
29:48It must be getting late.
29:50Must you go?
29:52But you haven't touched your wine.
30:05Thank you just the same, but I don't drink.
30:08Perhaps you are wise.
30:13Thank you for a very delightful chat.
30:24Good night, Mr. Bonheur.
30:32Good night, Madam Poppy.
30:34Good night, Madam Poppy.
30:34Good night, good night.
30:47Mr. Bonheur.
30:48Yes, madame. He's followed day and night.
31:18Yes, madame.
31:48You know, I'm awfully sorry I didn't see you last night, but I was tied up.
32:03Tied up? You mean you were a prisoner?
32:06No, not exactly, but there were times when I was wondering if I was going to get out all right.
32:11I do not understand, wouldn't you?
32:14Would you have cared if I had been?
32:16Oh, yes. I have lost my dear Lee Fong. I could not bear to lose you.
32:22Promise me you will be very careful.
32:25I promise. Be just as careful as I can.
32:28Thank you. Let us sit down.
32:31Let's talk about something else. You, for instance.
32:39There is nothing to tell about me. I have lived in this house with Lee Fong ever since I was a little baby.
32:46You know, I was thinking it was very strange that a white girl like you should be the ward of a Chinaman.
32:56Does it?
32:58Lee Fong was very good to me.
33:00He is the only father I have ever known.
33:03My own father died in China.
33:06There was an uprising.
33:08He gave his life to save Lee Fong.
33:10Then you are going to continue to live here?
33:14Where else can I go?
33:20But you have your father's people.
33:22I do not know where they are or who they are.
33:25I have no one.
33:26Yes, you have.
33:29You mean I have you?
33:31You will take my father's place?
33:34Well, I don't think I am exactly the type, do you?
33:39No.
33:40Well, there are other relations, you know.
33:44You mean uncles and aunts?
33:46Yes, and then there are cousins and grandfathers.
33:52Yes, and of course, they're husbands.
33:56You would make a very nice cousin.
33:59Is that the best you can do for me?
34:03I think you are trying to make me happy, to smile.
34:07No.
34:09You would rather I would cry?
34:11Please, let's be serious.
34:14I know you are going to think I am crazy.
34:17But then things really do happen like this.
34:19You just see a face and bluey.
34:23It's all over.
34:24And then no one else in the world matters after that.
34:29I think that is very true.
34:31Then you feel the same way I do?
34:34No.
34:35I do not think it right to be so happy.
34:38Now.
34:39So soon.
34:41It seems so dreadful.
34:44So cruel that someone should wish to kill him.
34:47I think I know why they did it.
34:48Why?
34:51Tell me.
34:52Well, I can't tell you right now, but I will tell you.
34:55Because I'm on the trail of the killers right now.
35:02Sure you know all about it.
35:05Why shouldn't you?
35:07You know, I think in that last sneeze of yours, you blew your other brain out.
35:11Oh, the wise guy, huh?
35:14Yeah, well, let me tell you something.
35:17I sneeze to keep the dust off of my brain.
35:20Now, what were you doing in this room that night?
35:25I think I've already told you that, haven't I?
35:27Yeah, well, I'm not sap enough to believe it.
35:29You were trying to make your getaway when you barged into this girl here.
35:34Then you had to pull an alibi.
35:35I will not permit you to talk to my guest in that manner.
35:39He has told the truth, and I believe him.
35:42Thank you, Miss Lotus.
35:43I think I'll be running along.
35:46Yes, you better when you got the chance.
35:49Remember, Dooley is on your trail.
35:51Oh, I'll get you yet.
35:55You know, I think it would be a good idea if you stuck around here and watched Miss Lotus.
35:59She may be in danger.
36:01You would think of that.
36:03Watch Miss Lotus so I can't be watching you.
36:08Goodbye.
36:09I'll drop in again sometime when there isn't a crowd.
36:16I think you have been very rude to my friend.
36:19Now, listen, baby.
36:22You don't know much about life.
36:24That guy isn't your friend.
36:26He's a bad egg.
36:28I do not believe it.
36:30All right.
36:31I'll prove it to you.
36:33Last night, I searched that bird's room.
36:37I found these.
36:41You remember there was a poppy found alongside of the body of Lee Fung?
36:46Well, doesn't that make it clear?
36:52Why, it's his trademark.
36:54Whenever one of his gang pull a trick, they always leave a poppy.
36:58It's a pet stunt of these gangs.
37:01They think it's smart.
37:03I do not believe it.
37:05Lee Fung always taught me to listen to the promptings of my heart.
37:09It tells me he is not bad.
37:11Oh, baby, that heart gag is a bunk.
37:15You should see what listening to the heart got me.
37:19You must meet Mrs. Dooley sometime.
37:23Well, just the same, I'm going to keep on his trail and prove it to you.
37:28Listen, I get out on a case...
37:30Come here, my good man.
37:52I want to talk to you.
37:54What time was it when you first came over there?
38:06Wait a minute.
38:11It's going to do you no good to lie to me.
38:14Now, I want straight answers.
38:15What time was it when you first sat down there?
38:17One thing to say, one bit of...
38:20That's better.
38:23How long has it been since this dame's been running this place?
38:26How long has it been since this dame's been running this place?
38:34All right, go on, beat it.
38:35On this thing now.
38:47I want to talk to you.
39:17Bonner is here again.
39:37Oh, the other one.
39:40It might be advisable to let him join his dear brother.
39:45He is conscious this morning, but pretends that he is too weak to talk.
39:52Wait a little, then perhaps we can persuade him that it would be wise to gain strength.
40:15Thank you very much.
40:33I didn't see anyone downstairs, so I just thought I'd crash in again.
40:51So I see.
40:52I hope I haven't intruded.
40:55No.
40:57If you're busy, I'll come back some other time.
40:59No.
41:01Now that you're here, perhaps you'd better stay.
41:05And what if I don't choose to?
41:10Your choice is immaterial in the matter, Mr. Bonner.
41:14You came here unbidden.
41:18Crashed in, as you so quaintly put it.
41:22Perhaps it would be difficult to crash out.
41:27Did it ever occur to you that it would be rather dangerous for you to hold me here against my wishes?
41:36Perhaps my friends would become worried about me and start an investigation.
41:41No.
41:43Your friends would not be concerned.
41:46Because you did not take them into your confidence.
41:50Don't you realize you have been watched every minute of the day and night?
41:55Don't you think I know why you're here?
42:01Forgive me, Madam Poppy.
42:04I seem to have underestimated your intelligence.
42:09You were Mr. Bonner.
42:11I wouldn't be that guy for a million bucks.
42:15He hasn't been here for three whole days.
42:18No, and he won't be here again.
42:20Not as long as he knows I'm around.
42:23Then I wish you would go away.
42:25Listen, baby.
42:27Why don't you get that guy out of your mind?
42:30Why?
42:32Why, I've nearly got enough on him now to send him to the pen.
42:35What pen?
42:37Well, it ain't the fountain pen.
42:38It's the who's go.
42:40The big house.
42:41The prison.
42:42No, I won't let you.
42:43You want us to get the birds who got Lee Fong, don't you?
42:47Well, this Bonner is the ringleader.
42:49I've been shadowing him for three days.
42:51He hangs around in a joint down in Chinatown, run by a Madam Ying Su.
42:57Madam Ying Su?
42:58Yeah.
42:59Madam Poppy.
43:01What?
43:02Ying Su means Poppy.
43:04Oh, yeah?
43:06That cinches it.
43:08Now I know I'm on the right track.
43:10What is this to do with him?
43:12Listen.
43:14This dead is his sweetie.
43:16His girl.
43:18Broad?
43:19You mean she is fat?
43:20Yeah.
43:21No.
43:22I'm sorry for you.
43:24She's a knockout.
43:26A swell looker.
43:28Pretty?
43:29You got it.
43:30And he's nuts about her.
43:33Nuts?
43:34Yeah, nuts.
43:36And if you want me to prove it to you, you can come along with me and I'll take you down to that joint.
43:42And I'll let you see for yourself.
43:43I will go with you.
43:47You see?
43:48This is the neighborhood that this guy's been hanging around for the last three days.
43:52I've been shadowing him down here.
43:54I don't like this place, Mr. Dooley.
43:57Don't worry.
43:58You're with Dooley and it's all right.
44:01And I've got you to thank for a lot.
44:03You ticked me off about this, Madam Poppy.
44:05But I think you're wrong about Mr. Bonnet.
44:08What? Me? Dooley wrong?
44:09I'm going to take you in here and prove to you that I'm right.
44:13I've got the right dope on this guy and I'm going to show you.
44:16And when we get inside, I want you to keep quiet.
44:19Don't do a thing.
44:21Until I tell you.
44:22You got that?
44:40You better sit down.
44:42I'll look around and see if I can find him.
45:09I'll look around and see if I can find him.
45:10I'll look around and see if I can find him.
45:12I'll look around and see if I can find him.
45:14The Watt of Lifong is here.
45:19Excellent.
45:21It should not be difficult to make her talk.
45:27Why not let me talk to her?
45:30Why should I do that?
45:35She knows me and she trusts me.
45:36And she might listen to reason.
45:40I failed to understand why you should want to do this service for me.
45:45Well, I figure the quicker you get the dagger, the quicker I'll be free.
45:53You are an optimist, my friend.
45:56Well, it won't do any harm to let me talk to her.
45:59Let me talk to her.
46:02No.
46:04On the contrary.
46:07I think it might be useful.
46:16I wish you luck, my friend.
46:30Are you looking for Mr. Barnett?
46:32I'll take you to him.
46:34All right.
46:36All right.
46:56Mr. Jim, I'm so glad I found you.
47:24Sit down.
47:26Well, I hope you're satisfied.
47:39You certainly got me into a swell mess.
47:56What's the matter?
48:01What's the matter?
48:03You know what's the matter.
48:07You're going to tell me everything.
48:13You understand, don't you?
48:16I understand.
48:26What do you want me to do?
48:32If you tell them where the dagger is, let us both go.
48:38You know where it is, don't you?
48:46Yes.
48:56Oh, no.
49:21Well, look at that.
49:23Well, look at that.
49:23Oh, you tricked me. You let her escape.
49:48She couldn't tell you anything. She doesn't know where it is.
49:53You lie adroitly, Mr. Barnard.
49:57I've had a very excellent teacher, Madam Poppy.
50:08This is a fine hearty ado.
50:16I'd like to get my hands on the guy that threw that.
50:20Up there.
50:22There's nobody up there.
50:25I must be hot on somebody's trail.
50:29They're trying to get rid of me.
50:32Where is Miss Lauderdale?
50:34Didn't she get back here yet?
50:35No.
50:36She must still be at the tea room.
50:39But if you were really wise, you would have escaped with her.
50:44I haven't finished my business here.
50:47Your business is finished everywhere.
50:53Those who betray me, Mr. Barnard, live to regret it.
50:59Although you will not regret long.
51:03And my brother?
51:05Did he die of regret?
51:07Your brother was a fool.
51:10He might have been safe and wealthy today if he had been willing to listen to reason.
51:17You mean if he'd have been willing to turn over Lee Fong's property to you.
51:24How much better that would have been for all of you.
51:28Dead men have no use for treasure.
51:31Dead men have no use for treasure.
51:34Dead men have no use for treasure.
51:37I'm glad you're safe.
52:05you must come quick jim is in there what's that i'm afraid that what they might do to him
52:12what they're holding him prisoner i knew something was ready to pop
52:16back and jim go on in there little pete go on down the end there
52:46come on come on in here with me
53:14i told you i'd get you smart boy you're under arrest under arrest
53:30for what for the murder of lee feng you're crazy yeah like a fox you can't put it over me like you
53:37did the little girl dumbbell dumbbell am i yeah haven't got anything on you no well only this
53:46you were in the room where the crime was committed a poppy was found alongside the body of the deceased
53:53then i searched your room and i found the petals of a poppy carefully hidden away
53:59you and madam poppy's little remembrances oh i had my eye on you from the first
54:08and i'll get a conviction on you or my name isn't horatio duly
54:13and i even found the weapon
54:22take them out of here
54:23you know a while ago and i was talking to you like that one i didn't mean it of course so listen my
54:42brother's in here he's in there
54:51i know the kid was innocent all the time
54:55his brother just explained it all to me
54:57you're a great detective i can't help it
55:12but i thought it's okay remember duly was on the job
55:27you're a great detective
55:30look
55:43is this looking for us

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