PARWARISH – A gripping tale of generational conflict, where love turns into control, and independence feels like rebellion. As parents uphold traditions and children chase dreams, misunderstandings shake the family’s foundation.
Cast:
Samar Jafri as Wali Jahangir
Aina Asif as Maya
Naumaan Ijaz as Jahangir
Savera Nadeem as Mahnoor
Shamim Hilaly as Dadi
Saad Zameer Fareedi
Reham Rafiq as Amal
Nazr-ul-Hasan as Shaheer
Bakhtawar Mazhar as Sadia
Nooray Zeeshan as Aania
Haleema Ali as Mashal
Arshad Mehmood as Dada
Saman Ansari
Abul Hasan & others.
Writer: Kiran Siddiqui
Directed by: Meesam Naqvi
Watch Parwarish every Monday & Tuesday at 8:00 PM - only on ARY Digital
#parwarish
#ainaasif
#samarjafri
#naumaanijaz
#saveranadeem
#arydigital
#pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
Cast:
Samar Jafri as Wali Jahangir
Aina Asif as Maya
Naumaan Ijaz as Jahangir
Savera Nadeem as Mahnoor
Shamim Hilaly as Dadi
Saad Zameer Fareedi
Reham Rafiq as Amal
Nazr-ul-Hasan as Shaheer
Bakhtawar Mazhar as Sadia
Nooray Zeeshan as Aania
Haleema Ali as Mashal
Arshad Mehmood as Dada
Saman Ansari
Abul Hasan & others.
Writer: Kiran Siddiqui
Directed by: Meesam Naqvi
Watch Parwarish every Monday & Tuesday at 8:00 PM - only on ARY Digital
#parwarish
#ainaasif
#samarjafri
#naumaanijaz
#saveranadeem
#arydigital
#pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
Category
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FunTranscript
00:00Oh
00:30It's a surprise.
00:51Who is it?
00:54I'm coming.
00:55Hello?
00:56I'm coming, brother.
00:58One second.
01:00What?
01:01My phone is coming.
01:02My phone?
01:03Where is my phone?
01:04Where is my phone?
01:05Where is my phone?
01:06I have to talk with Maya.
01:07She's on her phone.
01:08She's on her phone.
01:09But she's...
01:10Take her phone.
01:11Hurry up.
01:12Give her a phone.
01:14Hurry up.
01:16I'm calling her.
01:18But she didn't call her.
01:20I'm calling her.
01:21I'm calling her.
01:22You have to call her.
01:23Call her.
01:24Talk to her.
01:25Okay.
01:26Talk to her.
01:28Hello?
01:29Hello?
01:30Maya?
01:31How are you?
01:32How are you?
01:33Hello?
01:34Why are you listening to me?
01:36Hello?
01:37Maya?
01:38Maya?
01:39You...
01:40You...
01:41I don't want to talk to you.
01:42Stop.
01:43Go.
01:44Go.
01:45Go.
01:46What have you done, man?
01:47What?
01:48What?
01:49Let's go.
01:50What are you doing?
01:51Yeah.
01:52No.
01:53paljon.
01:54So, some people have left the rest of the rest of the rest of the rest.
01:59They don't give me a freaking kiss, the money.
02:02They were great.
02:04No.
02:05Magician, friend, that sense requires vitamin.
02:36Maia, I have to talk to him.
02:38I have to talk to him.
02:39I have to talk to him.
02:40Mali, please.
02:41Are you acting like this, man?
02:42Are you being serious?
02:43What did I do like this?
02:44Tell me.
02:45What did I do like this?
02:46I just gave my confession.
02:48Besides that, I didn't do anything.
02:50Why did I talk to him like this?
02:52What do you think?
02:53I will avoid it.
02:54I will not answer my message.
02:55I will not do calls.
02:56What do you think?
02:57What will happen then?
02:58I will not hold you accountable for all of that.
03:00I will.
03:01I will not talk too much.
03:02Now talk to me straight properly.
03:04What did I say?
03:05Only my feelings were revealed.
03:06I just told you how I felt.
03:08That's it.
03:09If I didn't understand you,
03:10whatever you were talking about,
03:11whatever.
03:12I don't care.
03:13Tell me.
03:14You don't like me.
03:15Just say it out loud.
03:16But at least,
03:17don't suffer from this way.
03:19You are just struggling.
03:21We are all right.
03:23I am very happy.
03:25And I tell you something.
03:26I know that the whole world
03:28is doing you.
03:30I didn't say it.
03:32What did I do?
03:33I don't tell you what was wrong.
03:34I gone wrong with you.
03:35I never did wrong with you.
03:36I never took you.
03:37Never took a mistake.
03:38What happened?
03:39What was your fault?
03:40As long as I never did,
03:41I endured the self-optimization.
03:43At first,
03:44I will walk out.
03:45I will not do that.
03:46Now, you will accept your fault.
03:47You had no wrong.
03:48It was a terrible one.
03:49What did you do?
03:50Do you wish for yourself?
03:52Yes?
03:53Do you wish for yourself?"
03:54Yes, yes.
03:55No, Ali, I do love you with your love.
03:58I want you to come to my home and take my family.
04:01If I want to say anything, I can't say anything.
04:03Do you know why?
04:04Because I'm engaged.
04:07Jerry on top is going to be married.
04:09What do you want?
04:10How do I work with you around?
04:13Do you want me to be the same friendly Maya that I used to be?
04:16Tell me.
04:18Maya?
04:25I couldn't be the same.
04:42Register.
04:45You said what you had written in the car.
04:48That's not what I meant.
04:49Look, I don't want to criticize your school or its credibility, its reputation or the way you conduct things.
04:57That was not my point. I'm sorry if it sounded like that.
05:00I'm just concerned for my child's well-being.
05:04I understand. Your concern is valid.
05:07We're going to take necessary actions.
05:10Please trust me.
05:11I don't have a lot of options left.
05:15Let me tell you something about me.
05:19What is your education?
05:22Master's in English Literature, right?
05:28Ma'am, you're supposed to be at the interviews in 10 minutes.
05:32Okay, I'm coming.
05:37Actually, we're going to have a few interviews of English teachers.
05:41I thought I was very good at your advice.
05:45I was interested in doing our job.
05:49Don't worry. Take your time.
05:54Yeah, I'll let you know.
05:56Well, definitely.
05:59You'll see me again?
06:01Okay.
06:12Let's go.
06:13I am from my university.
06:16Don't say it in the middle.
06:17Where are you from?
06:18Who are you from?
06:20Who are you from?
06:20Who are you from?
06:20I am from my university.
06:21Be honest with you.
06:21You understand?
06:22Keep it in the side.
06:23Let's go.
06:23Let's go.
06:24What?
06:24Don't get it!
06:27What you doing�?
06:30Can you drive?
06:36What?!
06:40What?
06:43Do not get it!
06:44,
06:46,
06:50.
06:52.
06:55.
06:56.
06:58.
07:00.
07:04.
07:05.
07:08What happened to me?
07:13I'm going to study.
07:17Maia?
07:19Maia?
07:28Hey, come on.
07:31Go, sir.
07:33Who are you?
07:35Let's go.
07:38No, no, no, no, no, no, no, no, no, no, no, no, no, no.
07:41You are not trying to understand, Mike.
07:44I can't cut down the price.
07:47How can I reduce the percentage of my profit?
07:52I know the recession is there, but I have already given the...
07:58What do you mean that we won't be able to?
08:03I have already invested.
08:07Ah.
08:10Oh, Mike.
08:11I'm coming.
08:12Mike.
08:13Oh, sure.
08:17Ah.
08:18I want to talk to her.
08:21I'm going to go to Aniya's school today.
08:27To meet the principal.
08:29Everything is sorted out.
08:31She's, mashallah, well settled.
08:32She's fine.
08:33I was leaving the principal's office.
08:35So, I asked her again.
08:36She seemed like an interview that she was doing.
08:40She offered me a job at the end.
08:41Literature teacher.
08:42Really nice offer.
08:44Contract, she said, you'll be ready for the next week.
08:46You can start.
08:47You have accepted.
08:48I don't think so.
08:49You need to do any job.
08:50Forget it.
08:51Income her.
08:52Just tell her.
08:53Forget it.
08:54Why do you mean it?
08:55It's a good opportunity.
08:56Aniya's will be in my eyes.
08:57What more can we want?
08:58What is the problem?
08:59I don't think so.
09:00I don't think so.
09:01You need to do any job.
09:02Forget it.
09:03Just tell her.
09:04Forget it.
09:05Why do you mean it?
09:06It's a good opportunity.
09:07Aniya's will always be in my eyes.
09:09What more can we want?
09:10What is the problem?
09:11No problem.
09:12The problem is not me.
09:13The problem is to my home.
09:14The problem is to my whole family.
09:16Everything is disturbed.
09:19I'm losing clients.
09:22How do I focus on my job?
09:23Tell me.
09:24You could sort the issues of the people of the world.
09:27To make them.
09:30If you hearted work in it,
09:32Then some of the kids need to be too.
09:37What is the vision?
09:39This is what I'm saying.
09:40You're doing my job in the same school.
09:41I will keep an eye on her all the time.
09:43I can keep an eye on her all the time.
09:45Or a man.
09:46Therefore, forget it.
09:49Not at this house.
09:51Either you will help me for this thing,
09:53You are wrong. You are wrong.
10:00Panna has been with me. He has supported me.
10:07Now, sort them out. I am sorry for that,
10:11but there is no relationship with my job.
10:14I am doing this.
10:23My problem is, my problem is,
10:26you are the biggest problem in my life.
10:30Liar.
10:36Okay, I will see it.
10:38Okay, sir.
10:40Okay, sir.
10:45My son, my son.
10:48Say it.
10:51Do you see me?
10:52Then, my son, come to my house.
10:55What?
10:56Do you see me outside?
10:59I can't get out of here.
11:03My son, I can get out of here for about half an hour later.
11:09It's all good, right?
11:12Let's go.
11:13Tell me about it.
11:15Where are you going to meet?
11:20If you send a location,
11:23I will come.
11:26I will come.
11:28God bless you.
11:33What are you doing, man?
11:46Get out of here.
11:48I am doing what you need to do with me.
11:50What did you do with me?
11:52What did you do with me?
11:54Sometimes you talk to my phone with Maya,
11:56sometimes you fight on the beach.
11:58You fight for him.
12:00What do I do?
12:01I'm not going to die.
12:02I'm not going to die.
12:03I'm not going to die.
12:04I'm not going to die.
12:05What is that?
12:06What?
12:07What?
12:08What?
12:09What?
12:10What?
12:11Let go, let go.
12:12Vali.
12:13Vali, sit.
12:14Vali, sit.
12:15Vali, work.
12:16Sit.
12:17Please go here.
12:18What was the problem of both of them?
12:20Vali, what happened to them?
12:21What happened to them?
12:22What happened to them?
12:23You asked them to kill them.
12:24It's done.
12:25You did.
12:26You did.
12:27You did.
12:28You did.
12:29You rescued Maya.
12:30What happened to them?
12:31What happened to them?
12:32They will class her.
12:33I know.
12:34I know.
12:35At least she will be in safe hands.
12:37She will be with them.
12:39Safe hands?
12:42The idea is that the family's family will badly hurt him.
12:45He is not the best.
12:47He is a woman whose family has paid attention the family's family.
12:50If I say thank you.
12:52We will kill the heart of the mother,
12:54and we will also fix her trauma.
12:56We will also try to fix her trauma.
13:00Some were saying in my childhood.
13:02The chief relief is better than a child.
13:04I've been molestive now.
13:06Stop now.
13:07I don't know. I don't understand.
13:09I don't understand.
13:11You go.
13:12Sit down.
13:13Sit down.
13:14Wali, sit down.
13:15What are you talking about?
13:16Why are you talking to me?
13:17Wali, listen to me.
13:18You're talking to me.
13:19It's crazy.
13:21You have to kill me.
13:23You need to kill me.
13:24Wali.
13:25I'm going to kill you.
13:26Get out.
13:31You're not in class?
13:33I'm not in class.
13:35Get out.
13:36Get out.
13:37Get out.
13:38Get out.
13:39The next time, tell me.
13:40Mike Tyson is in the bus.
13:41I'll take it.
13:42Get out.
13:43Get out.
13:45Who are they?
13:47Let's go.
13:49Let's go.
13:59I have a doubt.
14:01But today,
14:03I'm going to tell.
14:04Well,
14:05Laya,
14:06I'm going to tell her.
14:07Can I tell her?
14:08My son?
14:09Yes.
14:10He went to college.
14:11He was fighting with me.
14:12He was fighting with me.
14:15My mind was a little wrong.
14:18Everyone heard me.
14:21What did he hear?
14:23No, uncle.
14:24I can't tell you.
14:25I'm afraid to tell you.
14:27I was just a good girl.
14:30No, son.
14:32My son is not like that.
14:35My son is really good.
14:38I know about this.
14:40There is no other person behind him.
14:44He doesn't like him.
14:46I like him.
14:48But then I told him to contact me.
14:53I didn't have to ask him.
14:56You told me to ask him to ask him,
14:59so that your school will be clean.
15:01I didn't have to ask him.
15:03But what am I doing?
15:07I didn't have to ask him.
15:09I didn't have to ask him.
15:10I didn't have to ask him.
15:11No, this is not the right.
15:13I didn't have to ask him.
15:14He was a girl who was behind me.
15:15But she did not have to ask him.
15:17She did not ask him.
15:18But I did not ask him to ask him.
15:19I heard him myself.
15:20And he did not ask him.
15:21He did not ask him to ask him.
15:23What did I ask him to ask him?
15:24Who did I ask him to ask him?
15:26They asked him to ask me and thought about me?
15:30I thought very much.
15:31And you can see how much I am thinking about Maya.
15:34You can ask me to ask him to ask him.
15:36I didn't have to ask him for anyone.
15:39In fact, this is the reason I accepted myself.
15:41It was my fault.
15:42Because I liked her.
15:44Where are you and where are we?
15:47The dressing, the house, the car.
15:49You have only seen the film or the drama.
15:52But I am just saying that I felt like you are the people of God.
15:59But my uncle, it was fine with me.
16:02Class is a class.
16:22You around, you know?
16:23It could make me dance.
16:24But there are a lot of tears you pay for me.
16:26You allow me to feel you I am on the line.
16:29You should pray for me, too.
16:30You should kind of ask me if I understand your mind for you.
16:32I am beautiful.
16:34Ordinary casement, according to Minit said I am the only one of my reproaches.
16:39No, it issmith of comfort in the kitchen.
16:41And people too than come tell me if its my inner self,
16:45Bad Oak is andostic.
16:47Maybe..
17:20What's going on?
17:26You should not come here.
17:29Don't worry, we'll come here.
17:33Why don't you take a phone call?
17:37That's what I've done.
17:39I've left there.
17:41Maya,
17:46what's going on?
17:51Why?
17:53Why?
17:55Why do you feel like you have to contact me?
18:02You don't do anything like that.
18:05What's going on?
18:12Mashal?
18:13Yes.
18:14If they don't come here for a while, we'll find them.
18:19Yes, absolutely.
18:21Why?
18:23Why?
18:24Why?
18:26Why?
18:27Why?
18:28Why?
18:29Why?
18:30Why?
18:32Why?
18:34Why?
18:36Why?
18:37Why?
18:39Why?
18:40Why?
18:41Why should you tell me about my family today?
18:43It wasn't so much for me.
18:45In fact, this was accepted by the Rischia.
18:47It was my fault because I liked it.
18:50Where are you and where are we?
18:53This dressing, this house, this car,
18:55you have only seen the film or the drama.
18:58I just said that I felt that you are the people of the people.
19:02But, Uncle, we were all good.
19:05Class is class.
19:13...
19:19All right, let's go.
19:20Do you want me to listen because what is going on here?
19:25Listen to me.
19:27What are you making?
19:28Listen to me, you want me to say that you will get him?
19:34What are you making, and you will be willing.
19:39What are you making?
19:42What are you making?
19:44What are you making?
19:46What are you making?
19:47This is what I am making.
19:49I have to listen to him.
19:51I'm not listening to him.
19:53I've heard him all the time.
19:55What do you hear?
19:57You're my sister!
19:59I'm listening to him all the time!
20:01I'm listening to him from my age.
20:03I'm listening to him.
20:05If you can't tell him anything,
20:07you can tell him something to tell him.
20:09What do you want?
20:11You've all been saying to him.
20:13You've heard me.
20:15Because his hands are not out of hand.
20:17If you have hands,
20:19I'll give you my hand.
20:21I'll give you my hand.
20:23Tell him.
20:24You say it.
20:25What's going on?
20:27What's going on?
20:29You've got two girls.
20:31I've got two girls.
20:33I've got your respect.
20:35You've got your respect.
20:37You know that my mother doesn't want to marry her.
20:39She wants to marry her.
20:41But she's still giving her back.
20:43I'll give you my hand.
20:45My brother,
20:46you have to marry her.
20:47Why did you marry her?
20:49Why did you marry her with her?
20:51Why did you marry her?
20:53Why?
20:55Why are you doing it?
20:57Why are you doing it?
20:59Why are you doing it?
21:00Why are you doing it?
21:02Why are you saying anything?
21:04I can't forget what the girl told me.
21:06I'm sure about my sister and my sister.
21:08I have to have my携激.
21:10No matter what you want, you can't take your hands.
21:14You don't need to, you don't need to.
21:16Don't do that.
21:19What are you doing?
21:21I won't do this.
21:23I'll ask you.
21:24I'll ask you what happened.
21:25But I'll tell you what happened.
21:27I'll ask you what happened.
21:29I'll ask you what happened.
21:30I'll go to college and what was the time he did.
21:33Who gave him a chance?
21:34Who gave him a chance to give my son?
21:37Or he'll give him a chance to give him a chance.
21:40No, no, no.
21:41Look at him.
21:43You're not doing good.
21:45I'm giving him a chance.
21:47I'm giving him a chance.
21:49I'm giving him a chance.
21:51But what was that day?
21:53When you were not at home,
21:55he knew.
21:57My mother and son came home.
21:59Then he came home.
22:01I don't know.
22:03He was sitting in my head.
22:05He was sitting in my head.
22:07He was sitting in my head.
22:10He was sitting in my head.
22:12I was sitting in my head with my son.
22:15He died and died.
22:19I can tell him that I'm wrong.
22:22I'm hurting.
22:23But I know why he's in love.
22:25He's not to know that he knows maybe no truth.
22:27I don't know if there will be any true true story you will tell.
22:30You will believe in it.
22:32Because he is a mangeter.
22:35No.
22:37We are not here for my son.
22:44I don't want to.
22:57I don't want to.
23:18I don't want to.
23:22I don't want to.
23:31I don't want to.
23:35I don't want to.
23:39I don't want to.
23:43A second.
24:13A second.
24:15A second.
24:17Come on.
24:20These people.
24:23Thank you not to me.
24:25Your actions will die someday.
24:28I am so much more than I am.
24:30If we look at my dad and I will investigate.
24:33Where are you going to take your eyes back?
24:35Who are you going to take your eyes back?
24:36Look.
24:40The proof is gone.
24:41What are you doing?
24:43What will I do?
24:44What will I do?
24:45Nothing is obvious.
24:46Once again, I will meet my husband again.
24:49I will kill four of them.
24:51Kaminda.
24:52That's when you left Maya's voice in the fight.
24:55Now it's gone.
24:57You noticed it.
24:59I am going to take care of my cab.
25:01I am going to take care of my cab.
25:02Come on.
25:03Wait.
25:04Wait.
25:05I will not go alone somewhere.
25:06I will go with me.
25:07Let's go with me.
25:08Okay.
25:09Let's get out of here.
25:10Let's get out of here.
25:11Let's go.
25:12Let's go.
25:13Do you want to go with me.
25:15You can do this.
25:16You come from me.
25:17You are sick.
25:18I will leave now.
25:19Wait.
25:20Let's go with me.
25:21Let's go.
29:26Okay.
32:06Vali.
32:08Vali.
32:10You m'nineteen,
32:11You miss it.
32:12And you miss it.
32:13You miss it.
32:14She miss it.
32:15Trust me.
32:16I know how to handle this situation.
32:18He's right.
32:19Okay.
32:20Right.
32:21So don't you know,
32:23people find a new reason for混nging me.
32:24I think I am good on my own.
32:26You also so pay attention to me,
32:27I will see what are all this piece such as.
32:32Vali.
32:34Batao.
32:35Say it.
32:36They will eightionen.
32:38Please.
32:38She is in the university.
32:43Amal, Amal, it's time for us.
32:45Please, come on now.
32:46Please, please.
32:47He's coming, Yannou.
32:48I'll tell you.
32:49It's late, Amal.
32:50I'll leave you.
32:52It's late, you.
32:54I'll tell you.
32:56You know something about it.
32:58Dhar?
32:59Dhar.
33:08Dhar.
33:15Now, when my mother is finished,
33:18there's no pressure for the wedding,
33:21why do I compromise on my career?
33:28Because you can't go to college, Maya.
33:30You'll be the subject of jokes there.
33:33But it doesn't mean that I can't study.
33:37Why am I quitting?
33:40There's no way.
33:41I'll go to college.
33:42Why am I quitting?
33:44There will be no way.
33:47I'll go to college.
33:49I'll go to college.
33:50I'll go to college.
33:52But then, what will I do?
33:56How will I explain?
33:57How will I explain?
33:59I'll talk to you.
34:02I'll talk to you.
34:03No.
34:04No.
34:05I'll go to school again.
34:07I'll go to school again.
34:09But...
34:10...
34:11...
34:12...
34:13...
34:14...
34:15...
34:16...
34:17...
34:18...
34:19...
34:20...
34:21...
34:22...
34:23...
34:24...
34:25...
34:26...
34:31...
34:36I can tell you how to bring them to an island in an island.
34:41We don't...
34:42But I'm a lake that exists with the island.
34:45So, thank you for joining us.
34:48I don't know.
34:49I don't know.
34:51I don't know.
34:52Are you?
34:52I'm going to tell you.
35:06How soon did you come?
35:12Hmm.
35:28Is my college gone?
35:29No, it's in your house.
35:33Sit down.
35:36Listen.
35:44Listen.
35:46Last night, you had to say what you had to say.
35:51What do you have to do?
35:59There is a very big issue on our heads.
36:02What do you have to say?
36:03What do you have to say?
36:04What do you have to say?
36:05What do you have to say?
36:06What do you have to say?
36:07What do you have to say?
36:08What do you have to say?
36:09What do you have to say?
36:10What do you have to say?
36:11What do you have to say?
36:12What do you have to say?
36:13What do you have to say?
36:14What do you have to say?
36:15What do you have to say?
36:16What do you have to say?
36:17What do you have to say?
36:18The fact that you have to say, he, from the jungle, ...
36:25It's going to be a mess.
36:27God don't do it.
36:28Why are you doing such things?
36:31Don't think about it.
36:33How can I do it?
36:37We're going to live in such a brother, right?
36:41It's not just Maya.
36:42Maya will come to Muschal Bin Aperet.
36:47Then, either they will not come to their relatives,
36:51and if they will come, they will be the ones who will be the ones who are going to be.
37:01So, you are going to call them to seema again?
37:08What you told me about after that,
37:12and the man of the night who was going to say,
37:17after that, to accept his wife,
37:21It will give us a lot of problems.
37:25Then?
37:32Then, find out something else for Maia.
37:37This is not just a mangani.
37:39We have to marry her.
37:40If she's married to her husband, she'll do it from there.
37:45But Shahrir, it won't be bad for her.
37:48It's not a mangani that's going to fall in the other place.
37:52But Maya will become his own pride.
37:59I'll be in two or four days.
38:02After that, I'll be in trouble.
38:04I'm saying right, but I should have a relationship so soon.
38:09I mean, a girl, a house,
38:12you have to see all these things in the same way.
38:15Or is there someone in your eyes?
38:24That's the girl who was a girl who was a girl.
38:28Who is that?
38:45Oh
39:15Oh
39:17Oh
39:19Oh
39:21Oh
39:23Oh
39:29Oh
39:31Oh
39:33Oh
39:35Oh