- yesterday
PARWARISH – The most-watched Pakistani drama of the season, Parwarish is a gripping tale of generational conflict, where love becomes control and independence feels like rebellion. As parents hold tight to cultural traditions and children chase dreams of freedom, misunderstandings shake the very foundation of the family. It’s a powerful reflection of the emotional battles playing out in households across Pakistan today.
Samar Jafri as Wali Jahangir:
Wali, the eldest son of Jahangir, is the emotional heart of Parwarish. Handsome, intelligent, and kind-hearted, Wali was raised in the freedom of America. He dreams of becoming a musician, but his father’s disapproval casts a long shadow. Now back in Pakistan, Wali must navigate a world where parental expectations and personal dreams collide, sparking the drama’s central conflict.
Aina Asif as Maya:
Maya, a bright and determined girl from a conservative, middle-class family, is ready to take on the world. Beautiful and self-assured, she aspires to become a doctor—a path her family supports only conditionally. Caught between love, ambition, and tradition, Maya embodies the struggle of many young women in today’s society.
Cast:
Samar Jafri as Wali Jahangir
Aina Asif as Maya
Naumaan Ijaz as Jahangir
Savera Nadeem as Mahnoor
Shamim Hilaly as Dadi
Saad Zameer Fareedi
Reham Rafiq as Amal
Nazr-ul-Hasan as Shaheer
Bakhtawar Mazhar as Sadia
Nooray Zeeshan as Aania
Haleema Ali as Mashal
Arshad Mehmood as Dada
Saman Ansari
Abul Hasan & others.
Writer: Kiran Siddiqui
Directed by: Meesam Naqvi
Watch Parwarish every Monday & Tuesday at 8:00 PM - only on ARY Digital
#parwarish
#ainaasif
#samarjafri
#naumaanijaz
#saveranadeem
#arydigital
#pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
Samar Jafri as Wali Jahangir:
Wali, the eldest son of Jahangir, is the emotional heart of Parwarish. Handsome, intelligent, and kind-hearted, Wali was raised in the freedom of America. He dreams of becoming a musician, but his father’s disapproval casts a long shadow. Now back in Pakistan, Wali must navigate a world where parental expectations and personal dreams collide, sparking the drama’s central conflict.
Aina Asif as Maya:
Maya, a bright and determined girl from a conservative, middle-class family, is ready to take on the world. Beautiful and self-assured, she aspires to become a doctor—a path her family supports only conditionally. Caught between love, ambition, and tradition, Maya embodies the struggle of many young women in today’s society.
Cast:
Samar Jafri as Wali Jahangir
Aina Asif as Maya
Naumaan Ijaz as Jahangir
Savera Nadeem as Mahnoor
Shamim Hilaly as Dadi
Saad Zameer Fareedi
Reham Rafiq as Amal
Nazr-ul-Hasan as Shaheer
Bakhtawar Mazhar as Sadia
Nooray Zeeshan as Aania
Haleema Ali as Mashal
Arshad Mehmood as Dada
Saman Ansari
Abul Hasan & others.
Writer: Kiran Siddiqui
Directed by: Meesam Naqvi
Watch Parwarish every Monday & Tuesday at 8:00 PM - only on ARY Digital
#parwarish
#ainaasif
#samarjafri
#naumaanijaz
#saveranadeem
#arydigital
#pakistanidrama
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
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FunTranscript
00:001.
00:012.
00:023.
00:034.
00:044.
00:055.
00:065.
00:076.
00:087.
00:09How do you go?
00:11No, I have to tell notes for the library.
00:14And then?
00:15I have to tell my concept.
00:17They are not clear.
00:18They just need to explain.
00:19How are you now?
00:22Okay.
00:23Why?
00:25Why?
00:26No.
00:27That day, you had a little bit of trouble.
00:30That's why.
00:33Yes.
00:34I'm okay.
00:36I don't know what happened to you.
00:39You were scared of everything.
00:41I'm sorry.
00:45Why do you want to tell teachers?
00:48No.
00:49Because of everyone's eyes,
00:52we didn't have to tell you.
00:54What do you know?
00:55What did you say to your auntie?
00:56My grain of course.
00:59What do you think about her?
01:00Please,
01:05Why do you think about her?
01:19What do you think about her and what happened?
01:20So tell her and what happened to you.
01:22What do you think of me?
01:24Does anyone have any difference between me?
01:27You talk about it.
01:30But then I don't think about it.
01:34Your son is your son.
01:36Then he will understand my father.
01:38But he will understand my enemy.
01:41He is fighting against me.
01:43I don't know if he will win.
01:47But you have to end this fight, right?
01:50Oh, my God.
01:52Which father is with his son?
01:54Don't look at yourself.
01:56You can't live without him.
01:58Okay.
02:01Don't worry about it.
02:07What are you thinking?
02:11He will go back to America.
02:13What? Why?
02:15Why?
02:17I have to go back.
02:18It is good.
02:20There are some investments that are made
02:22and they have to give him proper time.
02:24And I have to go back.
02:27I have to go back.
02:28And it is good too, my father.
02:29All are comfortable.
02:31All will come coming in.
02:34And the stress of Manor will also be lost.
02:38And the stress of Ania will also be lost.
02:41And the guilt will also be lost.
02:42Okay, let me go back, let me go back.
02:45Everything will be happy.
02:48After going back, everyone will have a chance to go back.
03:00In this chapter, he has failed his little bit and attended his lab.
03:05Well, that's it.
03:07When you don't, you have to study with teachers.
03:12I'll tell you.
03:15I'll charge college fees for you.
03:19How do you pay my college fees?
03:21If you have to charge them, you'll have to charge them.
03:25I'll charge them.
03:28What?
03:30I don't care about them.
03:33Or someone else.
03:35My uncle.
03:39My uncle.
03:41When did I say that I'm not scared?
03:44I'm just taking the fun of your show-off.
03:47Who did my show-off challenge?
03:49You didn't have to do it.
03:51You're the boss, right?
03:53You're right.
03:54You're the karma.
03:56You're the karma.
03:58It's strange.
04:00Your task.
04:01You are the karma.
04:02Who's the matter?
04:03You're the matter.
04:04Who's the matter?
04:05Who's the matter?
04:06What can you make of that question?
04:07Who's the matter?
04:08Who's the matter?
04:09Who do you?
04:10Who is it?
04:12If you look from a perspective, it doesn't look like this.
04:16You don't need to be a philosopher, please.
04:18I'm not sure.
04:23Let's go.
04:24Let's go somewhere.
04:29It's okay.
04:30It's so good.
04:31It's okay.
04:32You sit here and sit here.
04:33You're not doing anything.
04:35I'm not doing anything.
04:37You're busy.
04:38I'm not busy.
04:39I'm not doing anything.
04:40I'm not doing anything.
04:41I'm not doing anything.
04:42Tell me the truth.
04:50Maia, I don't have money.
04:54Do you have any money?
04:56Do you have any money?
04:57Do you have any questions?
04:58No, it's a car.
04:59I've asked you.
05:00Why do you have any money?
05:02Let's go.
05:03Let's go.
05:04Let's go.
05:05I'm being very honest.
05:06Let's go.
05:07Let's go.
05:08Let's go.
05:09But how did it happen?
05:10How did it happen?
05:11I don't know how did it happen.
05:12What did it happen?
05:13I didn't ask.
05:14I didn't ask.
05:15If I asked,
05:17the situation won't be more awkward.
05:19Don't go crazy.
05:20Don't go crazy.
05:21Don't go crazy.
05:23Don't focus on these things.
05:26I was thinking
05:29I was thinking
05:30that
05:31this has been recently started
05:32with
05:33getting married.
05:34We're doing a job.
05:39We meet Aniya and Waliyah.
05:40Can they feel better?
05:42Yes.
05:44Okay.
05:45Okay.
05:46Then you take me and Aniya
05:47and we both
05:48take away from Waliyah.
05:50Why?
05:51Why?
05:52You too?
05:53Or are you going to do it?
05:57What?
05:58Samir,
05:59you...
06:00I was sitting there
06:01and I was saying
06:02that...
06:03I was overwhelmed
06:04by saying
06:05Sorry.
06:06I was thinking
06:07I was thinking
06:08and I was thinking
06:09what I was thinking
06:11at that time.
06:14Don't be careful about that.
06:15Don't forget that.
06:16Don't forget it.
06:17That's exactly what you're saying.
06:21Don't do it.
06:22And you don't need to give a look.
06:24I'm going to tell them
06:26to tell them.
06:27Let me finish the time.
06:36Let me finish the time.
06:41If I want to leave my wife
06:43then
06:44I'll leave you.
06:45I'll leave you.
07:06your wife
07:07I'll leave you.
07:08From behind
07:09I'll leave you.
07:10My parents
07:13Mm.
07:14Can't refuse
07:18the words that come out
07:20of your mouth
07:21and you
07:23keep finding ways
07:24to tell me
07:25we can be
07:27with one another
07:29why don't you
07:31see it through?
07:34Don't cut me off the day
07:41Don't go away, I'm saying
07:45I'm a father to you
07:52I'll live with you
07:55Why don't I go away from you
07:59I was away from you
08:04I'll live with you
08:10You're my father
08:17I'll live with you
08:21I'll live with you
08:25I'll live with you
08:31I'll live with you
08:41I'll live with you
08:43I'll live with you
08:47I'll live with you
08:49I'll live with you
08:53I'll live with you
08:55I'll live with you
08:57What happened?
08:59Why are you crying?
09:01Why are you crying?
09:03Why are you crying?
09:05Why are you crying?
09:07Why are you crying?
09:09Why are you crying?
09:11Why are you crying?
09:13Why are you crying?
09:15Why are you crying?
09:17Why are you crying?
09:19Why are you crying?
09:21Well, give me I'm crying
09:25Why are you crying?
09:27Why can't you cry
09:32I kinda don't tell my story
09:35Or is it possible that she doesn't go like that?
09:38No, my dad. I've asked her a few times.
09:49She can't meet her.
09:51She can't meet her house, mother.
09:55I've asked her a few years ago.
10:01My son came to me with her husband.
10:04She gave her a whole family.
10:08She gave her a lot.
10:13Why are you giving her a lot?
10:20What are you big?
10:22Are you big in this house?
10:25I wanted to keep you all together.
10:29And we couldn't do that.
10:37My son came to me with my son.
10:41Why won't we leave?
10:44At that time, we will not live.
10:46No, my dad.
10:48No, my dad.
10:50Everything will go away.
10:52Why are you?
10:57I love you.
11:14Are you?
11:27Hello, Mama.
11:29Hello, Mama.
11:31Hello.
11:37Maya?
11:39Is it your time today?
11:41Yes, she was in the lab.
11:45But you said that it was a small job.
11:49Yes, she was a new teacher and my career's anatomy also stayed at home.
11:53I'm going to do her assignment.
11:55I'm going to go.
11:57Come here.
11:59Come here.
12:05You were going to meet your family, right?
12:09I know that you don't say a joke.
12:13It's just that you say a joke,
12:15and it's a bad thing.
12:19You were going to meet your family?
12:23Where are you?
12:25I'm going to university.
12:27Where are you?
12:29I'm going to university.
12:31Where else?
12:33I'm going to university.
12:35Where else?
12:37And we were outside.
12:39Where are you?
12:41I'm going to drink tea.
12:43I'm going to drink tea.
12:47Come here.
12:51Come here.
12:53Come here.
13:01You're going to be angry.
13:03You're angry?
13:04No.
13:05Not angry.
13:07Just a little bit of you.
13:09Now come here.
13:11Look.
13:13I know that you love your friend and if you like your friend, you will be a good girl.
13:25If you don't have a bad idea or a bad idea, you won't be a bad idea.
13:31But, son, do a little bit.
13:35It doesn't mean that people have made you two together and made you talk about it.
13:43I've been talking about 100 people, but I've been talking about it before.
13:47It's a good thing, keep it.
13:50But I know that all the things I've been talking about, but I've been talking about my Abba.
13:55I'm not going to like it.
13:57If you don't like it, you'll be able to understand yourself.
14:01Look, my dear, I'm just saying that you need to meet the same person, but you need to meet the same person in college or in any other place.
14:15You don't have to meet alone.
14:18And then you know that your first priority in life is your first priority, your career.
14:25Don't talk to me. Don't talk to me. Don't talk to me.
14:33And don't do anything like that you need to get into your eyes.
14:45Thank you, uncle.
14:47You're my great son.
14:52I've been told you.
14:55I've been told you.
14:56What do I want to ask you?
14:59My life is my friend.
15:03You're my friend.
15:05You're my friend.
15:07You're my friend.
15:09You're my friend.
15:11You're my friend.
15:13You're my friend.
15:14You're my friend.
15:16I love you
15:46I'm not gonna be the same thing.
15:48I'm not gonna be the same thing.
15:50I'm gonna be the same thing.
15:52What's up?
15:54You're a singer.
15:56You're a future.
15:58It's a future.
16:00I don't like the song you're reading.
16:02I'm gonna be the same song.
16:04You're a music video.
16:06My name is...
16:08Actually, I have.
16:10But I'm not the same type.
16:12I'm gonna do something.
16:14I'll have something to do with you.
16:16I'll have something to do with you.
16:18What the hell?
16:20What the hell?
16:22You're a singer like a singer.
16:24You're a singer like a singer.
16:26You're a singer like a singer.
16:28Everyone will come.
16:30Everyone will come.
16:32What the hell?
16:34Come and do it.
16:36I'm going to go.
16:38I'm going to go.
16:40I'm going to go.
16:42I'm going to go.
16:44I'm going to go.
16:46I'm going to go.
16:50Thank you, bro.
16:52How are you?
16:54Listen.
16:56You're going to close the gate.
17:00You're going to go.
17:02I like that artist's hypocrisy.
17:04Yes, but it's very good.
17:06Okay, but it's amazing.
17:08Yes.
17:10Yes.
17:12You know the artist's departure from someone else.
17:14Where did you go?
17:16Survival.
17:18You know, where do you go?
17:20Travels.
17:22Check out.
17:24This art is so bad.
17:28always there is a good idea when artist is,
17:32there is no need for it, there is no need for it.
17:36If there is no need for it, it doesn't have a bad idea.
17:39It can be art.
17:42This was not to be art.
17:47This was survival mode.
17:50When people get it, they have problems,
17:53problems, they have problems,
17:54problems, then there have to be a good idea.
17:55And after that, this is a work.
17:57Now, with my hands, it's stuck with me.
18:00It's 180, 360, 350.
18:03It's all.
18:05So, what do I do? I'll make art.
18:07I can't make it.
18:09And on this path, it's probably
18:12a master piece.
18:15It's someone else.
18:19I blame you for your weaknesses.
18:22As long as it hits,
18:24it doesn't make it to you.
18:27But it's fine.
18:29If you've done it, what can I say?
18:32And I feel like you're in the beginning.
18:35As long as it was, it was more than that.
18:38You put it up.
18:42Keep it up.
18:44Keep it up.
18:46Keep it up.
18:48Keep it up.
18:52You put it up.
18:54It's a microphone.
18:55Yes, it's a microphone.
18:57And then.
18:58Okay.
18:59Okay, let's listen to your own words.
19:20I think that Jehon Gheer bhai has a shock to create chaos.
19:25I have a lot of trouble with my father.
19:29I have a lot of suffering from this.
19:32Is this a lot of trouble?
19:33That's why I don't think母's about to be surprised.
19:36What are we doing here?
19:39If you leave me here, what are we doing here?
19:43What are we doing here?
19:43I don't know.
19:45But we thought that母's about to be surprised.
19:48But that's why we are like that.
19:51But my mother's about to be surprised.
19:54How much he is in the house, he is so upset.
19:58What's your opinion about this?
20:01I don't know.
20:02Ma Nour is so busy that we don't have a chance to talk about it.
20:05I don't even know anything about it.
20:11What are you thinking?
20:12I'm thinking about it.
20:14You think about it.
20:17I'll keep their attention.
20:19Some days, everything will be fine.
20:21I'll tell you about it.
20:23If you tell me, if you tell me, tell me.
20:26That's okay.
20:27Please tell me.
20:28You're thinking about it.
20:30You're thinking about it.
20:31I'm thinking about it.
20:32I'm thinking about it.
20:33The war of J.B. and Wally's war is full of family effect.
20:37It's obvious.
20:38Why do you think they don't think they are any decision?
20:41They don't think they are a decision.
20:42They are a result of their own.
20:46You think they are not thinking.
20:47The war of J.B.
20:48The war of J.B.
20:49The war of J.B.
20:50The war of J.B.
20:52The war of J.B.
20:54The war of J.B.
20:55The war of J.B.
20:56The war of J.B.
20:57In this room will했 If you look back,
20:58if you tell me you will have ever seen."
21:02Some others say even when they reached...
21:04These were wild and notя when they stayed.
21:07Then...
21:08...and so Mount Vel strains.
21:11It?
21:13I am a man who has seen him here
21:20I am a man who has lived in the heart
21:26This is the story of the day
21:32I'll give you a cigarette.
21:41Listen.
21:45I had a question for you.
21:48Who is the answer?
21:52I'll find the answer.
21:54I'll tell you.
21:55Good.
21:56You'll find the answer.
21:57What do you hear?
21:59What do you get?
22:01Look, I know.
22:04I'm not sure how to know myself.
22:06I know that I doesn't know who knows.
22:08But then I'm unable to tell you that I'm losing my mind.
22:11Then I'm losing my mind.
22:13So I'm losing my mind.
22:15I'm losing my mind.
22:17How are you doing?
22:18You are so sure to know that your mother-in-law made your hands.
22:25This is a price for all things.
22:27My thoughts and my life were taking my decisions.
22:30What was my life in my life?
22:32I was a doctor. I was a musician.
22:34So what was the problem here?
22:36How are you talking about?
22:38Yes, I'm talking about it.
22:40By education, if you become a doctor,
22:42then what will happen to you?
22:44There are musicians who are by education doctors, engineers, architect,
22:49or anything else.
22:50After that, they have a passion for their music.
22:53Do you hear Salman Ahmed?
22:55Hassan Rahim?
22:57Both are by education doctors.
22:59They are making music and they are very good.
23:01Why do I spend time there,
23:03where I am not making my career?
23:05You can see that my mother-in-law is scared.
23:07They don't know about the field of music,
23:09which is a field of work,
23:10which is a field of work.
23:12I'm scared that my child knows how the future is going to happen.
23:15I'm sure the future is secure.
23:16You can do it.
23:17You can do it.
23:18You all know why my father was doing it.
23:20He was just saying anything.
23:21He didn't do it.
23:22He was just saying anything.
23:23He gave me the time.
23:28Do you have music arrangement?
23:31Yes, it's quite a bit.
23:33It's quite a bit.
23:34It's quite a bit.
23:35Let's do it.
23:36Let's do it quickly.
23:37Then I'll do a lot of work.
23:38I'll do a lot of work.
23:39I'll do a client for a music file.
23:40I'll do a client for a master.
23:41You have two days.
23:42What does it mean?
23:43Your problem is not your problem.
23:44Think about it.
23:46Hurry up.
23:47Time comes.
23:48Hurry up!
23:49Shhh.
23:51Man, come on, come on.
23:53How do I not know?
23:55Man, I'm also sitting.
23:57I'm going to sit with tension.
23:59I'm going to sit with tension.
24:01I'm going to sit with tension.
24:03I'm going to sit with tension.
24:05What?
24:06Come on, Samir.
24:07Sit, man.
24:08The road is long.
24:09Yes, Mano.
24:10We will go here.
24:11We will not be able to take the guide of Dad.
24:13We will go here.
24:14Tell us.
24:15I'm going to sit with a girl.
24:17I'm going to go here.
24:18That's it?
24:19Yes.
24:20Yes, I'm going to go.
24:21Go, go, go.
24:22Go, go, go, go.
24:26Go, go.
24:31Go.
24:32Go.
24:33Yes.
24:34Samir, go.
24:35Samir, go.
24:36Samir, go.
24:43Anya.
24:45Anya?
24:46Anya?
24:47Anya?
24:56Anya?
25:10Anya, what are you looking for?
25:12Pancakes were made for Nutella.
25:15Where are they left?
25:18The kids went outside for the outing.
25:24Amal was tired and overwhelmed.
25:27So, they thought they would go outside.
25:30Really?
25:31They went outside?
25:32Why?
25:33Where did they go?
25:37To watch movies.
25:38At that time?
25:39Actually, Manu and Pachi,
25:40I got to meet with Vali.
25:41I didn't know that.
25:42I didn't know that.
25:43I didn't know that.
25:44I didn't know that.
25:45I didn't know that.
25:46I didn't know that.
25:47I didn't know that.
25:48I didn't know that.
25:49I thought that.
25:50If you heard the Chehangir brother,
25:52you'll be wrong.
25:53You know what?
25:56You tell me, right?
25:57I had to go with.
25:59I didn't know that.
26:00It's been a long time now.
26:02I'm going to call Samir.
26:03I'll go with Samir.
26:04I'll go with.
26:05I'll go with.
26:06I'll go with.
26:11I'll tell you about the secret.
26:12BOSS!
26:32BOSS!
26:34YAAAR DARWAASA DEEKHLEEN!
26:36BOSS!
26:41BOSS!
26:44YAAAR, KITAR NIKAR GAYA HIN?
26:47KITAR NIKAR GAYA HIN?
26:49KITAR NIKAR GAYA HIN?
26:53BOSS, JAB GHAIR PERE HIN, THU DARWAASA HIN DEEKHLEEN, JAB SE BOLI JAHRA HIN?
26:57CHEEP!
26:59Vali?
27:01Vali?
27:03I missed you.
27:05How was everything?
27:06I missed you.
27:08I missed you.
27:10I missed you.
27:12When will you stop my cause?
27:15When will you do my heart?
27:17When will you do my heart?
27:18What are you, kids?
27:20How are you?
27:22When we got to get to know everyone, this is Anu.
27:26This is Boss.
27:27Hello.
27:28And this is Samir Samir Boss.
27:31Boss?
27:32Boss.
27:33Boss.
27:34Boss.
27:35I have called you.
27:36Boss.
27:37I have told you.
27:38No, no, no.
27:39No, no, no.
27:40No, no, no.
27:41No, no, no, no.
27:42What happened?
27:43No, no, no, no.
27:44Two brothers were misunderstanding.
27:46I like him.
27:49I like him.
27:50I like him.
27:51Come on.
27:52Come on.
27:53Enjoy.
27:54Enjoy.
27:55Don't tell me.
27:58I'm going to the music studio for your music management.
28:01I'll do double work tomorrow.
28:04Enjoy.
28:05Sit down.
28:06Sit down.
28:11I'm not inside.
28:14I'll stay outside.
28:15Come inside.
28:16Come inside.
28:28I'll stay outside.
28:29Leave.
28:30I'll stay outside.
28:34Hello Samir.
28:43Sorry.
28:44No, I learned something.
28:46Tell me.
28:48currency.
28:49Hello Samir.
28:51Oh, sorry Ami, no, I didn't understand anything else, can you tell me?
28:58Yes.
29:04You're getting a lot of time, you're going to react like this?
29:08If we're getting a lot of time, then who's fault?
29:12It's my fault?
29:14Yes.
29:15I didn't know that I had my phone, it's Dadda's.
29:18If Dadda's number had you, you could call me.
29:23You could call me too.
29:25Why do I call?
29:28I left my house, I'm here to go.
29:31If you're sitting in your house, you could call me.
29:35One minute, one minute.
29:37You're on my way, you're on your way.
29:39You left my house, you're on your way, you're on your way,
29:42you're on your way, you're on your way.
29:44I don't know why, because you're toxic.
29:46Yes, you deserve it too.
29:48Okay.
29:49I don't deserve it.
29:50When I drop a pick-and-drop, I'm like a driver.
29:53Excuse me.
29:54We both go to the same place.
29:56I'm only with you.
29:58It's just one way.
30:00But I'm going with you.
30:02How do you go?
30:04What do you mean?
30:05Let me show you.
30:07I'm going with you.
30:09I'll try to get my pizza at home.
30:12Can you tell me what you want?
30:14You've gotta get some pizza pizza pizza in the morning.
30:16Samir!
30:18You ask me something?
30:19Are you hungry?
30:20You need to eat your food.
30:22How many pizza pizza pizza?
30:23You want to be hungry?
30:24Don't you go.
30:25Do your debt!
30:26I have money to be hungry.
30:27You'll help me if you're hungry.
30:29Okay.
30:30Three large pizzas.
30:31One will come.
30:32Yes.
30:33Okay.
30:34Okay.
30:35Okay.
30:36Done.
30:37Okay.
30:40You're going to be in the US.
30:44And I know this story from my mother.
30:47I'm the last person to know.
30:50Why?
30:51They have their medicines.
30:53They had to confirm their name.
30:55That's why I had to tell them.
30:57Perfect.
30:58I'm a great friend.
31:00What did I ask her?
31:03You didn't even think to tell me?
31:07Why?
31:08Was it your only plan that I could do all of you?
31:14I've learned a lot from you.
31:16And that's why I'm sorry.
31:19But this is what you're giving me.
31:22I'm not understanding anything.
31:25What does this mean?
31:27I mean it means that the human life wants to break everything.
31:32But it has a small mistake to put on the wall of everything.
31:36Our problem is that you don't want to be a daughter.
31:41I'm not thinking of a mother of my mother.
31:44Hello, Fameer? Fameer, send me any location?
31:57Yes, send me. I'm taking care of you. I'll be there.
32:04Are you?
32:06Are you coming soon?
32:09You gave me one surprise. Now, I'll give you one.
32:14What do you mean?
32:16Wait a second.
32:21Peace be upon you. Thank you for coming.
32:24I'm sorry, for performing last moment.
32:26I was still free for you.
32:28You didn't get too much time.
32:30I'm going to meet you in Romania.
32:32How are you? I'm fine. How are you?
32:34I'm fine.
32:35I'm fine. I'll get the rest of you.
32:37This is Bawla Zameer.
32:39And this is my Anna.
32:41Hello.
32:42Hi.
32:43I've heard a lot about you.
32:44How are you?
32:45Me too.
32:46I'm good. How are you?
32:47Good. Good. It's very lovely to meet you.
32:49Thanks.
32:50Sit down.
32:52How are you drinking water?
32:54We've got a pizza.
32:55Okay.
32:56I'm taking water.
32:57Sit down.
33:05Why are you drinking water?
33:07I'm drinking water.
33:08Let's get to the drinking water.
33:10Why is this blood?
33:12Where is it?
33:13Where is it?
33:14What has it been on the sea and you're being worn out?
33:15What's this blood?
33:16You've been drinking water for a minute.
33:18Each one of the blood.
33:21The blood will be with some blood.
33:22What is this blood?
33:23What kind of blood will be found in the beginning?
33:26Right.
33:27What kind of blood can get rid of?
33:28What kind of blood can get rid of?
33:30What kind of blood can get rid of?
33:32How many times do you want to do this?
33:34It will be a prayer for no children.
33:37God will keep everyone in your comfort.
33:40Like you are coming soon soon.
33:43Yes, I didn't work in the doctor.
33:47I'll take half a day.
33:49That's not it.
33:51Maya?
33:53Maya?
33:55What happened? Why are you calling?
33:57She was asking for a book.
33:59She was asking for a book.
34:01Maya?
34:02She's not at home.
34:04What?
34:05She went to the store.
34:06She will come to one hour.
34:07What do you want to buy a book?
34:09Call me.
34:10No, she didn't buy a book.
34:12Just...
34:13Call me.
34:14Yes, I'll do.
34:15I'll take it.
34:16I'll take it.
34:17I'll give it to her.
34:18I'll give it to her.
34:19She'll be able to get rid of it from the shop.
34:22She'll give it to her.
34:24I'll give it to her.
34:26I'll give it to her.
34:27Yes, I'll give it to her.
34:29I'll give it to her.
34:37Okay.
34:38We've got half an hour left.
34:40Let me tell her.
34:41Please, she'll...
34:44I can tell her if she's coming up.
34:47But...
34:48Thank you, sir.
34:49You're not talking about talking.
34:52Maya!
34:53Come on, I'm coming.
34:54Pizza, come here!
34:55I'll come, I'll come.
34:56I'll come.
34:57I'll come.
34:58Come.
34:59I'll come.
35:00You didn't eat it?
35:01Don't give me pepperoni, please.
35:03But, I'm leaving.
35:05Where are you?
35:06Maya, where are you going?
35:07Where are you going?
35:08Yes, but...
35:09I'm going to my house.
35:11I know they're dating, so I'm going to go.
35:13Where are you going?
35:14On the rickshaw.
35:16I'll leave you there.
35:17No, no.
35:18Guys, let's go.
35:19What are you going to do?
35:21Just open the gate for me.
35:24I'm going to tell you what's going to do.
35:27Hello, everyone.
35:28Hello, everyone.
35:29Hello, everyone.
35:30Hello, everyone.
35:31I'm coming to my house.
35:32I'm coming to my house, right?
35:34Yeah?
35:39Hello, everyone.
35:40Hello, everyone.
35:54My house, I'm coming here!
35:56My house is coming from my house.
35:57I'm coming here.
36:06She's coming now.
36:07No, no.
36:08Did you...
36:09Do you know where are those papers found in Urdu Bazaar?
36:13Is it not stealing my phone?
36:15No.
36:17And that, last night, I got books.
36:19I think it's like that.
36:49Something that they just say?
36:50Yes, that's nice.
36:51I got my own way too.
36:52Yes, that's a great day like that.
36:54I'm not in a way too late.
36:55I'm good what you guys are doing?
36:56No, I was done.
36:57No.
36:58Just like this, I was just like this so much again.
36:59That's okay.
37:00I really hope that you are staying in a way too late.
37:01And the moment.
37:03Yes.
37:04It's just the same thing.
37:12Okay, brother.
37:19How did you get your dad?
37:26Chacho, Chachi.
37:29Okay.
37:32Are you okay?
37:40I keep myself busy.
37:44I'm fine.
37:47That's a good thing.
37:49At least at least, I have to stay with my petty issues.
37:54Vali.
37:56If you have a problem in your adjustment,
37:58and this is a problem,
37:59it's just anything I can...
38:02Okay, Mom.
38:04If there's a problem,
38:05you will be able to tackle this problem.
38:07It's not a problem.
38:09Yeah.
38:14Who was the girl?
38:16I was surprised I got caught you,
38:18so I didn't see you.
38:19You haven't given me any time.
38:23Maya.
38:26Maya?
38:29Who came to our house and...
38:37So, you will touch with them?
38:40I'm not from them, just Maya.
38:45That's why you have done everything.
38:48Maya, please.
38:50It's okay.
38:52I'm not saying anything.
38:56I know that you've been independent.
38:58You're staying alone.
38:59You're doing everything yourself.
39:01Relax.
39:02I won't say anything.
39:05Maya, I've done anything for myself.
39:09There's nothing to blame anyone.
39:11Especially Maya.
39:13I'm going back to the US.
39:18I'm not saying that the problem is coming.
39:20He has to take care of business there.
39:24Can I tell you to Ania?
39:26You've seen me.
39:28You don't need anything.
39:29You do even the Father.
39:30I'll find it Yangaya in heaven and you'll be in heaven anymore.
39:31I'm going to ноя mood for me now.
39:32Now, let's take care of yourICA myself.
39:33I think your mum's will be in heaven.
39:34metting you to an underweight
39:35Yes, that's not the value of yours,
39:36mine's will be in heaven
39:55The whole world will be made, then your life will be made.
40:05Oh, oh, oh, oh.
40:08Do it, dear.
40:10Do it, dear.
40:12Do it, dear.
40:15Do it, dear.
40:17I'll see you next time.
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