S01 E06. (2015) N or M? Part 3 of 3.

deaddogsdam

First broadcast 23rd August 2015.  It turns out that Gilbert managed to hide a vital key to his device before his capture, and that without it the bomb N has stolen is entirely useless.  Jessica Raine as Tuppence Beresford Matthew Steer as Albert David Walliams as Tommy Beresford Roy Marsden as Commander Haydock Danny Lee Wynter as Gilbert Worthing James Fleet as Carter Aoife McMahon as Sheila Perenna Pinar Ögün as Veronika Urbanowicz Ed Speleers as Carl Denim Christina Cole as Mrs Sprot Hannah Waddingham as Blonde Assassin

Transcript

00:00The scientist has been kidnapped, along with his work.

00:03A prototype for a new atom bomb.

00:05Norwich might get away with a few broken windows.

00:08Norwich is 25 miles away.

00:11Something of value remains in that hotel.

00:14The Sans Souci Hotel Cromer.

00:16They have a spy in this house, code name N.

00:19N has set a ransom.

00:21£100,000 and the release of 30 Soviet political prisoners.

00:25Any leads?

00:26No, and I was just spotted by Veronica.

00:28What do we know about Veronica?

00:31Veronica is Polish.

00:33Doesn't that rule her out?

00:34Trust no one.

00:35Why would he do such a thing?

00:37His whole life will be examined, I imagine.

00:39His friends, his enemies.

00:42I was in the mage's room.

00:43We were intimate.

00:45But you're married.

00:46Force of habit.

00:48Like the marriage.

00:49N was in Germany.

00:51Could we place any of the Sans Souci guests there?

00:54Karl von Dienen.

00:58Stop!

01:02Stop!

01:03Stop!

01:03Oh, my God.

01:33You all right?

01:38Where's Tommy?

01:53So he was right.

01:55It's calm.

02:03It's calm.

02:33It's calm.

03:03It's calm.

03:33It's calm.

04:03Stop him.

04:04What are you talking about?

04:06Good God, what have you done to your head?

04:08You've got to find the boat.

04:08You've got to find the bomb.

04:09Well, look, let's get you inside my house.

04:13It's not very far.

04:14Come on.

04:15Careful.

04:23Careful.

04:23Come on.

04:25Come on.

04:27Come on.

04:28Let's get you.

04:30Come on.

04:32Winston.

04:32Sit down.

04:41I'll get you something to drink.

04:46I have to call Carter.

05:02I have to call Carter.

05:02We're not safe.

05:04Denim could be anywhere.

05:05Come on.

05:06I don't care.

05:09You say it.

05:12Come on.

05:14Come on.

05:17Come on.

05:19Come on.

05:20Come on.

05:21That's it.

05:26Now, take a deep breath.

05:31I'll go and find her something stronger.

05:33No, no, no, no, you wait there.

05:38No giving me the slip this time.

05:51No giving me the slip.

06:21No giving me the slip.

06:51No giving me the slip.

06:53No giving me the slip.

06:55No giving me the slip.

06:57I told you not to move.

07:01I told you not to move.

07:45No, I have him here.

07:49You will rise.

07:51I told you not to move.

07:57I told you not to move.

07:59Who are you talking to?

08:03Em.

08:07It's called Em, isn't it?

08:09It's called Em.

08:11It's called Em.

08:13Em.

08:19It's called Em.

08:21It's called Em.

08:23It's called Em, isn't it?

08:25It's called Em.

08:27It's called Em.

08:29I don't know how I lost him. I just panicked.

08:41You can't blame yourself, Tuppence.

08:50Well, that's the best forgery I've ever seen.

08:52Looks like a genuine stamp.

08:54I think it is genuine.

08:56So he left Berlin in October 1946.

08:59That's just about the time that Major Kahn had his run-in with him.

09:06Look, we've had a new message.

09:10We've got two days to meet the ransom or they detonate the bomb.

09:13If he's our man, we'll have to act fast.

09:18If we don't stop this lunatic,

09:19then we can forget about husbands and nephews altogether.

09:22Now, where could he be, Tuppence?

09:25We know Carl has a boat.

09:28If he knew Tommy was after him,

09:29he would have gone to a safe place.

09:33Yes.

09:35Tommy's a strong swimmer.

09:37Tuppence, we'll find him.

09:41All right.

09:42Jenham can't just have disappeared.

09:43Somebody must know where he is.

09:46Who was he close to?

09:48No, Carl isn't like that.

09:50He's a loner, a freewheeler.

09:52Come on, Tuppence.

09:57Oh.

10:01I don't know.

10:03I'm so worried I can't think straight.

10:05I'm sorry.

10:06I'm scared.

10:16Wait.

10:18Carl talked about a girl.

10:19Yes?

10:21He brought her flowers.

10:24Dahlia's.

10:27Who?

10:33Sheila's favourite flowers are Dahlia's.

10:36Sheila and Carl.

10:39My God, how did I miss it?

10:41They're together.

10:42Good work.

10:43Good work.

10:49What are you doing?

11:10Veronica.

11:12That is Miss Theron Oscar.

11:13Yes, I know.

11:16My husband drove the same model.

11:18I find it strangely reassuring.

11:20You didn't come home last night?

11:23No, I stayed with friends.

11:25What friends?

11:28Mr. and Mrs. Smithson.

11:34How do you find Hotel de Paris?

11:38Good.

11:39A little extra cash.

11:41Anyway, I should go in, get changed, before Sheila sees me.

11:49Ha!

11:50Ha!

11:50Oh, my God.

12:20Oh, my God.

12:50Veronica, I thought I told you to sweep the leaves.

13:07Yes, it's better now. Sorry, it's better now.

13:37The scientist, the scientist, the scientist, the scientist has been kidnapped.

13:43The British scientists work.

13:44Gilbert, he's got an atom bomb.

13:47Norwich might get away with a few broken windows.

13:49He's got a top secret project.

13:50Norwich, 25.

13:52Listen, Gilbert, nobody wants to be here.

13:56Just tell me where the key is and we can get on with our lives.

14:00You can go back to Cambridge, do whatever it is you do with your time.

14:04Plenty.

14:06Bleeding.

14:10Now, come on.

14:10Where did you hide the key?

14:20You'll talk soon, you little bastard.

14:22I've just upped the dosage.

14:36Then I'll be rid of you once and for all.

14:39You're Gilbert Worthing.

14:51What's the key?

14:54I'm talking to you.

14:56What did the commander mean about the key?

15:04I'm from MI5.

15:05I'm here to rescue you.

15:08You think I'm going to fall for that?

15:11We're all in the same boat, eh?

15:14I am the country's leading atomic physicist.

15:19You want me to believe that MI5 would send you?

15:26Well, you didn't.

15:29Whoo.

15:43Hmm?

15:48Huh?

15:49Huh?

15:53Huh?

15:55Huh?

15:56Let's go.

16:26What are you doing, Mrs. Blankham?

16:42Get your hands off there.

16:46Step away from the boat.

16:50I can't let you see what's in there.

16:54Who are you working for?

16:56Where's my husband?

16:58Why did you do that?

17:02He would have done the same to me.

17:04Are you crazy?

17:06You don't understand.

17:08He's got a bomb in here.

17:10What?

17:11Carol, please wake up.

17:12Darling, he's a smuggler.

17:18Please tell me about the key.

17:22I'm on your side.

17:26He'll get nothing out of him.

17:28He's a genius, but he's not much of a talker.

17:32Gilbert here has designed a bomb that needs two unique keys to activate it.

17:37We have one.

17:38He's hidden the other.

17:40The only thing standing between me and her life in the sun is this little bastard.

17:46You don't want me to get her down here, do you?

17:50N won't be nearly as accommodating as I have been.

17:54N is a woman.

17:58Yes.

18:00And a very generous one at that.

18:06So, he actually is German?

18:10Yes.

18:11But he's lived here since he was a child.

18:13But...

18:14I'm sorry.

18:16I thought he was in the Major's room on the night of his death.

18:19A letter was stolen.

18:20He had a bag.

18:21Yes.

18:22He had a bag full of money that the Major owed him.

18:24Carl needed to pay for a shipment of French brandy and got fed up of asking.

18:28So, he took the matter into his own hands.

18:30I mean, how was he supposed to know that Can had died?

18:32God rest him.

18:33Oh, God.

18:34I'm sorry.

18:35Where's Tommy?

18:36Leave him be.

18:37Oh, God.

18:38How am I going to find Tommy now?

18:40Who?

18:42Meadows.

18:43Well, maybe you should have thought of that before you've tried to kill Carl.

18:49Hold on.

18:58Maybe this will help.

19:00That's it.

19:01Hold his head up.

19:03Carl?

19:08Carl?

19:09Mrs. Blankton's out.

19:12Don't smile at her.

19:13She knocked you out.

19:14Sheila, the boat.

19:15The boat.

19:16It's all right, love.

19:18She knows about the business.

19:20What's going on?

19:23Where's Tommy?

19:24Tommy?

19:25Meadows.

19:26He found my stash, so I panicked.

19:30I knocked him out.

19:32You what?

19:33Well, I didn't know what I'd do with him.

19:36I left him down on the beach near Prussia Cove.

19:39That's where Commander Haydock lives.

19:42Well, where's that?

19:43Take me there!

19:46I gave this country the best years of my life at sea.

19:49I came close to death half a dozen times.

19:51What did I get in return?

19:53I hear the pension is pretty rotten.

19:55I wouldn't know.

19:56They took mine away.

19:57One mistake.

19:58Just one mistake.

19:59Hmm.

20:00Captains are supposed to be their last to leave their ship.

20:04I thought I was, but there were three men below.

20:07They perished.

20:09And I was stripped of command.

20:12Is that what all this is about?

20:14The money?

20:16I deserve my piece of the pie.

20:22Who else have you got down here?

20:24Hmm?

20:26We know MI5 didn't send you a loan.

20:29No.

20:30It's just me.

20:32Budget caps.

20:35Very funny.

20:37And it's not stupid.

20:38She has got friends everywhere.

20:40She'll kill you as well, you know.

20:45Send her blonde friend to do it.

20:49I saw her run over a man without a care.

20:52That's what envy the assassins are paid for.

20:57To clean up the loose ends.

21:01Is that why Khan had to be cleaned up?

21:08You didn't know?

21:11It wasn't suicide.

21:14And why exactly should I listen to you?

21:16I spoke with Khan.

21:19He and En were old enemies.

21:22He came here to seek revenge, but she got to him first.

21:25I didn't believe you.

21:28It was business.

21:31You liked Khan.

21:33I could tell that.

21:35I picked you from the beginning, birdwatch in my eye.

21:38En told you to get close to Khan, didn't she?

21:41But you became friends.

21:43I know what you're doing, Meadows.

21:45Don't waste your breath.

21:47En killed Khan because he could identify her.

21:50What makes you think you'll be spared when the time comes?

21:53We have an understanding.

21:55Mark my words, Hadock.

21:57You'll be next.

22:05Right, let's see if Hadock knows anything.

22:07No, no, let's just think.

22:08He does suspect the commander's got something to do with all this.

22:12Anyone could be En.

22:13Haven't you been listening to me?

22:15We can't just go in there and ask if they have Tommy.

22:19No.

22:21What this plan needs...

22:24...is a nosy widow.

22:38Don't worry.

22:56I'll get you out of here.

22:58Oh, good lord.

23:00Another hypodermic needle.

23:02Is that your master plan?

23:03We need to get you out of here before that truth serum starts working.

23:07You're as naive as that drunken sailor.

23:09There's nowhere near enough sodium theopentyl in that syringe to create a proper sedative.

23:14I must say, you're rather ungrateful.

23:17Well, you're rather underwhelming.

23:18Just a minute.

23:20Just a minute.

23:22Just a minute.

23:24Commander, I was just out for a morning stroll and I saw your house.

23:25Look, Mrs Blinkensop.

23:26How do you find it, living up here?

23:28I must admit to being somewhat tempted by the coastal life myself.

23:30Look, this really isn't a good time.

23:31Is that the original fireplace?

23:33Well, you must be cosy as a kitten up here.

23:35Look, Mrs Blinkensop.

23:37I'm expecting a guest for breakfast.

23:39How lovely. Anyone I know?

23:40What, no, just an old naval friend.

23:41I love sailors. Do you miss the sea?

23:43It must be so odd when you first reach dry land.

23:47Well, I suppose.

23:48Did you ever spot any whales when you were out on the ocean?

23:50Look, stop.

23:52I do not know.

23:54I do not know anything.

23:56I do not know anything.

23:58I do not know anything.

24:00I do not know anything.

24:02I do not know anything.

24:04I do not know anything.

24:06I do not know anything.

24:07Stop.

24:09I do not have time for callers at this moment.

24:12Please leave, Mrs Blinkensop.

24:15Yes, of course.

24:17I can get a little ahead of myself.

24:19You must forgive me.

24:37Tom, he's in there. I saw his coat.

24:40I told you to just keep the engine running.

24:44Anything?

24:51MEDIC!

24:52We've got to keep moving.

24:53Oh, you try running when you've been tortured by a half-wit for days.

25:05I feel like I have.

25:07Tommy!

25:09Tappans?

25:10Menos?

25:11Denim.

25:12Tommy, are you all right?

25:13It's Hey Doc N.

25:14No, no, he's working for N.

25:15Then who's N?

25:16I don't know, but she's...

25:18Wait, N's a woman?

25:19Tappans, I'll explain later.

25:21Did you find Gilbert?

25:22Yes!

25:24Can we get going, please?

25:29Hang on, I've got an idea.

25:34Oh, did you shoot the lock off?

25:37It's not loading.

25:38You are joking.

25:43MEDIC!

25:46Come on!

25:47Help me up there, and I'll try going through the window.

25:56What?

26:06Oh, for God's sake!

26:14Get down, bastard!

26:17What?

26:26Why did you grab me out here?

26:28I was perfectly safe before!

26:41Tommy, this way!

26:43Look out!

26:44That's enough!

26:47Ah!

26:53You, it's my shit!

26:55Shit!

26:56My head!

27:02It's my boy!

27:03Tommy, get him!

27:04Tommy!

27:06Ah!

27:08Ah!

27:09Tommy!

27:10Tommy!

27:14As is for a winning hand.

27:26Oh, darling.

27:27I was worried.

27:33Here, sip this.

27:34You need sustenance.

27:36Oh, cocoa.

27:37Oh, God, no.

27:38Can't stand the stuff.

27:40Maybe we should tie you back up

27:42and pour it down your throat.

27:44Gilbert, where is the key?

27:48Why should I trust you?

27:50Thousands and thousands of people could die

27:53if we don't get to that key before N.

27:57Do you want that on your conscience?

27:59Because I sure as hell couldn't live with myself.

28:06I hid it.

28:07In that docilely bird painting in the lounge at the Sans Souci.

28:13The Arctic Warbler.

28:24Miss Serena, is that you?

28:26Oh, Veronica.

28:28Can I have a word with you in private, please?

28:30Um, well, it's...

28:31It's...

28:32It's not...

28:32Please, we must talk at once.

28:35There's something not right about those two.

28:41Come on.

28:42The picture.

28:47Well, well, well.

28:50Caught red-handed?

28:50Mrs. Brott.

28:55I didn't see you there.

28:56I was reading a book.

28:58Crime fiction.

28:59Not one of yours.

29:01What must have you two up to?

29:05What a mischief.

29:06I...

29:06I just bought this painting from Sheila.

29:10Oh, really?

29:11It's a bargain, I thought.

29:13What did you say it went for?

29:1420 pounds.

29:16For a painting of a bird?

29:19Well, I mean, it was two birds.

29:21That is an original.

29:23Yeah, a family heirloom.

29:24Yes, I remember.

29:26And she sold it to you.

29:28Ah, Mr. Meadows.

29:32Thank you for taking that down.

29:34I've got to get the frame cleaned.

29:36And...

29:36Well, someone is telling tall tales.

29:41I've cleaned that already.

29:45Well, I don't need it clean, though.

29:47I'll buy it as it is.

29:49Excuse me.

29:50A fine purchase, Mr. Meadows.

29:52Where are you taking it?

29:53To the bank, of course.

29:55Good day, everyone.

30:14I don't need it.

30:16I don't need it.

30:19So Beresford's Barnets is a family business.

30:24Your little wife here nearly blew my cover after I dealt with Khan.

30:28I should have taken her out then.

30:31Well, what would I have to bargain with now?

30:38I should have listened to my wife.

30:39Isn't that always the way?

30:41What's that?

30:42No!

30:42Keep back!

30:44Give me the key.

30:49Don't, Tommy.

30:51Please don't give it to her.

30:54I beg you.

30:57That bomb will kill a lot of innocent people.

31:01You'll do it.

31:03Won't you, Mr. Beresford?

31:04Everyone has their weakness.

31:12One person you love is worth more than a million civilians you've never met.

31:16Such a little thing, isn't it?

31:40It's almost disappointing.

31:44You know my demands.

31:46I'll call here in four hours.

31:48Any delay, and I'll detonate the bomb.

32:10Oh, Tommy.

32:12You stupid, bloody fool.

32:14I swear I didn't want to happen on this mission, because you're compromised when you're together.

32:32I held out for five days without food, and you give it away.

32:35I reckon some brawl might have come in handy.

32:37You had the key in your hand.

32:38She had a gun to my wife's head.

32:40I didn't want to say that.

32:41You have to be compromised.

32:42I've been compromised.

32:43Have you any idea what we've been through on this mission?

32:44Are you a sniky, Mr. Beresford?

32:45Two years I've worked on those plans.

32:46Well, look at this.

32:47You shouldn't you dare talk to him.

32:48No, you're fine.

32:49I'll get it all right.

32:50You're fine.

32:51I'll get it all right.

32:52I'll get it all right.

32:53Thank you. Shall we start thinking about what to do next?

33:00Gilbert, the bomb. Will it work?

33:04Of course it will work.

33:05But you can't be certain. It hasn't been tested.

33:08Albert, it isn't one of your class demonstrations. It will work. It is perfect.

33:14Perfect? Do you know how beautiful Dresden was before they flattened it?

33:17Yes, well, parts of London were quite pretty too.

33:19Lads, stop this or we'll be here all night.

33:22We have to negotiate.

33:24Oh.

33:26Aunt Secret is burying his head in the sand.

33:29We've got precisely three and a half hours to release 30 dangerous Soviet agents.

33:34Now, we're missing something.

33:36I mean, if she's deserted the Stalinist cause, why are they interested 30 political prisoners?

33:41What if she only wants one?

33:44She said, everyone has a weakness.

33:49One person you love is worth more than a million civilians you've never met.

33:53What is it, Tuppence?

33:55Sprott had a photo on her dresser.

33:57She said it was of her husband. Veronica, can you check if it's still there, please?

34:00Sure, yes.

34:01She told me they were divorced.

34:11From her attitude, there didn't seem to be any love lost.

34:14That was all part of her cover.

34:16Either way, if divorce was the cover, why keep the photo?

34:23You're welcome.

34:24Now, doesn't he look a lot like him?

34:39It's Roger Blake, arrested for attempting to blackmail a civil servant in 1949.

34:54Blake's code name was M.

34:58It was all for him.

35:00She kept his photo, his letters.

35:03She told me M stood for Major.

35:05She fooled us all. Not least me.

35:08We've found her Achilles heel.

35:10Wait a minute. Roger Blake's dead.

35:13Well, since when?

35:15About two weeks ago. He had a heart attack in Penthamville Prison.

35:19She obviously doesn't know that.

35:22You know, there is a strong resemblance.

35:28To who?

35:30Well, it looks like you, Tommy.

35:32Come on, Tommy.

35:45Bit of a hairstyle, coat, hat.

35:47No, something longer, I think.

35:49In low lighting.

35:50More like no lighting.

35:51Oh, come on, Tommy.

35:53Mrs Sprott did always have a soft spot for you.

35:56Perhaps you reminded her of M. The likeness is striking.

36:00I don't see it myself.

36:01Really?

36:02You both have classic good looks.

36:05Well, I suppose the jawline is the same, but...

36:12He looks more like Clark Gable.

36:15I'll get that a lot, too.

36:17Kara?

36:18How on earth would we do this?

36:20You just need to convince her for a second.

36:23You can do that.

36:24Just long enough to get close to her.

36:26Then we tell her that we'll swap you for the keys.

36:29And we're no tuppence a mile off.

36:30Well, they've been apart for three years.

36:32And prison can change a man.

36:33All right.

36:34Hello?

36:35No, but I think we have what you're really looking for.

36:40Roger Blake.

36:41No, but I think we have what you're really looking for.

37:03Roger Blake.

37:05Sure.

37:06We'll go.

37:08And you have...

37:09I'm going to say a few minutes later.

37:10And...

37:11Shall we say, nine o'clock?

37:12She went for it.

37:13We're going to meet her on the pier at nine o'clock.

37:14Just the jubbers.

37:15Here, you're going to need this.

37:16Erm, tuppence, you do the finishing touches.

37:21She went for it.

37:23We're going to meet her on the pier at nine o'clock.

37:26Just a two of us.

37:27Here, you're going to need this.

37:30Um, Tuppence, you do the finishing touches.

37:34Oh, Christ, Tommy, don't shoot off your own foot.

37:37Tuppence, you must promise to stay put

37:40while Carter and I meet Mrs Sprott.

37:42She did say just the two of us.

37:45I will, I promise.

37:48I need you to believe in me.

37:51Of course I believe in you.

37:55Look, I can't do it if you don't.

37:59Oh, Tommy, I believe in you.

38:02I'm just a little nervous, that's all.

38:06Yes?

38:11I thought you could use this.

38:15I could never grow a real one.

38:17Maybe face and all that.

38:18Ladies love it.

38:20Very Clark Able.

38:20Thank you, Carl.

38:24I suppose it's not all bad.

38:28Should we try it?

38:29Mm.

38:29There.

38:38Clark Able, eat your heart out.

38:51There.

38:51Clark Able, eat your heart out.

39:02I'm sorry, Tuppence.

39:05You were right.

39:08I have my moments.

39:09I'll be right back.

39:11I don't know.

39:41That moustache suits you.

39:54Is this really necessary?

39:55Yes, you're my prisoner.

39:57What kind of you're walking about freely?

40:01I feel like I'm walking the plank.

40:08Don't look up.

40:11Try and stay out of the light.

40:17What can you see?

40:18Just Carter and Tommy.

40:20Any sign of Sprott?

40:22Not so far.

40:25Let me have a go.

40:28We shouldn't be here.

40:30I promised Carter.

40:31Carter said stay off the pier.

40:33We are not on the pier.

40:35Yes, I'm not sure this is quite what he had in mind.

40:37Tommy needs our help and he knows it.

40:39But Carter said...

40:40Oh, Albert, live a little.

40:41Yes, she is.

40:54No, no, no, no, show her down.

40:57Stand right there, Blake.

40:59Run for it and I'll shoot you in the back.

41:01I said no guns.

41:04Doesn't a person's word mean anything anymore?

41:06Not in the case of blackmail, no.

41:08It's a life for a life.

41:11Actually, it's a life for a hundred thousand lives.

41:17She's armed, I think.

41:18Oh, God, I'm going down there.

41:20Go.

41:21We wait.

41:24So you're M.

41:28After all this time, it's almost a pleasure to meet you.

41:31The pleasure's all yours.

41:32But let's save the catch-up for another day.

41:35Scones at the Savoy.

41:37Isn't that what you like?

41:40The Savoy, yes.

41:44Release him.

41:45Keys first.

41:48Roger, is that you?

41:51Say something.

41:54It's been three years.

41:55Listen up.

41:56Keys first, romance later.

41:57Relax, will you?

41:58You're not getting anything until I've spoken to Roger.

42:01I call the shots.

42:07It just depends how you look at him.

42:08No, please, don't hurt him.

42:09Okay.

42:13Give me the keys and your gun and he's all yours.

42:15Look, I'm going to give you everything.

42:16Just tell me you're okay.

42:18Tell me they haven't hurt you.

42:21I'm fine.

42:24You sound strange.

42:26Fan's still, that's as close as he gets.

42:27Okay, wait, wait, wait.

42:28Just let me ask a question.

42:35What was the name of the hotel that we stayed at in Rio?

42:38Roger?

42:48Something's gone wrong.

42:51She knows.

42:56Roger.

43:00It was the...

43:01No.

43:03God.

43:04Where is he?

43:05Keys, now.

43:06Why isn't he here?

43:07Where's the bomb?

43:08Not without Roger.

43:09Where is he?

43:10He's dead.

43:12He died two weeks ago.

43:14Heart attack.

43:16Shoot.

43:18I have nothing to live for.

43:24Kill me.

43:25Tell me where the bomb is.

43:34Oh, so help me God, Uncle.

43:37Look out!

43:39Oh my God, she shot Carter.

43:43Where are you going?

43:45Get on your knees.

43:46Get on your knees!

43:47Get on your knees!

43:47We never made it to Rio.

43:59Roger wanted to dance at the carnival.

44:02Watch fireworks on the beach.

44:05Do you want to see some fireworks, Mr. Beresford?

44:14Boom.

44:14Ah.

44:17Ah.

44:19Ah.

44:21Ah.

44:22Ah.

44:22Uncle.

44:23No, I'm all right, Charlie.

44:25Get off.

44:26I need the bloody key for these handcuffs.

44:28Get in my pocket.

44:41Oh, he's so stupid.

44:42Ollie!

44:43Oh, he's been shot.

44:45God.

44:46Yeah, I'm fine.

44:48I'm fine.

44:48There's no time for all that.

44:49Get off that.

44:51Oh.

44:52Where did she go?

44:52She went in there.

44:54Go.

44:55Go.

44:55Ah.

44:57Ah.

44:59Ah.

45:00Ah.

45:01Ah.

45:02Ah.

45:03Ah.

45:04Ah.

45:05Ah.

45:06Ah.

45:07Ah.

45:08Ah.

45:09Ah.

45:10Ah.

45:11Ah.

45:12Ah.

45:13Ah.

45:14Ah.

45:15Ah.

45:16Ah.

45:17Ah.

45:18Ah.

45:19Ah.

45:20Ah.

45:21Ah.

45:22Ah.

45:23Ah.

45:24Ah.

45:25Ah.

45:26Ah.

45:27Ah.

45:28Ah.

45:29Ah.

45:30Ah.

45:31Ah.

45:32Ah.

45:33Ah.

45:34Ah.

45:35Ah.

45:36Ah.

45:37Ah.

45:38Ah.

45:39Ah.

45:40Ah.

45:40I don't know.

46:10I don't know.

46:40I don't know.

47:10It's got to be close.

47:13It's got to be close.

47:43It's got to be close.

48:13It's got to be close.

48:15It's got to be close.

48:19It's got to be close.

48:21It's got to be close.

48:27It's got to be close.

48:37It's got to be close.

48:45It's got to be close.

48:55It's got to be close.

49:03It's got to be close.

49:05It's got to be close.

49:07It's got to be close.

49:11It's got to be close.

49:12It's got to be close.

49:13It's got to be close.

49:14It's got to be close.

49:15It's got to be close.

49:16It's got to be close.

49:17It's got to be close.

49:18It's got to be close.

49:19It's got to be close.

49:20It's got to be close.

49:21It's got to be close.

49:22And tell me the only hope we've got is from Albert Einstein.

49:25Is it armed?

49:26Yes.

49:27The keys are in it.

49:28It's counting down.

49:29Tell that idiot school teacher whatever he does, don't cut the red.

49:32He says to avoid the red wire.

49:34I'm not an idiot.

49:35Just don't do anything.

49:36Wait.

49:37Let him think.

49:38Gilbert, come on.

49:39I can't think.

49:40I can't think.

49:41Stop.

49:42I need to think.

49:43Please.

49:44Come on.

49:45Come on.

49:46Come on.

49:47Damn this hand.

49:48My hands.

49:49Your eyes.

49:50Please.

49:51Ah, all right.

49:52Listen.

49:53You're looking for a green wire.

49:54Green wire.

49:55There's no green.

49:56There's no green.

49:57There's no green wire.

49:58There must be.

49:59That's impossible.

50:00There's no green wire, man.

50:01Talk.

50:02There must be.

50:03I can't remember.

50:04I don't know.

50:05I don't know.

50:06Gilbert, come on.

50:07I can't think.

50:08Tuppence.

50:09Come on.

50:10Tuppence.

50:11Blue.

50:12Do it.

50:13Are you sure?

50:14Yes.

50:15Yes.

50:17Ah!

50:18Ah!

50:19Ah!

50:20Ah!

50:21Ah!

50:22Ah!

50:23Ah!

50:25Ah!

50:26Ah!

50:27Ah!

50:28Ah!

50:29Ah!

50:30Ah!

50:31Ah!

50:32Ah!

50:33Ah!

50:34Ah!

50:35Ah!

50:36Ah!

50:37Ah!

50:38Ah!

50:39Ah!

50:40Ah!

50:41Ah!

50:42Ah!

50:43Ah!

50:44Ah!

50:45Ah!

50:46Ah!

50:47Ah!

50:48Ah!

50:49Ah!

50:50Ah!

50:51Ah!

50:52Ah!

50:53Ah!

50:54Ah!

50:55Ah!

50:56Ah!

50:57Ah!

50:58Ah!

50:59Ah!

51:00Ah!

51:01Ah!

51:02Ah!

51:03Ah!

51:04Ah!

51:05You tell me it's Beresford.

51:06What?

51:07You never, ever do what you're told.

51:15Why?

51:35How's the arm, Major?

51:42Well, it stings a bit, but apart from that, everything's going rather well.

51:45So you found your leak?

51:46Yes.

51:48Sprott gave it away when she mentioned scones.

51:51Only my driver knew about my weakness for afternoon tea at the Savoy.

51:56You mean that driver?

51:58Hmm, Larry, yes.

51:59He thinks he got away with it.

52:01He doesn't know that his next stop is the third floor interrogation room.

52:05That must be an awful relief.

52:07I'll say.

52:09This is for you.

52:11It's first payment.

52:14And my thanks.

52:19I'm tempted to subcontract you some work.

52:23Private detective agency sort of thing.

52:25Nothing dangerous.

52:26No.

52:26Is that something that would interest you?

52:31Yes, Uncle.

52:32Yes.

52:33Good.

52:34Well, start thinking about a name.

52:36The Young Adventurers.

52:37Operation Beresford.

52:41You two work it out.

52:42I've got somewhere to be.

52:46Young is a bit misleading.

52:48Middle-aged at best.

52:49Speak for yourself, Tommy.

52:50Operation Beresford sounds like a hospital procedure.

52:53Please, not the Young Adventurers.

52:55We want to sound exciting.

52:57Passionate.

52:58Reliable.

52:58Dependable.

52:59We're not selling insurance.

53:01You want peace of mind whatever you're selling.

53:03People want adventure, Tommy.

53:05Not if you're investigating their property rights.

53:07We'll be chasing jewel thieves.

53:10Uncovering government conspiracies.

53:12Oh, we could carve a nice little earner out of domestic disputes.

53:14Murder within the establishment.

53:17Fraud.

53:17That's your bread and butter.

53:18Oh, I'll need a new hat.

53:19I should renew my library card.

53:21We should get an office.

53:22Let's not get ahead of ourselves, Thomas.

53:24The possibilities are endless.

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