S01 E02. (2015) The Secret Adversary. Part 2 of 3.

deaddogsdam

First broadcast 2nd August 2015.  With Tommy mistaken for a criminal mastermind, Drennan, due to join Brown’s gang from the north, and Tuppence employed as a maid to a faded soprano, Rita Vandemeyer, with suspicious connections to Brown, the couples investigations into Brown get deeper and more dangerous.  Jessica Raine as Tuppence Beresford Paul Brennen as Lucky Madeline Appiah as Annette Robert Whitelock as Conrad David Walliams as Tommy Beresford Alice Krige as Rita Vandemeyer Andrew Havill as James Peel KC Jonny Phillips as Whittington Samuel Oatley as McKeown Matthew Steer as Albert James Fleet as Carter Robert Horwell as Clement Drennan Julian Rivett as Barman Frank Clarke Peters as Julius Hersheimmer Camilla Beeput as Jane Finn (as Camilla Marie Beeput) Richard Banks as Drinker  Brett Carter as Prodraig  Steve Conway as Window Cleaner David Lyddon as Gangster

Transcript

00:00I don't mean to be funny, but it is basically an insect.

00:02Get away from the hive!

00:05You need to get a job, Tommy.

00:06Someone is trying to kill me, Jane.

00:08All I'm asking is you carry a package to London.

00:11Are there any sandwiches?

00:12You said you reported Jane missing straight away.

00:15I spoke to an Inspector Brown and told him the whole story.

00:18Brown, you say?

00:20My department got a tip-off that this Brown had been activated by Russia.

00:24I'm an assassin.

00:25And will be making his move in the next few weeks.

00:27It's just a way to get some makeup.

00:28Any time you want to play the part at home...

00:30Tommy, stop it.

00:32Trying to find a missing girl, remember?

00:33The recording that identifies Brown?

00:36Did he pass the recording to Jane before he was killed?

00:39And if so, where is she now?

00:40The initials are V.

00:43Rita.

00:45Rita Van der Meer?

00:47Well, wish me luck.

00:49Hey, wait a minute. Are you a member?

00:50Hey!

00:51Just some girl doing some typing.

00:53Come here!

00:54Haven't we met before?

00:58I think we've got someone here that doesn't belong.

01:04I've worked in a few places. Perhaps our paths have crossed before.

01:11Perhaps they have.

01:15Who the hell is that?

01:16You might think twice before you do that.

01:24And tell me why.

01:25Hey, it's Drennan.

01:29You're Drennan.

01:31Go on. Tell him.

01:35I'm Clement Drennan.

01:38It's no big deal.

01:39No big deal.

01:40The man with the money.

01:43Why the hell didn't you say?

01:48Look.

01:49Who is it?

01:51A friend of mine.

01:52What friend?

01:53A judge, friend.

01:54Is that a crime?

01:55A judge?

01:56Rita.

01:57Are you mad?

01:59He likes opera and he likes me.

02:00What's wrong with that?

02:01He's a friend?

02:02He's a man of education.

02:04And he's dead if he interferes.

02:06Mrs. Van der Meer?

02:07Are you there?

02:08Like this, then.

02:12Something to get close to our American friend.

02:15Put it in his coffee.

02:16Rita.

02:17Go down the fire, skim.

02:20Rita.

02:22Just come in, James.

02:33Rita.

02:34Come in.

02:38Oh, James.

02:41You said you've been practicing for something.

02:43I'm dying to know.

02:44It's a secret.

02:45I told you.

02:47Secret?

02:48Between friends?

02:50Best china.

02:51All the trimmings.

02:52Where did you find this recording, James?

02:55I sang the aria in act four to perfection.

03:00Take a seat, Mr. Drennan.

03:12Clement Drennan.

03:14Well, well, well.

03:17We meet at last.

03:22Brown has kept you very quiet.

03:24Don't you worry, Mr. Drennan.

03:36We'll look after you.

03:37All the trimmings.

03:39All the trimmings.

03:40All the trimmings.

03:41All the trimmings.

03:42All the trimmings.

03:43All the trimmings.

03:44All the trimmings.

03:45All the trimmings.

03:46All the trimmings.

03:47All the trimmings.

03:48All the trimmings.

03:49All the trimmings.

03:50All the trimmings.

03:51All the trimmings.

03:52All the trimmings.

03:53All the trimmings.

03:54All the trimmings.

03:55Oh, thank you.

04:25I want you to look after you.

04:26I'm Trixie.

04:27Hello.

04:28I'm going to have some fun.

04:29Excuse me.

04:39So, what are we doing?

04:41Half an hour or the full works?

04:43Oh.

04:44Have you seen this girl?

04:46She's been missing for weeks.

04:49She needs my help.

04:51You aren't Drennan, are you?

04:53No.

04:55I'm just a friend.

04:57Well, there's something going on.

04:58They've got a new girl in the basement that we're not allowed to see.

05:01I got a thump for even asking about her.

05:04Room 10.

05:05They have to go through 9 to get at it.

05:07Mr Drennan!

05:10Oh, there you are.

05:12I feel we lost you.

05:14Mr Drennan's our new boy, acting for the Soviet contact.

05:17So, look smart.

05:22Treat her nice.

05:24And Annette, fix us some drinks, will we?

05:37Pleased to meet you.

05:38You lot could learn from Mr Drennan.

05:53Damn it, we all could.

05:55Brown says you're one of the best criminal minds in the country.

05:58Well, I wouldn't go that far.

06:00Nonsense.

06:01That's why you're here.

06:04Brown says the assassination is just the start.

06:07We've got to be ready for what comes after.

06:11Thought I told you to fix some drinks.

06:14Let's have some music.

06:15I'm sorry, all right?

06:27I'm sorry.

06:28Just think about it.

06:31Sorry.

06:34It's yours.

06:35Oh.

06:40Please.

06:40Nice little game or something.

06:47Get to know each other.

06:49Gin rummy.

06:51All right for you?

06:54Double steaks?

06:56Yeah, fine.

07:05What about those bloody drinks?

07:06Oh, it's me.

07:10Iced our drinks.

07:15All right, boss.

07:16You're being lucky.

07:18Always.

07:20Deren's aren't you sweet?

07:21Still sweet?

07:23Very nice, thank you.

07:24You're nice.

07:28Ready?

07:29How's the lever be?

07:30Don't skim me too, babe, will you?

07:34Excuse me, I need to go and use the lever.

07:36I need to go and use the lever.

07:39Oi!

07:40Car's easy this way.

07:48I stumbled in.

07:49They think I'm this man.

07:50Lucky for you, the real Drennan can't get a train down till tomorrow.

07:54I took the call.

07:55What if you show me the front door?

07:57Near what?

07:59I'll leave.

08:00Nah.

08:02I can see some fun here.

08:04What do you mean?

08:05I'll work for the ice bidder.

08:09I don't want to stay quiet.

08:10It's going to cost you.

08:13You better lose the ring.

08:14Drennan ain't married.

08:16Um, lighten up a bit.

08:18Car's is downstairs.

08:19Excuse me for a moment, Jane.

08:31I was attracting admirers from far and wide.

08:39I saw you.

08:53I saw you.

08:59I don't believe if I'm Sofia.

09:00Kelly, is that you?

09:12Just your cat.

09:13It must be terrible to be a maid.

09:31No better prospect.

09:34I like it.

09:35I wasn't asking whether you liked it.

09:37I was just remarking what a blight it is.

09:39People like you, the bottom of the heap.

09:41And you should thank me.

09:46Thank you?

09:48For picking you up from the gutter.

09:50Giving you a job.

09:59James.

09:59Oh, there you are.

10:00Do you remember Nascara in 1939?

10:04You all right, sweetie?

10:11Oh, God.

10:16Okay.

10:17Bye.

10:18Bye.

10:31Bye.

10:32Jane?

10:49Jane?

10:53Jane?

11:01Jane?

11:04Jane?

11:06I can see I'm going to need to keep my eye on you.

11:09Can you open this door?

11:10You don't seem to be listening.

11:12Your time's up.

11:13Now, if you want me to keep a little secret here,

11:15you better start looking to pay me.

11:17I hope you're feeling loaded,

11:19because there's that cash they're expecting from Drennan too.

11:21What cash?

11:23You really need to do your own work

11:25before you go around impersonating people.

11:27He's putting money down from the Soviet contact up north.

11:30You're in a lot of trouble, aren't you?

11:34What are you doing?

11:36I'm doing you a favour.

11:37Someone wants to ask him a few questions.

11:39I told you, look after him.

11:41Where's the money?

11:43Anyone asked him that?

11:45He brought me down here,

11:46said you were holding some girl.

11:48I never said that.

11:49I don't know what's going on,

11:50but there's something not right about it.

11:52Yeah, we have had our suspicions.

11:54No, wait a minute.

11:55This room's outbound.

11:56He's not him.

11:57Don't look at me like that.

11:58Search him.

12:00You've got this the wrong way round on Brown's mate!

12:02Brown doesn't think so.

12:03Brown says you're just working for yourself.

12:05Any chance to grab a bit of extra cash?

12:07It's not mine.

12:08I got it from him.

12:09It's having us on.

12:10He's not who he says he is.

12:11I've never seen that before.

12:15He's lying.

12:16I'm telling you, he's lying.

12:22I always knew there was something about you, McEwan.

12:26Always.

12:27All right.

12:28Do your worst.

12:41I'm sorry you had to say that.

12:53Now, about this thousand pounds...

12:58I was told to meet you first.

13:01Bring it tomorrow.

13:07All right.

13:10Let's drink to that.

13:12As you can see, we run a very tight ship here.

13:15I think even a ship means some oiling.

13:26I'll never forget the way he looked at me.

13:29I think that could be a nightmare.

13:31He said it once.

13:33You are talented.

13:34She failed to make a tossy.

13:36She hit a beat black.

13:38I think he went.

13:39He's just...

13:41The audience, who's too on space?

13:42She tried.

13:43I wish I did something.

13:44Oh, sorry.

13:45I wouldn't have heard.

13:46There's no way we don't think of a chance.

13:47We try.

13:48One more time.

13:49Where is the girl?

13:51No, I can't do it.

13:52There's a car.

13:53Don't be alarmed.

14:10It must be strange working for a woman like Rita.

14:14She'd better not catch you snooping.

14:16Sir?

14:17James Peel, KC.

14:20I think you'd better take my card, don't you?

14:24Or do I need to use Carter's code word?

14:27200 all out.

14:29You're working for Carter?

14:31There are lots of us looking for Brown.

14:33And Rita may well be the key.

14:39Brown's been in contact with her.

14:42She got a package.

14:43What sort of package?

14:44Oh, there you are.

14:47I was just asking your maid if she'd hail me a taxi.

14:50I see.

14:53I'll get one for you right away, sir.

15:01Sorry, I have to leave so soon.

15:02It's been a wonder.

15:03Oh, it's you.

15:31Yes.

15:34Surprised.

15:35A little.

15:36I'm just on my way to pick up some papers from the court.

15:39Walk with me.

15:41Sir Carter kept quiet about you.

15:43What are you?

15:43Foreign office?

15:44MI5?

15:45Not as such.

15:46That's what I wanted to talk to you about.

15:47And Rita is unaware.

15:52For the moment, yes.

15:55But the second you tell Major Carter, he'll put a stop to it.

15:58I just think, as her maid, I can see things.

16:02I can overhear things.

16:03Probably getting nearer than me.

16:04I actually hate opera.

16:05Ballet is much more my...

16:06Brown has already made contact with her.

16:08And the message said something about our American friend.

16:12Could that be the target?

16:14All right.

16:15You have another day.

16:17But as soon as you get anything concrete, we have to go to Carter.

16:21Report to me often.

16:22And the minute you feel unsafe and out of your depth...

16:24Absolutely.

16:26And here's a tip about our friend Rita.

16:28She likes a gin in the afternoon.

16:31Sometimes she sleeps.

16:48Top up, Mr. Drennan.

16:51Yeah, yeah, that's all right.

16:53That's all right, Lord.

16:54I'm not having that.

16:59I'm not having it.

17:02But these guys don't think we can do it.

17:05Brown has to be the one who pulls the trigger.

17:07Any one of us could.

17:09It's the way the Soviets want it.

17:11But what happens when the CIA realise they've lost their man?

17:13We'll be nowhere near.

17:15Right, Drennan?

17:16Right.

17:18About time.

17:20I think I should do it.

17:20This key will get you into room 10.

17:23No, no.

17:24I've got it.

17:24Oh, no.

17:25Oh, no.

17:27Listen to me.

17:28Now, are you listening to me?

17:31Right.

17:32Then we turn my throat, sir.

17:34What the hell?

17:38Not enough?

17:40No, I was just...

17:41I have.

17:42More than enough.

17:43You know, you're not what I expected.

17:47What I like here.

17:50Tomorrow!

17:52Come on. One for the road.

18:13Shhh. Shhh. Shhh.

18:38What time is it?

18:41It's late.

18:50Firstly, you've been drinking.

18:54And we promised we wouldn't drink on the job.

18:58Secondly, I've been so worried about you.

19:02Unbelievable.

19:15Oh!

19:17Smoothie!

19:20Oh!

19:21Smoothie!

19:24Oh!

19:25Plan B?

19:36Absolutely.

19:38Are you completely insane?

19:42At least you're awake.

19:43You feel like I'm in trouble.

19:46Why, actually, am I in trouble?

19:48You aren't in trouble.

19:49You have lipstick on your collar.

19:51You reek of perfume.

19:53You are in a bit of trouble.

19:55Lipstick?

19:56What is it?

19:57Now, wait a minute.

20:00I'm waiting.

20:01It was one of those places, you know.

20:05I don't know.

20:08One of those Soho places.

20:11Oh, Tuppence, think about it.

20:14I am thinking about it.

20:15I am thinking about it.

20:16I am thinking about it very hard.

20:17Oh.

20:21They're not putting Jane Finn to work.

20:26No, it's just a place where they meet.

20:29There's a room downstairs in the basement.

20:31That's where they're holding Jane.

20:32Did you see her?

20:33Just her back.

20:34But it's definitely her.

20:35I couldn't get through the door.

20:36But now, I have this.

20:40How did you get that?

20:44One of the, you know, one of the girls.

20:47She was very friendly and she...

20:52Was she?

20:53They thought I was this guy Drennan and...

20:55Could you pass the towel?

20:57So, what have we got?

21:01The recording's still out there in him.

21:03Otherwise, they would have killed Jane already.

21:05That's something.

21:06But what about the target?

21:09He's American.

21:10Rita got a message from Brown about an American friend.

21:13An American, then?

21:14Do we know any more?

21:16Rita was sent a package to help get close to him.

21:19I think it's poison.

21:20They're using Rita.

21:23Where's your wedding ring?

21:27Drennan isn't married, so it...

21:30Damn.

21:32Where is the damn thing?

21:34It's here somewhere.

21:35I hope you haven't lost it.

21:36Of course I haven't lost it.

21:38Did something else happen in that house that you haven't told me about?

21:47I don't know what you've told me about.

21:48I don't know what you've told me about.

21:50I don't know what you've told me about.

21:54Think it says.

21:55I don't know what you've told.

21:56You're not married.

21:57No, but that's not a巡視.

22:02I don't know.

22:03Maybe you should go and lie down.

22:20What happens, do you think we might be out of our depth?

22:25Why do you say that?

22:26Those men.

22:29They're dangerous.

22:31Vile.

22:32What happened in there?

22:40You don't seem yourself.

22:43I'm fine, I just...

22:46We have to be brave, then.

22:58Our country needs us to stop Brown.

23:02And just think of that poor girl.

23:06Yes.

23:08Quite.

23:09I just had a thought.

23:12What sort of thought?

23:13About the target being American.

23:15The US Secretary of State is flying into the country the day after tomorrow.

23:20Could he be the target?

23:21That's it.

23:22Yes, but if you're right, the consequences could be very alarming.

23:27The death of the Secretary of State while in Britain would ruin relations with America.

23:33In this nuclear age, the whole reason for his being here is to sign a Treaty of Mutual Cooperation.

23:38So Brown's timing is impeccable.

23:40It's dreadful.

23:41If the CIA get wind, even if the threat, well, the visit will be called off and the Treaty abandoned.

23:46Is there some sort of connection with opera?

23:54How do you know that?

23:56That's supposed to be a secret, but yes, yes, yes, he's opera mad.

24:01He likes to take in a performance every time he comes over.

24:03And Rita Vandermeer is singing, the famous soprano.

24:08There is a soprano booked.

24:10That's how Brown is going to get to it.

24:16Well, thank you.

24:19Clearly I'm going to have to act on this information, but no more, Tommy.

24:23You go home now.

24:27He has to go back in before the real Drennan arrives.

24:30Are you out of your mind? Absolutely not.

24:32No, he's a father, for God's sake, and a husband.

24:36No, no, I've got him covered.

24:38He's never going to pass for this man, Drennan.

24:40He has already.

24:41They've got a girl in that room in the basement, if it's Jane.

24:43You don't know that it's Jane.

24:44This needs to be handled professionally, and I will say...

24:46He's got one chance if he can go back in tonight.

24:49All we need is some support.

24:51Out of the question, I will get a trained operative in there.

24:53She will be long dead by then, Uncle.

24:55Thomas and Tuppence of Beresford, will you listen to me?

24:57I am saying no.

24:59And that is absolutely the end of it.

25:00Third floor, we'll handle it from here.

25:03We'll find that girl and the recording.

25:09Um, I hear George is playing Eton on Saturday.

25:14Many fine cricketers at Eton.

25:16Yes.

25:17I had a mind to go down.

25:20We could go together, in the motor, take a picnic.

25:22That would be nice.

25:30Clement Drennan is well known to the third floor.

25:32Uncle Carter's holding back on us.

25:34If he won't, let us do it the official way.

25:36What choice do we have?

25:38Seem to run a string of nightclubs up north.

25:41History of money laundering.

25:43Major and minor offences.

25:46Alcoholic.

25:47He's been in prison for extortion and GBH.

25:49George, are you sure you can do this?

25:51I just have to get through the door and into that room to get Jane out.

25:53If we can delay the real Drennan from arriving, that is, and get the money.

25:57Yes.

25:58Any thoughts on that?

25:59Plenty.

25:59Now come on, we've got a train to meet.

26:01Now one pill should give you about eight hours.

26:13Two should give you a full day.

26:15And no lasting consequences?

26:16None that I've come across.

26:18It's still in the experimental stages.

26:21Right.

26:23That's it.

26:26And what's the first thing any alcoholic does after a six-hour journey?

26:29He walks into a pub.

26:31Maybe he's sobered out.

26:33Wait for it.

26:34Wait for it.

26:36Come on.

26:37Come on.

26:39Yes!

26:41Still on the juice then.

26:43Good luck.

26:43Do you remember it, don't you?

26:55That's his mouth.

26:56Oh, it's just the other one.

27:02Your prices are outrageous.

27:04Daylight robbery.

27:05Oh, I'm so glad to see you.

27:07I was sat behind you on the train.

27:08Only I think we were in the war together, was it?

27:10North Africa.

27:12Bugger off.

27:14Are you sure?

27:15I could have sworn.

27:17Only there's a few of us and we like to meet up, so...

27:19Listen.

27:20I don't know what your problem is, sunshine.

27:22But when I...

27:22Oh!

27:22Oh, I'm terribly sorry.

27:25I'm so clumsy.

27:26Did I get anything on you?

27:27What?

27:28Is there nowhere a man can drink his pint in peace?

27:34Well done.

27:35Good night, Mr. Drennan.

27:44Sweet dreams.

27:51Let me, uh, help you with that.

27:53Oh!

27:55Oh!

27:56You're an angel.

27:57In fact, I think you're my angel.

27:59Help!

28:00Now, what's going on?

28:01He just grabbed me!

28:02Well, she's from above.

28:03Oh!

28:05Look at those little fairies!

28:06Right, that's enough of that.

28:07Inside you!

28:08You're the one who...

28:09Help!

28:10Do you think he'll ever go back to normal?

28:12I don't know.

28:13We'd better tell Albert it has that effect.

28:15He'll be a while in the cells, though.

28:19You're ingenious, you know that?

28:21Getting into my stride.

28:33What?

28:35Let me see.

28:38Where is it?

28:43Watch out for the fairies.

28:44Oh, buddy!

28:52Bloody hell!

28:53You see what he's got in his pockets?

28:55Dammit!

28:55I can't go back in without it.

28:57We need to find a thousand pounds.

28:58I know what I'm thinking.

28:59I'm thinking.

29:07He said if we had any expenses.

29:09Well, it's rather more than expenses.

29:11Well, this is all about finding his niece, remember?

29:12Plus, he is a millionaire.

29:14Maybe I should handle this.

29:15Why?

29:15Well, I just think matters like this are better handled by a man.

29:18Don't be absurd.

29:19Well, all right.

29:21I think he can be a bit too friendly, a bit too American, if you know what I mean.

29:25I don't know what you mean.

29:26You know exactly what I mean.

29:28Americans are all the same.

29:29Any side of a pretty woman.

29:31Rich coming from a man who spent a night in a house and so...

29:33Oh, so that's why you're being funny.

29:34I am not being funny.

29:35Hey!

29:37You can't park there.

29:39You can't park there.

30:09Toppence.

30:11I've been trying to ring you.

30:12Any news?

30:14Not yet, but we're hopeful.

30:16I think we could be close to a breakthrough.

30:39But if Jane is in there...

30:56If we go in all guns blazing, it'll get us no one.

30:58But she's my niece.

31:00Don't be outside.

31:02Tommy needs someone to keep watch.

31:04And then when he brings Jane out...

31:06Do you want me to stand and wait?

31:08Whilst Tommy takes the money into the house?

31:11I know.

31:12It isn't what you're used to.

31:15But Tommy is a professional.

31:18Tommy?

31:20Professional?

31:21Tommy, there you are.

31:29Hi.

31:31Well, can you come over here?

31:33Not really, no.

31:35Tommy.

31:36Julius, how are you?

31:46He's going to help us.

31:47That's how he is.

31:48We're all going to work together to get Jane out.

31:51Isn't that great?

31:53Whoever did that needs a jolly good hiding.

32:01Shall we?

32:05How could you have agreed to that?

32:07What was I supposed to say?

32:08He is stumping up £1,000.

32:11To get his niece back.

32:13We led him to believe we were private investigators.

32:15That was your idea.

32:16You brought Albert onto the team.

32:18Why is this different?

32:20Albert is a nice person.

32:22Albert is modest.

32:24You need someone to be your backup.

32:25I don't see what the problem is.

32:26He's so damn American.

32:27Full of how rich he is and what he can spend it on.

32:29Is that what this is about?

32:37Well, what is it you British say?

32:39Let's get cracking?

32:42Julius is going to Soho with you, Tommy.

32:45I'm expected at Rita's in an hour.

32:52Right, I'll keep an eye on the time.

32:54Ten minutes, all right?

32:55Well, not literally ten minutes.

32:58You said ten.

33:00Listen, working together was tough and says I do.

33:03How much time do you need?

33:05I just need you to be accurate.

33:07Thirty minutes.

33:08And then I'll call the police.

33:10Agreed.

33:11I mean, you do understand how this works.

33:13I am the private detective and you are the client.

33:19Don't lose the money.

33:25What?

33:25I'm here to meet the Spanish cousin.

33:36Bye.

33:41The money?

33:42Ah, yes.

33:43It's all accounted for.

33:55Bye.

34:24Oi.

34:25What the hell did you think you were doing?

34:30Who gave you that key?

34:31I, um...

34:33Oh, you have got some explaining to do, haven't you?

34:42Absolutely, of course.

34:43What an unexpected pleasure.

34:52I don't want Jing.

34:53I have an important visitor arriving.

34:56I want you out of the way and not under my feet.

34:59Shall I lay the tea things?

35:00No, it's all done.

35:01Just complete the chapter.

35:04No distractions.

35:05All I want to hear from you is the sound of your typewriter.

35:16Thank you, Albert.

35:23There you go.

35:27Kelly, did I say you could take a break?

35:57Just blowing my nose, Mrs. Vandermeer.

36:00Well, don't. Blow it on your own time.

36:02Absolutely. You won't blow it again.

36:27Oh! Bloody animal.

36:43Another break.

36:56The cat was meowing, so I came to see what the matter was.

36:59Oh, Henry.

37:01He seems very unhappy. Maybe he's hungry.

37:04I just fed him.

37:07What are you doing with my keys?

37:10The typewriter was jammed, so I needed something to leave it open with.

37:25There never were a maid. You were always here to spy on me.

37:28You're going to poison the U.S. Secretary of State.

37:31I've never heard anything so preposterous.

37:33Preacher! It's Rick!

37:37I'll hand you over to Brown.

37:39He'll get the truth out of you.

37:41I'll tell him you told me all your little secrets and I didn't even have to ask.

37:44The leaves in the locked room!

37:45Oh, you! Stay in there and keep your trap shut!

37:48I'll deal with you later.

37:49You can't do this!

37:50Any noise and it won't be me you're dealing with.

37:56You know, the funny thing is, I could almost like you.

38:03But Brown...

38:07That's the thing about Brown.

38:10He sees things before anyone else.

38:12He anticipates things.

38:14He says, scratch your ear.

38:16Oh my God, do you think I've got an itchy ear?

38:19He says, sneeze.

38:22Away you go.

38:25Do you get what I mean?

38:29So why would Brown send me...

38:36...this?

38:39Maybe you have a leak somewhere.

38:40Maybe it's something you need to fix.

38:42You know...

38:45I think you got it in one.

38:53Rich, are you mad?

38:55Brown thinks you've said too much to someone.

38:57Just nerves. I haven't said anything.

38:59That judge was here.

39:00Ah, Brent.

39:01Brent.

39:02I am fed up with this scrutiny.

39:03What are we able to do with your tongue?

39:06I am fed up with this scrutiny.

39:07What are we able to do with your tongue?

39:08I'm going to enjoy this.

39:10Ah.

39:12Ah.

39:18Huh?

39:19Ah...

39:21I am going to enjoy this.

39:22Ah!

39:23Ah!

39:24Ah!

39:26Ah!

39:27Ah.

39:31Ah!

39:33Ah, ah!

39:34Ah!

39:35Oh, ah!

39:36Ah!

39:37Open the door!

39:38What have you done to the door?

39:40Kelly, open the door!

39:44Kelly, open the door!

39:45Move out of the way! I'll break it down!

39:52Hey!

40:0729 minutes and 31 seconds.

40:2532, Mississippi.

40:2733, Mississippi.

40:2934, Mississippi.

40:33What the hell with this?

40:37Yes, sir. Police.

41:00Can I speak to Major Carter?

41:02Anthony Carter.

41:03Yes, it's urgent.

41:09Oh.

41:1024, Mississippi.

41:15Come on!

41:16Fire!

41:17Fire!

41:18Fire!

41:20Fire!

41:21Fire!

41:22Fire!

41:23Fire!

41:24Fire!

41:25Fire!

41:26Fire!

41:27Fire!

41:28Fire!

41:29Fire!

41:30Fire!

41:31It's a girl named Jane, dear.

41:51I'll do it.

42:01You almost have a laugh.

42:13You almost have a laugh.

42:20I said you almost have to laugh.

42:23All those blokes, trousers around their ankles.

42:30Sorry, sir.

42:31No, stay back, sir.

42:32Please, stay back, sir.

42:33I'm the guy to call.

42:34Please, sir.

42:35Okay.

42:37Okay.

42:38All right.

42:39There goes the cavalry.

42:49Yeah.

42:50Where were we?

42:56Let me see Jane again.

43:03No.

43:04You tell me something first.

43:08Who is your in?

43:10It's Rita.

43:12Rita?

43:13Is she a mole?

43:14I'll never tell you that.

43:15Oh, I think you might.

43:19I found the poison brown sent Rita.

43:36You realise, Tuppence, we haven't even started on what the hell you were doing?

43:39I understand that, Major, but I think maybe we should just...

43:41What?

43:42What?

43:43Just skip over the pure bloody bollocking you deserve?

43:45Pardon my French, James.

43:46Shall I?

43:47Yeah.

43:48Perhaps I should talk.

43:49You run the whole operation, why don't you?

43:51No, I just mean she thinks I'm a friend of hers.

44:14the whole operation, why don't you?

44:16No, I've just been, she thinks I'm a friend of hers.

44:21Mrs. Vandermeer?

44:24Mrs. Vandermeer?

44:26Just passing before I say hello.

44:35Mrs. Vandermeer?

44:44Do you want me to break it down?

44:46Mrs. Vandermeer?

44:47Well, it's a pretty sturdy door, Jane.

44:49Hold on.

44:50Jane Finn's hairpin.

44:57Where did you learn that trick?

44:59Girl guides.

45:01Everyone did.

45:03You wait, yeah.

45:14Rita?

45:22Rita?

45:44I have no idea your sparking.

45:46Maybe, yeah.

45:47Fine.

45:52You're going to be free to put some information in here.

45:56You're still there to confirm her,zigerator ooh!

45:59doin'

46:00Seriously?

46:02They haveever.

46:03What'd, what would you come,

46:06or what'd you say there?

46:07I don't know.

46:09They must be aаксis.

46:11They have stoppedOUGH me.

46:12They must

46:13Oh, Jesus.

46:24Damn it.

46:41I'm sorry you had to see that.

46:43Why?

46:45Because I'm a housewife or because it was an unpleasant thing to see?

46:48I just meant...

46:50No, I'm sorry.

46:53I think you're anything but a housewife, I have to say.

46:56From everything I've seen, Carter is mad not to put you on his books properly.

47:00Hasn't done us any good, though, has it?

47:03We're no nearer.

47:05Something may be found here that will help.

47:07If Rita was in contact with Brown, as you said...

47:09Look around.

47:10There'll be nothing.

47:11I feel like I'm beginning to understand him.

47:15He isn't a man that likes to leave any trace.

47:18In fact, he's always two steps ahead.

47:19Well, he has been so far.

47:22Oh, God.

47:24What?

47:25Tommy.

47:26Who's Tommy?

47:27My husband.

47:28And if Brown knew about Rita, then...

47:31What about Tommy?

47:35He's in the house in Soho.

47:37The one I explicitly told him not to go back to?

47:41Yes, that one.

47:43What kind of...

47:43This is too dangerous to you to not understand.

47:45Who is it?

47:59Who's there?

48:01You don't have long.

48:03There's a space on a roof connected to another building.

48:06What about Jane?

48:07She kept saying Anasa.

48:09Wait.

48:09What's Anasa?

48:10They're moving her.

48:11That's all I know.

48:12It was you who replied to our advertisement in the newspaper, wasn't it?

48:15The watch.

48:16The photograph.

48:17It was you.

48:18Yes.

48:19But no more.

48:20Do you want me to get killed?

48:28Julius?

48:29Where's Tommy?

48:30Exactly.

48:31Where is Tommy?

48:32What happened?

48:32I don't know what happened.

48:34I called the police like you told me to.

48:36The police couldn't find Tommy or Jane.

48:38So where are they?

48:38I don't know where they are.

48:40You're more stupid than we thought.

48:55You've run out of friends.

49:11Do you want me to get killed anyway?

49:12Let's go.

49:13Bye.

49:13Cheers.

49:13Bye.

49:16No, thanks.

49:17Bye.

49:18Bye.

49:19Bye.

49:22Bye.

49:28Bye.

49:32Bye.

49:34Bye.

49:36Bye.

49:39Bye.

49:40Bye.

49:41So, you're going to try and save her now, eh?

49:54Get her in the car, will you?

49:56What about him?

49:58Who else has asked to deal with him here?

49:59He isn't coming with us?

50:00No.

50:02Just move it!

50:04Come on.

50:09Right.

50:12Let's go through this one more time, shall we?

50:14The recording.

50:17How much do you know?

50:19What do you know?

50:21No.

50:22No.

50:24Oh, God.

50:54What are you?

51:09Six foot one, six foot two.

51:14Heavy build.

51:16Well, not too heavy, but not too light.

51:20There's an art to this, you know.

51:22Hold it.

51:23Any last words?

51:32Pretty thoughts.

51:34Please.

51:35Have a wife, a son.

51:36Oh, haven't we all?

51:38Keep still, or I'll get the measurements all wrong.

51:41Make it last longer.

51:44What?

51:44Damn it!

51:50No, I'm sorry.

51:51I can't concentrate now.

51:59Yep.

52:05Spread.

52:05Attend.

52:08What?

52:14Yes?

52:14Yes.

52:21Yes.

52:26Yes, all right.

52:42Seems your luck is in, Mr. Beresleuth.

52:49What's happening there?

52:54Find him.

52:56Go.

52:57Go.

52:58Go.

53:00Go.

53:01Go.

53:02Go.

53:03I don't know.

53:33What do you want?

53:41We want Mrs. Beresford to feel nice and motivated.

53:45Why?

53:49Brown's got a job for you.

53:53And you'll do it.

53:55If you love your son.

54:03Vanessa.

54:16There is no stopping you, is there, Thomas?

54:18Absolutely not.

54:20It was just a cricket bat.

54:23We have to warn Carter.

54:26Stop, what are you doing?

54:27You're up to something.

54:28You've been odd ever since.

54:29Look, for goodness sake, just get out of my way.

54:30No, explanation first.

54:32Carter, this needs to be handled by a man.

54:36May I say, and I hope the last time this week, please, Tony, what happens?

54:41Leave it to the professionals.

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