- 6/9/2025
Step into a haunting journey where reality and illusion collide. Carnival of Lost Spirits follows a woman who finds herself drawn to a mysterious carnival, only to uncover the chilling secrets that blur the line between life and death. This classic psychological horror delivers an eerie atmosphere and unforgettable suspense.
Category
🎥
Short filmTranscript
00:00:01Hey, Joe, drag your foot, boy. Look what we got here.
00:00:04Hey, you want to drag, huh?
00:00:06Rev it up.
00:00:08Come on, man, get ready.
00:00:30I'll show them how to drive, just watch me.
00:01:00Come on.
00:01:30Come on.
00:02:00Come on.
00:02:30Come on.
00:02:32Come on.
00:02:42Go on.
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00:05:33Let's go.
00:06:03Let's go.
00:06:33Let's go.
00:07:03Let's go.
00:07:34Is this like the one I'll be playing in Utah?
00:07:37It's quite similar.
00:07:38I supervise the installation myself.
00:07:41The accident won't delay your going, will it?
00:07:44No.
00:07:45I'm leaving this morning.
00:07:47There's nothing I can do here.
00:07:48That's right.
00:07:49Well, Mary, you'll make a fine organist for that church.
00:07:53It'll be very satisfying to you, I think.
00:07:55It's just a job to me.
00:07:57Well, it's not quite the attitude for going into church work.
00:08:01I'm not taking the vows.
00:08:02I'm only going to play the organ.
00:08:03Oh, you want more than that?
00:08:06Of course, it doesn't pay much, but, well, at least it's a stop.
00:08:11Are you driving by Benton to see your folks?
00:08:14No, I can't.
00:08:15I, I must hurry.
00:08:17I, I, I've got to leave.
00:08:18I'm going to drive straight through.
00:08:21Mary, it takes more than intellect to be a musician.
00:08:25Put your soul into it a little.
00:08:28Okay.
00:08:35Good luck, Mary.
00:08:38Stop by and see us the next time you're in.
00:08:42But I'm never coming back.
00:08:57I don't know about that girl.
00:08:59How do you mean?
00:09:00The day before yesterday, she was the only one of three girls to survive an accident.
00:09:05You'd think she'd feel a little something like humbleness or gratitude.
00:09:10Never know what she thinks.
00:09:13She's always kept pretty much to herself.
00:09:15Yeah, maybe in her place I'd do the same thing.
00:09:19Just pick up life again.
00:09:21Well, she's so quiet like she fools you.
00:09:24But she's a tough-minded little thing.
00:09:27I guess that's what it takes to survive.
00:09:30But I still say she's behaving strangely.
00:09:34Well, if she's got a problem, it'll go right along with her.
00:09:38Yep.
00:09:54I'm not messing with her.
00:10:17Here she is.
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00:14:12Can I help you?
00:14:17Fill it up.
00:14:18All right.
00:14:42Anything else, lady?
00:14:47Could you tell me what that big structure is back a few miles by the lake?
00:14:52Oh, you mean the old bathhouse.
00:14:55That used to be a pretty ritzy place in the old days.
00:14:58Then the lake went down and they made a dance hall out of it.
00:15:01Then they put those buildings up out there and made some sort of a carnival there for a while.
00:15:06That's years ago, though.
00:15:09Just stands out there now.
00:15:11I see.
00:15:16I have an address here of a rooming house.
00:15:18Could you direct me?
00:15:21Oh, sure.
00:15:22Well, that's just right over here, little ways.
00:15:33Been saving it for you since I got your letter.
00:15:36Could've rented it yesterday if it wanted.
00:15:37Oh, it's fine.
00:15:38It's just about what I expected.
00:15:39I knew you'd like it.
00:15:40There's ain't no regular rooming house, you know.
00:15:41I only got you and Mr. Linden across the hall.
00:15:43Each room's got its own private bathroom, too.
00:15:46You can take all the baths you want.
00:15:47I'm not one to fuss about things like that.
00:15:49I think I'll be quite comfortable.
00:15:51I think I'll be quite comfortable.
00:15:52Well, hope you'll stay a while.
00:15:53I'm downstairs in the back part of the house, so...
00:15:55If there's anything else you want, I'll be quite comfortable.
00:15:56Well, hope you'll stay a while.
00:15:57I'm downstairs in the back part of the house, so...
00:15:58If there's anything else you need, I guess it'll have to wait a morning.
00:16:01I'll be quite comfortable.
00:16:02Well, hope you'll stay a while.
00:16:05I'm downstairs in the back part of the house, so...
00:16:07If there's anything else you need, I guess it'll have to wait a morning.
00:16:12Good night.
00:16:13Good night.
00:16:17Good night, Mrs. Halvin.
00:16:31Good night, Mrs. Halvin.
00:16:32Good night, Mr. Talbot.
00:17:02Good night.
00:17:32And this, Miss Henry, is our pride and joy.
00:17:56You know this was made in the same town where I've been studying.
00:17:59Of course.
00:18:00That's where we heard about you.
00:18:02Oh, by the way, you have found a place to stay.
00:18:04Yes, I have a room.
00:18:06Good.
00:18:07Well, we hope you're going to like it here.
00:18:10We're not the largest church in this area, of course, but we have a nice congregation.
00:18:16We'll have to have some sort of reception.
00:18:19They'll want to meet you.
00:18:20Couldn't we just skip that?
00:18:22Skip that?
00:18:23I don't suppose it's an absolute necessity.
00:18:26I don't know what some of the ladies will say.
00:18:30If they say I'm a fine organist, that should be enough, shouldn't it?
00:18:33Well, yes, of course.
00:18:36We'll let it go at that for the time being.
00:18:38But, my dear, you cannot live in isolation from the human race, you know.
00:18:47Mind if I try this now?
00:18:49I want you to.
00:18:49I'll be next door at the max.
00:19:15We have an organist capable of stirring this.
00:19:45I'll be next door.
00:19:45I'll be next door.
00:19:45I'll be next door.
00:20:15I'll be next door.
00:20:45I'll be next door.
00:21:15Nothing.
00:21:15Nothing at all.
00:21:16I've practiced the whole afternoon and it's gotten me in the mood.
00:21:19You need some fresh air.
00:21:21I've got to make a call out past the lake.
00:21:23Would you like to come along for the ride?
00:21:26You know that old pavilion out there?
00:21:27Mm-hmm.
00:21:29Will we pass it?
00:21:30Go right by it.
00:21:31Stop and look at it if you like.
00:21:33I would, with you along.
00:21:34Good.
00:21:34Good.
00:21:35Good.
00:21:39Good.
00:21:52this used to be quite a place it's been deserted for a long time now will you take me in my
00:22:18goodness no it isn't safe out there anymore that's why they put up this barrier be very
00:22:24easy to step around it what attraction could there be for you out there I'm not sure I'm a
00:22:33reasonable person I don't know maybe I want to satisfy myself that the place is nothing more
00:22:38than it appears to be would you take me out there oh the law has placed it off limits wouldn't be
00:22:46very seemly for a minister to break the law would it no maybe I can come back some other time
00:22:54shall we go along now
00:23:16I thought that'd be you good evening that organ playing must take a long time you've been gone
00:23:30almost the whole day I went for a long drive in the country with my new boss an elderly minister oh
00:23:38that must have been a kick in the head I learned that from the other boarder Mr. Linden did you get
00:23:47your supper oh I forgot well there ain't no boarding house but I got some coffee and the sandwich makings
00:23:57left I could bring you some up after a while good I'll be taking one of those baths you're so generous
00:24:03with well take as many as you want I ain't one to make a fuss about a thing like that
00:24:08I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to bed I'm gonna go to
00:24:38Come in, Mrs. Thomas.
00:24:59Just a minute.
00:25:08I thought you were in Mrs. Thomas.
00:25:24Yeah, I wondered when you asked me in.
00:25:28I'm John Linden.
00:25:29I'm your neighbor right across the hall.
00:25:30Oh, nice to meet you.
00:25:31Would you excuse me?
00:25:32Hey, I just wondered if you're not doing it.
00:25:34Just stand right there.
00:25:38I forgot to introduce myself.
00:26:04I'm Mary Henry.
00:26:05Yeah, I know.
00:26:07I heard you tell Mrs. Thomas you haven't ate anything yet.
00:26:10I just thought being able in all this, I haven't eaten anything either.
00:26:15I just thought maybe I'd ask you out to dinner.
00:26:18That's very thoughtful of you, but I can't accept.
00:26:20I know, I know.
00:26:21We haven't met or anything yet, but I just thought we were in the same house.
00:26:23I'm sorry.
00:26:24You don't have to excuse me.
00:26:25Look, there's a really nice restaurant, you know, right down the street.
00:26:28And I just thought, well, I'm just kind of a guy who doesn't like to eat by himself.
00:26:33I've made arrangements to eat in my room tonight.
00:26:36Hey, if you change your mind, you just holler.
00:26:43Looks kind of lonesome in here.
00:26:45Good night, Mr. Lennon.
00:28:22Who's the man in the hall?
00:28:34Oh, you must mean Mr. Linden.
00:28:42He has the room across the hall.
00:28:45No, I mean the other one.
00:28:49There is no other.
00:28:51Me and you and Mr. Linden.
00:28:55Us three is all there is in this house.
00:28:58But you must have passed him out there.
00:29:01You're needing this food.
00:29:04Going with that?
00:29:05Eating makes you jumpy sometimes.
00:29:08Maybe you heard the boards pop or something.
00:29:11These old houses creaked worse than my knees.
00:29:13I didn't hear him, Mrs. Thomas.
00:29:16I saw him.
00:29:20Now, don't talk that way.
00:29:24I don't sleep so good as it is.
00:29:25It's these old houses.
00:29:29They're big enough so that you can hide a man in every corner.
00:29:37You've just got to not let your imagination run away.
00:29:40Are you going out there?
00:29:41That one, of course.
00:30:04There's nobody there.
00:30:05Now, you just go and eat that sandwich I made for you.
00:30:14Don't drink the coffee.
00:30:15If coffee keeps you awake, it won't.
00:30:22Coffee never keeps me awake.
00:30:35I'm going out.
00:30:55We'll go.
00:30:58We'll go.
00:30:59We'll go.
00:30:59We'll go.
00:31:00We'll go.
00:31:01Oh, my God.
00:31:31Well, good morning.
00:31:50I heard your alarm. I knew you'd be up.
00:31:52Guess what I got.
00:31:53I can't imagine.
00:31:55Just what it takes to start the day off right.
00:31:58I'll make it in my room.
00:31:59You know, it saves me having to go out and get dressed up.
00:32:01I guess I had to get dressed to come over here anyway.
00:32:05Oh, it looks just like what I need.
00:32:07Well, and two cups of coffee coming up.
00:32:14Hey, I guess you took her on last night about me coming to your door and all.
00:32:20Well, I'm not a very sociable person ordinarily.
00:32:24How can I resist inducement like this?
00:32:26What?
00:32:28Come on, I don't know all those big words.
00:32:30I'm just an ordinary guy who works in a warehouse, that's all.
00:32:33I make pretty good money, though.
00:32:35Hey, look, I got a couple of shots left over from last night.
00:32:38You want a little bit in yours?
00:32:39No, thanks.
00:32:41It's not the recommended breakfast for a church organist.
00:32:44Oh, is that what you do?
00:32:46Hey, you mean they pay somebody to play the organ in church?
00:32:49Some churches do.
00:32:51Hey, I hope you don't mind about this.
00:32:54I just didn't know you were a church woman.
00:32:55To me, a church is just a place of business.
00:32:59Well, that's a funny way to look at it.
00:33:01Why?
00:33:02People seem shocked because I took a job in a church,
00:33:05and I regard it simply as a job.
00:33:07I'm a professional organist, and I play for pay, that's all.
00:33:11Thinking like that, don't that give you nightmares?
00:33:16Strange, you should say that.
00:33:19As a matter of fact, not for that reason, mind you,
00:33:22but I had the strangest feeling last night.
00:33:26Yeah, I had kind of a lost night myself.
00:33:29It's funny.
00:33:32The world is so different in the daylight,
00:33:36but in the dark, your fantasies get so out of hand.
00:33:40But in the daylight, everything falls back into place again.
00:33:46Let's have no more nights.
00:33:48Or let's make them more interesting.
00:33:52Say, how'd you get to be a church organist?
00:33:57I studied it in college.
00:33:59I could have gone to college.
00:34:01Yeah, I used to play pretty good football,
00:34:03but they wanted me to take a lot of classes and things, you know?
00:34:06Well, they're that way.
00:34:07Well, I'm just as smart as the next guy.
00:34:10Yeah, but I just didn't dig with the old teaching in school, you know?
00:34:13And the thing I hated most was principal products.
00:34:18Principal products?
00:34:18Yeah, you know, you know, like the principal products of Brazil are...
00:34:24I don't know, geez.
00:34:26Coffee, beans, a snake oil, you know, like that.
00:34:29When I was at school, I couldn't care less.
00:34:32Now, you see, what I cared about was girls.
00:34:35Didn't they offer a course in that?
00:34:37If they would have done that, I would have graduated.
00:34:42What's the matter?
00:34:42Can you still taste the coffee?
00:34:45Come on, what do you think, I'm an alcoholic?
00:34:48Look, I just like to start the day off in a good mood, that's all.
00:34:51You must be hilarious by noon.
00:34:53Look, I'm just the kind of a guy employers want, you know, the happy worker.
00:34:58Come on, come on.
00:34:59Now, make your morning happy?
00:35:01This morning, you're exactly what I needed.
00:35:04You're going to need me in the evening, too.
00:35:06You just don't know what you're...
00:35:07I'll rinse off these cups.
00:35:10Oh, no, no, no.
00:35:11Just spoils the flavor for tomorrow.
00:35:14Well, thank you for the coffee.
00:35:16It was unsanitary, but delicious.
00:35:18Well, uh, should have put some of the germ killer inside.
00:35:24Well, I, uh, hate to leave so early.
00:35:27I think you can get through the door.
00:35:30Hey, you know, you got the wrong impression of me.
00:35:32Well, I meant because you had so many things to carry.
00:35:35Oh.
00:35:36Like I said, I hate to leave.
00:35:38Well, it's been a pleasure, Mr. Linden, but I'm sure you have to get to work.
00:35:42Well, don't you?
00:35:43No, I have the whole day free for shopping.
00:35:45Oh.
00:35:48Does the hem hang right in back?
00:36:00We might change the hemline a little.
00:36:03The drape is just fine.
00:36:05Otherwise, it looks very nice.
00:36:07I'm sure it isn't very chic to take the second dress, but I like it.
00:36:11We altered a little hair to make it straight all the way around.
00:36:15There, do you want to go back to your dressing room?
00:36:16There, do you want to go?
00:36:37I got to be there.
00:36:38I got to go there.
00:36:39I got to go there.
00:36:39I got to go there.
00:37:41You don't mind.
00:37:43I did say I'd take it.
00:37:45What's the matter with it?
00:38:03Oh, what's the matter with everyone?
00:38:12Why don't they answer me?
00:38:13Why don't they answer me?
00:38:43Why don't they answer me?
00:39:13Why don't they answer me?
00:39:43Why don't they answer me?
00:40:14I didn't mean any harm.
00:40:16I just stopped to get a drink.
00:40:18No.
00:40:20No.
00:40:21It was that man.
00:40:25That man.
00:40:26There was someone else there.
00:40:30That strange man was there.
00:40:32Now look, look.
00:40:33You've had a fright.
00:40:35Hysteria won't solve anything.
00:40:36Now control yourself.
00:40:38Look, I'm Dr. Samuels.
00:40:40My office is right across the street.
00:40:42My office is right across the street there.
00:40:44You've had a shock.
00:40:46If you would like my assistance, I'll be glad to offer it.
00:40:50Could I come with you now?
00:40:52Certainly.
00:40:52I'll take her over to my office.
00:40:54We'll see that she's all right.
00:40:59It was more than just not being able to hear anything.
00:41:14or make contact with anyone.
00:41:18It was as though...
00:41:20as though for a time I didn't exist.
00:41:26As though I had no place in the world.
00:41:28No part of the life around me.
00:41:33And then you saw this...
00:41:35this man.
00:41:38Yes.
00:41:41You'll excuse my back,
00:41:43but I wanted to get some of that written down.
00:41:45I must have been talking for an hour.
00:41:48Anything else?
00:41:49Anything you haven't told me?
00:41:52That's all there is.
00:41:53That's the whole story.
00:41:55He's been following me.
00:41:57That's all there is to it.
00:41:57It isn't that simple, though, is it?
00:42:01What do you mean?
00:42:02He could hardly have been in the park this afternoon...
00:42:04or one of us men would have seen him.
00:42:06And that night in the hallway,
00:42:07you said yourself the landlady came up a minute later...
00:42:10and she didn't see him, did she?
00:42:12What are you driving at?
00:42:14It's been less than a week...
00:42:15since you were in a car that crashed into the river.
00:42:18How you got out of that, no one seems to know.
00:42:21But that experience must have been a serious emotional shock.
00:42:24You think I imagined all of it, don't you?
00:42:26You think I'm insane?
00:42:27I didn't say that.
00:42:28I don't mean that.
00:42:29I'm a competent person.
00:42:31If anything, I'm a realist.
00:42:33I'm not given to imagining anything.
00:42:35Hogwash.
00:42:37All of us imagine things.
00:42:39Have you never heard two men talking behind your back...
00:42:42and imagined they were talking about you?
00:42:45Have you never imagined you saw someone you knew...
00:42:47walked up to them and found they were a perfect stranger?
00:42:49I don't see what this has to do with it.
00:42:51The point is this.
00:42:53Our imaginations play tricks on us.
00:42:55They often misinterpret what we see and hear.
00:42:58Do you agree?
00:42:59I suppose so.
00:43:01If that can happen in ordinary times, go a step further.
00:43:05Look what can happen in a high fever...
00:43:07or following a serious emotional shock.
00:43:09Doesn't seem possible that I could have imagined all of it.
00:43:12Does this man, this figure, resemble anyone you've ever known?
00:43:17An acquaintance?
00:43:18Or your father?
00:43:19No.
00:43:20Do you have a boyfriend here or back home?
00:43:22No, and I have no desire for one.
00:43:24Never?
00:43:25No.
00:43:27I'm surprised to find myself saying that.
00:43:30But it's true.
00:43:32I have no desire for the closed company of other people.
00:43:35Have you always felt this way?
00:43:40I don't know.
00:43:41Don't you want to join in the things that other people do?
00:43:44Share the experiences of other people?
00:43:46I don't think capable of being very close to people.
00:43:50I do feel that perhaps I am trying to reach out for those other things.
00:43:54Do you feel guilty wanting them?
00:43:57I don't understand you.
00:43:59I'm not a psychiatrist, and perhaps I'm being clumsy at all this.
00:44:03But I am suggesting that perhaps this figure represents a guilt feeling.
00:44:07Oh, that's ridiculous.
00:44:09Maybe.
00:44:10Frankly, I don't know.
00:44:13Well, I know one thing.
00:44:15My imagination is playing tricks on me.
00:44:18I'm going to put a stop to it.
00:44:20You're a very strong-willed person, aren't you?
00:44:22I survive, if that's what you mean.
00:44:25That old pavilion out by the lake.
00:44:29Somehow you associate it with all this, don't you?
00:44:32I could go out there.
00:44:34I could put an end to that, too.
00:44:37I could go out there.
00:44:38Now, don't be hasty.
00:44:39If it is all my imagination, I could put a stop to it.
00:44:45Maybe, but at least someone should be with you.
00:44:47Now, I can't possibly get away now.
00:44:49As you say, Doctor, I'm a person of strong will.
00:44:52And the time to go out there is now.
00:44:54And if I have to, I can go alone.
00:44:57And the time to go out there is now.
00:45:13THE END
00:45:43THE END
00:46:13THE END
00:46:43THE END
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00:49:38I don't want to get turned down again.
00:49:42I was thinking asking you out to dinner.
00:49:44I stopped for a bite to eat on the way in.
00:49:47Anyway, I have to practice at the church this week.
00:49:49Well, look, uh...
00:49:50How's it about if I take you up, perhaps?
00:49:53We'll go someplace and dance or something.
00:49:56I'm sorry. I'm not much for dancing.
00:50:02Hey, uh...
00:50:03You mind if I ask you a question?
00:50:06I won't know until I hear it.
00:50:08What, are you afraid of men?
00:50:10No, I'm not afraid of men.
00:50:13Well, you seem sort of cold.
00:50:17This morning when I brought you the coffee, friendly...
00:50:21This morning I needed company.
00:50:24Well, maybe you'll need company tonight.
00:50:27It's better than walking home alone.
00:50:31Yes, it is.
00:50:35I should be finished around nine.
00:50:37Will that be all right?
00:50:38That's okay by me.
00:50:41Say, uh...
00:50:43I'll see you in church.
00:50:53I'll see you in the future.
00:50:53THE END
00:51:23THE END
00:51:53THE END
00:52:23THE END
00:52:53THE END
00:53:23THE END
00:53:53THE END
00:54:23THE END
00:54:25THE END
00:54:27THE END
00:54:28THE END
00:54:30THE END
00:54:32i assume they did to you but without this awareness i'm afraid you cannot be
00:54:40our organist in conscience i must ask you to resign
00:55:02that does not mean that i am abandoning you nor should you turn your back on the church
00:55:14there is help here and i urge you to accept it
00:55:32so hi there i've been waiting an awful long time for you my car is just over there i know just the
00:55:53right place to
00:56:07what's the matter don't you drink either not really not really how else is there if you don't drink
00:56:26really answer me that now me i not only drink really i really drink
00:56:40what's the matter do you like the music either i like it fine you don't like it you don't like to
00:56:47dance and you don't like to drink and you don't like for a man to hold you close that's it isn't
00:56:53it i didn't say that you haven't said anything all evening
00:57:00why don't i go play that song again you like it so much
00:57:09hey johnny who's the doll nobody you know chicken oh come on now you've been holding out on me
00:57:16that's not the kind of pig you usually drag around
00:57:19and you quit licking your chops she's out of your class you want to bet
00:57:26lay off huh i got something on the stove there man well listen i'll help you put it over i don't
00:57:32want her to think i even know creeps like you
00:57:34good luck
00:57:42meet someone you know yeah he's a college fella
00:57:51yeah tell me about this girl you want to meet
00:57:54want to be to meet her what'd you tell him i said how could i you're my date you know
00:58:08said you uh didn't seem to enjoy my company much that's not true
00:58:13i really appreciate you taking me out this evening i've had a miserable night if you haven't
00:58:22forget it come on here join a party drink up
00:58:31look i paid good money for that stuff it ain't poison
00:58:33i'm sorry if i annoy you you know i don't get you first you stand me off well that's okay that's
00:58:43class but you got something you're just holding back now everything i say is okay you're a mouse
00:58:51yesterday i didn't care tonight i want to be with you me or just with anybody with you
00:59:03i don't want to be alone huh i'll leave you alone if that's what you want i like being with you
00:59:18really i do i don't want to be alone tonight i want to be near you
00:59:33you mean that yes why don't you me get out of here you know my room's only a couple of feet from yours
00:59:54ain't likely to get very far from me are you
01:00:03you
01:00:18we'll wait mrs tomlin that old girl is in the back of the house she won't hear nothing
01:00:31you
01:00:36you don't want to go in there all by yourself do you
01:00:41stark and it's lonely in there
01:00:45you don't have to be alone tonight
01:00:47just let me come in a while let me stay with you
01:00:50you
01:00:52you don't want to be alone do you no
01:01:04i'm sorry i don't want to talk again you ask me in you it's like me a little huh
01:01:24i don't know what's the matter with you
01:01:44what's going on around here
01:01:52what's the matter with you
01:01:54that band's after me you gotta stop you he's after me again i'm getting out
01:01:58now you're already gone not me sister that's just what i need get mixed up with some girls off our rocker
01:02:06i don't want to be left alone
01:02:20i don't want to be left alone
01:02:22i don't want to be left alone
01:02:27and
01:02:28i don't want to be left alone
01:02:30and
01:02:32and
01:02:34and
01:02:36and
01:02:38and
01:03:01what'd you find out doctor
01:03:05not very much i'm afraid
01:03:06i'm sure glad you just happened around
01:03:11i was gonna call somebody but i was afraid to have to pay the bill i came on purpose
01:03:17i've been thinking about her ever since she left my office yesterday
01:03:21what's she been up to
01:03:24only the devil knows that
01:03:27i heard her moving things all around that room all night never heard such goings on and she wouldn't
01:03:35let me in her room this morning
01:03:37she's a strange one
01:03:40she absolutely refuses my help
01:03:43i can't say that i blame her there's something about her that completely baffles me
01:03:48i've urged her to call upon me if she feels she needs help and i hope she will
01:03:52i can't let her stay in this house
01:03:55you won't have to worry about that
01:03:57she's determined to leave the city and she wants to get away as soon as possible
01:04:02i hope she does leave
01:04:06i hope she can
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01:13:53they're everywhere
01:13:54they're everywhere
01:13:55they're not going to let me go
01:13:56everywhere i turn
01:13:58there's something that's blocking my escape
01:14:02He's trying to prevent me from living
01:14:05he's trying to take me back somewhere
01:14:08I can't fight anymore. I don't know what's real anymore.
01:14:15I came to you, Doctor, because you're my last hope.
01:14:22If you don't help me, I have to go back there.
01:14:27He's trying to take me back somewhere.
01:14:31Doctor, you've got to tell me what to do.
01:14:37What do you do?
01:15:07I don't know what to do.
01:15:14I don't know what to do.
01:15:21I don't know what to do.
01:15:28I don't know what to do.
01:15:33I don't know what to do.
01:15:40I don't know what to do.
01:15:42I don't know what to do.
01:15:43I don't know what to do.
01:15:45I don't know what to do.
01:15:47I don't know what to do.
01:15:51I don't know what to do.
01:15:57I don't know.
01:20:59And then nothing.
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