- 6/7/2025
The Haunting of Hill House-S1E1-480P
Category
🎥
Short filmTranscript
00:00No live organism can continue to exist sanely under conditions of absolute reality.
00:25Even larks and katydids are supposed, by some, to dream.
00:31Hill House, not sane, stood by itself against its hills, holding darkness within.
00:38It had stood so for a hundred years before my family moved in, and might stand a hundred more.
00:45Within, walls stood upright, bricks met neatly, floors were firm.
00:53Silence lay steadily against the wood and stone of Hill House.
00:58And whatever walked there, walked alone.
01:03Let's go.
01:05I'm sorry.
01:06I'm sorry.
01:08I'm sorry.
01:10I'm sorry.
01:12I'm sorry.
01:16It's okay, Sam, go back to bed.
01:31Sure, wake up mom and dad, they've got it.
01:42Okay, Nellie, are you scared?
01:55That's okay.
01:57I get scared too sometimes.
02:02Why are you awake, Luke?
02:04Because Nellie's awake.
02:08What was it?
02:10Oh, her again?
02:15Where was she?
02:18Oh boy, I guess we better take a look.
02:23Here, huh?
02:26Your big brother must have scared her away.
02:28Big brothers are good like that.
02:29What if she's hiding?
02:31She's long gone.
02:33I guess everybody can go back to bed now.
02:40There you go.
02:46You remember what we talked about before?
02:48About our dreams?
02:50They can spill.
02:52That's right.
02:53Yeah.
02:54Just like a cup of water can spill sometimes.
02:57But kids' dreams are special.
03:00They're like...
03:02An ocean.
03:03An ocean.
03:04That's right.
03:06And the big dreams can spill out sometimes.
03:13Back to bed, Stevie.
03:15I know that bent-neck lady is really scary.
03:22And that's all she is.
03:25She's just a little spill.
03:27How long do we have to live here, Daddy?
03:30Well, your mother and I, we have to finish fixing this house.
03:36And then someone has to buy it.
03:38Then we can go.
03:40Yep.
03:41And then we can go.
03:42Just like the last house.
03:44Now, you get back to sleep, both of you.
03:47And I love you, sweetie.
03:50Sweet dreams.
03:53Sweet dreams.
04:09Dancing in the red room.
04:13Dancing in the red room.
04:17Dancing in the red room.
04:19Dancing in the red room.
04:22You're dreaming, Cheryl.
04:24The pandas aren't dreaming.
04:26Pandas, huh?
04:28Pandas don't eat macaroni.
04:30No good.
04:49Go to bed.
04:50Let's get up.
04:52Okay, I'll judge the side back.
04:55Let's open the side.
04:58Obviously, all of you may getели.
05:01Alright.
05:03But I want to determine how beautiful you look down.
05:09How are you living in the blue room.
05:13Got me?
05:14But the lid is moving.
05:16Everyone alive
05:42Nellie had a nightmare
05:46And Shirley's sleep talking again
05:50Anything good?
05:54Pandas don't like macaroni, Liv
05:56Hmm
06:16Luke?
06:17I don't know.
06:47I don't know.
07:17I don't know.
07:47I don't know.
08:17I don't know.
08:19I don't know.
08:21I don't know.
08:23I don't know.
08:25I don't know.
08:27I don't know.
08:29I don't know.
08:31I don't know.
08:33I don't know.
08:35I don't know.
08:37I don't know.
08:39I don't know.
08:41I don't know.
08:43I don't know.
08:45I don't know.
08:47I don't know.
08:49I don't know.
08:51I don't know.
08:53I don't know.
08:55I don't know.
08:57I don't know.
08:59I don't know.
09:03I don't know.
09:05I don't know.
09:07I don't know.
09:09I don't know.
09:11I don't know.
09:13I don't know.
09:15I don't know.
09:17I don't know.
09:18I don't know.
09:19I don't know.
09:21I don't know.
09:23I think but close enough to wake me.
09:25And then finally now this was right after the funeral itself.
09:29This was the night after the burial you see.
09:35I felt the water on my cheeks.
09:38And I heard the car horn.
09:42And then I looked up at the ceiling.
09:46And there he was.
09:50Hanging there.
09:52Upside down.
09:56I could I could see the water.
09:59Dropping off of his hair.
10:01And his face was a.
10:05A deep purple like.
10:07The blood had all just.
10:09Pulled into his cheeks.
10:15It's funny you think you'd scream.
10:17After seeing something like that but you don't.
10:20You just stare.
10:22You just stare.
10:24You just stare at it like you're an idiot.
10:29And then his mouth fell open.
10:31But it wasn't a scream.
10:35It was a car horn.
10:38Coming.
10:39From his mouth.
10:41So loud.
10:43So loud.
10:44That I fell off the bed.
10:46And then.
10:47I screamed.
10:48Because I hit the floor.
10:49And it startled me.
10:51And it was like I only just remembered.
10:52Oh right.
10:53I can scream.
10:55I should probably scream.
10:57And I screamed all right.
10:58And I ran.
10:59And I tripped in the hallway.
11:01And I looked back.
11:02And he wasn't there.
11:03And then I laid there.
11:04And I cried.
11:05And that was the last time I've slept in that room.
11:20That's a very interesting story Mrs. Walker.
11:23Irene.
11:27Irene.
11:29This is what I'd like to do.
11:32I'd like to look around your house.
11:34I'd like to set up some equipment.
11:36I'd also like to sleep in that room tonight.
11:41Goodness.
11:43I'll be fine.
11:44I can't promise I'll include your story in my book.
11:46Oh of course.
11:47It's possible.
11:49And I thank you for sharing it with me.
11:58I'm sorry I should have told you I'm a fan.
12:02That's it.
12:23I'm sorry I should have told you I'm a fan.
12:26that's my favorite the first one silence lay steadily against the wood and stone at hill house
12:35and whatever walked there walked alone i can't imagine what it was like living there
12:42the most famous haunted house in america in fairness it wasn't famous when we moved in
12:50and besides got me beat what do you mean i mean if you actually saw your husband hanging upside down
12:58over your bed you've seen more than i ever have i've never seen a ghost
13:02but your books not in arlington danvers alcatraz on the queen mary or in williamsburg and not in
13:13the way you write i just assume other people's stories people like you irene give them the right
13:24voice that's all well i hope tonight is a game changer for you how so maybe my carl will finally
13:32give you a story of your own you were one of his favorite writers so maybe that's the reason
13:38for all this you know i could tell you one thing about hill house that isn't in the book
13:46oh yes please all those years trying to understand what happened in the house you know what i never
13:51found a reason so don't expect one
13:56how are your brother and sisters doing i've wondered since the book how are they doing these days
14:06you know who i wish would write a book your dad
14:10just tonight won't you miss your brother i'd rather sleep here in case she comes back
14:24all right just tonight then i'll stay with her a bit
14:31good night
14:34hey will you grab her blanket yeah thanks
15:01happy place
15:10happy
15:18um
16:28I'm sorry.
16:32So, are you saying you'd prefer not to do a viewing?
16:37No.
16:39We want to.
16:40It's not that.
16:41It's part of your mother's pre-need, so it's already taken care of.
16:43And we want to.
16:46It's Max.
16:48I think he's just a little nervous about it.
16:52I'd say adamantly opposed.
16:58Sorry, excuse me.
17:02Hi, Max. I'm Shirley.
17:06Here's funeral home.
17:08I know this might be a little weird for you, but I promise it's all normal.
17:12The reason Mommy and Daddy are here is because it's important to say goodbye to Grandma.
17:18Viewing is just a way to do that.
17:20To see her one last time and tell her you love her.
17:24I don't need to say goodbye.
17:25A lot of people feel that way at first, but then they feel much better when they do.
17:33That's what Mommy said.
17:35But she was wrong.
17:38Grandma keeps sitting on my bed at night, touching my hair.
17:42She just stares at me.
17:44And her eyes must hurt.
17:49Why?
17:51Because she doesn't blink.
18:04It's Nell.
18:06Um, I need you to call me.
18:08It's hard to understand.
18:09Everything's so twisted and it's hard to explain, but...
18:12I'm worried about Luke.
18:16Have you talked to him?
18:18Call me.
18:26It's here.
18:28It's great.
18:35Hi, this is Nell.
18:36Please leave a message.
18:37Hey, I think you really nailed it.
18:39It really sends a message.
18:40We should put it on the website.
18:41I think it'll work great in print, too.
18:43People still read papers, that is.
18:45This damn flu is a disaster.
19:02This is supposed to be the easy part.
19:04There's nothing easy about this house.
19:07Are you okay, Daddy?
19:09I was trying to fix the flu.
19:10The house doesn't like it, I guess.
19:11Oh, Mr. Dudley found something for you.
19:17I don't know if this is gonna work, young lady.
19:22And I'm gonna need it back.
19:23I got it.
19:45Open it!
19:47Mr. Dudley says this is a master key, so it's supposed to open any door in the house.
19:52He's a weirdo.
19:54So is that lady.
19:56Daddy says they've been taking care of this house for years and years, so if anyone would
20:00know where the key is...
20:02What do you think is in there?
20:03What if it's a cotton candy machine?
20:07That'll be something.
20:08Or a pony.
20:10Not a pony.
20:11This isn't working.
20:12It could be a pony.
20:14Something was moving.
20:15I saw the shadow under the door.
20:17Well, this door's been locked for years and years and years and years, so if there's a pony
20:22in there, it's dead.
20:29This one doesn't work either.
20:31Where's the freaking key?
20:32Don't say that word.
20:33You say it.
20:34The keys never work.
20:36Can't he just use that big hammer?
20:39We'll find the key.
20:41I want to see what's in there, too.
20:43Let's go see if Daddy has any more keys.
20:45Daddy!
20:45We need more keys!
20:47It's an emergency!
20:54I know you don't need me to tell you this, but literally everything is an emergency right
20:58now.
20:59I know, but she sounded rough.
21:01Cheryl.
21:02Rougher than usual.
21:03She said it was about Luke.
21:05Then call Luke.
21:06I did.
21:07Straight to voicemail.
21:08Then he sold his phone for cash or he's still in rehab, which means we stay out of it.
21:12Look, I can't deal with this right now.
21:15I'm working.
21:16Yeah?
21:17You working?
21:18That's right, Cheryl.
21:20Something else you want to add?
21:21Fine, I'll just handle it, shall I?
21:23That's why everybody dumps their shit on me, isn't it, Steve?
21:25I'm the oldest.
21:26It's my job.
21:27Oh, wait.
21:28That's you.
21:29Fine.
21:30I'll handle it.
21:31Jesus.
21:31Tea?
21:32Sure.
21:34So, does this stuff, you know, capture the supernatural?
21:44Don't believe in that word.
21:47Which side of the bed do you sleep on?
21:50I'm talking about the word itself.
21:55Supernatural.
21:56There's natural phenomena that we understand, and then there's natural phenomena that we don't.
22:00So, primitive humans used to die of fright during an eclipse, and I had no idea what it was.
22:05The eye of an angry god, an evil spirit, nothing supernatural about it, though.
22:12Once we understood what it was, well, it was just natural.
22:18I prefer preternatural.
22:20Natural phenomena that we don't quite understand yet.
22:26So, does it capture that?
22:30Huh.
22:32Um, no.
22:34No message.
22:34Just wanted to see who was there.
22:36What was your name again?
22:39Thanks, Paige.
22:42Hi, this is Nell.
22:59Please leave a message after the beep.
23:03It's Steve.
23:04I'm sorry I missed your call.
23:05Um, I talked to Shirley.
23:07I know you're worried about Luke, but I called his rehab center, and he's fine.
23:10He's actually got his 90-day chip today, if you can believe that.
23:16Um, I'll be around tomorrow if you still need to chat.
23:21I hope you're well, Nellie.
23:23I mean that.
23:24I'll be around tomorrow if you're going to do it again.
23:37You go.
23:43Come on.
23:43There you go.
25:15So, what's your story?
25:28What do you mean?
25:30I mean, who are you?
25:32What do you do?
25:34Where are you from?
25:35You live in a funeral home.
25:37I'm here for grad school.
25:43Uh, sociology.
25:45I mean, the program's brutal, but I love Boston, man.
25:49It's such a great town.
25:54What's that about?
25:55I'm just kind of a germaphobe.
25:57That's okay.
26:00None taken.
26:06That was really good.
26:08Yeah, you're damn right.
26:11I have to work tomorrow.
26:13What?
26:15Early.
26:16Oh.
26:23Okay.
26:33Was it something I said?
26:35No.
26:36We just did what we came here to do, yeah?
26:37Okay, then.
26:53Hi.
26:53I know you normally prefer the company of cold stiffs.
27:24But don't be so hard on yourself.
27:25I got beer.
27:27New friend?
27:31Is she coming back?
27:33No.
27:34She's sweet enough, but a pile of issues.
27:37I just don't think you can really know so much after such a quick encounter.
27:40Who's saying it's quick?
27:42I'm a giver.
27:43You're like a guy.
27:44You're worse than a guy.
27:45You're like a frat guy.
27:47I said you could live here.
27:48I wasn't expecting the pussy parade.
27:52Nell called me today.
27:54Ah.
27:56She sounded bad.
27:58Yeah, because it sucks to be Nell.
28:00Did she call you?
28:00No.
28:01Of course not.
28:03We still haven't talked since L.A.
28:04Theo.
28:05No.
28:05I'm just waiting for an apology.
28:07I'm drawing boundaries, which is something you might want to look into.
28:10What's wrong with her?
28:18I don't know.
28:20And you never really will.
28:23One foot in crazy and the other on a banana peel.
28:27Her whole life.
28:29Boundaries.
28:31She said it was about Luke.
28:32I don't know.
28:35Something about it scared me.
28:37Luke will show up when he needs money.
28:41I just keep thinking, what if he doesn't?
28:48Or if he does, it'll be the last time I ever see him.
28:51Boundaries.
28:54Maybe a brick wall when it comes to Luke.
28:56Okay.
29:02Boundaries.
29:32I don't know.
30:02I don't know.
30:18Nell?
30:20Daddy.
30:21Honey, are you okay? What time is it?
30:25Do you remember the bedneck lady?
30:32Yes?
30:42She's back.
30:47Okay.
30:51Okay.
30:53Nell, where are you?
30:59I'm at home.
31:01In bed.
31:02I want you to go to Steve and Lisa.
31:05I'm gonna drive to Orlando and get a flight to L.A.
31:10Steve's closest.
31:11Go to him.
31:13Okay, and I'll see you there tomorrow.
31:18Okay.
31:20I love you, Daddy.
31:23Are you okay?
31:26I'm fine.
31:28I'm sorry to wake you.
31:31I'm fine.
31:32Goodnight, Daddy.
31:34Goodnight, Daddy.
31:38I don't know.
32:07She wouldn't...
32:08Yeah, I'm going.
32:10I'm going.
32:15Get up.
32:17Stevie, get up.
32:18Dad?
32:19What's going on?
32:20Get up.
32:21We've got to get out of here right now.
32:22Why?
32:24Quietly, quietly.
32:25My shoes.
32:26Shh.
32:37Shh.
32:49Shh.
32:53Shh.
32:54Shh.
32:58Shh.
33:32We're going to run.
33:42Dad, let's go.
33:44Quiet.
34:02I'm going to carry you.
34:14Dad, let's go.
34:16You keep your eyes closed no matter what you hear.
34:18You don't open them.
34:21You promise?
34:21I can't.
34:22Do you promise?
34:25I promise.
34:26You keep your eyes closed no matter what.
34:36You keep them closed.
34:42Okay.
34:44Okay.
34:46Okay.
34:49That's closed.
34:50Get back in the car.
35:06I saw Abigail in the window.
35:09She was in the window.
35:10What's happening?
35:19What's happening?
35:20What's happening?
35:21Mom!
35:21I thought I saw her upstairs.
35:24That's not Mom.
35:25Dad, I told you.
35:50There's no reason you and I need to talk.
35:53You don't just get to call me and tell me what to do.
35:55You're closest and your sister needs you.
35:57You get home and you stay with her.
35:59You keep your eye on her.
36:00Don't let her out of your sight.
36:01Dad, I'm not even...
36:02I'll see you there.
36:03I'll meet you there.
36:08I'm leaving at home right now.
36:09I'll see you there.
36:39I'll see you there.
37:09I'll see you there.
37:39I'll see you there.
38:09I'll see you there.
38:11I can't...
40:11There used to be a stop sign there until recently, yes?
40:14I don't know.
40:16I think so.
40:18There's a pole there, see?
40:21But no sign.
40:22Kids taking for their dorm rooms.
40:24It's a moderately trafficked area.
40:28A four-way stop without a sign is bound to have a few near misses.
40:33You slept better with your husband in bed, right?
40:36Of course.
40:37You're probably just noticing the car horns now because you're not sleeping as well.
40:40Things you used to sleep through.
40:42The water?
40:46It was a big storm the night he died.
40:49One of the biggest you've seen in a long time.
40:52Yes?
40:53There's a leak in your roof.
40:56You just didn't notice the water damage because of all the paneling.
40:59It was only drizzling last night and I even got a few drips.
41:05You might want to get that looked at.
41:07Water damage is no joke.
41:10Happens all the time, Irene.
41:12And the man I saw hanging from my ceiling?
41:22The mind.
41:24It is a powerful thing, ma'am.
41:26Especially the grieving mind.
41:28I know what I saw.
41:30The water.
41:31The car horns.
41:33You'd be picturing how he died as much as you wouldn't want to.
41:37I saw him.
41:38When you push that stuff down, it comes out at night.
41:42You couldn't help it.
41:44When I said I've never seen a ghost, it's not exactly true.
41:47I've seen a lot of ghosts.
41:49Just not the way you think.
41:52A ghost can be a lot of things.
41:55A memory.
41:56A daydream.
41:57A secret.
41:59Grief.
41:59Anger.
42:00Guilt.
42:02But in my experience, most times they're just what we want to see.
42:08Why would I want to see my Carl like that?
42:15Because it's better than never seeing him again.
42:22Most times a ghost is a wish.
42:24Thank you for doing that.
42:40Carl would have loved it.
42:42My pleasure.
42:50The fuck, Steve?
42:53You didn't like it.
42:56No.
42:57I didn't like it.
42:58What's going on?
42:59My brother just raped the family is what's going on.
43:01Hang on.
43:02Look, I get that things haven't exactly been going well with your writing.
43:05And when you said you wanted to do a book about the house, I understood that.
43:08But this is...
43:09I sent you guys the manuscript in case you had any objections.
43:12I didn't have to do that.
43:13Of course we object.
43:14I object.
43:15Steve?
43:15Let's calm down a bit.
43:17You be calm, Lee.
43:18It's not your name in here.
43:19It's not your family.
43:20Hey, it is my family.
43:22You weren't there.
43:24Nell, Luke, Theo, they were just kids.
43:26The things they told you in confidence...
43:28I'm clear that they were kids.
43:29You make Mom sound fucking crazy.
43:31Oh, Mom wasn't crazy?
43:32And the Dudleys and Dad?
43:33This is the worst of the bullshit.
43:35Worse than the tabloids.
43:36Dad had every opportunity to set that straight.
43:38What am I supposed to write?
43:41He said it was haunted.
43:42Those are his words.
43:43This is a wreck.
43:44He just lost his wife.
43:45He hasn't said shit since.
43:47Does he talk to you, Cheryl?
43:49Did he tell you what happened that night?
43:50Because all I've got are those tabloid quotes.
43:53He refuses to tell us anything else.
43:55He believed it, Steve.
43:57When he said those things, he believed them.
44:00In the moment, at least.
44:01And you never did.
44:03Neither did you.
44:03And now you're digging up that stuff for a buck?
44:07So you can stop living off credit for a change?
44:10Look, I can tell that you're upset.
44:12But Steve had every right.
44:14Do you know how much money they're offering on the advance?
44:16We can buy a house.
44:17We can move to L.A.
44:19I need to start a real life for my own family.
44:23We're your family, Steve.
44:26What you're doing to Mom?
44:28Mom was mentally ill.
44:29It's a fact.
44:31I'll be damned if the apple didn't fall too far from me.
44:33I'm sorry.
44:37Wow.
44:38I'm sorry.
44:39That was...
44:40Wow.
44:44Nobody's buying the novel, Cheryl.
44:49You sent me the book.
44:52Now you know what I think.
44:54You published this.
44:55You know what it costs.
44:59You know what it costs.
45:03I'll write your story.
45:08It's a good story.
45:10I researched your house.
45:12Did you know it was used as a hospice briefly in the 60s?
45:15I didn't.
45:16I'd like to talk to you some more about your marriage.
45:19and get some background on Carl, who he was, who you both were.
45:25That's what matters, really.
45:27I'll need to take some liberties.
45:29I always do.
45:31I promise to be respectful.
45:34He was a fan.
45:35I'll do it in a way he would have really liked.
45:40You really didn't see anything.
45:45They didn't see anything.
45:46That's not the point.
45:48My kids, don't take the stand, Ross.
45:50I've been clear about that.
45:50I had my eyes closed when we left.
45:51You don't say anything, Stevie.
45:53No one else can corroborate your story, Hugh.
45:55That's right.
45:56The judge hears you talk about packing five kids into your car at three in the morning.
45:59They're going to wonder why they aren't hearing from those kids.
46:01The media's already piling on.
46:03If we don't give him someone else to write about, it's going to be more and more of this.
46:07It's tabloids.
46:09It's just tabloids.
46:10It's family court.
46:12This type of stuff doesn't help in a custody hearing.
46:14They never filed charges.
46:16I was never placed under arrest.
46:18It was a suicide.
46:19They confirmed it.
46:23It doesn't matter.
46:24They got this off your statement to the police.
46:27I wasn't thinking clearly that night.
46:28We just lean on that.
46:29We can't unring this bell.
46:31Okay, fine.
46:32They can rip me to pieces, but they don't get to take bites out of the kids.
46:36Just go a long way if you'd let the press near the house.
46:39No, they'll pay you.
46:41They'll pay you to walk the grounds, take some pictures.
46:44No one goes near the house.
46:47Just the police.
46:49No one else has to.
46:52Then sell it.
46:53You need the money, Hugh.
46:55No.
46:57You're saying you want to keep the house your wife just died in?
47:02You have any idea how that looks?
47:03I want the gates and the doors kept locked at all times, and I want to know every day that
47:12it's empty.
47:14No gardeners.
47:16No staff.
47:18Except for the Dudleys.
47:21The Dudleys stay on.
47:23That doesn't make any sense.
47:25The Dudleys stay on, and it sits there and rots.
47:29I'm sorry you had to hear that.
47:38If you lose...
47:40I won't.
47:41If you do, though, do we really have to go live with that Janet?
47:45Hello.
47:46Hey.
47:47What do you want?
47:50Hello.
48:07Hey.
48:09What do you want?
48:11So, my sister...
48:14There's something up with Nell.
48:16She may show up at the house today.
48:18At my house?
48:20The house, yeah.
48:23Why?
48:26My dad told her to.
48:27I didn't get a chance to tell him what's...
48:31But I'm sorry, you can just point her to me.
48:34Is that all?
48:37Maybe I can come by and we can talk about this some more.
48:41You know what you'd have to say.
48:44You tell me.
48:45Is there any point?
48:46Hello, young man.
49:02What are you doing?
49:04Arranging the china and some of the flatware so that your father can sell them.
49:09These are valuable.
49:10Dad says you and Mr. Dudley come with the house.
49:15Houses like this one require a staff.
49:17Why don't you live here?
49:19We live close by.
49:21At the edge of the property, through the woods, right by town.
49:26There are so many rooms.
49:27The staff hasn't lived on the ground since 1948.
49:32So the people that lived here before us?
49:34The hills.
49:36So they were all alone?
49:39Oh, yes.
49:40No one would live nearer than town.
49:46No one will come any nearer than that.
49:48So, yes.
49:50They lived all alone.
49:52In the night.
49:54In the dark.
49:57Well, they didn't seem to be too scared.
49:59My dad found a bunch of stuff in the parlor.
50:02Tarot cards and Ouija boards and all that.
50:04So something tells me they weren't too scared of the dark.
50:07I see.
50:07And you know what those things do, don't you?
50:12They're parlor games.
50:13People use them to scare themselves.
50:15This is the problem with schools these days.
50:17They teach you the secular world.
50:19Smother you in science.
50:21And science isn't an exact science, you know.
50:26The world is dark, young man.
50:27And the only light is the light of the Lord Jesus Christ.
50:30We need his light in the night.
50:33In the dark.
50:34Do you know the Gospels, young man?
50:38He does.
50:44Hugh and I decided when Steve was little,
50:47see, we knew that throughout his life he'd be exposed to all sorts of ideas
50:51and beliefs that there'd be all sorts of people who'd tell him they had the answers.
50:58I'm sorry.
50:58I meant no offense.
51:00So, yes.
51:01He knows the Gospels.
51:03He's also familiar with the Talmud, the Tao Te Ching, the Torah, the Quran, Greek mythology.
51:09And he reads a lot of Carl Sagan, Shakespeare.
51:14Why is that, honey?
51:15Because there are more things in heaven and earth to reach you.
51:18Than are dreamt of in your philosophy.
51:21Very good, ma'am.
51:23Well, I don't suppose either of you have seen Luke.
51:27Not recently.
51:27I assume you tried the treehouse?
51:32Very funny, mister.
51:36Mom's looking for you.
51:38Trying every closet.
51:40Never occurs to her you'll be in your treehouse.
51:43You know, the one Dad built for you.
51:45I don't want to go in yet.
51:47I don't like it inside.
51:49No rush, my man.
51:52What you making?
51:53A new sign.
51:54How do you spell no girls allowed?
51:58N-O.
51:59I already got those.
52:00G.
52:01I told you last time that's a bad idea.
52:04What happened to your other sign?
52:06The EO ripped it.
52:08I'll bet.
52:10I.
52:12Is this the family?
52:14Yep.
52:16R.
52:21Who's this?
52:21Some girl I saw by the woods?
52:26What's next?
52:27Oh.
52:43No, I used to have imaginary friends, too.
52:46They go away when you get bigger.
52:48S.
52:48She's not imaginary.
52:53Okay.
52:54No girls.
52:56Theo can't rip this one.
52:58It's not allowed.
52:59I'll tell her.
53:01Will you hang out with me?
53:04You want me to?
53:05Yeah.
53:06You can hang out all the time.
53:08We can draw together.
53:10No girls.
53:12Just Stevie and Luke.
53:13Cool kids.
53:15Where do you get the ideas for these drawings?
53:22things.
53:29I'm going to have them!
53:33I meant to have them to have them.
53:36Nancy?
53:39No.
53:40I meant to have them to have incidents.
53:43No, I'm sorry.
53:45�
53:52Hey, Luke.
54:08Hey, Steve.
54:14Look, this isn't what it looks like.
54:17I'm... I'm, uh...
54:23Are you cold?
54:26Yeah.
54:30How'd you know where to find me?
54:38Tell you what, I've got...
54:40Let me see.
54:43I've got 200 bucks here.
54:47You hand me that iPad,
54:48you can keep the cash and sell that old camera.
54:52I need the iPad.
54:54It stays here.
55:12I'm so... I'm sorry.
55:25I know.
55:26I know it really isn't what you think.
55:40Good.
55:45Here.
55:46I know it's better.
55:49I know it's better than that.
55:52Oh, you're so sorry.
55:54I know it's better.
55:55It's a different way to get the ads.
55:56I know I can't be good at all.
55:57I know you need to get the ads.
55:58It's better than me.
55:59I know it's better if we see.
56:00I know it's better than to get the ads.
56:02Well, I know it's better than to get out of here.
56:04I know it's better than I'm getting.
56:06I know.
56:08In the end of the day,
56:09I won't.
56:11I know I've owned my business with all of my business.
56:13Thanks.
56:21I needed a good scare.
56:24Lee sent you here?
56:27I tried to tell Dad we're, uh, we're having some issues.
56:32Did you tell Luke where I live?
56:35Did you bring him here?
56:38You just stood there and watched him loot me?
56:40Christ, no.
56:45So you hit up everybody, dragged Luke out, made Dad hop on a plane.
56:52Fine.
56:54Got us all listening. What do you want?
56:57What's so damn important, no?
57:04Shit, man.
57:06I didn't give him the address.
57:07Hey, I tried to tell you, we're...
57:11Dad?
57:13Not now.
57:14I can't hear you.
57:16You hear me? I said it's about now.
57:18I know. I just walked in and she's, uh...
57:19Now it was money.
57:21Shocking.
57:22She wasn't in L.A. She was at the house, Steve.
57:26She was at the house.
57:31She...
57:31She's dead.
57:35She's dead.
57:37Steve.
57:56Steve.
57:56Are you there?
58:00Steve?
58:03Steve?
58:05Steve?
58:09Steve?
58:10Steve?
58:12Steve?
58:15Steve.
58:20Steve, you there?
58:21I don't know.
58:51I don't know.
59:21I don't know.
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