- 6/7/2025
A Perfect Crime Plan (1951) is a classic British crime comedy that tells the story of a humble bank clerk who masterminds a clever gold heist in London. With an unexpected partner and a seemingly flawless plan, the duo sets off a chain of witty and surprising events.
Set in the heart of 1950s London, this black-and-white gem blends humor, suspense, and brilliant storytelling — a must-watch for fans of vintage films and classic heist tales.
Set in the heart of 1950s London, this black-and-white gem blends humor, suspense, and brilliant storytelling — a must-watch for fans of vintage films and classic heist tales.
Category
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Short filmTranscript
00:00:00Transcription by CastingWords
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00:03:29To you, a very good race.
00:03:33Oh, Cavallo, we're born.
00:03:35A very good race.
00:03:38Racing's not quite straight out here.
00:03:40Still, I do believe I've helped to raise a standard a little.
00:03:43Ah, Chiquita, Chiquita.
00:03:47I hoped I'd see you.
00:03:50You run along and get yourself that little birthday present.
00:03:53Oh, but how sweet I am.
00:03:59You seem to have accomplished quite a lot in one year.
00:04:04One superb year.
00:04:06Just when I was beginning to believe I'd never achieve it.
00:04:09For 20 years, I've dreamed of a life like this.
00:04:12For 19 of those years, fate denied me the one contact essential to the success of all my plans.
00:04:18Still, I never quite lost sight of the goal, inaccessible as it often seemed to me
00:04:23when I was merely a non-entity among all those thousands who flock every morning into the city.
00:04:35Most men who long to be a witch know inwardly that they will never achieve their ambition.
00:04:40But I was in the unique position of having a fortune literally within my grasp.
00:04:45For it was my job to supervise the deliveries of bullion from the gold refinery to the bank.
00:04:51I saw that.
00:04:52Yes.
00:04:53Very lucky.
00:04:54Mr. Richards, it's worth gold of 240 shillings for finance.
00:04:57That particle, estimating its value at, er, 0.02 shillings, is worth gold of 240 shillings for finance.
00:04:58That particle, estimating its value at, er, 0.02 shillings for finance.
00:04:59Is it worth gold?
00:05:01Is it worth gold?
00:05:02Yeah.
00:05:04I saw that.
00:05:19Yes.
00:05:20Very lucky.
00:05:22Mr. Richards, with gold of 240 shillings for finance,
00:05:24that particle, estimating its value at, er, 0.025,
00:05:27would entail a loss of approximately six shillings.
00:05:30Yes, well, I've got a bit more out here for you to check.
00:05:32100 gold bars, weighed to the value of 495,987 pounds.
00:05:41Oh, Mr. Richards, your deposit will be returned in the usual way
00:05:46as soon as the gold enters the bank. You're both armed.
00:05:50I was well aware they all ridiculed me for the way I fussed and worried.
00:05:55That was precisely what I had striven for years to achieve.
00:06:25Here we go again.
00:06:40There's a car been following us.
00:06:42That one, sir?
00:06:43No, of course not. A black Chrysler, THX 375. It's gone on ahead.
00:06:46No sign of it now.
00:06:48He's probably waiting for us around the next corner. Go and have a look.
00:06:51And leave me your gun, meanwhile.
00:06:57Nobody could say that my precautions were not fully justified.
00:07:01Many a rascal would have whisked his all for half a million,
00:07:04not realizing that gold in the form of bullion
00:07:07is useless without a method of smuggling it aboard.
00:07:10To find that method was my last remaining problem.
00:07:16Meanwhile, I gave the bank their gold.
00:07:20Thanks, Holland. Everything quite in order?
00:07:22Yes, sir.
00:07:24Silly question.
00:07:25Twenty years, nothing's ever been out of order yet.
00:07:29That'll do, Holland.
00:07:31Why don't you give that poor old devil a chance?
00:07:38Surely, after all this time, he deserves a leg out.
00:07:41Oh, I'm afraid it wouldn't work, sir.
00:07:43His one and only virtue is honesty.
00:07:45He's no imagination, no initiative, sir.
00:07:48I was a potential millionaire.
00:07:51Yet I had to be satisfied with eight pounds, fifteen shillings, less deductions.
00:07:56A weekly reminder that the years were passing
00:07:59and my problems still unsolved.
00:08:03Until my ship came home,
00:08:05I was obliged to live at the Balmoral private hotel in Lavender Hill.
00:08:17Oh, Holland!
00:08:19The man of millions!
00:08:20What did you get away with today?
00:08:21Got any spare ingots for an old pal?
00:08:24You'll be the death of me, Holland.
00:08:26I sincerely trust so.
00:08:29Ha, ha, ha, ha, ha!
00:08:32Ha, ha, ha, ha, ha!
00:08:33Ha, ha, ha!
00:08:34Ah, Mr. Holland.
00:08:35Always punctual.
00:08:36I smell oxtail soup again.
00:08:38Oh, yes.
00:08:39Ha, ha, ha, ha.
00:08:44Let's see. Where do we get?
00:08:45Duke Milligan was about to take a gander at Nicky the Greek's hideout.
00:08:48Oh, yes.
00:08:49Here we are.
00:08:51I handed my fedora to a hat-check girl with all that Venus to Milo had got and them all,
00:08:57and I was admiring them all when I glimpsed something in the back of this frail
00:09:01that set my underwear creeping up on me like it had legs.
00:09:04I know that feeling well.
00:09:06A guy had soft-shoed out of the door from the gaming room as quiet as a snake on tip-belly,
00:09:10and I didn't need my case history of smiling Ed Montana
00:09:13to know that Sonny Boy was his number-one trigger man, Rikki the Filipino.
00:09:17I thought it was little boy Schultz who carried the rod for Mr. Montana.
00:09:20It was Mrs. Chalk, but surely you'll remember.
00:09:23Montana found Schultz taking liberties with that wedding.
00:09:26Yes, yes, they took him for a ride.
00:09:29Only last night, wasn't it?
00:09:30Oh, I must be getting old.
00:09:32Read on, Mr. Holland.
00:09:34If ever I felt like putting up a new high for the mind of the century, this was the time.
00:09:39And then I thought again of those ten thousand smack-a-roos.
00:09:43Yes.
00:09:48Mr. Holland, you're not concentrating.
00:09:50So's I.
00:09:59Eve-she must be upstairs.
00:10:00Good evening.
00:10:20Good evening.
00:10:21Tricky business is moving, isn't it?
00:10:27You've got a lot of stuff here.
00:10:28Yeah.
00:10:29I'll give you a hand.
00:10:30Oh, it's very civil of you.
00:10:31By the way, my name's Pendlebury.
00:10:32Holland.
00:10:33Yeah.
00:10:34If you wouldn't mind taking motherhood.
00:10:38Good evening, Mr. Pendlebury.
00:10:40Welcome to Balmoral.
00:10:42How very nice to see you.
00:10:47Oh, Mr. Pendlebury.
00:10:50I knew you were an artistic gentleman.
00:10:52But really.
00:10:53I thought, uh, oh, thank you.
00:10:56I thought I made myself quite plain when I phoned, Miss Evesham.
00:11:00I'd, I'd no idea it would mean.
00:11:03But there's no place to put it all.
00:11:05What about the stable?
00:11:06I suppose it could go there.
00:11:09Mind your toes, Miss Evesham.
00:11:16Back shortly, Mr. Chalk.
00:11:18Oh.
00:11:22Oh, this is capital.
00:11:24Capital.
00:11:25A ready-made studio.
00:11:27A thing I've wanted all my life.
00:11:29Why, it's even got a north light, too.
00:11:32Mr. Pendlebury, just one moment.
00:11:34The terms of my lease will be...
00:11:36Oh, I say, steady, steady, steady.
00:11:37Oh, it's all right.
00:11:39I had to cast her in gilding metal.
00:11:41It's a little delicate, you know.
00:11:42Mr. Pendlebury.
00:11:43I did it at my factory.
00:11:44Interesting process.
00:11:45You must come and see upon it these days.
00:11:46Mr. Pendlebury.
00:11:47Oh, these walls.
00:11:49Oh, an admirable background for my canvases.
00:11:52Mr. Pendlebury, let me inform you here and now
00:11:55that no business occupation may be performed on these premises.
00:11:59Oh, my dear lady.
00:12:00This is not my business occupation.
00:12:02Now, where?
00:12:03No.
00:12:04These are my wings.
00:12:06My escape after the cares of the day are over.
00:12:09My business occupation is something unspeakably hideous.
00:12:13I'm in the presence from trade.
00:12:15Do you know a present from Brighton, souvenir of Tunbridge Wells?
00:12:18Yes, if tourists only realize they can save themselves a lot of luggage space
00:12:22by applying to us direct their holiday memories.
00:12:25And the irony of it, Holland, the irony is
00:12:28I must design them all myself.
00:12:29I propagate British cultural depravity.
00:12:34Look at this.
00:12:35Anne Hathaway's cottage for keeping string in.
00:12:40Wouldn't you infinitely prefer the comparative beauty of an old biscuit tin?
00:12:44South End Pier.
00:12:46Oh, I've thought for years to cut loose from it all, but never had the courage of all sad words of tongue or pen.
00:12:55Even the saddest of these, it might have been.
00:13:05Forgive me.
00:13:06Come and see the casting room.
00:13:08We're busy at present on one of our export lines.
00:13:10Paperweights.
00:13:11We ship a thousand a week over to France.
00:13:14Here's a little speciality.
00:13:17Quite a simple process, really.
00:13:41Pour the molten lead into the mold.
00:13:43Allow it to harden.
00:13:44As soon as it's cooled, it's sprayed with gold paint, and then it's ready to be shipped to France.
00:13:48Slave, I have set my life upon a cast.
00:14:15Richard III.
00:14:19I believe he's turning into a self-portrait.
00:14:22I shall call him the slave.
00:14:25Oh, my dear Holland, I'm so sorry.
00:14:26You're still feeling bad, the heat of that place.
00:14:28I always forget.
00:14:29No, no, it wasn't the heat.
00:14:31I'm used to that in my job.
00:14:33Oh, really?
00:14:34Your place is very similar to a finery.
00:14:37Really?
00:14:37I had no idea.
00:14:38We turn gold into bars.
00:14:40You turn lead into Eiffel Towers.
00:14:41That's the only difference.
00:14:42Only?
00:14:43If I had gold to deal with.
00:14:47Yes.
00:14:48Ah, an idle dream.
00:14:51Must be a big responsibility.
00:14:53No, not really.
00:14:54If anyone did rob our van, it's virtually impossible to dispose of stolen bullion in this country at any rate.
00:15:06Yes.
00:15:06Oh, yes, I imagine so.
00:15:07But of course, if it could be smuggled aboard.
00:15:11What a hope.
00:15:11Well, I wouldn't say it's out of the question.
00:15:14They're saying one had the means of melting the stuff down.
00:15:16In the kitchen stove.
00:15:18For a job.
00:15:19Of course not.
00:15:22It would mean taking on a partner.
00:15:24Ah, risky.
00:15:26Bringing other people in.
00:15:27That would be essential in any case.
00:15:29No one person could rob our van unaided.
00:15:31You mean he'd need accomplices.
00:15:35Precisely.
00:15:42A gang.
00:15:44A gang?
00:15:45Not too easy to come by.
00:15:46Oh, I don't know.
00:15:47Well, with gold selling on the continental black market at two and a half times its standard price.
00:15:53I mean, quite a few people would be willing to chance an arm for half a million.
00:16:00Yes.
00:16:01But how, how would you get your gold across to the continent?
00:16:05Well.
00:16:09I suppose if one had the right sort of partner.
00:16:13In the form of, uh, shall we say,
00:16:17Eiffel tarred paperweights.
00:16:22Oh, ho, ho, ho, ho, ho.
00:16:25By Jove, Holland's a good job we're both honest men.
00:16:30It is indeed, Pendle Gray.
00:16:47Well, Holland, you've been quite the subject of discussion later.
00:17:04Oh, there you are, Holland. Come in and sit down.
00:17:12Well, Holland, you've been quite the subject of discussion lately.
00:17:17Don't look so worried, ma'am.
00:17:19I've managed to persuade the chief cashier to give you a leg up.
00:17:22A leg up, sir?
00:17:23Promotion. No going up to foreign exchange.
00:17:26No more uncomfortable journeys in that dreary van.
00:17:29But, sir...
00:17:30Now, now, nonsense, nonsense, nonsense. Don't bother to thank me, ma'am.
00:17:33I've told Abercrombie that you can start with him next Monday.
00:17:36But I can't, sir.
00:17:38Why not? Because...
00:17:41Because...
00:17:43I'm too old to change my views now, sir.
00:17:46One's never too old to better oneself.
00:17:49Think what you can do with an extra 15 shillings a week.
00:17:52But, sir, I like the bullion office. It holds all I ever wished for.
00:17:56The trouble with you, Holland, if I may speak frankly, is that you haven't enough ambition.
00:18:00When a good opportunity comes along, grab it with both hands.
00:18:04It may not occur again.
00:18:09Very good, sir.
00:18:11I'll follow your advice.
00:18:12So it's now or never?
00:18:22This week.
00:18:23Friday's delivery.
00:18:24Three days to go.
00:18:25And two desperados to find.
00:18:34Bait.
00:18:35Bait?
00:18:36Bait.
00:18:37Bait.
00:18:38Bait.
00:18:39Bait.
00:18:40Bait.
00:18:41Bait.
00:18:48Mr. Pendlebury.
00:18:49Hello, Mr. Pendlebury.
00:18:51Hello.
00:18:52Hi.
00:18:53Good evening.
00:18:54My dear, what a bit of luck. Just the man I wanted to see.
00:18:57What's the trouble?
00:18:59That's safe in my office. Something's gone wrong with the lock.
00:19:04I'll send a man round tomorrow.
00:19:06I wish you would.
00:19:07It worries me a little leaving the staff wages there overnight.
00:19:13You know the address?
00:19:14Q Gores Ltd.
00:19:16Q Gores Ltd.
00:19:17Q Gores Ltd.
00:19:18You know the back of wrath being placed there.
00:19:20But fancy leaving all that money there.
00:19:22Why, anybody could break into the place tonight and help themselves.
00:19:25Come on, Number 5.
00:19:26You've done it.
00:19:27Stay there, me beauty.
00:19:29Stay there.
00:19:44One never knows.
00:19:54Somebody may have been listening.
00:19:56I suggest we give them till midnight.
00:19:58Where are those guns?
00:20:00Guns?
00:20:01Yes.
00:20:02I think you'll be alarmed.
00:20:03Here we are.
00:20:06Here's yours.
00:20:07Is it loaded?
00:20:08Yes.
00:20:09It's a present from market.
00:20:10It fires a stick of rock.
00:20:14The safe's in the office over there.
00:20:25You squeeze behind that bench and surprise anyone making for the safe.
00:20:29I'm going over here to prevent an escape through the packing.
00:20:44Ready?
00:20:45Ready?
00:20:46Ready?
00:21:14Ready?
00:21:15Ready?
00:21:16Ready?
00:21:17Ready?
00:21:18Ready?
00:21:19Ready?
00:21:24What's that?
00:21:25Cramp.
00:21:26What?
00:21:27Pins and needles.
00:22:14Please don't be hard on me.
00:22:44I've got a wife and six kids. I've never done nothing like this before.
00:22:51Is that true?
00:22:52Yes, Guff. I'm on the level. May I drop dead if I lie.
00:22:55I've been honest all my life.
00:22:57It was just a temptation.
00:22:59This is your first crime?
00:23:00Yes, Guff. I swear it. And I'll never go wrong no more.
00:23:03Suppose we ask you to do a job for us.
00:23:05I'll do it. That's all. I want a chance to turn an honest penny.
00:23:08Well, supposing it wasn't exactly an honest penny.
00:23:10Careful now, careful. We don't want anyone who's going straight.
00:23:13In any case, we need someone far bigger.
00:23:15Such as me?
00:23:21Who are you?
00:23:22Take those things away. I'm not hungry.
00:23:24Name of Lackery Wood, otherwise known as Sorter Steve, the ones with boy.
00:23:28Two convictions for housebreaking, one for last near the person,
00:23:31total 18 months only and 10 years' work.
00:23:33There are some cuttings if you'd like to see them.
00:23:34How long have you been here?
00:23:35Just long enough to hide when I heard you coming in.
00:23:37Thought I'd been taken for the mud. Me.
00:23:39What's the job?
00:23:40Beautiful.
00:23:42Are you alone?
00:23:43Never worked nothing else but single-handed.
00:23:45Sensible. Very sensible.
00:23:47Just the same yourself.
00:23:49Kept on me Jack Jones ever since Nobby Curtis got me done for that job at Bellamy's.
00:23:53Bellamy's in Bromley?
00:23:54That's right. Last June, 12th, man.
00:23:56I was casing that joint the night you got pinched.
00:23:58Well, what do you hear now?
00:23:59Oh, Shorty Fisher.
00:24:00Ah, nice to meet you.
00:24:01Excuse me, I may be slow, but do I understand that you two are in fact both professional criminals?
00:24:07Well, what else do you take us for, ruddy snoopers?
00:24:09All right, what's the setup?
00:24:10Just a moment, Pendlebury.
00:24:12We require a team, and if these two gentlemen insist on working alone...
00:24:15Oh, now, wait a minute.
00:24:16You make it worth that while, cock. We work in with a band of hope, eh, Shorty?
00:24:19You said it.
00:24:20Well, in that case, if you would both join us in the office,
00:24:23my friend Mr. Holland will outline what we have in mind.
00:24:25I must apologize, gentlemen, for the somewhat informal manner in which we affected our introduction.
00:24:35But my colleague and I have a certain proposition which we'd like to put to you.
00:24:40I might almost call it a guilt-edged proposition.
00:24:44Although, paradoxically, it does entail a measure of risk.
00:24:47However, when I quote the anticipated dividend, I'm sure that you will both agree with me that the...
00:24:55Not another one, surely.
00:24:59Tell him we're suited.
00:25:01Everything all right here, sir?
00:25:03Yes, thank you, officer.
00:25:04My partner and I are busy stocktaking.
00:25:07Only I saw the window open, you see.
00:25:08Oh, yes, yes. I'll close it. Thank you very much.
00:25:11Good night, officer.
00:25:11Good night, sir.
00:25:17Good night, sir.
00:25:47Paris, eh? You're stepping out, Holland.
00:25:50Wonderful, isn't it, what a little extra money will do?
00:25:52Yes, it's going to make a big difference to me.
00:26:08Oh, go on.
00:26:11Have a go out on your own now, Lackery.
00:26:13That's it.
00:26:15How are you getting on?
00:26:17No, you must show some sense of proportion.
00:26:23Look at that seagull. It's bigger than the funnel.
00:26:27Go on, I'll do something else, Gov.
00:26:29Sole matches or boot laces.
00:26:30Oh, no.
00:26:31Mr. Holland specified a pavement artist,
00:26:33and a pavement artist it's got to be.
00:26:35Come on, try again.
00:26:36It's coming slowly.
00:26:37You're teaching a wrong man.
00:26:56Well, I had to change him over.
00:26:58Shorty can't ride a bicycle.
00:26:59It doesn't look as if he can, either.
00:27:05We're learning him.
00:27:07Why couldn't you learn Shorty?
00:27:09Because Lackery's colourblind.
00:27:11What's that got to do with it?
00:27:13Oh, my dear, Holland, do use your intelligence.
00:27:15If a policeman were to come along and see a green sunset over a purple sea...
00:27:18All right, all right. Spare me the details.
00:27:19Is everything else fixed?
00:27:21Yes, the map's in the office.
00:27:22Come along, boys. This is a set-up.
00:27:31Mr. Fisher will be sitting here.
00:27:33The van will stop in front of him at 4.30.
00:27:35A minute later, the guard will appear around this corner,
00:27:38and you, Pendleby, will detain him for at least half a minute.
00:27:40Ask him for a light, ask him the way, ask him anything.
00:27:42But keep him there. We must have those 30 seconds.
00:27:44Head guard.
00:27:45I beg your pardon?
00:27:47Isn't one supposed to say that when one's being briefed on my rare visits to the Kinnemar?
00:27:51The word is wadger.
00:27:53Oh, wadger.
00:27:54I'm silly of them.
00:27:55To continue.
00:27:56As soon as we've captured the fare,
00:27:57Mr. Wood and Mr. Pendleby will proceed straight to the warehouse.
00:28:00A bit risky, that, isn't it?
00:28:02Making Mr. Pendleby go there after the guard's seen him.
00:28:04It's a risky mistake.
00:28:06We need everyone.
00:28:07We've more than 200 bars to move, and I must have my alibi.
00:28:10You've got to gag me, bind me, tear my clothes, roll me in the dust.
00:28:13We don't afford to waste one second.
00:28:16Okay.
00:28:17You're the boss?
00:28:18Yes.
00:28:22Yes, that's right.
00:28:24I am.
00:28:28211.
00:28:29Uh, Mr. Richards, your deposit will be returned in the usual way.
00:28:39As soon as the gold enters the bank.
00:28:42You're both, sir.
00:28:43You're both, sir.
00:28:45Let's go.
00:29:15Let's go.
00:29:45Let's go.
00:30:15Let's go.
00:30:45Let's go.
00:31:15Let's go.
00:31:17Did you see that car?
00:31:19Yes, sir. Police car.
00:31:20What?
00:31:20Nothing to be afraid of there, sir, bloke.
00:31:22It was a copper.
00:31:23It's probably some twig.
00:31:24I'm sure it's the same car that followed us the other day.
00:31:26You want me to go and look around the corner, sir?
00:31:27Yes.
00:31:29Yes.
00:31:50You're mistaken, my dear friend.
00:31:52You're mistaken.
00:31:53No.
00:32:00You've got a flat tire there, mate.
00:32:14Help! Help!
00:32:20Help! Help, please!
00:32:23What's happened?
00:32:24The van! They pinched the van!
00:32:26What's this?
00:32:27A million pounds!
00:32:31Fire!
00:32:33Stop, thief!
00:32:34Fire!
00:32:35Stop, thief!
00:32:43LOM2GW from 1-4.
00:32:45Urgent message. Urgent message begins.
00:32:48Maroon-coloured van, LKL 238,
00:32:51containing bullion,
00:32:53value 1 million pounds,
00:32:55believed stolen in the vicinity of Queen Victoria Street.
00:33:03Hello, all cars from M2GW.
00:33:05Message number 4-8 begins.
00:33:07Maroon-coloured van, LKL 638,
00:33:09containing bullion, value 1 million pounds,
00:33:11stolen from the vicinity of Queen Victoria Street.
00:33:15Oh, what a wait!
00:33:16The others will be here soon.
00:33:18Oh, what a wait!
00:33:19The others will be here soon.
00:33:21Oh, what a wait!
00:33:23The others will be here soon.
00:33:24Oh, what a wait!
00:33:25The others will be here soon.
00:33:26Oh, what a wait!
00:33:27The others will be here soon.
00:33:28Oh, what a wait!
00:33:29The others will be here soon.
00:33:30Oh, what a wait!
00:33:31The others will be here soon.
00:33:32Oh, what a wait.
00:33:40The others will be here soon.
00:33:51Oi.
00:33:53Oi, Shorty.
00:33:56They got Mr. Pendleberry.
00:33:57Who has?
00:33:58The cops, of course.
00:33:59I saw a crowd down there.
00:34:00The driver of the van's here.
00:34:01There's two cops and they're holding him.
00:34:03Will he cross?
00:34:04Will he squeal?
00:34:05Will he split?
00:34:07No.
00:34:08Then it don't matter.
00:34:09We can deliver.
00:34:10The stuff that's arranged.
00:34:11That's right.
00:34:11We don't need him.
00:34:12Come on.
00:34:26Sergeant Wilson, you take your men and search the east end of the street, moving down towards
00:34:30the center.
00:34:30Sergeant Cripps, you take the west end and move down here to meet Sergeant Wilson.
00:34:31Rose, you'd better come with me.
00:34:32I think we'd better have a look at those warehouses.
00:34:33That's all right.
00:34:34Leave the rest.
00:34:35Blimey, Governor.
00:34:36Why?
00:34:37Help my alibi.
00:34:38Turn it up, Governor.
00:34:39There's 75,000 quid in there.
00:34:40I said leave it.
00:34:41A ruddy waste.
00:34:42There's many a starving bloke be glad of that lot.
00:34:43Come on now.
00:34:44Fix me up.
00:34:45No, behind you.
00:34:46Left hand pocket.
00:34:47Stand still.
00:34:48What's that?
00:34:49You turn.
00:34:50It's easier.
00:34:51You turn.
00:34:52It's easier.
00:34:53Another one.
00:34:54Okay.
00:34:55Another one.
00:34:56Okay.
00:34:57Okay.
00:34:58Okay.
00:34:59Okay.
00:35:00You turn.
00:35:01You turn.
00:35:02It's easier.
00:35:03Another one.
00:35:04Okay.
00:35:05Hey.
00:35:06Luke.
00:35:07Luke.
00:35:08What's that?
00:35:17You turn.
00:35:18It's easier.
00:35:20Another one.
00:35:21Okay.
00:35:31Hey.
00:35:32Luke.
00:35:33Hey.
00:35:34Hey.
00:35:35Come on.
00:35:36Scrap.
00:35:37Wait.
00:35:38Wait.
00:35:39Mess me up.
00:35:40Mr. Fisher.
00:35:41Mr. Wood.
00:35:42Mess me up.
00:35:43It's essential.
00:35:44Hey.
00:35:45Wait.
00:35:46Wait.
00:35:47Wait.
00:35:48Stop.
00:35:49Wait.
00:35:50Wait.
00:35:51Wait.
00:35:52Wait.
00:35:53Wait.
00:35:54Wait.
00:35:55Wait.
00:35:56Wait.
00:35:57Wait.
00:35:58Wait.
00:35:59Wait.
00:36:01Wait.
00:36:02Wait.
00:36:03Wait.
00:36:04Wait.
00:36:05Wait.
00:36:06Wait.
00:36:07Wait.
00:36:08Wait.
00:36:09Wait.
00:36:10Wait.
00:36:11Wait.
00:36:12Wait.
00:36:13Wait.
00:36:14Wait.
00:36:15Wait.
00:36:16Wait.
00:36:17Wait.
00:36:18Wait.
00:36:19Wait.
00:36:20Wait.
00:36:21Wait.
00:36:22Wait.
00:36:23Wait.
00:36:24Wait.
00:36:25Wait.
00:36:26Wait.
00:36:27Wait.
00:36:28Wait.
00:36:29Wait.
00:36:30Wait.
00:36:31Wait.
00:36:32Let's go.
00:37:02Help!
00:37:10Help! Help!
00:37:20Can you see from down there?
00:37:29Sir! Inspector Torbett! Sir!
00:37:32What's going on over there?
00:37:54Purely an oversight, officer. I had something on my mind.
00:37:57Three pictures in a week I've missed from there.
00:37:59You can't accuse him of taking those others too.
00:38:01I should think not. I'm no thief, officer.
00:38:04My character's an open book.
00:38:29Well?
00:38:37Well, you might as well know, I was lying. I am a thief.
00:38:42It was madness to attempt it.
00:38:44We weren't cut out for crime, either of us.
00:38:46We?
00:38:48My partner and I.
00:38:49Your partner?
00:38:50Here, if you're working with the French who's got them other pictures.
00:38:53Carry on.
00:38:54Oh, I make no excuses.
00:38:55All my life has been my ambition to surround myself with rare and beautiful things.
00:39:01Suddenly faced with this golden opportunity.
00:39:03Here.
00:39:04You call that picture of mine rare and beautiful?
00:39:08Since you will keep on interrupting me, you ought to know it's a charming example of an early Rocher.
00:39:14While he was still under the influence of Coro.
00:39:16Where?
00:39:17How much is it worth?
00:39:20Ten pounds.
00:39:21To those who can afford it.
00:39:23Oh, blimey.
00:39:25I've got it marked up before I bought.
00:39:27Here, what about this charge?
00:39:28Let him go!
00:39:29I've got to get back before they sell that picture.
00:39:33You're lucky, though, it seems.
00:39:36All right.
00:39:37Closed as missed.
00:39:39Off you go.
00:39:40Yes, about five minutes ago.
00:39:45Who, sir?
00:39:47Oh, yes, we've got him, all right.
00:39:48He's here now giving us a statement.
00:39:51Yes, he's told us quite a lot already.
00:39:54Go on.
00:39:55Off it.
00:40:07Yes.
00:40:10Yes, you can depend on that, sir. We'll get all we can out of him.
00:40:14I see.
00:40:17Yes, he's stood it pretty well.
00:40:20Yes, we'll look after him, all right, sir.
00:40:22We're fixing him up with some dry clothes now.
00:40:25Yes, I agree, sir. We're up against some very tough customers.
00:40:36Here, what are you doing? They'll have to put a new floor in.
00:40:39He'll be able to afford it, won't he? Save your breath and get on with the job.
00:40:42You make me sick.
00:40:48What's happened?
00:40:49He only just made it.
00:40:50Here. I thought you was pinched.
00:40:52No, it's Holland they've got.
00:40:53Holland?
00:40:55I was in the police station when they brought him in under arrest.
00:40:57You sure of that?
00:40:58Of course I'm sure.
00:41:00It was all dripping wet. There were two policemen holding him.
00:41:02Oh, they must have seen everything. We've got a blow.
00:41:04Now, wait a minute.
00:41:05Can I connect you with him?
00:41:06I don't know.
00:41:07We both live at the same house, but...
00:41:09What?
00:41:10The map.
00:41:11The map showing the route from here to the warehouse.
00:41:13Holland took it home with him.
00:41:14Now, we are done for.
00:41:15No, we're not.
00:41:16You finish the job.
00:41:17Come on.
00:41:18Where to?
00:41:19Your place, if they're in Cersei's room, yeah?
00:41:37Too late.
00:41:38Helmet's in the hall.
00:41:39You'll have to go in alone, Duff.
00:41:41Might be somebody I know.
00:41:42But they're there already.
00:41:44Well, there's still a chance they haven't found it yet.
00:41:46Go on, get weaving.
00:41:49But surely you must have some suspicion.
00:41:53Who worked the hoist rackets in this territory?
00:41:56Beg pardon, lady?
00:41:58Well, really, I can't make myself much plainer.
00:42:00Which hoodlums around here specialize in Toby jobs?
00:42:19Holland!
00:42:20Horse!
00:42:21Chandlehl differentiator!
00:42:22Holland!
00:42:23Pendle for me!
00:42:29Oh, where do you...
00:42:49Determination, pluck and fortitude worthy of the highest praise.
00:43:02Come along now. We mustn't keep him waiting.
00:43:19We mustn't keep him waiting.
00:43:49We mustn't keep him waiting.
00:44:19We mustn't keep him waiting.
00:44:49The gold is the sovereign of all sovereigns.
00:44:51Proverb.
00:44:53Holland.
00:44:55Holland.
00:44:57These plain-sided crates are filled with the lead towers made by the daytime staff.
00:45:03They must never be touched.
00:45:05This R stands for Reserve Stock.
00:45:11These crates will remain in our palace warehouse.
00:45:13I've sent instructions to our young lady over there.
00:45:15She's never to use anything from a crate marked R till I give the authority.
00:45:19So these are the ones I work on?
00:45:21Exactly.
00:45:23Get rid of the contents and refill with...
00:45:25How long do you think it'll all take?
00:45:27I estimate about two weeks here.
00:45:29Then a week in Paris to find our market.
00:45:31Then three months back here till it all blows over.
00:45:35It'll bring us to the end of the year.
00:45:36An excellent time for me to retire.
00:45:37Mama, you're not going back to the bank after the stuff left the country, are you?
00:45:40Certainly I am.
00:45:41It would look most suspicious if I gave up my job immediately.
00:45:45Ah, patience is a virtue.
00:45:47Shakespeare.
00:45:59Our firstborn.
00:46:08Oh, yes.
00:46:09That's the man you describe in your statement as having a...
00:46:12a snake tattooed on his wrist.
00:46:14Yes.
00:46:15I should mention that one of them had a distinct foreign accent.
00:46:19Come on, China.
00:46:20Get weaving.
00:46:32Scotland Yard are searching the rogues' gallery in the hunt for the criminals.
00:46:36And helping them is the bank clerk hero, Lucky Little Holland.
00:46:40There is no doubt that this robbery is the work of a mastermind.
00:46:45The police of every county have instructions to leave no stone unturned in their nationwide search.
00:46:55Every possible clue is being investigated.
00:46:57However small and unimportant it may appear on the surface.
00:47:00The Yard are confident of ultimate success.
00:47:03Because anyone who traffics in stolen gold will find it's too hot to handle.
00:47:08The New York City of New England is the right to run the mastermind.
00:47:09It's too hot to run the mastermind.
00:47:10The MASSIVE
00:47:20Scientific research reinforces the man on the beat.
00:47:21All the big guns are on the side of the law.
00:47:22Link by link a chain of cast iron evidence is forged.
00:47:23and the iron evidence is forged.
00:47:33Men who might be able to assist the police in their inquiries
00:47:35are being sought in all likely hideouts.
00:47:37It is expected that a charge will be made within 24 hours.
00:47:42Meanwhile, the yard chiefs continue to work in calm and imperturbable harmony.
00:47:47A spirit of complete confidence prevails.
00:47:51The gold has not left the country.
00:47:53Well, I hope you're right.
00:47:55If it has, we'll never see one grain of it again.
00:47:57The ports are being watched as they've never been watched before.
00:47:59We're counting the matchsticks.
00:48:02Google's limited, souvenir models, Eiffel Tower in lead...
00:48:06Okay. Yes, for sure.
00:48:08And in view of rising public anxiety,
00:48:10can he assure the house that this very large sum of money
00:48:13is not irretrievably lost to the nation?
00:48:16Yes, sir, I think I may give that assurance.
00:48:18Measures have been taken which render it virtually impossible
00:48:21for any substantial quantity of gold to be removed from this country.
00:48:25Souvenir de la Tour Eiffel en blanc.
00:48:27Oui.
00:48:29Ça va?
00:48:30C'est bon.
00:48:31Bon.
00:48:35This time tomorrow, where shall I be?
00:48:38Not in this so-found-a-way.
00:48:42Now that it's all over, I suppose I may dare say,
00:48:46it's been a most remarkable coup.
00:48:48Biggest job of its kind since one I dobson got away with the GI's pay package.
00:48:52Two million dollars, Grosvenor Square, 45.
00:48:54That was before the valuation.
00:48:56Now, this is one million pounds.
00:48:58Well, that's right.
00:48:59Blimey.
00:49:00We got the record.
00:49:05Is that you, Lackery?
00:49:07What's the matter?
00:49:16Trouble.
00:49:17Nothing serious, I hope.
00:49:19I can't go.
00:49:20Why not?
00:49:21The missus won't let me.
00:49:26Can't you say it's in connection with an important business deal?
00:49:29I told her, she won't wear it.
00:49:31Birmingham, Glasgow Manchester, Bob's your blooming uncle.
00:49:33Parrish?
00:49:34No.
00:49:35Well, you know we can't pay you till we get to Paris.
00:49:38We'll settle for off a dozen of these.
00:49:40I know it's safe, friends.
00:49:41Out of the question.
00:49:42Are you mad?
00:49:43These vital evidence on this side of the channel.
00:49:45Well, if anything went wrong, the peace would be on to us in no time.
00:49:48Oh, you can't ask a thing like that, mate.
00:49:51I suppose I'm sorry, Gav.
00:49:53I wasn't thinking.
00:49:54I'm a little upset.
00:49:57Here.
00:49:58I'll tell you what.
00:49:59I didn't like to say so, but I don't really fancy going to Paris myself.
00:50:03Why?
00:50:04Well, a friend of mine, he pinched a couple of tickets for the test match, see?
00:50:07I wouldn't have liked to see that.
00:50:09Right.
00:50:10Now, you're both coming straight back here once you've flogged the stuff, ain't ya?
00:50:13Okay?
00:50:14Just smuggle our money over inside your socks.
00:50:16I'll lend you a false bottom bag.
00:50:18You mean you both trust us?
00:50:20Oh, come over here, Gav.
00:50:22You're as straight a pair of gentlemen as I ever worked for.
00:50:24Here, here.
00:50:25Well, that seems an excellent solution.
00:50:28Thank you, boys.
00:50:30Just let me nail this down.
00:50:34I've got a little surprise for you all.
00:50:36I've got a little surprise for you all.
00:51:06Come on.
00:51:07Come on.
00:51:08Shh.
00:51:09You naughty man, waking us all up at this hour.
00:51:10A thousand pardons.
00:51:12Wipe your feet.
00:51:13A little celebration.
00:51:14All ready.
00:51:15Your holidays don't start till tomorrow.
00:51:17Today is tomorrow.
00:51:18Oh, polished perturbation.
00:51:19Golden care that keeps the ports of slumber open wide.
00:51:20In the fourth part, too.
00:51:21Oh.
00:51:22Oh.
00:51:23Oh.
00:51:24Oh.
00:51:25Oh.
00:51:26Oh.
00:51:27Oh.
00:51:28Oh.
00:51:29Oh.
00:51:30Oh.
00:51:31Oh.
00:51:32Oh.
00:51:33Oh.
00:51:34Oh.
00:51:35Oh.
00:51:36Oh.
00:51:37Oh.
00:51:38Oh.
00:51:39Oh.
00:51:40Oh.
00:51:41Oh.
00:51:42Oh.
00:51:43Oh.
00:51:44Oh.
00:51:45Oh.
00:51:46Off to.
00:51:47Good night, you naughty men.
00:51:50Don't forget to switch off.
00:51:52Goodnight, Miss Everson.
00:52:01Pendeldrape.
00:52:02Yes.
00:52:03Ha, ha, ha, ha.
00:52:09Pendeldrape.
00:52:10What?
00:52:12May I call you Alfred?
00:52:13Alfred, call me Al, and I'll call you Henry Indid.
00:52:20A name I never cared for.
00:52:26Call me Dutch.
00:52:28Dutch, yes.
00:52:32Good night, Dutch.
00:52:35Good night, Al.
00:52:43Ah, gay, sprightly land of mirth and social ease.
00:53:13Honey, come on, save me.
00:53:15The two, the three.
00:53:16That's what I do.
00:53:18Yeah, good night.
00:53:20I don't care.
00:53:22The three.
00:53:23The three.
00:53:25The two.
00:53:27The four.
00:53:28The four.
00:53:29The four.
00:53:31The four.
00:53:31The four.
00:53:32The five.
00:53:33The five.
00:53:34The four.
00:53:36The four.
00:53:36The five.
00:53:37The five.
00:53:38The five.
00:53:39The five.
00:53:40Holland, the world is out.
00:54:06My friend, Mr Holland.
00:54:08How do you do?
00:54:15How did that get here?
00:54:19I told you never to use a crate marked R.
00:54:22But that is not an R, Monsieur. It is an R.
00:54:25It's an R in English.
00:54:26How many of you sold from that case?
00:54:27Six, Monsieur. To the little English girls.
00:54:31Don't sell anymore. I'll be back.
00:54:34Stop! Stop! Stop!
00:54:40Wait!
00:54:42Come on!
00:54:43Wait!
00:54:44Wait!
00:54:45Wait!
00:54:46Wait!
00:54:47Wait!
00:54:48Wait!
00:54:49Wait!
00:54:50Wait!
00:54:51Wait!
00:54:52Wait!
00:54:53Wait!
00:54:54Wait, Dutch!
00:54:55Wait!
00:54:56What do we care?
00:54:57We've still got all the others.
00:54:58We mustn't let them get back to England. We'll be traced.
00:54:59Who's to know their goal?
00:55:00We can't afford to take any chances.
00:55:04Wait!
00:55:05Wait!
00:55:06Wait!
00:55:07Wait!
00:55:08Wait!
00:55:09Wait, Dutch!
00:55:10Wait!
00:55:11What do we care?
00:55:12We've still got all the others.
00:55:13We mustn't let them get back to England. We'll be traced.
00:55:15Who's to know their goal?
00:55:17We can't afford to take any chances.
00:55:19Why are we deforming?
00:55:21Where are we stations?
00:55:23Gosh...
00:55:24Wait!
00:55:28Gosh...
00:55:30Wait for me!
00:55:49There's nothing to love, Ed.
00:56:19Stop!
00:56:36Wait!
00:56:47Ah, ah, ah.
00:56:49Taxi!
00:56:50Hey! Hey!
00:56:53Suive, suive!
00:57:17It's no good. The train's gone.
00:57:19Get all the rest out of the warehouse now and disappear with them.
00:57:21Disappear? With half the police in the world looking for us to Calais.
00:57:23The warehouse!
00:57:24Calais!
00:57:25Oh, face the facts, man.
00:57:27You'll have to change your plan.
00:57:29Ravish. It's a perfect plan.
00:57:31What's the French for faster?
00:57:33I'm not gonna tell you.
00:57:35For heaven's sake, do you want to be a hunted man all your life?
00:57:38Oh, my God.
00:57:42Hello, Mr. White.
00:57:44Oh, my God.
00:57:53Ah, my God.
00:57:55You're a good time in Paris?
00:57:57Yes, sir.
00:57:58Do you enjoy yourselves?
00:57:59Yes, sir.
00:58:00There they are.
00:58:01See some friends.
00:58:11No, no, no.
00:58:14Tickets.
00:58:16The billet.
00:58:18The billet.
00:58:20Never do it.
00:58:30You must.
00:58:32Here, in here.
00:58:33Dover.
00:58:34Dover.
00:58:35Dover.
00:58:36Dover.
00:58:37Dover.
00:58:38Dover.
00:58:39Dover.
00:58:40Oui, oui, oui, s'il vous plaît, oui.
00:58:42Merci.
00:58:51What passport?
00:58:52What passport?
00:59:03Merci.
00:59:07Al.
00:59:08Al.
00:59:09I thought I had it.
00:59:18Got it.
00:59:19Oh, vite, vite, vite, s'il vous plaît.
00:59:28Oh, vite, vite, vite, s'il vous plaît.
00:59:30Oui, monsieur.
00:59:31Dépêchez, je vous en prie.
00:59:33Oui, oui, oui.
00:59:34Ah.
00:59:44Si.
00:59:45Merci.
00:59:46Got it?
00:59:47Oh, Pendlebury.
00:59:48I'm sorry I couldn't find it.
00:59:50Pardon, monsieur.
00:59:51Pardon.
00:59:52Oh, Castor.
00:59:54Hey!
00:59:55Hey, hey!
00:59:56Say, we bought nothing, nothing, absolutely nothing.
00:59:58Vous n'avez rien à déclarer?
00:59:59Non.
01:00:00Cigarette?
01:00:01Non, non.
01:00:02Tissus?
01:00:03Non, non, non.
01:00:04Bijoux?
01:00:05Non, non, non.
01:00:06Cognac?
01:00:07Non, non, non, non, non.
01:00:10Ouvrez.
01:00:11Non, non!
01:00:12Open, open.
01:00:13Ouvrez.
01:00:16Pajamas.
01:00:21Oh!
01:00:22Hey, hey, hey, hey!
01:00:24Mon là !
01:00:25Cool, voila !
01:00:30Bienvenue !
01:00:32ILLE CHALLE !
01:00:33Oh!
01:00:34Saddest!
01:00:35Torturажи !
01:00:36tudo!
01:00:37N' gonnae has ?
01:00:38On habe Desdenté.
01:00:39There.
01:00:40Tant égit !
01:00:45Goodbye !
01:00:46Goodbye !
01:00:47Good bye !
01:00:48Goodbye !
01:00:50What for ?
01:00:51C'est une foiile ?
01:00:52Bain!
01:00:53The End
01:01:23Yes?
01:01:29I'd like to see Mr. Holland.
01:01:31Mr. Holland's in Paris.
01:01:32In Paris?
01:01:33Yes, he's gone there for a fortnight's holiday.
01:01:35Oh, he never told me.
01:01:37Have you his address?
01:01:38I haven't.
01:01:39I'm sorry.
01:01:40He didn't know where he'd be staying.
01:01:42I see.
01:01:42All right, thank you.
01:01:43Pleased to be of help.
01:01:51Why, Mr. Holland?
01:01:53What is the meaning of this?
01:01:55Transport strike in Paris.
01:01:57Made things too difficult.
01:01:58And Mr. Pendlebury, is he with you?
01:02:00He's flying back tomorrow.
01:02:01He had some important business this seat.
01:02:03You have dined, I hope.
01:02:04I'm afraid not.
01:02:06Oh.
01:02:07Good evening.
01:02:10Oh.
01:02:11Evening, Inspector.
01:02:12Oh, it's bad luck about your holiday.
01:02:14It's yes, isn't it?
01:02:15You should have informed us you were going abroad, you know.
01:02:17You're our most important witness.
01:02:19I'm so sorry.
01:02:20Anything I can do?
01:02:21We've traced four vans that were seen near the warehouse at the time of the robbery.
01:02:25It's just possible you may have got a glimpse of one.
01:02:28Um.
01:02:29A blue van with the name Loveday and Bone on the side.
01:02:33No, it all happened so quickly.
01:02:34They never gave me a chance.
01:02:35Well, you never know.
01:02:35Something might register.
01:02:37A white van, the Blackheath Spotless Laundry.
01:02:39No, I'm afraid not.
01:02:41Another blue one.
01:02:42The Springsong Mattress Company.
01:02:44No, as I told you, it's...
01:02:45Or a green van, Gew Gauze Limited.
01:02:49Does that ring a bell?
01:02:51No, it was definitely none of them.
01:02:53Of course, you can't say that for certain if you didn't see it, can you?
01:02:56Silly of me.
01:02:57All right, Mr. Holland.
01:02:57Well, thank you very much.
01:02:59You'll be available now if we want you again.
01:03:01Good night, Mr. Holland.
01:03:02Good night, Inspector.
01:03:02Good night, Inspector.
01:03:21John, how lovely.
01:03:27Dutch!
01:03:28Hello there.
01:03:29Nice for you to come and meet me.
01:03:30I took the crates back to the warehouse.
01:03:31Oh, well, you're looking.
01:03:32Hey, old man, say nothing, just smile.
01:03:35What do you say?
01:03:36Nothing like a change, I always say.
01:03:37Smile, now, smile.
01:03:38The police may be watching.
01:03:39The police?
01:03:40Why, what's happened?
01:03:41They suspect your man was involved.
01:03:44Oh, I told you it was madness to come back.
01:03:47It's a very good thing we did.
01:03:48This makes it all the more important we get hold of those towers.
01:03:50Oh, I was a fool to let you persuade me.
01:03:52You're actually not a fool now.
01:03:53Suspicions aren't evidence.
01:03:54And once we get those out of there, we've got to get ourselves out of there each.
01:03:57That's important.
01:03:58I'm going after those towers.
01:04:00Are you?
01:04:01Well, I'm going back to Paris.
01:04:02Very well.
01:04:03But remember, if I fail, you're for it, too.
01:04:13Did you, uh, did you trace those girls?
01:04:15Yes, in Christopher School Hendon.
01:04:16Come on, don't waste any more time.
01:04:18And nothing in life shall sever the chain that is round us now.
01:04:38And nothing in life shall sever the chain that is round us now.
01:04:45Twenty years hence this weather.
01:04:48They tend us from office stools.
01:04:50We may be still on the feather.
01:04:53Sit down, girls.
01:04:58These gentlemen are from the firm that makes the Eiffel Tower models that some of you bought in Paris.
01:05:04It appears that, by a mistake, you were sold a new experimental type, which they're anxious to have back.
01:05:11They'll exchange them for others equally good.
01:05:14Also, and I consider this most generous, they will give ten shillings to each girl who helps them in this way.
01:05:23We'll have to do a great job.
01:05:38We'll make it look good.
01:05:39Here, ma.
01:05:42That's all.
01:05:43There.
01:05:45One, two, three, four, five.
01:05:48Only five.
01:05:50Who bought the sixth one?
01:05:54Who bought the sixth?
01:05:57June Edwards bought one.
01:06:00You have one, too, have you, dear?
01:06:02Where is it, June? In here?
01:06:04Now, don't be sad, June, dear.
01:06:06Wouldn't you like to have ten shillings and another one just as nice?
01:06:10Oh, come, come. Think of all the speeches you could buy with this.
01:06:13There we are.
01:06:16Just as pretty, isn't it?
01:06:18Really, June? Look at them together and you'll see.
01:06:23There's no difference, is there?
01:06:26Now, come on, tell us. What's the difference?
01:06:29That one's mine.
01:06:32Well, I'm sorry. I can't force the child to give it up.
01:06:35Does the odd one really matter?
01:06:37Indeed it does, madam. Word to fall into the hands of...
01:06:39A business rifle.
01:06:41Yes, but that won't happen.
01:06:43Well, we've kept you too long as it is. Thank you very much.
01:06:45But, but I...
01:06:47What?
01:06:56Oh, that's interesting.
01:06:57I bought a pyramid stud box in Cairo during the war.
01:07:00I suppose that was made here, too.
01:07:02I expect so. We send stuff all over the world.
01:07:04Just for this, sir.
01:07:06Good.
01:07:07You don't keep a record of where the van goes.
01:07:09Anyone takes the blooming thing when they feel like it.
01:07:11Away for a week just recently, it was.
01:07:13You have no recollection who had it that particular afternoon?
01:07:16Well, I've an idea it was the boss, Mr. Pendlebury.
01:07:21Mr. Pendlebury.
01:07:22But I'm not really sure.
01:07:24And I can't ask him because he's away in Paris.
01:07:26In Paris.
01:07:27Oh, well, thanks.
01:07:29All right.
01:07:30Hand her.
01:07:35A Dutch robbing a child?
01:07:37It won't be robbing her. It'll seem to be a swap.
01:07:40If only you'd let me talk to that woman.
01:07:42I couldn't now. She was getting suspicious as it was.
01:07:46Look.
01:07:57Is Georgie today?
01:08:13No, I'm taking his place today.
01:08:15Your boyfriend's on duty in there.
01:08:27Exhibition straight ahead, sir.
01:08:57Straight ahead for the exhibition, sir.
01:09:19On the steering wheel of a car stolen last night in Piccadilly
01:09:23and abandoned two hours later near Croydon.
01:09:27In the West Gallery, you will find a display
01:09:30from the criminal records office containing, for example,
01:09:33the actual dossier of a man now serving a sentence for housebreaking.
01:09:38It contains all his known aliases and nicknames
01:09:41and those of his relatives and friends.
01:09:46Next door, a fingerprint expert is ready to take the...
01:09:50Hello.
01:09:51Hello.
01:09:52Where have you been all this time?
01:09:53I've been to Paris, and I've bought this back for you.
01:09:56I say, that is nice of you.
01:09:58What a beautiful present.
01:09:59It's a paperweight.
01:10:00Put it on those papers.
01:10:02Thank you very much indeed.
01:10:04Cheerio.
01:10:05Bye-bye.
01:10:06Now what do we do?
01:10:07Tell him the same story.
01:10:09Excuse me.
01:10:11One moment.
01:10:12The next video of our program is a demonstration of police scientists
01:10:15at work on an actual case.
01:10:17The recent big gold robbery.
01:10:19CID officers have taken samples of dust from four different vans.
01:10:24Take your fingerprints, sir.
01:10:26We are testing those samples for gold contests.
01:10:29You had the van we've had?
01:10:30Yes.
01:10:31Completely new floor.
01:10:32The dust has been placed in nitric acid,
01:10:35which will dissolve any metal, with the exception of gold.
01:10:39That's funny.
01:10:40I've just come from the place where they make these things.
01:10:42Pretty, isn't it?
01:10:43My little girlfriend brought it back from Paris.
01:10:45Paris.
01:10:49Try this.
01:10:50Come on, let's get out of here.
01:10:51No!
01:10:52The evidence!
01:10:53Yes.
01:10:54Run, Doc.
01:10:55Run!
01:10:56Stop those men!
01:11:00Stop those men!
01:11:02The boat, too!
01:11:03Bring them all right!
01:11:04Keep it down!
01:11:05Stop those men!
01:11:06Stop those men!
01:11:07Stop those men!
01:11:08Force men!
01:11:14The book, too! Bring it up! All right!
01:11:21The force men! Stop that woman!
01:11:23Where did they go? Please!
01:11:25There they are! Stop that woman!
01:11:28Stop them, Charlie!
01:11:34Stop them, Charlie! Stop them!
01:11:38Stop them! Stop them! Stop the men!
01:11:42Which way did they go?
01:11:43Attention, everyone, please!
01:11:45Attention, everyone, please!
01:11:51The dangerous men are at large in this building.
01:11:55There he is!
01:11:57The public can assist the police by keeping the gangways clear.
01:12:01Now keep calm and avoid crowding. Do not panic.
01:12:08The public can assist the police by keeping the gangways clear.
01:12:11The public can assist the police by keeping the gangways clear.
01:12:14Attention, everyone, please!
01:12:16The men are now believed to be in the East Gallery.
01:12:19Cut them off that way!
01:12:21The police can assist the police by keeping the gangways clear.
01:12:24The police can assist the police by keeping the gangways clear.
01:12:26Now keep calm, do not panic, and avoid crowding.
01:12:28The public can assist the police by keeping the gangways clear.
01:12:30The public can assist the police by keeping the gangways clear.
01:12:32The public can assist the police by keeping the gangways clear.
01:12:37The public can assist the police by keeping the gangways clear.
01:12:39Now keep calm, do not panic, and avoid crowding.
01:12:43Keep calm. Avoid crowding. Don't panic. Don't panic!
01:13:13I can't drive.
01:13:27Hello. M2GW from HPC. Urgent message begins.
01:13:32Vicinity Police College. Two men wanted for questioning in connection with theft of bullion.
01:13:43Hello, all cars from M2GW. Two men wanted in connection with bullion theft. Last seen escaping from Police College on foot, but may have stolen car. Over.
01:14:08Better call them up. Put them on a false scent. What's our number? This must be U3.
01:14:15Put them onto that one.
01:14:17Hello. M2GW from U3. Men answering your description reported to have stolen grey box or DLH 436. Over.
01:14:27Hello, U3 from M2GW. Your message received. Over.
01:14:31Hello, old cars from M2GW.
01:14:39Must be somewhere ahead.
01:14:40Yes, but why isn't U3 chasing them? There they are.
01:14:43Yes, it was a police car, all right. But the driver was wearing a top hat.
01:14:52No, it was a top hat.
01:15:11Point duty constable reports peculiar individual wearing top hat seen driving wireless car JYN 888, son.
01:15:17That's U4's number. He must have stolen that.
01:15:22Hello, M2GW from U4. Have apprehended two men in clerical attire.
01:15:27Switch it off. That proves it. They're giving us false description.
01:15:31Urgent call to all cars. U4's been stolen.
01:15:33Hello, all cars from M2GW. Urgent call begins.
01:15:36Men wanted in connection with gold theft of stolen police wireless car U4.
01:15:40The number of this car is JYN 888. Over.
01:15:44You said this car was U3.
01:15:46That's right. They've got all mixed up.
01:15:48They haven't gone on to us.
01:15:50Where?
01:15:54Step on it.
01:16:00TMG 928.
01:16:02That's not the one, then.
01:16:08They've turned off.
01:16:10Hello, M2GW from U3.
01:16:12I'm in pursuit of stolen police car proceeding west along Portobello Road. Over.
01:16:19I saw that one out.
01:16:21Hello, U3 from M2GW. Your message received. Over.
01:16:24Both U5 and U6 are in that area. Tell them to cut them off at Junction Road.
01:16:29Hello, U5 from M2GW.
01:16:30Stolen police car proceeding west along Portobello Road. Intercepted Junction Road.
01:16:39Hello, U6 from M2GW.
01:16:40Stolen police car proceeding west along Portobello Road. Intercepted Junction Road. Over.
01:16:45I'm proceeding west towards Junction Road. Over.
01:16:46I'm proceeding west towards Junction Road. Over.
01:16:47I'm proceeding west towards Junction Road. Over.
01:16:48I'm proceeding west towards Junction Road. Over.
01:16:49I'm proceeding west towards Junction Road. Over.
01:16:50I'm proceeding west towards Junction Road. Over.
01:16:51I'm proceeding west towards Junction Road. Over.
01:16:52I'm proceeding west towards Junction Road. Over.
01:16:53I'm proceeding west towards Junction Road. Over.
01:16:54I'm proceeding west towards Junction Road. Over.
01:16:55I'm proceeding west towards Junction Road. Over.
01:16:56Bring in everything we've got.
01:16:57I'm proceeding north towards Junction Road. Over.
01:16:58I'm proceeding north towards Junction Road. Over.
01:16:59I'm proceeding north towards Junction Road. Over.
01:17:00I'm proceeding south towards Junction Road. Over.
01:17:01I'm proceeding south towards Junction Road. Over.
01:17:02We're now proceeding north towards Junction Road. Over.
01:17:05And proceeding south towards Junction Road. Over.
01:17:32Oh, McDonald had a farm. E-I-E-I-O.
01:17:37And on this farm he had some sheep. E-I-E-I-O.
01:17:41With a far, far, e-far, far, day.
01:17:43Here a far, there a bar. Here a far, there a bar.
01:17:46Oh, McDonald had a farm. E-I-E-I-O.
01:17:50And on this farm he had some tarties. E-I-E-O.
01:17:52Would you mind giving me a lift at the peace box out there flashing for me?
01:17:55Oh, dear.
01:17:58Oh, McDonald had a farm. E-I-E-I-O.
01:18:02And on that farm he had some pigs.
01:18:04Nice little bit of music when you drive in, sir, isn't it?
01:18:06With a here, there, you know, there, everywhere.
01:18:10Oh, Macdonald and the farm, e-ya, e-ya, yow.
01:18:14We sing that now choir, sir, down at the station.
01:18:16Well, thank you very much, sir.
01:18:18Hello, all cars from M2GW. Stolen police car.
01:18:22Drive on.
01:18:28Quick, out!
01:18:29Touch! Touch!
01:18:32Run! Run, Dutch! Run!
01:18:35Stop! All right, stop him!
01:18:59Let's go.
01:19:10Instead of changing, as usual, a chairing course, I came straight on to Rio de Janeiro.
01:19:14Gay, sprightly land of mirth and social ease.
01:19:18Plus, Lendelbrecht, plus six Eiffel Towers.
01:19:22How much did they fetch?
01:19:24£25,000.
01:19:26An opt to keep me for one year in the style to which I was unaccustomed.
01:19:30Hello there. By Jove, that was a party you gave the other evening.
01:19:33Wish we'd give a few like you to the embassy, what?
01:19:35Your Excellency's very kind.
01:19:37Done a lot for our prestige out here.
01:19:39Worth a battleship.
01:19:40Jolly good show. Well done.
01:19:42Ready?
01:19:43Ready.
01:19:44Ready.
01:19:45Ready.
01:19:46Ready?
01:19:48Ready.
01:20:16THE END
01:20:46¶¶
01:21:16¶¶
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