El Actor de Reparto (Yardimci Oyuncu, Suplente) - Murat, que de repente se encuentra sin hogar y sin dinero, mientras piensa qué hacer, se encuentra con los decorados de una serie de televisión en la cafetería "extra" en la que entró por casualidad.
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00:00Subscribe to the channel!
00:30That's actually my case. I love my job, of course.
00:35Beautiful.
00:36What you call a busy schedule is, to me, a pleasant tiredness.
00:41Let's put it this way.
00:43My work and I are two lovers who always yearn for each other and meet again every morning for their desire.
00:55This cannot be done without love.
00:58Look, I have 22 years of career, 22, yes, something like that.
01:04I still arrive on set with the same energy as the first day.
01:07My team and I are like a family, we are confidants.
01:11In fact, the set is like a biosphere.
01:13For example, if someone is unhappy on set, they infect everyone with their bad mood.
01:18So if you want to do a good job, everyone on set needs to be completely happy.
01:24It's simple math, you understand?
01:26You're right.
01:27Now, what happened? What did we do wrong this time? What's going on?
01:31Calm down. What are you doing?
01:32My name, darling, is Arjan.
01:37I try to solve the equipment problems as best I can.
01:41Our mentors taught us this.
01:44Unfortunately, the new generations do not have these values.
01:48They were born with social media, without conscience.
01:52Run, run, run.
01:55It saddens me that you don't know love and compassion, darling.
02:00It's unfortunate.
02:04The supporting actor.
02:09Since the first time I saw you, you haven't left my mind.
02:13I am capable of giving up everything and everyone.
02:17People who discriminate if you call them...
02:19Look, I'm on TV, turn it up, turn up the volume.
02:22It was over before you even showed up.
02:25Gosh, that scene took like eight hours to film and you were in it for half a second.
02:30Turn it up.
02:31You don't look good at all.
02:33You don't know where you have to stand.
02:36I'll explain one thing to you.
02:38You have to stand right behind the protagonist.
02:41That spot is guaranteed, that's why I was there.
02:45Wherever the protagonist stands, I always stand in the background.
02:47There hasn't been a single novel in which I haven't taken advantage of the screen time.
02:52Honestly, I don't care about that.
02:53I'm not interested in screen time.
02:56You don't come out anyway.
02:57As?
02:59Turkish soap operas are based on the pretty girl and the charismatic man.
03:04In all scenes you can see close-ups of the protagonists.
03:07Everything else is pure filler.
03:13Why do they do that?
03:14For many reasons.
03:17The first is because generally all the scripts are very bad or something like that.
03:22The protagonists are paid a lot and the producer thinks it's a waste if they don't appear on screen.
03:26That's why we always see close-ups of the charismatic and the pretty girl.
03:31And the second one?
03:35The second reason.
03:37The sets are very expensive.
03:40In movies, decoration and accessories are a very expensive expense.
03:44If they can distract the audience with a beautiful woman who is crying,
03:50no one will notice what is in the background.
03:52Where history is taking place.
03:55This way they avoid spending too much on decoration.
04:01I'd never thought about it.
04:03Don't believe anything he says, he's just making it up.
04:06Leave it, Ebren.
04:07Stop poisoning him with your opinions.
04:10He sits there in his chair all day,
04:12only in their conspiracies.
04:14That's why he comes up with all those absurd theories.
04:17Better keep your opinions to yourself, my friend.
04:21I speak nothing but the truth.
04:23Well, don't do it.
04:25Please don't do it.
04:27Now, are we asking for your opinion on something?
04:30No, right?
04:31No not at all.
04:32Do you think you're the only one who knows the dark truths about this industry?
04:37Don't worry.
04:38What are you saying? I'm calm.
04:40We need to rest, Murat.
04:41There's a call tomorrow.
04:44We must no longer listen to this man.
04:46Yes you're right.
04:47Don't provoke Ezra.
04:48That woman drives me crazy.
04:52See you.
04:54Good night.
04:54Take a rest.
04:56Everything is the same.
04:56Oktay, how are you?
05:19Where have you been?
05:20I haven't seen you around here for a long time.
05:22I went to the biker festival in Manapgat.
05:28Incredible.
05:31Pélez Murat is a great friend from work.
05:35Nice to meet you.
05:35I am Murat.
05:45What's that?
05:47One thousand horsepower.
05:49Four cylinders.
05:51Sixteen radical valves.
05:53Cooler with...
05:54He'll be home before you finish saying the brand.
05:57Hey, Oktay.
05:58This motorcycle thing isn't your thing.
06:01How to say it?
06:02You look like...
06:03Plus a classical musician from Türkiye.
06:07The death machine.
06:09A fast motorcycle.
06:10Have you heard how he describes her?
06:12We'll be late getting to the van.
06:14We are two minutes away.
06:15How late do you think we can arrive?
06:17Let's go, walk.
06:18Oktay, take good care of yourself.
06:19Nice to see you.
06:19Nice to meet you.
06:21Have a nice day.
06:41Thanks for everything.
06:42Bye bye.
06:45Aren't we late?
06:46Yes, although it's only two minutes, friend.
06:49Mr. Murat.
06:50Mr. Yaniv, why did you bother using a taxi?
06:54We could have waited for them.
06:57But we're not late for the recording, miss.
07:00That's what counts.
07:01And what does that matter to me?
07:03I'm just working.
07:06Good morning.
07:09What a beautiful day.
07:17Hospital.
07:17Hospital.
07:20Which one do you want?
07:31Nurse?
07:33Patient?
07:34The next one is...
07:35Nurse?
07:38You are also a nurse.
07:40You two are doctors.
07:42Come on, buddy, hurry up.
07:44You are a doctor too.
07:45The rest are also doctors.
07:47Not so many doctors now.
07:50You are a nurse.
07:52Come on, your doctor and your nurse.
07:57Come on.
08:05Come on, Yaniv.
08:06What difference can there be between a doctor and a nurse?
08:30What difference can there be between a doctor and a nurse?
08:30Murat, you can't even begin to imagine what being a doctor means to me.
08:39When I was little, I always said that when I grew up I was going to be a doctor.
08:44I studied days and nights to be able to take the medical school exam.
08:49And what happened?
08:50Well, I failed.
08:53If it had happened, I would be a doctor.
08:56Yaniv, I'll tell you that you're delusional, my friend.
08:59I swear you're delirious.
09:01It doesn't matter if we are doctors or nurses.
09:04You won't be a doctor by putting on a gown.
09:06Do you know what we are?
09:07We are supporting actors.
09:09Just that.
09:10That means it doesn't matter what you wear, what you do, or what you say.
09:14Nobody here even knows your name.
09:15In this place it doesn't matter if you're a doctor or a nurse, nothing matters.
09:20Just understand it.
09:21Want?
09:24And then?
09:25What next?
09:26Well, that...
09:28I thought you'd say, dude, so you can be the doctor.
09:32I thought that's what you'd tell me.
09:35You didn't understand anything, did you?
09:37Of course not.
09:39Well, that's what I meant.
09:40You can be the doctor and I'll be the nurse, okay?
09:45Are you happy now?
09:50And a lot.
09:56You two sit there.
10:01You sit there.
10:05We're missing a doctor there.
10:10You sit over there.
10:13And you there.
10:15How are you?
10:20I'm Murat.
10:22Let me clarify, I have a boyfriend.
10:24What's happening?
10:45Attention everyone, we will do the following.
10:50When we start recording, eat what's in front of you, drink your tea, show your cards to each other, and chat a little.
10:57Do it until we say cut.
10:59Selda.
11:08It looks very empty.
11:10There will be people walking, right?
11:12Yes, he will know.
11:14Hey you, hey you.
11:16Get up.
11:17I?
11:18Yes, go to the door.
11:20When they say action, count to 10, walk in, and sit down.
11:24Good.
11:27Come, let's review your script.
11:29Hi how are things?
11:35I'm going to be very clear, I have a boyfriend.
11:37Sarjan, welcome.
11:48Nothing welcome.
11:50They picked me up 15 minutes early.
11:52Tell them not to bring me here so early, okay?
11:55Miss, I'm listening to Mr. Sarjan, they'll bring him right at recording time.
12:00Did you understand?
12:02How are you doing?
12:03Mr. Sarjan, your ties.
12:05You understand that I only use my sponsor's, don't you know?
12:09Mr. Sarjan, your sponsors.
12:10Take her away now, please.
12:11I'm not going to use them.
12:12Please pay more attention, okay?
12:14Yes, as you say.
12:16How about while we rehearse?
12:19What do you think?
12:20Come on.
12:21Everyone listened to her, let's get to work.
12:24Dad.
12:54Hello, son, how are you?
12:57You called me, dad.
12:58Is something wrong?
13:00You said you would hear back from your interview yesterday today.
13:03I wanted to know how it went.
13:04Did they call you?
13:06Yes, yes they called me, dad.
13:07I'll start next week.
13:09I will be in the office for three days and in the field for two days.
13:12It's a huge project.
13:13We are going to develop a new navigation system.
13:17Congratulations!
13:17I'm very happy to hear it.
13:20You can do it, son.
13:22No matter what.
13:23May Allah grant you the success you deserve.
13:26Thank you.
13:26Thanks, Dad.
13:27I'll call you tonight.
13:28I have to go to the office to see some documents that are missing.
13:31You know.
13:32Yes, son.
13:33Alright.
13:34May Allah protect you.
13:35Good.
13:36Thanks, Dad.
13:36We talked at night.
13:37A hug.
13:38I love you.
13:38Bye bye.
13:39Action.
13:44Oh, Nurse Yeida.
13:50I've been looking for her all day.
13:54Have you received the diphtheria and whooping cough vaccines?
13:57I've been looking for them all day and wanted to make sure I applied them properly.
14:03I don't understand.
14:05What's going on?
14:08Quiet, rookie!
14:09That?
14:09Why are you talking?
14:10Can't you see we're recording?
14:11But they said to talk.
14:13Keep talking!
14:14Keep talking!
14:16Zelda, control it.
14:17I'm leaving this place.
14:22Understand.
14:23Don't talk.
14:23Act as if you were talking.
14:25Your lips should move without making any noise.
14:27They are recording sound.
14:29Sorry.
14:30Sorry.
14:32Mr. Sarjan, I'm so sorry.
14:35Team, once again.
14:36Back to their positions.
14:38Forgive me, okay?
14:39It doesn't matter.
14:47Don't eat it all, fatso.
14:51Ready to record?
14:52Action.
14:53Action.
15:01The studies are very good, doctor.
15:04This is the first time in my career that I've seen anything like this.
15:07Even if the results are normal, we will see if there are any more intimate ones in the morning check-up.
15:16No, no, no.
15:17I'm not a candidate.
15:19No.
15:20No.
15:20No.
15:20No.
15:21No.
15:21No.
15:21No.
15:22No.
15:32No.
15:32Thanks for watching the video
16:02Thanks for watching the video
16:32Thanks for watching the video
17:02Thanks for watching the video
17:32Thanks for watching the video
17:34Thanks for watching the video
17:36Thanks for watching the video
17:38Thanks for watching the video
17:40Thanks for watching the video
17:42Thanks for watching the video
17:44Thanks for watching the video
17:46Thanks for watching the video
17:48Thanks for watching the video
18:20Thanks for watching the video
18:22Thanks for watching the video
18:24Thanks for watching the video
18:26Thanks for watching the video
18:28Thanks for watching the video
18:30Thanks for watching the video
18:32Are you going to give me the tray?
18:34Obviously
18:35Listen everyone
18:37This scene is very emotional
18:39Be careful not to distract the actors.
18:41Zelda
18:43Not ready?
18:45Almost
18:45Give me 10 seconds
18:46Do you see this?
18:48The actor is on the set
18:50And everyone pays attention
18:51Do you understand?
18:52Yes sir
18:52Pay attention to your positions
18:55Let's rehearse
18:56Don't be ridiculous
19:13This is not my size
19:15But close the door
19:16Newbies
19:19He went through the wrong door
19:21What is this?
19:22This is how we set up the scene
19:24Let's do it again
19:25We'll do it again
19:27Don't worry
19:28It changes in that scene
19:30Where is the director?
19:32Where is the director?
19:33Don't lose focus, team.
19:34Come Sarjan
19:36It seems to me that the door shot
19:38It didn't get messy
19:39Please change your mood
19:40No problem
19:40You look well
19:41No problem
19:42Please let the boy know
19:43I have an idea
19:44What if I slam the door on him?
19:45So dramatically
19:47Like Greek?
19:55Do you like how it looks?
19:56My phone
19:57You look perfect
19:58There's nothing to worry about
20:00We have the shot
20:01There is only one that I don't like
20:03And we will change it
20:03Sandra is fine
20:06Correct
20:07They wait
20:08Record it
20:10Close that door
20:11Did you like that shot?
20:14Look
20:15Look, look at this
20:16Good
20:19It's wrong
20:21Just do it
20:27Do I have to repeat it?
20:29No, right?
20:30You see it too, don't you?
20:31Court
20:44Mr. Sarjan
20:48It was amazing
20:50Excellent shot
20:51Good
20:51We will record now
20:52Mr. Sarjan
20:52The press came
20:55For an interview
20:56They are waiting for you
20:57Alright
20:58Okay, let's go.
20:58I'm going to change this garbage
21:00Well, let's take a break.
21:06This will take at least an hour
21:08In any case, we already rehearsed.
21:10So we'll record after the interview.
21:12Yeah
21:13Yeah
21:13Alright
21:14Very good
21:14Take a break
21:16You heard
21:16We have a break
21:18You
21:18Come please
21:19There's my backpack
21:21Keep it in a safe place
21:22Yes, as you say
21:23And lock it with a key
21:23What's wrong with it?
21:47Salami, cheese, beef, feta cheese, chicken
21:49Ah, beef, please.
21:51We ran out of meat
21:55Then one of cheese
21:56It is also finished
22:00So what's up?
22:02Is there still any flavor left?
22:03I only have chicken
22:04And why don't you just say
22:06What about chicken and that's it?
22:08I only have chicken
22:09And why didn't you say it?
22:11Before
22:12In the end
22:12Give me two chicken sandwiches
22:14Keep checking
22:17Take
22:18Take
22:20Thank you
22:21Enjoy it
22:22What's wrong with it?
22:24Salami, cheese, beef, feta cheese, chicken
22:27Surely they didn't even kill him
22:49The poor chicken
22:50He must be suffering
22:51And very hurt
22:52Murad
22:54I can bet you
22:56That for the quality of this food
22:57They haven't even killed a chicken
22:59If he were hospitalized
23:01They were probably going to treat him badly.
23:03If you understand what I'm saying, right?
23:06Hagan
23:06Move
23:08There is a recording
23:11What's wrong with him?
23:14Look at those ugly faces
23:16Now that
23:21He also wants to control
23:22Where we eat
23:23Hey
23:24What if we just leave?
23:26It's that woman
23:27It scares me
23:27Don't be ridiculous
23:30And sit down
23:30We are on our break
23:32We can sit down
23:33Wherever
23:33If you take off once
23:35You will always have to take off
23:36Yaniv
23:37Yes, but I don't want to
23:39Having problems with her
23:40We're recording, idiot
23:43We are recording
23:44Recording
23:44Sármela, take it
23:45And now what, miss?
23:49Now what did we do?
23:50What's happening?
23:51What's wrong this time?
23:52What's going on?
23:57What is he saying?
24:00Take
24:01Get out of the way, you idiots.
24:03I think he said take
24:04Are there cameras?
24:07The camera is facing us, friend.
24:09They are recording
24:11Run, run, run
24:12These values
24:13They were born with social networks
24:16Conscienceless
24:17The generation
24:18It's unfortunate
24:19He doesn't care about almost anything
24:21If I explain myself well
24:24Or you are understanding the opposite
24:25Because if not, with pleasure
24:27I'll explain it to you
24:28We're still on the take, Yaniv
24:29Run, run, Yaniv
24:32It was all part of
24:34How to say?
24:35That's right, friends.
24:36Here are the supporting cast
24:38I will show you
24:39They are on their break
24:40And they take advantage of the opportunity to have breakfast
24:42Sandwiches
24:43And soft drinks
24:44They are waiting
24:46For your call to begin
24:47To record
24:48Attention everyone
24:49Three, two, one
24:53Recording
24:53Action
24:54Thank you!
24:56Thank you!
24:58Thank you!
25:07Thank you!
25:08This door is already occupied
25:33Go somewhere else, please.
25:34What do you think?
25:35It's my door
25:36Go to your own door
25:37To hell with that
25:38Mine was closed
25:39And that's why I came in here
25:40And what do I care?
25:41I didn't close it
25:42You're going to pay me for this.
25:45We have a pending account
25:46You'll see
25:48Jeddah
25:57I'm sorry
25:59My door was closed
26:00I was left out
26:0118, 19, 20
26:03You will not enter here
26:16You're crazy?
26:17Are you following me?
26:18Just go away
26:19You don't come in here
26:20What's the matter?
26:21You don't fit
26:21This is also my door
26:22Go away
26:23Then all the doors
26:24They're yours, really?
26:25Everyone has their own doors
26:27I brought the trays
26:28As if that weren't enough
26:30It smells like onion
26:34Where did you get onions?
26:36I brought them from my house
26:37And?
26:41I have a panic attack
26:42Take off
26:45We lost the patient
26:54from the 400
26:54Why did you come back?
26:58What's the matter?
26:59I had no choice
26:59There's that guy
27:00This Sarjan
27:01And I had to hide
27:03Devils
27:05I am a specialist doctor
27:18in this hospital
27:19And I just lost
27:22to the patient
27:22who intervened recently
27:24Remove these trays
27:25They are hurting me
27:27Please
27:28Give me patience
27:29It just can't be
27:36It just can't be
27:38He went away
27:41I think he left
27:43It just can't be
27:51He hasn't left
27:54Court
28:10What was that?
28:15Did they ruin the scene?
28:16We'll fix it
28:17Sarjan
28:17Calm down
28:18I'm not going to calm down
28:19Which of you
28:20did you open it?
28:20No
28:20How dare you
28:25to ruin
28:26my performance?
28:29It takes hours
28:30get into the role
28:31Mr. Sarjan
28:32An improvised person arrives
28:34simply to
28:35ruin the scene
28:36Mr. Sarjan
28:37I opened the door
28:39Don't yell at him
28:41please
28:41So you opened
28:42the door
28:43I confess it
28:44Very sorry
28:47I didn't know what to do
28:47Actually
28:49I'm sorry
28:50And you think
28:52that with that
28:52is resolved
28:53You must have
28:55caution
28:56You ruined
28:58the scene
28:58Listen to me
29:00I don't love you
29:02See again
29:03Oh
29:05How lucky
29:06are my eyes
29:07Thank you so much
29:08Mr. Sarjan
29:08How's everything?
29:09Very good
29:10Thank you so much
29:10for asking
29:11We want to take out
29:12some images
29:13from the set
29:13if you allow us
29:14What a good idea
29:16They arrived on a scene
29:17very important
29:18Would you like some tea?
29:18or something like that?
29:19Yes, thank you very much.
29:19Very good
29:20I'll bring it now
29:21Ahmed
29:21You could
29:22Ahmed, right?
29:23Ahmed
29:24I will not forget it
29:25Ahmed
29:25Ahmed
29:26Who is Ahmed?
29:32Idiot
29:32Very sorry
29:40Thanks for clarifying that.
29:42It doesn't matter
29:44I disappear one day
29:54from the set
29:55and turns around
29:55a chaos
29:56Murat
29:57Why didn't you call me?
29:59We support you
30:00Why didn't you call?
30:02He has to control
30:03to their stars
30:04I haven't been there
30:05no one else
30:05that I can
30:06yell at my team
30:07I swear to you
30:08that I don't care
30:09let him be the protagonist
30:10I'll tear it to pieces
30:11Okay, buddy, now.
30:12Why didn't you confront him, Murat?
30:15And what would he have said to her?
30:16It's not a big deal
30:17And what happened
30:18Well, it already happened
30:19Besides, I only have
30:21two weeks
30:21and it must be done
30:22no problem
30:23Don't say those things
30:24You are concentrating
30:25in two weeks
30:26What did I tell you?
30:29You have the talent
30:30of an actor
30:30You must have more confidence
30:33See you in the van
30:35I think you handled it well.
30:49I don't show it at all
30:52But I don't feel well
30:54This thing about sets
30:55it's not for me
30:56I don't believe it
30:57This is what it's all about
30:59the acting, right?
31:01You are acting
31:02as if you knew
31:04what you do
31:04and it is not like that
31:05And I think you do.
31:07very good
31:07I was
31:08much worse
31:10when I started in this
31:11If you say so
31:13Believe me
31:13It's the same
31:15for everyone
31:16those who are here
31:17In fact
31:19you are the best
31:20adapted
31:21You have many qualities
31:24of adaptation
31:24For example
31:26what happened today
31:27anyone in your place
31:28would have resigned
31:29but you stayed there
31:31fearless
31:31and you saved the scene
31:32You did well
31:35with Toby and Sarjan
31:36All sets
31:38have
31:39to someone like that
31:41Stop worrying
31:43They feed
31:46their children
31:47at the expense of others
31:48Today you gave it to him
31:50a lesson
31:50I hadn't thought about it
31:54that way
31:55Thank you
31:56Forget it
31:58I'll try
32:00I have a question
32:06For the love of Allah
32:07Why Dr. Alvan
32:08I couldn't leave
32:09to laugh?
32:11I have a heart
32:12all night
32:13and I've seen it a lot
32:14Now I confessed it
32:18Alright
32:19Thank you
32:21Thank you
32:22Thank you
32:23Thank you
32:24Thank you
32:25Thank you
32:55Mister
33:09Excuse me
33:10Yeah
33:10There is a video
33:11circulating on social networks
33:13What video?
33:18Hello everyone
33:19How are you doing?
33:20I'm on the set
33:20of the famous actor Sarjan
33:22and this time
33:22he has gone crazy
33:23full
33:24Do you see it?
33:25He's yelling at her
33:26to the supporting actor
33:26but we don't know
33:27why he got so angry
33:28What I'm seeing
33:30and you too
33:31It just doesn't seem like it
33:33nothing modest
33:34It seems to be
33:35that is not so good
33:36person as he appears
33:37Yes, Mr. Muzaffer
33:49Sarjan
33:50Did you see the video?
33:52Hey
33:52We were watching it
33:54We were watching it
33:54Mr. Muzaffer
33:55In fact
33:55we were with those boys
33:57having a little fun
33:58Don't worry about that
33:59Sarjan
34:00When the video
34:01went viral
34:02the trailer for the new episode
34:03reached two million
34:04of reproductions
34:05Write a couple of tweets
34:06let them do it
34:07make it even bigger
34:08Just don't accept the blame.
34:09All right, Mr. Muzaffer.
34:12See you
34:13See you later
34:14Don't worry about those guys.
34:17Don't feel bad
34:25Don't worry about that.
34:25Don't worry about those guys.
34:27No, no, no.
34:57No, no, no.
35:27No, no, no.