- 6/3/2025
- You Ought to Be in Prison
Category
🎥
Short filmTranscript
00:00Yeah, didn't you go?
00:07Oh, he was so good.
00:09Oh, look at his purple spandex pants.
00:12They were so good.
00:13He looked so good.
00:15Oh, my God.
00:18Eight o'clock?
00:23Yeah, yeah, sure, Johnny.
00:25It'll be fine.
00:27You gonna pick me up?
00:30Yeah, I'll pick you up.
00:32Like hell, you will, pal.
00:35Something I can do for you gentlemen?
00:37Yeah, Johnny.
00:38You can go back to New Jersey.
00:41Actually, I kind of like the scenery here.
00:43Well, we don't like you, hotshot.
00:45Derek, go back to class.
00:49Yeah, Derek, why don't you listen to your sister?
00:51She's a very smart lady.
00:53Oh, yeah?
00:54Good comeback, Derek.
00:56Derek!
00:57Derek!
01:00Cut!
01:03Wait.
01:09Hey, hey, cut!
01:11Cross!
01:11Well, I'm impressed.
01:13He gets four million dollars for that?
01:15That's the rumor.
01:16I don't get it.
01:17Anybody got that.
01:18What the hell's the matter with you, man?
01:22What the hell's the matter with you, man?
01:25You hit like a girl.
01:26That's what's the matter with me.
01:28Yeah, well, you and the horse you rode in on, pal.
01:31He's out of here.
01:32Jeremy, come on.
01:32Man, it's the first day.
01:34Do it.
01:37Wrap it up, Jerry.
01:38That's it.
01:40What, you guys are my bodyguards?
01:43Yeah, I'm Tommy Littlefield.
01:44This is Doug Simon.
01:45Rent-a-cops, huh?
01:47You guys like doing that kind of work?
01:49Pays the bills.
01:51Yeah, well, at least you ain't real cops.
01:52I hate cops.
01:54They're all fat and stupid.
01:58Fat and stupid?
02:00Yeah, fat and stupid.
02:03All right, we blow out of here at seven when they wrap.
02:06Get me back to the hotel without 100 kids tearing my hair out,
02:10and I'll buy you dinner.
02:14Charming guy.
02:15Yeah, it's going to be a lot of laughs.
02:16We never thought of finding the place where we belong.
02:35Don't have to stand alone.
02:37We'll never let you fall.
02:40Don't need permission to decide what you believe.
02:44I said, jump down on Jump Street.
02:52I said, jump down on Jump Street.
02:58Your friends will be there when your back is to the wall.
03:03You'll find you need us, but there's no one else to call.
03:08And if it's hopeless, a decision's what you need.
03:12You better be ready to, be ready to jump 21 Jump Street.
03:19What a load of crap.
03:23Captain, this is a bogus assignment, babysitting this, this creep.
03:27Thanks, that's the word I was looking for.
03:29Look, guys, Jeremy Woods has been receiving threatening letters.
03:33Good, where do I send mine?
03:37Movie stars get crank mail all the time.
03:39I just don't want any part of him.
03:42Yeah, he is a bit of a, uh, dink.
03:46Thank you, that's the word I was looking for.
03:48Kevin, why does the city want to spend the public's hard-earned cash babysitting some Hollywood flake?
03:54Look, this comes directly from the mayor's office through the chief.
03:58These film companies are important to the city.
04:00They spend millions of dollars on restaurants, hotel rooms, goods, and services, quote-unquote.
04:05You know, guys, this movie they're making costs $15 million.
04:10I saw a thing in the news last night.
04:12It's bull.
04:13The whole movie business is bull.
04:15Bunch of overpaid people standing around doing nothing.
04:18Yo, that is the gig, guys.
04:20Unless you want to join the detail clearing bums off the street for the Pope's visit.
04:23We'll stick with the dink.
04:26Good.
04:27Just keep in mind that Jeremy Woods does have a penchant for getting into trouble.
04:31Last year, he busted up a maitre d' pretty good.
04:33Got himself charged with assault.
04:35Well, and one time he drove his Ferrari into the swimming pool of the Beverly Hills Hotel.
04:40He wanted to know if the lights work underwater.
04:43Did they?
04:45I don't know.
04:46So?
04:47So tell me about him.
04:49How's he look up close?
04:51Nobody really has cheekbones like that.
04:54Well, did you even meet him?
04:56Yeah, he's coming by for lunch.
04:59Morning, Captain.
05:03So what's the movie about?
05:05It's junk, Jude.
05:06I mean, look at it, streetwise.
05:08The story of a tough kid from Jersey who wreaks havoc on a nice suburban school.
05:13Sounds pretty good.
05:15He beats guys up and chicks fall at his feet.
05:19Sounds pretty good.
05:20Oh, Penhall, you just don't like a movie unless some muscle-bound fool is blowing away cretins from outer space with a flamethrower.
05:29She got you there, Doug.
05:30Hey, I gotta believe what I'm seeing.
05:33Well, I believe Jeremy Woods is totally fine.
05:36He's hot.
05:37I let the guy eat crackers in my bed.
05:39Why didn't I get this assignment?
05:41That is why.
05:42Why don't you want to get this?
06:03Yeah, we can't.
07:35Hey, get those cooks out of here, man.
07:38I'm sorry, man.
07:41My nerves are kind of bad right now.
07:43I'll tell you what.
07:57Why don't you stick with your customers, and I'll deal with the ones that can read and write.
08:08You got a real good sense of humor for one of the stupidest gray boys I've ever met.
08:14I'll deal with the ones that can read and write.
08:44You had enough, Waxer?
09:00Nobody has.
09:01What are you looking for, Mr. Jackson?
09:05Maybe I can help you locate it.
09:06It's not enough for you to be scum, is it?
09:09You got to be scum with a big mouth.
09:11I'm not scum.
09:12I'm a victim of my environment.
09:15Just asked a social worker.
09:17She told me that yesterday.
09:18Who are you kidding, Waxer?
09:20You came from a better neighborhood than the one I live in now.
09:22He's pretty bad.
09:25Get him into the dispensary.
09:29This is going to cost you some extra time, mister.
09:33Yeah.
09:34Well, I got 50 witnesses.
09:35I'll swear he started it.
09:37Yeah, I know.
09:38You were just trying to enjoy your lunch.
09:40By the way, if you're looking to change neighborhoods, perhaps I could arrange some financing.
09:44You were in the movie yesterday, and we were wondering in two seconds.
10:08Sorry.
10:08Sorry.
10:14Guys, get him to pull the limo around, all right?
10:17What a mook.
10:19You think if I killed him, there'd be a jury in the world that would convict me?
10:22Only if they were sitting in the box.
10:24Excuse me.
10:27Hi.
10:30Um, I saw you talking to Jeremy before, and I was wondering if you could give this to him for me.
10:38Um, I'm sorry, miss.
10:40I can't accept that on his behalf.
10:41Please, I've really come a really, really long way.
10:44Please.
10:52I'm sorry.
11:02Hey, where the hell is the limo?
11:06Max, bring it over here on the stack.
11:08Get your can.
11:09It's all clear, Your Majesty.
11:24Thanks for the ride, Jeremy.
11:25My pleasure.
11:27Let me ask you a question.
11:28What's the big deal about signing an autograph or two?
11:31Because there's no such thing as an autograph or two.
11:33I sign those.
11:35In ten minutes, there'll be 150 kids climbing all over me.
11:39Come on, guys.
11:40Cocktail hour.
11:41Now, I could go have a drink with him, or I could go do my laundry.
11:50How many quarters you got?
11:51Exactly.
11:55You sure you don't want to have some dinner?
11:57Well, I've got a six o'clock call, and I should get some sleep, so...
12:01Okay.
12:09Jeremy.
12:10Jeremy!
12:16Don't do it, Jeremy.
12:17You've got no right to do that.
12:18Yeah?
12:19You think I've got a right to smash this camera?
12:21Whoops.
12:22Everything okay here?
12:23Yeah.
12:24Next time, I'll feed you the lens.
12:26I promise.
12:27Good night, Jeremy.
12:30Try and stay out of trouble.
12:33You okay?
12:34I'm fine.
12:35Jeremy and I are old friends.
12:37Yeah.
12:40I hate this dweeb.
12:44You must spend a fortune in smashed cameras.
12:47He has the right to photograph me at a public gathering.
12:49Since I live in this hotel, and he doesn't,
12:52he has no right to invade my privacy.
12:54Is that really legal?
12:55Hey, he sells that picture to some supermarket rag.
12:59Next thing you know, I'm having some secret affair with Melissa Mason.
13:03Not that I wouldn't mind doing the babe,
13:05but my girlfriend might object.
13:09Women.
13:10You can't live with them.
13:12You can't shoot them.
13:18That's a funny line.
13:19It's being all right, huh?
13:21Yeah, so I'm a thief, too.
13:23See what this business does to you?
13:25Nice.
13:38Yeah, make yourself at home.
13:41This place must cost 300 bucks a night.
13:44Try 15 minutes.
14:15Oh, please, Mr. Woods.
14:21If you give me your autograph, I'll let you do anything you want to me.
14:25Very funny, Jody.
14:28Just trying to make you feel at home, Jeremy.
14:31Switching to boys, that'll make a good story.
14:34Uh, Jody Kleiman, this is Littlefield and somebody.
14:38Simon.
14:38Right. Uh, Jody's my agent.
14:40Nice to meet you.
14:41Jeremy, put in something decent.
14:43We have a charity benefit at 8 o'clock.
14:46Pass.
14:47Oh, you can't pass, Jeremy.
14:48It's for a very good cause.
14:50You're already committed, and it's part of your probation.
14:54Are you my date?
14:55Oh, don't get excited.
14:56Besides, what would your girlfriend say?
14:59Well, thank you very much, gentlemen.
15:00We won't be meeting you anymore this evening.
15:03See, Jeremy's always on his best behavior when he's with me.
15:06What do you got?
15:07A leash?
15:08Ooh, I like this guy.
15:12Are you an actor?
15:15No thanks.
15:17That's too bad.
15:22Very cute.
15:29Acting.
15:30What a way to make a living.
15:32Couldn't pay me enough to do that crap.
15:34Yeah.
15:35You think she'd go out with me?
15:36Who?
15:37That lady, Jody Kleiman.
15:39Too much car for you, man.
15:45So I told a boy to stand on my face, you know what I'm saying?
15:48Are you listening to me?
15:50There's going to be a test on this stuff later.
15:52You want to see me?
16:04Yeah, I want to see you.
16:06Sit down.
16:14You're leaving Baintree, Waxer.
16:17We're sending you down to the central jail.
16:20You can't do that.
16:21I'm under 18.
16:22No, we can do whatever we like.
16:26You're transferring me to a maximum security lockup?
16:29An adult lockup for getting into a fight?
16:36We're transferring you because you're being charged of second-degree murder.
16:43Teddy Baker died last night at 3 a.m.
16:46Tough break.
16:47For you.
16:49See, that's special circumstances.
16:50When you're almost 18.
16:53That means you get a new home surrounded by the big boys.
16:59I'm worried.
16:59Can you tell?
17:00I think you are.
17:01You're going to do some hard time.
17:04And you know you're going to be in for some real fun down there.
17:07You really enjoy your job, don't you, Jackson?
17:14Some days more satisfying than others.
17:16Enjoy the ride over, Waxer.
17:31Because when you get there, you're going to be bunking two to a sale.
17:42You got some ID punk?
17:45Cut.
17:49He's terrible, Timmy.
17:51What is he, a relative or something?
17:53Would you relax?
17:54We'll get the line from him.
17:55It's okay.
17:56Come on.
17:57Go sit on the motorcycle.
17:58You look terrific.
18:02Okay, gentlemen, playing the officer.
18:04Relax.
18:05Take it easy.
18:05You're the law.
18:07Look this guy right in the eye.
18:09Say the line.
18:10You hate him.
18:10Okay, let's go again.
18:12Quiet.
18:13Settle and roll.
18:1449 Baker, take 12.
18:16Marker.
18:19And action.
18:23You got some ID punk?
18:25Cut.
18:31Let's do one more.
18:32Quiet.
18:33Settle and roll.
18:3649 Baker, take 13.
18:37Marker.
18:39All right.
18:41Concentrate.
18:42Action.
18:44You got some ID punk?
18:46Cut.
18:49Come here.
18:51Yeah, you, Simon.
18:52Come here.
18:58Do this.
18:59Do this line.
19:00Go ahead.
19:00Do it.
19:01Do what?
19:01Do this line.
19:02Just say it.
19:03He's perfect.
19:04He looks just like a cop.
19:05Looks like a cop.
19:06I'm not an actor.
19:07Neither is he.
19:08Look, just say the line, okay?
19:09Don't try an actor.
19:10Just say the line.
19:11Don't even try an actor.
19:15You got some ID punk?
19:17All right, now say it again with a little attitude.
19:19Like you're really saying it to me.
19:20Like you really hate me.
19:24You got some ID punk?
19:26That's great.
19:27I'm in heaven.
19:29No, no.
19:30I told you already.
19:30I'm not an actor.
19:31Hey, you got 380 bucks.
19:34You got some ID punk?
19:42Cut.
19:43Print.
19:43Don't kill the star.
19:44Okay, folks.
19:45We're in the wrong place.
19:46Let's get moving.
19:47Let's get moving.
19:47So then everybody's watching, right?
19:55Cameras are rolling.
19:56I'm standing across from the guy and I give him a line.
19:59What was that line again?
20:01You got some ID punk.
20:04Did you set the line like that?
20:08No, I didn't say it like that.
20:09I was acting.
20:10I said it like I meant it.
20:11Oh, it's pretty good too.
20:12I got some applause.
20:18Yeah, that's because they wanted to go home.
20:21Well, the makeup lady said I was a natural.
20:23You know something?
20:24I think I know why.
20:25I got this theory.
20:26You want to hear it?
20:27No.
20:30See, I think we're all actors.
20:34I mean all of us.
20:36No, no, no.
20:36Listen to what I'm saying here.
20:39We go on the cover all the time, right?
20:40Now, what is that?
20:41That's playing a character.
20:43What's that?
20:43That's acting.
20:45Sometimes we're the McQuaids.
20:46Sometimes we're, you know, preppies.
20:48Sometimes we're egomaniacs.
20:51It's not exactly the same as being in the movies, Doug.
20:53You're right.
20:54Being in the movies is easier.
20:56Sometimes when we're on the cover, we got guns pointed in our faces.
20:58All they got is cameras pointed in their faces.
21:01What happened to the movie business being a bunch of bull?
21:03You know, just a lot of overpaid people standing around all day?
21:08Well, that's behind the camera.
21:10It's different when you're an actor.
21:12Oh, so now you're an actor.
21:13He's a thespian.
21:14You're just jealous because they didn't ask you.
21:21You're right.
21:23My big shot.
21:24Maybe I could have let him goober all over me.
21:30All I said was I was pretty good.
21:33So what's he like?
21:35Well, he's kind of gruff, you know, but he's a star, so people are always bothering him all the time.
21:40Hey, Joe, there you go, kiddo.
21:44All right, Sal.
21:46Thanks a lot.
21:47Don't worry about it.
21:48Hey, wait a second.
21:48You said you were going to give me a picture of Jeremy Woods with his shirt off.
21:52That's Jeremy Woods.
21:52It's from his first movie.
21:55Blood on the Beach.
21:57Yeah, it is.
21:58I didn't know he was in Blood on the Beach.
22:01That's all right.
22:01Not a lot of people do.
22:03He was like, what, 16 years old, just starting out?
22:08I happen to be an expert in that genre.
22:10Was he any good?
22:11He was great.
22:12Chopped up by a psychotic lifeguard.
22:15I remember that.
22:17That was him?
22:18Yep.
22:19Victim number four.
22:21See that?
22:22You didn't even know it was Jeremy Woods.
22:25He was undercover.
22:27He was...
22:28I risked my key.
22:31Hey!
22:32I'm walking here!
22:34Hey!
22:34Hey!
22:40Why don't you save it, Montgomery?
22:43This is my last chance to tell you exactly how I feel about you.
22:47See?
22:49I think you're a waste.
22:52Who cares what you think?
22:53You try to kill some kid with a speedball,
22:56slug it out with an undercover cop,
22:58then you get sent to Baitre.
23:00What are you, my biographer?
23:02Then you wind up killing some poor slob over some fictitious territory.
23:07I've heard all this before.
23:09So why don't you listen?
23:11Why don't you kiss my...
23:12Hey!
23:12Hey!
23:12You want to keep it down back there?
23:14What the fuck is that?
23:31Ah!
23:31Ah!
23:32Ah!
23:34Ah!
23:34Ah!
23:35Ah!
23:41Ah!
23:41Ah!
23:42Ah!
23:43Ah!
23:43Ah!
23:43I don't know.
24:13Just be cool, lady.
24:35Yeah, you. What you did sucks. You listening to me?
24:39Give me a break.
24:40I'll give you a break.
24:43You're a part of your dumb stuff.
24:49What's the matter with you?
24:51He's a hack. He doesn't know what he's doing.
24:54Excuse me, guys.
24:57I'm going to have to ask you not to use that footage.
24:59Sorry, I can't do that.
25:01Look, Jeremy just got a little hot-headed.
25:04It happened. We saw it, and we had permission to be here.
25:07I want that tape.
25:14Maybe we can make some sort of deal here.
25:18Absolutely not.
25:19Last night we got.
25:24Police are seeking an escape from the Bainfield Juvenile Prison.
25:28Terrell Thompson, 17, accused in the murder of a fellow inmate,
25:32was being transported to the central jail
25:34when he apparently overpowered two officers and made his escape.
25:38One of those officers, Vincent Montgomery, died this afternoon.
25:43They're going to be all over looking for your tail.
25:45We'll be back in a minute with a report from entertainment reporter Laurel Peterson,
25:50who spent a very interesting day on a movie set.
25:53He dies in an accident. They're blaming me.
25:56KCPY.
25:57I'm protecting my territory. I hit him, and he croaks.
26:03They charge me with murder!
26:05That idiot driver runs his bus into a ditch.
26:08He's history, and again, who's to blame?
26:10Now, here with the Nightside...
26:11To Irel Thompson.
26:13They're going to charge me again.
26:16Hollywood bad boy, Jeremy Woods, was at it again today
26:19on a set of Streetwise, his removed filming here in town.
26:23Give me a break!
26:24The Nightside entertainment crew was on hand
26:26as the young actor and director Tim Hallett
26:29when at it in what can only be described
26:32as a good, old-fashioned Hollywood donning program.
26:36Bodyguards had to restrain the two
26:37as filming was suspended for the rest of the day.
26:41Bodyguards?
26:42You claw! I was acting!
26:43Before you were born!
26:45That's that cop Hanson!
26:54Boy, Harry, these messages for Hanson
26:56are really stacking up.
26:58Anything important?
27:00Let's see. Let's see here.
27:01We got, uh...
27:02Oh, the cleaner's called.
27:04Mm-hmm.
27:05He said he's got something in there for over a month.
27:08Let's see. His mother called.
27:10Yeah.
27:11And here's a message from payroll.
27:13Payroll?
27:13Now, that sounds like it could be important.
27:17Yeah, I think we should get this message to Hanson right away.
27:20Oh, right away.
27:21Mm-hmm.
27:22You want to drive?
27:23Sure.
27:24Do you know where they're shooting?
27:25I got it off Hanson's report.
27:26Who let you...
27:40Come on, miss.
27:40Out of the trailer.
27:42Johnny.
27:43We need to talk.
27:46Johnny.
27:46Johnny.
27:47What's your name?
27:52It's me, Annie.
27:55Why haven't you written me back?
27:58Um, I've been real busy with filming and all.
28:04What do you want, Annie?
28:06You know all your movies.
28:08I know they're about me.
28:12About when we were in high school and stuff.
28:17I just came all this way to say thank you.
28:26I appreciate that.
28:28Listen, why don't we go for a ride?
28:32No.
28:34Let's stand tonight.
28:38We could go to that place we always go.
28:44Remember?
28:46Cabin by the duck pond.
28:49From summer dreams.
28:52We can take a limer.
28:54Yes, Jason.
28:56Bye.
29:05To the hospital, Jason, all right?
29:06Get an A.D. to go, Nick.
29:14Paranoid delusions.
29:16She thinks we're stealing our life and making it into movies.
29:20She's been writing me letters for months now.
29:23How'd she get in there?
29:24That's your job to know, pal.
29:27Where the hell were you guys anyway, huh?
29:29I got people wandering in and out of my trailer.
29:32What am I paying you for?
29:33What the?
29:36Sorry, pal.
29:37This is one employee you can't push around that fire.
29:40What the hell do you think you're doing?
29:42I'm trying to keep the garbage off the set.
29:44See, we're police officers and we've been assigned to you to keep you out of trouble.
29:49You guys are cops, but you're pretending to be bodyguards?
29:52Yeah.
29:53Mayor's orders.
29:54They wanted to make sure you didn't break anything.
29:56I mean, you guys are pretty good actors.
30:04Look, about what I said about cops, I'm sorry.
30:08No, you're not.
30:10Excuse me?
30:11You're not sorry.
30:12You walk all over people and then you think I'm sorry makes it okay.
30:15Can we take the cuffs off and talk?
30:22You don't owe us an explanation.
30:24Hey, half the stuff they say about me, I didn't even do.
30:27The other half I wish I hadn't done.
30:30Very clever.
30:31I work hard, I catch a break and I wind up a star.
30:34Luck.
30:37What is it they say, don't wish too hard for what you want, you may get it.
30:41You guys want something to drink?
30:47Soda.
30:48Me too, please.
30:52Something you don't realize when you dream about being noticed.
30:56And once you are, you're never alone again.
31:04I don't know why I'm telling you guys all this stuff.
31:08But what the heck.
31:09I might as well tell you why I'm such a creep, huh?
31:12Well, we're listening.
31:15They were going through my fan mail about a month ago.
31:18There was tons of it, been piling up for about six months.
31:22Turns out there were two letters from kids who were getting ready to die.
31:32Let me ask you something.
31:34You know, when you drove that Ferrari into the pool?
31:43Lights work.
31:45It's the movies, man.
31:46The lights always work.
31:47What?
31:50What?
31:50What?
31:53What?
31:55We're looking for Tommy Littlefield.
31:57Who?
31:58Look, I don't know who lets you in here, but why don't you just turn around and head for the street, okay?
32:02They're okay.
32:03What are you guys doing here?
32:04Hi.
32:04We thought you might need these messages.
32:09Friends of yours?
32:10Uh, H.T. Aoki, Judy Hoffs, Jeremy Woods.
32:13Hi.
32:14Hi.
32:15It's a pleasure to meet you.
32:16I love your movies.
32:18Thanks.
32:18Look, I'm sorry I yelled.
32:20You guys want to hang around and watch some of the shooting?
32:22Oh, we'd love to.
32:24Yeah, that'd be cool.
32:25Great.
32:26I'm going to catch a nap.
32:27I'll see you out on the set, okay?
32:28Okay.
32:32He's so nice.
32:34I just walk through.
32:35That's all I can do?
32:36Yeah, just walk the other end of the hole and then walk down this way like you're going to your luck.
32:39This is so exciting.
32:41Yeah.
32:41Until a minute.
32:42All right, ladies and gentlemen.
32:44Just a minute.
32:45Quiet.
32:45Walk away.
32:46You can watch you for a million.
32:47This is a picture.
32:49Right on side, too.
32:51Quiet.
32:51All right.
32:56And roll.
32:5842 Apple take one.
33:00Marker.
33:03Back down, action.
33:08Action.
33:09Apple box.
33:18Moving on.
33:30I need Jeremy.
33:31Dude, you look great.
33:49You better call Fuller.
33:50I think I just saw somebody we know.
33:52Get in, man.
33:54There's too many people around here.
33:56What are you going to do in here?
33:59I don't want you to buy the kids.
34:01You can get all of them in here.
34:09Come in.
34:11Hey, they're looking for you.
34:14Let them wait.
34:20Officer Hanson, remember me?
34:27Tyrell Thompson.
34:29Very good.
34:31Uh-uh.
34:35All right, Hanson.
34:36You got me.
34:36That was very funny.
34:38Come on, guys.
34:39I got to get back to my script.
34:40Excuse me.
34:41But did I say you could speak?
34:43This isn't a joke, Mr. Movie Star.
34:45This is for real.
34:50Come on, Hanson.
34:51You're coming with me.
34:52You too, pretty boy.
34:55Leave him out of this.
34:57It sounds like a line in a movie.
34:59Look, I'll go anywhere you want to go.
35:01Just leave him alone.
35:02Oh, come on, Officer Hanson.
35:04I never met a real live movie star before.
35:0642, Apple take one.
35:15Marker.
35:19Background.
35:20And action.
35:24The guy walked right by me.
35:26There he is.
35:38That's him right there.
35:38Present.
35:41That's Waxer Thompson, all right.
35:43Who is this guy?
35:44Right now, he's the man who's got you a star.
35:48If he was Hanson's first case, put the guy away.
35:50Boy, you guys did a hell of a job protecting my client.
35:55He's got somebody we'd like, too, lady.
35:58What's he doing out?
36:00He killed the guard.
36:04All right.
36:06I want current addresses on everyone he knows.
36:09I already know who he knows.
36:14Hey, Ray, how you doing?
36:18And do nothing.
36:20I don't know where there's wax.
36:26I don't know who he's talking about.
36:28Well, I was hoping you'd see that.
36:32Does that jog your memory?
36:34Huh?
36:36I don't know where he is, man.
36:39If my partner dies, I swear I will let you down and I will cut something off.
36:50What are we going to do?
37:00What did you do in your last movie?
37:01It was pretty simple when I saw it.
37:03Now, where were we?
37:13Oh, yeah, Fast Lane.
37:15That was it.
37:17That was the one I saw.
37:19You were beating up all those bad guys up there on the screen.
37:21Hell, it must have been what?
37:24What, ten of them?
37:26You might be the toughest guy I ever met.
37:34What do you think, Hanson?
37:36I think you're probably the toughest guy he ever met, Tyrell.
37:43That's a good answer.
37:44Yeah, big, tough guy on the screen.
37:55Big, tough undercover man.
37:58What do you want?
37:59I want a little revenge.
38:03It sounds to me like you want to go away again.
38:06Well, you're going to love this.
38:08See, this is the part where the cop tells me not to throw my life away.
38:11that I can rehabilitate myself, learn a trade.
38:17Isn't that right, Officer Hanson?
38:19You're still a juvenile.
38:22Not according to the court.
38:24They got me for two special circumstances.
38:29Both guys are dead.
38:33That means I got nothing to lose.
38:41You're testing.
38:42You're doing well.
38:52But you can't see me coming.
38:53I'm in the spot right now.
38:58I'm hacerlo.
39:02I'm feeling better.
39:03I'm feeling better.
39:06You have never known.
40:07Maybe I can become a movie star.
40:12You'll give me a part, won't you?
40:17Won't you?
40:19Yeah.
40:21A big part?
40:23Maybe a leading part.
40:25Could I get a leading part?
40:28Sure.
40:29I want to play a good guy, though.
40:31You know, and get the girl and all.
40:33I don't think I'm right for a bad guy.
40:36What do you think, Jer?
40:37I think you should let me go.
40:45Whoa.
40:47Now, that's not the right line for a hero.
40:51Yeah.
40:52You're supposed to say, um, I think you should let us go.
40:58Go ahead.
41:01Try it.
41:03Let me hear how it sounds.
41:07Come on with it.
41:08I think you should let us go.
41:18Okay.
41:19It's time to go.
41:21Who wants to go first?
41:23Do you want to go?
41:24Or do you want to watch him go?
41:29Why don't you back off of him?
41:31Why?
41:32He's going to die anyway.
41:37I just want you to know that he got you into this.
41:41Yeah, and he got me into this.
41:44And he got you into this.
41:46Looks like the movie star is going to leave this world the way he came into it.
41:57Crying.
41:57I did it.
42:18What part did Jeremy play in subduing the suspects?
42:29Well, he was sort of there all the way.
42:31I don't think I could have done it without him.
42:34Would you call this a case of life imitating art?
42:37Yeah, sure.
42:38I mean, Jeremy was instrumental in subduing the suspect.
42:41Ah, what the heck.
42:42It was no big deal.
42:47Actually, I think it was probably all the time.
42:48I think it was all Officer Hanson's doing.
42:50I'm just an actor.
42:51He deserves all the credit.
42:59He told you.
43:01No pictures of the undercover officer.
43:10I got to go.
43:11Thanks, man.
43:12Are you going to make a picture out of this, Jeremy?
43:14Well, I really don't know.
43:16It's kind of been a traumatic thing right now.
43:18I think I just want to go home and take it easy.
43:21It's not every day that I almost get killed, you know?
43:27You got a picture with your shirt off, Hanson?
43:29Very funny.
43:29That's not the way it went down.
43:31You know it.
43:32So what?
43:32So why'd you do it?
43:33Why'd you make him out to be such a hero?
43:35Because he promised me a part in his next movie.
43:38Excuse me.
43:41Um, I'd just like to thank you for all your help.
43:45Well, we're just doing our jobs, ma'am.
43:48Thank you, Sergeant Friday.
43:50Well, you do it very well.
43:52You're ever in L.A.
43:59I'd like to thank you personally.
44:06Excuse me, guys.
44:07I have to go phone the airline.
44:09I'll let you do it.
44:10Bye-bye.
44:11Bye-bye.
44:11Bye-bye.
44:11Bye-bye.
44:18Bye-bye.
44:21Bye-bye.
44:37Bye.
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