- 6/3/2025
Castle Season 2 Episode 11
#CastleS2E11
#Castle
#CastleSeason2
#CastleSeason2Episode11
#ShowMoviesTV
🎞 Please join
https://t.me/CinemaSeriesUSFilm
#CastleS2E11
#Castle
#CastleSeason2
#CastleSeason2Episode11
#ShowMoviesTV
🎞 Please join
https://t.me/CinemaSeriesUSFilm
Category
🎥
Short filmTranscript
00:00There are two kinds of folks who sit around thinking about how to kill people.
00:03Psychopaths and mystery writers.
00:05I'm the kind that pays better. Who am I?
00:07I'm Rick Castle.
00:08Castle. Castle.
00:09I really am ruggedly handsome, aren't I?
00:12Every writer needs inspiration, and I've found mine.
00:14Detective Kate Beckett. Beckett. Beckett. Nicky Heath.
00:17The character he's basing on you.
00:18And thanks to my friendship with the mayor, I get to be on her case.
00:21I'd be happy to let you spank me.
00:23And together we catch killers.
00:25Make a pretty good team, you know, like Starsky and Hutch.
00:27Turner and Hooch.
00:28You do remind me a little of Hoot.
00:43On one knee?
00:44That's a good girl.
00:45What's up, Castle? You proposing?
00:47Oh, no. Just waiting for you.
00:50It's too bad. You two make a cute couple.
00:52Yeah. Hey, you think I should get a dog?
00:54What am I, your wife?
00:55Yeah, you're my work wife.
00:56No, I'm not your work wife.
00:57I could get a bloodhound.
00:58I could name him Sherlock, and then I could bring him to crime scenes.
01:01No, you couldn't.
01:02Oh, what? It'd be adorable.
01:04I could get him to wear a little Sherlock hat,
01:06treat him how to carry a little magnifying glass.
01:08Oh, see? Right there.
01:10Disapproving, judgmental, you're totally my work wife.
01:12Oh, blood's bold, but it works.
01:16Not sure he'd agree.
01:18He'd agree.
01:25Well, obviously, he was into art.
01:28Victor Fink, 43.
01:30Gallery owner.
01:31There's no sign of forced entry.
01:33Tending upstairs, calling gunshots at 9-1-1 at 10-14 PM.
01:36Any idea what he was doing here so late?
01:38No, but according to his assistant, Darius Langley, they closed at 8.
01:41As far as you can tell, there's nothing missing off the walls or from the back.
01:44Anything off those security cameras?
01:46Fake.
01:47Not even hooked up.
01:48Lucky break for the guy.
01:49Unless he knew, just like he knew Fink was working late.
01:51Or made plans to meet him here.
01:53Check with the assistant.
01:55He had some fight in him.
01:57Abrasions on the forearms, on the hands.
01:59Then he made a run for the stairs.
02:01Only to be shot in the back.
02:02Twice.
02:03Nine millimeter.
02:06Shooter fired from over here.
02:08Is it possible he might have been meeting somebody?
02:10Well, if he was meeting somebody, he didn't tell me.
02:12Excuse me for a minute.
02:13He'd already left by the time I locked up at 8.
02:16Mr. Langley?
02:17I'm Detective Kate Beckett.
02:18How long have you been Mr. Fink's assistant?
02:20Two months.
02:21I'm an art student.
02:22I take night classes at Tisch.
02:24Is that where you were tonight?
02:25Yeah.
02:26Mr. Fink's only supported me being in school.
02:28He let me leave early to make classes.
02:30That's where I was when you guys called.
02:32Do you know if Mr. Fink had any enemies?
02:35Any unhappy clients or artists?
02:37Nothing out of the ordinary.
02:39I can get you a contact list if you like.
02:41Yes, please.
02:44Hey.
02:45We got a little problem.
02:47Uh-huh.
02:48We dug these two slugs out of the wall.
02:50They're not very fragmented.
02:52See if ballistics can run a match on any of the other shootings in the city.
02:55Sure, but that's not the problem.
02:57We dug these two out of the wall and Dr. Parrish has another two in our Vic here.
03:00So our perp's not a sharpshooter.
03:02But we've only found four bullets and there are one, two, three, four, five shell casings on the ground.
03:08There's no blood trail leading out of here.
03:10Exactly.
03:11And not a drop of blood outside the spatter from our Vic here.
03:13So there's no second victim.
03:15So where's the fifth bullet?
03:21The bullet was made of ice.
03:23Okay, great.
03:24Yeah, send her up.
03:25Vic's wife is on her way up.
03:27Fires the bullet.
03:28It melts before we can find it.
03:31An ice bullet!
03:33Ew.
03:34An ice bullet?
03:35Are you even paying attention to me?
03:36No!
03:37You aren't saying anything worth paying attention to.
03:39Yo.
03:40Uniforms are still canvassing, but so far they still haven't found any blood trails outside the gallery.
03:44NCC's re-swept the scene.
03:46Twice.
03:47No sign of a fifth bullet.
03:48I'm telling you, ice bullet.
03:50Nah, bro.
03:51An ice bullet would still make a bullet hole.
03:52You mean ice hole.
03:53Why'd you just call me?
03:54Guys, what else?
03:55We checked Fink's cell phone records.
03:56He got a call at 9.19pm, an hour before he was killed from a blocked cell phone number.
04:01Phone records indicate that the call originated here in New York, but it was an international cell, satellite phone, registered to Bahrain Cellular.
04:08Well, good luck getting a warrant from the government of Bahrain.
04:10Run down Fink's client and artist list.
04:12See if any of them had international numbers and watch your mouth.
04:15I'm gonna go tell him more.
04:16Hey, Ryan.
04:17Got a sec?
04:18Witness?
04:19Not exactly.
04:20Hey, hang here, buddy.
04:21Okay?
04:22Of course.
04:23I found him on the canvas by the art gallery.
04:24Every guy's got no wallet, no ID.
04:25Okay, did you ask him his name?
04:26Yeah, I asked him his name.
04:27I asked him where he lived.
04:28You know, but here's the funny part.
04:29Guy says he don't remember.
04:30Did my husband have enemies?
04:31Yeah, he had enemies.
04:32Every artist who couldn't get in his gallery and every artist who was in his gallery, he'd sell like five pieces and they'd want to know why he didn't sell six.
04:39Mrs. Fink, I know you're upset.
04:40What am I supposed to do with these, huh?
04:41I didn't want them.
04:42I didn't want them.
04:43I didn't want them.
04:44I did them for him and now he's dead.
04:45Mrs. Fink, can you think of anyone who would hate your husband enough to shoot him in cold blood in the back?
05:07Rocco.
05:09Rocco?
05:10Was that one of the artists?
05:11Rocco?
05:12Was that one of the artists?
05:14His assistant.
05:15I thought Darius was his assistant.
05:17His old assistant.
05:18Victor fired Rocco a few months back.
05:20Why?
05:21He fired that little insect over money.
05:24Boy, did Rocco go crazy making all kinds of threats.
05:26I'm gonna get you, Fink.
05:28But you know what?
05:28No.
05:29Rocco, he wasn't even a man.
05:31He was more like a flea.
05:32Victor didn't even think twice about it.
05:34You suppose a flea had a gun?
05:36A tiny gun with vanishing bullets.
05:38Ice bullets and fleas with guns.
05:39Do you have writer's block again?
05:41Stephen King wrote stories of bloodthirsty cars
05:43and sold millions of copies.
05:45I figure, why be limited by logic?
05:47Rocco Jones, Fink's old assistant.
05:49The wife said that Rocco called
05:50and left threatening messages for Fink.
05:52See what you can find.
05:52What?
05:53Hey, what's up with Ryan?
05:56Mugging case.
05:57The guy got hit in the head
05:58and can't remember who he is.
05:59Oh, missing bullets are cool.
06:01Amnesia's even cooler.
06:05I'm sure you have better things to do.
06:08I'm sure I do, too.
06:09An inhaler.
06:12You're asthmatic.
06:14Awesome.
06:16You should probably hang on to that.
06:18Inhaler, grocery bag, keys.
06:20Are you telling me you don't remember
06:22at all what any of that's for?
06:24Yeah.
06:24How ridiculous is that?
06:26Hey.
06:27Hey.
06:29So has he really got amnesia?
06:31Yeah, but apparently my hearing's fine.
06:34Well, that's good.
06:35Richard Castle.
06:37I'd introduce myself, too.
06:39Yeah, we're just going through his pockets
06:40trying to find something
06:41that could tell us who he is.
06:43Oh, and apparently I've been reading as well.
06:45Ah, crime and punishment, Dostoevsky.
06:48Classic.
06:49You have excellent taste.
06:51Castle.
07:02Nine millimeter.
07:04I think we just found our fifth bullet.
07:06You know what?
07:19If we got a dog,
07:20I could buy him little saddlebags,
07:21and then he could carry your books to school,
07:23and you wouldn't have to worry
07:23about getting scoliosis.
07:25Conceptually,
07:26I'd like a dog as much as you would.
07:27In reality,
07:28I'm not seeing the guy
07:28whose dishes never make it to the sink
07:31bending over to Scoop Poop
07:32in Hudson Park.
07:34I bet I could train him
07:34to use a toilet.
07:37Graham,
07:38I thought you were sleeping in.
07:40I was,
07:40just not in my room.
07:43You know what?
07:44We all share way too much.
07:45Oh, I'm sorry, kiddo.
07:47But my happiness cannot be contained.
07:49I'm going to school.
07:51I'm glad you had a nice date.
07:54I'm assuming from this walk of shame
07:56that you and your high school sweetheart, Chet,
07:58had a lovely night all night talking.
08:00Among other things.
08:03It's been a few weeks.
08:04Do I need to sit him down
08:05and ask him his intentions?
08:06I am having way too much fun
08:08to worry about his intentions.
08:10Okay,
08:10took me for
08:11lovely candlelight dinner,
08:14horse and carriage ride
08:15through Central Park
08:16where we watched the sunrise
08:18over the same boulder
08:19where we shared our first kiss.
08:23Wait,
08:23that's still his make-out spot?
08:25Mother,
08:25that's a red flag.
08:26Honey,
08:27nothing you can say
08:28could spoil this for me.
08:29I haven't felt this way since...
08:32I can't remember when.
08:34Ah,
08:34amnesia.
08:35It's going around.
08:36Speaking of which,
08:37I'm off.
08:38I'd tell you not to wait up,
08:40but clearly there would be
08:41no point.
08:43His fingerprints aren't in the system
08:44and we don't have any hits
08:46on missing persons.
08:47This is crazy.
08:48We actually find a witness
08:49to our murderer
08:49and we don't know who he is
08:51and he doesn't remember
08:51what he saw.
08:52Where are we in Rocco?
08:53Think his old assistant?
08:55Uniforms are bringing him in now.
08:56Ballistics confirms
08:57that the bullets came
08:58from the same gun
08:59as the others.
09:00Whatever happened
09:00in the gallery,
09:01he was there.
09:02Not only was he there,
09:03but someone tried
09:03to kill him as well.
09:06Good thing he reads.
09:07Good thing he reads
09:07Russian literature.
09:08If the guy was
09:08a Nicholas Sparks fan,
09:09he'd be dead.
09:10Have CSU checked the coat
09:11for gunpowder residue,
09:12blood, fibers.
09:14Maybe it can tell us
09:14what happened that night.
09:15And check photo IDs
09:16on Fink's artists and clients.
09:18Think he might be one of them?
09:19Girl can dream.
09:19I brought you coffee.
09:27Thank you, Castle.
09:31We all have
09:31three different types of memory.
09:33General knowledge,
09:34like language and facts,
09:35is called semantic memory.
09:37Yours doesn't seem
09:37to be affected.
09:38Then there's procedural memory,
09:40also often called
09:41muscle memory.
09:42That includes any actions
09:43or skills that you've
09:44repeated over and over
09:45and formed neural pathways for,
09:47like riding a bike.
09:48Now, I know yours is intact
09:49because you've been
09:49walking around.
09:50So what's the problem, Doc?
09:51The problem is
09:52an episodic memory.
09:54That's any experience
09:55you've ever had.
09:56Conversations,
09:57movies you've seen,
09:58the people in your life,
10:00even your own name.
10:02So, if I were a betting man,
10:05which I have no idea
10:07if I am,
10:09would I put my money
10:10on my memory coming back
10:12or not?
10:14There's no way to tell.
10:16You might eventually
10:17get it all back
10:17or none of it
10:18or anything in between.
10:21Do we know why
10:22this would have happened?
10:23He's got a bump
10:24on the back of his head.
10:25It's usually a blow
10:26to the head
10:27coupled with psychological trauma,
10:29which leads to amnesia.
10:31Trauma.
10:32You did get shot.
10:33Could that be?
10:34If he believed
10:35he was going to die,
10:36then sure.
10:38If we took him back
10:39to the scene of the crime,
10:40could that jog his memory?
10:43Possibly,
10:43but amnesia's
10:45a tricky condition.
10:46I'd like to take him
10:47back to St. Vincent's,
10:48run some tests and scans
10:50just to be safe.
10:51Of course.
10:51I'll need to ask
10:52a few questions first.
10:55Mr.
10:58I'm sorry,
10:58I don't even know
10:59what to call you.
11:00I don't know
11:01what to call me either.
11:01You said
11:03his procedural memory
11:04is intact?
11:05Yes.
11:06May I?
11:07Sure.
11:09Just sign at the bottom.
11:16That's freaky.
11:17How'd I do that?
11:18That looks like
11:18a real signature.
11:19It probably is.
11:20You sign your name
11:21so many times.
11:22You form Neuropathway's
11:23procedural memory.
11:25So he can't remember
11:26his name,
11:26but he can sign it?
11:27Mysteries of the Brain.
11:29It's illegible.
11:30Maybe you're a doctor.
11:32His first initial
11:33looks like a J.
11:34Does that ring a bell?
11:35No.
11:36Maybe we should just
11:37call you J.
11:41J.
11:42As good as anything,
11:44I guess.
11:47Do you recognize
11:48this man?
11:50No.
11:50Should I?
11:51His name is
11:52Victor Fink.
11:53He owned the art gallery
11:54where you were shot.
11:55He was there with me?
11:57He was shot
11:57and killed.
12:00God.
12:01What about this man?
12:03Rocco Jones.
12:04He used to work
12:05at the gallery.
12:09Guys, I feel so
12:09useless.
12:10Look, I'm really,
12:11I'm really sorry.
12:13I just don't know him.
12:15After all I did
12:16for you, Fink,
12:17I wasn't just
12:18your assistant, man.
12:19I broke the law
12:20for you.
12:21You think you could
12:21just fire me?
12:23I should kill you, man.
12:24Just pop you
12:25right in the back.
12:26Bang!
12:27You're dead.
12:29Wow.
12:32So you finally
12:33get the courage
12:34to do it there, Rocco?
12:35Dude, come on.
12:37I was mad.
12:38I was just
12:38blowing off steam.
12:40You said you
12:41broke the law
12:41for him.
12:43How?
12:48Fine by me, pal.
12:49You have a nice trial.
12:51Come on.
12:51What the hell
12:52are you talking about?
12:53You threaten the guy.
12:54Then he turns up dead.
12:56Do the math.
12:59Forgeries.
13:03Fink paid me
13:04to paint forgeries
13:05of high-end paintings.
13:07I was struggling, man.
13:08I needed the dough.
13:09What did he do
13:10with the copies?
13:11Sold them.
13:12Pass them along
13:13to the buyer
13:13like they were
13:13the real thing.
13:15Who did he sell to?
13:19Bahir Haroon.
13:20He's an attaché
13:21at the Bahrain consulate.
13:23Bahrain?
13:24So he's the one
13:25who talked to Fink
13:26an hour before
13:26he was murdered.
13:27Maybe he figured out
13:28Fink was selling fakes
13:29and decided to get even.
13:30Doesn't matter.
13:31The guy has
13:31full diplomatic immunity.
13:33Great.
13:35So, I checked
13:36all the photo IDs
13:37of all of Fink's
13:38clients and artists.
13:39Our friend Jay
13:40isn't one of them.
13:42And what was he
13:43doing at the gallery?
13:44Holloway called
13:44from the hospital.
13:45Aside from a minor
13:46head bump,
13:46Jay's got a clean
13:47bill of health.
13:48Well, other than
13:48the memory loss.
13:49You know what?
13:50Why don't you guys
13:50grab Jay,
13:51take him down
13:52to the crime scene,
13:53see if that sparks
13:53his memory.
13:54And get a hold
13:55of Fink's
13:56assistant, Darius.
13:57Tell him to meet you
13:58down there with
13:58every file he has
13:59on Bahir Haroon.
14:08And you're sure
14:09I was here?
14:11Take your time.
14:12No pressure.
14:12Isn't this supposed
14:18to be where I get a
14:18headache and flashes
14:20of memories start
14:20overwhelming me until
14:21all the pieces come
14:23together?
14:24Okay, you've seen
14:25too many movies.
14:27Yeah, that I can't
14:27remember.
14:29Wow.
14:30That's very chicken egg.
14:32Welcome to my world.
14:34Weird.
14:36Someone can just
14:37lose his mind like that.
14:39Are you sure you
14:41don't recognize him?
14:42I don't think so.
14:43But I've only been
14:43here a few months.
14:45Anyway, here's
14:47everything I could
14:47find on Mr. Haroon.
14:49All purchases going
14:51back three years.
14:55I still can't believe
14:56Fink was trafficking
14:58in forgeries.
15:00Haroon's purchases
15:00from Fink.
15:01That's dozens of
15:02paintings.
15:03Yeah, and according
15:03to Fink's old
15:04assistant, Rocco,
15:06any and all of these
15:06could have been
15:07forgeries.
15:08This is a Jules
15:08Matterson.
15:09This is worth
15:09a hundred thousand
15:10easy.
15:10Yeah, but you only
15:11pay Rocco a grand
15:12to knock it off.
15:13Fink could have
15:13ripped Haroon off
15:14for millions.
15:14Who says crime
15:15doesn't pay?
15:16Someone took me
15:17for that much?
15:18I could see putting
15:18a bullet in his
15:19back.
15:20Well, that explains
15:20why Haroon went
15:21after Fink, but
15:22what about Jay?
15:23We need to talk
15:23to Haroon.
15:24Beckett, I hate
15:25diplomatic immunity
15:26as much as the
15:26next cop, but as
15:27far as you're
15:28concerned, forget
15:29the guy.
15:30I put in an
15:30interview request,
15:31now it's in the
15:31State Department's
15:32hands, period.
15:33Fine, but sir,
15:34what about the
15:34other victim?
15:35Guy with amnesia.
15:36So?
15:37He has nowhere
15:37to go tonight.
15:38I'm going to turn
15:39him over to
15:39Social Services.
15:40State's problem,
15:40not ours.
15:41I know, sir, but
15:42he'll probably end
15:42up in a homeless
15:43shelter.
15:44He's a person of
15:44interest and a
15:45potential witness.
15:46I would hate to
15:47lose him to the
15:47system.
15:49Okay.
15:51But my couch
15:52is off limits.
15:53Thank you, sir.
15:55It's not the
15:56plaza.
15:57But I have
15:58snuck many a
15:58power nap on
15:59this couch over
16:00the years.
16:01You should sleep
16:02just fine.
16:03I'm grateful not
16:04to have to go
16:04anywhere with
16:05strangers.
16:06It's not a
16:06problem.
16:08You know, it's
16:09terrifying to think
16:10that someone actually
16:10tried to kill me,
16:11and I don't know
16:13who it was or
16:14why, and they're
16:15still out there.
16:17I swear we're
16:17going to catch
16:18the bastard.
16:19But to do that,
16:20we need to find
16:21out who you are.
16:22So we're going to
16:23release your photograph
16:24to the media
16:25tomorrow morning.
16:26What if nobody
16:27recognizes it?
16:28I'm sure someone
16:29will.
16:30But what if no one
16:31does, and I
16:32don't remember?
16:34Then who am I?
16:39I promise you
16:40we won't give up
16:41on you.
16:46My science teacher
16:47says that chocolate
16:48contains chemicals
16:49that are proven
16:50to relieve depression.
16:51Well, it's good,
16:52but I prefer grape,
16:54aged, bottled,
16:55and corked.
16:56You're having an ice
16:57cream tasting,
16:58and no one called,
16:59texted, or tweeted.
17:00Ryan broke it off
17:01with chat, so I
17:03suggested sugar therapy.
17:04What happened to
17:05Sunrise and Central
17:05Park?
17:06Oh.
17:07Who am I kidding?
17:08It's a fairy tale.
17:09And what woman
17:09doesn't want a fairy tale?
17:11She's not who I
17:12thought it was.
17:13How so?
17:14A million different
17:15little things, you know.
17:15It doesn't drive,
17:16he's skinny.
17:17Oh, and he has this
17:18laugh like,
17:19I can't even do it.
17:21It's like a honking
17:21goose, kind of.
17:22These are sitcom
17:23reasons for breaking
17:24up.
17:25This morning you were
17:26in love.
17:26What possibly could
17:27have happened?
17:27Dad back off.
17:29The spark died.
17:31She's obviously
17:32reconsidered.
17:33That's right.
17:34And now we're going
17:35through the five
17:36flavors of grieving.
17:37Oh.
17:38Is the first stage
17:39accepting the ice cream?
17:41Exactly.
17:42Then I'm in.
17:52Hey.
17:53Morning.
17:54Hey.
17:55How was he last night?
17:56I almost slept like a rock.
17:57Doc Holloway stopped by
17:58this morning to give him
17:59a cognitive abilities test.
18:01Scored through the roof
18:02on the quantitative part.
18:03He's good at math.
18:04Maybe he was an engineer
18:05in accounting or financing.
18:07Or just good at math.
18:09Castle's testing his
18:09drawing abilities.
18:10See if he's an artist.
18:12Maybe he's trying to convince
18:12Fink to show his work.
18:14I suppose we should be
18:14thankful he didn't offer
18:15to pose nude.
18:16Yeah.
18:17Thanks for that.
18:18Hey, any idea if we're
18:19going to get to talk to that
18:19attache, Haroon?
18:21Radio silence.
18:21We got an IDJ.
18:24Yeah.
18:26Speak of the devil.
18:27Yeah.
18:28They've been showing it
18:28all morning.
18:29Any calls yet?
18:30No.
18:31Well, until we figure out
18:32who he is, we've got nothing.
18:35So what's the verdict?
18:42Wow.
18:43He really captured his soul.
18:45Okay, so you're not an artist.
18:48I'm sure you have many
18:49other talents.
18:50Just not a talent
18:51for remembering them.
18:52Oh, that's him.
18:53Oh, that's him.
18:55Oh, thank God.
18:55Can I help you?
18:56I think we're about to find
18:57out who you are.
18:58Do you recognize her?
18:59Yes, it's him.
18:59No.
19:00But then again,
19:00I don't recognize myself
19:01in the mirror.
19:02Go ahead, man.
19:02Thanks.
19:03Oh, Joe.
19:04Oh, my God.
19:07Tori Westchester, wife.
19:09Oh, I was so scared
19:11I lost you.
19:12Oh, sweetie.
19:12So it's true?
19:16You really don't
19:17remember anything?
19:18He's suffering from amnesia.
19:19I knew something was wrong.
19:21I knew it.
19:22Jay, are you crying?
19:24I think I am.
19:27Do you feel a connection?
19:30Yeah.
19:31It's actually pretty overwhelming.
19:33Of course it is, baby.
19:35I love you so much.
19:38We will get through this,
19:39whatever it takes.
19:41Miss Westchester,
19:41how long have the two
19:42of you been married?
19:43Two years.
19:44This past October.
19:46And you said his name
19:47was Joel?
19:47Joel Westchester.
19:49Oh, honey, look at you.
19:52You do remember me.
19:59Love conquers all.
20:00Oh, it's all gonna be fine.
20:02Are you okay?
20:03What is it?
20:04What is it, my darling?
20:05I think he's having
20:06an asthma attack.
20:06You have an inhaler
20:07in your pocket.
20:08Get it.
20:08Mrs. Westchester,
20:15do you have cats?
20:16Eight.
20:17Like John and Kate.
20:19I think Joel here
20:20is allergic to cats.
20:22Really?
20:24Mrs. Westchester,
20:25you're not really married
20:26to him, are you?
20:29I could be.
20:30I so could be.
20:32Why the hell
20:32shouldn't I be?
20:34She's been in and out
20:34of mental facilities
20:35for more than ten years.
20:37Every personality disorder
20:39in the book.
20:40Sorry about that.
20:41Just another contestant
20:42on who wants to marry
20:43an amnesiac?
20:44Beckett,
20:45you're at the shade,
20:46Mr. Haroon.
20:46He's on his way down.
20:47He agreed to talk.
20:53He showed up voluntarily?
20:55He wants to stay in control.
20:56This could be our only shot.
20:57Let's make sure that Haroon
20:58gets a good look
20:59at our friend Jay.
21:00Inadvertent, of course.
21:01If Haroon thinks
21:02that he killed Jay,
21:02then his reaction
21:03could tell us
21:04everything we need to know.
21:05Let's go.
21:09Mr. Haroon,
21:10you were a client
21:10of Mr. Fink's?
21:11That's correct.
21:13You bought a significant
21:14number of works from him.
21:15Yes.
21:16Well, we believe
21:17that many of those works
21:18were forgeries.
21:19That's correct.
21:20So you're saying
21:21that you knew
21:21they were fakes?
21:23Of course I knew.
21:24And you bought them anyway?
21:25I have many friends
21:27back home
21:27whose wives are,
21:28how should we say,
21:29demanding?
21:31And what do demanding wives
21:32have to do
21:33with any of this?
21:34Well, we all know
21:35that the fairer sex
21:36can be shallow.
21:38Not you, of course, Detective.
21:40A smart, liberated
21:41American woman.
21:42But my friend's wives,
21:44they want a bag
21:45that says Gucci.
21:48They don't care
21:48who made the bag
21:49as long as it has
21:50that signature.
21:51And it's the same
21:52with paintings.
21:53They're more appreciative
21:54of the signature
21:55than of the work itself.
21:57And my friends
21:58don't always want
21:58to spend top dollar
21:59on authentic pieces.
22:01So Victor would
22:01commission a copy.
22:03My friends save money.
22:04I get rich.
22:05And the wise...
22:06Move to your...
22:07Left, just a drop.
22:09Everyone's happy.
22:10Yeah.
22:10Yeah.
22:11Yeah.
22:12So you only bought
22:13fakes from Fink?
22:15No.
22:15He would also source originals
22:17for those husbands
22:18with taste.
22:20I was happy to...
22:20You look familiar.
22:21...originals, pay less,
22:22work with everyone wanting...
22:23No.
22:24...market value.
22:24Sorry.
22:25The night that Mr. Fink
22:26was murdered,
22:27you called him
22:28not long before
22:29he was killed.
22:29That's correct, detective.
22:30He told me to come by,
22:32that he had a painting for me.
22:33I showed up around 9.45,
22:35but he sent me away.
22:36Sent you away?
22:37Yes.
22:38He was arguing with a man.
22:40About what?
22:41I have no idea.
22:42I respected his wishes
22:43and went for dinner
22:44at Nobu.
22:45Do you think you could
22:46describe this man?
22:48Please.
22:49Must we continue
22:51with this ridiculous charade
22:52when we both know
22:54he is standing right there?
22:59Now, if that is all...
23:02Mr. Haroon,
23:02I'm not quite done yet.
23:04Ah, but I am.
23:08Have a nice day.
23:12Thanks.
23:13For a guy with diplomatic immunity,
23:15he wasn't very diplomatic.
23:16Haroon's hiding behind his immunity.
23:18He knows more than he's saying.
23:19Maybe,
23:20but his alibi is good.
23:21Nobu has him on security video
23:23entering at 9.55 p.m.,
23:2519 minutes before the 911 call
23:27about shots fired.
23:28He's not our guy.
23:29Well, just because he didn't
23:30pull the trigger
23:30doesn't mean he wasn't involved.
23:32And just because Jay was shot
23:33doesn't mean he wasn't
23:33into something shady.
23:35Could be the reason he was shot.
23:36Haroon said he saw Jay
23:37arguing with Fink.
23:39We need to figure out
23:39why Jay was at the gallery.
23:41And we can't do that
23:42if we don't know
23:43who the hell he is.
23:44We've been through this.
23:44It's just a bunch of junk.
23:45But if we take a look
23:46at everything we know about him
23:47collectively,
23:48maybe a picture will emerge.
23:52Nothing distinctive
23:53about these keys.
23:54Yeah, and that plastic bag
23:55really narrows it down.
23:56Okay, he's got asthma.
23:57He's allergic to cats.
23:59He reads.
24:00And he's good at math
24:01and he can't draw.
24:02Put it together,
24:03he's your average asthmatic math lead
24:04with a lot of crap
24:05in his pockets.
24:06Detective.
24:08It's from Laney.
24:10It's the forensics report
24:11on his coat.
24:12Maybe his driver's license
24:12was sewn into the lining.
24:13Gunpowder residue.
24:16So he was shot
24:17at close range.
24:18Coffee stains,
24:18sugar granules,
24:19traces of milk.
24:20We know how he takes his coffee.
24:22Animal hairs.
24:23Not cat hairs.
24:24How could I have missed this?
24:26Missed what?
24:27Do you know what this is?
24:28Yeah, it's a grocery bag.
24:29No, it's not just a grocery bag.
24:31It's the bag that's gonna tell us
24:32exactly who Jay is.
24:37Why are you dragging me back
24:39to the art gallery?
24:40Not to the art gallery,
24:41to the street.
24:41Ah, it's gone.
24:42What's gone?
24:43The dog.
24:44That's why he had the bag
24:45to clean up after his dog.
24:46How do you know it was his dog?
24:47Well, why else would he have a bag?
24:49Why else would there be a dog
24:50tied up outside a commercial building
24:51after midnight?
24:52Maybe someone stole it.
24:55Give me animal control.
24:56All the canines with ID tags
24:58we picked up in the last 24.
25:00Mostly their owners lost them accidentally
25:02and are relieved when we called.
25:04Castle.
25:07Who's a good girl?
25:09That one's from 148 West 26th.
25:11That's Pink's gallery.
25:12Good girl.
25:14Lucy.
25:15Your name is Jeremy Presswick.
25:17We checked it against your DMV photo
25:19and it's a positive ID.
25:20Jeremy Presswick.
25:21You are 34 years old
25:23and you live at 82 Warren Street
25:25in Tribeca.
25:27You don't really have any family.
25:28Your parents passed away a few years ago
25:30and you don't have any siblings
25:32but we did manage to get a hold
25:34of your ex-wife, Emma Carnes.
25:36Ex-wife?
25:37Uh-huh.
25:38I'm divorced?
25:39Yeah.
25:40Sorry.
25:42Your ex sounded pretty concerned
25:45and we figured that would be
25:46the fastest way of putting together
25:48the details which would be great for you
25:49and for our investigation.
25:52If you think it'll help.
25:53Next wife that I can't remember.
26:00Hey.
26:01Some men would consider you lucky.
26:05Here you go.
26:06Thanks.
26:12Hello, Jeremy.
26:14Hey.
26:15Thank you for coming.
26:16I appreciate it.
26:17Sure.
26:18So we're divorced.
26:23Yeah.
26:25Must be weird coming here
26:26to try to help me out, huh?
26:29A little.
26:31Please take a seat.
26:36So what happened to him?
26:39That's what we are trying to figure out.
26:41Is there anything you can tell us about Jeremy?
26:43Well, like what?
26:44Like, uh, where he works?
26:47Well, as far as I know,
26:48he doesn't anymore.
26:50Okay, this is weird
26:51with you sitting right there.
26:53Tell me about it.
26:56You have a PhD in economics from Wharton.
26:59Uh, you had a consulting business
27:01in channel economics and strategy.
27:05You're smart.
27:07Like, crazy smart.
27:09Had a business?
27:11Yeah, yeah.
27:12He sold it last year.
27:13Do you know why?
27:14No.
27:15I thought it was weird.
27:16He loved the business.
27:17Why'd we split up?
27:21Wow.
27:23I've ranted for hours
27:24to girlfriends about that.
27:26I'm guessing I don't come off
27:27so well in that rant.
27:30You were a jerk.
27:32Uh.
27:33Uh.
27:35Yeah, but so was I.
27:37I mean, the truth is
27:38we probably got married too young.
27:39I don't know.
27:39I don't know.
27:44Look, I'm sorry
27:45that I don't recognize you.
27:48But you seem incredibly nice
27:49and you're gorgeous.
27:50And I'm certain
27:51that it was entirely my fault
27:52that our marriage fell apart.
27:54See that?
27:55That's
27:56the guy I fell in love with.
27:59Funny, sweet,
27:59self-deprecating.
28:01Hey.
28:03Do you know what Jeremy
28:04had been doing with himself recently?
28:06As far as I know,
28:07he was dating the youngest,
28:08hottest woman he could find
28:09and not bothering
28:10to put the toilet seat down.
28:14And do you have any idea
28:15what he might have been doing
28:16at the Victor Fink gallery
28:17in Chelsea?
28:18No, I'm sorry,
28:19but we haven't even spoken
28:20in almost a year.
28:22Um.
28:23Well, we're on our way
28:24to Jeremy's apartment
28:24to see if it sparks anything.
28:26Would you mind coming along?
28:27You might be able
28:28to put things in some context.
28:29Okay.
28:35Look familiar?
28:42Nope.
28:44You can say it.
28:45The worst witness ever.
28:47Now you're doing fine.
28:49Hmm.
28:52A wallet.
28:53Well,
28:54I don't think you were mugged.
28:56Do you mind if I poke around?
28:58Open some drawers?
28:59Mi casa que no recuerdo
29:00es tu casa.
29:01Hey, look at that.
29:03Rocking the Spanish.
29:04We did junior year
29:05in Madrid.
29:07Sounds nice.
29:08Well, here's the rest
29:09of your Russian literature collection.
29:12You are a very ambitious reader,
29:14Mr. Presswick.
29:15You always wanted
29:16more time to read.
29:17I guess I'm gonna have
29:18to start over now.
29:19Ah, it's not such a bad thing.
29:21What I wouldn't give
29:22to read The Cask of a Montalado
29:24for the first time.
29:25Or any Stephen King.
29:27Ah, silver lining.
29:29You get to read all my books
29:30for the first time, again.
29:33Anything?
29:34It's pretty sparse.
29:37Like a guy who spent
29:38a lot of time alone.
29:39Yeah, I thought you'd have
29:40more of a slick pad
29:42done up with more stuff.
29:44Hey, tag that.
29:46This is a pretty pricey painting.
29:48Emma, do you know
29:49if Jeremy bought that painting
29:50at a gallery in the city?
29:51No, we bought that together
29:54on our honeymoon in Siena.
29:56Can't believe you still have it.
29:58Why?
29:59Well, part of the divorce settlement
30:00was to sell it
30:02and split the cash.
30:03It appraised for over 200 grand.
30:05You sent me my half.
30:07It's funny.
30:09There's something about it
30:10that's so familiar.
30:12Or maybe I just like it.
30:14Castle?
30:15Castle?
30:15Castle?
30:15Castle?
30:15Castle?
30:15Castle?
30:15Castle?
30:21It's a 9mm.
30:26Five bullets missing.
30:35So, ballistics confirmed
30:36that the gun found
30:37at Jeremy's apartment
30:38was the same one
30:39that was used to kill Fink,
30:40and we just need to know
30:42if it's possible
30:43that Jeremy was a shooter.
30:44CSU did find gun residue
30:46on his coat.
30:47Well, that just means
30:48that he was shot
30:48at close range.
30:49Like if Jeremy
30:50were holding the gun,
30:52struggled with Fink,
30:53Fink managed to turn
30:55the gun around
30:55and it went off?
30:56Well, these abrasions
30:57on Fink's wrists
30:58are certainly consistent
30:59with that.
31:00Well, then why would he
31:00have left the gun
31:01in his apartment?
31:02Doc Holloway said
31:02he was probably
31:03in a fugue state,
31:04like sleepwalking.
31:05He could have dropped
31:06the gun off
31:06and then went back
31:07out again.
31:09Okay, am I missing
31:10something?
31:11I thought you were
31:11supposed to be happy
31:12after you caught
31:12the killer.
31:15Why'd I do it?
31:17We don't know why.
31:19You'll be appointed
31:21a lawyer.
31:21I know that Emma
31:22wants to help hire
31:23someone and I don't
31:24think money will be
31:24an issue.
31:26Well, thank you.
31:29I don't know why
31:30you're thanking me,
31:31Mr. Prezik.
31:31We just arrested
31:32you for murder.
31:33Yeah, well,
31:33it's not your fault.
31:35You guys have been
31:35nothing but incredibly
31:36nice to a babbling
31:39idiot who thought
31:39he was a victim.
31:40It's like I tricked
31:41you.
31:42Good luck, Jeremy.
31:43Hey, if you figure
31:53it out, would you
31:53let me know?
31:55Of course.
31:57I just think
31:57it'd be easier
31:58knowing why.
31:59Okay.
31:59Okay.
31:59The guy's guilty
32:21of a murder
32:21he can't remember.
32:22It just sucks.
32:26I mean, if you're
32:27going to kill someone,
32:28get caught,
32:29spend the rest of
32:29your life in prison,
32:30at least you have
32:30the satisfaction
32:31of knowing why
32:31you did it.
32:33Hatred, revenge,
32:34hell, maybe even
32:35cut you off on the
32:36highway, but
32:36Jeremy won't even
32:38have that, even if
32:39we do find motive
32:40because he won't
32:40remember why it
32:41meant anything to
32:42him.
32:44I'm with you,
32:44Castle.
32:45It sucks.
32:45So, what next?
32:49We, uh, submit
32:50the paperwork
32:51to the DA.
32:52But the DA
32:52will need motive,
32:53right?
32:53No.
32:54Evidence speaks.
32:56Smoking gun.
32:58Don't you want
32:58to know why
32:59he did it?
33:00Yeah, but the
33:01truth is, is
33:01that we don't
33:01need it.
33:02The DA
33:03doesn't need it.
33:05But you and
33:06me?
33:08I know I
33:09couldn't sleep
33:09last night,
33:10could you?
33:13There's got to
33:14be an answer
33:14here.
33:15something in
33:15his life that
33:16makes it all
33:16make sense.
33:22Hands!
33:23Shut up!
33:25Oh, that gets
33:25the heart rate
33:26going.
33:26Mrs. Carnes,
33:27what are you
33:28doing here?
33:29Getting loose
33:29these things.
33:32Prescription.
33:34Guess I have
33:34custody now.
33:36I'm sorry to
33:36surprise you.
33:38We didn't know
33:38you'd be here.
33:43You okay?
33:45Yeah, I guess I
33:47just thought for
33:48half a second
33:49that this would
33:49be a bizarre
33:50second chance
33:51for Jaron.
33:52It's stupid,
33:52right?
33:53No, it's not
33:54stupid.
33:55And to find out
33:56that he's a
33:56murderer.
33:58When I saw
33:58him again,
34:00all those years
34:02of petty arguments
34:03that tore us
34:03apart didn't seem
34:04to matter.
34:05It was like we
34:06first met.
34:07you know,
34:07I felt that
34:08thing.
34:10And then if
34:11we came here
34:11and I saw
34:13that he didn't
34:14sell it,
34:14and I thought
34:15maybe he still
34:16had feelings
34:16for me too.
34:17Do you mean
34:18the painting
34:18that the two
34:19of you bought
34:19on your honeymoon?
34:20We didn't buy it
34:21because we wanted
34:22to.
34:22We had to.
34:23We were in the
34:24artist's studio
34:25in Siena
34:26and Jeremy
34:28picked it up
34:29off the easel.
34:30He was always
34:31goofing around.
34:32The artist went
34:33crazy.
34:34It was still
34:34drying.
34:35We laughed
34:36for a week
34:37about our
34:37little love smudge
34:38and then when
34:39I saw that
34:39he didn't sell it
34:40I thought
34:40maybe
34:42I was kidding
34:46myself.
34:47What do you
34:48mean?
34:49No thumbprint.
34:50It should be
34:50right here.
34:52He sold ours.
34:53This one's
34:53just a copy.
34:54Miss Carnes
34:55are you sure?
34:56Of course
34:57I'm sure.
34:58It's a fake.
34:59We know
35:00who dealt
35:01in fakes.
35:02That's gotta be
35:02Jeremy's connection
35:03to Fink.
35:04That's gotta be
35:04why Jeremy
35:05was at the gallery.
35:06And if Jeremy
35:07and Fink
35:07were arguing
35:08like Haroun
35:08said maybe
35:09it was over
35:09the original.
35:10And if that's
35:10a fake
35:11then where
35:11is the original?
35:12I'll return
35:13to the same
35:14absolutely
35:15and careful
35:16with that one.
35:18Oui.
35:19Oui, merci.
35:20À bientôt, alors.
35:21À bientôt.
35:22Leaving us
35:23so soon,
35:24Mr. Haroun.
35:24Oh, what now?
35:25I have a plane
35:26to catch.
35:27Make any
35:27interesting art
35:28acquisitions
35:28on this train?
35:30Actually, yes.
35:31Mind if we
35:31take a look?
35:32I'm sorry,
35:32I just don't
35:33have the time.
35:34Make time.
35:34What part
35:35of diplomatic
35:36immunity
35:37are you not
35:38clear on?
35:39See, every time
35:40you say something
35:41like that
35:41it makes me think
35:42that you have
35:42something to hide.
35:44It's too bad
35:45that you will
35:45never find out.
35:48License and
35:49registration, please.
35:50What?
35:51Why?
35:51You are
35:52double parked.
35:53This is New York,
35:54everyone double
35:54parks.
35:55Is he resisting
35:56arrest?
35:56I believe so.
35:58Step over here.
35:59Oh.
36:00We're gonna have
36:00to search your car.
36:03You have no
36:04right to do this.
36:05I don't see
36:05any diplomatic
36:06plates.
36:08And immunity
36:08doesn't extend
36:09to a car service.
36:11Mr. Haroon,
36:21this can go
36:22one of two ways.
36:22You can either
36:23cooperate and tell
36:24me what I need
36:24to know,
36:25or I can call
36:25the State Department
36:26and inform them
36:27that you have
36:27a piece of artwork
36:28that's at the
36:28center of our
36:29murder investigation.
36:30And the last
36:30I checked,
36:31the New York
36:31tabloids
36:32gonna give
36:32a rat's ass
36:33about your
36:34diplomatic status.
36:35They'll just
36:35print your photograph
36:36with a headline
36:37that says
36:37diplomatic douchebag.
36:38Fine.
36:39What would you
36:41like to know?
36:41There's a fake
36:42version of this
36:43painting found
36:44in one of our
36:44shooting victims'
36:45apartments.
36:45Can you tell us
36:46how it got there?
36:47How would I know
36:48this?
36:48Because the fake
36:49painting is where
36:50the real painting
36:50used to be,
36:51and now you have
36:52the real painting.
36:53All I know is
36:53that I asked Fink
36:54to acquire it
36:55for a client of mine.
36:57When he said
36:58he had it,
36:59I assumed he'd
37:00tracked down the
37:00owner and made
37:01a deal.
37:02But when I went
37:02to the gallery
37:03that evening,
37:03he sent me away,
37:05just like I told you.
37:07That's a great
37:07story, Mr. Haroon,
37:08but if Fink
37:09sent you away
37:10empty-handed,
37:11why do you
37:12have the painting?
37:13Because I got
37:13a call from
37:14a man this morning
37:14that said he
37:15had it for a
37:16price.
37:17Who was it?
37:18It was Fink's
37:19new assistant,
37:20Darius.
37:22This is crazy.
37:24I told you already,
37:25I was in class
37:25when Mr. Fink
37:26was killed.
37:27Nobody remembers
37:28seeing you there.
37:29I sat in the back.
37:30The naughty kids
37:31always do.
37:31You were at
37:32the gallery the
37:33night that Jeremy
37:33confronted Fink
37:34about the painting.
37:35Listen,
37:36there's obviously
37:37been some kind
37:38of misunderstanding.
37:39Was this a
37:40misunderstanding as
37:41well?
37:44It's a signed
37:45statement from the
37:45super at
37:46Presswick's building
37:47admitting that he
37:48took a $1,000
37:49bribe from you
37:50to allow you
37:50into Jeremy's
37:51apartment so that
37:52you could switch
37:52out the paintings.
37:54I'm sorry.
37:55Should have come
37:56clean from the start.
37:59Fink wanted the
38:00painting.
38:01He told me to
38:01buy it from
38:02Presswick,
38:02but the guy
38:03wouldn't sell.
38:05So Fink had me
38:05paint a Fink.
38:07And, yeah,
38:09I brought the
38:10super to
38:10switch it
38:13with the real
38:13thing.
38:14It was stupid,
38:16but Fink
38:17threatened to
38:18fire me if I
38:18didn't.
38:18It was all
38:19you, Darius.
38:21You switched
38:21out the paintings.
38:23You pocketed
38:23the money that
38:24Fink gave you
38:25to buy it.
38:25It was Fink.
38:26He manipulated
38:27me.
38:28Now, that
38:28is just a lie.
38:31And you know
38:32what else is
38:32a lie?
38:33Your name.
38:36Darius Langley
38:37is your
38:37roommate.
38:38Pretty smart
38:39using his
38:40identity to
38:40land a job
38:41at the gallery.
38:42Though I guess
38:42it'd be pretty
38:43tough to get
38:43hired with
38:44two felony
38:45counts of
38:45counterfeiting,
38:46though,
38:46isn't it,
38:47Georgia?
38:48You've got
38:48quite a rap
38:49sheet,
38:49Mr. Heller.
38:50Oh.
38:52One more
38:52strike,
38:53you go away
38:53for a long
38:54time.
38:54Which is why
38:55you couldn't
38:55afford
38:55Presswick
38:56calling the
38:56cops when
38:57he found
38:57out the
38:58truth,
38:58so you
38:58shot him.
38:59And then
39:00when he
39:00went down,
39:01you shot
39:01Fink as
39:02well.
39:04Think you're
39:04going to pin
39:05this murder
39:05on me?
39:07No way.
39:09You don't
39:09got Jack.
39:12Read carefully.
39:13You bribed
39:14the super
39:15twice.
39:17And the
39:17second time
39:18was four
39:18hours after
39:19Detectives Ryan
39:20and Esposito
39:21brought
39:21Presswick to
39:22the gallery
39:22and you
39:22realized that
39:23he had
39:23lost his
39:24memory.
39:24you planted
39:26the gun.
39:28Swing and
39:28a miss.
39:30Strike three.
39:31You're
39:32out.
39:36Oh,
39:37it's a
39:37beaut,
39:38isn't it?
39:39I especially
39:40love the
39:40fingerprint.
39:41Me too.
39:43Even if I
39:43can't remember,
39:44it still
39:44somehow
39:45feels a
39:46part of
39:46me.
39:50Hey,
39:51Jer.
39:52Ready to
39:52rock?
39:54Thanks for
39:55coming.
39:55You remember
39:56Lucy?
39:58She certainly
39:59remembers you.
40:02Well, hey,
40:02thanks, guys.
40:03You made
40:04getting arrested
40:04for murder
40:05really not so
40:05bad.
40:09So, are
40:09you two
40:10gonna...
40:11Castle?
40:12It's okay.
40:13The answer
40:14is, who
40:15knows?
40:15I like him
40:16and he likes
40:16me and right
40:17now that's
40:17enough.
40:18We'll see ya.
40:19I guess if I
40:19ever lose my
40:20memory again,
40:20I'll know
40:21where to
40:21come.
40:24Thanks.
40:28Thanks again
40:29for coming.
40:29Of course.
40:31One of them
40:31has 15 years
40:32of baggage,
40:33marriage,
40:34divorce,
40:35the other's
40:35on a first
40:36date.
40:37How long
40:37do you think
40:37that'll last?
40:38Hopefully
40:39for a long
40:39time.
40:40Why,
40:40Detective
40:40Beckett,
40:41I had no
40:41idea you
40:42were a
40:42romantic.
40:43I'll
40:44sleep with
40:44a gun.
40:45Bet you
40:45didn't know
40:46that either.
40:47How are you,
40:47Castle?
40:48How long
40:48do you think
40:48it'll last?
40:50Well, I guess
40:50it's just the
40:51writer and me,
40:52but I'm hoping
40:53for a happy
40:53ending.
40:55Oh, well,
40:56well,
40:56well,
40:57look who's
40:57doing the
40:58walk of
40:58shame now.
40:59I was with
41:00Beckett.
41:01Really?
41:02Uh, wrapping
41:03up a case.
41:04Ah, well,
41:05you should kiss
41:05that girl
41:06while you're
41:06both young.
41:09What's going
41:10on with you?
41:11What do you
41:11got there?
41:11Oh, it's
41:12from Chet.
41:13Isn't it romantic?
41:15Chet sent you
41:15a dead flower?
41:17It is the most
41:18romantic thing
41:19that anyone
41:19has ever done
41:20for me.
41:20I've been
41:21up all night
41:21so I might
41:22be a little
41:22slow.
41:23Well, it's
41:24the boutonniere
41:24I gave him,
41:25prom night.
41:26He saved it,
41:27tucked it into
41:27a yearbook,
41:28and he sent
41:28it over last
41:29night with
41:30a note saying
41:32would I give
41:35him a second
41:37chance?
41:40Well, there's
41:41a lot of that
41:41going around
41:41these days.
41:44And I'm
41:45scared.
41:47I mean,
41:47what if it
41:47doesn't work
41:48out?
41:49What if it
41:49does?
41:52That's the
41:52cost of
41:53living.
41:55I just
41:55don't want
41:56to ruin
41:56this.
41:59Ah, this
42:00is dead.
42:04You are
42:05not.
42:06Time to
42:07start making
42:07some new
42:08memories.
42:10Roy, how
42:10did you get
42:11so smart?
42:12It must be
42:12my dad.
42:13He did.
42:14Good dad.
42:16Oh.
Recommended
41:30
|
Up next
42:45
42:08
42:48
41:50
42:56
40:45
42:58
41:31
43:03
40:43
42:02
42:56
42:23
42:47
43:13
43:33
43:15
51:00
51:24
42:16
42:19
43:08
42:08