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ஒன்இந்தியா தமிழில் "கருத்து சொல்வது" இனி ரொம்ப ஈஸி! :: https://tamil.oneindia.com/news/chennai/oneindia-tamil-simplifies-reader-comments-with-emoji-support-681419.html?ref=DMDesc
Oneindia Tamil செய்தி வெளியான மறுநாளே.. பொன்னுக்கு வீங்கி நோய் பாதிப்பை தடுக்க களமிறங்கிய தமிழக அரசு :: https://tamil.oneindia.com/news/dindigul/oneindia-tamil-news-impact-government-took-immediate-action-after-mumps-disease-outbreak-in-dindigu-679787.html?ref=DMDesc
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~PR.62~HT.256~HT.302~##~
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ஒன்இந்தியா தமிழில் "கருத்து சொல்வது" இனி ரொம்ப ஈஸி! :: https://tamil.oneindia.com/news/chennai/oneindia-tamil-simplifies-reader-comments-with-emoji-support-681419.html?ref=DMDesc
Oneindia Tamil செய்தி வெளியான மறுநாளே.. பொன்னுக்கு வீங்கி நோய் பாதிப்பை தடுக்க களமிறங்கிய தமிழக அரசு :: https://tamil.oneindia.com/news/dindigul/oneindia-tamil-news-impact-government-took-immediate-action-after-mumps-disease-outbreak-in-dindigu-679787.html?ref=DMDesc
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~PR.62~HT.256~HT.302~##~
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NewsTranscript
00:00No matter how many people do it, you should do it.
00:01Because I live in a big way.
00:06So you can keep the people's weight down.
00:09And help them.
00:15If you're an lucky man, you're not afraid of anything.
00:21Because you're under control of it and it's not good.
00:24So, what was your story?
00:26But the concept is very important for many people.
00:35Do you have to do nullify a lot of people?
00:40I don't think that's enough.
00:42I don't think that's enough.
00:44I don't think that's enough.
00:46When I come to a music doctor,
00:48I'm not able to do anything like that.
00:51Do you think that's enough?
00:53You can do things like that.
00:56You can do things like that.
00:59You can do things like that.
01:02Everyone says,
01:04I've heard a lot of people,
01:06I'm not really sure about it.
01:08You can't do things like that.
01:10But you know what,
01:12what's the most important thing about it?
01:14That's enough.
01:16What does that mean?
01:18There is a pin that is also like a pin that is a pin.
01:27The pin is on the ring and is Bilbo and it doesn't matter what the pin is on the pin.
01:34If you're having any of a different set of pin and you're in a different state level,
01:40don't go directly to the other states and support them.
01:46may be the first time when you see the city of Tamil, you will see why you will have a nice place to see the city of Tamil.
01:56Yes, yes, yes.
01:57You can't see any of those.
01:59Some of these places are not a good place to see the city of Tamil.
02:06I think it's easy to say.
02:11Even if we say, we don't have to say,
02:12we don't have to say,
02:14we can say we don't have to say.
02:18I think we can talk about this.
02:20This is politics.
02:23I think we can talk about politics.
02:25You can talk about politics.
02:27If you talk about politics,
02:29then it's possible to talk about politics.
02:33But we can see all of them in the film.
02:41We contributed to the film in the film.
02:45If you look at the film in the film, you can see the film in the film.
02:49You can see the film in the film in the film in the film.
02:55You can tell a lot about the director.
02:57You can't get a part in the meeting.
02:59You can't tell me that I can't get a full video.
03:04I'm not sure if the director is a part in the meeting.
03:08I'm not sure if I'm not sure if I'm not sure if I'm not sure if I'm not sure.
03:15I'm going to talk about a great episode about the recent cinema.
03:21So, we will talk about the work, the directors, the stuntmen, and the students.
03:28We will talk about some ideas.
03:31Recently, there is an update on the past few years.
03:36There is an update on the past few years.
03:41There is a new update on the past few years.
03:46We will talk about the past few years.
03:53The past few years, we were talking about the past few years.
03:56I am very happy.
04:00The past few years, we will talk about the past few years.
04:05We are happy.
04:12We will talk about the past few years.
04:15What are we going to do?
04:17We are going to start with that till we start.
04:22I am very happy.
04:24will you start again?
04:25Yes, I don't know.
04:26Can I help people?
04:27Yes, I will.
04:28No.
04:28It is not true.
04:29No matter what, I cannot tell any of it, like one another question, what will I do?
04:33Either way or another question, whether it's not so important, like one other one.
04:37But it's a matter of trying to get the need, the need, bring the capacity, and the energy,
04:42and the need.
04:44Now what I do is, we should have done something for each of you to participate.
04:49There is no one who has a chance to get away from the show.
04:56If you have a real opportunity to get a tour of the show in WhatsApp,
05:02then the same way you can get to the show.
05:06When you get to the show,
05:09how are you going to get a tour with your own tour?
05:15There isn't really a person in the world that practically is a person
05:19or is still in the past or in chantal way
05:22Every person in hands referred to me
05:27Has become a person in place
05:31or if one person is a person
05:33It is because there will also be a person
05:35Even though these animals are so involved
05:39Due to the individualいて a person could not have a world
05:43In terms of us
05:44I can create a list of Kandasans and Melancholy, Soham, Philosophy, and Kandasans.
05:53There is a personal tragedy, personal endure feelings, pain, and joy.
05:59They have a real life experience.
06:03They can do it.
06:06They have a real life experience.
06:16They can do it.
06:21They have a real life experience.
06:23They have a city background.
06:28They know the nuance of their grammar.
06:31They have a 20s kid.
06:36They have a real life experience.
06:41They have a real life experience.
06:44They have a real life experience.
06:48No, it is.
06:50A real life experience has been brought to you by the video and the audience.
06:58They can do it.
07:00He has a problem with the people.
07:03Every person has a problem.
07:06He has a problem with the other people.
07:12But he has a problem with the people.
07:15They have a problem with the people he has.
07:19That's why we should be a problem.
07:22It's not a problem.
07:24But if you know that I don't know, I don't know.
07:33Seriously?
07:34No, you don't know. You know, you know a JALIANA person.
07:42But the JALIANA person is a JALIANA person.
07:45There's a lot of understanding.
07:48I can't remember when you're coming to get it.
07:55Selenero is a painful part, but you can easily get it.
07:59But when you get it, you can be with your jaliya.
08:04Practically, it's a good thing.
08:07So that's the problem.
08:12There is no need to be a part of it.
08:19It can't be a part of it.
08:26I feel that it's not a part of it.
08:29Now, there is a song.
08:31Now, we have a indie music song.
08:33There is a song.
08:35It's about 4 and a half minutes.
08:37If you don't like that song, it's okay.
08:41Now, we have a character.
08:45A director, a story and a lyricist is not a song.
08:52If you don't like that song, it's not a song.
08:57It's a basic thing.
09:00In a lyricist, it's a song.
09:04So why are you using this glass?
09:07If you use this glass, you can use that glass,
09:09and you have a bucket and you can use it.
09:11I am using it as well.
09:13you can use it as well.
09:16In that case,
09:17you can use it as a depth-to-depth material and
09:23that's the same.
09:25So if you have a problem with your own skills,
09:32You don't have a genius, a genius, a genius, and a genius.
09:37That's automatic.
09:39That's why I feel like a lyric writer.
09:42What is my challenge?
09:45What is my challenge?
09:47What is my challenge?
09:49When you come here,
09:51I have a passion for you.
09:56What is your writing experience?
09:59What is your challenge?
10:02Or is it a preparation phase?
10:05What is your challenge?
10:08What is your challenge?
10:10A student's director is a step by step.
10:14I am a leader.
10:16I am a leader.
10:18I am a leader.
10:20I have a leader in the world.
10:22I am a leader in the world.
10:24I am a leader in the world.
10:26I am a leader in the world.
10:29I am a leader in the world.
10:33I am a leader in the world.
10:37On the other hand,
10:38one year has a three years.
10:40We have three different texts.
10:42We have four characters in the same time.
10:47We have a list for the corona.
10:51We have one of those who will follow us.
10:56They say,
10:57Hey, how are you going?
10:59Here you go.
11:00How are you going?
11:01It is a 100.
11:03We have a lot of text.
11:04Why are we going to see this?
11:06How many people are working?
11:07He was very короче and he had such a great name for it.
11:13I was happy to write about it.
11:17I was happy to write about it.
11:18I have a weird name.
11:21There was an other text.
11:21There was no text in a book.
11:22He had some ideas.
11:23And he was sure they could see.
11:32He's not a photographer.
11:37Because it is a very good business.
11:44It is a very good business.
11:49Yes, yes.
11:50You can do a little bit of YouTube.
11:52There are a lot of small amounts.
11:54It is a little bit of a little bit.
11:56You can read it in your opinion.
11:58You can read it in your opinion.
12:00But you can read it in your opinion.
12:03You can read it in your opinion.
12:05I will read it in your opinion.
12:09So, the few of you can read it in the opinion.
12:12You can read it in your opinion.
12:14You can read it in your opinion.
12:15You can read it in your opinion.
12:16And you can read it on your opinion.
12:18You can read it on your opinion.
12:19So, there are some extra medals.
12:23There are many new edge music directors.
12:25Yeah.
12:26Maybe singers or dancers.
12:28Yeah.
12:29There are several medals left there.
12:31I will not understand that.
12:34So, what did you get there?
12:41How did you get a breakthrough?
12:43Now, I don't know a lot of people.
12:49I don't know a journalist.
12:52I don't know a social conscious.
12:55I don't know a journalist.
12:57I don't know a media person.
12:59I don't know creative head.
13:01How did you get a jump in the main stream?
13:07How did you get a breakthrough?
13:09I didn't have to learn.
13:12I was able to learn.
13:14I was able to learn.
13:16I didn't have to do that.
13:18I didn't know that.
13:21I was able to do that.
13:23How did you go to school?
13:24I was able to learn about school.
13:26I was able to learn about school.
13:28I was able to learn about school.
13:30I was able to learn that we went to school.
13:32How did you get a degree online in America?
13:34I was able to learn the same kind of career then.
13:38That's how it is.
13:40That's how I went to school.
13:42I also know what I learned.
13:44I know it's not good about school.
13:46But in the past, there was a problem.
13:48I couldn't find a problem.
13:50I didn't understand the problem.
13:52So, when I came here,
13:54I went to UG.
13:56I got to the UG.
13:58I got to the UG.
14:00I got a classmate.
14:02I got a job.
14:04I got to find a job.
14:06I had to find something like that.
14:08I was like,
14:10I was like,
14:12I got a job.
14:14I was studying journalism in Madison City.
14:20I entered the interview for a while.
14:26I was in the interview for a while.
14:30I was in the interview for Gujarat.
14:34I was in the interview for a while.
14:38I was in the interview for a while.
14:42Yes, he is.
14:44He knows who he is.
14:46He knows who he is.
14:48He knows who he is.
14:50He knows who he is.
14:52He knows who he is.
14:54He knows who he is.
14:56He knows who he is.
14:58I'm going to resign.
15:00I'm going to resign.
15:02My editor.
15:04Mr. Krishnamuthi.
15:06He is an Indian Express.
15:08He is basically a leftist.
15:10He knows him.
15:12I'm going to go to the PFO before that.
15:14Mr. Krishnamuthi.
15:16I told him that he has become a PFO.
15:18He passed by in a single time.
15:20He was still running for a Tamil verdad.
15:22He was also going to go to the National VW.
15:24I told him.
15:26I said that he did not to resign.
15:28He did not resign.
15:30I told him not to resign.
15:32He was going to resign.
15:34But
15:35I told him.
15:37Then he couldn't do it.
15:39It was a great number.
15:43When you go to the drum, there was no opportunity.
15:49At that time, I would have been able to get a number of 4 times in the year.
15:56I would have been able to get a number of 20.
15:59I would have been able to get a number of 4 times in the year.
16:05So, in that time, I was asked to ask a student.
16:09Part assistant.
16:11Yes, he was a culture.
16:12Yes, he was.
16:13He was.
16:14He was.
16:15He was.
16:16He was.
16:17You are.
16:18You are.
16:19You are.
16:20I am.
16:21I am.
16:22I am.
16:23I am.
16:24I am.
16:25I am.
16:27I am.
16:29I am.
16:31I am.
16:32I am.
16:37I am.
16:38I am.
16:40You are.
16:41You are.
16:42I am.
16:44You are.
16:45You are.
16:46I am.
16:48I am.
16:50Okay.
16:51What is your business?
16:52Family.
16:54In a different kind of business.
16:56What's your business?
16:57I've worked with you.
16:58I asked him to come to go to the government department.
17:03He said to me he got to go to Delhi.
17:07What did he do to Delhi?
17:08He had to go to Delhi.
17:10He was like, he was in the office.
17:15And then he said, I didn't have any vacancies.
17:17So, I tried to go.
17:19I was like, he was in the right direction.
17:23He tried to come.
17:27I don't know how to try it.
17:31I'll call the music director and follow up.
17:36If you're a hit or a spark, you'll be able to get a vibe.
17:45If you're a practice, you'll be able to select it.
17:49If you're a social network, you'll be able to use it.
17:55If you're a person, you'll be able to select it.
18:00At that time, I followed up with a record.
18:07The first time, you'll be able to select it.
18:13You'll be able to select it.
18:17You'll be able to select it.
18:23You'll be able to select it.
18:26If you're a person, someone's person is able to select it.
18:29If you're a person, you'll be able to select it.
18:33The person's job is to select it.
18:35The time of the time, I was happy to be in the music director.
18:42They also said that there was a corona gap.
18:46In that corona time, I was happy to be in the music director.
18:50Black Sheep's CEO, Bala, Rajmohan, Nani, Shah.
18:56You're a college senior.
18:58That's right. That's right.
19:01I'm happy to be in the music director.
19:07So, I talked all about it in a moment.
19:11A time of the time, we decided to do a part.
19:17I went to set a part of this part.
19:21So, this is about 1000 questions.
19:25This is the time of the time of the year,
19:28When I was in that part, I was in that part in 3 months.
19:32Hit.
19:33Hit is a number.
19:35No, that's not what I did.
19:36Actually, what did I say?
19:38Reels tend up is a person who has a person who has a person who has a person who has a person who has a person who has a person.
19:43But, they have to come back and come back to the market.
19:47Gee, Ariva.
19:48Yeah.
19:49That part is a political situation.
19:52That part is a part of the COVID-M.
19:54However, when he came to Kutti Patas, he got a market for an independent album.
20:01That's how he got it.
20:04How did you do this, sir?
20:07When I said to Didi, I said to him that I was going to be a party to Lala.
20:15He said he was going to be a Basha by moment.
20:18How did you do the dubbing?
20:21I was able to do a dubbing.
20:25I was able to find the balance between me and me.
20:31That was useful for practice.
20:35I was able to find it.
20:37I was able to find it.
20:42But I was able to find it.
20:44I was able to find it.
20:46I was able to find it.
20:48That's not our hands. We can make it correctly.
20:55That's the problem.
21:04You can get the opportunity to get people involved.
21:06When you think about a person,
21:10the person who gets the opportunity to get the opportunity.
21:15Who can help those people,
21:17who can help them.
21:19Who can help them with the people.
21:21Who can help them with the people.
21:24These guys can help them with the people.
21:30It is a big deal.
21:32I have seen a lot of support in my life, I have seen a lot of support.
21:39I have seen a lot of support and a lot of support.
21:44I have seen a lot of music tone, a lot of party and lyrics have slow.
21:54I would like to say that with a small country,
21:59a country in Tamil,
22:04a country with a royalty number
22:08is not enough.
22:12You say that you have a main revenue.
22:15You can go down to a small country.
22:17On the other hand,
22:19there is a number of a country.
22:22So, let's start with that.
22:25Now, if you can't do anything like that,
22:30then you can't tell me.
22:32Because you can't do anything like that,
22:34and you can't do anything like that.
22:36So, you can't do anything like that.
22:38But, the concept is very interesting.
22:43Now, you can't do anything like that.
22:46But you can't do anything like that.
22:49There is a gap.
22:51It is a gap.
22:53So, it is easy and easy.
22:55But, it is easy to do anything like that.
22:58Usually, you can say,
23:01I don't like the lyrics engineering.
23:03I don't like the lyrics.
23:05I don't like the lyrics.
23:07I don't like the concept.
23:08So, you can't do anything like that.
23:10You can say,
23:11a journalist is like a journalist.
23:14A news reporter, a news producer.
23:17You can't do anything like that.
23:19You can say,
23:21I don't like the lyrics.
23:22I don't like the lyrics.
23:23You can't do anything like that.
23:24I don't like the lyrics.
23:25I don't like the lyrics that are exactly the lyrics.
23:27I don't like the lyrics.
23:29I was able to get a prompt and get a very good job.
23:36I was able to get a A and a good job.
23:41I was able to get a better job.
23:43I was able to get a better job.
23:48The director is telling them to be creative because of me.
23:56So I'm being here and tell you, who is the director.
24:01He is showing you who knows who the director, who knows who the director.
24:04Right!
24:05He's going to start with his name.
24:08He's going to ask you.
24:09He's been standing there for you.
24:15If I come to a music doctor, I can't do anything at all, I can't do anything at all.
24:20So, the sector isn't it?
24:22In that sense, you can't do anything at all.
24:25You can't do anything at all.
24:28You can't do anything at all.
24:31Everyone says,
24:33If you ask yourself,
24:37If you ask yourself,
24:39You can't do anything at all.
24:43Why do you need to use that technique?
24:47We've worked hard on that technique, although it is a technique that we used to use.
24:53I thought we must have learned a lot from the Tamil Nadu, India, and we don't know what's up in the year.
25:04But the first thing you asked for this technique is called Lyric Engineering.
25:09We are able to get a gate.
25:13It's a good thing to say.
25:17It's not a wipe.
25:19It's a human connection.
25:25It's a human connection.
25:29It's not a good thing to say.
25:33That's a strong statement.
25:35If you look at the directors like Karthik Nareen, Shtri Ganesh,
25:45you can look at the early 20's music directors.
25:52But they are 40 plus or 50 plus.
25:56That thing is amazing.
25:58One of them is a director.
26:01They are very youthful.
26:03It's a bad thing.
26:07That's it.
26:09It's a simple thing.
26:10Actually, they are independent musicians.
26:14They are very young.
26:17But they are very young.
26:22It's a simple thing.
26:24If you look at the different people,
26:26you are able to connect to me.
26:29If you look at the same time,
26:31you are able to connect with me.
26:32If you look at the same time,
26:34I will connect to them.
26:36You can do it in a first time.
26:38You can do it in a first time.
26:39You can do it in a first time.
26:41It will be easy to do with it.
26:43It's very simple.
26:45It doesn't exist anymore.
26:47There is a lot of music director and music director.
26:51It doesn't matter.
26:53I feel like it's not a problem.
26:55I feel like it's not a problem.
26:57Who is writing the lyrics?
27:01I don't know.
27:03I don't know.
27:05Who is writing the lyrics?
27:07Who knows?
27:11I'm very aware.
27:13It's a very good thing.
27:15You know, it's a very good thing.
27:17It's not a good thing.
27:19You can't read it as a language.
27:21It's a language.
27:25It is a languagesist.
27:27It's a way of writing.
27:29It's a way of writing.
27:31It's a way of writing.
27:33It's a way of writing.
27:35Your example is
27:38To give yourself a person and give yourself a person
27:42Just say the person is very good
27:45In one's case you can tell
27:48Where to give yourself a person
27:51If you look at a person
27:55Or you just call your person
27:57Now they are going to go. They are going to be very simplified.
28:04They are going to be very nuanced and nuanced.
28:11One of them is that they are going to be very popular.
28:17They are going to be very popular.
28:23If I take the first time, there are some credits in the post, so I can see him.
28:30You are a Canadian ninja and hero.
28:33So now that's it.
28:35There is a man in Carthing.
28:37A man.
28:38A man.
28:39I don't know who I am.
28:42I don't know who I am.
28:44That's right.
28:45That's right.
28:46That's right.
28:48That's right.
28:50Both of them are a man.
28:55I don't know who I am.
28:59I think he is a man.
29:01A man.
29:04A man.
29:06A man.
29:08A man.
29:10A man.
29:12A man.
29:14A man.
29:16A man.
29:18There are many languages that are very different.
29:22I was very interested in learning how to find a way to find a way.
29:25I can't remember that.
29:30That is a good way to find a way to find a way to find a way to find a way to find a way to find a way to find a way to find a way to find a way.
29:39In 1996, there is a part of the story in 1996.
29:48Why are you talking about the story now?
29:51It's a story.
29:53It's a story.
29:55It's a story.
29:57It's a story.
29:59It's a story.
30:01It's a story.
30:03It's a story.
30:05Good story.
30:07I think it's a story.
30:09Big
30:28This is a story.
30:30That's why it's not correct. It's not a dubbing part.
30:40So, it's already a hit part and it's a freedom to recreate it.
30:48Now we have to say the tune and the tune of the song.
30:53We have already established that part.
30:56Now we have this part.
31:01I don't know who is.
31:04It's a euphoria.
31:08I think it's a very interesting part of it.
31:15I think it's an aesthetic part of it.
31:21I think it's a very interesting part of it.
31:27I think it's a very interesting part of it.
31:31Why do you think it's a dubbing?
31:34It's a good idea. Actually, there is an opportunity to approve the music director, director and producer.
31:44There are many opportunities for the music director.
31:47Now, if you do dubbing, you have a freedom.
31:50It's a racist freedom.
31:52It's a racist and a music director's freedom.
31:54What do you think about it?
31:56It's not a meter.
31:58It's not a content.
32:01Actually, if you translate it, you can translate it.
32:04There's content.
32:05There's a lot of content.
32:06There's a lot of content.
32:09There's a lot of content.
32:12No, I'm not sure.
32:13You said that degree of freedom is very good.
32:16But you've got a lot of content.
32:24There's a lot of content.
32:27There's a lot of content.
32:29That's why I told you something about the conduct.
32:33I don't know how many people are doing this.
32:37I don't know how many people are doing this.
32:46I'm sure you're talking about it.
32:48But it's a very rare gem.
32:52Who can't find it?
32:54We don't have to say anything about our 96 director.
32:56No, it's not. It's a good thing.
33:00I can't believe in the dialogue.
33:06This is a very rare thing.
33:08I've said that it's a very rare thing.
33:11You can put it in free hand.
33:15You can eat it and eat it.
33:20You can eat it.
33:23What's the difference in writing?
33:25It's a lot of people in the world.
33:28So, if you're in a group of people in the world, you'll be able to find a place like this.
33:31That's what affected the writing freedom.
33:35That's it.
33:37I know that there is a lot of sound.
33:45I know that there is a lot of sound.
33:47I know that there is a lot of sound.
33:51But I think it's a good thing for my friends.
33:57I think it's a good thing.
34:00I think it's a good thing.
34:04In the 80s, 70s, 90s,
34:08I think it's a good thing.
34:13It's a good thing.
34:16That's right.
34:17That's right.
34:18That's right.
34:19That's right.
34:20Everything is like a mom.
34:22That's right.
34:23A woman is like a mom or a mom.
34:27You see a woman who is a woman and she is like a woman.
34:33That's right.
34:35That's right.
34:38That's right.
34:40I don't know what she is like.
34:42I'm just told that he was a path breaking.
34:46I was told that he was a good source of money,
34:49and that he was a good source of money.
34:53That's why he was a good source of money.
34:57He was a good source of money.
34:59He was a good source of money.
35:03You know, you're just going to tell me how a lot of money is.
35:08You know your business.
35:10Sir, you are a customer.
35:16You are a music director of the song.
35:22You are a music director of the song.
35:25After that, you are a music director of the song.
35:36I can't do anything.
35:39I can't understand.
35:41But I can't say the same thing.
35:48Why are you doing it like a lyricist?
35:52Yes, I can't.
35:54It's hard to do.
35:56It's hard to do.
35:58It's hard to do.
36:01It's hard to do.
36:03But, if you ask yourself, you are the one who has a life.
36:08Yes, you're the one who has to do it.
36:13Now, in this case, I have a lot of people that have come together.
36:18You are one of my own.
36:20I am one of my own.
36:22I am one of my own.
36:24I am one of my own.
36:26I am one of my own.
36:29A lot of people are spending their time on their own.
36:36They have to spend a lot of time on their own.
36:41They are taking a lot of time on their own.
36:44They are still the same.
36:47They have to pay attention to their own.
36:51He was a part of the game.
36:58He's a part of the game.
37:03A part of the game was a big hit.
37:09He was a part of the game.
37:13He was a big hit song.
37:19So I think they have to do this before and they have to do this before.
37:26And they came to a place where they came.
37:31When they came to a place where they came,
37:38they came to a place and found a place where they came.
37:43So now they have to do this.
37:44Political?
37:45Yes, they are very difficult.
37:47I am a political man. I have a man who is a man who is a man who is a man who is a man who is a man.
38:01And I can't believe you.
38:05I am saying that you are a man who is a man who is a man who is a man who is a man.
38:12I think we are talking about the same thing.
38:16It's not a good thing.
38:20I think we are going to talk about the same thing.
38:23We are in style, so we are in solidarity with you.
38:28We are talking about the same statement.
38:33I am talking about the current political scenario.
38:39One of the main content is that a director has been in the film.
38:43And that is true.
38:44Even in the film, you know something like that.
38:49The film is coming out of the film.
38:54I have seen a movie of cinema and a movie of different films.
38:59You can see a movie of the film.
39:02I have seen my movie of the film.
39:04The producer and director and director have been in the film.
39:08There is a scope of social causes and political causes and cultural causes.
39:16You have this scope.
39:17Here are a point of view that,
39:19if you have mentioned something that you should do,
39:22I will say that there is a person that is women,
39:25a woman,
39:26a woman,
39:26a woman,
39:27a woman,
39:29a woman,
39:30a woman,
39:31a woman.
39:32They will try to approach a woman.
39:35Say hi.
39:36The Dora Pora Malis Center is in the same time.
39:39The Taliban is in the same time.
39:42The Dishwum is in the same time.
39:43The American, Afghanistan, LTT.
39:48So, this is the same thing.
39:51It is the same thing.
39:53Now, it is not the same thing.
39:56You can see that.
39:58But, you can see the same thing.
40:01It is not the same thing.
40:03So, when I talked to my first time, I went to the early days, I was talking to my first time and I was talking to my first time.
40:13The first time, when I was talking to my first time, I was talking to my first time.
40:25We could have used the pen and used the pen.
40:32We could have used the pen and used the other.
40:36If we used the pen and used the pen, we could have used the pen and used the pen.
40:40That is true.
40:46That is true.
40:49That is a director mindset.
40:51One of the things you can do is they can do it.
40:53It's not true.
40:54I told him that Raja Lashimi said that Raja Rajan and Raja Rajan.
41:04He said that he was a little bit of an elevation.
41:10He said that you are a director and music director.
41:14He said that the scope of the scope of the scope is not the scope of the scope.
41:20The scope, and the geths are all in the same way.
41:24That is not a thing.
41:26So, let's go and go.
41:30Still, there was a vibration in steel.
41:35It started to travel to Kerala.
41:38I was told to go to Vedan.
41:40If you look at the politics of the politics,
41:50the politics of the politics is a shaykh.
41:52When you look at the politics,
41:54he is a shaykh.
41:56He is a shaykh,
42:00and he is a shaykh.
42:02The right wing is also opposite.
42:04He is a very dull man,
42:06Also, if you are a journalist, someone who is in a different state.
42:13If anyone is in Tamil, if anyone is in Tamil or somewhere else,
42:19they would have an issue with this.
42:22If they are Tamil, they would not say anything.
42:27If anyone is in Tamil or someone is in Tamil,
42:31There are many people who are in the US,
42:36and there are many people who are in the US.
42:40There are many people who are in Tamil Nadu,
42:45all the people who are in the US and are in the US.
42:50You see, you have a lot of people who are in this country.
42:56Why do you talk about politics?
42:59No, you don't have to talk about politics.
43:03No, you don't have to talk about politics.
43:07I have to say that the people who are talking about politics,
43:11or the people who are talking about assaults,
43:15or the people who are talking about assaults,
43:17I can tell you a nice lyrics to me.
43:21I can tell you about it.
43:22It's easy to talk about politics.
43:24But why do you support a person?
43:26We will be able to run the field here.
43:30We will be able to run a field without a bird.
43:36We will be able to run a field with a different field.
43:40Kerala arrived.
43:44He was talking about a lot of people.
43:50I think that this is a very important thing for me to say that
43:57I am a very proud man, I am a very proud man
44:04I am a very proud man, and I have a strong man
44:09But I am not a good man, I am a very proud man
44:14I will be able to hear more about Tamil Nadu and Tamil Nadu.
44:21I will say that, in the beginning, there are people who are not aware of the Tamil Nadu.
44:28There are people who are talking about the Tamil Nadu and the Tamil Nadu.
44:35I am all for you, I am all for you, I am all for you, I am all for you.
45:05I am all for you, let me Audience say, I am all for you,уютs, and other families.
45:23And I ok to all my life for you.
45:29People fight a lot harder than I am.
45:32I know some people want to come together too.
45:35No one says example about theеrendhiraj and theeandhiraj,
45:39but they don't remember anything that I want to know now.
45:43At the same time, you normally find a customer.
45:52Yes, so I can tell you that.
45:54So what we got to say is a yamnhiraj girl?
45:57My name is Cholli, Pogudamu, Uruwadamu.
46:04I don't know how many people are doing this.
46:09So, I am a contemporary artist.
46:12This is a very disturbing thing.
46:13Actually, I have come from all kinds of things.
46:16I have come from all kinds of things.
46:18I have come from all kinds of things.
46:21I have come from all kinds of things.
46:26You can get this to be an artist.
46:30It's not for the people.
46:32You can get that artist.
46:36You can get to work with them.
46:39If you give it to the artist you can give it to the artist.
46:46If you look at the director, you can see a part in the middle of the meeting and you can see a part in the meeting.
47:05In my opinion, it is not a good way to say anything.
47:14At a time, a part of the problem is to say that every director is a problem.
47:20That's a good thing.
47:22If we say that value, we will find that value.
47:27That's why we consider that value.
47:33If you have a great feeling, you can't say anything about this.
47:41That's not my favorite part.
47:46If you want to know an audience, you can't say anything about it.
47:52In the days of my eyes, I just said,
47:55I had a dream and I said,
47:58I have to say,
48:00I have to say that nobody has to say anything.
48:05I have to say,
48:06I have to say anything.
48:08And I have to say,
48:10we'll always have to say anything.
48:12So, we're ready.
48:17We're ready now.
48:19We're ready now.
48:21There is a small gap.
48:22That gap can be solved.
48:27I think there is a montage song.
48:34There is also a hero centric, heroine centric,
48:42If you come to a cinema or a party, it will be a challenge.
48:55Yes, it will be a challenge.
48:56It will be a challenge for you to come to a party.
49:00I will tell you about the news.
49:05I will tell you about the news.
49:08We have a very simple music.
49:13It's a very good music.
49:17You can't do anything if you want to do anything.
49:22It's not a male point.
49:24You can feel it.
49:26Now, you can see and talk about what you do.
49:32You can't get anything.
49:33You can't get anything.
49:35You can't get anything.
49:37we know that we are the same.
49:39We can't pick it up.
49:41All of us can't have any other questions.
49:44If we get them that way, then we are beginning to know that.
49:47We'll only open up our new challenges.
49:50You may ask people if you are following them.
49:56In Samguni, I've seen a busy city with busy citizens.
50:02I think there is a scope of the MGR part.
50:09I think that I am very good at the MGR part.
50:16That's why I am very good at the time.
50:21But I think that I am very good at the moment.
50:25I am very good at the moment.
50:28I'm a big fan. I'm a big fan.
50:34In this tone, there's a big build-up.
50:37It's a hit of mass hero films.
50:41It's a big fan.
50:42I'm going to make a moment, a haiku, a rap, a Tamil rap.
50:49There's a scope.
50:51There's a scope.
50:52I can't tell you about the heroes.
50:57I think that's a big fan.
51:02I don't know.
51:04I'm telling you about KGF parts.
51:08Why KGF parts are also a elevating experience?
51:12It's a big fan.
51:15I've talked a lot about that.
51:20It's a cycle-achical treatment.
51:22That's a lot of people.
51:23Yes, he was a young person who was a girl and his wife was a lady.
51:28He was a young girl.
51:31He was scared and was like,
51:33He said he was born and he was born and he was born and born.
51:41He said he was born and born and born.
51:45The man is that Mr. Bharath.
51:50That's right.
51:52If you put your hand on your hand, you're afraid to put your hand on your hand.
52:00Your mom told me that they're going to be saying what you're saying.
52:05That's a double-checked treatment.
52:07That's a double-checked treatment.
52:11You said that it's not a good idea.
52:13The narrative is a enhanced part.
52:16You talk about the narrative consumer and there will be a lot of attention on your music editor.
52:23Director, you must ask your name.
52:25This is the best name of your movie.
52:29It's the best name for you.
52:30Darth Vader is still in the middle of the interview.
52:36Is it your job for you?
52:38Somebody asked me a few questions.
52:41That was in my Kindle.
52:44There is a budget for you.
52:54You can see this part on YouTube.
52:58You can give a lot of your reminiscences on this part.
53:04You can give a lot of your reminiscences on this part.
53:09So, that's why we didn't have any questions.
53:15I didn't have any questions.
53:19So, that's right. So, we have a great conversation.
53:23Sir, we have a great conversation.
53:26That's why we have a lot of views.
53:31We have a lot of lyrics and lyrics.
53:37Now, we have a lot of lyrics.
53:41We have a lot of lyrics.
53:43We have a lot of lyrics and lyrics.
53:46However, we have a lot of lyrics.
53:50Say it again.
53:51I will show you a little bit more.
53:55So, we have a lot of lyrics here.
53:57Thank you very much.
53:58Happy birthday.