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00:00I can't believe it. So you're saying that Don Jacobo
00:05has come to the promenade...
00:07To avenge Esteban's death.
00:09Let's get to the point, okay?
00:11Let's see if Don Jacobo has anything to do with Esteban.
00:13That's the first thing.
00:15Esteban Monteclaro was from Oviedo.
00:17So I guess it's a coincidence that they caught each other.
00:21But then we still have no idea why Don Jacobo would want to kill you.
00:26If it wasn't to avenge Don Manuel.
00:29I came to give the lady a massage.
00:31But I can come back later.
00:33No, no, it's not a bad idea.
00:34You can give her a massage while we talk.
00:36What's wrong?
00:38Several essences that are very good for circulation and pain.
00:42I feel relief as soon as I feel it on my skin.
00:45I'm going to take a shower with him.
00:48And is it serious or mild because they were going to harass you?
00:51I'm sorry for having celebrated Catalina and Adriano's ceremony.
00:55They want everything to take place in sacred places.
00:58And not in a hall, no matter how ostentatious it is.
01:02We should think about baptizing your creatures, Catalina.
01:05Yes, I think so too.
01:07So we will have something to celebrate after so many misfortunes.
01:11And since the Duke is here, we could take advantage of his presence.
01:16Who better than a great of Spain to sponsor the children?
01:19I'm sure the Duke will accept.
01:21Right?
01:24I see. Everything is for the Lujan.
01:27You are a Lujan and your children are too.
01:30And they will be the most benefited with all this.
01:32Still, it won't happen.
01:34Catalina, please.
01:36We'll think about it, Mr. Marqués.
01:38You have it embellished.
01:40You think?
01:41Yes, yes. Look at it.
01:43You have it embellished.
01:45I think that even if you look at his mother,
01:49this child feels something special for you.
01:51I don't understand why you rejected your mother's offer.
01:53I'm not hungry, Mr. Manuel.
01:55You could have left. You don't have to stay here with me.
01:59Toño, it's not a matter of appetite.
02:02And you know it.
02:04What hurts me the most is how dry you are.
02:07I'm sure Toño will agree, you'll see.
02:13Hello.
02:14This walk has reminded me of what happened between us.
02:19For a moment, I felt that time was not passing
02:23and that we were the young people of that time.
02:25Yes.
02:27I have also felt it, Rómulo.
02:32Ma'am.
02:34Is this the Cevillo I was looking for?
02:36It can't be.
02:38Yes, I already knew.
02:40Don't look at me like I'm crazy.
02:44I don't want you to look at me like that.
02:48Put that down, Eugenia.
02:50Don't do it!
02:51Eugenia, please.
02:52Don't look at me like that, Lorenzo!
03:10Mrs. García found some pieces at a good price in the market
03:13and I think she's going to prepare them with a grape sauce.
03:16As long as it is peaceful in the culinary demands of Don Lisandro.
03:22Teresa.
03:24What's going on? Are you on leave?
03:27You're confusing me.
03:29Tell me what's wrong with you.
03:34Where did you come from, Mrs. Villamil?
03:38From the room of Captain de la Mata.
03:40Excuse me, please.
03:42Don't worry, take your time.
03:44Is it serious?
03:45Do you want us to send someone to Mr. Lorenzo's room?
03:48No, it won't be necessary.
03:50It was just a scare, thank God.
03:52But I thought they had to know.
03:55And that's what we want.
03:57Tell us.
03:59Is it something related to Mrs. Eugenia?
04:02I went to the doorbell, but I could hear her voices in the hallway.
04:07And what happened to her?
04:09Apparently she couldn't find the brush she was using to comb her hair.
04:12Just apparently?
04:14Yes, because it turns out that it was kept in one of her coffins.
04:17I don't know if she put it there or what, but in any case, that's the least of it.
04:21Explain yourself.
04:24The lady was out of her mind.
04:26Completely out of her mind and she kept repeating that she wasn't crazy.
04:31She was alone.
04:35The captain was with her.
04:37And he couldn't calm her down?
04:38No, quite the opposite.
04:40He made her even more difficult.
04:42In fact...
04:43In fact, what, Mrs. Villavil?
04:46At one point,
04:49he threatened the captain.
04:53He took a piece of paper and threatened him.
04:56Fortunately, I managed to make him come to his senses.
04:59Alone.
05:01As I told you before, I think the presence of the captain made her even more anxious,
05:06so I asked him to leave us alone.
05:08Well done.
05:09Fortunately, we don't have to regret major misfortunes.
05:12But I'm still scared.
05:13Let's try to make sure this doesn't happen again.
05:16I ordered Mrs. Marquesa to remove all the objects with which Mrs. Eugenia could get hurt.
05:21Yes, but it is true that we have relaxed with her supposed improvement.
05:24Well, we'll have to keep an eye on the lady more closely.
05:27Yes, we thought the lady was fine, but it is clear that she is not.
05:31Maybe it's something specific, but in any case, I was alarmed and that's why I wanted to tell you.
05:36You have done very well.
05:38As Mrs. Arcos says, from now on, we will have to be much more aware of Mrs. Eugenia.
05:55Delicious.
05:56It is not for less.
05:57Six weeks in adobo with the species of the earth.
06:00Hey, the orange munda thing is a success.
06:04I'm not worried about the adobo.
06:07What worries me is the bitterness.
06:08Come on, try it.
06:09Condemned.
06:10I also have a touch of anger.
06:13Well, what?
06:14What is the verdict?
06:19They are delicious.
06:22But, for the next time, we will leave it healing for another week.
06:27I've heard, but that's for next year, huh?
06:30What a reason, huh?
06:31When they say that things come, they take their time.
06:34That does not mean that they are delicious.
06:36Anyway, I'm going to take the orza to the pantry.
06:38Yes, now I know you have an excuse to go to the pantry.
06:42A real reason.
06:45Don't look at me like that.
06:46I know that before you left me alone with my son so that we could talk.
06:51But Toño and you needed your time.
06:54Have you been upset?
06:56Me? Why would I be upset?
06:58I don't know, wasn't the conversation with your son good?
07:02Well, neither good nor bad.
07:04Oh my God.
07:06Let's see, it's difficult for Toño and me to make peace like this,
07:11but at least we were able to keep a calm conversation without having to measure the words.
07:16And he already calls him Toño, not Toñito, which is something.
07:19Yes, he's already a man, I can't treat him like a child.
07:23And what did you talk about, if I may know?
07:25Well, a little bit of everything, but especially about his work with Don Manuel in the hangar.
07:33And is he happy?
07:35He is happy and very excited.
07:38It is to be grateful that something like this has finally come after so many bad days.
07:42Oh, what a joy.
07:43Well, yes, the truth.
07:45Because if he is fine, I think things will also be fine between us.
07:51Well, I hope so.
07:53And you didn't talk about everything that had happened before between you?
07:56About how you got to this point?
07:58No, we both preferred not to remove the past.
08:01Well, that's a very wise decision.
08:03What you have to do is focus on the here and the now.
08:06And now I'm leaving.
08:11And if, over time, it gets worse, you'll talk about it, won't you?
08:17When we get to that river, we'll cross that bridge.
08:20But don't go there for a long time, huh?
08:22Don't go to another hill of years.
08:25Come on, go with López and tell him where you have to put the olives.
08:32Of course.
08:34You have sent me with López to be alone again.
08:37Let's see if he's going to take your hobby,
08:40that we leave to keep you calm.
08:42No, no, no, no, no, no, no.
08:44Take the anger.
08:49What are you going to do alone all this time?
08:55Are you serious?
08:57Yes.
08:58I got goosebumps when I saw Doña Eugenia threaten the captain.
09:03Poor woman.
09:04I know she's lost her memory again.
09:07I did that.
09:09But at least the blood didn't get to the river, never better said.
09:12Well, yes.
09:13Well, we have to be on guard.
09:15In case it's a very isolated place.
09:17Let's hope so.
09:19But for now, Mr. Baeza and Mrs. Arcos have asked us to reinforce the surveillance
09:23so that there is no sharp object nearby.
09:26Well, yes.
09:27We have to make sure that it doesn't hurt anyone,
09:30nor does it hurt the rest, of course.
09:32Teresa, do you have tweezers?
09:35You don't say anything?
09:38Yes.
09:39It's very sad that Mrs. Eugenia has been so bad.
09:42Don't you look very worried about this matter?
09:46Me?
09:47And why is that?
09:48Well, because you haven't said a word in a while,
09:50and your head is like somewhere else,
09:52and with what Teresa has told you, well ...
09:54Sorry.
09:55Sorry, I was thinking about Lope and me.
09:58Have you argued?
10:00No, but lately he's been a little weird.
10:03What do you mean?
10:05Yesterday he gave me a gift.
10:07And that's something worrying.
10:09That's what I say.
10:10It was a very expensive gift.
10:12Well, yes, it's weird, yes.
10:14Weird and grumpy too.
10:15And did he tell you the reason?
10:17Because a priori it's a nice gesture, right?
10:20He didn't tell you anything?
10:22He told me it was something that had to do with a card game.
10:25A card game?
10:27Yes, apparently Curro and him were playing cards and won.
10:31Well, that's why the gift was expensive.
10:34I guess.
10:35But it's a little weird, isn't it?
10:37I wouldn't give him two turns, huh?
10:40Man, given Lope's past,
10:42it does seem a little worrying to me.
10:44And why did he give it to them out there?
10:47I think they made a stop at the tavern
10:49when they were returning from the birthday party
10:51of the daughter of the Marquis de Boum.
10:53So they were working like madmen
10:55and then they started playing their cards.
10:57Lope is teaching Curro how to play poker.
11:01So he lost everything for the game
11:03and now he's playing with Curro.
11:05It seems very strange to me.
11:07And to me.
11:08Don't give him two turns.
11:09It's not that big of a deal.
11:11Not at the moment, Mrs. Adarre,
11:13but I'm afraid that Lope will go back on his feet.
11:16That he's together with bad influences
11:18and now Curro is also involved in the game.
11:20And have you told him your concern?
11:23Yes.
11:24And he told me that I don't need to worry about anything.
11:26Well, then there's no reason to be alarmed, right?
11:30I would like to have the security that you have, Mrs. Adarre.
11:33But I have my doubts.
11:35It's natural.
11:36Well, I don't think they have room
11:38because Lope is a good boy.
11:40And what about the fact that he suddenly gets along so well with Curro?
11:43Well, Curro is also reliable.
11:45I would put my hand in the fire for both of them, so ...
11:47No, no, I didn't mean that Curro was a bad influence either.
11:50We all agree on that.
11:53Well, let's go.
11:54We're running out of time.
11:56Let's go.
12:07Good afternoon, Martina.
12:08Good afternoon.
12:10For whom is that jug of water?
12:12It's for Miss Ángela,
12:14who has asked you to take it to her room.
12:16Well, see you then.
12:20Martina, wait.
12:22I wanted to ask you about something ...
12:26a little uncomfortable.
12:29Well, you tell me.
12:33It's about the monster.
12:36What monster?
12:37What we had, you and me.
12:40I'm going straight to the point.
12:42I wanted to ask you if you could tell me when ...
12:46How did our relationship start to fall apart?
12:49I already told you when I saw us hugging.
12:51I noticed the affection between us.
12:55Yeah, but it was only after that.
12:57He didn't comment on you before.
12:59Or maybe he could have smelled something.
13:01But what if he was going to smell?
13:02If our relationship ended so long ago,
13:04I couldn't deduce it either out of love for art.
13:08Are you sure about that?
13:10Yes, Jaco.
13:11That jug of water is transparent.
13:13If he had smelled something, I would have noticed it.
13:15Or he would have asked me directly.
13:18What's wrong? Why are you asking me this?
13:21No, nothing. Nothing.
13:25You can trust me.
13:27What's wrong?
13:32Wow.
13:33So here's the water I asked you for half an hour ago.
13:36Yes, that's right. I was going to get it now.
13:38No, don't worry. I'll have it here.
13:40No, let it be. Go to the bathroom.
13:42Miss, it's my job.
13:44No.
13:45Your job was to bring it to me on time.
13:47Not when the headache would have ended with me.
13:51I'm sorry I'm late.
13:53I'm sorry it was me who entertained you like that.
13:56No, no. Why apologize?
13:57Martina, I understand that these things happen.
13:59That's it.
14:01In this case, it was my fault.
14:03Your fault, Martina's fault, and I guess it's also my fault, right?
14:07Why don't we conclude that it's everyone's fault and that's it.
14:14I'm sorry.
14:45I think Emilia and I had a very pleasant afternoon.
14:48Look, I went for a walk with two babies, which is usually quite cumbersome.
14:52No, but the kids behaved very well.
14:54Emilia has a very good hand with the kids.
14:56She knows what she's doing.
14:58And despite everything, she says we're going somewhere.
15:01And that?
15:02Well, I told her it didn't seem right to take the kids out of the cars and leave them directly on the grass.
15:10Mr. Baeza, they are children, they don't break.
15:14Well, yes, but I'm confused here.
15:16It seems to me that it may be something that is not without risk.
15:18Emilia said she thought it was the most appropriate and ended up imposing her judgment.
15:24Well, I would have liked to see how you gave your arm to twist.
15:28No, she was right.
15:29The kids had a great time.
15:32Rafaela spent all the time looking around like that,
15:35and Andresito sleeping like a log.
15:38Well, if you had time to talk about your little things, right?
15:43No, what we did was enjoy watching how the rays of the sun caressed the babies.
15:50Wow, how poetic it has become, right?
15:53And why do you say that?
15:54No, no, no, I think it's fine.
15:55That a few days ago it would have been unthinkable that they could have made a plan together.
16:00No, it wasn't that bad.
16:01Yes, it was.
16:02Yes, it was, Romulo, yes.
16:03And I am personally glad that you have found a way to communicate without throwing the pieces of the puzzle.
16:07Well, you don't have to exaggerate either.
16:11I see that you like to make firewood from the fallen tree.
16:13No, no, no, on the contrary.
16:15What we like to see is that everything is going well between you two.
16:20We have a cordial relationship as it corresponds to two co-workers.
16:23Well, it would have to be an affective relationship as it corresponds to two friends.
16:28And that now, huh? That in the future, who knows?
16:30No, that can't be.
16:32How are you so sure, Mr. Baeza?
16:34Well, because Emilia is married.
16:38No.
16:48And are you okay, Angela?
16:50Because I've noticed you a little tense.
16:53Yes, I'm sorry, it's just that Jaqueca makes me feel bad.
16:57She doesn't know how I understand her.
17:00I wanted to ask you a question, Martina.
17:03Do you know if something happens to Curro?
17:05I find him a little weird.
17:08Well, I notice that he walks in a straight line, that he doesn't serve us tea,
17:14that he talks to me about you when there are people in front of him, but beyond that ...
17:18Maybe it's just my imagination.
17:20Well, maybe not, although he's always had his little things, but I think I'm used to it.
17:24Have you been with him or what?
17:26No, and I've looked around almost the entire palace floor, but no.
17:30What are you looking for?
17:32Andrés' sonager. We don't know where he's been able to get lost.
17:35A sonager?
17:36Yes, he loves it when we make it ring.
17:38And he'll get used to it, and now, if we don't do it, he'll have a heart attack.
17:41And that he's a saint fallen from heaven.
17:43Unlike his sister.
17:45Yes, an angry creature is bad, but two can be infernal.
17:48Where have you been looking for him?
17:50Everywhere, we are desperate.
17:52Do you want us to help you find him?
17:55Would you do that for us?
17:57Of course.
17:59We thank you very much.
18:01We can organize the four of us and thus register the entire palace.
18:05Well, we have searched this floor, we are missing the rest of the house.
18:09I can ask the maids.
18:11Maybe someone has taken him to the service floor.
18:13And I can go up to the rooms and while you register, Estazan again.
18:18Don't forget to ask Emilia.
18:20She could have taken him by mistake or something else.
18:22Yes, it's true, I'll talk to her.
18:24Okay, well, let's not waste any more time.
18:29Let's go.
18:46Hey, you're very quiet today, aren't you?
18:48Well, like you.
18:51Yeah, well, but you usually talk more.
18:54Well, maybe today I don't feel like it.
18:57It's okay, it's okay.
19:01Besides,
19:03seen is seen, it's better not to talk.
19:05It may not be that what does not have to come to indiscreet ears.
19:10What do you mean?
19:12For what I say.
19:14But what ears do you mean?
19:16What are they going to be, Vera?
19:19Well, that's what I'm asking you.
19:22About the bishop, Vera.
19:24The bishop.
19:27What happens to you is that you keep turning to the letter of amnesty that Father Samuel received.
19:32Well, yes, it's not for less.
19:34Because of that letter, serious problems can be seen.
19:38Let's see, but as I understand it,
19:40Father Samuel believes that that letter of amnesty was for a very specific reason, right?
19:44For the wedding of Doña Catalina and Adriano.
19:48Well, yes.
19:50But I realize one thing.
19:53What thing? Let's see.
19:55Because if this wedding thing has reached the ears of the church's tarpaulins,
20:00it has been because someone has told the story.
20:04Well, yes, I guess so.
20:07And who do you think it could have been? Let's see.
20:10I don't know, because upstairs they made it very clear that the wedding had to be kept secret.
20:14Well, yes, so that no one from outside would find out.
20:16But what if it wasn't any of the gentlemen?
20:19Who has been able to escape?
20:22I don't know. The duke?
20:24I don't think the cops will go there, Vera.
20:27And then?
20:28For me, I can only think of one person capable of doing it.
20:31María Mandrajos.
20:34It would be a shame, because lately she has changed.
20:37That's just a facade.
20:39To entangle our backs when we least expect it.
20:42María, I already know.
20:44María, I am convinced that it was that woman.
20:47It would not be the first time that someone from this house has ruined her life.
20:52Or are you going to tell me that you ended up believing that about the great change of La Petra?
20:56That they are nothing more than sardines?
20:58Well, María, I don't know what to think anymore. I had begun to believe that she had changed.
21:01No, Vera, it's a hoax, so that we can trust each other.
21:04And if not, this harassment is proof.
21:07More than proof, those are suspicions.
21:10Fundamental suspicions. And if not, there is time.
21:13Speaking of time, let's hurry up with this,
21:16because I'm not going to get there to prepare for my meeting with López.
21:21Are you going out with López?
21:23Yes, he told me to go for a walk when we finish the day and then we are going to have dinner in Luján.
21:29Well, don't make yourself wait.
21:31Run, get changed, you're not going to get there.
21:33But we still have a lot to do, María.
21:36Vera, I'll take care of it. Besides, you want to look pretty for the meeting, right?
21:39You're not going to do everything yourself.
21:41Vera, go. Now.
21:46Thank you, María.
21:48That's a sun.
21:49I promise I'll return the favor.
21:52What favor are you going to give me back, daughter?
21:55If I'm lonelier than the moon.
22:03No sign of the sleepwalker. And you?
22:06Nothing at all.
22:07The maids say they will continue to ask, but that it would seem very strange to them that someone would have taken him.
22:11I haven't slept with him either.
22:13Maybe Catalina has been luckier and Emilia has put her on some clue.
22:18Nothing?
22:20Emilia says she hasn't found him.
22:23Well ...
22:26And how does that look around your palace?
22:28But he has to be somewhere, he couldn't have vanished.
22:31And I hope we find him before nightfall, otherwise we won't be able to keep an eye on him.
22:36Excuse me.
22:38Have you found him?
22:40And where was Teresa?
22:42That's the most curious thing of all.
22:44I was tidying up Mrs. Eugenia's drawers and suddenly I saw him.
23:15Man!
23:17Talking about the king of Rome.
23:19Or the pope of Rome.
23:21Or the priest, rather.
23:24And what do you mean by that, Maria? Why are you here alone?
23:27Well, now yes, but until a moment ago I was with Vero.
23:30Since you don't know what we have discovered about your amnesty.
23:34No, I don't know and I doubt that person is as interested in that topic as you are.
23:39Well, no, he wasn't interested, but I showed him that it was a problem of envy and that it affected us all in this house.
23:44Stop it, Maria.
23:45No, I'm not going to stop until it's solved. Or with the culprit.
23:49Culprit?
23:51There is no culprit here.
23:53Samuel, it is clear that you have been betrayed.
23:56That is not important, Maria.
23:58Well, it won't be for you, but I want to know who it was and I'm not going to stop until I find out.
24:03You mean you're not going to stop until you confirm your suspicion.
24:07What do you mean?
24:09That you already have a culprit in mind and nothing will happen to you.
24:12Well, yes, I have my suspects.
24:14Or suspect.
24:16Or suspect.
24:18I already know who it is.
24:20Well, yes, that one.
24:22That her name starts with P and ends with P.
24:24Enough, Maria.
24:25What?
24:26It is clear that it was her.
24:27Do you have proof?
24:28Well, no, but I don't know anyone in this house who is capable of doing such a thing.
24:32But don't you know that there is an order I made that you will not raise false testimonies or lie?
24:35Samuel, I'm not lying.
24:37And if I affirm it with such resolve, it is because that woman already has background in this house.
24:42It's just that she did the same to me with Hanna.
24:45Don't you remember when she stole the notebook where I wrote my things, to show it to the Marquise?
24:50Yes, to avoid Hanna and Manuel's wedding at the Hermitage.
24:54Yes.
24:55And if she got it, it was thanks to the fact that Doña Petra left without saying a word.
24:59And wow, she did leave.
25:00As if I, the priest, was going to officiate her.
25:02Yes, of course, you have a belief in officiating secret weddings.
25:06No, if it turns out that it's my fault.
25:08Well, yes.
25:09For trusting someone you shouldn't.
25:11Doña Petra is naturally poisonous.
25:12Let's see when you fall out of the iguera, Samuel.
25:14Well, enough, Maria.
25:15I'll shut up.
25:17But you and I know that it was that woman who left you at the foot of the horses.
25:24I don't know.
25:39So, did you like it?
25:41Well, you know that Don Lisandro is not very effusive when it comes to saying that he likes something.
25:47As I have struggled to get the faisanes and the flavor is not very good.
25:51Candela?
25:52I have not come here to discuss the dinner, but to close the menu for tomorrow.
25:56Yes, of course, but if it was already difficult to find the faisanes, the truffles are going to be almost impossible.
26:03Okay, go to the market tomorrow, like every day.
26:06And if by chance you find truffles, buy them.
26:09And if there aren't any?
26:11Well, in that case, let Lope make a mushroom sauce and season it to your liking.
26:16I'll take care of making Mrs. Leocadia understand that it was impossible.
26:21Thank you very much, Mrs. Arcos.
26:22Thank you very much. And putting it like that would be a whole detail on your part.
26:26I can't think of another way to do it.
26:28Mrs. Arcos, could I bother you for a moment?
26:31Look, we ran out of clean glasses to change the girls. I was wondering if you had any around here.
26:36Of course, they're bringing them right now.
26:39Matilde, can you bring some clean glasses from the closet?
26:42If you don't mind, I could send them upstairs.
26:44I just didn't want to have the bad luck of running into the duke of Carvajal and Cifuente.
26:49They're here next door, they'll bring them in a moment.
26:51And don't worry about that guy, he won't be able to make it through these bars.
26:56I guess you'll be up to his hat.
26:59Well, I'm not very comfortable with his presence, but ...
27:03What can I say about it, right?
27:05Well, I don't think he'll be here much longer.
27:08Let's hope.
27:09Yes, I hope so.
27:14Thank you very much.
27:17I'll go up with her.
27:19Thank you very much.
27:24Poor boy, all this is turning him upside down.
27:27Man, I think it would be better if he put a little more of his part to get along with Don Lisandro.
27:32What do you want me to do?
27:33Well, show a little more respect and submissiveness, for example.
27:38And do you think that will help him loosen up?
27:42The duke is great in Spain.
27:44For him, Adriano is nobody.
27:47Mrs. Petra, someone is.
27:50It would be better for him to go unnoticed.
27:53Even more?
27:55I'm just saying what the Marquis repeated over and over again.
27:58She didn't do the rules, but the rules are there.
28:02Don't you like it or not?
28:04There's no lack of reason there.
28:06Anyway, I'm just saying that Mrs. Catalina's husband would have to do the talking.
28:14Good night.
28:27Good night, sir.
28:36Good night.
28:40They're gas masks.
28:45And I want you to know that I have no intention of helping my wife take care of my children.
28:51Once again you give me explanations of something I have not asked you.
28:57In any case, it seems logical and normal to me that you want to take care of your children,
29:02because you are nothing more than a vulgar peasant.
29:06Sir ...
29:07If you were a man with a minimum of class, you would know that there are specific maids to do that kind of work.
29:14I do it with pleasure.
29:16They are my wife and my children and there is no one in this world who wants more than them.
29:20What a pussy anime.
29:22I prefer to be a vulgar peasant before a noble without scruples.
29:25Elegant and distinguished in front, but selfish and immoral behind.
29:31Who do you think you are?
29:34Throw that away right now.
29:38Do it or you will pay dearly for it.
29:44I was not going for you, sir.
29:47I am very sorry that it has been heard.
29:52You will regret this impertinence.
29:55I don't think so.
29:58Maybe he likes someone who regrets putting his nose where it doesn't belong, I say.
30:04Now I have to help my wife.
30:25I am very sorry for the delay.
30:27Well, don't worry because the wait was worth it. You are beautiful.
30:30Thank you, salamero, but it was not just to fix me.
30:34Yes, the tasks are inevitable.
30:36And thank goodness that the good Maria Fernández has helped me with the necklace.
30:42I imagine that in a hurry you forgot to put on the bracelet I gave you.
30:47Well, I preferred to put on another jewel.
30:51You are beautiful.
30:53What am I going to tell you that I gave it to you?
30:55But I would like you to put on the emerald, even if it is to shine it tonight.
30:59Actually, I like this one much more.
31:02But the other one is more valuable.
31:04Yeah, well ...
31:09I know what's wrong with you.
31:11That you are very ostentatious and you don't want anyone to see you.
31:14Yes, yes, I guess so.
31:18You guess?
31:21What's wrong? Don't you like it?
31:23No, no, no, that's not it.
31:25Then?
31:26I just don't want to take away your illusion.
31:29And why were you going to take it away from me?
31:32Because it seems to me that the person who gave it to you in exchange for that game,
31:35he deceives you like a cousin.
31:37What?
31:40What are you talking about?
31:41That when I put it on, I realized that that emerald is fake.
31:45What is fake? The emerald?
31:48Are you sure?
31:49Of course I'm sure.
31:51That's why I preferred to put on the silver chain.
31:54Yeah.
31:55And that it wasn't funny at all how I got the bracelet.
31:58I know I don't like it at all that you play snipers.
32:00But apart from that, I am perfectly capable of differentiating a real emerald from a few pieces of green glass.
32:08López, the next time you want to give me a gift,
32:12promise me that you will not play poker again.
32:15That it has only brought us misfortune.
32:23No, don't worry about that.
32:25I guarantee you it won't happen again.
32:29And now, let's go.
32:47Doña Catalina, do you need anything?
32:50No, no, it's not necessary, Pia.
32:53I've come to get a tisana and I'm taking it to my room.
32:55But if you wanted one, I would have taken it for you.
32:58I came to walk. Emilia doesn't stop telling me.
33:01Well, I think she means walking through the garden and outdoors.
33:05Well, I guess going up and down the stairs will also count as something.
33:08It may be, yes.
33:10Good evening. Wait a minute.
33:13Yes.
33:14I don't want you to take me for a gossip.
33:17I wanted to ask you a personal question.
33:20About me?
33:22No, not about Romulo.
33:25And why don't you ask him?
33:27Well, because I'm afraid he won't have an answer to my question.
33:32Sorry, what?
33:34I wanted to know if you are aware of why Romulo thinks Emilia is married.
33:39Well, because Doña Emilia is married?
33:42No.
33:43Doña Emilia is not married?
33:45No, that's what he told me when we talked about this.
33:48He told me that he had always put his professional development ahead of his personal life.
33:53Well, of course, it makes sense, because he has always been involved in his work as a nurse.
33:58But ...
33:59And where does Romulo come from to think that she is married? Or you yourself, in fact?
34:03Well, I don't remember right now, but I guess from conversations I've had with Mr. Baeza,
34:08in which he claims that Doña Emilia has a husband.
34:11Yes, that's what made me understand.
34:13And you didn't get him out of his mistake?
34:16No, because Romulo can only know about one person and it's Emilia.
34:22Of course, if she has told him that she has a husband, he will have his reasons.
34:26Maybe for something, yes.
34:27Yes, I suppose some reason of weight, yes.
34:29I guess.
34:32Doña Catalina, will the infusion be cold?
34:35Yes, it's true.
34:37I'll make you another one.
34:38Okay, let's go.
34:44But has it really been that bad?
34:46I think so.
34:48That bastard Adriano has behaved like an impertinent.
34:53Wow, I'm sorry.
34:56I don't, honestly.
34:58What do you mean?
35:01I don't know, there's something about that bastard, in the way he behaves,
35:05that disgusts me and is interesting to me in equal parts.
35:11If I thought there was something you hated, it was vulgarity.
35:14And I can't stand it, I assure you.
35:17But there is something of dignity in his behavior that catches my attention.
35:24Could you be more precise?
35:27I don't know, it's as if he were a hero of classical antiquity.
35:32As if he were a Hercules or a Theseus.
35:34No.
35:35Neither of them would reach the sole of the sandal.
35:39I was referring more to a kind of Sisyphus rebelling against the gods.
35:44Don't tell me you've finally found an opponent of your stature.
35:47Never, and not that one.
35:50But it entertains me to face him and, of course, to defeat him.
35:56Ángela, daughter, come and have a drink with us.
36:01I appreciate it very much, but I want to go see Catalina's children before they go to bed.
36:06Then it's too late for that.
36:09Anyway, I will try to wish you good night.
36:12And I wish you the same.
36:17Good night, Ángela.
36:18Good night, daughter.
36:27She is an exceptional specimen.
36:29What do you mean exactly?
36:32I don't know.
36:34I see her different from the young women I've met.
36:37You can be very proud of her.
36:39And I am, I assure you.
36:42Ángela is the engine of my life.
36:53So, the sonajero appeared.
36:55Fortunately, yes.
36:57So Andrés will be able to sleep peacefully.
37:00You mean that his parents will finally be able to rest?
37:03Yes, that is above all what worried Mrs. Catalina and Adriano the most.
37:07And where was he, if I may ask?
37:09Well, they found him in the room that Mrs. Eugenia shares with the captain.
37:12How strange.
37:15Well, it seemed to me too, but ...
37:17Mrs. Eugenia usually visits the children and she has a special preference for little Andrés.
37:23Do you mean that it was she who took the sonajero on purpose?
37:27No, quite the opposite.
37:29That because of the proximity, she took it without realizing it.
37:34Oh ...
37:36Have you been worried?
37:37No, no.
37:38Tired.
37:40And on top of that, I have to sort out all these books.
37:43At this hour?
37:44Yes.
37:45I receive them tomorrow, the first hour, so that the office is in order.
37:50Well, let me help you.
37:53And won't Mrs. Catalina complain to you?
37:55She was exhausted. I think she's already asleep.
37:58Well, maybe you should rest too, right?
38:01Yes.
38:02But when we finish doing this.
38:04Come on, let's start.
38:05Let's do one thing.
38:07You pass me the books and I'll sort them out, okay?
38:10Good.
38:14Manual of Urbanity and New Ways by Carreño.
38:18The classic of the label.
38:22New Manual of Urbanity and Label by Melchor Giotcho.
38:28Giotcho.
38:29Giotcho.
38:30Giotcho.
38:31This was new.
38:33In its time.
38:35The times of Mari Castaña.
38:37Well then, in the shelf of the manuals expired.
38:42Maybe you think that maybe I should also be in that shelf.
38:48Maybe you think I'm a carcass.
38:51No.
38:53What I think is that you strive to do your job well and that you enjoy it.
38:58I enjoy many things.
39:00Now, for example, I'm having a wonderful time.
39:06Sorting books is a pleasure.
39:09Anything, no matter how small it is.
39:11I think it's special if I do it with you.
39:28I'm leaving.
39:29I think it's too late for me.
39:59I love you.
40:00I love you.
40:01I love you.
40:02I love you.
40:03I love you.
40:04I love you.
40:05I love you.
40:06I love you.
40:07I love you.
40:08I love you.
40:09I love you.
40:10I love you.
40:11I love you.
40:12I love you.
40:13I love you.
40:14I love you.
40:15I love you.
40:16I love you.
40:17I love you.
40:18I love you.
40:19I love you.
40:20I love you.
40:21I love you.
40:22I love you.
40:23I love you.
40:24I love you.
40:25I love you.
40:26I love you.
40:27I love you.
40:28I love you.
40:29I love you.
40:30I love you.
40:31I love you.
40:32I love you.
40:33I love you.
40:34I love you.
40:35I love you.
40:36I love you.
40:37I love you.
40:38I love you.
40:39I love you.
40:40I love you.
40:41I love you.
40:42I love you.
40:43I love you.
40:44I love you.
40:45I love you.
40:46I love you.
40:47I love you.
40:48I love you.
40:49I love you.
40:50I love you.
40:51I love you.
40:52I love you.
40:53I love you.
40:54I love you.
40:55I love you.
40:56I love you.
40:57I love you.
40:58I love you.
40:59I love you.
41:00I love you.
41:01I love you.
41:02I love you.
41:03My soulie friend Jana said it was the best thing to get the blood circulating, and
41:04I'd tell her it was always running.
41:05there's too much blood here.
41:06What's wrong with you, Ma'am?
41:21I like your hands, you have sandy hands.
41:34Do you know who also loved massages?
41:38Who?
41:41My father.
41:44Alvaro.
41:50He used to beg for alms when he had back pain.
41:55He said he was my holy hand.
42:03I see.
42:06What a coincidence.
42:10Where is my father?
42:14What?
42:18I want him to come.
42:25Ma'am, don't tell me...
42:26Let's go!
42:27I need to talk to him about something very important.
42:29Don't tell me you don't remember, ma'am.
42:31It has to be now.
42:32Ma'am, that won't be possible.
42:35Unfortunately.
42:39Because...
42:41Your father is dead.
42:53It's true.
42:57My poor father.
43:00Oh, Maria.
43:04I'm sorry I confused you.
43:07Oh, no, no.
43:09Don't worry.
43:11It doesn't matter.
43:14There are days when I don't know where my head is.
43:19Good morning.
43:20Good morning.
43:25Lucadia?
43:27What are you doing here?
43:29I came to propose that we take a walk around town.
43:32A walk?
43:40A walk?
43:42Yes, yes.
43:44So we could visit some stores.
43:47Would you like that?
43:49Of course.
43:51I would love to leave here with you.
43:55Like we used to do.
43:57Before...
44:01I want to say...
44:04Before...
44:06Ma'am.
44:08Would you like me to go with you?
44:11No, there's no need.
44:14Are you sure?
44:16Ma'am, it's just that...
44:18Mrs. Eugenia is a bit disoriented.
44:21Don't worry about that.
44:23She'll get over it as soon as I give her some air.
44:25But...
44:26I'll take care of it, thank you.
44:28Eugenia.
44:30When Maria finishes giving you the massage,
44:33we'll have breakfast and leave.
44:38Okay.
44:54It can't be.
44:56What?
44:57The table. She'll pick it up again.
45:00Toño, help me put her shoes on.
45:04Behind you.
45:07One, two, and three.
45:10Let's go.
45:11There.
45:12Careful, Toño.
45:13Careful.
45:14Almost there. Hold on.
45:15Come on, step on it.
45:17That's it.
45:21That's it.
45:22What?
45:23Was the table so heavy?
45:25Next time we could take off what's on top, right?
45:28Was I about to fall on my head?
45:30Was I about to fall on my head?
45:32Yes, but I saved her.
45:36It's a blessing to have you as an assistant, Toño.
45:38Yes, I agree.
45:40Well, I mean, it's a blessing to have you as a boss.
45:43Well, shall we continue working?
45:45Yes, yes.
45:50Good morning.
45:52Sergeant Burdina?
45:54What are you doing here so early?
45:57I had some matters to discuss here at La Promesa.
46:01Ah.
46:07Toño, could you go to the studio for a moment?
46:09I left some chains that we'll need later.
46:15Of course.
46:27I thought you wanted us to be alone.
46:30You've thought well.
46:34I've done my research and I've discovered something terrible.
46:40Everything that man has told you is totally false.
46:57I'm sorry.
47:05Curro, are you okay?
47:09Yes, yes.
47:11Why do you ask?
47:15Well, because Mr. Pellicer told me that he had to call your attention a couple of times this week.
47:21So...
47:24I'm not in my best moment.
47:30You know I can help you with whatever you need.
47:33It's not necessary.
47:38Curro, we're all here to help you.
47:40Mr. Pellicer too.
47:43I know.
47:45I know he's a good man.
47:48And I'm not making it easy for him.
47:54So what is it that worries you?
47:58Have you heard anything else about Esteban Monteclaro?
48:07Nothing.
48:10He has nothing to do with Mr. Jacobo.
48:14Wow.
48:17I thought he wanted to kill me out of jealousy.
48:22Jealousy?
48:24Yes, because Martina and I had something in the past.
48:28Ms. Martina and you?
48:30Yes.
48:31But that was a long time ago.
48:33And there's nothing left of that.
48:35Oh.
48:36Besides, Mr. Jacobo didn't know anything about this.
48:40When Basilio cut off my horse's hoof or...
48:44When they killed Hanna.
48:46So there's no reason for Mr. Jacobo to want to kill you or...
48:53Or want to kill Lujan.
48:58We can rule that out.
49:02Curro, listen to me.
49:05We knew it wouldn't be easy to deal with the person who killed Hanna.
49:11But don't make us give up now, please.
49:15No.
49:17That's precisely why, ma'am.
49:20Precisely why?
49:22I'm worried, Curro.
49:27Curro.
49:29What happened to make you act like this now?
49:32That...
49:35I've realized something.
49:37Something I hadn't noticed before.
49:39Something about what?
49:45I know who killed my sister.
49:58I came because Dr. Ferrer called.
50:00He told me that the month of care he prescribed has already passed.
50:05Yes, that's true.
50:07I don't even want to think about how Mr. Baeza is going to take it.
50:10It's a shame that he leaves without knowing that Mrs. Miriam is single.
50:13It's a shame that we can't do anything to prevent it.
50:16I'm sure we can't do anything.
50:19I thought you were nervous.
50:21No, I was just waiting for him to bring news about the car theft.
50:26But he was taking the case of the car theft.
50:28It's his partner, Sergeant Cabral.
50:30Well, I don't know.
50:31You don't know what?
50:33Curro took advantage of us.
50:34We have to go back immediately and claim the money back.
50:37No.
50:38We can't let them make fun of us.
50:40I told you no, Lope.
50:42And there's nothing else to talk about.
50:43Because now it's time to keep our mouths shut and that's it.
50:46María, I simply try to be aware of everything that happens.
50:49To be able to anticipate any eventuality.
50:52Because that's my job.
50:54Have you been angry with her?
50:56I haven't treated her badly or disrespected her.
50:58Anyway, you don't have to get involved, Samuel.
51:01I'm already an adult to know how I behave.
51:03Martina, what's going on with her?
51:06I told you at the time.
51:07You can do whatever you want if you don't have to give me explanations.
51:10But I can't stand being lied to.
51:12Because first you tell me that you've been through with her, but ...
51:15I see it more alive than ever, Curro.
51:17Well, why don't I finish getting used to this crazy house?
51:20We are different, but we are not crazy.
51:23Well, your aunt, Mrs. Eugenia, is a bit like that.
51:26I mean, if she was hospitalized in a asylum and she was given 24 hours a day,
51:30for something it would be, I say.
51:31My dear wife is closer and closer to losing her mind every day.
51:35With a little help from us.
51:38But every day.
51:39If we have something in common, you and I, it is our desire to help.
51:43Everything is coming out of our mouths.