- 5/28/2025
Harry Wild Season 4 Episode 5
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Short filmTranscript
00:00Oh, my god.
00:01Hey.
00:01How are you?
00:03Good to see you.
00:04Hey.
00:05How are you?
00:06I am in the door.
00:09No.
00:10No.
00:11I simply can't.
00:12He's naked.
00:13Hi.
00:14No.
00:15No.
00:16You have to wear a shirt.
00:19Sorry.
00:20He's naked.
00:21He's naked.
00:22He's naked.
00:23He's naked.
00:24Oh, my god.
00:25Hey.
00:26You guys.
00:27♪
00:37♪
00:57♪
01:04Aah!
01:05Oh, my God!
01:07Bloody hell.
01:10Someone's just killed me.
01:13♪
01:38What are we doing here?
01:41I don't want to go to a true crime convention.
01:44Don't we have enough crime in our lives already?
01:47Well, I heard there's something to do with us going on in there.
01:50What sort of something?
01:51I don't know.
01:52That's why I thought we should go in and find out.
01:55It's all very bloodthirsty, isn't it?
01:57True crime is huge nowadays.
01:59Hundreds of podcasts.
02:02Surprising venue for a convention.
02:05Lord!
02:07What are you...
02:08It was you, wasn't it?
02:12You told Fergus to break up with me?
02:15Absolutely not.
02:17I would never tell him to break up with you.
02:20But you told him about Georgetown.
02:22Uh...
02:23Oh!
02:25I was racking my brains to work out how he found out.
02:28I'm sorry.
02:31I was racking my brains to work out how he found out.
02:35So obvious.
02:37How could you?
02:39Okay, Lola, you're clearly upset and I understand why.
02:43But this isn't the time or the place. I'm at work.
02:45We can talk about this when I get home.
02:48No, I don't want to talk to you.
02:51You know, you're always saying what a terrible person Grandad is.
02:57Such a hypocrite.
03:11Which way?
03:12Uh...
03:14That way?
03:19Sorry.
03:20Wait, hold a sec. Didn't we catch him?
03:22Yeah. Yeah, we did.
03:27This.
03:28Ah.
03:31Oh.
03:32Trippy.
03:37Yeah, last time we saw him, he peed himself.
03:40Indeed.
03:46Blanchardstown?
03:48In Victorian days, it was just fields, there were no dark alleys.
03:51Yeah, it's almost like this isn't all factually correct and totally believable.
03:57Have you talked to Lola?
03:59No, no, she won't take my calls. I'm pretty sure she hates me.
04:03No, I don't think so.
04:06You made a very mature decision, but you did it in a very immature way.
04:11You should have let her have some say in it.
04:13She wouldn't have gone, Harry.
04:15Well, she's going now. Next week.
04:17Oh!
04:18Excuse me.
04:19Christ.
04:20Wasn't that your one who killed her sister for the inheritance?
04:23Yeah, the spooky village.
04:27Come on.
04:31Oh, Barbara Quinlan.
04:34Everybody's favourite bad writer and part-time prostitute.
04:38And a new book.
04:39Retired history professor and a young sidekick.
04:42It's just neat. Really.
04:44I was there from the very beginning, I was.
04:47Got Harry her first taser gun.
04:49Completely illegal, of course.
04:51I actually forget I said that.
04:53What was the inspiration for the podcast, then?
04:55Well, it was actually my wife Petra's idea.
04:57She said that we owe it to the world and to Harry and Fergus
05:01to chronicle their exploits for future generations.
05:04In the meantime, be a nice little earner.
05:06You're like the Watson to the Sherlock Holmes.
05:08Oh, I like that one, yeah. I might use that.
05:11But, Glenn...
05:12Harry.
05:13Fergus.
05:14Look who it is. It's our guest of honour.
05:17The real Harry and Fergus.
05:20Glenn, what's the actual hell?
05:22I can explain.
05:23Well, go on, then.
05:24What now?
05:25I'll tell you what, I'll just sign a couple of autographs
05:27and then I'll be right with you, Harry.
05:29Glenn...
05:30Ooh, that's a bit tender, Harry.
05:34What the bloody hell are you up to? What is all this?
05:37It's the future, Harry.
05:39Although, I suppose, actually, it's the present.
05:42It's right now. You two are right now.
05:46True crime's massive, isn't it?
05:48Like, I don't know, Magic 8-Ball in the 70s
05:52or Tamagotchi in the 90s.
05:54I literally have no idea what you're talking about.
05:57What you do is so now.
06:01OK?
06:02I mean, everyone's mad into murder these days
06:05and the way they want it is podcasts.
06:08The buggers can't get enough of it.
06:10You do a podcast? About us?
06:12Yes, Harry. It's called The Wild Files.
06:16Sorry, Fergus, would have tried to get your name in there,
06:19but, well, Petra thought it scanned better without.
06:22Hell of a head for marketing, that girl.
06:25Well, well, well, so we meet again.
06:28You're writing a book about us?
06:30About you? Absolutely not.
06:32My detectives are the fruits of my vast imagination.
06:35A retired professor?
06:37History professor. Couldn't be more different.
06:40Although, if you want to get in on a bit of signing action...
06:44Stop right now. This is ridiculous.
06:47No more books and no more podcasts.
06:50Oh, come on, Harry. Be reasonable.
06:52This could be great for you guys.
06:54Bring in new clients.
06:56I mean, new cases aren't just going to drop out of the sky...
06:59SCREAMS
07:01Bloody hell.
07:05Somebody's just killed me.
07:17DOORBELL RINGS
07:27Good afternoon.
07:47PHONE VIBRATES
08:17PHONE VIBRATES
08:48DOOR OPENS
09:01What the bloody hell is going on here?
09:03You. I should have known you'd be involved.
09:06I'm not involved. Apart from she almost fell on me.
09:10What sort of lax security have you got here
09:12that lets people almost fall on other people?
09:14Do you think it was an accident or was it murder?
09:16No, it's too early to tell. Trevor, will you get these people back?
09:19Yeah, no problem. Everyone move back a bit, please.
09:22Oi, you. Get away from there.
09:25Who are you? Olly Riley, head of security.
09:27Trevor, get something to cover this up.
09:29May I suggest you close all the doors until the guards get here?
09:32No one in or out. Yeah. Good idea, Harry.
09:35Oh, you're with him, are you? No. Then no.
09:37You cannot suggest any such thing.
09:39Do you realise how many people we have coming in and out of here?
09:42And one of them may be a murderer.
09:44So it is a murder? Why?
09:46And you are...? Sorry, Mary O'Driscoll. I'm the event organiser.
09:50And look, don't get me wrong, it's awful what happened.
09:53It's just awful.
09:55But an actual murder at a crime convention.
09:57Do you know how much publicity we're going to get?
10:00Look, my son's a guard. I'll get him here as soon as I can.
10:04But in the meantime, if there's a chance that the killer is here,
10:07we have to do everything we can to stop him from leaving.
10:10I don't know if this is a murder yet. And we'll find out.
10:13But right now, we're wasting time.
10:15Ooh!
10:17Barbara. Oliver, hello.
10:19Do listen to what Harry has to say.
10:21She's awfully good at this sort of thing.
10:23Oh, you know her too? Well, that's different.
10:26Trevor, I want you to get all the guys, lock the main entrance.
10:30Then get Keith and Andy, lock the east and west doors.
10:34No one gets in or out. Got it?
10:36Which one am I supposed to do again?
10:38For the love of God, just get all the guys and lock all the doors.
10:44I don't know how he got a job here. I suspect he's someone's relative.
10:47Right. Barbara, you'd better come with me.
10:51I'm going to make a cordon around the crime scene.
10:54Come on. Move back. Come on.
10:57What have you done to annoy him?
11:00Me and Ollie go back donkeys.
11:02Can't remember why we fell out, to be honest.
11:05Oh, I did once try and sell him a house that turned out not to be mine.
11:09Honest mistake.
11:11Do you recognise her?
11:13No. Who is she?
11:15Well, there's something about her face that's very familiar.
11:18I just... I just can't think where from.
11:27If you're phoning to see how things went with Parchello, don't bother.
11:30He never showed.
11:32Oh, you're kidding.
11:33I don't know why I even agreed to meet him.
11:35Well, as useless as he is, he is your father, Charlie.
11:38Yeah, well, listen, I'm late for a meet with Vivian, so I gotta...
11:41You'll have to wait. We have a situation here, a dead body.
11:45Jesus, Mother!
11:47You shouldn't be allowed out the door. Where are you?
11:49At the true crime convention.
11:51Got it. You know the routine. Don't touch anything. Blah, blah, blah.
11:56We'll be there as soon as we can.
11:59I'll try upstairs.
12:01Uh, didn't Charlie do as usual and tell you not to touch anything?
12:04Of course he did.
12:07Tina?
12:09I know her from somewhere, but where?
12:12Right, we're all locked up. You called your son?
12:15Yes, he's on his way.
12:17Right, what do we do now? Do we shut down the event?
12:19No, no, you can't!
12:20No, she's right. There are hundreds of people here.
12:22The news will spread, but we need to keep it as quiet as possible for as long as possible.
12:26Oh, really? Because I was about to do a tweet.
12:28No tweeting. Any event that is scheduled must continue.
12:33If you cancel anything, people are going to try and leave and they'll realise that they can't.
12:37No, Charlie will be here. He'll tell us what we need to do next.
12:40You must have security cameras all over the place, right?
12:43Pretty much. Why?
12:45Can we have a look?
12:47No problem. At all.
12:59I'm sure he won't be long.
13:05I understand you're getting married soon?
13:08Yes, that's right. In Cork Doon.
13:13Oh.
13:15I have a holiday home down there.
13:18Oh, I...
13:20I'm sorry.
13:23I have a holiday home down there.
13:26Oh, I believe the Taoiseach does too.
13:30He does.
13:32So, when is the big day?
13:35Next month, the 5th.
13:38Oh, I'll be down there then.
13:43Well, you must come.
13:47Apologies for my lateness, but we're going to have to reschedule.
13:51Just got a call from my...
13:54Just got a call.
13:56There's been a death at the convention centre.
13:58Vicky, rally the troops.
14:11Are you OK?
14:13Are you OK?
14:15You remember I had a go at you for inviting Harry to the wedding?
14:18Uh-huh.
14:20Well, I've just accidentally invited the deputy commissioner.
14:23Yeah.
14:35OK, I know it's inconvenient, but it won't take me long.
14:38It just needs to be a little bit patient.
14:41There you go.
14:44There.
14:46So it's a fake you and a fake me.
14:54They've gone out of camera range.
14:56Yeah, but they're about to come into range...
14:59here.
15:03There's no cameras on the gantry.
15:05Fast forward to see if he comes back down again.
15:09He makes sure to keep turned away.
15:11There, he's going in there.
15:13And, oh, we are in luck.
15:16The killer can only go one way into the theatre, here.
15:20He's still in there.
15:28I never wanted to be a hero
15:33I just wanted to be a man
15:39When they came a-callin'
15:44I knew I had to make a stand
15:48Stand up for what is right
15:53Never back down from a fight
15:58When the bad man's out there
16:01And he has to pay
16:07Catch a killer, you say
16:12Catch a killer, you say
16:17Catch a killer, you say
16:22Catch a killer, you say
16:28Catch a killer, you say
16:32Security.
16:33Catch a killer, you say
16:35The killer changed and snuck out of here.
16:38There could be anyone.
16:40We've got to get out of here.
16:43You're interrupting my art.
16:46Oh, my God, it's you.
16:49Everyone, this is the inspiration for my new single.
16:52This is Harry Wilde.
16:55That single is still available for purchase.
16:58Okay, that's enough of that.
17:00Move back.
17:01Move.
17:02Move.
17:03Move back.
17:10Can I borrow that?
17:19There's no way to know which one is the killer.
17:26The dead woman, Tina Mulcahy.
17:28She's from Kilmacross.
17:30The nuns?
17:32That's it.
17:33The pub where we met Jenny.
17:35Sister Ignatius.
17:37She was the barmaid.
17:39So what are you doing down here?
17:41The sights.
17:42The ambience.
17:43The peace.
17:47Yeah.
17:48That's a weird coincidence.
17:50Indeed.
17:51And I don't like coincidence.
17:56Lovely.
18:01Right.
18:02Hello, everybody.
18:03Thank you for coming.
18:04For those of you who don't know who I am,
18:06my name is Graham Lanigan.
18:08I'm a gardener by trade,
18:10but I have a little podcast on poison.
18:13Plant-based poisons.
18:16The rhododendron and azalea,
18:18two very common houseplants and both potential killers.
18:21Let me tell you about mad honey
18:24or greianotoxin poisoning.
18:29Its effects are not too serious generally,
18:32but for some people,
18:34those who have underlying health issues,
18:37it could be deadly.
18:55DOORBELL RINGS
19:12Who's the victim?
19:13I'm assuming you two haven't been idle.
19:15If only.
19:16We have victims now, Charlie.
19:17What?
19:18We have two dead bodies.
19:19First one, you weren't sure it was murder.
19:21Could have been an accident.
19:22Second one was poison, so no doubt now.
19:24Any suspects?
19:25Well, the woman who organised it all
19:26seems very happy about there being a possible murder.
19:28This is Olly Riley.
19:30He's the head of security here.
19:32Chief Superintendent Charlie Wild.
19:33Olly secured the place after the first death.
19:35We weren't sure if the killer was still in there,
19:37but clearly he or she is.
19:40Good man.
19:41We're going to take charge of the venue now.
19:42Go with my officers.
19:43Give them what they need.
19:44No problem.
19:45We'll start a search,
19:46but do we know who we're looking for?
19:48Let's start with this organiser.
19:52Come on.
20:02Well, hello, Chief Superintendent.
20:05And in uniform this time.
20:07I do like a man in uniform.
20:10Charlie.
20:11You remember Barbara, right?
20:12Of course.
20:13Good to see you again, Barbara.
20:16The organiser, what's her name?
20:19Mary O'Driscoll.
20:20Do we know where she is?
20:21There.
20:24You're acting weird.
20:39Any reason you want to leave?
20:40I wasn't trying to leave.
20:41Well, why were you trying to pick the lock then?
20:43I was trying to let people in.
20:45Look, word has spread about what's happening.
20:46Keeping paying customers out is costing me a fortune.
20:50Upstairs.
20:51This way.
20:56Okay, who are the victims?
20:57Bring me up to speed.
20:58The first one is Tina Mulcahy.
20:59She was a barmaid in Kilmacross.
21:01Kilmacross?
21:02That's...
21:03Yes.
21:04Relevant?
21:05Not sure yet.
21:06Second one, Graham something.
21:07Celebrity gardener.
21:08All right.
21:16Events were still going on after the first death?
21:18No, we thought it was best to keep people distracted until you got here.
21:21Tell them about the second victim.
21:23Oh, um, Graham...
21:27Lanigan.
21:29He was a guest speaker.
21:30A gardener, does a podcast on poisons.
21:33He was talking and he just dropped dead.
21:35Was this what he was talking about?
21:37Uh, yes.
21:39I think so.
21:40What is it?
21:41Do you remember we came home recently and we found one of these on the doorstep?
21:46That's odd.
21:47No note.
21:48Bit weird, isn't it?
21:50Who sent you those?
21:52Yeah.
21:53Yeah, I remember that.
21:54Tina Mulcahy.
21:55I mean, it may be a coincidence, but now, I mean, I think there's something more going on here.
22:00It's just a plant, Mother.
22:01Oh, wait.
22:02I think Harry's right.
22:04You remember you told me about that weird phone call you got?
22:07Creepy child reading an extract from a badly written book.
22:10Her third hand has always been useful.
22:13It was ambidextrous and she could hold her gun in it.
22:16And then the police didn't know if her victim had been shot by a right-handed...
22:19What?
22:20Yes, so?
22:21Well, there's someone here who writes very bad literature.
22:25Barbara?
22:26Uh, have you ever written about a three-handed woman?
22:30Oh, yes, indeed.
22:32The Mystery of the Threadbare Sock.
22:35Absolute page-turner.
22:37One of my Winifred Womble series.
22:39Some say the greatest literary detective ever created.
22:43I think Barbara is a potential victim.
22:46The killer's obviously been planning this for weeks.
22:50But to what end?
22:51To get to you?
22:52Us?
22:53I mean, we've put plenty of people behind bars.
22:56And even if they are still inside, they have family, friends, people.
23:00I mean, maybe somebody's looking for a payback.
23:03This is very elaborate for a payback.
23:05Well, maybe their dog told them to do it.
23:07The point is, we need to get Barbara to safety.
23:10And we need to figure out what all this means.
23:12I have a safe room I could take her to.
23:14Okay, we'll get you out of the venue as soon as I can arrange transport.
23:17You and Fergus should go too, Ma.
23:19No!
23:20No, the killer is here.
23:22I mean, if we leave, there's no reason for him to stay.
23:24I mean, right now, we have an advantage.
23:26This is so exciting!
23:28I mean, it's terrifying, but it's exciting.
23:30I can feel a whole new series of books coming on now.
23:33Okay, so the plant, the phone call, and the taxi driver.
23:36Anything else weird happen?
23:38I don't think...
23:42What is it?
23:43I think you need to examine the body.
23:45We need to wait till crime scene.
23:47Just look in his mouth. I think you can find a coin there.
23:49Like the coin toss killer?
23:51You remember that night when we came back after Mick Brady was arrested?
23:55Well, I found a coin on the doormat.
24:02I didn't think anything of it, but...
24:09BIRDS CHIRPING
24:18Shit.
24:22Mick Brady's still in jail.
24:23I was dealing with paperwork about him this morning.
24:25I told you there was a second killer.
24:28You better take a look at Tina. You're going to find another coin there.
24:31Hold on.
24:33If there is a second killer,
24:35and he or she has been planning this for weeks,
24:38Graham and Barbara were both booked to speak at this convention,
24:41so the killer could have known about that.
24:43And Tina was a punter,
24:45so maybe she knew the killer when she came here with them.
24:48But how would the killer have predicted that we would be here?
24:51Well, you're the one that brought me here.
24:53How did you hear about it?
24:54Petra's sister told me about it.
24:56Is that her?
24:57Yeah.
24:58Yeah.
25:04Ladies and gentlemen, if I could have your attention.
25:07We're going to get you out of here as quickly as we can,
25:10but to do that, we're going to need names and addresses.
25:12I want two orderly queues starting here.
25:14The guards will take your details.
25:17Right. This way, please.
25:21Don't worry, Barbara.
25:23No-one will get to you here now.
25:25I know killers.
25:26I've written enough of them.
25:27Once they've set their sights on the prize,
25:29nothing will stop them.
25:30Yes, but he's going to have to go through me first.
25:32Well, you're very sweet.
25:34I shall be Sir Reginald Huntley Shapiro to your Lady Astrid.
25:38You've read one of my books?
25:40I have read all of your books.
25:43All 206 of them?
25:45Multiple times. I am a big fan.
25:48You never said anything when you were a client.
25:52I didn't want to come across as some sort of weird stalker.
25:55But you're not, are you?
25:57No, really.
26:00Which one's your favourite?
26:02Well, I love them all.
26:03And I'm particularly fond of Winifred Womble, of course.
26:06Who isn't?
26:08But if I had to pick one,
26:10it would be the cherry blossom of Hurstmont Hall
26:14when Sir Dennis races Captain Northumberland,
26:16even though he's been blinded by his musket misfiring,
26:19so as to stop him from flogging Emily's father.
26:21I can't help tearing up.
26:25Ooh!
26:48Glen! Glen! Glen!
26:51I wasn't doing nothing! I was going to put her back!
26:54Where's Concepta?
26:56Oh, she went for more supplies.
26:58Well, why's she not back?
27:00Don't talk to the devil.
27:01She says, I'm outside, guards won't let me in.
27:03I'm on it.
27:05Um, that was Mr Riley.
27:07Miss Quinlan has remembered something important,
27:09says she needs to talk to you right away.
27:12Fergus, why don't you go with Charlie
27:13and I'll find out what Barbara wants.
27:15Let's meet back here.
27:17I'll take you to where they are.
27:20I'll keep an eye on this stuff.
27:25Open it up.
27:27Let her in.
27:28I don't know what's going on.
27:29Why am I not loading?
27:30Concepta, this convention,
27:32why did you mention it to me?
27:34Did you want me and Harry here?
27:35Of course I did.
27:36I've been petrified all along.
27:38You're behind this?
27:39Of course I am.
27:40And you're my little puppets.
27:41I'm so confused.
27:42Are you the killer?
27:43What?
27:44Don't be so idiotic.
27:45But then why did you do any of this?
27:47Petra told me to.
27:48She left very strict instructions.
27:50See, she got us in trouble.
27:52And he's the one who told her
27:53how much money you can make from podcasts and stuff.
27:55Plus, he assured her
27:56he could get her spotted at this convention.
27:58What guy?
27:59Do you have a name for him?
28:00And how could he get you in here?
28:01He works here.
28:02He's a security guard.
28:03Trevor.
28:05Let's go.
28:06Text Glenn.
28:07Tell him to meet us on the way.
28:10Did he tell you what Barbara
28:11wanted to talk to me about?
28:12No.
28:13I don't think Mr. Riley likes me very much.
28:15He thinks I got this job through nepotism.
28:17But I don't think he likes me.
28:20He thinks I got this job through nepotism.
28:22But I didn't.
28:34Um, what are you doing here?
28:36We were just...
28:37Well, I think I can see what you were just...
28:39Why did you call me up here if you were just...
28:41What do you mean we didn't call you up here?
28:43Well, Trevor told...
28:46How does no one know where this safe room is?
28:48I think that's just what Ollie calls it.
28:49It could be anywhere.
28:50Look, he's not going to be seen on these cameras.
28:52He's too clever for that.
28:54When he killed Tina Mulcahy,
28:55he didn't let himself be seen, okay?
28:57He knew where the cameras were.
28:59Suspect identified as security guard Trevor Purcell.
29:02I want this place taken apart brick by brick.
29:04He's got my mother.
29:09You?
29:10But you're a moron!
29:12See?
29:14I told you he didn't like me!
29:17Probably likes you even less now.
29:20You.
29:22You and McBrady, how?
29:24Who's McBrady?
29:26Killed people on the flip of a coin.
29:28And this is...
29:30his partner?
29:31I was more his mentor.
29:33I taught him everything he knows.
29:35But he's, what, 20 years older than you?
29:37So we were unconventional.
29:39Are you related?
29:40No.
29:41He gave me a lift in his truck one day.
29:43I was going to kill him, but the coin had other ideas.
29:47The coin knows, you see.
29:49Is it a magic coin, or...?
29:52So you did all this.
29:54Tina Mulcahy,
29:56Graham Lanigan, Barbara,
29:58just to punish me?
30:01Shh.
30:12Events were still going on after the first death?
30:15We thought it was best to keep people distracted until you got here.
30:18Tell them about the second victim.
30:20Graham Lanigan.
30:22He was a guest speaker.
30:24A gardener does a podcast on poisons.
30:26He was talking, and he just dropped dead.
30:30Why Tina, or Graham, or Barbara?
30:33It's the coin.
30:35It's always the coin.
30:37It's the inherent beauty of chance.
30:39I could have killed you quick, or slow, or not at all.
30:42The coin chose to do it like this.
30:44I don't get it.
30:45You don't get it because it's nonsense.
30:47No need to be rude.
30:49Sure, it's not for everyone. Same as Catholicism.
30:51Well, it's hardly a religion.
30:53It makes more sense than most religions.
30:55After you got Mick, I followed you for a while.
30:57I was there when you were at the convent.
30:59I was watching you.
31:02You know who they are, don't you?
31:04That's Harry Wilde and Fergus Reed.
31:07They're always in the newspapers solving murders.
31:09I love a bit of true crime.
31:13There's a convention going to be on in Dublin.
31:18Rude.
31:30So tell me more about this convention.
31:32It sounds interesting.
31:33Got anyone to go with?
31:36Do you mind?
31:39Tina was easy enough.
31:41Lonely.
31:42It was simple to convince her to dress like you and your partner.
31:46Why Graham or Barbara?
31:48Oh, well, I don't know.
31:50I don't know.
31:51I don't know.
31:52I don't know.
31:53I don't know.
31:54I don't know.
31:55I don't know.
31:56I don't know.
31:57I don't know.
31:58Barbara.
31:59Once the coin decided that we were coming here, I looked at the guest list.
32:03Barbara was obvious enough.
32:05She had a connection to you already.
32:08There are 16 guest speakers here today.
32:11It could have been any one of them.
32:13The coin chose Graham Lanigan.
32:15It's only as good as the question you ask it.
32:17It's mostly binary, so it's yes or no.
32:19That's where you're wrong.
32:20I was raised by the coin.
32:22My father lived by it since the 60s.
32:25The coin spoke to him in an LSD fever dream.
32:29I don't think being off your tits is a solid basis for starting a religion.
32:33The coin has a mischievous personality.
32:35Well, the coin doesn't have a personality.
32:37It's a coin.
32:44It's all in your head.
32:45You're little more than a Batman villain without the interesting facial scarring.
32:51And you...
32:52You...
32:55are not much fun anymore.
32:56Let's get this over and done with, shall we?
33:02This place is too big, Charlie. We're never going to find them.
33:04You've got a better idea. I'm all ears.
33:11It's Harry.
33:13You won't get away with this.
33:14That's up to the coin. You're off your rocker.
33:18That still doesn't tell us where they are.
33:20Keep listening.
33:23Oh.
33:31The coin likes you.
33:34The coin doesn't either like or dislike Barbara.
33:39It doesn't have an opinion. It's a coin.
33:43After you caught Mick, I was going to vanish.
33:46Call it a close one and leave before he told the guards everything.
33:50But the coin had other ideas.
33:53The coin knew Mick wouldn't blab.
33:56The coin spoke to you? You speak coin?
33:58Yeah, I speak coin.
34:01Heads, Mick would blab. Tails, he wouldn't.
34:04It was tails, so I knew he wouldn't squeal to the guards.
34:06Oh, you got lucky.
34:08Did the coin tell you to bring us up here to the old staff room?
34:12I'm on it.
34:13Hey!
34:15No.
34:16They're in the old staff room. Ask one of the security guards where it is.
34:21Take the east staircase to the top of the floor, end of the corridor.
34:28You flipped for Barbara.
34:31And the coin let her live.
34:34She knows who you are. Everyone knows who you are.
34:38I think the coin has turned on you.
34:40That's not how it works.
34:44Are you sure about that? Have you ever asked the coin?
34:49Have you ever asked the coin if it wants you to stop killing?
34:53Heads, you stop. Tails, you carry on.
34:56It told you?
35:00I think you're scared.
35:03I don't think that your belief system is as strong as you'd like to pretend.
35:07I think you're like one of those evangelical Christian preachers that talks a big talk and has a string of secret mistresses.
35:15Go on. Ask it.
35:19Heads, you stop.
35:22Tails, you carry on.
35:27Okay.
35:36Shit!
35:38Best of three.
35:45Ha ha!
35:47Ha ha!
36:13The coin has spoken.
36:17The coin has spoken.
36:23Don't!
36:24Don't!
36:47Did you get everything logged?
36:48Not yet, sir.
36:49Okay, let's get on that.
36:54Good to see you, Robbie.
36:55Charlie, I'm sorry.
36:59In another life.
37:18At last.
37:19Oh, no!
37:20What?
37:21Look, I've had a hell of a day, and I don't have the energy for you.
37:24Okay, okay.
37:26I tell you the truth.
37:28Yes, there is a capo involved, but I didn't so much stand up to him as sleep with his wife just a little.
37:36Of course you did.
37:39I took a necklace that belonged to his nonna.
37:44Sex was nothing, was meaningless.
37:46He doesn't even like his wife that much.
37:49But, listen, he's here.
37:51He's in Dublin.
37:52He was at my hotel.
37:55I only just got away.
37:56Well, clearly it wasn't meaningless to him, so why are you telling me this?
38:00What do you expect me to do?
38:02Talk to him.
38:03Convince him to let me go.
38:05You are the smartest person I know.
38:08Well, give him back the necklace.
38:10Beg for forgiveness.
38:12I would, but I kind of lost it in a card game.
38:15Oh, my God.
38:17I've seen three dead bodies today, and a serial killer tried to kill me, and you are the worst part of my day.
38:25That's hurtful.
38:26You know, you've always been this way.
38:29You cheat, you steal, you let people down.
38:32And you know what?
38:34I have zero fucks left to give when it comes to you.
38:38Harry.
38:39Harry, you don't mean that, right?
38:42Harry.
38:46Harry.
39:16Harry.
39:17Harry.
39:18Harry.
39:19Harry.
39:20Harry.
39:21Harry.
39:22Harry.
39:23Harry.
39:24Harry.
39:25Harry.
39:26Harry.
39:27Harry.
39:28Harry.
39:29Harry.
39:30Harry.
39:31Harry.
39:32Harry.
39:33Harry.
39:34Harry.
39:35Harry.
39:36Harry.
39:37Harry.
39:38Harry.
39:39Harry.
39:40Harry.
39:41Harry.
39:42Harry.
39:43Harry.
39:44Harry.
39:45Harry.
39:46Harry.
39:47Harry.
39:48Harry.
39:49Harry.
39:50Harry.
39:51Harry.
39:52Harry.
39:53Harry.
39:54Harry.
39:55Harry.
39:56Harry.
39:57Harry.
39:58Harry.
39:59Harry.
40:00Harry.
40:01Harry.
40:02Harry.
40:03Harry.
40:04Harry.
40:05Harry.
40:06Harry.
40:07Harry.
40:08Harry.
40:09Harry.
40:10Harry.
40:11Harry.
40:12Harry.
40:13Harry.
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