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blockbusters90
  • 5/28/2025
https://t.me/TopfansNovelas2
Transcript
00:00♪♪
00:06Well, I got the impression that your mother
00:08was letting herself get carried away by that Arturo.
00:11The truth is that my friend is going through a rough patch.
00:14She feels vulnerable.
00:17Don't tell her anything about my friend's story.
00:20It could have very uncomfortable consequences for her.
00:22If Damien had the slightest proof of anything,
00:26the Civil Guard would be here to stop me.
00:28Honey, I can't go to the altar like this.
00:31If he knew something that could hurt you,
00:33he wouldn't write papers and leave them there.
00:36What we have to do is attack his own line of production
00:40with his closest people.
00:42I'm trying to locate the girl's father.
00:44I need to know who he is and why he left Irene.
00:48Here, what happens is that Don Pedro wants to do the merits with your mother.
00:50That's what happens.
00:51Go get some air, Tassio.
00:52Don't touch me, Joaquín.
00:53Well, be careful with what you're saying.
00:54Don't touch me.
00:55I told you not to touch me, damn it!
00:57What's going on?
00:58I don't see any construction in kilometers around here.
01:01If it was her, the commander is anonymous.
01:03She has to get something out of her head.
01:05Begoña Montes was in the office of Jesús de la Reina the night she died.
01:09According to recent information,
01:11it seems that you were with the Lord of the Queen on the night of her death.
01:14And what information is that?
01:15I ask those questions.
01:17Was she or wasn't she with the one who was her husband that night?
01:57I don't know.
01:58I don't know.
01:59I don't know.
02:00I don't know.
02:01I don't know.
02:02I don't know.
02:03I don't know.
02:04I don't know.
02:05I don't know.
02:06I don't know.
02:07I don't know.
02:08I don't know.
02:09I don't know.
02:10I don't know.
02:11I don't know.
02:12I don't know.
02:13I don't know.
02:14I don't know.
02:15I don't know.
02:16I don't know.
02:17I don't know.
02:18I don't know.
02:19I don't know.
02:20I don't know.
02:21I don't know.
02:22I don't know.
02:23I don't know.
02:24I don't know.
02:25I don't know.
02:27I don't know.
02:28I don't know.
02:29I don't know.
02:30I don't know.
02:31I don't know.
02:32I don't know.
02:33I don't know.
02:34I don't know.
02:35I don't know.
02:36I don't know.
02:37She was or wasn't she with the one who was her husband
02:39that night?
02:40Can you tell me yes or no?
02:41Yes.
02:42Good.
02:43What time do you think she saw him?
02:49About eight.
02:50Noter less than eight.
02:52reason?
02:53Mira, él tenía pensado trasladarse a París con Julia, con su hija.
02:59Para mí, Julia siempre ha sido como mi hija y...
03:03quise hablar con él para proponerle mudarme a París con ellos y así estar cerca de la niña.
03:08Pero como dice, la niña es hija de Jesús de la Reina, no de usted.
03:11Es decir, no tenía ningún derecho sobre ella.
03:14Así es.
03:16Desde que nos consideró en la anualidad, esa era nuestra realidad, sí.
03:21Bien. ¿Y cómo se desarrolló la conversación?
03:26¿A qué se refiere?
03:28Creo que me ha entendido usted perfectamente. ¿Qué cuál fue el tono?
03:36No, no nos pusimos de acuerdo.
03:39¿Qué quiere decir? ¿Que discutieron?
03:42Mire, yo estaba muy preocupada.
03:45No solamente porque Jesús fuera a alejar a la niña de su familia, sino...
03:49sino porque temía que la niña pudiera estar en peligro.
03:53Me parece que siempre ha temido a su marido.
03:56Ya le acusó de haberla drogado, de haber matado a su primo y a su mujer, de haberle disparado.
04:02Realmente ha descrito a un hombre muy peligroso, aunque eso nunca ha podido probarlo.
04:07Así es.
04:09Lo que no entiendo es por qué usted sigue viviendo en casa de los de la reina en esa situación.
04:14Porque Julia para mí es mi hija. No me importan los papeles.
04:18Y tanto para mi suegro como para el resto de la familia, yo soy su madre.
04:22Por eso fui a suplicarle a Jesús que no se llevara a la niña solamente para hacerme daño.
04:26Por haber pedido la anulidad matrimonial.
04:28¿Y por qué mintió en su primera declaración?
04:30¿Por qué no contó que fue la última persona que le vio con vida?
04:34Porque no quise parecer culpable.
04:36¿Culpable? ¿Culpable de qué?
04:39¿Si Jesús de la reina supuestamente se suicidó?
04:43Bueno, lo que quiero decir es que...
04:46Que si fue otra cosa lo que pasó, que yo no tuve nada que ver.
04:51Ya.
04:53¿Y cree usted que tenemos motivos para pensar que fue otra cosa lo que pasó?
05:02No, no...
05:03Lo que le pregunto es que si usted, como su antigua esposa,
05:06vio algún indicio de que Jesús de la reina pudiese haberse suicidado.
05:14No.
05:17No, yo no creo que Jesús estuviera deprimido.
05:21Ni que fuera el tipo de persona que está dispuesta a quitarse la vida.
05:27Bien, pues lo cierto es que, a la luz de lo que acaba de contarme,
05:32usted tuvo la motivación y la oportunidad de matar al que fuera su marido.
05:39¿No le parece?
05:44Mentir solo trae problemas, señora Montes.
05:49Tendrán noticias mías.
05:58Buenos días.
06:09Menudo recibimiento.
06:11Teresa me ha dicho que queríais hablar conmigo.
06:13Sí, mamá, siéntate, por favor.
06:26Bueno, hablad.
06:29Me estáis poniendo nerviosa con esas caras tan largas.
06:32Verás, tenemos algo importante que contarte.
06:35Bueno, hijo, no le des tanto suspense.
06:37Marta ha descubierto algo que te afecta.
06:42Verá, estuve planteándome invertir en el negocio inmobiliario que me comentó.
06:46Ay, qué bien, Marta, me alegro.
06:48Deje que le cuente.
06:50Lo que le quiero decir es que, pensando en ello,
06:54decidí ir a visitar los terrenos donde se estaba construyendo.
06:58Y cuál fue mi sorpresa, que allí no se está construyendo nada.
07:05No te entiendo.
07:07Lo que está intentando decirte es que no se están edificando los chalets.
07:11No, eso no es posible.
07:14Seguramente te has equivocado de sitio.
07:16Fui a la ubicación que usted me indicó.
07:18Donde se está construyendo es en las tierras adyacentes a...
07:21A la finca de los Tilos.
07:24Sí.
07:26No, no, no.
07:28Tiene que haber algún error.
07:30Me temo que no.
07:33Lo que tu esposa intenta decirme es que Arturito me ha engañado.
07:37No, no estamos diciéndote eso, pero todo es un poco raro.
07:40¿No te parece?
07:41Lo que me parece es que estáis diciendo cosas muy absurdas.
07:44Mamá, yo no tengo ningún interés en que desconfíes de Arturo,
07:47pero él te dijo que ya habían empezado a construir, ¿no?
07:49Sí, claro. Lo sabes perfectamente. ¿Para qué lo preguntas?
07:52Pues debe ser un malentendido. Si quieres, hablo yo con él.
07:55¿Y a santo de qué tienes que hablar tú con él?
07:57¿Es que acaso soy una impedida?
07:59Y en cuanto a ti, Marta, quiero que sepas una cosa.
08:02Arturo Montesquienza es un amigo de la familia.
08:04Sus padres son como unos hermanos para mí.
08:07Me cuidaron mucho cuando falleció el padre de Pelayo.
08:10Y no acepto las acusaciones que has vertido sobre él.
08:13No trato de acusar a nadie. Simplemente intento avisar...
08:16¡Mira! No quiero escuchar ni un disparate más.
08:19Mamá, ya está.
08:20¡Ya, ya, ya! ¡Basta ya!
08:22Ni una palabra más, por favor. Déjame sola.
08:32No.
08:56¿Arzulito?
08:58Sí, sí, soy yo.
09:00Me alegro mucho de encontrarte.
09:03No, no, no te preocupes. No te voy a entretener demasiado.
09:06No, solo quería saber cómo va la obra.
09:10Sí, la de mi inversión.
09:14Ah, ya.
09:17Pero eso quiere decir que estáis muy adelantados.
09:21Ah, cómo me alegro de escucharlo.
09:25Sí.
09:30Estaba esperando que se fuera el sargento.
09:33¿Qué ha pasado? Cuéntame.
09:35Que soy tonta luz.
09:37Que creo que me acabo de meter yo sola en un problema gravísimo.
09:40¿A qué te refieres?
09:41El sargento ha venido a interrogarme,
09:43porque al parecer la Guardia Civil se ha enterado
09:45de que estuve con Jesús la noche que murió.
09:47¿Cómo que estuviste con Jesús? Sí.
09:49Pero, Begoña, eso significa... Sí, sí.
09:51Significa que mentí en mi primera declaración.
09:53¿Mentiste? ¿Por qué?
09:55Pues porque tenía miedo de parecer sospechosa.
09:59Al parecer fui la última persona que vio a Jesús con vida.
10:03Y ahora lo único que he conseguido es parecer aún más culpable.
10:07¿Cómo han averiguado que le viste?
10:11Ayer recibí una carta anónima amenazándome.
10:15Y creo que esa persona ha besado a la Guardia Civil.
10:18Madre mía, Begoña, me dejas de piedra.
10:21¿Quién podría haberte denunciado?
10:25Ha sido María.
10:26María. ¿Estás segura?
10:29Todo apunta a ella.
10:32Madre mía.
10:34Me he metido yo sola en una trampa.
10:56Manuela, ¿no habrá visto a Raúl por la casa?
10:59Llevo un rato buscándole para que vaya a la fábrica
11:02a recoger unos documentos y no lo encuentro.
11:04No sé, no sé.
11:06En casa tiene que estar porque el coche está abarcado en la puerta.
11:10¿Ha mirado en el ofice?
11:12Sí, ya ha mirado allí, pero...
11:14no me queda más remedio que preguntarle a María.
11:18A ver si ella sabe algo.
11:21¡Ay, Calle!
11:22Ahora me acuerdo.
11:23Me ha dicho el chico hace un rato que salía al pueblo
11:26a comprar unos recambios para el coche
11:29y que volvía en un ratillo.
11:32¿Andando se ha ido?
11:33Sí, dice que así hace piernas.
11:36Bueno, avíseme cuando vuelva.
11:38Estaré esperándole en el despacho.
11:40Descuide que yo le aviso.
11:42Es que no hay manera de encontrar a nadie en esta casa.
11:45Es que no hay manera de encontrar a nadie en esta casa.
12:04Señora, soy Manuela. Ábrame, por favor.
12:07Un momento, ya abro.
12:16¿Está Raúl ahí con usted?
12:19Manuela, por favor, no digas tonterías. Estaba descansando.
12:23Señora...
12:26Que se les oía desde el pasillo.
12:30Yo no quiero meterme en sus asuntos,
12:32pero me tienen los dos muy preocupada.
12:35Pero no sé por qué hace esto. Usted no necesita estas cosas.
12:38Señora, tendría que pensar que...
12:40¿Tú qué sabes lo que yo necesito?
12:42¿Tú qué sabes lo que yo necesito?
12:44Manuela, hace mucho tiempo que yo no tengo lo que quiero.
12:48Llegué a esta casa amando a mi marido.
12:51Y lo he perdido por culpa de otra mujer.
12:54Es que yo no tengo derecho a ser feliz.
12:57Claro que tiene derecho a ser feliz.
13:00Entonces no me des lecciones de moral.
13:03Señora, yo no soy quien para decirle lo que tiene que hacer.
13:07Solo le digo que no está midiendo las consecuencias de sus actos.
13:11Usted se ha parado a pensar qué medidas tomaría don Damián
13:14o don Andrés si todo esto se supiera.
13:19Y hoy no los han pillado porque estaba yo aquí.
13:23Pero esta es la última vez que los encubro, señora.
13:40¡Venga!
14:04¿Pero por qué mentiste, Begoña?
14:06¿No pensaste las consecuencias que podía tener?
14:08Sí. No lo sé, Luz. En aquel momento estaba...
14:11Estaba muy aturdida y...
14:13Y Andrés y yo pensamos que era lo mejor que podíamos hacer
14:16porque contarlo era señalarme a mí como sospechosa.
14:19Bueno, pues ya ves que no ha sido una decisión muy inteligente.
14:22Luz...
14:25Lo que pasa es que aquella noche discutí con Jesús.
14:28Y la cosa acabó muy mal.
14:29Jesús me agarró muy fuerte de las muñecas y me dejó una marca.
14:33Y eso podía ser un móvil para la Guardia Civil.
14:36Y lo peor de todo no es eso.
14:38Lo peor de todo es que a mí siempre me había costado mucho
14:40creer que Jesús se había podido suicidar, pero...
14:43Pero no sé. Esa fue la conclusión de la investigación.
14:47El caso es que cuando Pontón me ha preguntado
14:49que qué opinaba sobre el suicidio de Jesús...
14:52Pues esta vez...
14:53Esta vez sí que le he dicho la verdad.
14:55¿Qué verdad, Begoña?
14:58Pues le he dicho que yo no creo que Jesús fuera una persona depresiva.
15:02Ni que fuera a suicidarse.
15:05Y diciéndole eso me ha puesto aún más en el punto de mira.
15:09No, no, cálmate.
15:11¿Cómo voy a calmar, Luz? ¿Cómo voy a calmar si...
15:13Si me ha acusado de ser la asesina de Jesús?
15:17Dios mío, ¿por qué tuve que mentir?
15:19Begoña, todo se va a aclarar.
15:21No pueden acusarte de haber matado a Jesús porque eso nunca ha ocurrido.
15:36No veas cómo se ha puesto la señora cuando le hemos contado de los terrenos.
15:40Prácticamente nos ha echado. Estaba furiosa.
15:42Con Pelayo, sí, pero sobre todo conmigo.
15:45Bueno, pues la señora esa tendría que entender
15:47que tú lo único que intentas es advertirle.
15:49Bueno, eso sería lo razonable.
15:52Aunque también...
15:55¿También qué?
15:57¿Qué, Marta? ¿No me digas que la vas a justificar?
15:59No, no la justifico.
16:00Aunque en parte la entiendo.
16:02No debe ser fácil
16:04ver cómo una persona de tu confianza,
16:06el hijo de unos amigos de la familia de toda la vida,
16:09está tratando de estafarte.
16:11Ya, ya.
16:12Me imagino que esto no es plato de buen gusto para nadie.
16:14Pero vaya, que tú no le quieres hacer daño.
16:16Tú solo quieres ayudarle.
16:17Yo confío que en cuanto se tranquilice,
16:20podrá aclararlo todo.
16:22Aunque a mí me da que ese Arturito Montesquienza
16:24es un sinvergüenza de mucho culo.
16:26¿Qué?
16:27Aunque a mí me da que ese Arturito Montesquienza
16:29es un sinvergüenza de mucho cuidado.
16:32Ay, ya voy yo.
16:37Doña Clara, puedo ayudarle en algo.
16:39Buenos días.
16:42¿Doña Clara necesita algo?
16:43Sí, quería hablar contigo.
16:46Aquí me tiene.
16:47Hace un rato he mantenido una conversación telefónica
16:50con Arturito Montesquienza.
16:52Me ha asegurado que el proyecto sigue adelante
16:54y que está en estado muy avanzado.
16:56Pues yo le digo que en esos terrenos
16:58no se está edificando nada.
17:00Y eso es un hecho.
17:02Pues yo te digo que no tengo ningún motivo
17:04para desconfiar de él, Marta.
17:08Si no es indiscreción,
17:10¿cuánto he invertido en ese proyecto?
17:14Bueno, lo suficiente para arrancar el proyecto.
17:18Perdone, ¿eh?
17:19Perdone que intervenga.
17:20Es que yo también estuve en esos terrenos
17:22porque estaba interesada en comprarme
17:24un piso de la promoción
17:25y le puedo asegurar que allí no se está construyendo nada.
17:28Vamos, que lo vi con mis propios ojos.
17:30Ni allí ni a varios kilómetros a la redonda.
17:33De hecho, hice unas fotografías
17:35para poder mostrarle lo que le estoy diciendo
17:38que vamos a recoger mañana.
17:40Si quiere, puede venir con nosotras
17:42y se las enseñamos.
17:44Se me ocurre que quizá no haya que esperar tanto.
17:47¿Para qué esperar las fotografías?
17:49Si a usted le parece, esta misma tarde
17:50podríamos ir a los terrenos
17:52para que lo vea con sus propios ojos.
17:55Además, así confirmaríamos
17:56qué es la ubicación que usted nos dice.
17:59Así saldríamos de dudas.
18:02¿Qué le parece?
18:06¿Y este qué tal?
18:08Mejor. Este sí, le sienta mejor, sí.
18:11Seguro yo creo que está mejor encajado.
18:13Ha sido muy amable su peluquera
18:14al dejarle todos estos tocados para probárselos.
18:17Tina es una chica estupenda.
18:19De gusto dudoso, pero estupenda.
18:22Ay, tengo que recoger a Teo, se me está haciendo tarde.
18:25Y además he quedado con Joaquín
18:26en una sastrería del centro
18:28para buscarle un traje para ir a su boda.
18:31A ver si encontráis algo bonito.
18:33Seguro que sí, un traje de hombrecito.
18:35Estará precioso.
18:37Me voy volando.
18:38Muy bien.
18:40Hola, Luz.
18:41Hola.
18:43Dile que te encanta.
18:46Luz, ¿qué te parece?
18:48Gemma se ha empeñado en que llegue
18:49tocado, yo no estoy nada segura,
18:51pero dime la verdad.
18:54Bien, bien, muy bien.
18:56Pero si no me has visto siquiera.
18:58¿Tan horrible estoy?
19:00Ay, perdón, Edina, es que
19:02he entrado pensando en otra cosa.
19:05Por tu cara pareces preocupada, sí.
19:08¿Qué pasa?
19:10No, no me ha pasado a mí.
19:12Me ha pasado a Begoña.
19:14¿A Begoña?
19:16El sargento Pontón
19:17ha irrumpido en el dispensario
19:19para interrogarla por la muerte de Jesús.
19:25De acuerdo, señorita Ricarte,
19:27entonces quedamos hoy a las siete de la tarde.
19:30¿De verdad que no le importa hacer
19:32ese trayecto desde Madrid?
19:34Muchas gracias por su predisposición.
19:36Sí.
19:38Así quedamos, pues.
19:40De acuerdo.
19:42Adiós, adiós, adiós.
19:44¿Sí?
19:45¿Sí?
19:48Padre.
19:50¿Qué hacéis aquí?
19:52¿Ocurre algo?
19:54Hay algo que tenemos que contarle.
19:57Pasad.
20:04Mira, el sargento Pontón
20:07se ha presentado hace un rato
20:09en el dispensario para interrogarme.
20:11¿Para interrogarte? ¿Por qué?
20:13Porque saben que estuve con Jesús
20:15hasta que murió.
20:17¿Y cómo lo ha averiguado?
20:19Pues porque al parecer recibieron
20:21la llamada de un testigo.
20:23La culpa es mía.
20:25Nunca debí decirle a Begoña que callara.
20:27Y solo he conseguido que parezca culpable.
20:29No, la culpa es mía. Andrés, que ya soy mayor...
20:31Bueno, dejadlo ya.
20:33Da igual quién tenga la culpa.
20:35Ahora lo importante es encontrar soluciones.
20:37Dime, ¿cómo fue el interrogatorio?
20:39Pues es que yo no...
20:41Es que no me esperaba que vinieran.
20:43No he sabido reaccionar.
20:46Le he contado que Jesús
20:48quería llevarse a la niña a París
20:50y que yo no estaba de acuerdo
20:52y que fui a hablar con él para intentar impedírselo.
20:54Claro, y ahí Pontón ha visto
20:56un motivo más que suficiente
20:58para que hubieras podido desear matar a Jesús
21:01para que no te quitase a la niña.
21:03Y eso sumado a que mentí en mi primera declaración, pues...
21:06Dios bendito.
21:10¿Y tienes idea de quién pudo haberte delatado?
21:15No.
21:21Ayer recibí este anónimo
21:23y creo que lo ha escrito María.
21:27Recibiste ayer este anónimo
21:29y me lo dices ahora.
21:31¿Hasta cuándo vais a estar ocultándome cosas?
21:34Así no vamos a ninguna parte.
21:36De todas formas, creo que te equivocas en tus sospechas.
21:39Yo estoy convencido de que fue Pedro
21:41quien llamó a la Guardia Civil.
21:46Pero...
21:48¿Por qué ha ido el sargento a interrogarla ahora?
21:51¿Qué quiere saber?
21:53No sé, yo no estaba presente, me lo ha contado Begoña.
21:55Parece ser que en su primera declaración
21:57no fue del todo sincera
21:59y ahora quieren hablar con ella.
22:01¿Que no fue sincera? ¿A qué te refieres?
22:03Por lo visto, Begoña a la noche en que murió Jesús
22:06fue a verle a la fábrica.
22:08¿Fue a ver a Jesús?
22:10Sí, estaba muy angustiada
22:12por la idea de que Jesús se podía llevar a la niña lejos.
22:15Y que se replanteara y...
22:17Estaba dispuesta a irse a París con tal de estar cerca de Julia.
22:20¿Y Jesús qué le dijo?
22:23Pues dado el carácter de Jesús,
22:25la conversación no terminó muy bien.
22:27El problema es que Begoña no le contó todo esto
22:30a la Benemérita cuando la interrogó.
22:32Y ahora alguien lo ha descubierto, lo ha delatado
22:34y sospechan de ella.
22:36Pero eso es absurdo, porque ella no ha hecho nada.
22:38Quiero decir que es incapaz de hacer algo así.
22:41Claro que no.
22:43Cualquiera que la conozca lo sabe.
22:45Pero ha cometido un error.
22:47Un error muy grave si tenemos en cuenta
22:49que hablamos de la muerte de alguien.
22:51Pero ella no ha podido explicarle bien al sargento lo que pasó.
22:55El sargento la ha pillado por sorpresa
22:57y ella no ha sabido defenderse.
22:59Ahora teme haber dado una impresión que no era.
23:02Dios.
23:04Y es que además cuando el sargento le ha preguntado
23:07por la teoría del suicidio,
23:09ella le ha contado lo que pensaba.
23:11Que no creía que Jesús fuera capaz de hacer algo así.
23:14Pero eso es absurdo.
23:16¿Cómo puede pensar ese hombre que Begoña...
23:19Lo sé, lo sé, no tiene ningún sentido.
23:21Y bueno, ¿y se ha sabido cómo terminó el interrogatorio?
23:27Pontón no ha salido nada contento con sus respuestas
23:30y ahora van a reabrir el caso.
23:39¿Cómo es posible que haya pasado algo así?
23:42No sé, Dina.
23:44La vida da unas vueltas que no te imaginas.
23:47Después de todo lo que ha pasado Begoña.
23:49Después de que Jesús le disparara.
23:52Intentar acabar con su vida, que sea ella ahora
23:55quien vaya a terminar en la cárcel, acusada de matarle.
23:57Es que... Es que es increíble.
24:00Es horrible.
24:04¿Cómo hemos podido llegar a este punto?
24:07Lo siento, padre, pero creo que has equivocado.
24:10María entró en el despacho justo cuando estábamos hablando del tema.
24:14Hazme caso.
24:16Probablemente Pedro vio a Begoña salir de la fábrica cuando le entraba.
24:20Después se dirigió al despacho y acabó con tu hermano.
24:27¿Usted cree que don Pedro es capaz de acusarme de algo así?
24:31No sería nada raro que hiciera algo así.
24:33Ya se encargó de informarme cuando estuve acusado de la muerte de Vítor Fárate.
24:38Pero si el caso está cerrado, ¿por qué acusarme ahora?
24:41Porque se siente acorralado.
24:44Es muy miserable ver que nos estamos acercando a la verdad.
24:48Y ha decidido actuar.
24:50Pero eso no es posible.
24:52Nosotros no hemos dado ningún paso en falso.
24:54Es imposible que...
24:58Padre, ¿qué pasa?
25:00Que si Pedro te ha delatado, probablemente el culpable sea yo.
25:05¿Qué ha hecho?
25:07Ayer hablé de más.
25:09Fui a ver a Dina y compartí con ella mis sospechas.
25:12Le dije que creía que Pedro había matado a Jesús y que no debería casarse con él.
25:17¿Pero cómo se le ocurre hacer algo así?
25:20¿No se da cuenta de qué situación nos ha puesto?
25:22¿Cómo se le ocurre hacer algo así?
25:25¿Cómo se le ocurre hacer algo así?
25:27¿Cómo se le ocurre hacer algo así?
25:29Ha acusado a don Pedro del asesinato sin tener pruebas.
25:32Y nos ha expuesto a todos.
25:34Sí, cometí un error yendo a ver a Dina,
25:37pero solo pude decir en mi descargo que actué cegado con el deseo de protegerla.
25:43¿Y ahora qué vamos a hacer?
25:45Quizás debí pedir la presencia de un abogado, pero es que...
25:47No, no. Eso te hubiera hecho parecer más sospechosa.
25:49Pero, ¿qué pueden hacer?
25:51No me pueden acusar sin pruebas, ¿no?
25:53No lo sé.
25:54What I do know is that you lied in your statement, and that's a crime in itself.
25:59I hope you don't take it into account when all this is resolved.
26:03Jesus wanted to destroy me, and in the end...
26:06In the end, he did it.
26:12Andrés.
26:24THE LAST DAYS
26:34One rooster for Fuensanta.
26:39What's up, kid?
26:41The roosters turned out so bad today.
26:43What are you going to do?
26:45I shouldn't have asked for them, but I'm in a bit of a hurry.
26:49Wow, man.
26:51If you put them in a pan, I'll take them.
26:54Yeah, but they won't be as good when they're cold.
26:58I'm sorry, Aspar. And get me a coffee too, please.
27:01On my way.
27:06I promise you, if you win, I'll be good for you.
27:09And when that happens, I'll make you the happiest woman in the world.
27:12You won't miss a thing by my side.
27:15Let's not waste time talking.
27:19I've never met a woman like you.
27:21Manuela, please, don't be silly. She was resting.
27:24Ma'am.
27:27I could hear them from the corridor.
27:31I don't want to meddle in their business,
27:34but I'm really worried about them.
27:36Here you go, Tolero.
27:38I've brought you the rooster pie.
27:40Thanks a lot, Aspar.
27:42Cheer up, kid.
27:44It's like you're somewhere else.
27:47Is something wrong?
27:48Marte?
27:50Is something wrong?
27:52No, it's the car. It's making a weird noise,
27:55and I'm a bit worried.
27:57I see.
27:59Are you sure it's just that?
28:01To make a noise in an engine,
28:03it must have affected you a lot.
28:05I can't find the fault,
28:07and I'm afraid it's something serious.
28:09Look, with what you know about mechanics,
28:11have you checked if it's the bearings?
28:13I'm sure it's the bearings.
28:15Good afternoon.
28:16Good afternoon.
28:21Here you go, Aspar.
28:23Aren't you going to have coffee?
28:25No, I just remembered I have some errands to run.
28:29If you're busy, I'll come back later.
28:32No, I'm not busy.
28:34But kid, I left you the pie with the roosters.
28:41What just happened here?
28:42What just happened here?
28:44I don't know what just happened here.
28:47The boy, he didn't have time to go out
28:50as soon as he saw you.
28:52House stuff, it doesn't matter.
28:54Look, I brought you a report,
28:56see if you can correct it.
28:58And because of house stuff,
29:00you almost don't look us in the face?
29:02Well, things happen.
29:04Things happen?
29:12Yes.
29:31Are you sure this is the place?
29:33You can't be wrong.
29:35You must have been lost on the way.
29:37We've checked it with maps of the area.
29:39And that's where the Tilos farm is.
29:40It's the location that Montesquinza gave you.
29:43We have no doubt.
29:49So,
29:51this is where the pilot chalet should be.
29:55Exactly, and as you can see, there's nothing.
29:58You can see that we weren't lying to you.
30:02Mrs. Clara,
30:05no one is building here.
30:11So,
30:14Arturito has swindled me.
30:18I'm sorry I had to give you the news.
30:21I wish I had been wrong.
30:23But how could I have realized anything?
30:26Because you weren't here to verify it.
30:28He swindled me a lot of money.
30:30Please don't feel guilty.
30:33You trusted a person who was close to you
30:36and who didn't expect any harm.
30:37He has abused you of your trust and goodwill.
30:42How could Arturito do this to me?
30:46I loved him like a son.
30:51What am I going to tell his poor parents?
30:54Poor Arturo, poor consolation.
30:57No, Mrs. Clara.
31:00Don't be upset.
31:03I still can't believe it.
31:05I still can't believe it.
31:08Please take a deep breath.
31:10Let's see if you're going to get like this
31:12because of that bastard.
31:14Clara,
31:16the worst part is
31:19that I can't believe
31:22that you were so delusional.
31:25You can't trust anyone.
31:29You know what my father used to say?
31:32It's true that there are people we can't trust.
31:35We can't lose faith and hope in everyone else.
31:38Oh, dear.
31:40Please don't be so naive.
31:42This is the obvious case
31:44that you can't trust even the closest people.
31:46No one.
31:48If I have him in front of me,
31:50I'll take his eyes out.
31:52Oh, my God.
31:54I'm sorry.
31:56Calm down.
31:58The thing is that the boy was there
32:01turning the plate over.
32:02When I asked him if something was wrong,
32:05he said it was a mechanical issue.
32:08That's normal.
32:10He's a chauffeur, right?
32:12Yes, but when you showed up,
32:14I ran like hell.
32:17No, there's something wrong here.
32:20Something you're not telling me.
32:23What's wrong, Manuela?
32:25What's wrong, Gaspar?
32:27Do me a favour and fix this.
32:29I'm in a hurry.
32:30Manuela, I know you.
32:32You don't listen to me anymore.
32:34What happened there?
32:38The boy
32:40is getting into a mess.
32:42What kind of mess?
32:44A mess of the fat guys.
32:47The fat guys?
32:49The fat guys.
32:53He's with Mrs. María.
32:56I can't hear you.
32:58I can't tell you more clearly.
33:01He's with Mrs. María.
33:03But with Doral's wife.
33:11I don't know what's wrong with his head.
33:14I don't know, Gaspar.
33:16He's getting into a very dangerous situation.
33:19This could cost him his job.
33:23If you didn't know...
33:25But...
33:27But how could he get into such a mess?
33:30I don't know. I don't know what to think about him.
33:33I thought he was a good guy,
33:35but with Mrs. María...
33:38I don't think he's any good.
33:40Look, Manuela.
33:42Listen to me carefully.
33:44For God's sake,
33:46stay out of this mess.
33:48I like the boy very much,
33:50but this could cost you your job
33:52if the family finds out you knew about it.
33:55I haven't thought about it, Gaspar.
33:57I don't know if this will affect my job.
34:02Anyway, fix this for me.
34:04I'm running late.
34:10When I think of Arturito laughing
34:12every time he got a job from me,
34:15he was a scoundrel.
34:18I've known him
34:20since he didn't raise a finger.
34:23Don't be upset.
34:25The fact is,
34:27we'll find a way to fix it.
34:31I'm sorry for how I've treated you
34:33every time you tried to tell me about him.
34:35Don't worry.
34:37I understand it's hard for you to believe
34:39that someone so close was hurting him so much.
34:43Yes, and that's not the only reason.
34:46Can I...
34:48be honest with you?
34:51Of course.
34:54I've been very worried
34:55about the pact between you and my son.
34:58You don't know how many nights
35:00I haven't been able to sleep.
35:02Believe me, I know.
35:04Isn't it a mother's duty
35:06to protect her children?
35:08Of course.
35:10But all this...
35:12I don't know.
35:14It's made me see you differently.
35:16When I see you and Fina
35:18so close and so discreet,
35:22I've begun to understand
35:23what Pelayo saw in you.
35:26In you.
35:28And now I know
35:30you're the first person
35:32who's interested in fulfilling that pact
35:34because you don't want to lose
35:36what's most precious to you.
35:38I'd do anything to protect her.
35:41Just as I'd do anything
35:43to protect her son.
35:45That's why we got married.
35:47I know.
35:49And you've shown me.
35:51And you haven't protected Pelayo,
35:53despite the way I've treated you.
35:56Thank you for those nice words.
36:01I thought
36:03you didn't have any respect
36:05for Pelayo or for me.
36:07And I couldn't be more wrong.
36:09Maybe I didn't take the time
36:11to understand you either.
36:13Maybe I judged you too soon.
36:15Well...
36:19Something good came out of all this.
36:21Now I know
36:23you're the perfect couple for Pelayo.
36:25I'm so glad
36:27to see him like this.
36:29I was taking some pictures of the land,
36:31in case he wants to report us.
36:33Ah.
36:35Very good.
36:37Thank you, Fina.
36:39Anyway,
36:41maybe it's time
36:43to go, right?
36:45Be careful.
36:47Yes, darling.
36:49Don't break my other arm.
36:52How long have you been taking pictures?
36:55A little while ago.
36:57I had the camera in front of my father.
36:59And well...
37:10Argento.
37:12Come in.
37:14Thank you for coming.
37:18I'd like to talk to you.
37:19Please, have a seat.
37:21You told me on the phone
37:23that it had to do with your brother's death.
37:25That's right.
37:27Well, any kind of new information
37:29won't be of any use.
37:31Actually, I just wanted to know
37:34if you plan to reopen the case.
37:36That's confidential information
37:38that I can't give you,
37:40but I have the impression
37:42that you are already aware
37:44that there is new information
37:46that changes the situation.
37:47Yes, I'm aware of that.
37:49I don't know if you're aware
37:51of what happened to Mrs. Montes,
37:53my sister-in-law,
37:55and that she told her
37:57that she was with my brother
37:59the night he died.
38:01Something that she saw
38:03in her first statement.
38:05Look, I convinced her
38:07not to do it.
38:09Didn't she advise you well?
38:12I'm aware.
38:14I don't know if you're also aware
38:15but I convinced her not to tell you
38:17not because I had to hide anything,
38:19but so that she wouldn't have problems.
38:21What kind of problems do you mean?
38:23That she could be accused unfairly.
38:26Look, we're just trying
38:28to find out the truth.
38:30The only one who can be afraid of something
38:32is the one who knows he's guilty.
38:34An innocent person shouldn't be afraid of anything.
38:36You should trust justice more,
38:38Mr. de la Reina.
38:40I can't trust her completely
38:42after being accused of the death
38:44of my brother.
38:46Someone can end up in jail
38:48simply for being in the wrong place
38:50and at the wrong time.
38:52You just reminded me
38:54that you gave Mrs. Montes'
38:56apartment for that night.
39:01Yes.
39:03So you don't have an apartment either
39:05and you also lied in your statement.
39:07I don't think it's just Mrs. Montes
39:09who has problems.
39:11Sergeant, you can twist all this.
39:13I'm talking to the authorities.
39:15I already declared your day.
39:17I was at home after the walk I took
39:19returning from my sister's wedding.
39:21Look, neither of you is giving me
39:23convincing explanations
39:25and you're starting to get tired
39:27of so many lies and lack of clarity.
39:29I just...
39:31You're not going to mark my investigation.
39:33I'm just telling you that the case could reopen.
39:35And if this happens,
39:37both you and your sister-in-law
39:39will have to face the consequences
39:41of obstructing justice.
39:43Good afternoon.
39:45Good afternoon.
39:57So you can reopen
39:59the case of my son's death.
40:01I understand.
40:03What I ask of Ramallo
40:05is that he be prepared to defend my daughter-in-law
40:07in the event that the police
40:09decide to accuse her of something.
40:11Come in.
40:13I hope so.
40:15But if everything goes wrong,
40:17we should be prepared, don't you think?
40:19Okay.
40:21Thank you very much, Ramallo.
40:23At your lady's feet.
40:25Goodbye, goodbye, goodbye.
40:27Mr. Damián, I'm sorry to bother you.
40:29A girl has come to ask about you.
40:31She says she has an interview.
40:33It's Miss Cristina Recarte.
40:35Yes, sir.
40:37Don't worry, I invited her.
40:39If you'll excuse me, I'm leaving.
40:41Miss Recarte, good afternoon.
40:43Damián de la Reina.
40:45Good afternoon.
40:47If you'll excuse me, I'm going to my office.
40:49Yes, if you'll excuse me.
40:57Please, have a seat.
40:59Yes.
41:04Was it hard for you to find this address?
41:07No, no, no.
41:08I came from the station.
41:10In this city, everyone knows where the de la Reina's live.
41:13I brought you my references.
41:16Yes, well, I know you have a degree in chemistry.
41:19It's not usual for a woman to decide to study a science degree.
41:23Does it come from your family?
41:25No, my father has other businesses, but nothing related.
41:27I decided to study chemistry because I was interested.
41:30And because my parents supported me.
41:32I understand.
41:34I'm sorry, but why did you invite me?
41:39I'm looking for someone with your profile.
41:42And in the faculty, I've had very good references from you and two of your colleagues.
41:48I need someone to occupy an important position in the de la Reina's factory.
41:53I learn very fast, although I don't have experience in the field of perfumery and soap.
41:58Well, that doesn't matter.
42:00I'm looking for a new approach.
42:02And I think someone with your profile could be a good addition to our laboratory.
42:09Ah.
42:11Sorry for the surprise, but it's not usual for a woman to be called for this kind of job.
42:16I know, I know, but in this company, that's not a problem.
42:19My wife works as a nurse at the dispensary, our doctor is a woman,
42:23and even my own daughter ran this company for a while.
42:27Ah, I didn't know that your company had such a modern vision of women in the labor world.
42:32Well, I can give you the impression that I'm an old-fashioned man.
42:35No, no, no.
42:36But time has taught me that the female vision can contribute a lot to any team.
42:41And what job would it be exactly?
42:43Participate in the creation of new perfumes.
42:46Supervise the quality in the manufacture of all our products.
42:51And, fundamentally, help Luis Merino, who is one of the best perfumers in Spain.
42:56That's why we're sitting here.
42:59I'm glad he sees me as a good candidate for the position.
43:02I know that his company is known for the quality of his perfumes,
43:06and that Luis Merino has to be a formidable chemist.
43:09So, would you be interested in this job?
43:11Of course.
43:12Even if it were here in Toledo?
43:13Yes, yes, not every day I present myself to an occasion like this.
43:16I would be delighted to work in his laboratory.
43:19And I have the feeling that I would fit in very well here.
43:24Well, but I can't promise you anything.
43:27At the moment I still have to interview a few more candidates.
43:29Of course, of course. I understand that perfectly.
43:32Although, I must admit that I am very flattered that the founder of the company has interviewed me.
43:39He will have our news.
44:00Are you alone?
44:01Yes.
44:03I'm still scared.
44:05If Mr. Damián is going to catch us, from now on we will have to be more careful.
44:10It's not just that, Raúl.
44:12Manuela is right.
44:15This is a mistake.
44:17No.
44:18It's not for me.
44:19Yes, it is.
44:21It's not for me.
44:23It's not for me.
44:25It's not for me.
44:27It's not for me.
44:30Raúl, I am a broken woman.
44:34Destroyed because of her husband.
44:37And you have arrived at the best time.
44:41At a time when I needed support and understanding.
44:45But we can't take any more risks.
44:47It's not wise, neither for you nor for me.
44:49There's no need for anyone else to find out, María.
44:51Sooner or later they will find out.
44:54We can't go on like this.
44:56No one else has to find out.
44:57It's been my fault, but I'll find a place far from here where we won't be in any danger.
45:02Raúl, I don't want to live like this.
45:04Then let's go.
45:06Far from here, where no one knows us.
45:09And I can work on anything.
45:12Don't be a kid, Raúl.
45:14I'm not, María. I'm a real man and I'll prove it to you.
45:16I'll leave the careers for later and I'll take care of you.
45:20I can work as a mechanic as long as it's necessary.
45:22Do you really think I can live with a mechanic's salary?
45:25This is the life you have to offer me.
45:28But we'd be together, María.
45:30That's the important thing, isn't it?
45:32That we stay together.
45:34My God, I thought we both knew what this was.
45:38María, you love me, don't you?
45:41My God, I thought you were much smarter.
45:45How could you think that between two people as different as you,
45:48there could be something serious?
45:51This has been something temporary, Raúl.
45:54A romance.
45:56No, don't look at me like that.
45:59A woman like me could never fall in love with someone like you.
46:07It's late.
46:09And I should go to the colony to rest.
46:11If you'll excuse me.
46:42Come in.
46:44Are you okay?
46:45No.
46:46Yes.
46:47What's wrong?
46:49Your brother is here, please.
46:50Yes, yes, yes.
46:51Come in, please.
46:55I'm sorry.
46:56I'm sorry to come like this, but...
46:58I need to talk to you.
46:59No, no, of course.
47:00Don't apologize.
47:01Well, I'll leave you alone.
47:03Thank you, Irene.
47:06What's wrong, darling?
47:07You're disembodied.
47:09They interrogated Begoña.
47:11What are you saying?
47:13Someone went to the Civil Guard
47:15and said Begoña was with Jesús the night he died.
47:19The sergeant who took the case went to see her.
47:22Begoña was at the factory that night?
47:24Yes.
47:25I didn't know.
47:27Now the sergeant thinks she can be responsible for his death
47:31because Begoña didn't say anything about this in her first statement.
47:35And what do you suppose happened between them exactly?
47:38They argued because he wanted to take the girl.
47:42The sergeant...
47:44believes now that she could have reasons to kill him.
47:50I don't understand.
47:51Why did Begoña make that mistake
47:53by not telling him from the beginning?
47:56Pedro, what's going to happen to her now?
47:59Don't worry, it's nothing alarming.
48:01What do you mean?
48:02No, they're just asking some questions.
48:04It's logical, they have new information.
48:06It's their job, that's all.
48:07No.
48:08What if they keep investigating?
48:10What if they open the case?
48:12Because they think my nephew didn't commit suicide
48:15and he was murdered.
48:16They'd have to prove it, it's not easy.
48:18No.
48:20They won't let it go on like this.
48:23They'll keep investigating,
48:24until they get to the bottom of the matter.
48:26I can't let Begoña pay for something she didn't do.
48:29I can't let her.
48:30Listen to me.
48:32Don't get carried away by the panic.
48:34Really, I'm listening.
48:36All of this will pass.
48:37Believe me.
48:38I can't let Begoña pay for something she didn't do.
48:43I can't.
48:47Pedro, I have to confess the truth.
48:54My son didn't commit suicide.
48:56I can assure you of that.
48:57But I can also tell you that neither my daughter-in-law
48:59nor my other son had anything to do with it.
49:01I thought that these days, when I'm away,
49:03you, Joaquín, assume the position of director.
49:05I thank you for the offer and I accept the position.
49:08Hiring this girl would bring a lot of advantages.
49:12I only ask that you give her a chance.
49:15There is no longer any relationship, Manuela.
49:17What are you telling me?
49:19Have you finished your story with the ladies?
49:21The call we received was made by a woman.
49:24Do you know anything else about the Civil Guard?
49:26No.
49:27But I can't stop thinking
49:28that Pontón could appear at any moment to stop me.
49:31Begoña and you are the main suspects.
49:34From her point of view, you have the motivation.
49:36And the fact that you came up with a plot
49:38didn't help either.
49:39Begoña could be the most harmed.
49:41She is in her point of view.
49:43If I don't do something that prevents her,
49:46they can accuse her, they can condemn her.
49:48Who told you not to confess?
49:50Because if she does, you and I have covered for her
49:52during all this time.
49:54Since I entered this family,
49:56it is a surprise after another and they are never pleasant.
49:59What are you doing, looking through my things?
50:01You wrote the note, Begoña.
50:03You also have an anonymous tongue.
50:05I'm going to tell you the truth.