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Short filmTranscript
00:00:00This is the first time I've ever seen a plane take off from the runway.
00:00:05I'm not sure if it's because of the weather, but it looks like it's going to take off soon.
00:00:10I'm going to have to wait for the plane to take off.
00:00:15I'm going to have to wait for the plane to take off.
00:00:20I'm going to have to wait for the plane to take off.
00:00:25Farley 1 snorekin
00:00:42Van Nuys Power, this is One Rocket Charlie, do you copy?
00:00:46Roger, One Rocket Charlie, go ahead.
00:00:48I'm leaving your airspace headed westbound, destination downtown Los Angeles.
00:00:54Roger that. Looks like clear sailing ahead.
00:00:57Until next time, have a good one, Carrie.
00:01:00Zytek security.
00:01:02This is the Hell Escort pilot. I'm making my approach. Requesting permission to land.
00:01:07Affirmative. You're clear to land. We've been expecting you.
00:01:25Hi. Morning.
00:01:27724 Spring Street. You're clear to land on the route. And move in. I'm running late.
00:01:31Yes, sir.
00:01:46L.A. Tower. This is One Rocket Charlie.
00:01:49One Rocket Charlie. Go ahead.
00:01:52I'm heading eastbound, leaving your airspace.
00:02:02Roger. Add traffic at 2 o'clock.
00:02:05Roger, L.A. Tower.
00:02:22Roger.
00:02:53Thank you for flying Hell Escort, sir. We'll be crossing in sometime.
00:02:57Yeah, yeah.
00:03:22This is One Rocket Charlie. Where are you, handsome?
00:03:35Yeah, yeah. Keep your shirt on. Keep your shirt on.
00:03:38One Rocket Charlie. Wake up, Chauncey.
00:03:42Yeah, yeah, yeah. Keep your shirt on. Keep your shirt on. What's up?
00:03:45I'm finished with that drop-off, so I'm headed home until my next call. I'll be on my pager.
00:03:50Yeah, listen. Will you just make sure you have it on this time?
00:04:20Mr. Booker. How are things at Zytec?
00:04:33Fine, Chief Mather. How was your flight from Langley?
00:04:36Smooth.
00:04:45Let's do this. Public places make me nervous.
00:04:49Daylight makes you nervous.
00:05:05It's not every day that you hold in your hands something that could affect the balance of power on the planet.
00:05:13When do we get the next piece?
00:05:21As soon as Uncle Sam pays for this one.
00:05:24Right.
00:05:37Thank you, Mr. Booker.
00:05:42Move it! Move it!
00:06:13Go! Go!
00:06:29Go!
00:06:42Watch out!
00:07:13Go!
00:07:26Let's go! Back up!
00:07:42Back up!
00:08:12Go!
00:08:42Go!
00:09:12Go!
00:09:35I wouldn't come any closer.
00:09:37My noble adversary. Tis that, that vain circumstance.
00:09:44You know I can't let you have this.
00:09:46Pushes us to the very brink.
00:09:55Ciao, bello.
00:10:07Ciao.
00:10:33I'm sorry, honey. This must be real important.
00:10:35I told him not to bother me.
00:10:37Wink here.
00:10:39Yeah. Yeah, all right. I'll be right in.
00:10:43Look, I'm sorry, honey. I gotta go.
00:10:46Honey, look, I love you, but you knew I was a cop when we got married.
00:10:50We'll have a baby. We just have to wait for the right time.
00:10:53Gordy! You lied to me!
00:10:57Carrie, that's not fair. That's not it.
00:10:59Bullshit!
00:11:00When would we have time for a kid? I mean, you work days, I work nights.
00:11:04I told you I'd stop flying for a year.
00:11:06You're the one making up all the excuses.
00:11:09You really want to bring a kid into this world?
00:11:11I mean, you know, while you're up there flying around in the clouds all day,
00:11:14I'm on the ground seeing the worst shit imaginable.
00:11:16It's like we're on an express train to hell at 150 miles an hour.
00:11:20Well, excuse me for still believing in Sunday walks in the park and little babies.
00:11:28Listen, Carrie, honey, I'm sorry, but I can't help the way I feel.
00:11:34Fine. Go.
00:11:37Fine.
00:11:42Ah, damn it. I forgot.
00:11:45Jimmy dropped me off. My car's still at the station.
00:11:50Honey, could you give me a lift, please?
00:11:58With pleasure.
00:12:00Whoa, whoa, whoa. Hey, easy, easy. Come on.
00:12:13Oh, man, oh, man, oh, man, oh, man.
00:12:23Hey, hey, hey. Not so close.
00:12:31Whoa, whoa, whoa.
00:12:41Hey, hey, hey, hey, hey.
00:12:48It's lucky for me you don't fly like you make love or I'd be in trouble.
00:12:51Well, if I did, we wouldn't be having this conversation.
00:12:54Listen to me. I'm not ready to be a part of you.
00:12:56Let's wait another year and talk about it then, okay?
00:12:58Look, I just don't want to talk about it anymore.
00:13:11This is the way I feel, honey. Why don't you understand?
00:13:14Because I want a baby.
00:13:17Carrie, forget about it, all right?
00:13:19I gotta go.
00:13:21All right, fine. Go.
00:13:28Bye.
00:13:58Bye.
00:14:19One Rocket Charlie, One Rocket Charlie, do you read me? Over.
00:14:23This is One Rocket Charlie.
00:14:25Carrie, listen, I got you a good client over at the Nuitani Hotel.
00:14:28They'll give you a destination when you're in the air.
00:14:31Well, hello to you, too, Chauncey.
00:14:34Well, hello to you, too, Carrie.
00:14:36Are you happy now?
00:14:38Listen, this guy is a real big spender.
00:14:40You got four hours guaranteed, maybe more.
00:14:43So it's VIP status all the way.
00:14:55All right.
00:15:22There's one guard left.
00:15:25All right.
00:15:56Oh!
00:16:07I cannot lie. I was humping my goat.
00:16:10So the D.A. says,
00:16:12But there's more to the story, isn't there, Farmer Brown?
00:16:14Of course.
00:16:15So Farmer Brown says,
00:16:17After I finished humping my goat, the goat turned around and licked my balls.
00:16:21At which point, the judge turned to Farmer Brown and said,
00:16:24Hey, a good goat will do that.
00:16:27A good...
00:16:29Come on, Gordy, I had everybody rolling with that this morning.
00:16:32You know, you're sad, man. You're really sad.
00:16:34All units in the vicinity of 1421 Valboa respond to a 411 in progress.
00:16:38That's right around the corner.
00:16:40Well, let's jump on it.
00:16:42This is Unit 12-Apple. We're en route.
00:16:51Oh!
00:17:01A prettier pilot than I'm accustomed to.
00:17:07So, do you have a problem with women pilots?
00:17:10When a world of men could not prevail with all their oratory,
00:17:15Yet hath a woman's kindness overruled.
00:17:19Henry IV.
00:17:20Yeah! I'm feeling good hands already.
00:17:24What's our destination today, sir?
00:17:26A high-rise condominium on 4th and Grand Long Beach.
00:17:30Address, please?
00:17:31Why do you need that?
00:17:33I have to call it in, sir. It's a regulation.
00:17:361416 Grand.
00:17:49I'm tired. I'm so tired.
00:17:50Hey, I got another one for you.
00:17:51No, I don't want to hear it.
00:17:52It's about a hitchhiker.
00:17:53Just go.
00:17:55You sure?
00:17:56Yeah, all right.
00:18:07Jimmy, check this out.
00:18:08What do you got?
00:18:09It's open.
00:18:13Oh, shit!
00:18:15Pick the car and go around. Call for back, all right?
00:18:19This way.
00:18:21The chip is right here.
00:18:25Yeah, okay.
00:18:34Yes.
00:18:46Great.
00:18:52We've got company.
00:19:03Who are you?
00:19:04Zarkov!
00:19:06Say it again.
00:19:10Cut yourself.
00:19:16Okay.
00:19:29Officer requesting help. Shots fired.
00:19:46Jimmy!
00:20:02Jimmy!
00:20:04Jimmy!
00:20:16Jimmy!
00:20:18Jimmy, come here!
00:20:20Jimmy, no!
00:20:22Jimmy, come here! Jimmy, no!
00:20:45Wait for us.
00:21:16Mr. Fairfax.
00:21:18I'm so glad you could make it.
00:21:20A pleasure, Mr. Simpson. A pleasure.
00:21:23Would you like to partake in some of my delicacies?
00:21:28Pardonnez-moi, monsieur, the j'ai du...
00:21:32C'est gentil, mon frère, plus que ça.
00:21:35C'est gentil, mon frère, plus que ça.
00:21:38I'm so glad you could make it.
00:21:40A pleasure, Mr. Simpson. A pleasure.
00:21:43C'est gentil, mon frère, plus que ça.
00:21:46Rien.
00:21:48Another time, another place.
00:21:51Perhaps, Mr. Simpson, but for now,
00:21:55business is of the essence.
00:22:00C'est tout ça?
00:22:13I don't say a fucking word
00:22:16without my attorney being present.
00:22:19If you don't,
00:22:21I'm gonna shove your teeth
00:22:24so far down your skinny little throat
00:22:27you'll be shitting molars for a month.
00:22:30You don't have the balls,
00:22:32neither did that pussy partner of yours.
00:22:35Motherfucking weasel.
00:22:38I'm gonna send you straight to hell!
00:22:40Gordel!
00:22:43Gordel, it's not worth it.
00:22:54Gordon!
00:22:58Look, I know how you feel.
00:23:01Jimmy was a hell of a guy.
00:23:03Jimmy was more than a partner to me.
00:23:06He was like a brother.
00:23:08And I'll be damned if I'm gonna let that murderin' little prick get away with it.
00:23:11Stay calm.
00:23:13Do your job.
00:23:21Gordon.
00:23:24I'm sorry about Jimmy.
00:23:26It's a fucking shame.
00:23:28Yeah. Thanks.
00:23:31Listen, you hear anything from Interpol yet?
00:23:33Best we can find somebody with Delta 4 clearance.
00:23:36They're not gonna tell a shit.
00:23:37Delta 4?
00:23:38Yeah.
00:23:39This guy's gotta be a fucking merc.
00:23:41Yep. Probably worked for the CIA at some time.
00:23:43How about the Zytix Corporation? You talk to them yet?
00:23:45Yeah.
00:23:47What they took was a silicon carbide instrument platform.
00:23:52What the fuck is that?
00:23:54I don't know. It's got something to do with satellite guidance or tracking or something like that.
00:23:58Evidently it comes in four interlocking pieces.
00:24:01Look at this thing.
00:24:05They only got one piece.
00:24:07Without these other three pieces, it's useless.
00:24:13Thank you, Jimmy. You can go now.
00:24:20Two of my men died obtaining this.
00:24:22I should charge you a hundred extra grand.
00:24:24What a small price for infinite power, Mr. Simpson.
00:24:30I'm glad you see it my way.
00:24:38Authentic.
00:24:40Perfect.
00:24:42We are halfway home.
00:24:45As, uh...
00:24:47For you, Mr. Simpson.
00:24:50What?
00:24:51You are all the way home.
00:24:55Oh!
00:24:56Oh!
00:24:57Oh!
00:24:58Oh!
00:24:59Oh!
00:25:00Oh!
00:25:01Oh!
00:25:02Oh!
00:25:03Oh!
00:25:04You are all the way home.
00:25:06Oh!
00:25:07Oh!
00:25:08Ah!
00:25:35Welcome, my fräulein.
00:25:42Good night, sweet prince.
00:25:56Let's go. I'm running late.
00:25:58I'm running late.
00:26:04So, how was your meeting?
00:26:06A smashing success.
00:26:08So what's our next destination?
00:26:10Zytex Corporation downtown.
00:26:25Why'd they have to call me in on a Saturday?
00:26:27I'm going on a date with a beautiful blonde.
00:26:29Yeah, right.
00:26:31Dirty Harry.
00:26:35Babylon sister.
00:26:37You're not getting me back.
00:26:40Babylon sister.
00:26:42You're not getting me back.
00:26:45Babylon sister.
00:26:50Dudley Durack of the Mounted Police.
00:26:54What's happening?
00:26:58There it be.
00:27:04The name's officer Dudley, right to you.
00:27:07Don't move or I'll put a bullet up your ass so far you'll be pissing out your nose.
00:27:17Just wait till I get my badge.
00:27:27Morning, Ralph. Mike.
00:27:36Morning, Mr. Pollard. Getting into a little overtime?
00:27:38Nose to the grindstone, Ralph. Where are you going?
00:27:43Sixteen hundred. I'll be in sixteen hundred. Mr. Drake's office?
00:27:46Yeah. I've got to install some new software in the old man's computer.
00:27:55Talk to you later.
00:28:05Yeah, this is right. I'm going on my round.
00:28:08Sure, Dudley. Copy that.
00:28:24Charlie to base. It's one rocket, Charlie. You copy?
00:28:54Do you copy? Is anyone out there?
00:29:00Is there a problem?
00:29:02Must come. Our radio doesn't work. Sorry, but we'll have to land.
00:29:06Out of the question. I'm already late as it is.
00:29:08The building is closed. Just go there. We have permission to land.
00:29:14Wait here for us. We'll call into your dispatch.
00:29:25You can see our in the cable radio network on your radio dial.
00:29:44Been an incredible game of J.R. Williams has been doing a great job. Hasn't he, Paul?
00:29:48Pretty, pretty sharp, Mike.
00:29:50All right, back now. UCLA with the ball. They've come down. Hammer's up.
00:29:56He's up. He's got it. He's in with another basket. One-oh-two. UCLA. Syracuse.
00:30:02Oh, shit.
00:30:04It is just incredible the way he has been hitting it right now. Timeout called.
00:30:08As UCLA now ahead. One-oh-two. Syracuse one hundred.
00:30:16The rope.
00:30:28Au revoir.
00:30:35Mr. Charlie Drake?
00:30:38Hi.
00:30:40Hi.
00:30:43Do you mind if I use the phone?
00:30:45Sure. Just use the one out there.
00:30:50And make it quick. I've got a lot of work to do.
00:30:53Thank you, sir.
00:30:54Oh, and could you close the door on your way out?
00:30:57Sure.
00:31:11Regardez. Anyone who is wearing their badge shows up in their position.
00:31:16Anyone not wearing a badge is supposed to come online with the Sensidor heat laser system.
00:31:25Yeah?
00:31:26Hello, Chauncey?
00:31:27Hey, Carrie. What's up?
00:31:30My goddamn antenna broke off. I don't know how, but it's gone.
00:31:34Shit. Listen, just stay put.
00:31:38First, I will take care of the phones.
00:31:43Hello? Hello?
00:31:44Hello?
00:31:45Hello?
00:31:46Next, we'll lock off the building.
00:31:50No one gets in or out without our permission.
00:32:07Move in! Move in! Now!
00:32:19All right. Come on. Move in. Let's go.
00:32:31Move in! Move in!
00:32:58The message has just arrived.
00:33:12He's got the case, but both men are armed.
00:33:18You know, I don't trust these bastards or any...
00:33:21I want you to cover me in the lab, okay?
00:33:23Yes, Mr. Cranston.
00:33:45This is Mr. Cranston.
00:33:47How do you do, Mr. Cranston?
00:33:49Spencer, the fucking formalities. Where's Fairfax?
00:34:14Yes.
00:34:22Ransom. Good to see you again.
00:34:26Comment allez-vous, Monsieur Salva?
00:34:29Très bien.
00:34:30I'm delighted you decided to accept my proposal.
00:34:34Yeah, well, I thought if I was going to sell my soul to the devil, I might as well go straight to the devil himself.
00:34:40Thanks for the flattery, but I'm nearly a man, and if you prick me, I do bleed.
00:34:48Oh, Jesus. You're still doing that Shakespeare crap. Can we get on with this?
00:34:53You have the other three pieces?
00:34:56Yes, I do.
00:34:57Good.
00:35:13Ah, yes.
00:35:21And now for phase two, the money.
00:35:26The money is the root of all evil.
00:35:31You son of a bitch.
00:35:59Ah, but Mr. Cranston, I can still see you.
00:36:19D'accord, mes potes. He's on the elevator going up.
00:36:23And he just got off on the 20th floor.
00:36:28Jesus! Who are you?
00:36:30I'm the helicopter pilot. What happened?
00:36:33I... I...
00:36:36They're...
00:36:37Go!
00:36:50Okay, I've got to stop. I've got to stop.
00:36:54Okay, what is going on?
00:36:57They're going to kill us for what's in this briefcase.
00:37:02Attention, attention. They are headed for the roof.
00:37:22I can't go anymore.
00:37:25This is bullshit.
00:37:27I'll cover you. You just take this and get out of here. Go on.
00:37:32Go! Go!
00:37:55The end of life cancels all bands.
00:38:05Fuck you.
00:38:07Later, baby.
00:38:12Ciao.
00:38:25Oh, shit. Oh, shit.
00:38:49Oh, shit.
00:39:18Oh, shit.
00:39:31Oh, shit.
00:39:53Oh, shit.
00:40:19Oh, shit.
00:40:42Shit.
00:41:11Oh, shit.
00:41:19Oh, shit.
00:41:30Find that bitch.
00:41:59Oh, shit.
00:42:05Hey, Ralph, I got two dead bodies on monitor seven.
00:42:10Ralph? Ralph?
00:42:14Oh, my God.
00:42:42Super low, mes amis. Your cleanup was pitiful.
00:42:45There are people all over this building.
00:42:47Now hurry up and round up the rest or we will never find that pilot.
00:43:00Here you go. Thanks.
00:43:12Oh!
00:43:21Hey, Billy Ray, be careful.
00:43:25Beep, beep, beep, beep.
00:43:27Beep, beep, beep, beep.
00:43:47Mr. Drake.
00:43:51What the hell happened to you?
00:43:53Some people were trying to kill me.
00:44:12You stay here and I will go get security.
00:44:29We have some activity on the elevator and...
00:44:34Look, it is a friend one rocket Charlie.
00:44:47Come on, get in here quick.
00:44:49Hey, take it easy, babe.
00:44:51Got all afternoon.
00:44:52Shut up.
00:44:54You like the strong silent type?
00:44:56Yeah, I can do that.
00:44:58Look, why don't you and I, we get a little more, you know...
00:45:02Oh, I don't like those zippers.
00:45:06And she has a friend with her.
00:45:09Shut it down.
00:45:16What the hell is going on?
00:45:19I have stopped them on 23.
00:45:25I...
00:45:27Look at me.
00:45:29We're gonna make it out, okay?
00:45:33Come on, snap out of it.
00:45:36I can't breathe.
00:45:49No!
00:45:59Shit.
00:46:09Go check around front.
00:46:10Okay.
00:46:12It's too hot for this BS.
00:46:15Oh, nasty fall.
00:46:18Nice watch.
00:46:19Hey, listen, that's not really my concern right now.
00:46:22Did you get any word on the hitters?
00:46:23Yeah, yeah, they were slick.
00:46:25Foreign, professional.
00:46:27Damn it.
00:46:30You know how to get to the roof?
00:46:31Yeah, yeah, sure, follow me.
00:46:33Let's go.
00:46:36Doesn't look like anybody's been up here.
00:46:38Well, let's check it out.
00:46:39Yeah, well, I'm calling in.
00:46:41Hey, Clancy, Gordon, you get anything on that weasel yet?
00:46:44Jesus Christ, Gordon, where the fuck have you been?
00:46:47We have bad news, man.
00:46:49Somebody got to him.
00:46:51What does that mean, that somebody got to him?
00:46:53I mean, somebody waltzed into the station and iced him.
00:46:56He's been dead for two hours.
00:46:58Shit.
00:47:00Clancy, have you heard from Gordy?
00:47:03My man, if I was you, I'd get my ass down here.
00:47:05Captain's throwing a flying shit fit, and he's looking for you.
00:47:08Hey, what's up?
00:47:11Look at this. Tell him I'm coming right in.
00:47:13All right, pal, you got it.
00:47:15Where'd you find this?
00:47:16Over here, man.
00:47:23Hey, how's it going?
00:47:25Hey, Chauncey, it's Gordy.
00:47:26Hey, Gordy, how the hell are you?
00:47:28Has Carrie called in yet?
00:47:30She called from her phone booth, and she said that she had radio trouble,
00:47:33but then we got disconnected.
00:47:35I don't know. She just disappeared.
00:47:37What do you mean, she just disappeared?
00:47:39Where was her last drop?
00:47:41At the higher agency in Long Beach.
00:47:43I checked, but she's not there.
00:47:45No, listen. I'm up here at the higher agency.
00:47:47I'm up on the roof. There's a stiff down at the pool.
00:47:50Yeah, I got a bad feeling about this.
00:48:09You go to shoot, safety right here.
00:48:12Don't shoot with your finger, just the tip.
00:48:16And action.
00:48:22Not bad, huh?
00:48:24Okay.
00:48:26Remember what I told you.
00:48:43Remember, I'm from Mejia, Texas.
00:48:46Mejia, Texas.
00:48:51But there's other things that you can do good.
00:48:54Oh, is that right, such as?
00:49:42Yeah.
00:49:57Come on, let's go.
00:50:05There's only 11 spots to land a helicopter in Los Angeles.
00:50:08She must be a one of them.
00:50:13Check all the other floors.
00:50:15I want this bitch caught right now.
00:50:18Get easy.
00:50:19Shut up!
00:50:21This man has something he wants to tell you.
00:50:26You want the good-looking blonde in the jumpsuit?
00:50:29Yes.
00:50:31I know where she is.
00:50:33I know where she is.
00:50:35I know where she is.
00:50:37I know where she is.
00:50:39Yes?
00:50:41I know where she is.
00:50:48I tell you, you let me go.
00:50:52Deal?
00:50:54Deal.
00:51:09Deal.
00:51:27Zarkov, Zarkov.
00:51:29You're slipping up, buddy.
00:51:31Freeze! Don't move!
00:51:32Cut it out.
00:51:34You're a one of them, aren't you?
00:51:37Do I look like a killer to you?
00:51:39Huh? Yeah.
00:51:41Yeah, you could be.
00:51:42Give me that.
00:51:44You can't do that.
00:51:46You don't even have any bullets in here.
00:51:49It could go off.
00:51:50My insurance only pays half.
00:51:52I've got some activity next to this stairwell on 23.
00:51:56We need to take care of it.
00:51:57We need a place to hide.
00:51:59Do you have a place to hide?
00:52:02Yeah, yeah, come on.
00:52:08In here, this way.
00:52:13In here.
00:52:17Give me the bullets.
00:52:32Okay, come on.
00:52:34I think it's better if I back you up from here, okay?
00:53:04Huh?
00:53:34Shit.
00:54:04Shit.
00:54:29Time to die, you blonde bitch.
00:54:35Shit.
00:54:41I did it.
00:54:43I did it.
00:54:45Liedermeyer?
00:54:48Liedermeyer?
00:54:50Liedermeyer?
00:54:53I think we've lost Liedermeyer.
00:54:57There it is. That's our chopper.
00:55:05You circle around and head back.
00:55:25Oh, my God.
00:55:27They've got hostages.
00:55:29We've got to do something.
00:55:31We've got to do something.
00:55:33We can't just leave them there.
00:55:34Yeah, I know, but what...
00:55:36Oh, damn!
00:55:38What?
00:55:39They've got the emergency containment system on.
00:55:41Every exit's locked up tight.
00:55:42I'm going to go look for a way out.
00:55:44I can't just stay here.
00:55:46All right. Hey, be careful out there, huh?
00:55:49You too.
00:55:50Clever.
00:56:02Oh, God.
00:56:08I have an intruder alert on the top floor in the stairwell.
00:56:13It couldn't be her.
00:56:16It's locked.
00:56:31It's the police.
00:56:40Mommy?
00:56:42Mommy, where are you?
00:56:46Mom?
00:56:48Mom, where are you?
00:56:50Mom?
00:56:52Are you okay?
00:56:54I'm scared. I want my mommy.
00:56:56Your mommy's going to be fine.
00:57:00Come on. Come on.
00:57:03Come on.
00:57:13Here, here.
00:57:14Shh.
00:57:18Okay.
00:57:19Shh.
00:57:29Okay, they're not here.
00:57:31Let's go.
00:57:37Yeah, all right.
00:57:45What's your name?
00:57:47Billy Ray Johnson.
00:57:49Well, Billy Ray, I'm going to go find your mommy,
00:57:52and I want you to stay right here, okay?
00:57:54No, don't leave me. I don't want to be here alone.
00:58:01Okay.
00:58:32No.
00:58:51Talk me up to the PA system.
00:59:02I don't have time for petty games.
00:59:06Every five minutes, I will kill a hostage until you return the case to me.
00:59:13And, by the way, I have enough for about one hour.
00:59:20Look, I'm going to find a safer floor for you to hide on, okay?
00:59:24Okay.
00:59:31Shh.
00:59:52Shh.
01:00:01Shh.
01:00:32Shh.
01:00:42Hello?
01:00:43I have the case.
01:00:45Do you want it?
01:00:47Yes.
01:00:50Is this one rugged Charlie?
01:00:53Yes, and I'll make you a deal.
01:00:55You release the hostages, and I'll tell you where I've hidden the case.
01:00:59How do we know you won't lie?
01:01:02I'll tell you what.
01:01:04I'll turn myself in, and that way you'll still have a hostage.
01:01:10Agreed.
01:01:13So, where are you?
01:01:16I'm where it's hot.
01:01:25Oh, Mel.
01:01:29We have got a fire on 7th.
01:01:32Fairfax, you have an appointment with a pilot on the 7th floor.
01:01:43Damn it!
01:01:46Aki, put out the fire in the west hall of the 7th.
01:01:54Mel, now we have visitors.
01:01:59Okay.
01:02:10If it isn't one rugged Charlie.
01:02:24Okay, I'm out of here.
01:02:27A deal's a deal, right?
01:02:29You little prick.
01:02:32You see, that's what's wrong with this society.
01:02:35Women like that. Can you believe this shit?
01:02:39Technically, sir, you did not deliver.
01:02:43I found the woman.
01:02:45Wait, stop.
01:02:47I siphoned off hundreds of thousands of dollars.
01:02:51And I can cut you in on it.
01:02:54And now he wants to make me his partner.
01:02:59Or better yet, it's yours.
01:03:09A plague upon it when thieves cannot be true to one another.
01:03:19No!
01:03:25No!
01:03:31Now to you, Mrs. Wink.
01:03:33If you harbor any hope of staying alive, you tell me where the case is.
01:03:39Let the hostages go, and I'll tell you...
01:03:42You're hardly in the position to bargain, Mrs. Wink.
01:03:47This is a very big building.
01:03:49You could be looking for that briefcase for months.
01:03:55Natasha, would you be so kind and kill one of Mrs. Wink's precious hostages, please?
01:04:02No! Wait!
01:04:13Shall we go for another?
01:04:15No. I'll take you.
01:04:25No!
01:04:30Move around!
01:04:40Ah, putain la con!
01:04:44The whole fire department has shown up.
01:04:48Natasha, roll out the red carpet.
01:04:55I swear it was here.
01:04:59Bullshit.
01:05:00Come on, man. Let's just off this bitch.
01:05:02I don't have time for fucking games, baby.
01:05:06I swear it was here. Maybe it's on a different floor.
01:05:11You take her in there. She's yours to play with. And you come with me, sir, okay?
01:05:17Yeah, my pleasure. You and I is gonna go play a little bit.
01:05:24Come on.
01:05:54Come on.
01:06:05Come on!
01:06:24Come on!
01:06:55Oh, my God! There's somebody over here!
01:06:58Holy shit.
01:07:00This is Captain Woods here. Got a Code 3 situation.
01:07:04Give me SWAT, paramedics, and a crowd control unit. Now.
01:07:11This is not good.
01:07:13Wait, wait, wait, wait, wait. Not good at all.
01:07:17Maybe we should abort Fairfax.
01:07:20Nobody gets out of the building until I have what we came for.
01:07:27Hello, my friend.
01:07:42Wayne DeLusky. I designed the Simmons 588.
01:07:47The computer operating system that runs the building? I built it.
01:07:52All right, Wayne. The hell do we get in there?
01:07:57May I?
01:08:06Oh, dear. That's not good.
01:08:08What?
01:08:09I designed this high-rise to withstand civilian riots, paramilitary attacks, things like that.
01:08:15The developers? South Africans.
01:08:19We were pretty happy with it when it was finished, but then that's why they pay me the big money.
01:08:23All right, big money. How the hell do we get in there?
01:08:28Well, basically, you're fucked.
01:08:32God was very good to you, wasn't he?
01:08:35Too bad you missed out.
01:08:39You know...
01:08:42I usually prefer to buy ladies a drink first.
01:08:48But excuse me if I just don't have the time.
01:08:53That doesn't sound so bad to me.
01:09:02Inside the building. It's the Los Angeles Police Department.
01:09:07Open the lobby doors or we'll make a fourth entry.
01:09:11I repeat, open the lobby doors.
01:09:17We are the People's Democratic Liberation Party.
01:09:26We have 17 hostages and we will kill them all if provoked.
01:09:31We stand for honesty, democracy and the American way of life.
01:09:36The government is evil and we are willing to die for our cause.
01:09:43There is a four-wire shut-off switch to the main computer.
01:09:47If you can get to the four wires and cut them, fuse a digital transponder to the lines,
01:09:51then I can override the computer's centricon and open the building from out here.
01:09:57Theoretically.
01:10:06Let's go.
01:10:25That's Johnny Hill.
01:10:27Let that serve as an example.
01:10:31If you attempt to rescue or display any form of aggression against us,
01:10:38we will throw another hostage to his death.
01:10:43The people's liberation will not be intimidated by bureaucratic arm-twisting.
01:10:50So what I want to say, Captain, is don't fuck with me!
01:11:00Let's go.
01:11:31Let's go.
01:11:51Shit!
01:12:01Oh, shit!
01:12:03Back up! Move!
01:12:05Go, go, go!
01:12:31Shit!
01:12:43We can't stop! Let's go!
01:12:57My leg!
01:13:01Oh, shit!
01:13:04Short guy, eh?
01:13:11Please, please!
01:13:21Au revoir.
01:13:23Au revoir.
01:13:34Ah, good.
01:13:36It's Interpol again. South Africa, Reese Commandant.
01:13:39South African?
01:13:41What an irony.
01:13:43IQ 175, Oxford graduate.
01:13:46Ex-SAS lead covert death squads in Angola, Bosnia and Namibia.
01:13:52What the hell would that son of a bitch want here?
01:13:55Why'd they have to pick my building?
01:14:05I'm telling you, man, I didn't see no silver case.
01:14:08So why the fuck you don't look again?
01:14:10All right, all right, man.
01:14:14You didn't see no black case.
01:14:17Let's see.
01:14:22Whoa!
01:14:24What's that, man?
01:14:26Hey, man, were you from Eastside, man?
01:14:28Not really.
01:14:30Where from, man?
01:14:32From hell.
01:14:47Go around.
01:15:18Ah!
01:15:28This is my top, you potent!
01:15:47Zarkov, the cop is in the basement. Take care of him.
01:16:17Fuck.
01:16:47Fuck.
01:17:17Fuck.
01:17:48Ah!
01:18:11Gordy.
01:18:13Oh, honey. Are you okay?
01:18:15I was looking for you.
01:18:18I was looking for you.
01:18:22Listen, I gotta go check on the hostages.
01:18:25Hostages?
01:18:27Yeah, hostages.
01:18:30Hey.
01:18:32I love you.
01:18:38What are you doing here?
01:18:40I thought we were going to meet up on the roof.
01:18:42The plan has changed.
01:18:44I know.
01:18:46Fucking bitches fucked up everything.
01:18:49Actually,
01:18:51she has made things much simpler.
01:18:58I lost Purshaka.
01:19:00I knew you well.
01:19:03Parting is such sweet sorrow.
01:19:13Drop it.
01:19:15Fuck you.
01:19:19Does anyone know how to disable the computer system?
01:19:23I do.
01:19:25I can help, too.
01:19:27Come with me.
01:19:35Oh, my God.
01:19:37Don't worry. He's one of them.
01:19:40Don't worry. He's one of them.
01:19:53All right.
01:20:02Oh, my God.
01:20:04There's a kid loose in the building.
01:20:07I'll go get him.
01:20:08Wait. Come back.
01:20:10He's crazy.
01:20:34Try system five.
01:20:38Come on. Come on.
01:20:47Are you having fun?
01:20:56We did it.
01:20:58We did it.
01:21:00We did it.
01:21:02We did it.
01:21:06They're opening up.
01:21:13Come on. Come on.
01:21:15Hurry.
01:21:17Get out of here.
01:21:19Get out of here.
01:21:21Get out of here.
01:21:23Let's go.
01:21:25Get that 71, man.
01:21:33They're headed to the roof.
01:21:50I don't want to go.
01:21:52Shut up.
01:21:54I want my mommy.
01:22:02I want my mommy.
01:22:23Wink.
01:22:25So very nice you could join us.
01:22:29We're ready for departure now.
01:22:31Please.
01:22:33Get in.
01:22:44Get in the chopper. Now.
01:22:46Naughty, let the boy go.
01:22:49Let her go.
01:22:50Gordy, wait.
01:22:52We can all live through this.
01:22:54I have a very nervous trigger finger and very little patience.
01:22:58Look.
01:22:59I'll make a deal with you.
01:23:01You let the boy go over to Gordy,
01:23:04and I'll take you anywhere you want to go.
01:23:06I don't even like children.
01:23:08I'd rather play with you.
01:23:12Go to Gordy.
01:23:14Come here.
01:23:17There was never a story of more woe
01:23:20than this
01:23:22of Juliet
01:23:24and her Romeo.
01:23:26Gordy!
01:23:28No!
01:23:57Please.
01:23:59Keep them back.
01:24:01Keep them back.
01:24:03No, no, please.
01:24:05There is no...
01:24:10This is Judy Lang, KDCC News.
01:24:13I'm standing here live in front of the Zytex building
01:24:16where just a short hour ago hostages were released
01:24:18in what appears to be a terrorist takeover.
01:24:21We are still waiting for details on casualties.
01:24:25Are you okay?
01:24:31Oh, just sit here.
01:24:33There you go.
01:24:35All right, got it.
01:24:39See?
01:24:41I told you everything would be okay, didn't I?
01:24:44Uh-huh.
01:24:46See? Give me a kiss.
01:24:51Look who I see.
01:24:53Look who I see.
01:24:55Got a surprise for you.
01:24:57Look at that.
01:24:59Look who's in there.
01:25:01Your mom is waiting.
01:25:03Let's go in.
01:25:07Hey, Gordy.
01:25:09You're lucky your wife was there to take care of you.
01:25:11Oh, well, thank you, Captain.
01:25:13And he thinks I can't have a baby.
01:25:16I give. I give.
01:25:18Hey, hey. Okay, okay. Enough of this.
01:25:20Now, both of you get inside. Now, come on.
01:25:23One of you guys give me a hand here.
01:25:25Just, uh...
01:25:29Here we go.
01:25:33All right, they're in.
01:25:41All right, folks, show's over.
01:25:43Get them out of here.
01:25:45Move them back. Let's go.
01:25:47Come on.
01:25:50Come on.