- 5/24/2025
يجتمع الفن والحب والسحر الأسود معًا في هذه الحكاية القوطية التي تحكي عن رجل غريب الأطوار يستدعي روحًا انتقامية لتحقيق رغباته وجعله فنانًا عظيمًا.
Category
🎥
Short filmTranscript
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00:01:36Hello?
00:01:40Hey, um, I'm sorry. How can I help you?
00:01:44I have an appointment with Vivian.
00:01:48Of course.
00:01:52Yeah, she's expecting you. Follow me right this way.
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00:02:08Make sure she files her last report.
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00:02:20What are you doing here? Have you considered dinner with me yet?
00:02:24I just... Come on!
00:02:28How about lunch instead?
00:02:32Give me the same answers every time. And I'll keep giving you the same answers.
00:02:36Every time.
00:02:44♪
00:02:48Welcome to Stock Gallery.
00:02:52Hello. My name is Paul. It's nice to meet you.
00:02:56Eve. Eve.
00:03:00Is this your gallery?
00:03:04No. Vivian Stock owns this place.
00:03:08Is there anything in particular I could help you with?
00:03:12I'd like you to show my client's work to Ms. Stock, Eve.
00:03:16Sir, I'm sorry. It's just we don't normally take artist portfolios.
00:03:20Good.
00:03:24Nothing remarkable happens when one acts normally.
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00:04:04Hey, Vivian?
00:04:08Do you think that if I had stayed young and pretty,
00:04:12that he would have stayed?
00:04:20You are pretty.
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00:04:36Good answer.
00:04:40So, uh, what is it that you wanted
00:04:44when you came in? It's this artist. He's incredible.
00:04:48You have to take a look at this. And he wants to show here.
00:04:52Artists, uh, the company you want to show,
00:04:56the talented ones are nowhere to be found.
00:05:00Like men. All the good ones are taken.
00:05:04Men are like artists.
00:05:08They come and they go.
00:05:12Now, take the day off or I'm gonna have to fire you.
00:05:16But you should look at this. I'm serious.
00:05:20No, no, no.
00:05:24I'd much rather breathe alone.
00:05:28Okay!
00:05:32Okay! Let me look at this awesome artist.
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00:07:40Eve!
00:07:44What's this?
00:07:48What about it?
00:07:52Well, it says here our company is requesting a private room for our artist.
00:07:56The private room?
00:08:00Uh, yeah. Vivian already told me about that. We have it all taken care of.
00:08:04Oh, I'm sure you do, but he's saying he only wants the basement.
00:08:08He's also saying he wants the center and that all of his assistants have to be blind.
00:08:12Blind?
00:08:16Your artist. I'll take care of that. Yes, you will. Thank you.
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00:09:32Stay with us.
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00:09:44Suave.
00:09:48Well... Paul?
00:09:52Would you go check on Sammy and Eve's handiwork for me?
00:09:56Please. Please?
00:10:00Sabian, his art has been prepared.
00:10:04Pretty name. I didn't even know the artist's name.
00:10:08Sabian is very private.
00:10:12I shall check on the exhibit, if you'll excuse me.
00:10:16Ooh.
00:10:20Well...
00:10:24Takes all kinds.
00:10:28So?
00:10:32What do you think?
00:10:36Think it's gonna be a success?
00:10:40I don't know.
00:10:44It's visceral.
00:10:48Romantic. Sad.
00:10:52A bit of... Dark. Passion.
00:10:56Passion?
00:11:00Yeah. Messy. Wet.
00:11:04Sexual kind.
00:11:08Believe me, baby. Sex sells.
00:11:12♪
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00:11:40You look amazing.
00:11:44Thank you. You look great, too.
00:11:48So, uh, where's this, uh, artist?
00:11:52I don't know. I haven't met him yet.
00:11:56Sabian Means? Yeah. Okay. He sounds like an Armenian, rather.
00:12:00Anyway, I'll catch up with you later. I'm gonna go look around a little bit.
00:12:04It's good to see you. Oh, and, uh, remember...
00:12:08Dinner.
00:12:12Ooh, what's
00:12:16that cork he's got?
00:12:20Half his artwork
00:12:24has sold out.
00:12:28Hey, I wonder if he's gonna...
00:12:32May I have everyone's attention, please?
00:12:36I would like to introduce all of you.
00:12:40Mr. Sabian Means!
00:12:44♪
00:12:48♪
00:12:52I am being drawn to you.
00:12:56I can feel your love
00:13:00in your heart.
00:13:04Sabian, may I make a formal introduction?
00:13:08I am Sabian.
00:13:12Eve. I'm Eve.
00:13:16So, what do you think of the paintings?
00:13:20They're great. You're incredible.
00:13:24What does this one say to you?
00:13:28I was thinking
00:13:32it reminded me of a feeling.
00:13:36You have all this chaos
00:13:40surrounding this man, and it seems like he's being suffocated by it.
00:13:44Maybe he's not escaping.
00:13:48Maybe he's breaking free.
00:13:52Not from the chaos.
00:13:56Chaos?
00:14:00The world?
00:14:04What's the difference?
00:14:08It reminds me of this song.
00:14:12There's a grace in letting go.
00:14:16But not being too much of this world.
00:14:20It's been being poetic.
00:14:24What about this one?
00:14:28She walks in beauty
00:14:32like the night of cloudless climes and starry skies.
00:14:36The best of dark and bright
00:14:40in the aspect and in her eyes.
00:14:44Lord Byron.
00:14:48Yes. Pure unconditional love.
00:14:52I dream only of her.
00:14:56This painting
00:15:00is about the self-destruction of yourself.
00:15:04The self inside
00:15:08that is fear.
00:15:12You're born with love,
00:15:16but you learn fear.
00:15:26To learn and destroy fear
00:15:30as if...
00:15:34I'm sorry.
00:15:38There's some questions I need to get back to with the reporters.
00:15:54Excuse me, Paul?
00:15:58Yes? I'm a little bit confused.
00:16:02Yes. And can you excuse my being honest?
00:16:06I welcome it.
00:16:10You and Sabian seem...unique.
00:16:14How long have you worked for him?
00:16:18You think we're odd?
00:16:22No, that's not what I meant. What I meant to say was...
00:16:26I don't know. Never mind. I'm sorry.
00:16:30We are odd, to be precise.
00:16:34At odds with the world.
00:16:38What do you mean?
00:16:42The world hides
00:16:46behind the faces of perfection,
00:16:50happiness,
00:16:54and fake smiles.
00:16:58Eve!
00:17:02Eve!
00:17:06Eve!
00:17:10Eve! Guess what?
00:17:14The entire collection has officially been sold out!
00:17:18Wow.
00:17:22Wow.
00:17:26Now, now, as soon as all the payments have gotten in,
00:17:30I need you to get together with Paul and figure out how much we owe Paul,
00:17:34how much we owe Sabian, okay? Okay.
00:17:38And I want you to do it tonight. Tonight? Yeah, tonight.
00:17:42I know. It's rather unusual.
00:17:46But it's how Sabian prefers to deal with his art being sold.
00:17:50He loathes protracted dealings in money.
00:17:54Where his art is concerned.
00:18:14Eve.
00:18:18Can I ask a favor of you?
00:18:22Sure.
00:18:26Could you give me a ride home?
00:18:30What about Paul?
00:18:34Oh, he's having fun.
00:18:38I'm sure he could use a break from my moody solitude.
00:18:46I don't know. I still have to consolidate
00:18:50the rest of the payments for all that.
00:18:54Eve, save me from these people.
00:19:02Okay.
00:19:06Let me just tell Fabian.
00:19:14My car's parked on the street.
00:19:20So, uh, not much of a social person?
00:19:24I find people boring.
00:19:32So where's Paul?
00:19:36Off doing your bidding, Sabian? I'm calling security.
00:19:40It's okay, Eve. No, it's not okay, Eve.
00:19:50All right.
00:19:54You've had too much to drink tonight.
00:19:58I'll just go.
00:20:06Who was that?
00:20:10Just an art critic.
00:20:20Beautiful place.
00:20:28You can come in, Eve.
00:20:50It was one of the first houses
00:20:54built long ago, back when orange trees lined the streets
00:20:58and Los Angeles had this trolley system
00:21:02that the rest of the world envied.
00:21:06It survived fires and earthquakes and riots,
00:21:10all types of social upheavals, and...
00:21:14well, now it welcomes you.
00:21:20Do you play?
00:21:24Oh, no, I, um...
00:21:28Well, you play for me.
00:21:36Indulge me.
00:21:50Okay.
00:22:14They say that music
00:22:18like many forms of art
00:22:22is the universal language of the soul.
00:22:26I've heard that before,
00:22:30but I never really
00:22:34finished music school.
00:22:38Most of my patrons never truly grasp
00:22:42the meaning of what I do.
00:22:46I'm drawn to the suggestion of the forbidden.
00:22:52Like a garden with forbidden fruit.
00:22:58You know, when I was young,
00:23:02a starving artist
00:23:06struggling to make ends meet,
00:23:10I met a woman who set me straight.
00:23:16She said...
00:23:20the creation of true physical expression
00:23:26is violent, destructive.
00:23:32It penetrates you.
00:23:36None of the things most people
00:23:40could ever embrace, but if the end result compliments
00:23:44themselves, uh...
00:23:48so be it.
00:23:54So all the art, it's sold.
00:24:14Do you ever feel like the art that you do
00:24:18takes a little something out of you each time?
00:24:24You know, Ede, I invited you here for a reason.
00:24:30Yes?
00:24:34You know, Ede,
00:24:38I invited you here for a reason.
00:24:42You heard my thoughts,
00:24:46didn't you?
00:24:50In the gallery.
00:25:00No, no.
00:25:04No, I didn't.
00:25:08There was a lot of people there, and we both had been drinking,
00:25:12and there was wine.
00:25:20I suppose that's what it was.
00:25:28That was really a lovely showing tonight,
00:25:32but, um, it's getting late.
00:25:36I really should be going home.
00:25:40Um, thank you for playing with me.
00:26:06Bye-bye.
00:26:18The catacombs.
00:26:36The catacombs.
00:27:06The catacombs.
00:27:10The catacombs.
00:27:14I did not call upon you for an unpainted death.
00:27:43Something is troubling you.
00:27:47His name Blake.
00:27:49I saw him again.
00:27:53How could, how could I have done this to you, Blake?
00:27:57Shhhh.
00:28:00Another one of Douglas' men.
00:28:03He was there.
00:28:05Outside the gallery.
00:28:07He heeded my warnings.
00:28:09But I'm sure it won't be the last we see of him.
00:28:14They are made in sex to us.
00:28:17The show is starting to get more attention from the public.
00:28:21It could prove to be a problem in the future.
00:28:26And we will stop him.
00:28:29Together.
00:28:33Prepare the ritual.
00:28:43No.
00:28:51No.
00:28:54No.
00:29:13No.
00:29:43Phone ringing.
00:29:57Yeah.
00:30:01What the hell are you talking about, Douglas?
00:30:04I just got home.
00:30:07Shut up.
00:30:10Hold up.
00:30:13Ah.
00:30:16Ah.
00:30:18Ah.
00:30:44Ah.
00:30:47Ah.
00:30:49Ah.
00:30:52Ah.
00:30:54Ah.
00:31:10Damn mask.
00:31:13A jewel to Donna.
00:31:19As long as we are together.
00:31:24There is nothing that can stop us.
00:31:27There is nothing that can stop us.
00:31:31There is nothing that can stop us.
00:31:38We're not open until like another hour.
00:31:49Excuse me, sir.
00:31:51We're still setting up.
00:31:55My name is Douglas Greenwood.
00:31:59Wish I could say it was a pleasure.
00:32:02What can I help you with?
00:32:05Phone ringing.
00:32:08Phone ringing.
00:32:11Phone ringing.
00:32:14Stock Gallery, Eve speaking.
00:32:19Yes.
00:32:20We've consolidated all the resources.
00:32:22Yes.
00:32:23We've consolidated all the payments.
00:32:26You can pick it up in the next week.
00:32:31I'll have her call you.
00:32:36I'm sorry, Mr. Greenwood, that was a client.
00:32:40All the paintings sold?
00:32:43All but one.
00:32:44Um, that's part of Sabian's collection.
00:32:46It was a very successful show.
00:32:49What did you want to ask me?
00:32:52In the request for the private room, as he's always done.
00:32:57Do you know him?
00:32:58We have a history together, yes.
00:33:03I'm not obligated to give out that information.
00:33:07I'm here to give you a brave warning to stay away from that place.
00:33:12It's dangerous.
00:33:14I pray Sabian doesn't drag you into his hell.
00:33:19Take my phone number down.
00:33:21310-555-1246.
00:33:29Now use your back exit.
00:33:33Please.
00:33:49I'm certainly strange to you, I know.
00:33:54But I'm not the strangest person you've met recently.
00:33:58I mean, we both know that.
00:34:05It would be best if we kept this meeting between us.
00:34:09It would be best if we kept this meeting between us.
00:34:39Eve, where are you?
00:34:41I'm out here.
00:34:48I saw a man walking through the gallery.
00:34:51Who is it?
00:34:53I don't know.
00:34:56His name is Douglas Greenwood.
00:34:58Does that ring a bell?
00:35:00Douglas Greenwood.
00:35:03No, no, he doesn't sound like any client of ours.
00:35:10Hey, guess what?
00:35:13We're doing another show with Sabian.
00:35:16I heard.
00:35:17Come on, smile. Let's go plan.
00:35:28You sound distressed. Is everything okay?
00:35:32Let me assure you, things will work out.
00:35:39Vivian's bank is not cooperating with her.
00:35:45Can something be done?
00:35:54I'll take care of it.
00:36:01Now I'm here, I'm alive.
00:36:05Man, I'm tied back, I can't get no more time.
00:36:09Fall down by the seaside, I know the time.
00:36:12Ride the night, I'll take you where there's a fucking world.
00:36:16Let's break that old school code.
00:36:20Bless us, I'll fuck your head tonight.
00:36:24We should have seen the look on this fucker's face.
00:36:27And then he says, but that was our life savings.
00:36:32And I gave him that thousand yard stare.
00:36:35I fucking earned that bonus.
00:36:53I want you to tell me a story, old man.
00:36:59What kind of drugs are you on?
00:37:02Power, power to love, that can create.
00:37:08How wonderful, isn't it?
00:37:13To love is the greatest cause of pain.
00:37:24To love is the greatest cause of pain.
00:37:37It has been weakened, it can only be broken.
00:37:43You are beginning to form a bond with another.
00:37:48No.
00:37:52No, no, that's not true.
00:37:55You do not wish to break our bond.
00:38:03So, I want you to work closely with Sabian.
00:38:06He's already preparing his next collection and he needs your help.
00:38:11We are going to transform this place.
00:38:14Vivian, wasn't there something wrong with the bank?
00:38:18Didn't I tell you? It was the damnedest thing.
00:38:22The banker that hated me, he got attacked in an alley.
00:38:27And apparently he's in a coma.
00:38:30What?
00:38:32And the banker that replaced him temporarily, I'm going out with him next weekend.
00:38:40We are going to do another show in my gallery.
00:38:46My gallery!
00:38:49THE BANKER
00:39:05Eve!
00:39:09Up here!
00:39:17Eve.
00:39:19Eve.
00:39:29Will this one go in the new show?
00:39:33Yeah, it's a series.
00:39:38You know, Eve, I invited you here for a reason.
00:39:43Yeah?
00:39:45Would you play for me again?
00:39:50Play what?
00:39:52Anything.
00:39:59I would like to absorb one art while creating another.
00:40:14THE BANKER
00:40:44THE BANKER
00:41:14THE BANKER
00:41:44THE BANKER
00:42:14THE BANKER
00:42:45This is what we created.
00:42:49You drew that, not me.
00:42:56Art is about cosmic energy.
00:42:59Today we shared that.
00:43:03We exchanged that energy, Eve.
00:43:06And this is what we created.
00:43:15Eve, I'm sorry, I'm not feeling so well.
00:43:19Pain takes a lot out of me.
00:43:23Would you mind letting yourself out?
00:43:45THE BANKER
00:43:59Sabian?
00:44:08Sabian!
00:44:11Are you okay?
00:44:12Are you okay?
00:44:13Hey, Sabian, get up.
00:44:16Are you okay?
00:44:17What happened?
00:44:21I'm okay.
00:44:23Pain, Eve, it takes a lot out of me.
00:44:26Should I call a doctor?
00:44:27No, no doctors, no doctors.
00:44:30No doctors.
00:44:32It hasn't happened in a long time.
00:44:35I'm sorry.
00:44:38I'm sorry.
00:44:42I'm sorry.
00:44:50You're a mess, you're a mess.
00:44:57Look who's talking.
00:45:02You're freezing.
00:45:13I haven't...
00:45:15I haven't felt so much touch in such a long time.
00:45:42THE BANKER
00:46:12THE BANKER
00:46:42THE BANKER
00:47:12THE BANKER
00:47:43THE BANKER
00:47:47THE BANKER
00:48:10What the fuck, Eve?
00:48:16What the fuck?
00:48:18What the fuck?
00:48:20What the fuck?
00:48:22What the fuck?
00:48:24What the fuck?
00:48:26What the fuck?
00:48:28What the fuck?
00:48:30What the fuck?
00:48:32What the fuck?
00:48:34What the fuck?
00:48:36What the fuck?
00:48:38What the fuck?
00:48:40What the fuck?
00:48:42What the fuck?
00:48:44What the fuck?
00:48:46What the fuck?
00:49:17What the fuck?
00:49:19What the fuck?
00:49:21What the fuck?
00:49:23What the fuck?
00:49:25What the fuck?
00:49:27What the fuck?
00:49:29What the fuck?
00:49:31What the fuck?
00:49:33What the fuck?
00:49:35What the fuck?
00:49:37What the fuck?
00:49:39What the fuck?
00:49:41What the fuck?
00:49:43What the fuck?
00:49:44What the fuck?
00:49:46What the fuck?
00:49:48What the fuck?
00:49:50What the fuck?
00:49:52What the fuck?
00:49:54What the fuck?
00:49:56What the fuck?
00:49:58What the fuck?
00:50:00What the fuck?
00:50:02What the fuck?
00:50:04What the fuck?
00:50:06What the fuck?
00:50:08What the fuck?
00:50:10What the fuck?
00:50:12What the fuck?
00:50:14What the fuck?
00:50:16What the fuck?
00:50:18What the fuck?
00:50:20What the fuck?
00:50:22What the fuck?
00:50:24What the fuck?
00:50:26What the fuck?
00:50:28What the fuck?
00:50:30What the fuck?
00:50:32What the fuck?
00:50:34What the fuck?
00:50:36What the fuck?
00:50:38What the fuck?
00:50:40What the fuck?
00:50:42What the fuck?
00:50:44What the fuck?
00:50:46What the fuck?
00:50:48What the fuck?
00:50:50What the fuck?
00:50:52What the fuck?
00:50:54What the fuck?
00:50:56What the fuck?
00:50:58What the fuck?
00:51:00What the fuck?
00:51:02What the fuck?
00:51:04What the fuck?
00:51:06What the fuck?
00:51:08What the fuck?
00:51:10What the fuck?
00:51:12What the fuck?
00:51:14What the fuck?
00:51:16What the fuck?
00:51:18What the fuck?
00:51:20What the fuck?
00:51:22What the fuck?
00:51:24What the fuck?
00:51:26What the fuck?
00:51:28What the fuck?
00:51:30What the fuck?
00:51:32What the fuck?
00:51:34What the fuck?
00:51:36What the fuck?
00:51:38What the fuck?
00:51:40What the fuck?
00:51:42What the fuck?
00:51:44What the fuck?
00:51:48What the fuck?
00:51:51Tread cautiously
00:51:53As you tread on my dreams
00:51:59Maybe stuff can take me freer
00:52:05Maybe stuff
00:52:07But your connection with her is what is slowly, slowly destroying us, it is what has caused
00:52:19our powers to weaken, your lust has weakened our bond.
00:52:26What am I supposed to do for being human?
00:52:33Kill her, kill her, kill her.
00:52:39She's done nothing.
00:52:42Her very existence is what's slowly destroying us.
00:52:48You feel it too, I know it.
00:52:52You've seen the disease.
00:52:55Disobey me, anger me, betray me, and I can cause you to be very ill.
00:53:09I just, I understand.
00:53:12Come back, you have another show to prepare for.
00:53:25There are ways to restore balance temporarily, until you take care of our little problem.
00:55:12Thank you so much for seeing me.
00:55:22Not at all, it's my pleasure.
00:55:32Some things have been strange, to say the least.
00:55:41First the critic died, and then the banker that we've been working with.
00:55:48Well, he's in the hospital now.
00:55:51And then, um, and then last night, I...
00:55:55You know, these things that you say don't make you crazy.
00:56:00They're demonic spirits that Sabian channels through magic rituals and dirty possessions.
00:56:09He thinks he can control, manipulate.
00:56:12He's a fool, playing a dangerous game.
00:56:17Spirits that move through him, and at times resides in his body.
00:56:24Or Azula Mahala.
00:56:28And he's drawn to one in particular, called Azula Freda.
00:56:34Freda, like the painting.
00:56:38Yes, through Freda, there are rituals that can bring forth great success, power, and wealth.
00:56:46They can also be called upon to deal with enemies, cause harm, and even death.
00:56:54Yes, and I'm afraid they're not partially responsible.
00:56:59I introduced Sabian to these practices years ago, for reasons I will not divulge.
00:57:07So you're saying these spirits were invoked by Sabian?
00:57:12He wanted this to happen?
00:57:15He is a horse, Eve.
00:57:18What do you mean by a horse?
00:57:21In ancient India, a horse indicates a devotee controlled by a spirit.
00:57:28In the rituals, the goal as an object is possession.
00:57:34Whereas the spirit mounts the devotee like a rider on a horse.
00:57:44You expect me to believe all this?
00:57:47Of course not.
00:57:50You're rational.
00:57:52You believe in order and clear, hard reality.
00:57:56You sound like him.
00:57:59Like Sabian.
00:58:01This is true, yes.
00:58:06Okay.
00:58:08So say there is some reality in what you're saying.
00:58:14That would mean that Sabian's into some very evil practices.
00:58:19He's a good man at heart.
00:58:21He just wanted to be a great artist.
00:58:24And live through his art to do so.
00:58:27The spirit that works through him made somewhat of a Faustian deal.
00:58:32He lives all right.
00:58:35And he's achieved great success.
00:58:38But not without offerings.
00:58:40Constant service.
00:58:42And not without permitting himself to be consumed, which is inevitable.
00:58:48And not without, at times, having to do some really evil deeds.
00:58:56So in that sense, Sabian is a good man who is a conduit on the veil.
00:59:17He's a good man.
00:59:43Is she real?
00:59:45Very much so.
00:59:47And they've developed the most dangerous of bonds.
00:59:50One that is built from the purest of love.
00:59:54Love?
00:59:56Wait.
00:59:57Yes, love is the greatest thing on earth.
01:00:00But like all things in life, it must be balanced.
01:00:03So tell me, Eve.
01:00:05What is the opposite of love?
01:00:08Chaos.
01:00:10Pain.
01:00:12Death.
01:00:14Suffering.
01:00:16So what are you saying?
01:00:18In order for this bond in Freyja to flourish, sacrifices have to be made.
01:00:25Great pain and suffering follow them everywhere.
01:00:29But instead of experiencing it, they direct it on others.
01:00:33The paintings.
01:00:44All voodoo needs an object.
01:00:46Some sort of material where the spells and curses can be directed towards.
01:00:51You've seen voodoo dolls, haven't you?
01:00:53Yeah.
01:00:55Well, in Sabian and Freyja's world, it's the paintings.
01:00:58It's where they derive their energies.
01:01:01They put curses on the paintings, therefore causing pain and suffering to be had.
01:01:06They sell the paintings.
01:01:09Like ebony shroom into the wind.
01:01:12What can I do to stop it?
01:01:14Can we destroy the paintings?
01:01:17The only thing that will stop them is to separate them.
01:01:20Good.
01:01:21Put a hole through it as a savings model for her.
01:01:24Weaken that bond, and you'll slowly destroy her.
01:01:29But how?
01:01:31Seduce her.
01:01:33What?
01:01:35You're a remarkable young woman.
01:01:39You're driven towards chaos.
01:01:44This will be profoundly alluring to someone like Sabian.
01:01:48Perhaps you should let him seduce you.
01:02:09Hey, Vivian. It's Eve.
01:02:11I was just wondering if you could have Sam recover from you for a couple of days.
01:02:16I'm not feeling so well.
01:02:19If that's a problem, let me know.
01:02:24I'll be at home.
01:02:28Vivian?
01:02:30Hi.
01:02:32Hey.
01:02:34Clark, what are you up to?
01:02:37I'm worried.
01:02:39What are you worried about?
01:02:41I don't know.
01:02:43I don't know.
01:02:45I don't know.
01:02:47I don't know.
01:02:49I don't know.
01:02:51I don't know.
01:02:53I don't know.
01:02:55What are you up to?
01:02:57Worried? I haven't seen you in several days.
01:03:00And the girls at the gallery said that you're not feeling well, or you're upset, or both.
01:03:05Are you okay?
01:03:07Yeah.
01:03:09I'm fine.
01:03:12I just have a lot going on right now.
01:03:16I can tell something's bothering you.
01:03:20What's wrong?
01:03:23I know you can talk to me.
01:03:28No, it's nothing. I'm fine.
01:03:33Okay.
01:03:35And how about getting a bite to eat?
01:03:38Have you eaten?
01:03:40I haven't eaten.
01:03:42Come on, what do you say?
01:03:44I have a feeling you're not going to stop until I say yes.
01:03:47That's very true.
01:03:49Pick you up in an hour?
01:03:52Come on.
01:03:56Okay, okay.
01:03:58Perfect. Text me your address.
01:04:01See you then.
01:04:03Okay. Bye.
01:04:07That would actually be my worst.
01:04:09Are you serious?
01:04:10Just like Winston.
01:04:11It's the idea of going under the ice and trying to get back up, and not being able to get back up.
01:04:16Okay.
01:04:17Yeah, that's like what you have times three.
01:04:20Have you ever taken her dancing?
01:04:21I'm like, uh...
01:04:25Hey.
01:04:27Hi.
01:04:29Welcome back.
01:04:31Hey.
01:04:33Hey.
01:04:35Hey.
01:04:37Hey.
01:04:39Hey.
01:04:41Hey.
01:04:43Hey.
01:04:45Hey.
01:04:47Hey.
01:04:49Hey.
01:04:51Hey.
01:04:53Welcome back.
01:04:58You go to that place often?
01:05:00Yeah.
01:05:02Did you, uh...
01:05:03What, are you not into it?
01:05:04No, I really liked it.
01:05:06Thank you for dinner tonight.
01:05:08It was great.
01:05:09Yeah, right.
01:05:10You didn't need anything.
01:05:11So you're going to come out on Tuesday, right?
01:05:13I promise you'll have fun.
01:05:15Is that two?
01:05:16Yeah, but we want to leave at like 1230 or something.
01:05:21There's a second showing in the gallery.
01:05:23Oh, come on, you'll be fine.
01:05:25I really usually come.
01:05:50Hey.
01:05:51Hey.
01:06:20Hey.
01:06:50Hey.
01:06:52Hey.
01:06:54Hey.
01:06:56Hey.
01:06:58Hey.
01:07:00Hey.
01:07:02Hey.
01:07:04Hey.
01:07:06Hey.
01:07:08Hey.
01:07:10Hey.
01:07:12Hey.
01:07:14Hey.
01:07:16Hey.
01:07:18Hey.
01:07:20Hey.
01:07:22Hey.
01:07:24Hey.
01:07:26Hey.
01:07:28Hey.
01:07:30Hey.
01:07:32Hey.
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01:07:42Hey.
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01:07:48Hey.
01:07:50Hey.
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01:07:54Hey.
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01:08:00Hey.
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01:08:08Hey.
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01:08:20Hey.
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01:09:00Hey.
01:09:02Hey.
01:09:04Hey.
01:09:06Hey.
01:09:08Hey.
01:09:10Hey.
01:09:12Hey.
01:09:14Hey.
01:09:16Hey.
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01:09:28Hey.
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01:09:32Hey.
01:09:34Hey.
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01:09:38Hey.
01:09:40Hey.
01:09:42Hey.
01:09:44Hey.
01:09:46Hey.
01:09:48Hey.
01:09:50Hey.
01:09:52Hey.
01:09:54Hey.
01:09:56Hey.
01:09:58Hey.
01:10:00Hey.
01:10:02Hey.
01:10:04Hey.
01:10:06Hey.
01:10:08Hey.
01:10:10Hey.
01:10:12Hey.
01:10:14Hey.
01:10:16Hey.
01:10:18Hey.
01:10:20Hey.
01:10:22Hey.
01:10:24Hey.
01:10:26Hey.
01:10:28Hey.
01:10:30Hey.
01:10:32Hey.
01:10:34Step aside. Step aside there, buddy.
01:10:36Somebody turn the lights on.
01:10:38Excuse me, gentlemen.
01:10:40What exactly is this about?
01:10:42I'm Detective Bowie.
01:10:44We're here to investigate the disappearance of Clark Boardman.
01:10:46I'm gonna need to have a few words with you.
01:10:48This is a private party.
01:10:50We need to ask you some questions.
01:10:52Got it.
01:10:54But this is a gallery opening.
01:10:56Do you know who this person is?
01:10:58No, I don't.
01:11:00Did he attend your party alone?
01:11:02I don't know.
01:11:08Who's he?
01:11:10I'm Eve.
01:11:12What's this about?
01:11:14Do you know this man?
01:11:16Yeah. That's Clark. He's a friend of mine.
01:11:18Well, he's gone missing.
01:11:22What?
01:11:26I need to know everything you know.
01:11:28You know.
01:11:30We were supposed to go out tomorrow.
01:11:32He invited me out tomorrow.
01:11:36Are you two romantically involved?
01:11:38No. No, it's just I...
01:11:40Officer!
01:11:42This is not an interrogation.
01:11:44You're spoiling the party.
01:11:48Arrest someone
01:11:50or kindly leave.
01:11:54When you hear something
01:11:56say something.
01:12:02Okay?
01:12:04Okay.
01:12:26I am starting to fade, Sabian.
01:12:32She will not be a problem anymore.
01:12:38Until you kill her.
01:12:40Kill her.
01:12:42Kill her.
01:12:44My powers will continue to diminish.
01:12:46I will not see her again.
01:12:48I will not see her again.
01:12:50I will not see her again.
01:12:52I will not see her again.
01:12:54I will not see her again.
01:12:58True love.
01:13:02It's uncompromising.
01:13:16To restore balance again.
01:13:20And it will be
01:13:22just you
01:13:24and me again.
01:13:28There is nothing
01:13:30that true love
01:13:32cannot conquer.
01:13:42Sabian.
01:13:44Just you and me.
01:13:46Kill her.
01:13:52Sabian?
01:14:00This whole thing...
01:14:06I thought I saw you.
01:14:12There's something I must confess to you.
01:14:16You don't need to say anything.
01:14:18You don't need to say anything.
01:14:22I already know.
01:14:28I just want to know why.
01:14:30What do you know of love?
01:14:34That it's eternal.
01:14:38That when two souls meet
01:14:40together they become one.
01:14:44I can feel
01:14:46love
01:14:48in your heart.
01:14:52Can you feel
01:14:54the deaths in mine?
01:14:58Can her experience
01:15:02both?
01:15:06What if I could?
01:15:16That was Freda.
01:15:18The girl in the painting.
01:15:28She gave me everything I ever wanted.
01:15:34She made my heart something that I could've...
01:15:38I could've never done on my own.
01:15:40Something's missing.
01:15:56I have to touch you.
01:16:02I could never experience that.
01:16:04Only through my heart.
01:16:08All the while, I...
01:16:13I was decaying inside.
01:16:21I knew that someday I...
01:16:25I would be reunited with her, but...
01:16:30I didn't.
01:16:35Only in spirit.
01:16:40She must know that.
01:16:44She's not human, Eve.
01:16:48Human pleasures mean nothing to her.
01:17:00We can end this.
01:17:05I know what we must do.
01:17:11Come on.
01:17:19If we do this,
01:17:21I'm never gonna be the same.
01:17:25We'll go through this together.
01:17:34We'll go through this together.
01:17:40Salam aleikum, Salasate.
01:17:46What did you say to him?
01:17:48It's not important.
01:17:50Grab the Freda painting, bring it to me,
01:17:52and let's burn it above the salt of the Bebe.
01:17:54Not without you.
01:17:56Please go.
01:17:58We must do this.
01:18:04We must do this.
01:18:06We must do this.
01:18:32No.
01:18:35Poor,
01:18:37sweet,
01:18:39Sabian.
01:18:41This doesn't make any sense.
01:18:43You know little of the spirit world you dwell in.
01:18:49You think that you as a mortal
01:18:51know the secrets of our universe.
01:18:53Finish this.
01:18:55You can't come out unless I summon you.
01:18:59I am a doer.
01:19:02Your kind do not control me.
01:19:04Yes, I thought you were different.
01:19:07Finish this.
01:19:09I thought that you would rise above the flesh,
01:19:13being of pure energy.
01:19:16Finish this.
01:19:18To be rewarded and my companion for eternity.
01:19:22It's too much darkness.
01:19:26All this death.
01:19:28All this killing.
01:19:30Finish this.
01:19:32You know nothing about death.
01:19:35How can you know death
01:19:37when you don't even know anything about life?
01:19:40And you do.
01:19:44Finish this.
01:19:46You see,
01:19:48the problem
01:19:50with your tiny, little mind
01:19:54is that you
01:19:56see yourself as separate from the universe.
01:20:01You think that you're one with what you don't
01:20:05even comprehend it.
01:20:08Your brain is limited.
01:20:11You cannot see,
01:20:13cannot see its concept of time.
01:20:16Today you're blind,
01:20:18but tomorrow
01:20:20you could be born a little girl
01:20:23in 1200 BC.
01:20:25You're born each time,
01:20:27start from each new birth.
01:20:31In different times,
01:20:33in different bodies,
01:20:35for your soul to grow into its final form.
01:20:39When you have learned your lesson,
01:20:42then you will be the universe.
01:20:45You but an egg
01:20:47waiting to hatch.
01:20:49What's the point of all this?
01:20:51Perhaps in another, perhaps in another life.
01:20:54This one is over.
01:20:56If there's one eternal you seek with your belief,
01:21:01then I will grant you your wish.
01:21:05I can show you the canvas of your love.
01:21:09And then,
01:21:11may you find your love.
01:22:24I can show you the canvas of your love.
01:22:28And then,
01:22:30may you find your love.
01:22:34I can show you the canvas of your love.
01:22:39And then,
01:22:41may you find your love.
01:22:46I can show you the canvas of your love.
01:22:51I can show you the canvas of your love.
01:22:56I can show you the canvas of your love.
01:23:01I can show you the canvas of your love.
01:23:06I can show you the canvas of your love.
01:23:11I can show you the canvas of your love.
01:23:16I can show you the canvas of your love.
01:23:21I can show you the canvas of your love.
01:23:26I can show you the canvas of your love.
01:23:31I can show you the canvas of your love.
01:23:36I can show you the canvas of your love.
01:23:41© transcript Emily Beynon
01:24:11© transcript Emily Beynon
01:24:41© transcript Emily Beynon
01:25:11© transcript Emily Beynon
01:25:41© transcript Emily Beynon
01:26:11© transcript Emily Beynon
01:26:41© transcript Emily Beynon
01:27:11© transcript Emily Beynon
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