El Litri y su sombra (1959) - Película española completa
El Litri y su sombra (1959) - Película española completa
El Litri y su sombra (1959) - Película española completa
El Litri y su sombra (1959) - Película española completa
El Litri y su sombra (1959) - Película española completa
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00:09:00¿Me permite usted el periódico?
00:09:02Es que soy su padre.
00:09:05Le acompañaba el cirujano MacDonald,
00:09:07el médico inglés de las minas de Río Tinto,
00:09:10explotadas desde el tiempo de los romanos.
00:09:13¿Usted cree que se salvará, doctor?
00:09:15Don Miguel, según el parte de la prensa, la herida es grave.
00:09:19Pero confiemos.
00:09:31Hijo mío.
00:09:36Maldito.
00:09:37Mala suerte.
00:09:42Se ha declarado la cangrena.
00:09:44Habrá que amputar.
00:09:46Y desde muy alto.
00:09:47Y aún así...
00:09:48Doctor.
00:09:51Una vez quisieron cortarme un brazo, y yo me negué.
00:09:57¿Qué es un torero manco?
00:09:59Pero ahora...
00:10:01no pienso lo mismo.
00:10:03Que muera el torero, pero que se salve mi hijo.
00:10:10Cuando se aproxima el momento terrible,
00:10:12la muerte ilumina cruelmente los hechos más alegres de nuestra vida.
00:10:16Para Manuel Báez aquel momento había llegado.
00:10:19Ya no tenía una pierna, pero no se daba cuenta.
00:10:23Notaba hasta el cosquilleo en la planta del pie que no existía.
00:10:28Cuando se entere de que le han cortado una pierna,
00:10:31tardará muchos días en saberlo.
00:10:33Se lo diremos cuando esté repuesto.
00:10:36Ahora tiene la sensación de que está intacto.
00:10:39Es lo que en medicina le llamamos los miembros fantasmas.
00:10:42Pero pronto todo él iba a ser un puro fantasma.
00:10:45Un recuerdo.
00:10:46Una sombra.
00:10:47Antes de hundirse en ella, nunca ha sido más luminosa la vida.
00:10:51Recordaba.
00:10:52Se veía de niño jugando al toro en la claridad añil de las calles de Huelva.
00:10:58Llevado vestido de azul y oro, como en una procesión pagana,
00:11:01hasta las puertas de su casa, donde le esperaba su padre.
00:11:06Y como un relámpago maravilloso el amor.
00:11:08Recordaba las ardientes manos de una mujer acariciándole.
00:11:11Qué valiente estuviste ayer.
00:11:13Hiciste que el toro cayera al pie de mi barrera.
00:11:16Mira tú que la plaza estaba llena.
00:11:18Pues no veía a nadie.
00:11:20A ti sí.
00:11:21Porque solo para ti toleaba.
00:11:23Desde ayer no envidio a nadie en el mundo.
00:11:26Ahora estoy completamente seguro de ser feliz.
00:11:30Pero él ignoraba que existía ya el toro que había de acabar con sus ilusiones.
00:11:35Con su propia vida.
00:11:37Bonito era él.
00:11:38¿Cómo se llama?
00:11:39Extremeño, señor Marqués.
00:11:43Voy a comprar una finca más grande que todo esto que vemos desde aquí.
00:11:47Y será para ti.
00:11:48Yo lo que quiero es que te retires pronto de los toros.
00:11:51Que vivamos solo para nosotros.
00:11:53Pero si ahora estoy en la buena.
00:11:54Tú me has dado suerte.
00:11:55Dos años más y rico.
00:11:58¿Qué te pasa?
00:11:59¿No dudas?
00:12:00Dos años todavía.
00:12:01Se pasarán volando, ya verás.
00:12:02Además, si no puede pasarme nada.
00:12:04¿No te he dicho que ahora estoy en la buena?
00:12:06Nunca he tenido tanta confianza en mí mismo.
00:12:08Porque sé que ya nada podrá separarlos.
00:12:11Están colándose de veras.
00:12:13Sí, él sí.
00:12:14Y ella, no sé.
00:12:15Me da el aire de que está como una inglesa en la procesión.
00:12:17Divertida, pero sin fe.
00:12:18De que cualquier día encontrará otras emociones.
00:12:20Siempre hacen daño a las mujeres.
00:12:22El reglamento debería prohibir mirarlas.
00:12:23Al menos durante la temporada.
00:12:41Bonito toro.
00:12:48Extremeño.
00:12:49Va en la corrida de Málaga.
00:13:00Pero aquel apasionado amor
00:13:02se evaporó con el propio deseo de aquella mujer.
00:13:06Una vez satisfecho,
00:13:08ella ni siquiera pensó que él podía quererla de veras.
00:13:12Y volvió a encender la llama
00:13:14que siempre veló por él en los días de corrida.
00:13:17Lo que ella había hecho tantas veces y ya no haría más.
00:13:21Maestro, cuando usted quiera.
00:13:23¿Vos sabías?
00:13:24No.
00:13:25Pero no me extraña esa clase de mujeres.
00:13:27¿Y cómo te...?
00:13:32¿Valía la pena exponer nada?
00:13:35Y empezaron las malas tardes
00:13:38en las que la muchedumbre que le había aclamado
00:13:40se vengaba de sus humillaciones,
00:13:42insultándole ahora.
00:13:55Solo unas manos femeninas, sin saber por qué,
00:13:58acaso por lástima,
00:13:59le aplaudían.
00:14:01Y él se dio cuenta.
00:14:04Por esas manos tan bellas,
00:14:06que son las únicas que me aplauden
00:14:08con todo mi agradecimiento.
00:14:35¡Irán, irán, irán!
00:14:49Te dolerá un poco, pero esto no es nada.
00:14:51Lo siento señorita, no se puede pasar.
00:14:53Déjeme entrar, solo un instante.
00:14:55Quiero entregarle una medalla.
00:15:04The convalescence of a young man by a clean wound is like resurrecting.
00:15:31An immense joy rose to his head.
00:15:33He was looking forward to meeting that unknown girl.
00:15:37He had bought a farm and was more secure and rooted in the land.
00:15:47Hello, friend. You take the best land of Huelva.
00:15:50Look what olive trees.
00:16:01They have closed the window.
00:16:03Father, I do not see you anymore.
00:16:09Where are you?
00:16:12Here, my son.
00:16:15I feel that this is over.
00:16:20Father, look there, on the table, two medals.
00:16:26One of the Virgin of the farm.
00:16:30My godmother gave it to me.
00:16:33And another, of the Virgin of the helpless.
00:16:38She gave it to me in Gandía, a girl with whom I could never speak.
00:16:44And whose face I remember, porous, by the fever of my wound.
00:16:51Look for her, father.
00:16:54Look for her.
00:16:57And I will tell you that I remembered her when I was dying.
00:17:09And Extremeño took in his blood-stained axes, made of girones,
00:17:15all the dreams of glory, wealth and passion of poor Manuel.
00:17:19The litre.
00:17:22Already with his nervous eyes closed, definitely.
00:17:26Forever.
00:17:49Neither he nor I, neither of us arrived.
00:17:54Luck has not wanted it.
00:17:58What are we going to do to him?
00:18:00And then came the dust of oblivion on the dried heads of the bulls who saw bright afternoons.
00:18:06There were the showcases embalming the faded suits of lights.
00:18:10There, after work, some of his faithful gathered,
00:18:13but there was a feeling of boredom and nostalgia.
00:18:16Five doubles.
00:18:18He dominated.
00:18:19Ten carambolas.
00:18:20But this one failed you.
00:18:22Shall we play another cup?
00:18:23Well.
00:18:24Do you remember the day he was taken by the lights when he was given here the golden ear?
00:18:29I think so.
00:18:30I saw the father bullfighting.
00:18:31He was a male.
00:18:32That horn on his neck, the day he retired, here, in Huelva.
00:18:37While he was bleeding, the bull fell split in two.
00:18:41What a suffocation, Miguel.
00:18:42It's time for your nap.
00:18:44Yes, of the flies.
00:18:46Come on, take that fruit from the dining room.
00:18:48What a heat.
00:18:49García Ramos is writing a story about Manolito.
00:18:53Poor thing.
00:18:54He has asked me if you have any photographs of him.
00:18:57Yes, there must be some.
00:19:00Come on, look for them.
00:19:02Yes.
00:19:03Boredom, heat and nap.
00:19:05Huelva had lost its idol.
00:19:07The boys no longer played the bull.
00:19:10The old bull was alone, isolated with the memories of his heart.
00:19:29Poor Miguel.
00:19:30Now he has been left alone.
00:19:32We should go see him.
00:19:33Have they always been such good friends of ours?
00:19:35Oh, yes.
00:19:36I don't know Huelva.
00:19:37And you, Ángeles?
00:19:39Me neither.
00:19:40But we are going to leave Seville now, when the fair is approaching.
00:19:43We'll be back earlier.
00:19:44It's only a few days.
00:19:45I'll think about it.
00:19:47Do you think we'll go?
00:19:49He'll think about it.
00:19:50But he'll do what I want.
00:19:51As always.
00:20:04I will never forget your visit.
00:20:06I have truly been left completely alone.
00:20:09You should also come to Seville for the fair a few days.
00:20:12Yes, you have to cheer up.
00:20:14Nothing is achieved by being sad.
00:20:16No, I'm already old.
00:20:19My daughter and her little friend are delighted with Huelva.
00:20:22Oh, this is beautiful.
00:20:23This is when they gave her the golden ear.
00:20:28I only have her memories.
00:20:30They don't hurt you?
00:20:32On the contrary, they comfort me.
00:20:36I have others there.
00:20:42This is the Virgin of Cinta.
00:20:44My sister gave it to her, who was her godmother.
00:20:47She took it to her neck that afternoon.
00:20:50The last one.
00:20:55And this one?
00:20:56Of the Virgin of the helpless.
00:20:59The wanderer in Candillá.
00:21:00A girl with whom he never spoke.
00:21:03And whose face I remember by the fever of my wound.
00:21:08And this one?
00:21:09Of the Virgin...
00:21:10Of the helpless.
00:21:16Perhaps...
00:21:17Yes, I gave it to her that afternoon.
00:21:20She had given it to me, Doctor.
00:21:23Everything until then had been an inert museum in that house.
00:21:27The memories of three generations of bullfighters filled it obsessively.
00:21:32Their tortuous and endearing torture languished
00:21:34without the impulse of the distant afternoons of rest and glory.
00:21:39And he, so vital,
00:21:41with his twenty-two years impuritied in blood,
00:21:45was nothing more than this.
00:21:47Bronze and marble.
00:21:49The shadow of a cypress.
00:21:51But the woman who is life
00:21:53was going to put in motion everything that was still.
00:21:56Without knowing it, the old litre was right.
00:22:01And...
00:22:12You?
00:22:15I have come to Gandía because...
00:22:18I wanted to thank you for that medal.
00:22:21My poor son asked me to look for it and there was no need.
00:22:25It was fate that took you to my house in Huelva.
00:22:28You know that I have had emotions in my life of danger.
00:22:30But none like that afternoon when you recognized my son's medal.
00:22:35I was moved to see you so strong with tears in your eyes.
00:22:39It can be seen that you are a man of heart.
00:22:42But sit down.
00:22:46Manolito was my only illusion.
00:22:49I thought he was going to be the avenger of my defeat
00:22:51because I fought for many years and shed my blood.
00:22:54But I saw nothing.
00:22:56My father, Mequi, thought I was going to save him from his revenge.
00:23:00I did everything I could, but I couldn't.
00:23:03He did. He was coming.
00:23:09Well, I have to stay a few days in Gandía.
00:23:12If you allow me, I'll be back some afternoon.
00:23:15You are the only living memory I have of him.
00:23:18Many afternoons he would return to Litre through her house.
00:23:21He would meet his parents.
00:23:23He began to feel what he had lost, the warmth of a family.
00:23:26Life is cruel, and the dead are never right.
00:23:30Little by little, the paternal feeling was becoming something else.
00:23:34It was the calling of life.
00:23:36And he felt that only in it could his brave stripe be saved,
00:23:40tear from oblivion so much failed heroism.
00:23:43How beautiful they are and how well they smell.
00:23:45Thank you, Miguel.
00:23:46They are beautiful.
00:23:49Is something wrong?
00:23:50You seem worried.
00:23:53Do you want me to tell you what I was thinking?
00:23:55Of course.
00:23:56How I would like to be younger
00:23:59and throw out the window all the years I have left.
00:24:02Why?
00:24:03Because without them, perhaps, I would have fixed my loneliness, my sadness,
00:24:07and I would have everything I have lost again.
00:24:10A home, a woman, a son.
00:24:17Angels, I would like you to come to Huelva, to my land.
00:24:22How?
00:24:24Like my wife.
00:24:26To the house of the Litris, on the street of San Sebastián.
00:24:29Life has returned from two years ago because a woman has arrived.
00:24:33The first child of the two that they should have had had already been born.
00:24:36The old Litris felt happy, continued.
00:24:41He has the same eyes, he looks like you.
00:24:44And he is as fat as I am.
00:24:47I will not see him as a man, only as a child, perhaps even as a boy.
00:24:51You are strong, you will live many years yet.
00:24:55You have the obligation to do it, for him and for me.
00:24:59I will try.
00:25:00But it is many the years that I have been on top and many the days.
00:25:04They hurt when I get old as if I had just received them.
00:25:08Swear to me that you will do everything possible so that I will not be a bullfighter.
00:25:12The memory of that afternoon in Málaga will never be forgotten.
00:25:18I promise you.
00:25:20I will hide all your memories.
00:25:22Your photographs of when you were dressed in lights.
00:25:25To no one who has known you then, I will let you approach him.
00:25:29The old Litris was right.
00:25:31He did not see him as a boy.
00:25:33But his wife kept her promise.
00:25:35Miguel Baez is already a twelve-year-old boy who plays like the others on the outskirts.
00:25:39But his blood is different.
00:25:41Sometimes he is thoughtful, sad, he speaks little.
00:25:44He felt that something mysterious was hidden from him.
00:25:48That place was full of presences.
00:25:50Of traces of other beings that weighed on him.
00:25:54Miguelito.
00:25:56I have told you a thousand times that I do not want you to look there.
00:25:58What is there?
00:25:59Nothing, they are memories and letters from your father. That is sacred.
00:26:03They were the memories of the glory, faithfully hidden, with the arrangement of a promise.
00:26:11Brother, take good care of it.
00:26:12Let him eat. It is a little thin.
00:26:14What is your name?
00:26:15Miguel.
00:26:16My brother Alejandro, take him to the courtyard to play with the other boys.
00:26:20Be obedient.
00:26:22Goodbye, brother.
00:26:27You are the widow of Don Miguel Baez, right?
00:26:29Yes, and I want my son to study.
00:26:31Don't let anyone talk to him about bulls.
00:26:32Do you want to be a surgeon?
00:26:33Don't worry, we'll get you there.
00:26:36Spain borders the North with the Pyrenees and the Cantabrian Sea.
00:26:42And the West with...
00:26:44With Portugal!
00:26:45Very well, sit down, sit down.
00:26:48You are smart, huh?
00:26:56You are not good for this.
00:26:57Well, you get on.
00:26:58Hey, hairy.
00:26:59What do you want?
00:27:00Do you know that my mother has given me a colorful bicycle?
00:27:02Let me ride it.
00:27:03This afternoon we are new, we are not going to class.
00:27:06And if your mother finds out?
00:27:07Already, as she has given me the bicycle.
00:27:10Watch out, don't run, you're going to fall.
00:27:12It's very easy.
00:27:13They say you don't have to look at the wheel.
00:27:18You see?
00:27:19Did you hurt yourself?
00:27:20A scratch.
00:27:21It's nothing, I'm going to ride again.
00:27:23Don't your wounds hurt?
00:27:24What happened to you, Miguel?
00:27:26Nothing, I tripped.
00:27:28Goodbye.
00:27:30She's pretty, you like her, huh?
00:27:32She's not that bad.
00:27:34Spain limits the North with ...
00:27:37You.
00:27:38With the Pyrenees and the sea of Santa Ángela.
00:27:39Good.
00:27:40And to the West with ...
00:27:42You.
00:27:44With ...
00:27:45With Huelva.
00:27:46Búzzalo.
00:27:49To the West with ...
00:27:50You.
00:27:51I am friend of the son of the waiter who serves the tertula of your brother.
00:27:54Do you want me to go to see him?
00:27:55I don't know.
00:27:56I'm going to see him.
00:27:57I'm going to see him.
00:27:58I'm going to see him.
00:27:59I'm going to see him.
00:28:00I'm going to see him.
00:28:01I'm going to see him.
00:28:02I'm going to see him.
00:28:03I'm going to see him.
00:28:04I'm going to see him.
00:28:05I'm going to see him.
00:28:06I'm going to see him.
00:28:07You're afraid of you.
00:28:09Start with the North with ...
00:28:11You.
00:28:12With ...
00:28:13With the Pyrenees and the sea of Santa Ángela.
00:28:15Good.
00:28:16Do you want me to go to see him?
00:28:17I don't know.
00:28:19I'm going to see him.
00:28:25I'm going to see him.
00:28:26I'm going to see him.
00:28:27Una ronda de coñac. Yo vi torear al padre. Era un macho.
00:28:31Aquella coronada en el cuello mientras el toro caía hecho una pelota.
00:28:35Oye, ¿no es ese el hijo del litre?
00:28:37Pues sí. Acércate, Miguelito.
00:28:41Tú no habías estado nunca aquí, ¿verdad?
00:28:43No, señor.
00:28:44Se parece a su hermano.
00:28:45Mira, ven. Este toro lo mató tu padre en Huerva.
00:28:49¿Qué te parece?
00:28:51Osu, vaya toro.
00:28:53Yo se lo vi matar.
00:28:54Qué estocada. Sacó los dedos mojados de sangre.
00:28:57Fue en 1902. Mató nueve caballos.
00:29:00Y hubo que desengachar los caballos de los coches que estaban alrededor de la plaza.
00:29:04Ven, aquí está la hombrera de oro del traje de tu hermano Manolito.
00:29:09Mira, el estoque con que mató su último toro.
00:29:13Y las zapatillas que usó en su última corrida.
00:29:16Qué pena.
00:29:17Mira, chiquillo, cuando le entregaron a tu hermano aquí en Huerva
00:29:21la oreja de oro que había ganado en la corrida de la prensa de Madrid.
00:29:33Muchas gracias, señores.
00:29:35Se la llevaré a la virgen de la tienda.
00:29:37Un abrazo, padre.
00:29:39Enhorabuena, Manolito.
00:29:40Me has borrado como torero, pero estoy orgulloso de ti.
00:29:49Gracias.
00:29:50Y a ver cuando tú coges la muletilla y...
00:29:57Huelva necesito un torero.
00:29:59Mi madre me ha dicho que quiere que sea médico, cirujano.
00:30:02¿Cirujano? ¿Matar hombres pudiendo matar toros?
00:30:04Todo lo que se hace el sangre da dinero.
00:30:06Bueno, pues con Dios y gracias. Vámonos.
00:30:11A su edad ya toreaba, Manolito.
00:30:13Lástima que este no continúe la dinastía.
00:30:16Pues a mí me ha impresionado. Tiene su misma cara.
00:30:21¿Pero a dónde va el Miguelito?
00:30:23Tú déjame a mí, ya verás.
00:30:26Mira, ¡el toro!
00:30:28¡No embiste!
00:30:29Pero si son vacas de leche, ¿cómo quieres que embistan?
00:30:32Solo sirven para el desayuno.
00:30:34¡El torito! ¡No seas cobarde!
00:30:36Vamos, claro.
00:30:39¡Vámonos, que viene el guarda!
00:30:41¿Qué hacéis, chiquillos?
00:30:42¡Ay, Miguelito, como se entere tu madre!
00:30:44Vámonos a ir la chica. Aquí no hay nada que hacer.
00:30:46¡Venga, corre, corre!
00:30:48¿Cuánto tarda tu hermano?
00:30:49Habrá ido a dar un paseo en la bicicleta.
00:30:51Veintitrés. Estudia mucho, me han dicho.
00:30:54Regular. Ahora está faltando mucho al colegio.
00:30:57Ya va por el cuarto año. Quiere ser médico.
00:30:59Ha hecho usted bien en quitarle todas esas tonterías de la cabeza.
00:31:02Además, la vida de las madres y de las mujeres de los toreros no es vida.
00:31:05Estoy muy tranquila. A mi hijo no le ha pasado por la imaginación dedicarse a los toros.
00:31:19¡Olé!
00:31:26¡Olé!
00:31:31¡Olé!
00:31:33¡Olé!
00:31:35¡Olé!
00:31:37¡Olé!
00:31:40¡Olé!
00:31:43¡Olé!
00:31:45¡Olé!
00:31:47¡Olé!
00:31:49¡Olé!
00:31:51¡Olé!
00:31:53¡Olé!
00:31:56¡Olé!
00:32:06¡Olé!
00:32:09¡Hala, Miguel! ¡Ya eres un macho hombre!
00:32:15¡Olé!
00:32:23¡Déjame la mano que me la pisa la becerra como me la vea mi madre!
00:32:35Dame el agua.
00:32:39¿Qué te pasa en esa mano? La tienes toda negra.
00:32:41Me he caído en la bicicleta.
00:32:44Miguelito, ven aquí.
00:32:47¿Qué tienes ahí?
00:32:50Estás faltando mucho a clase.
00:32:52Has perdido el libro de geografía y vienes siempre con golpes.
00:32:57¿Estás toreando?
00:32:58Alguna vez.
00:32:59¿Alguna vez? Pues no voy a tener más remedio que decirlo a tu madre. Anda.
00:33:05Torear él. Ver torear a los maestros sería ya su obsesión, su pesadilla.
00:33:11Parecen molos.
00:33:12Si yo fuera un poco más joven también lo haría para verle.
00:33:15Yo no. El toreo es ya cosa de ricos. Los pobres tenemos que contentarnos con lo que nos dicen.
00:33:19Date prisa, Miguel, que vienen los guardias.
00:33:21Bájate, bájate, que por aquí también hay guardias.
00:33:28¡Date prisa!
00:33:29¡Vamos a la puerta de caballos para ver los toros muertos!
00:33:35Mala suerte con las ganas que yo tenía de ver a Manolete.
00:33:38Cuando seamos ricos.
00:33:40Entonces ya se habrá retirado.
00:33:42¡Mira, ahora arrastran su toro!
00:33:51¿Dónde está la estocada?
00:33:53¡Mira allí!
00:33:55¿Quién lo hubiera visto?
00:33:57Le obsesionaba aquel torero fabuloso, distante, irreal.
00:34:01Cómo se hubiera cambiado por él.
00:34:04Fallado su heroico asalto a la plaza del puerto, no cejaba en su obsesión de poderlo ver.
00:34:10Ya te decía yo que en el nodo echaban lo de Manolete, vamos.
00:34:13Oye, que yo no tengo dinero.
00:34:15Sacamos de arriba, de gallinero. Yo te invito.
00:34:18Gracias.
00:34:22¿Cuándo echan lo de Manolete?
00:34:24Ya ha pasado, ya hasta mañana.
00:34:26¡Qué mala suerte!
00:34:34No, no y no. A mí no me engañas.
00:34:36Faltas al colegio, vienes golpeado, con el traje deshecho.
00:34:39Me lo han dicho además los hermanos maristas.
00:34:41Tú estás toreando.
00:34:44No, madre.
00:34:45Sí, has toreado.
00:34:47Bueno, alguna vez.
00:34:48Mira, lo único que me pidió tu padre antes de morir, es que no fuese torero.
00:34:52Y no lo serás. ¿Me oyes? ¡No lo serás!
00:34:55Pero lo fueron.
00:34:57Los muertos están más vivos en nuestra sangre que lo que nosotros creemos.
00:35:00Tiene un nuevo amigo valiente que le protege.
00:35:02Es un antiguo banderillero, se llama Pepe Aguayo.
00:35:05Es varonil, gracioso, filosófico.
00:35:07Dicen por ahí que te vas a retirar.
00:35:09Natural, hombre.
00:35:10¿Por qué?
00:35:11Mira, yo cada año que pasa cumplo uno más.
00:35:13Y los toros tienen siempre la misma edad.
00:35:15¡Ole!
00:35:21¡Ole! ¡Por alto está mejor!
00:35:31¡Ole, mi torero! ¡Ole, mi niño!
00:35:39¡Viva, Leti!
00:35:54¡Déjala ya! Está toreada.
00:35:56¡Qué malo es tu torero! ¡Parece un fideo!
00:35:59¿Un fideo?
00:36:02¡Gracioso! Ya veréis dónde llega.
00:36:04No me importa que me haya pegado el becerro.
00:36:06Sino que mi madre me vea roto el traje.
00:36:08Ahora pásate por la casa de la madre de Carmela y que te lo cosa.
00:36:13Jesús, qué destrozo.
00:36:14No te acerques tanto a los toros, Miguelito.
00:36:16No vas a ganar para ropa.
00:36:17Me arrimaré más. Así puedo venir más a menudo a que tu madre me cosa el traje.
00:36:21¿Por qué?
00:36:22No sé, porque me gusta verte.
00:36:24De modo, hermano, que falta mucho clase.
00:36:26Casi todas las tardes.
00:36:28Le he tenido que prestar unos libros de texto viejos,
00:36:32porque los que le compró usted los dejó en la dehesa
00:36:36y los trajo al día siguiente inservibles, manchados de barro y como pisoteados.
00:36:42Eso sí, los becerros este año van a poder hacer el bachillerato.
00:36:47¡Qué calamidad y qué desgracia!
00:36:49Lo único que me pidió mi marido.
00:36:51¿Qué puedo hacer, hermano?
00:36:53Mire usted, señora, en conciencia es muy difícil poderle dar un consejo,
00:36:58pero si el chico tiene vocación irresistible,
00:37:01no creo que podamos hacer nada contra ello.
00:37:04Sería contraproducente.
00:37:06Sí, yo que pensaba que fuera médico.
00:37:08Y pasar todos estos años tranquila.
00:37:10Es imposible contenerlo.
00:37:12Todo el pueblo le incita a ser torero.
00:37:15Todos le hablan de su padre, de su hermano.
00:37:17Hasta sus condiscípulos no le llaman Miguel Báez, sino Liti.
00:37:22Es toda una ciudad empujándole.
00:37:25Entonces tendré que resignarme.
00:37:28Y pedir a Dios por él para que se lo conserve.
00:37:31Yo ya lo hago todos los días.
00:37:33Gracias, hermano.
00:37:37Decididamente adiós al colegio e incluso a la familia.
00:37:40Una fuerza tábica heredada le lleva irresistiblemente hacia el testud de los toros.
00:37:44Y año tras año, Miguel Báez, el litri, con sus fieles escuderos,
00:37:49acude puntual a la cita de la vocación y del destino.
00:37:53Los llevan al matadero. De este tamaño debían de ser los toros.
00:37:56Ni ahora sí te ibas a atrever tú.
00:37:58Oye, ¿has visto los nebillos de Gibraltar?
00:38:00¿A ti qué te importa? El que se va a tirar es éste.
00:38:02Ah, ¿pero te vas a tirar de verdad?
00:38:04Claro. ¿Crees que vamos a jugar al domino?
00:38:20¡Fuera! ¡Que no vales una peseta!
00:38:42¡Fuera!
00:38:43Calma, Miguel. No, ahora no, que es ser muy grande.
00:38:45Espera al segundo que tiene la cabeza más recogida.
00:38:48Ahora, hazme caso.
00:39:00Guardia, un espontáneo.
00:39:01Coja a los tres.
00:39:02Eso no los incumbe.
00:39:03Ah, ¿no?
00:39:08Es el hijo del litri.
00:39:09¿Estás seguro?
00:39:10Natural, hombre. Mira cómo torea.
00:39:11Ya decía yo que tenía un aire manolito.
00:39:19¡Olé!
00:39:21¡Olé!
00:39:39¡Por más del litri!
00:39:45¡Fuera! ¡Fuera!
00:39:49¡Eso mismo! ¡Que lo mate el litri!
00:39:51Qué espectáculo infinito.
00:39:52Siempre estamos los españoles contra la autoridad.
00:39:55¡Qué bochorno!
00:39:58¡Que lo mate el litri!
00:40:01¿Pero por qué no han de dejar torear a ese muchacho?
00:40:03¡Si lleva sangre el litri!
00:40:04Su padre fue el litri.
00:40:05Su hermano fue el litri.
00:40:06Y él es litri.
00:40:07Ah, ¿es por eso por lo que gritan?
00:40:09Sí.
00:40:10Pues tienen razón.
00:40:11¡Que lo mate el litri!
00:40:12¡Que lo mate el litri!
00:40:13¡Que lo mate el litri!
00:40:14¡Que lo mate el litri!
00:40:15¡Que lo mate el litri!
00:40:16¡Que lo mate el litri!
00:40:17No se puede ir contra la voluntad del pueblo.
00:40:19¡Que lo mate el litri!
00:40:20¡Cabo!
00:40:21Suéltelo y que mate el toro.
00:40:23Vamos.
00:40:24Pero hombre, déjalo.
00:40:25¿Qué más te da?
00:40:26Si tú ya has cobrado y el bicho es un barrajo.
00:40:28Tiene razón.
00:40:29Allá es.
00:40:31Y así fue como por su frase universal,
00:40:33por plebiscito unánime del pueblo de Huelva,
00:40:36Miguelito el litri tuvo por primera vez una espada de verdad en la mano.
00:40:40¡Olé!
00:40:42¡Olé!
00:40:43¡Olé!
00:40:45¡Olé!
00:40:48¡Olé!
00:40:50¡Olé!
00:40:52¡Olé!
00:40:54¡Olé!
00:40:56¡Olé!
00:40:58¡Olé!
00:41:00¡Olé!
00:41:02¡Olé!
00:41:05¡Olé!
00:41:07¡Olé!
00:41:09¡Olé!
00:41:11¡Olé!
00:41:13¡Olé!
00:41:15¡Olé!
00:41:17¡Olé!
00:41:19¡Olé!
00:41:21¡Olé!
00:41:23¡Olé!
00:41:25¡Olé!
00:41:27¡Olé!
00:41:29¡Olé!
00:41:31¡Olé!
00:41:33¡Olé!
00:41:35¡Olé!
00:41:37¡Olé!
00:41:39¡Olé!
00:41:41¡Olé!
00:41:43¡Olé!
00:41:45¡Olé!
00:41:50¡Olé!
00:41:52¡Ole!
00:41:54¡Olé!
00:41:56¡Olé!
00:41:58¡Olé!
00:42:00¡Olé!
00:42:10La suerte estaba echada.
00:42:12They ran out of money.
00:42:14A few days later, in an already important village,
00:42:17Miguelito Baez was wearing his first suit of lights.
00:42:20This is all too much for me.
00:42:22Well, look, in El Morrillo de los Toros is all the treasure in the world.
00:42:25Tighten up, and the money will come, and with it the turkeys and the perdices,
00:42:28so that the suit will fit you well.
00:42:30Although then you will have a new one, and not rented like this one.
00:42:33Don't worry, Miguelito, you'll be fine.
00:42:35I've already taken care of the kids, and I've promised them candy and some perrillas,
00:42:38so they'll pull your shoulders out if they hit your ear.
00:42:40That's for sure, both of them.
00:42:55And he's so calm. Let's see how I go.
00:42:57My legs are going to bend, and I'm just going to flutter.
00:43:00My God, why did I allow myself to be nervous?
00:43:02Come on, it's time.
00:43:04Let's go.
00:43:10And what a hobby he has.
00:43:12Once I had to get him out of one of those,
00:43:14where he had spent the night bullfighting the cows.
00:43:16Well, we have to help him.
00:43:18We need a bullfighter to return them,
00:43:20and if the mayor doesn't give him both ears, we'll replace him.
00:43:23There they are.
00:43:25Good luck.
00:43:27Thank you, gentlemen.
00:43:30Well, he doesn't have such a bad plant.
00:43:32Two pesetas, please.
00:43:34Buen apetita, la bonita.
00:43:36Will you buy a t-shirt, butcher?
00:43:39The pretty doll is getting ready.
00:43:42Two pesetas, please.
00:43:44Buen apetita, la bonita.
00:44:02¡Vamos, vamos!
00:44:06But if that boy is crazy.
00:44:08What a beating I gave him last week in Moguera, the Pirri.
00:44:11Are you sure how it was?
00:44:13To the banderiller.
00:44:14I've fallen.
00:44:26Cheer up, Miguel, you're superior.
00:44:33¡Olé! ¡Olé!
00:44:39The bottle is out of water. I'm going to fill it up.
00:44:42But hurry up, you have to banderillar.
00:44:45There's no water here. Do you want me to go to the well?
00:44:47To the well? Don't bother, boyo.
00:44:53There's a bullfighter here.
00:44:55¡Olé! ¡Olé!
00:45:02¡Olé! ¡Olé!
00:45:19Good thing I got away.
00:45:22So until they kill the bull, I banderillé him to the well.
00:45:26¡Olé! ¡Olé!
00:45:28That baldhead who doesn't arrive will drown in the well.
00:45:33Give me the banderilla.
00:45:43He has a very comfortable head.
00:45:45Yes, like a chair, like to sit on.
00:45:48There in the middle, I would like to see you.
00:45:55¡Olé! ¡Olé!
00:46:09¡Olé!
00:46:14¡Olé! ¡Olé!
00:46:17Oh, no!
00:46:18Oh, no!
00:46:19Oh, no!
00:46:20Oh, no!
00:46:21Oh, no!
00:46:22Oh, no!
00:46:23Oh, no!
00:46:24Oh, no!
00:46:25Oh, no!
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00:51:46Oh, no!
00:51:47Oh, no!
00:51:48Oh, no!
00:51:49Oh, no!
00:51:50Oh, no!
00:51:51Oh, no!
00:51:52Oh, no!
00:51:53Oh, no!
00:51:54Oh, no!
00:51:55Oh, no!
00:51:56Oh, no!
00:51:57Oh, no!
00:51:58Oh, no!
00:51:59Oh, no!
00:52:00Oh, no!
00:52:01Oh, no!
00:52:02Oh, no!
00:52:03Oh, no!
00:52:04Oh, no!
00:52:05Oh, no!
00:52:06Oh, no!
00:52:07Oh, no!
00:52:08Oh, no!
00:52:09Oh, no!
00:52:10Oh, no!
00:52:11Oh, no!
00:52:12Oh, no!
00:52:13Oh, no!
00:52:14Oh, no!
00:52:15Oh, no!
00:52:16Oh, no!
00:52:17Oh, no!
00:52:18Oh, no!
00:52:19Oh, no!
00:52:20Oh, no!
00:52:21Oh, no!
00:52:22Oh, no!
00:52:23Oh, no!
00:52:24Oh, no!
00:52:25Oh, no!
00:52:26Oh, no!
00:52:27Oh, no!
00:52:28Oh, no!
00:52:29Oh, no!
00:52:30Oh, no!
00:52:31Oh, no!
00:52:32Oh, no!
00:52:33Oh, no!
00:52:34Oh, no!
00:52:35Oh, no!
00:52:36Oh, no!
00:52:37Oh, no!
00:52:38Oh, no!
00:52:39Oh, no!
00:52:40Oh, no!
00:52:41Oh, no!
00:52:42Oh, no!
00:52:43Oh, no!
00:52:44Oh, no!
00:52:45Oh, no!
00:52:46Oh, no!
00:52:47Oh, no!
00:52:48Oh, no!
00:52:49Oh, no!
00:52:50Oh, no!
00:52:51Oh, no!
00:52:52Oh, no!
00:52:53Oh, no!
00:52:54Oh, no!
00:52:55Oh, no!
00:52:56Oh, no!
00:52:57Oh, no!
00:52:58Oh, no!
00:52:59Oh, no!
00:53:00Oh, no!
00:53:01Oh, no!
00:53:02Oh, no!
00:53:03Oh, no!
00:53:04Oh, no!
00:53:05Oh, no!
00:53:06Oh, no!
00:53:07Oh, no!
00:53:08Oh, no!
00:53:09Oh, no!
00:53:10Oh, no!
00:53:11Oh, no!
00:53:12Oh, no!
00:53:13Oh, no!
00:53:14Oh, no!
00:53:15Oh, no!
00:53:16Oh, no!
00:53:17Oh, no!
00:53:18Oh, no!
00:53:19Oh, no!
00:53:20Oh, no!
00:53:21Oh, no!
00:53:22Oh, no!
00:53:23Oh, no!
00:53:24Oh, no!
00:53:25Oh, no!
00:53:26Oh, no!
00:53:27Oh, no!
00:53:28Oh, no!
00:53:29Oh, no!
00:53:30Oh, no!
00:53:31Oh, no!
00:53:32Oh, no!
00:53:33Oh, no!
00:53:34Oh, no!
00:53:35Oh, no!
00:53:36Oh, no!
00:53:37Oh, no!
00:53:38Oh, no!
00:53:39Oh, no!
00:53:40Oh, no!
00:53:41Oh, no!
00:53:42Oh, no!
00:53:43Oh, no!
00:53:44Oh, no!
00:53:45Oh, no!
00:53:46Oh, no!
00:53:47Oh, no!
00:53:48Oh, no!
00:53:49Oh, no!
00:53:50Oh, no!
00:53:51Oh, no!
00:53:52Oh, no!
00:53:53Oh, no!
00:53:54Oh, no!
00:53:55Oh, no!
00:53:56Oh, no!
00:53:57Oh, no!
00:53:58Oh, no!
00:53:59Oh, no!
00:54:00Oh, no!
00:54:01Oh, no!
00:54:02Oh, no!
00:54:03Oh, no!
00:54:04Oh, no!
00:54:05Oh, no!
00:54:06Oh, no!
00:54:07Oh, no!
00:54:08Oh, no!
00:54:09Oh, no!
00:54:10Oh, no!
00:54:11Oh, no!
00:54:12Oh, no!
00:54:13Oh, no!
00:54:14Oh, no!
00:54:15Oh, no!
00:54:16Oh, no!
00:54:17Oh, no!
00:54:18Oh, no!
00:54:19Oh, no!
00:54:20Oh, no!
00:54:21Oh, no!
00:54:22Oh, no!
00:54:23Oh, no!
00:54:24Oh, no!
00:54:25Oh, no!
00:54:26Oh, no!
00:54:27Oh, no!
00:54:28Oh, no!
00:54:29Oh, no!
00:54:30Oh, no!
00:54:31Oh, no!
00:54:32Oh, no!
00:54:33Oh, no!
00:54:34Oh, no!
00:54:35Oh, no!
00:54:36Oh, no!
00:54:37Oh, no!
00:54:38Oh, no!
00:54:39Oh, no!
00:54:40Oh, no!
00:54:41Oh, no!
00:54:42Oh, no!
00:54:43Oh, no!
00:54:44Oh, no!
00:54:45Oh, no!
00:54:46Oh, no!
00:54:47Oh, no!
00:54:48Oh, no!
00:54:49Oh, no!
00:54:50Oh, no!
00:54:51Oh, no!
00:54:52Oh, no!
00:54:53Oh, no!
00:54:54Oh, no!
00:54:55Oh, no!
00:54:56Oh, no!
00:54:57Oh, no!
00:54:58Oh, no!
00:54:59Oh, no!
00:55:00Oh, no!
00:55:01Oh, no!
00:55:02Oh, no!
00:55:03Oh, no!
00:55:04Oh, no!
00:55:05Oh, no!
00:55:06Oh, no!
00:55:07Oh, no!
00:55:08Oh, no!
00:55:09Oh, no!
00:55:10Oh, no!
00:55:11Oh, no!
00:55:12Oh, no!
00:55:13Oh, no!
00:55:14Oh, no!
00:55:15Oh, no!
00:55:16Oh, no!
00:55:17Oh, no!
00:55:18Oh, no!
00:55:19Oh, no!
00:55:20Oh, no!
00:55:21Oh, no!
00:55:22Oh, no!
00:55:23Oh, no!
00:55:24Oh, no!
00:55:25Oh, no!
00:55:26Oh, no!
00:55:27Oh, no!
00:55:28Oh, no!
00:55:29Oh, no!
00:55:30Oh, no!
00:55:31Oh, no!
00:55:32Oh, no!
00:55:33Oh, no!
00:55:34Oh, no!
00:55:35Oh, no!
00:55:36Oh, no!
00:55:37Oh, no!
00:55:38Oh, no!
00:55:39Oh, no!
00:55:40Oh, no!
00:55:41Oh, no!
00:55:42Oh, no!
00:55:43Oh, no!
00:55:44Oh, no!
00:55:45Oh, no!
00:55:46Oh, no!
00:55:47Oh, no!
00:55:48Oh, no!
00:55:49Oh, no!
00:55:50Oh, no!
00:55:51Oh, no!
00:55:52Oh, no!
00:55:53Oh, no!
00:55:54Oh, no!
00:55:55Oh, no!
00:55:56Oh, no!
00:55:57Oh, no!
00:55:58Oh, no!
00:55:59Oh, no!
00:56:00Oh, no!
00:56:01Oh, no!
00:56:02Oh, no!
00:56:03Oh, no!
00:56:04Oh, no!
00:56:05Oh, no!
00:56:06Oh, no!
00:56:07Oh, no!
00:56:08Oh, no!
00:56:09Oh, no!
00:56:10Oh, no!
00:56:11Oh, no!
00:56:12Oh, no!
00:56:13Oh, no!
00:56:14Oh, no!
00:56:15Oh, no!
00:56:16Oh, no!
00:56:17Oh, no!
00:56:18Oh, no!
00:56:19Oh, no!
00:56:20Oh, no!
00:56:21Oh, no!
00:56:22Oh, no!
00:56:23Oh, no!
00:56:24Oh, no!
00:56:25Oh, no!
00:56:26Oh, no!
00:56:27Oh, no!
00:56:28Oh, no!
00:56:29Oh, no!
00:56:30Oh, no!
00:56:31Oh, no!
00:56:32Oh, no!
00:56:33Oh, no!
00:56:34Oh, no!
00:56:35Oh, no!
00:56:36Oh, no!
00:56:37Oh, no!
00:56:38Oh, no!
00:56:39Oh, no!
00:56:40Oh, no!
00:56:41Oh, no!
00:56:42Oh, no!
00:56:43Oh, no!
00:56:44Oh, no!
00:56:45Oh, no!
00:56:46Oh, no!
00:56:47Oh, no!
00:56:48Oh, no!
00:56:49Oh, no!
00:56:50Oh, no!
00:56:51Oh, no!
00:56:52Oh, no!
00:56:53Oh, no!
00:56:54Oh, no!
00:56:55Oh, no!
00:56:56Oh, no!
00:56:57Oh, no!
00:56:58Oh, no!
00:56:59Oh, no!
00:57:00Oh, no!
00:57:01Oh, no!
00:57:02Oh, no!
00:57:03Oh, no!
00:57:04Oh, no!
00:57:05Oh, no!
00:57:06Oh, no!
00:57:07Oh, no!
00:57:08Oh, no!
00:57:09Oh, no!
00:57:10Oh, no!
00:57:11Oh, no!
00:57:12Oh, no!
00:57:13Oh, no!
00:57:14Oh, no!
00:57:15Oh, no!
00:57:16Oh, no!
00:57:17Oh, no!
00:57:18Oh, no!
00:57:19Oh, no!
00:57:20Oh, no!
00:57:21Oh, no!
00:57:22Oh, no!
00:57:23Oh, no!
00:57:24Oh, no!
00:57:25Oh, no!
00:57:26Oh, no!
00:57:27Oh, no!
00:57:28Oh, no!
00:57:29Oh, no!
00:57:30Oh, no!
00:57:31Oh, no!
00:57:32Oh, no!
00:57:33Oh, no!
00:57:34Oh, no!
00:57:35Oh, no!
00:57:36Oh, no!
00:57:37Oh, no!
00:57:38Oh, no!
00:57:39Oh, no!
00:57:40Oh, no!
00:57:41Oh, no!
00:57:42Oh, no!
00:57:43Oh, no!
00:57:44Oh, no!
00:57:45Oh, no!
00:57:46Oh, no!
00:57:47Oh, no!
00:57:48Oh, no!
00:57:49Oh, no!
00:57:50Oh, no!
00:57:51Oh, no!
00:57:52Oh, no!
00:57:53Oh, no!
00:57:54Oh, no!
00:57:55Oh, no!
00:57:56Oh, no!
00:57:57Oh, no!
00:57:58Oh, no!
00:57:59Oh, no!
00:58:00Oh, no!
00:58:01Oh, no!
00:58:02Oh, no!
00:58:03Oh, no!
00:58:04Oh, no!
00:58:05Oh, no!
00:58:06Oh, no!
00:58:07Oh, no!
00:58:08Oh, no!
00:58:09Oh, no!
00:58:10Oh, no!
00:58:11Oh, no!
00:58:12Oh, no!
00:58:13Oh, no!
00:58:14Oh, no!
00:58:15Oh, no!
00:58:16Oh, no!
00:58:17Oh, no!
00:58:18Oh, no!
00:58:19Oh, no!
00:58:20Oh, no!
00:58:21Oh, no!
00:58:22Oh, no!
00:58:23Oh, no!
00:58:24Oh, no!
00:58:25Oh, no!
00:58:26Oh, no!
00:58:27Oh, no!
00:58:28Oh, no!
00:58:29Oh, no!
00:58:30Oh, no!
00:58:31Oh, no!
00:58:32Oh, no!
00:58:33Oh, no!
00:58:34Oh, no!
00:58:35Oh, no!
00:58:36Oh, no!
00:58:37Oh, no!
00:58:38Oh, no!
00:58:39Oh, no!
00:58:40Oh, no!
00:58:41Oh, no!
00:58:42Oh, no!
00:58:43Oh, no!
00:58:44Oh, no!
00:58:45Oh, no!
00:58:46Oh, no!
00:58:47Oh, no!
00:58:48Oh, no!
00:58:49Oh, no!
00:58:50Oh, no!
00:58:51Oh, no!
00:58:52Oh, no!
00:58:53Oh, no!
00:58:54Oh, no!
00:58:55Oh, no!
00:58:56Oh, no!
00:58:57Oh, no!
00:58:58Oh, no!
00:58:59Oh, no!
00:59:00Oh, no!
00:59:01Oh, no!
00:59:02Oh, no!
00:59:03Oh, no!
00:59:04Oh, no!
00:59:05Oh, no!
00:59:06Oh, no!
00:59:07Oh, no!
00:59:08Oh, no!
00:59:09Oh, no!
00:59:10Oh, no!
00:59:11Oh, no!
00:59:12Oh, no!
00:59:13Oh, no!
00:59:14Oh, no!
00:59:15Oh, no!
00:59:16Oh, no!
00:59:17Oh, no!
00:59:18Oh, no!
00:59:19Oh, no!
00:59:20Oh, no!
00:59:21Oh, no!
00:59:22Oh, no!
00:59:23Oh, no!
00:59:24Oh, no!
00:59:25Oh, no!
00:59:26Oh, no!
00:59:27Oh, no!
00:59:28Oh, no!
00:59:29Oh, no!
00:59:30Oh, no!
00:59:31Oh, no!
00:59:32Oh, no!
00:59:33Oh, no!
00:59:34Oh, no!
00:59:35Oh, no!
00:59:36Oh, no!
00:59:37Oh, no!
00:59:38Oh, no!
00:59:39Oh, no!
00:59:40Oh, no!
00:59:41Oh, no!
00:59:42Oh, no!
00:59:43Oh, no!
00:59:44Oh, no!
00:59:45Oh, no!
00:59:46Oh, no!
00:59:47Oh, no!
00:59:48Oh, no!
00:59:49Oh, no!
00:59:50Oh, no!
00:59:51Oh, no!
00:59:52Oh, no!
00:59:53Oh, no!
00:59:54Oh, no!
00:59:55Oh, no!
00:59:56Oh, no!
00:59:57Oh, no!
00:59:58Oh, no!
00:59:59Oh, no!
01:00:00Oh, no!
01:00:01Oh, no!
01:00:02Oh, no!
01:00:03Oh, no!
01:00:04Oh, no!
01:00:05Oh, no!
01:00:06Oh, no!
01:00:07Oh, no!
01:00:08Oh, no!
01:00:09Oh, no!
01:00:10Oh, no!
01:00:11Oh, no!
01:00:12Oh, no!
01:00:13Oh, no!
01:00:14Oh, no!
01:00:15Oh, no!
01:00:16Oh, no!
01:00:17Oh, no!
01:00:18Oh, no!
01:00:19Oh, no!
01:00:20Oh, no!
01:00:21Oh, no!
01:00:22Oh, no!
01:00:23Oh, no!
01:00:24Oh, no!
01:00:25Oh, no!
01:00:26Oh, no!
01:00:27Oh, no!
01:00:28Oh, no!
01:00:29Oh, no!
01:00:30Oh, no!
01:00:31Oh, no!
01:00:32Oh, no!
01:00:33Oh, no!
01:00:34Oh, no!
01:00:35Oh, no!
01:00:36Oh, no!
01:00:37Oh, no!
01:00:38Oh, no!
01:00:39Oh, no!
01:00:40Oh, no!
01:00:41Oh, no!
01:00:42Oh, no!
01:00:43Oh, no!
01:00:44Oh, no!
01:00:45Oh, no!
01:00:46Oh, no!
01:00:47Oh, no!
01:00:48Oh, no!
01:00:49Oh, no!
01:00:50Oh, no!
01:00:51Oh, no!
01:00:52Oh, no!
01:00:53Oh, no!
01:00:54Oh, no!
01:00:55Oh, no!
01:00:56Oh, no!
01:00:57Oh, no!
01:00:58Oh, no!
01:00:59Oh, no!
01:01:00Oh, no!
01:01:01Oh, no!
01:01:02Oh, no!
01:01:03Oh, no!
01:01:04Oh, no!
01:01:05Oh, no!
01:01:06Oh, no!
01:01:07Oh, no!
01:01:08Oh, no!
01:01:09Oh, no!
01:01:10Oh, no!
01:01:11Oh, no!
01:01:12Oh, no!
01:01:13Oh, no!
01:01:14Oh, no!
01:01:15Oh, no!
01:01:16Oh, no!
01:01:17Oh, no!
01:01:18Oh, no!
01:01:19Oh, no!
01:01:20Oh, no!
01:01:21Oh, no!
01:01:22Oh, no!
01:01:23Oh, no!
01:01:24Oh, no!
01:01:25Oh, no!
01:01:26Oh, no!
01:01:27Oh, no!
01:01:28Oh, no!
01:01:29Oh, no!
01:01:30Oh, no!
01:01:31Oh, no!
01:01:32Oh, no!
01:01:33Oh, no!
01:01:34Oh, no!
01:01:35Oh, no!
01:01:36Oh, no!
01:01:37Oh, no!
01:01:38Oh, no!
01:01:39Oh, no!
01:01:40Oh, no!
01:01:41Oh, no!
01:01:42Oh, no!
01:01:43Oh, no!
01:01:44Oh, no!
01:01:45Oh, no!
01:01:46Oh, no!
01:01:47Oh, no!
01:01:48Oh, no!
01:01:49Oh, no!
01:01:50Oh, no!
01:01:51Oh, no!
01:01:52Oh, no!
01:01:53Oh, no!
01:01:54Oh, no!
01:01:55Oh, no!
01:01:56Oh, no!
01:01:57Oh, no!
01:01:58Oh, no!
01:01:59Oh, no!
01:02:00Oh, no!
01:02:01Oh, no!
01:02:02Oh, no!
01:02:03Oh, no!
01:02:04Oh, no!
01:02:05Oh, no!
01:02:06Oh, no!
01:02:07Oh, no!
01:02:08Oh, no!
01:02:09Oh, no!
01:02:10Oh, no!
01:02:11Oh, no!
01:02:12Oh, no!
01:02:13Oh, no!
01:02:14Oh, no!
01:02:15Oh, no!
01:02:16Oh, no!
01:02:17Oh, no!
01:02:18Oh, no!
01:02:19Oh, no!
01:02:20Oh, no!
01:02:21Oh, no!
01:02:22Oh, no!
01:02:23Oh, no!
01:02:24Oh, no!
01:02:25Oh, no!
01:02:26Oh, no!
01:02:27Oh, no!
01:02:28Oh, no!
01:02:29Oh, no!
01:02:30Oh, no!
01:02:31Oh, no!
01:02:32Oh, no!
01:02:33Oh, no!
01:02:34Oh, no!
01:02:35Oh, no!
01:02:36Oh, no!
01:02:37Oh, no!
01:02:38Oh, no!
01:02:39Oh, no!
01:02:40Oh, no!
01:02:41Oh, no!
01:02:42Oh, no!
01:02:43Oh, no!
01:02:44Oh, no!
01:02:45Oh, no!
01:02:46Oh, no!
01:02:47Oh, no!
01:02:48Oh, no!
01:02:49Oh, no!
01:02:50Oh, no!
01:02:51Oh, no!
01:02:52Oh, no!
01:02:53Oh, no!
01:02:54Oh, no!
01:02:55Oh, no!
01:02:56Oh, no!
01:02:57Oh, no!
01:02:58Oh, no!
01:02:59Oh, no!
01:03:00Oh, no!
01:03:01Oh, no!
01:03:02Oh, no!
01:03:03Oh, no!
01:03:04Oh, no!
01:03:05Oh, no!
01:03:06Oh, no!
01:03:07Oh, no!
01:03:08Oh, no!
01:03:09Oh, no!
01:03:10Oh, no!
01:03:11Oh, no!
01:03:12Oh, no!
01:03:13Oh, no!
01:03:14Oh, no!
01:03:15Oh, no!
01:03:16Oh, no!
01:03:17Oh, no!
01:03:18Oh, no!
01:03:19Oh, no!
01:03:20Oh, no!
01:03:21Oh, no!
01:03:22Oh, no!
01:03:23Oh, no!
01:03:24Oh, no!
01:03:25Oh, no!
01:03:26Oh, no!
01:03:27Oh, no!
01:03:28Oh, no!
01:03:29Oh, no!
01:03:30Oh, no!
01:03:31Oh, no!
01:03:32Oh, no!
01:03:33Oh, no!
01:03:34Oh, no!
01:03:35Oh, no!
01:03:36Oh, no!
01:03:37Oh, no!
01:03:38Oh, no!
01:03:39Oh, no!
01:03:40Oh, no!
01:03:41One rejuvenates seeing this.
01:03:43It's been years since rockets were fired here.
01:03:45Since poor Manolo cut off his last ear.
01:03:48For the second bull, bring it.
01:03:51Whenever Manolo Baez Litri cut off an ear,
01:03:53rockets had been fired on the streets of San Sebastián.
01:03:57And it was a pleasure to see how, after all these years,
01:03:59the serene sky of Huelva was torn apart again by the splinters of gunpowder.
01:04:05It seemed that the eyes of the old, dried-up bulls were shining with life.
01:04:09The inert and dusty bull museum, which was Litri's tertulia,
01:04:13was beginning to revive.
01:04:15Gentlemen, Miguel is here.
01:04:17We have a bullfighter.
01:04:19Congratulations, Miguel.
01:04:20Thank you, gentlemen. Thank you.
01:04:21Congratulations.
01:04:24I saw your father bullfighting.
01:04:26He was a male.
01:04:27And your brother, what would have happened if that bull killed Manolo?
01:04:30Let's not think about that.
01:04:32Today, neither Dominó, nor Villar, nor anything,
01:04:34to comment on your work.
01:04:35How have you been in the second bull?
01:04:37Extraordinary.
01:04:38I liked the first one better.
01:04:40He killed both of them.
01:04:44For the future master of bullfighting.
01:04:47For the best bull of Huelva.
01:04:49And from there to the top.
01:04:51The consecration was in Valencia,
01:04:52and when it debuted in Madrid,
01:04:53Miguel came to the square with his first own car.
01:05:04The new car.
01:05:06Which is my place?
01:05:07The transport.
01:05:08Well, that's worth more than a horse.
01:05:10It is more comfortable and safer.
01:05:12Good afternoon, master.
01:05:13Hello, little orange.
01:05:15What?
01:05:16Are you tiring this beast?
01:05:18The real beast is locked up in there.
01:05:21This and I are two unhappy.
01:05:23Come on, Saturnino.
01:05:26One moment, please.
01:05:28Master, let's give him courage.
01:05:29A smile for the English.
01:05:36Huelva.
01:05:38Huelva.
01:05:40Huelva.
01:05:42Huelva.
01:05:44Huelva.
01:05:46Huelva.
01:05:48Huelva.
01:05:50Huelva.
01:05:52Huelva.
01:05:54Huelva.
01:06:01Huelva.
01:06:03Huelva.
01:06:05Huelva.
01:06:07Huelva.
01:06:09Huelva.
01:06:11Finish soon, Miguel.
01:06:12The bull is burning.
01:06:13Touch them.
01:06:28On this album, please.
01:06:30With great pleasure, miss.
01:06:32But with a few words.
01:06:35For some eyes in which I consider myself beaten and hurt.
01:06:41For God's sake, don't make me so dangerous.
01:06:43It's a danger that I like, Cati.
01:06:45Do you know my name?
01:06:47I read it in Huelva about the sand in a bag.
01:06:49Do you remember?
01:06:51How could I forget it?
01:06:53Goodbye.
01:06:59This was already the fame.
01:07:01I saw it on the news.
01:07:02Now is the time.
01:07:04The contracts were raining down on him.
01:07:06The most hermetic, most closed squares were opening up before his triumph.
01:07:34Good job, Haka. Let's go upstairs.
01:07:40It's good. Too fast.
01:07:42Always better than a horse.
01:07:43What, are we leaving now?
01:07:45There's time.
01:07:46The artist arrived.
01:07:47They're both in the hotel bar.
01:07:49How lucky are the two of them.
01:07:51Lucky?
01:07:52Is there something that worries you?
01:07:54And you don't?
01:07:55He is crazy.
01:07:57I don't know. But I don't like her for a bullfighter.
01:08:00An excursionist, you understand? He has fun, he dazzles Miguelito, but as soon as he passes...
01:08:06Nonsense.
01:08:07Nonsense? Do you know about his brother, Bocazas?
01:08:10What do I put on the Lord?
01:08:11The Lord? Two candles, what a good lack they make us. And a cognac, also double.
01:09:00It was an exhausting campaign. More than a hundred times he entered those round
01:09:11alambras that are the squares. Two hundred times he challenged death. He came out victorious.
01:09:17It was like a triumphal and heroic march that seemed to have no end. He crossed the map
01:09:21of Spain countless times. Every day he ennobled the public with a different charm. Every
01:09:26morning he saw the sun rise in a different landscape.
01:09:35This is a car, Naranjito.
01:09:37American only, close to Moguer.
01:09:39You don't notice the bumps, but the stomach goes up little by little, right?
01:09:44Ay, ay, but in spite of everything...
01:09:46Don't say it, Naranjito, in spite of everything, you prefer it to the horse.
01:09:49Of course, and in addition to Bute.
01:09:52How far was Huelva reclaimed in her provincial silence. And her childhood, between high school
01:09:58and becerrista. And Carmela. Yes, Carmela, that little girl with whom he walked before
01:10:04being famous and who, whenever he bullfights, asks for his life to the Virgin of La Cinza,
01:10:08because he knows of his devotion to the patroness of Huelva. Just like his mother, every day with
01:10:13her hair whiter, with more wrinkles on her face because the pain of her youth is renewed in her.
01:10:18Huelva thought of him wholeheartedly. All of her participated in his triumph.
01:10:21What time do you shoot, sir?
01:10:23At six and a quarter. At this moment, Litri will be killing his second bull.
01:10:29Kid, take that away from football and put on radio Sevilla, to broadcast Litri's race.
01:10:33But dad, the second half is already over and there are two to one.
01:10:36Blessed football.
01:10:44Let's go for him, Litri!
01:10:46Mr. Aguayo is already calling you.
01:10:48Long live Litri! Long live Huelva!
01:10:53Spain limits to the north.
01:10:55An ear for Litri!
01:10:56Olé! Olé, olé, olé, olé, olé, olé.
01:10:59Three, four, two ears. Phenomenal!
01:11:03And five, also the tail.
01:11:05The first one is enough for me. Sign that nothing has happened to him.
01:11:08Mom, no news, no news. We can go to have a snack and go to the movies at night.
01:11:12Oh, daughter, what weight has taken over me.
01:11:14I was worried and I don't know why.
01:11:18Please, wait downstairs. It's just a moment.
01:11:21Excuse us.
01:11:25I'm tired.
01:11:26What you are is full. Full of bull.
01:11:28You have to rest in Huelva.
01:11:34Katia, how are you?
01:11:36To have dinner with you?
01:11:38Well.
01:11:39Will you pass through here?
01:11:41Yes, thank you. See you later.
01:11:43Be careful with that girl.
01:11:45Why?
01:11:46The money and the women in Huelva.
01:11:48Conference.
01:11:51Enormous! Two ears and two tails in each bull.
01:11:54What does it say? Two tails in each bull?
01:11:56Well, there you understand me. Out of the wheel, let me turn around.
01:11:59Hey, hey! How do they get out?
01:12:02Back to the wheel. He's still giving them.
01:12:07Thank you, Aguayo.
01:12:08So, Aguayo is a kind of camera assistant.
01:12:11What goes, much more.
01:12:12But take care of your service, your suits.
01:12:15He gives me the sword in the square and is my friend.
01:12:17Oh, I'm falling.
01:12:19This is Cudero.
01:12:21By God, it will not bother him to call him Cudero.
01:12:24No, miss, that's not what bothers me.
01:12:27I think I do not fall in grace.
01:12:30Enhorabuena, Miguel. You have been superior.
01:12:33Thank you, Perico. The cattle that has come out good.
01:12:35Do not be modest. You've had your afternoon.
01:12:37Goodbye, Katia, pretty.
01:12:40Today, yes, you have bullfighting well. I will never forget it.
01:12:43I'm happy because I'm going to shoot another movie here.
01:12:46And so I can see you bullfighting more.
01:12:48And before I leave, I'll go see you in Huelva.
01:12:51See you later.
01:12:53Goodbye.
01:12:59I accept the contract of Mexico. I'll be there four months.
01:13:02I would like you to succeed in that land.
01:13:04I'll go see you.
01:13:06For your success.
01:13:08And for everything you do.
01:13:11Do not excuse him.
01:13:13If he has not sent me a postcard.
01:13:15They say that in Madrid and Seville he goes with Marquises and Countesses.
01:13:19I am already little for him.
01:13:21Do not be silly. You are the truth. Who wants to see you?
01:13:24All that will pass.
01:13:25And if I told you that I had been here?
01:13:27And you have not been able to come to see me.
01:13:30What a job is going to do Litri this afternoon.
01:13:32Why?
01:13:33Carmela will not like it much.
01:13:35What do you mean?
01:13:36That he has gone to bathe a beach with that foreigner who brings him crazy.
01:13:39Now that is understood. What a woman.
01:13:58THE END
01:14:01Look, you know that I am poor.
01:14:04I do not have more than a cow.
01:14:06But I'm 20 years old and as my father says, it's the best thing in the world.
01:14:10And there is nothing to do because you got me here.
01:14:12We're leaving now. It's a little late.
01:14:14When you are happy, you should not measure time or know what time it is.
01:14:17See you tomorrow.
01:14:19I have not told you everything.
01:14:21Well, look, we've been chatting for a long time.
01:14:23I love you, Carmela.
01:14:27THE NEXT DAY
01:14:41What time is it?
01:14:43Almost eleven.
01:14:44We are already arriving.
01:14:47I would like to get to the neighborhood.
01:14:49Yes? Only to the neighborhood?
01:14:52And ...
01:14:55Aguayo.
01:14:56Do not say it, Naranjito.
01:14:58That's not it.
01:14:59Word of honor, that's not it.
01:15:00I prefer the horse, although sometimes we go up more.
01:15:05Please, buckle the belt.
01:15:07Miss, I use straps.
01:15:09Buckle it.
01:15:10Buckle it.
01:15:16How I admire you.
01:15:18Seen from here, you can see how big they are.
01:15:20And to think that this afternoon you have to stand in front of them.
01:15:24I've only done it for you.
01:15:25And I never come to the neighborhood.
01:15:43Do you agree with the lots?
01:15:44Agree.
01:15:45Let's see, an innocent hand.
01:15:46This one.
01:15:50Damn, bad luck.
01:15:52I do not like that mess.
01:15:54Well, the lots are well done.
01:15:55If you had to flag it, or chop it.
01:15:58Do not complain, Naranjito.
01:15:59If now you have a peto and you are sitting in a chair.
01:16:02Hey, the one who carries the peto is the horse.
01:16:05I was going to fill the bottle at the fountain.
01:16:13Good morning, Don Turezas.
01:16:15Have you seen the fabric?
01:16:16Nothing, nothing.
01:16:18Some goats, as always, Naranjito.
01:16:20Some pearls in sweet.
01:16:22It's just that I do not like that dessert.
01:16:24May you be lucky.
01:16:34A beautiful, pleasant and very cheap advertising campaign.
01:16:39Well, Katia, as you will see here, they are as everywhere.
01:16:42Sentimental and curious.
01:16:43More sentimental than anything else.
01:16:46Yes, but you have had to infect.
01:16:48Because of curiosity you have very little.
01:16:50Did you get what Mexico?
01:16:51Of course.
01:16:52How was I going to get that contract for Katia?
01:16:54It's great.
01:16:56All this helped you?
01:16:57Your admirers loved a bullfighter through you.
01:16:59You are the love of fashion.
01:17:01The public asks you.
01:17:02Ah, start next week.
01:17:04So soon?
01:17:05Is that you have a lot to do here?
01:17:07No, nothing.
01:17:08It was just a question.
01:17:10Here I have nothing to do.
01:17:12It was time.
01:17:13This afternoon we can finally go together to the bulls.
01:17:18How have you put the family?
01:17:20Leave it, that lasted a few minutes.
01:17:22Instead, a cornet.
01:17:23What an intellectual face you have.
01:17:25It looks like a Nobel Prize.
01:17:27The Christmas tree will be your father.
01:17:29It will be possible.
01:17:33Let's go from here, man, let's go.
01:17:44You were not going to toast the bull?
01:17:47Let the blonde who accompanies him toast it.
01:18:13Today there will be no rockets in Huelva.
01:18:15Yes, there will be.
01:18:17Just so someone can hear them.
01:18:19Go with him.
01:18:25Go with him.
01:18:43Go with him.
01:18:45Go with him.
01:19:05Have you been able to film the welcome?
01:19:07All. I was lucky.
01:19:08Very interesting.
01:19:13Miguel!
01:19:15Miguel!
01:19:20He has a cornet.
01:19:22See, doctor, this does not die.
01:19:24Stay calm.
01:19:26Soon, soon, doctor.
01:19:30Doctor.
01:19:32Go see what he has.
01:19:34What was it?
01:19:35A soda of the great.
01:19:36Let's see.
01:19:37In these cases, the dangerous thing is the meninges.
01:19:39Meninges?
01:19:41We do not have ...
01:19:43There.
01:19:51I'm still worried, Aguayo.
01:19:53It's natural.
01:19:54It's out of danger.
01:19:55Yes.
01:19:56I know you never know if there is a bull or not,
01:19:58until a bull seriously falls on it.
01:20:00But in this case ...
01:20:01Bah, it's not out there.
01:20:03It's another fall that I'm sick of.
01:20:05There are those who do not feel the horns or the fear of hardness.
01:20:07And instead,
01:20:09he is overwhelmed by other things.
01:20:13It's nothing, Miguel.
01:20:14In a few days we will see each other in Mexico.
01:20:16God willing.
01:20:17I brought you this radio device.
01:20:19He will talk to you for me.
01:20:21I would have liked to stay, but you know.
01:20:23I need to go to Rome a few days before starting to shoot.
01:20:26Yes, I understand.
01:20:28So, see you in Mexico?
01:20:30Surely.
01:20:31Goodbye.
01:20:32Goodbye.
01:20:37Take care of it, Aguayo.
01:20:38Of course, miss.
01:20:40I will take good care of it.
01:20:44Are you better, Miguel?
01:20:45Yes, mother.
01:20:46Today I have no fever.
01:20:48I brought you these flowers.
01:20:50I should have withdrawn you.
01:20:52Because of this?
01:20:53I already had it.
01:20:55In spite of everything,
01:20:56that hornet was sewing his land again,
01:20:59his landscapes.
01:21:01He bought an olive farm,
01:21:03flat and rich land,
01:21:04which he had trampled on so many times as a child.
01:21:06There came the convalescence,
01:21:08which is like being born again.
01:21:10Releasing things again.
01:21:13Having all this,
01:21:14don't get so excited.
01:21:16In front of the bull, I forget.
01:21:17It seems to me that I am always starting.
01:21:19In the wheel, I will sing to you
01:21:20the claim of the lost
01:21:21when you go crazy,
01:21:22so that you remember the courtship
01:21:23and get closer.
01:21:25Well, do it.
01:21:27He returned to his friends,
01:21:29to the people he loved as a child,
01:21:31to his first enlightenment,
01:21:32to female eyes.
01:21:34Why don't you take anything?
01:21:35Doesn't it hurt?
01:21:36I'm better than before, Carmela.
01:21:37And as if they had taken 10 years from me.
01:21:39I have suffered a lot for you.
01:21:41I even thought of taking the train
01:21:42to go see you at the clinic,
01:21:44but I didn't dare.
01:21:45Why?
01:21:46Because I thought you had already forgotten me.
01:21:48You were so high.
01:21:49That was false.
01:21:50Everyone told me out there
01:21:51that you are quiet.
01:21:52Why don't you speak?
01:21:53And it is that I am always thinking
01:21:55about my things
01:21:56and about real people like you.
01:21:58Then why don't you listen
01:21:59to everyone who loves you?
01:22:01Are you going to tower more?
01:22:02Of course.
01:22:03I'll reappear in Malaga on Sunday.
01:22:05In Malaga?
01:22:06No, Miguel, no.
01:22:08Are you saying that because of my brother, Manolo?
01:22:10Yes.
01:22:19I was there the day his brother was killed.
01:22:21Let's see what he does.
01:22:22It seems to me that after the arrest
01:22:23that man is finished.
01:22:24And with the millions he has.
01:22:25Yes.
01:22:26Let's see Alitri.
01:22:27Let's go for a walk.
01:22:29Because what is another thing ...
01:22:31Don't insist, leave it.
01:22:32I prefer to stay at home.
01:22:33But woman.
01:22:34Leave me.
01:22:35Since the race was announced
01:22:36I do not do more than remember
01:22:37about poor Manolo.
01:22:38The present, the future, the future.
01:22:40Shadows, many shadows.
01:22:42But well, ma'am, to the point.
01:22:43It's going to rhyme or it's not going to rhyme.
01:22:47I see blood, a lot of blood
01:22:49of a fat butcher.
01:22:51That goes for you.
01:22:52That goes for me.
01:22:53Well, look, ma'am.
01:22:54You are a whore
01:22:55and the ball does not go in a pot.
01:22:56Neither the ball, nor you,
01:22:57nor the father of the ball.
01:22:59And with the hards he has,
01:23:00you would tower again.
01:23:01No way.
01:23:02But it seems to me
01:23:03that as soon as the bull comes out
01:23:04Alitri will be of the same opinion.
01:23:06The appearance of the square is impressive.
01:23:08The name of Alitri is on all lips,
01:23:10but not coincide
01:23:11much less all opinions.
01:23:13There are many who remember
01:23:14their past glorious triumphs,
01:23:16but many also
01:23:17who doubt that I will repeat them again.
01:23:32That's a bull!
01:23:33What a head!
01:24:02And what is above, horse?
01:24:03Like the good times.
01:24:04In the good times for what?
01:24:06That what is for the horses?
01:24:14To the bull, coward!
01:24:17Coward?
01:24:18Take a walk around the fair
01:24:19and you'll see what the witch says.
01:24:23Very well changed.
01:24:25The presidents know about this.
01:24:28This is Santurrino.
01:24:37Come on, it's your turn.
01:24:41God take me, confessor.
01:24:49Good.
01:24:53The bull is the owner of the square.
01:24:56Let's see what Alitri does
01:24:57with that monument.
01:24:59Be careful, Miguel.
01:25:00A few mules and you have to go to America.
01:25:03Do not have any nonsense.
01:25:05La Montera.
01:25:06Are you afraid of Alitri?
01:25:08Where did the bull kill my sister?
01:25:11I do not know.
01:25:13I was not there.
01:25:14I saw it.
01:25:15It was here next door, on the 7th.
01:25:17He first gave him five passes high.
01:25:21Miguel.
01:25:23That toast no one heard.
01:25:25Because his lips did not get to pronounce it.
01:25:27It was not necessary.
01:25:29His brother Manuel,
01:25:30mortally wounded on that same sand,
01:25:32I knew it was for him.
01:25:34Only for him.
01:25:35For those who raised La Montera to heaven.
01:25:52And five.
01:25:54And then he gave him two on his knees,
01:25:56generating.
01:26:22It seems they are dictating Rafaela.
01:27:22So.
01:27:23So he gave it to the natural.
01:27:38In a pass like this,
01:27:43he gave it to the bull.
01:27:46And then he gave it to the bull.
01:27:48And then to the bull.
01:27:51He could not continue.
01:27:55And twenty-five years later,
01:27:57a bullfighter of the same blood,
01:27:59then spilled,
01:28:00continued that incomplete work,
01:28:02truncated by death.
01:28:13Miguel.
01:28:20Miguel.
01:28:51Olé! Olé! Olé!
01:28:54Get out, fat! Olé! Olé!
01:29:06He seemed the avenger of the spilled blood.
01:29:08The follower of the dynasty that in that sand was about to be extinguished.
01:29:12With him he reached his estirpe the most noble glory.
01:29:20© BF-WATCH TV 2021