- 5/23/2025
El Litri y su sombra (1959) - Película española completa
El Litri y su sombra (1959) - Película española completa
El Litri y su sombra (1959) - Película española completa
El Litri y su sombra (1959) - Película española completa
El Litri y su sombra (1959) - Película española completa
Category
😹
FunTranscript
00:00:00♪♪♪
00:00:10♪♪♪
00:00:20♪♪♪
00:00:30♪♪♪
00:00:40♪♪♪
00:00:50♪♪♪
00:01:00♪♪♪
00:01:10♪♪♪
00:01:20♪♪♪
00:01:30♪♪♪
00:01:40♪♪♪
00:01:50♪♪♪
00:02:00♪♪♪
00:02:10♪♪♪
00:02:20♪♪♪
00:02:30♪♪♪
00:02:40♪♪♪
00:02:50♪♪♪
00:03:00♪♪♪
00:03:10♪♪♪
00:03:20♪♪♪
00:03:30♪♪♪
00:03:40♪♪♪
00:03:50♪♪♪
00:04:00♪♪♪
00:04:10♪♪♪
00:04:20♪♪♪
00:04:30♪♪♪
00:04:40♪♪♪
00:04:50♪♪♪
00:05:00♪♪♪
00:05:10♪♪♪
00:05:20♪♪♪
00:05:30♪♪♪
00:05:40♪♪♪
00:05:50♪♪♪
00:06:00♪♪♪
00:06:10♪♪♪
00:06:20♪♪♪
00:06:30♪♪♪
00:06:40♪♪♪
00:06:50♪♪♪
00:07:00♪♪♪
00:07:10♪♪♪
00:07:20♪♪♪
00:07:30♪♪♪
00:07:40♪♪♪
00:07:50♪♪♪
00:08:00♪♪♪
00:08:10♪♪♪
00:08:20♪♪♪
00:08:30♪♪♪
00:08:40♪♪♪
00:08:50♪♪♪
00:09:00¿Me permite usted el periódico?
00:09:02Es que soy su padre.
00:09:05Le acompañaba el cirujano MacDonald,
00:09:07el médico inglés de las minas de Río Tinto,
00:09:10explotadas desde el tiempo de los romanos.
00:09:13¿Usted cree que se salvará, doctor?
00:09:15Don Miguel, según el parte de la prensa, la herida es grave.
00:09:19Pero confiemos.
00:09:31Hijo mío.
00:09:36Maldito.
00:09:37Mala suerte.
00:09:42Se ha declarado la cangrena.
00:09:44Habrá que amputar.
00:09:46Y desde muy alto.
00:09:47Y aún así...
00:09:48Doctor.
00:09:51Una vez quisieron cortarme un brazo, y yo me negué.
00:09:57¿Qué es un torero manco?
00:09:59Pero ahora...
00:10:01no pienso lo mismo.
00:10:03Que muera el torero, pero que se salve mi hijo.
00:10:10Cuando se aproxima el momento terrible,
00:10:12la muerte ilumina cruelmente los hechos más alegres de nuestra vida.
00:10:16Para Manuel Báez aquel momento había llegado.
00:10:19Ya no tenía una pierna, pero no se daba cuenta.
00:10:23Notaba hasta el cosquilleo en la planta del pie que no existía.
00:10:28Cuando se entere de que le han cortado una pierna,
00:10:31tardará muchos días en saberlo.
00:10:33Se lo diremos cuando esté repuesto.
00:10:36Ahora tiene la sensación de que está intacto.
00:10:39Es lo que en medicina le llamamos los miembros fantasmas.
00:10:42Pero pronto todo él iba a ser un puro fantasma.
00:10:45Un recuerdo.
00:10:46Una sombra.
00:10:47Antes de hundirse en ella, nunca ha sido más luminosa la vida.
00:10:51Recordaba.
00:10:52Se veía de niño jugando al toro en la claridad añil de las calles de Huelva.
00:10:58Llevado vestido de azul y oro, como en una procesión pagana,
00:11:01hasta las puertas de su casa, donde le esperaba su padre.
00:11:06Y como un relámpago maravilloso el amor.
00:11:08Recordaba las ardientes manos de una mujer acariciándole.
00:11:11Qué valiente estuviste ayer.
00:11:13Hiciste que el toro cayera al pie de mi barrera.
00:11:16Mira tú que la plaza estaba llena.
00:11:18Pues no veía a nadie.
00:11:20A ti sí.
00:11:21Porque solo para ti toleaba.
00:11:23Desde ayer no envidio a nadie en el mundo.
00:11:26Ahora estoy completamente seguro de ser feliz.
00:11:30Pero él ignoraba que existía ya el toro que había de acabar con sus ilusiones.
00:11:35Con su propia vida.
00:11:37Bonito era él.
00:11:38¿Cómo se llama?
00:11:39Extremeño, señor Marqués.
00:11:43Voy a comprar una finca más grande que todo esto que vemos desde aquí.
00:11:47Y será para ti.
00:11:48Yo lo que quiero es que te retires pronto de los toros.
00:11:51Que vivamos solo para nosotros.
00:11:53Pero si ahora estoy en la buena.
00:11:54Tú me has dado suerte.
00:11:55Dos años más y rico.
00:11:58¿Qué te pasa?
00:11:59¿No dudas?
00:12:00Dos años todavía.
00:12:01Se pasarán volando, ya verás.
00:12:02Además, si no puede pasarme nada.
00:12:04¿No te he dicho que ahora estoy en la buena?
00:12:06Nunca he tenido tanta confianza en mí mismo.
00:12:08Porque sé que ya nada podrá separarlos.
00:12:11Están colándose de veras.
00:12:13Sí, él sí.
00:12:14Y ella, no sé.
00:12:15Me da el aire de que está como una inglesa en la procesión.
00:12:17Divertida, pero sin fe.
00:12:18De que cualquier día encontrará otras emociones.
00:12:20Siempre hacen daño a las mujeres.
00:12:22El reglamento debería prohibir mirarlas.
00:12:23Al menos durante la temporada.
00:12:41Bonito toro.
00:12:48Extremeño.
00:12:49Va en la corrida de Málaga.
00:13:00Pero aquel apasionado amor
00:13:02se evaporó con el propio deseo de aquella mujer.
00:13:06Una vez satisfecho,
00:13:08ella ni siquiera pensó que él podía quererla de veras.
00:13:12Y volvió a encender la llama
00:13:14que siempre veló por él en los días de corrida.
00:13:17Lo que ella había hecho tantas veces y ya no haría más.
00:13:21Maestro, cuando usted quiera.
00:13:23¿Vos sabías?
00:13:24No.
00:13:25Pero no me extraña esa clase de mujeres.
00:13:27¿Y cómo te...?
00:13:32¿Valía la pena exponer nada?
00:13:35Y empezaron las malas tardes
00:13:38en las que la muchedumbre que le había aclamado
00:13:40se vengaba de sus humillaciones,
00:13:42insultándole ahora.
00:13:55Solo unas manos femeninas, sin saber por qué,
00:13:58acaso por lástima,
00:13:59le aplaudían.
00:14:01Y él se dio cuenta.
00:14:04Por esas manos tan bellas,
00:14:06que son las únicas que me aplauden
00:14:08con todo mi agradecimiento.
00:14:34¡Espera! ¡Espera!
00:14:49Te dolerá un poco, pero esto no es nada.
00:14:51Lo siento señorita, no se puede pasar.
00:14:53Déjeme entrar, solo un instante.
00:14:55Quiero entregarle una medalla.
00:15:04SILENCIO
00:15:27La convalecencia de un joven por una herida limpia
00:15:29es como resucitar.
00:15:31Una inmensa alegría se le subía a la cabeza.
00:15:33Tenía la ilusión de encontrar
00:15:35a aquella muchacha desconocida.
00:15:37Había comprado una finca
00:15:39y se encontraba más seguro
00:15:41y enraizado en la tierra.
00:15:47Hola amigo,
00:15:48se lleva usted a la mejor tierra de Huelva.
00:15:50Mire que olivares.
00:16:01Han cerrado la ventana.
00:16:04Padre,
00:16:06ya no te veo.
00:16:10¿Dónde estás?
00:16:12Aquí, hijo mío.
00:16:15Siento
00:16:17que esto se acaba.
00:16:21Padre,
00:16:23mire ahí, encima de la mesa,
00:16:25dos medallas.
00:16:27Una de la virgen de la finca.
00:16:31Me la dio mi madrina.
00:16:34Y otra,
00:16:36de la virgen de los desamparados.
00:16:39Me la entregó en Gandía a una muchacha
00:16:42con la que nunca pude hablar
00:16:45y cuyo rostro recuerdo
00:16:47porroso
00:16:49por la fiebre de mi herida.
00:16:52Búsquela, padre.
00:16:55Búsquela.
00:16:58Y dígale
00:17:00que me acordé de ella
00:17:03cuando me estaba muriendo.
00:17:10Y Extremeño se llevó en sus astas ensangrentadas,
00:17:14hechos girones,
00:17:16todos los sueños de gloria,
00:17:18de riqueza y pasión del pobre Manuel,
00:17:21el litre,
00:17:23ya con sus nerviosos ojos cerrados definitivamente,
00:17:27para siempre.
00:17:30Para siempre.
00:17:50Ni él ni yo,
00:17:52ninguno de los dos llegamos.
00:17:55La suerte no lo ha querido.
00:17:58¿Qué le vamos a hacer?
00:18:01Y luego vino el polvo del olvido
00:18:03sobre las cabezas disecadas de los toros
00:18:05que vieron tardes luminosas.
00:18:07Allí estaban las vitrinas embalsamando
00:18:09a los apagados trajes de luces.
00:18:11Allí, después del trabajo,
00:18:13se reunían algunos de sus fieles,
00:18:15pero había una sensación de aburrimiento y de nostalgia.
00:18:18Cinco doble.
00:18:19Domino.
00:18:20Diez carambolas.
00:18:22Pero esta te falló.
00:18:23¿Nos jugamos otra copa?
00:18:24Bueno.
00:18:25¿Os acordáis de aquel quite por faroles
00:18:27el día que le entregaron aquí
00:18:29la oreja de oro?
00:18:30Ya lo creo.
00:18:31Yo vi torear al padre.
00:18:32Era un macho.
00:18:34Aquella coronada en el cuello,
00:18:36el día que se retiró aquí, en Huelva,
00:18:38trasangraba,
00:18:39el toro caía partido en dos.
00:18:42Qué sofoco, Miguel.
00:18:44Es la hora de tu siesta.
00:18:45Sí, de las moscas.
00:18:47Anda, quita esa fruta del comedor.
00:18:50Qué calor.
00:18:51García Ramos está escribiendo una historia de Manolito.
00:18:54Pobrecito.
00:18:55Me ha preguntado si tienes alguna fotografía suya.
00:18:58Sí, ahí debe haber algunas.
00:19:00Anda, búscalas tú.
00:19:03Sí, aburrimiento, calor y siesta.
00:19:06Huelva había perdido a su ídolo.
00:19:08Los chicos ya no jugaban al toro.
00:19:11El viejo Litri estaba solo,
00:19:13aislado con los recuerdos de su corazón.
00:19:24Pobre Miguel.
00:19:25Ahora sí que se ha quedado solo.
00:19:27Deberíamos ir a verle.
00:19:28¿Han sido siempre tan amigos nuestros?
00:19:30Ay, sí, yo no conozco Huelva.
00:19:32¿Y tú, Ángeles?
00:19:34Yo tampoco.
00:19:35Pero vamos a dejar ahora Sevilla
00:19:37cuando se aproxima la feria.
00:19:39Volveremos antes.
00:19:40Es solo unos días.
00:19:41Lo pensaré.
00:19:43¿Tú crees que iremos?
00:19:44Lo va a pensar,
00:19:45pero se hará lo que yo quiera.
00:19:47Como siempre.
00:19:48Vamos.
00:19:50Nunca olvidaré vuestra visita.
00:19:52Verdaderamente me he quedado completamente solo.
00:19:55Debía venir también unos días a Sevilla para la feria.
00:19:58Sí, hay que animarse.
00:20:00Nada se consigue con estar triste.
00:20:02No, yo ya estoy viejo.
00:20:04¿Y tú, Ángeles?
00:20:06¿Y tú?
00:20:07¿Y tú?
00:20:08¿Y tú?
00:20:09¿Y tú?
00:20:10¿Y tú?
00:20:11¿Y tú?
00:20:12¿Y tú?
00:20:13¿Y tú?
00:20:14¿Y tú?
00:20:15¿Y tú?
00:20:16¿Y tú?
00:20:17¿Y tú?
00:20:19Mi hija y su amiguita están encantadas con Huelva.
00:20:22Uy, es que esto es precioso.
00:20:24Aquí es cuando le dieron la oreja de oro.
00:20:28Solo me quedan sus recuerdos.
00:20:30¿No le hacen daño?
00:20:32Al contrario.
00:20:34Me consuela.
00:20:36Ahí tengo otros.
00:20:42Esta es la virgen de Cinta.
00:20:44Se la regaló mi hermana, que fue su madrina.
00:20:47I carried her on my neck that afternoon, the last one.
00:20:55And this one?
00:20:57Of the Virgin of the helpless.
00:21:00I would love her, a girl with whom I would never speak,
00:21:04and whose face I remember by the fever of my life.
00:21:09And this one?
00:21:11Of the Virgin of the helpless.
00:21:17Perhaps...
00:21:18Yes, I gave it to him that afternoon.
00:21:21He had offered me a bull.
00:21:24Everything until then had been in that house an inert museum.
00:21:28The memories of three generations of bullfighters filled it obsessively.
00:21:33His endearing tertulia envied him
00:21:35without the impulse of the distant afternoons of rest and glory.
00:21:40And he, so vital,
00:21:42with his twenty-two years in blood,
00:21:46was nothing more than this,
00:21:48bronze and marble,
00:21:50the shadow of a cypress.
00:21:53But the woman who is life
00:21:54was going to put in motion everything that was still.
00:21:57Without knowing it, the old litre was right.
00:22:13You?
00:22:15I have come to Gandía
00:22:17because I wanted to thank you for that medal.
00:22:21My poor son asked me to look for it and there was no need.
00:22:25It was fate that took her to my house in Huelva.
00:22:28Look, I have had emotions in my life of danger,
00:22:30but none like that afternoon
00:22:33when you recognized my son's medal.
00:22:36I was moved to see you so strong with tears in your eyes.
00:22:40It is seen that you are a man of heart.
00:22:42But sit down.
00:22:46Manolito was my only hope.
00:22:49I thought he was going to be the avenger of my defeat
00:22:51because I fought for many years and shed my blood,
00:22:54but nothing came.
00:22:56Also my father, Mequi,
00:22:58thought I was going to save him from his modesty.
00:23:01I did everything possible, but I couldn't.
00:23:04He did, he was already coming.
00:23:09Well, I have to stay a few days in Gandía.
00:23:12If you allow me, I will return some afternoon.
00:23:15You are the only living memory I have of him.
00:23:18Many afternoons he would return to Litri through her house.
00:23:21He would meet his parents
00:23:23and he felt again what he had lost, the warmth of a family.
00:23:26Life is cruel and the dead are never right.
00:23:31Little by little the paternal feeling was becoming something else.
00:23:34It was the calling of life
00:23:36and he felt that only in it could his brave stork be saved,
00:23:40to remove from oblivion so much failed heroism.
00:23:43How beautiful they are and how good they smell.
00:23:45Thank you, Miguel. They are beautiful.
00:23:49Something is happening to him. He seems worried.
00:23:53Do you want me to tell you what I was thinking?
00:23:55Of course.
00:23:57How I would like to be younger
00:23:59and throw out the window all the years I have left.
00:24:02Why?
00:24:03Because without them, perhaps, I would have fixed my loneliness,
00:24:06my sadness,
00:24:08and I would have everything I have lost again.
00:24:11A home,
00:24:12a wife,
00:24:13a son.
00:24:18Ángeles,
00:24:20I would like you to come to Huelva, to my land.
00:24:23How?
00:24:25Like my wife.
00:24:27To Litri's house on San Sebastián street.
00:24:29He has come back to life two years ago because a woman has arrived.
00:24:33The first child of the two that should have been born had already been born.
00:24:37Old Litri felt happy.
00:24:39Continuous.
00:24:41He has the same eyes. He looks like you.
00:24:44And he is as fat as I am.
00:24:47I will not see him as a man.
00:24:49Only as a child.
00:24:50Perhaps even as a boy.
00:24:51What are you saying? You are strong.
00:24:53You will live many years yet.
00:24:55You have the obligation to do it.
00:24:57For him and for me.
00:24:59I will try.
00:25:01But it's been many years that I've been on top of it and many days.
00:25:04They hurt when I'm old, as if I had just received them.
00:25:08Swear to me that you will do everything possible so that I will not be a bullfighter.
00:25:12The memory of that afternoon in Málaga
00:25:15will never be forgotten.
00:25:18I promise you.
00:25:20I will hide all your memories.
00:25:23Your photographs of when you were dressed in lights.
00:25:26To no one who has known you then,
00:25:28I will let you get closer to him.
00:25:30Old Litri was right.
00:25:32He did not see you as a boy.
00:25:34But his wife kept her promise.
00:25:36Miguel Baez is already a 12-year-old boy who plays like everyone else on the streets.
00:25:40But his blood is different.
00:25:42Sometimes he is thoughtful, sad.
00:25:44He speaks little.
00:25:46He felt that something mysterious was hidden from him.
00:25:49That home was full of presences.
00:25:51Of traces of other beings who thought about him.
00:25:55Miguelito.
00:25:57I've told you a thousand times that I don't want you to look there.
00:25:59What is there?
00:26:00They are memories and letters from your father. That is sacred.
00:26:03They were the memories of glory,
00:26:05faithfully hidden with the arrangement of a promise.
00:26:11Brother, take good care of him.
00:26:13Let him eat. He's a little thin.
00:26:15What's your name?
00:26:16Miguel.
00:26:17Brother Alejandro, take him to the courtyard to play with the other boys.
00:26:20Be obedient.
00:26:22Goodbye, brother.
00:26:27You are the widow of Don Miguel Baez, right?
00:26:29Yes, and I want my son to study.
00:26:31Don't let anyone talk to him about bulls.
00:26:32Do you want to be a doctor? A surgeon?
00:26:34Don't worry. We'll get you in line.
00:26:36Spain borders the North with the Pyrenees and the Cantabrian Sea.
00:26:42And the West with...
00:26:44You!
00:26:45With Portugal!
00:26:46Good. Sit down, sit down.
00:26:48You're so smart, huh?
00:26:56You're no good for this.
00:26:57Well, you sit down.
00:26:58Hey, hairy.
00:26:59What do you want?
00:27:00Do you know that my mother gave me a colorful bicycle?
00:27:03Let me ride it.
00:27:04This afternoon we'll be newlyweds. We're not going to class.
00:27:06And your mother will be sad.
00:27:08Yeah, because she gave me the bicycle.
00:27:13Careful, don't run, you're going to fall.
00:27:16It's very easy. They say you don't have to look at the wheel.
00:27:21You see?
00:27:22Did you hurt yourself?
00:27:24A scratch. It's nothing. I'm going to ride it again.
00:27:27Does your wound hurt?
00:27:28What happened to you, Miguel?
00:27:30Nothing, I tripped.
00:27:32Goodbye!
00:27:34Pretty boy, you like him, huh?
00:27:36He's not bad.
00:27:43Spain borders the North with...
00:27:46You!
00:27:47With the Pyrenees and the Cantabrian Sea.
00:27:48Good.
00:27:49And the West with...
00:27:51You!
00:27:53With...
00:27:54With Huelva!
00:27:55Good.
00:27:58To the West with...
00:27:59You!
00:28:00I'm a friend of the waiter's son who serves your brother's textile.
00:28:03Do you want us to go?
00:28:04What's there?
00:28:05Photos, then, like the ones in your mother's closet.
00:28:08When will we go?
00:28:09When the break is over.
00:28:11You!
00:28:12With the Mediterranean.
00:28:13Very good.
00:28:16The five-two.
00:28:17He dominated.
00:28:20How can I still remember him taking off for the lights
00:28:22when they gave him the golden ear here?
00:28:25How was it?
00:28:28A round of cognac.
00:28:29I saw the father bullfighting.
00:28:31He was a male.
00:28:32That one with the horn on his neck
00:28:34while the bull fell and made a ball.
00:28:36Hey, isn't that the son of the litre?
00:28:38Well, yes.
00:28:39Come closer, Miguelito.
00:28:42You've never been here, have you?
00:28:44No, sir.
00:28:45He looks like his brother.
00:28:46Look, come.
00:28:48This bull was killed by your father in Huelva.
00:28:50What do you think?
00:28:52What a bull!
00:28:54I saw him kill him.
00:28:55What a touch!
00:28:56He pulled out his fingers soaked in blood.
00:28:58It was in 1902.
00:28:59He killed nine horses
00:29:01and had to unhook the horses from the cars
00:29:03that were around the square.
00:29:05Well, here is the golden shoulder
00:29:07of your brother Manolito's suit.
00:29:10Look, the stock with which he killed his last bull
00:29:14and the shoes he wore in his last race.
00:29:17What a pity.
00:29:18Look, kid.
00:29:19When they gave your brother here in Huelva
00:29:22the golden ear he had won
00:29:24in the press conference in Madrid.
00:29:34Thank you very much, gentlemen.
00:29:36I'll take it to the Virgin of the Tinder.
00:29:38A hug, Father.
00:29:40Congratulations, Manolito.
00:29:41You've erased it like a bull,
00:29:43but I'm proud of you.
00:29:52And when you take the mule and...
00:29:58Huelva needs a bullfighter.
00:30:00My mother told me she wants me to be a surgeon.
00:30:03A surgeon?
00:30:04Kill men by killing bulls?
00:30:05Anything that is blood gives money.
00:30:07Well, with God and thanks.
00:30:09Let's go.
00:30:12At his age he already bullfighted, Manolito.
00:30:14It's a pity that he doesn't continue in the dynasty.
00:30:17Well, I was impressed.
00:30:18He has the same face.
00:30:21Where are you going, Miguelito?
00:30:23Leave me alone.
00:30:24You'll see.
00:30:27Look.
00:30:28Bulls.
00:30:29Don't you see?
00:30:30But they are cows of milk.
00:30:31How do you want them to see?
00:30:33They only serve for breakfast.
00:30:35Bull, don't be a coward.
00:30:37Let's go.
00:30:40Let's go, the guard is coming.
00:30:41What are you doing, kids?
00:30:43Oh, Miguelito, as your mother finds out.
00:30:45Let's go to the girl.
00:30:46There's nothing to do here.
00:30:47Come on, run, run.
00:30:49How long will your brother take?
00:30:50He will have gone for a ride on the bike.
00:30:52Twenty-three.
00:30:53He studies a lot, they told me.
00:30:55Regular.
00:30:56Now he is missing a lot at school.
00:30:58He is already in the fourth year.
00:30:59He wants to be a doctor.
00:31:00You have done well in getting rid of all that nonsense from his head.
00:31:03In addition, the life of mothers and women of bullfighters is not life.
00:31:06I am very calm.
00:31:07My son has not gone through the imagination of dedicating himself to bullfighting.
00:31:20Come on, come on.
00:31:50Go, Miguel!
00:31:52Go, Miguel!
00:31:54Go, Miguel!
00:31:56Go, Miguel!
00:32:10Go, Miguel!
00:32:12You are a bullfighter!
00:32:21Leave my hand, let the butcher step on it, as my mother sees it.
00:32:34Give me the water.
00:32:38What's wrong with that hand?
00:32:39You have it all black.
00:32:40I fell off the bike.
00:32:41Lucky bike.
00:32:43Miguelito, come here.
00:32:46What do you have there?
00:32:48What do you have there?
00:32:51You are missing a lot of class.
00:32:53You have lost the geography book and you always come with blows.
00:32:58Are you bullfighting?
00:32:59Sometimes.
00:33:00Sometimes.
00:33:01Well, I'm not going to have any more remedy than to tell your mother.
00:33:04Come on.
00:33:06Bullfighting him.
00:33:07Seeing the teachers bullfighting would be his obsession.
00:33:10His nightmare.
00:33:13He looks like the monkey.
00:33:14If I were a little younger, I would also do it to see him.
00:33:16I don't. Bullfighting is already a rich thing.
00:33:18We poor people have to settle for what they tell us.
00:33:21Hurry up, Miguel, the guards are coming.
00:33:23Get off, get off, there are guards here too.
00:33:29Hurry up.
00:33:30Let's go to the horse door to see the dead bulls.
00:33:37Bad luck with the desire I had to see Manolete.
00:33:40When we are rich.
00:33:41Then he will have retired.
00:33:44Look, now they are arresting his bull.
00:33:46Let's go.
00:33:54Where is the bullfighting?
00:33:55Look there.
00:33:57Who would have seen him?
00:33:59He was obsessed with that fabulous bullfighter.
00:34:01Distant and real.
00:34:03How he would have changed for him.
00:34:06Failed his heroic assault on the port square, he did not cease in his obsession to be able to see him.
00:34:12I already told you that in the knot they threw Manolete's thing, come on.
00:34:15I don't have money.
00:34:16We get it from above, from Gallinero, I invite you.
00:34:24When they throw Manolete's thing.
00:34:25It has already happened, until tomorrow.
00:34:27What bad luck.
00:34:35No, no and no.
00:34:36Don't fool me.
00:34:37You miss school, you are beaten, with the suit undone.
00:34:40The Maristas brothers have also told me.
00:34:42You are bullfighting.
00:34:44No, mother.
00:34:45Yes, you have bullfighting.
00:34:47Well, sometime.
00:34:49Look, the only thing your father asked me before dying, is that you were not bullfighting.
00:34:53And you will not be.
00:34:54Do you hear me?
00:34:55You will not be.
00:34:56But he was.
00:34:57The dead are more alive in our blood than what we believe.
00:35:01He has a new brave friend who protects him.
00:35:03He is an old flag bearer, his name is Pepe Aguayo.
00:35:06He is manly, funny, philosophical.
00:35:08They say out there that you are going to retire.
00:35:10Natural man.
00:35:11Why?
00:35:12Every year that passes, another one is born.
00:35:13And the bulls are always the same age.
00:35:16Ole!
00:35:22Ole!
00:35:23It's better this way.
00:35:32Ole, my bullfighter.
00:35:33Ole, my child.
00:35:34Ole, my child.
00:35:40Ole, my child.
00:35:41Ole, my child.
00:35:55Leave her alone, she is bullfighting.
00:35:57What a bad bullfighter.
00:35:59He looks like a fideo.
00:36:00Fideo?
00:36:02Funny.
00:36:03You'll see where it goes.
00:36:04I do not care that I have hit the calf,
00:36:06but my mother sees me broken suit.
00:36:08Now go through the house of Carmela's mother,
00:36:10and let him sew it for you.
00:36:13Jesus, what a mess.
00:36:14Do not get so close to the bulls, Miguelito.
00:36:16You're not going to win for clothes.
00:36:17I'll get better.
00:36:18So I can come more often for your mother to sew me the suit.
00:36:21Why?
00:36:22I do not know, because I like to see you.
00:36:24So, brother, there is a lot of class left.
00:36:26Almost every afternoon.
00:36:29I had to lend you some old textbooks,
00:36:32because the ones you bought,
00:36:34I left them at the dehesa,
00:36:36and I bring them the next day, useless,
00:36:39stained with mud, and like trampled.
00:36:42Of course, the waiters this year,
00:36:45they will be able to do the high school.
00:36:48What calamity, and what misfortune.
00:36:50The only thing my husband asked me.
00:36:52What can I do, brother?
00:36:53Look at you, ma'am.
00:36:55In conscience, it is very difficult to give him advice.
00:36:59But if the boy has an irresistible vocation,
00:37:02I do not think we can do anything against it.
00:37:05It would be counterproductive.
00:37:07If I thought I was a doctor,
00:37:09and spend all these years quiet.
00:37:11It is impossible to contain it.
00:37:13The whole town encourages him to be a bullfighter.
00:37:16Everyone talks to him about his father, his brother.
00:37:18Even his disciples do not call him Miguel Baez,
00:37:22but Lizy.
00:37:23It's a whole city pushing him.
00:37:26Then I'll have to resign.
00:37:28And ask God for him to keep it.
00:37:31I already do it every day.
00:37:34Thank you, brother.
00:37:37Decidedly goodbye to school, and even to the family.
00:37:40A hereditary Tabica force
00:37:42leads him irresistibly to the testudo of the bulls.
00:37:45And year after year, Miguel Baez, the litre,
00:37:48with his faithful squires,
00:37:49goes to the appointment of vocation and destiny.
00:37:53They take them to the slaughterhouse.
00:37:54This size should be the bulls.
00:37:56Not even so you were going to dare.
00:37:58Hey, have you seen the buckles of Gibraltar?
00:38:00What do you care?
00:38:01The one who is going to throw is this one.
00:38:02Ah, but are you really going to throw yourself?
00:38:04Of course. Do you think we're going to play dominoes?
00:38:20Out! You're not worth a peseta.
00:38:42Out!
00:38:43Calm down, Miguel.
00:38:44No, not now. You have to be very big.
00:38:45Wait for the second one who has his head more collected.
00:38:48No.
00:38:49Now. Listen to me.
00:39:01Guard, a spontaneous.
00:39:02Take the three.
00:39:03That does not encumber them.
00:39:04Ah, no?
00:39:09It's the son of the litre.
00:39:10Are you sure?
00:39:11Natural, man. Look how he bullfights.
00:39:12I already said that he had a beautiful air.
00:39:19Come on.
00:39:40For the mother of the litre.
00:39:48¡Fuera! ¡Eso mismo! ¡Que lo mate el Litri!
00:39:51¡Qué espectáculo infinito! ¡Siempre estamos los españoles contra la autoridad! ¡Qué bochorno!
00:39:57¡Que lo mate el Litri! ¡Que lo mate el Litri! ¡Que lo mate el Litri!
00:40:02¿Pero por qué no han de dejar tolear a ese muchacho? ¡Si lleva sangre el Litri!
00:40:05¡Su padre fue el Litri! ¡Su hermano fue el Litri! ¡Y él es Litri!
00:40:08¿Ah, es por eso por lo que gritan?
00:40:10Sí, pues tienen razón. ¡Que lo mate el Litri! ¡Que lo mate el Litri! ¡Que lo mate el Litri!
00:40:14¡Que lo mate el Litri! ¡Que lo mate el Litri!
00:40:18No se puede ir contra la voluntad del pueblo.
00:40:20¡Cabo! Suéltelo y que mate el toro. ¡Vamos!
00:40:25¡Pero hombre, déjalo! ¿Qué más te da? Si tú ya has cobrado y el bicho es un barrajo.
00:40:29Tiene razón. Allá es.
00:40:32Y así fue como por su frase universal, por plebiscito unánime del pueblo de Huelva,
00:40:37Miguelito el Litri tuvo por primera vez una espada de verdad en la mano.
00:40:47¡Olé! ¡Olé! ¡Olé!
00:40:51¡Olé! ¡Olé! ¡Olé!
00:40:56¡Olé! ¡Olé! ¡Olé!
00:41:01¡Olé! ¡Olé! ¡Olé!
00:41:06¡Olé! ¡Olé! ¡Olé!
00:41:11¡Olé! ¡Olé!
00:41:17¡Olé! ¡Olé!
00:41:22¡Olé! ¡Olé!
00:41:27¡Olé! ¡Olé!
00:41:32¡Olé! ¡Olé!
00:41:37¡Olé! ¡Olé!
00:42:12The money was spent. The money was spent.
00:42:15A few days later, in an important town,
00:42:18Miguelito Baez was wearing his first suit of lights.
00:42:21This is all too much for me.
00:42:23Well, look, in El Morrillo de los Toros is all the treasure in the world.
00:42:26Tighten up, and the money will come, and with it the money and the waste,
00:42:29so that the suit fits you well.
00:42:31Although then you'll have a new one, and not rented like this one.
00:42:34Don't worry, Miguelito, you'll be fine.
00:42:36I've already taken care of the kids, and I've promised them candy and some perrillas,
00:42:39so that they take you out on their shoulders if they hit you in the ear.
00:42:41That's for sure, both of them.
00:42:56And he's so calm. Let's see how I go.
00:42:58My legs are going to bend, and I'm just going to fly.
00:43:01My God, why did I allow myself to be nervous?
00:43:03Come on, it's time.
00:43:07And what a hobby he has.
00:43:09Once I had to get him out of one of those,
00:43:11where he had spent the night bullfighting the cows.
00:43:13Well, we have to help him.
00:43:15We need a bullfighter to return them.
00:43:17And if the mayor doesn't give him both ears, we'll remove him.
00:43:20There they are.
00:43:22Good luck.
00:43:24Thank you, gentlemen.
00:43:27Well, he doesn't have such a bad plan.
00:43:30Two pesetas for the paper.
00:43:33Two pesetas for the paper.
00:43:36Buen apetita, la bonita.
00:43:38Do you want to buy a gun, killer?
00:43:40To the pretty girl who's having fun.
00:43:43Two pesetas for the paper.
00:43:46Buen apetita, la bonita.
00:44:04Buen apetita, la bonita.
00:44:07But if that boy is crazy.
00:44:09What a beating I gave him last week in Moguera al Pirri.
00:44:12Are you sure how it was?
00:44:14Flagging.
00:44:15I've fallen.
00:44:27Cheer up, Miguel, you're superior.
00:44:34Cheers!
00:44:37Cheers!
00:44:40The bottle is out of water.
00:44:42I'll go and fill it up.
00:44:43Hurry up, you have to flag the point.
00:44:46There's no water here, he wants to go to the well.
00:44:48The well, do not bother, I go.
00:44:52Cheers!
00:44:54Here is a bullfighter.
00:44:57Cheers!
00:44:59Cheers!
00:45:02Go, go, go!
00:45:20I got away with it.
00:45:23Until they kill the bull and I flag it to Guayo.
00:45:27That hairy one who doesn't make it will have drowned in the bottle.
00:45:32Give me the flag.
00:45:42You have a very comfortable head.
00:45:44Yes, like a chair, like to sit on.
00:45:47There in the middle what I would like to see you.
00:45:57Go, go, go!
00:46:09Go, go, go!
00:46:26It's been half an hour, son.
00:46:55The well was dry. I had to go to the river.
00:46:57To the river?
00:46:58And the next time I go to the sea and take a boat.
00:47:00I'm not good for this. I prefer the geography of the Marist brothers.
00:47:38But the two ears, Mr. Mayor?
00:48:02Yes, man, yes. It's from Huelva. You have to favor the peasants.
00:48:04Yes, Mr. Mayor.
00:48:29How much is this?
00:48:30200 pesetas.
00:48:31What do we have left?
00:48:3260 duros.
00:48:33No, a cheaper one. I don't have that much. I'm sorry.
00:48:36Do you know who this is?
00:48:37You'll hear about him.
00:48:38Take 20 duros and go down to Ardes.
00:48:40Well, if you put yourself like that, what are we going to do?
00:48:42Come on, come on. You've done very well.
00:48:44From here up, Miguelito, I understand this.
00:48:46The main thing is that there is luck.
00:48:55Carmela.
00:48:56Thank you, my God.
00:48:58Has nothing happened to you, Miguelito?
00:49:00Nothing.
00:49:01I don't know what I've suffered this afternoon. I've spent it praying.
00:49:03We've been lucky.
00:49:05Take it as a souvenir of my first race.
00:49:07Thank you. How beautiful.
00:49:09Less than you.
00:49:11You see, it goes and says dad and mom. Look.
00:49:15It's beautiful. I'm going to keep it for the rest of my life.
00:49:18Do you like it so much?
00:49:20I want to put it in my mother's room, next to the Virgin.
00:49:22Don't be silly. Aguayo says I'm going to make a lot of money.
00:49:25I'll buy you better things.
00:49:27You know I've been thinking about you all afternoon.
00:49:29You weren't afraid of the bull.
00:49:31And not to see me anymore.
00:49:32No, on the contrary.
00:49:33Your memory made me come closer.
00:49:35It seemed that you were there, on the slopes.
00:49:37And that you were looking at me.
00:49:38When you touched my palms, I was very sad.
00:49:41Because I thought, if she heard them...
00:49:43I'm hearing them now, Miguel.
00:49:45Mrs. Ángeles!
00:49:47Mrs. Ángeles!
00:49:49Mrs. Ángeles!
00:49:51What a success. Two ears on each bull.
00:49:53They've taken her shoulders to the bottom.
00:49:55But he, he's what matters to me.
00:49:57They haven't hurt him.
00:49:58How have we been?
00:49:59Mother.
00:50:00My son.
00:50:02What a joy.
00:50:04But from now on...
00:50:06I'm left with nothing.
00:50:07Here, mother.
00:50:08All I've earned.
00:50:0930 duros.
00:50:10Well, excluding the rent for the suit.
00:50:12And tonight I won't have to hide my hand under the tablecloth.
00:50:15Mrs. Ángeles!
00:50:16Look at this.
00:50:17First I took it with my left hand, and that's it.
00:50:19Six naturals, which, as one of the people said, were supernatural.
00:50:22And then, the chest.
00:50:24I don't understand that.
00:50:25I've only seen one race, and I swore not to come back.
00:50:28What I want is that nothing happens to you.
00:50:30Then I raised my arms, and the third pair like the others.
00:50:32They were all inside a peseta.
00:50:34But you haven't put a flag on more than a bottle.
00:50:36Mr. Aguayo, don't expose me. I also have my illusions.
00:50:38Don't go, Pepe.
00:50:39How can I not go?
00:50:40If now I start my work.
00:50:46And that little dark success in a remote village
00:50:48came to the city of Lodiel without the need for propaganda.
00:50:51Aguayo, tireless, took care of it.
00:50:54He enlarged the size of the bulls,
00:50:56the flavor of the ovations.
00:50:58His Andalusian imagination turned the incipient work into something perfect.
00:51:02It was his radio, his press, his television.
00:51:05I tell you that they were not babies.
00:51:06They were bulls like cathedrals, with a head like that.
00:51:08They would have needed stabbers.
00:51:10And he, like nothing, got tired of bullfighting them as he wanted,
00:51:12and he was stoned by a bull.
00:51:14Almost two kilometers from the square to the fund, they took him on their shoulders.
00:51:17But I am from that town, and to the fund there is not even 500 meters.
00:51:20They gave him several laps on the street.
00:51:22It was almost an excursion.
00:51:24And the people were exhausted.
00:51:26And the first one killed him receiving,
00:51:28because when he squared off, the bug tore off and he was left a statue.
00:51:31Well, that's difficult in a bullfighter, who is always thin.
00:51:33Like bullfighter, if that was the bull of San Marcos.
00:51:36Uh, we are improving the present.
00:51:38What?
00:51:39What? When do you bullfight?
00:51:40When they hire me.
00:51:41Soon.
00:51:43Don't ever say that.
00:51:44Say when I want.
00:51:46This is the businessman from Valencia.
00:51:47Nice to meet you.
00:51:48Hello, boy.
00:51:49What?
00:51:50When do you debut?
00:51:51Whenever he wants.
00:51:52He is waiting for you.
00:51:57When do you debut in Madrid, Miguel?
00:51:58In San Isidro.
00:51:59Good luck.
00:52:10What a woman.
00:52:13Now don't worry about them.
00:52:14They are more dangerous than the bulls.
00:52:16That is a Hollywood movie.
00:52:18They are making a movie in La Rábida.
00:52:20Don't worry.
00:52:21They will come to eat you later.
00:52:24For the son of Don Miguel.
00:52:25A pandango of the time of Manolito and Cayetano.
00:52:29Thank you very much, gentlemen.
00:52:50Miguelito.
00:52:51Let's see when we sing to you.
00:52:52Because that's how they sing to the bullfighters.
00:53:20Look, if you saw Cata, Mexico would surrender to you.
00:53:28Manolito of my soul.
00:53:38Listen, how should he be treating you?
00:53:40The same as always.
00:53:41Like Los Angeles.
00:53:42He has put them in his pocket again.
00:53:44And that he is losing it.
00:53:45And what about me?
00:53:46I have come from the village, willing to pay anything, and in the end, on the street.
00:53:50Three times I have sneaked in, and at three o'clock that guard threw me out.
00:53:55Does this explain this, sir?
00:53:57To have the free entrance and not wanting to look at the gate or to see the wheel?
00:54:00It will be English.
00:54:01But again there.
00:54:02Get out, boy, I'll give you a kate.
00:54:04Well, it's closed Andalusia.
00:54:06It will be Andalusia, but Esperantist.
00:54:07This way.
00:54:11He's going to throw himself to kill, I'm sure.
00:54:13I know this silence.
00:54:16There has been a welcome.
00:54:17Yes, let's go to the door of the bullfighters, that there will be the party.
00:54:30The news moved the world of bullfighting.
00:54:33It resonated in Spain and crossed the sea.
00:54:36The bull islander had killed Manolet, the titan on whose shoulders the whole bullfighting of the time was held.
00:54:43It was in the mining square of Linares.
00:54:46There were, the next day, the chairs of the film function that gave us.
00:54:51With his curtain hung like a ghost.
00:54:54There was his car, on the sand stained a few hours before with his blood.
00:55:09Lady, you know the news?
00:55:11What happens?
00:55:12A bull killed Manolet in Linares.
00:55:13To him, the safest, the greatest, to his son, Manolet has died.
00:55:21If he has fallen, what will be of our Miguel?
00:55:25He should never have acceded to Toreas.
00:55:29They all killed him.
00:55:31Come, let's see.
00:55:39Have you found out?
00:55:41Yes.
00:55:42Leave it, Miguel.
00:55:44For the memory of your father, no more bullfighting.
00:55:47Because if one dies, not all are going to die.
00:55:49Besides, there are now many advances.
00:55:56You have to come to my house, you will see what a beautiful birth we have made.
00:55:59With mountains of cork, snowy of flour and mirrors between moss that look like lakes.
00:56:03I'll take you the figures of the magic kings.
00:56:05Let's go buy some sweets, Miguel.
00:56:06Where?
00:56:07In the bull square.
00:56:08The woman in charge of the square is a friend of my mother, and she does it to suck her fingers.
00:56:16A dozen sweets, Mrs. Rita.
00:56:17There you have them, salad, choose them yourself.
00:56:19How much is it?
00:56:20Three hard.
00:56:23That meringue.
00:56:26And that.
00:56:28And this cream.
00:56:32And this other.
00:56:34For the first time he stepped on litre that abandoned wheel.
00:56:38But the blood poured by his own,
00:56:40entered through the plant of the feet and populated all that square of future ghostly publics,
00:56:46who would necessarily have to applaud him.
00:57:04Miguel, let's see the square.
00:57:07Come, Carmela.
00:57:20Here comes the bull?
00:57:21Yes.
00:57:22And the squares?
00:57:23They come out there.
00:57:30Look, Carmela.
00:57:33Someday I'll come out here, dressed in grain and gold.
00:57:48There is not a single square.
00:57:50I saw the father, the brother and this one.
00:57:54Look, there are as many people outside as inside.
00:58:03What a pity.
00:58:04When he is in the best, he gets into the part that we do not see.
00:58:07Do not tell my mother,
00:58:08but I could not resist staying in my room while he bullfighting.
00:58:11He does not come out with you because he has not given you an entrance?
00:58:13I did not ask him.
00:58:14Seeing him up close would give me a lot of fear.
00:58:16From here it seems that he plays.
00:58:23Let's go there to see if we see better.
00:58:25They will come with me.
00:58:34I do not see anything.
00:58:35He is bullfighting in the part of the sun.
00:58:37Tell my brother to help you.
00:58:38Do you want to help me?
00:58:39Help Martin.
00:58:40Go up, support your foot on that branch.
00:58:48Do you see?
00:58:49Yes, now I see him.
00:58:55To my teachers of the Marist brothers,
00:58:57and to my classmates,
00:58:58I offer the bull this condisciplum,
00:59:00which was missing so many afternoons.
01:00:31Olé!
01:00:43Olé!
01:00:44Olé!
01:00:45That marble does not take a step more than the return.
01:00:52Olé!
01:00:56Olé!
01:00:57Olé!
01:01:28Olé!
01:01:29Olé!
01:01:30Olé!
01:01:31Olé!
01:01:32Olé!
01:01:33Olé!
01:01:34Olé!
01:01:35Olé!
01:01:36Olé!
01:01:37Olé!
01:01:38Olé!
01:01:39Olé!
01:01:40Olé!
01:01:41Olé!
01:01:42Olé!
01:01:43Olé!
01:01:44Olé!
01:01:45Olé!
01:01:46Olé!
01:01:47Olé!
01:01:48Olé!
01:01:49Olé!
01:01:50Olé!
01:01:51Olé!
01:01:52Olé!
01:01:53Olé!
01:01:54Olé!
01:01:55Olé!
01:01:56Olé!
01:01:57Olé!
01:01:58Olé!
01:01:59Olé!
01:02:00Olé!
01:02:01Olé!
01:02:02Olé!
01:02:03Olé!
01:02:04Olé!
01:02:05Olé!
01:02:06Olé!
01:02:07Olé!
01:02:08Olé!
01:02:09Olé!
01:02:10Olé!
01:02:11Olé!
01:02:12Olé!
01:02:13Olé!
01:02:14Olé!
01:02:15Olé!
01:02:16Olé!
01:02:17Olé!
01:02:18Olé!
01:02:19Olé!
01:02:20Olé!
01:02:21Olé!
01:02:22Olé!
01:02:23Olé!
01:02:24Olé!
01:02:25Olé!
01:02:26Olé!
01:02:27Olé!
01:02:28Olé!
01:02:29Olé!
01:02:30Olé!
01:02:31Olé!
01:02:32Olé!
01:02:33Olé!
01:02:34Olé!
01:02:35Olé!
01:02:36Olé!
01:02:37Olé!
01:02:38Olé!
01:02:39Olé!
01:02:40Olé!
01:02:41Olé!
01:02:42Olé!
01:02:43Olé!
01:02:44Olé!
01:02:45Olé!
01:02:46Olé!
01:02:47Olé!
01:02:48Olé!
01:02:49Olé!
01:02:50Olé!
01:02:51Olé!
01:02:52Olé!
01:02:53Olé!
01:02:54Olé!
01:02:55Olé!
01:02:56Olé!
01:02:57Olé!
01:02:58Olé!
01:02:59Olé!
01:03:00Olé!
01:03:01Olé!
01:03:02Olé!
01:03:03Olé!
01:03:04Olé!
01:03:05Olé!
01:03:06Olé!
01:03:07Olé!
01:03:08Olé!
01:03:09Olé!
01:03:10Olé!
01:03:11Olé!
01:03:12Olé!
01:03:13Olé!
01:03:14Olé!
01:03:15Olé!
01:03:16Olé!
01:03:17Olé!
01:03:18Olé!
01:03:19Olé!
01:03:20Olé!
01:03:21Olé!
01:03:22Olé!
01:03:23The first turn of the crank.
01:03:31How did it go?
01:03:32It's good for me.
01:03:33Perfect.
01:03:34Don't worry about the bag.
01:03:35I'll give it back to you.
01:03:36One rejuvenates seeing this.
01:03:37It's been years since rockets were fired here.
01:03:38Since poor Manolo cut off his last ear.
01:03:39For the second turn.
01:03:40Bring it.
01:03:41Whenever Manolo cuts off an ear, it goes slithering.
01:03:42It's the same.
01:03:43It's the same.
01:03:44It's the same.
01:03:45It's the same.
01:03:46It's the same.
01:03:47It's the same.
01:03:48It's the same.
01:03:49It's the same.
01:03:50It's the same.
01:03:51It's the same.
01:03:52It's the same.
01:03:53It's the same.
01:03:54It's the same.
01:03:55It's the same.
01:03:56It's the same.
01:03:57It's the même.
01:03:58It's the same.
01:03:59It's the same.
01:04:00It's the same.
01:04:01It's the same.
01:04:02It's the same.
01:04:03It's the same.
01:04:04It's the same.
01:04:05I brought it.
01:04:06I brought it for you.
01:04:07See if it's good.
01:04:08Do you know whatัs?
01:04:09Tell me
01:04:10If it's to beautiful.
01:04:11It has Christmas colors.
01:04:12It does.
01:04:13Have good luck.
01:04:14Have a celebration with her.
01:04:15We'll see.
01:04:16It didn't grab the eccentric?
01:04:17Who says that a treasure has to be collected by the dazzle of
01:04:18man.
01:04:19He shushed me off again.
01:04:20Shall we celebrate?
01:04:21Gracias, gracias.
01:04:23Gracias.
01:04:24Yo vi torear a tu padre.
01:04:26Era un macho.
01:04:27Y tu hermano a lo que hubiera llegado si aquel toro asesino de Mara.
01:04:30No pensemos en eso.
01:04:32Hoy ni dominó, ni villar, ni na.
01:04:34A comentar tu faena.
01:04:35Como has estado en el segundo toro.
01:04:37Extraordinario.
01:04:39A mi me gustó más en el primero.
01:04:41Los dos los ha matado él.
01:04:44Por el futuro amo del toreo.
01:04:46Gracias.
01:04:47Por el mejor toro de Huelva.
01:04:49Y de allí para arriba.
01:04:51La consagración fue en Valencia y cuando debutó en Madrid,
01:04:54Miguel llegó a la plaza con su primer coche propio.
01:05:05El coche nuevo.
01:05:06¿Cuál es mi sitio?
01:05:07El transportín.
01:05:08Pues más vale eso que un caballo.
01:05:10Es más cómodo y más seguro.
01:05:12Buenas tardes, maestro.
01:05:13Hola, naranjito.
01:05:15¿Qué?
01:05:16¿Estás fatigando a esta fiera?
01:05:18La verdadera fiera está encerrada ahí dentro.
01:05:21Este y yo somos dos infelices.
01:05:23Vamos, Saturnino.
01:05:26Un momento, por favor.
01:05:28Maestro, vamos a echarle valor.
01:05:29Una sonrisita para los ingleses.
01:05:49¡Olé!
01:05:51¡Olé!
01:05:53¡Olé!
01:05:55¡Olé!
01:06:12¡Termina pronto, Miguel, que el toro está prendiendo!
01:06:14¡Las toca!
01:06:18¡Olé!
01:06:29En este álbum, por favor.
01:06:31Con mucho gusto, señorita.
01:06:33Pero con unas palabritas.
01:06:41Por unos ojos entre los cuales me considero golpeado y herido.
01:06:45Por Dios, no me crea usted tan peligrosa.
01:06:47Es un peligro que me gusta, Katia.
01:06:49¿Sabe mi nombre?
01:06:50Lo leí en Huelva sobre la arena en un bolso.
01:06:52Ah, ¿se acuerda?
01:06:53¿Cómo iba a olvidarlo?
01:06:55Adiós.
01:07:03Esto era ya la fama.
01:07:05Le llovían los contratos.
01:07:07Las plazas más herméticas, más cerradas, se le abrían ante sus triunfos.
01:07:18¡Olé!
01:07:21¡Olé!
01:07:26¡Olé!
01:07:28¡Olé!
01:07:30¡Olé!
01:07:48Están los dos en el bar del hotel.
01:07:50¡Qué suerte tienen los dos!
01:07:51¿Suerte?
01:07:53¿Hay algo que te preocupe?
01:07:55¿Y a ti no?
01:07:56Está colado.
01:07:57Yo qué sé.
01:07:58Pero ella no me gusta para un torero.
01:08:00Es una excursionista, ¿comprendes?
01:08:02Se divierte.
01:08:03Le deslumbra a Miguelito.
01:08:05Pero en cuanto se le pase...
01:08:06¿Bobadas?
01:08:07¿Bobadas?
01:08:08¿Tú sabes lo de su hermano, Bocazas?
01:08:10¿Qué le pongo al señor?
01:08:11¿Al señor?
01:08:13Dos velas que buena falta nos hacen.
01:08:15Y a mí un coñac también doble.
01:08:17¡Olé!
01:08:18¡Olé!
01:08:48A…
01:08:50a…
01:08:51a…
01:09:07Es una campaña agotadora.
01:09:10Más de cien veces entró en aquellas redondas alámbras que son las plazas.
01:09:13Doscientas veces exitó con la muerte.
01:09:15It was like a triumphal and heroic march that seemed to have no end.
01:09:20It crossed the map of Spain countless times.
01:09:23Every day, it enraged the public of a different course.
01:09:26Every morning, the sun was born in a different landscape.
01:09:35This is a car, an orange one.
01:09:37American only, close to Moguer.
01:09:40You don't notice the bumps, but the stomach goes up little by little, up to here.
01:09:44It's not true?
01:09:45There, there, but in spite of everything...
01:09:47Don't say it, little orange, in spite of everything, you prefer it to the horse.
01:09:50Of course, and also to Bute.
01:09:53How far was Huelva reclaimed in its provincial silence.
01:09:57And her childhood, between schoolboy and becerrista.
01:10:00And Carmela. Yes, Carmela.
01:10:03That little girl with whom he walked before being famous,
01:10:05and that whenever he bullfights, he asks for his life to the Virgen de la Cinza,
01:10:09because he knows of his devotion to the patroness of Huelva.
01:10:11Just like his mother.
01:10:12Every day with the whitest hair,
01:10:14with more wrinkles on the face because the pain of his youth is renewed in her.
01:10:18Huelva thought of him wholeheartedly.
01:10:20All of her participated in his triumph.
01:10:22What time do you shoot, sir?
01:10:23At six and a quarter.
01:10:24At this moment, Litri will be killing his second bull.
01:10:30Kid, take that away from football and put radio Sevilla,
01:10:32to broadcast Litri's race.
01:10:33But dad, the second half is already over and there are two to one.
01:10:36Blessed football.
01:10:42Let's go for him, Litri.
01:10:46Mr. Aguayo is already calling you.
01:10:48Long live Litri. Long live Huelva.
01:10:53Spain, limit to the north.
01:10:55An ear for Litri.
01:10:57Olé. Olé, olé, olé.
01:10:59Three, four, two ears. Phenomenal.
01:11:03And five, also the tail.
01:11:05The first one is enough for me.
01:11:06Sign that nothing has happened to him.
01:11:08Mom, no news, no news.
01:11:10We can go for a snack and go to the movies at night.
01:11:12Oh, daughter, what weight has been taken off me.
01:11:15I was worried and I don't know why.
01:11:19Please, wait downstairs. It's just a moment.
01:11:22Excuse us.
01:11:25I'm tired.
01:11:26What you are is full, full of bull.
01:11:28You have to rest in Huelva.
01:11:34Katia, how are you?
01:11:37To dinner with you?
01:11:38Good.
01:11:39Will you pass through here?
01:11:41Yes, thank you.
01:11:42See you later.
01:11:44Be careful with that chick.
01:11:45Why?
01:11:46The money and the women in Huelva.
01:11:49Conference.
01:11:52Enormous. Two ears and two tails in each bull.
01:11:55What does it say? Two tails in each bull?
01:11:57Well, there you understand me.
01:11:58Out of the wheel, let me turn to me, huh?
01:12:00Hey, hey!
01:12:01How do the two come out?
01:12:03Back to the wheel.
01:12:04He's still giving them.
01:12:08Thank you, Aguayo.
01:12:09So Aguayo is a kind of camera assistant.
01:12:12What goes, much more.
01:12:13But take care of your service, your suits.
01:12:16He gives me the sword in the square and is my friend.
01:12:18Oh, I'm falling.
01:12:20This is Cudero.
01:12:22By God, it will not bother him to call him Cudero.
01:12:25No, miss, that's not what bothers me.
01:12:28It seems to me that I do not fall graciously.
01:12:37Enhorabuena, Miguel.
01:12:38You have been superior.
01:12:40Thank you, Perico.
01:12:41The cattle that has come out good.
01:12:42Do not be modest.
01:12:43You had your afternoon.
01:12:44Goodbye, Katia.
01:12:45Beautiful.
01:12:48Today you have bullfighted well.
01:12:49I will never forget it.
01:12:51I'm happy because I'm going to shoot another movie here.
01:12:54And so I can see you bullfighting more.
01:12:56And before I leave, I'll go see you in Huelva.
01:12:59Accept the contract of Mexico.
01:13:01I'll be there four months.
01:13:02I would like you to succeed in that land.
01:13:04I'll go see you.
01:13:06For your success.
01:13:08And for everything you do.
01:13:11Do not excuse him.
01:13:13If he has not sent me a postcard.
01:13:15They say that in Madrid and in Seville he goes with Marquises and Countesses.
01:13:19I am already little for him.
01:13:21Do not be silly.
01:13:22You are the truth.
01:13:23Who wants to see you?
01:13:24All that will happen to him.
01:13:25And if I told you that I had been here?
01:13:27And you have not been able to come to see me.
01:13:30What a job is going to do Litri this afternoon.
01:13:32Why?
01:13:33Carmela will not like it much.
01:13:35What do you mean?
01:13:36That he has gone to bathe a beach with that foreigner who brings him crazy.
01:13:39Now that it is understood.
01:13:41What a woman.
01:13:57Look, you already know that I am poor.
01:14:05I do not have more than a cow.
01:14:07But I'm 20 years old, which as my father says is the best thing in the world.
01:14:11And there is nothing to do because you got me here.
01:14:13We're leaving now.
01:14:14It's a little late.
01:14:15When you are happy, you should not measure time or know what time it is.
01:14:18See you tomorrow.
01:14:19I have not told you everything.
01:14:21Well, look, we've been chatting for a long time.
01:14:24I love you, Carmela.
01:14:28What time is it?
01:14:30Almost eleven.
01:14:31We are already arriving.
01:14:33I would like to get to the neighborhood.
01:14:36Yes?
01:14:37Only to the neighborhood?
01:14:39And ...
01:14:40To Guayo.
01:14:41Not Guayo.
01:14:42Guayo.
01:14:43Guayo.
01:14:44Guayo.
01:14:45Guayo.
01:14:46Guayo.
01:14:47Guayo.
01:14:48Guayo.
01:14:49Guayo.
01:14:50Guayo.
01:14:51Guayo.
01:14:52Guayo.
01:14:53Guayo.
01:14:54Guayo.
01:14:55Guayo.
01:14:56Guayo.
01:14:57Don't say it, Naranjito.
01:14:58That's not it.
01:14:59Word of honor that's not it.
01:15:01I prefer the horse, although sometimes we go up more.
01:15:06Please, buckle up.
01:15:08Miss, I use straps.
01:15:10Buckle it up.
01:15:11Buckle it up.
01:15:12You won't get any worse.
01:15:17How I admire you.
01:15:18Seen from here, you can see how great they are.
01:15:21And to think that this afternoon you have to stand in front of them.
01:15:24I've only done it for you.
01:15:26And I never come to the bar.
01:15:43Do you agree with the lots?
01:15:44I agree.
01:15:45Let's see, an innocent hand.
01:15:46This one.
01:15:47This one.
01:15:53Damn it.
01:15:54Bad luck.
01:15:55I don't like that mess.
01:15:56Well, the lots are well done.
01:15:58If you had to flag it or chop it.
01:16:00Don't complain, Naranjito.
01:16:01If now you have a peto and you are sitting in a chair.
01:16:04Hey, the one who carries the peto is the horse.
01:16:07I was going to fill the bottle at the source of the barrel.
01:16:10Good morning, Mr. Durezas.
01:16:11Have you seen the fabric?
01:16:12Nothing, nothing.
01:16:13A few goats, as always, Naranjito.
01:16:15A few pears in sweet.
01:16:17It's just that I don't like that dessert.
01:16:19May you be lucky.
01:16:30A beautiful, pleasant and very cheap advertising campaign.
01:16:33Thank you, Mr. Durezas.
01:16:34Thank you, Mr. Durezas.
01:16:35Thank you, Mr. Durezas.
01:16:36Thank you, Mr. Durezas.
01:16:37Thank you, Mr. Durezas.
01:16:38A beautiful, pleasant and very cheap advertising campaign.
01:16:41Well, Katia, as you will see here, they are as everywhere.
01:16:44Sentimental and curious.
01:16:45More sentimental than anything else.
01:16:47Yes, but you have had to infect yourself.
01:16:49Because of curiosity you have very little.
01:16:51Did you get the one from Mexico?
01:16:52Of course.
01:16:53How was I not going to get that contract for Katia?
01:16:55Oh, it's great.
01:16:56All this helped you.
01:16:57Your admirers loved a bullfighter through you.
01:17:00You are the fashion lover.
01:17:02The public asks you.
01:17:03Ah, it starts next week.
01:17:05So soon?
01:17:06Do you have a lot to do around here?
01:17:08No, nothing.
01:17:09It was just a question.
01:17:11I have nothing to do here.
01:17:13It was time.
01:17:14This afternoon we can finally go together to the bulls.
01:17:19How have they put the family?
01:17:21Leave it.
01:17:22That lasted a few minutes.
01:17:23Instead, a cornet.
01:17:24What an intellectual face you have.
01:17:26It looks like a Nobel Prize.
01:17:27The Christmas tree will be your father.
01:17:30Will it be possible?
01:17:33Let's go from here, man, let's go.
01:17:36Let's go.
01:17:45Weren't you going to toast the bull?
01:17:48Let the blond man who accompanies her toast it.
01:18:06Let's go.
01:18:24Today there will be no rockets in Huelva.
01:18:27Yes, you'll know.
01:18:28Just so someone can hear you.
01:18:30Go with him.
01:18:37Go with him.
01:18:38Go with him.
01:18:41Go with him.
01:18:43Go with him.
01:18:45Go with him.
01:18:47Go with him.
01:18:49Go with him.
01:18:51Go with him.
01:18:57Go with him.
01:19:05Have you been able to film the welcome?
01:19:07Very interesting.
01:19:14Miguel!
01:19:15Miguel!
01:19:20He has a cornet.
01:19:22Be careful, doctor.
01:19:23This one does not die.
01:19:24Be calm.
01:19:26Soon, soon, doctor.
01:19:30Doctor.
01:19:31Go see what he has.
01:19:34What has it been?
01:19:35A soda of the big ones.
01:19:36Let's see.
01:19:37In these cases, the dangerous thing is the meninges.
01:19:40Meninges?
01:19:41We do not have ...
01:19:52I see a guava worried.
01:19:53It's natural.
01:19:54Ah, it's out of danger.
01:19:55Yes.
01:19:57I know that it is never known whether there is a bull or not until a bull seriously bites it.
01:20:00But in this case ...
01:20:01Bah, it's not that way.
01:20:03It's another bite that makes me sick.
01:20:05There are those who do not feel the horns or the fear of hardness.
01:20:08And instead, he is overwhelmed by other things.
01:20:14It's nothing, Miguel.
01:20:15In a few days we will see each other in Mexico.
01:20:16God willing.
01:20:17I brought you this radio device.
01:20:19He will talk to you about me.
01:20:21I would have liked to stay, but you know.
01:20:24I need to go to Rome a few days before starting to shoot.
01:20:27Yes, I understand.
01:20:28So, see you in Mexico?
01:20:30Surely.
01:20:31Goodbye.
01:20:32Goodbye.
01:20:35Take care of Guayo for me.
01:20:37Of course, miss.
01:20:39I will take good care of him.
01:20:43Are you better, Miguel?
01:20:44Yes, mother.
01:20:45Today I do not have a fever.
01:20:47I brought you these flowers.
01:20:49I should have withdrawn you.
01:20:51For this?
01:20:52I already had it.
01:20:54In spite of everything, that horned woman sewed her land again.
01:20:58Her landscapes.
01:20:59She bought a farm of olive trees,
01:21:00flat and rich land,
01:21:01that she had stepped on so many times as a child.
01:21:04There came the convalescence,
01:21:05which is like being born again.
01:21:07Releasing things again.
01:21:10Having all this,
01:21:11do not get so excited.
01:21:13In front of the bull, I forget.
01:21:14It seems to me that I am always starting.
01:21:16In the wheel, I'm going to sing to you
01:21:17the claim of the perdiz when you do the crazy,
01:21:19so that you remember the courtship
01:21:20and you get closer less.
01:21:22Well, do it.
01:21:24He returned to his friends.
01:21:25To the people he loved as a child.
01:21:26To his first enlightenment,
01:21:27to female eyes.
01:21:29You do not take anything anymore.
01:21:30Does not it hurt you?
01:21:31I'm better than before, Carmela.
01:21:32And as if they had taken ten years from me.
01:21:34I have suffered a lot for you.
01:21:35I came to think of taking the train
01:21:36to go see you at the clinic,
01:21:37but I did not dare.
01:21:38Why?
01:21:39Because I thought you had already forgotten me.
01:21:41You were so tall.
01:21:42That was false.
01:21:43Everyone told me out there.
01:21:44How quiet you are.
01:21:45Why do not you speak?
01:21:46And it is that,
01:21:47I do not know what to say.
01:21:48I do not know what to say.
01:21:49I do not know what to say.
01:21:50I do not know what to say.
01:21:51I do not know what to say.
01:21:52I do not know what to say.
01:21:55I'm always thinking about my things,
01:21:57and about real people like you.
01:21:58So,
01:21:59why do not you listen to everyone who loves you?
01:22:01Are you going to run more?
01:22:02Sure.
01:22:03On Sunday I reappear in Malaga.
01:22:05In Malaga?
01:22:06No, Miguel, no.
01:22:08Do you say it for my brother, Manolo?
01:22:10Yes.
01:22:19I was the day they killed his brother.
01:22:21Let's see what he does.
01:22:22It seems to me that after the catch,
01:22:23that man is finished.
01:22:24And with the millions he has.
01:22:25What?
01:22:26Let's see the litre.
01:22:27Let's see him take the walk.
01:22:29Because what is another thing ...
01:22:30Do not insist, leave it.
01:22:32I prefer to stay at home.
01:22:33But woman ...
01:22:34Leave me.
01:22:35Since the race was announced,
01:22:36I do not do more than remember
01:22:37about poor Manolo.
01:22:38The present, the future, the future.
01:22:41Shadows, many shadows.
01:22:43But good sir, to the point.
01:22:44Are you going to rhyme or not?
01:22:48I see blood,
01:22:49a lot of blood of a fat butcher.
01:22:51That goes for you,
01:22:52that goes for me,
01:22:53because you look, lady,
01:22:54you are a louse
01:22:55and the ball does not go in a pot,
01:22:56neither the ball, nor you,
01:22:57nor the father of the ball.
01:22:59And with the hard that he has,
01:23:00you would bullfight again.
01:23:01Not to speak.
01:23:02But it seems to me that
01:23:03as soon as the bull comes out,
01:23:04the litre will be of the same opinion.
01:23:06The appearance of the square is impressive.
01:23:08The name of the litre is on all lips,
01:23:10but not coincide
01:23:11much less all opinions.
01:23:13There are many who remember
01:23:14their past glorious triumphs,
01:23:16but many also those who doubt
01:23:17that I repeat them again.
01:23:24That's a bull!
01:23:25What a head!
01:23:54And what is above, horse?
01:23:56Like the good times.
01:23:57In the good times for what?
01:23:59What is for the horses?
01:24:07To the bull, coward!
01:24:10Coward?
01:24:11Take a walk around the fair
01:24:13and you will see what the witch says.
01:24:24Very well changed.
01:24:25The presidents know this.
01:24:28Listen to Saturn, now.
01:24:37Come on, it's your turn.
01:24:41God take me, confessor.
01:24:49Good.
01:24:53The bull is the owner of the square.
01:24:56Let's see what the litre does
01:24:57with that monument.
01:25:00Be careful, Miguel.
01:25:01A few rounds and you have to go to America.
01:25:04Do not have any nonsense.
01:25:06La Montera.
01:25:07Are you afraid of the litre?
01:25:09Where did the bull kill my sister?
01:25:12I do not know.
01:25:14I was not there.
01:25:15I saw it.
01:25:16It was here next door, on the 7th.
01:25:18He first gave him five passes high.
01:25:21Miguel.
01:25:25No one heard that toast
01:25:27because his lips did not get to pronounce it.
01:25:29It was not necessary.
01:25:30His brother Manuel,
01:25:31mortally wounded on that same sand,
01:25:34he knew it was for him,
01:25:36only for him,
01:25:37for whom he raised La Montera to heaven.
01:25:51Five.
01:26:08And five.
01:26:10And then he gave him two on his knees,
01:26:12revealing it.
01:26:21It seems that they are dictating Rafaela.
01:26:51Five.
01:27:22Five.
01:27:25Five.
01:27:28Five.
01:27:29Yes.
01:27:30So he gave it to nature.
01:27:33Five.
01:27:38Five.
01:27:42Five.
01:27:46Five.
01:27:47In a pass like this,
01:27:49Five.
01:27:52He could not continue.
01:27:56And twenty-five years later,
01:27:58a bullfighter of the same blood,
01:28:00then spilled,
01:28:01continued that incomplete work,
01:28:03truncated by death.
01:28:14Miguel.
01:28:22Five.
01:28:28Five.
01:28:52Olé! Olé! Olé!
01:28:56Get out, fat man! Olé! Olé!
01:29:07He seemed the avenger of the spilled blood,
01:29:09the continuator of the dynasty
01:29:11that in that sand was about to be extinguished.
01:29:13With him he reached his estirpe,
01:29:15the most noble glory.
01:29:21© BF-WATCH TV 2021
Recommended
1:23:25
|
Up next
2:05
2:05:54
1:19:18
1:33:17