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  • 5/20/2025
Chance at Heaven (1933) - Full Classic Drama Movie

Chance at Heaven is a romantic drama film released in 1933, directed by William A. Seiter and starring Ginger Rogers and Joel McCrea. The story follows a young man working at a gas station who falls in love with a wealthy socialite. Despite their different backgrounds, they marry, but soon realize that love alone may not be enough to bridge the gap between their worlds.

This pre-Code Hollywood film explores themes of love, class differences, and personal sacrifice. A compelling tale from the golden age of cinema, Chance at Heaven offers a glimpse into 1930s American romance and social norms.

Watch this timeless classic in full and experience one of the early standout performances by Ginger Rogers.
Transcript
00:00:00You
00:00:30Are
00:01:00You
00:01:11Only a hundred and sixty years for a crime like that they ought to have given him life
00:01:20JC Crosby new school head
00:01:23His wife was in the store this morning March. They're going to the city for their summer vacation
00:01:30That's a funny thing
00:01:31city people come here for the summer and we go to the
00:01:38Now I told Charlie to change the price in these ads, how am I ever gonna get any people into the store with?
00:01:46My brassieres are higher than Goldman's
00:01:51I've told Esther. We won't wait any longer. Everything will be spoiled
00:01:54We're going right on without him. Of course. I know it's rude. But so is he the flies mother?
00:02:05You know, how busy he gets I might at least a phone a fine guest I must say like he isn't a guest mother
00:02:12He's almost a son-in-law
00:02:14Almost a son-in-law is right in my time young lady in men didn't take girls out for almost two years
00:02:20I don't go into that again. Mom, please. I've told you a hundred times. He likes me. There's nobody else only
00:02:29He can't get up enough nerve to ask me to marry
00:02:32Can't you coax him into it easy like you don't think your father gave in without a struggle
00:02:38That's right large. It took your mother almost three years to make up my mind Fred
00:02:44And you deserve lots of credit mother
00:02:46Main seven six four one
00:03:03Dollar 85, please
00:03:16Oh
00:03:28You're on a busy wire, will you please get off the line tell them you're trying to call the doctors
00:03:33I don't make them hang up. Yes until black. He's going to get a cold dinner. Hello
00:03:38Hello
00:03:41Oh
00:03:43Come on service station. Oh, hello mug
00:03:47Yeah, I'm at the phone and tell you
00:03:50Say wait a minute. Will you sure?
00:03:53That's what I thought happened mom. He's busy
00:03:56Sin coddling that boy this way once mom is married. You better stop it. Not a chance now mug
00:04:02The line, huh? No, that's just it. I'll didn't show up
00:04:07What
00:04:09your mother's
00:04:11Well square it for me. Will you March?
00:04:13Yeah the way she's feeling now
00:04:16You don't expect much only a miracle
00:04:20Okay, but don't worry about it
00:04:23Of course I do. Goodbye
00:04:26So he's not coming at all. Well, I like that
00:04:30Where are you going much? Do you hear me?
00:04:34Mom you go ahead without me poor blacky. I'll bet he hasn't had a mouthful of food all day. I'll see you later
00:04:45Hey
00:04:46What are you doing here?
00:04:48Well, we had a date didn't we and I'm the kind of a gal what keeps her date
00:04:51How do I stand with your mother by now like this? This is you
00:04:55Only she'll get over it. What time you closing?
00:04:58On a couple hours, I guess may I have the key to your shack Jack say that's an estate any bachelor to be proud of
00:05:05Is your stove working on all six? Well, we'll try it. We're pulling your eyebrows when you're lighting you're telling me
00:05:12Hey, how would you like your potatoes fixed french-fried? You'll take a mashed and like them. Yeah. Well what I'm gonna have a lot
00:05:18Mashed potatoes. Oh, that's different be there at 830 and wash up or no food. I get it. No washing. No eating
00:05:28I
00:05:58I
00:06:08Got a pass from the owner. Oh, no, you don't and keep on treating me this way and one of these days
00:06:13I'm gonna pack up my things and go home to mother. I know but
00:06:28Sit down
00:06:32Thanks pal boy to these tootsies hurt and if I've been taking it on the shins
00:06:37There ought to be a law making all running boards the same distance from the ground
00:06:40How would you like me to crochet you a nice little pair of shin guards? Yeah, and make them baby-sized
00:06:46Yeah, I'd like that. Yeah, I'd like that
00:06:48Yeah, I'd like that. Yeah, I'd like that. Yeah, I'd like that
00:06:51Yeah, I'd like that. Yeah, I'd like that
00:06:53Yeah, I'd like that. Yeah, I'd like that
00:06:56Yeah, and make them baby blue to match my eyes, will ya
00:07:03Well
00:07:06Had a great day today. I knocked off over 80 bucks. Yeah
00:07:12My favorite food
00:07:19Okay, I'm surprised
00:07:25Chicken pie
00:07:48Hey Kent was in to see me again today
00:07:50About that vacant corner ninth and Maine sure is this well spot
00:07:54And not only that one Garfield Boulevard's pay will get them coming and going
00:07:59Thank you. Swing it. Can I swing it? Hey, just clamp your peepers on those figures
00:08:05Jeep like a I'm proud of you
00:08:08proud of me
00:08:09Say who nagged and hollered me into saving who made me buy this shack who dialed it up to look like a million
00:08:15Say if it hadn't been for you, I'd still be sitting on the curb fanning myself. Oh
00:08:21You're a swell little number mug, that's mighty why do you say that sailor? Thanks. I
00:08:29Guess your folks think I'm a washout. I'm gonna give them a surprise their lives pretty soon
00:08:35How soon blackie as soon as I crack through that station on 9th and Maine Oh
00:08:39Haven't you any other interest besides gas stations, of course, I have you know that you wouldn't tell a girl
00:08:47What you
00:08:50Why mr. Gorman your confession completely sweeps me off my feet. Now, you know darn well
00:08:55I think you're one of the smartest most sensible mother's you've ever had
00:08:59I
00:09:00Think you're one of the smartest most sensible grandmothers. You've ever had
00:09:03Okay, well now is your grandmother tell me something are you in love with anybody? No
00:09:12Well, that settles it
00:09:16Well, isn't there anyone around here that you could
00:09:19Care for you mean in a big way
00:09:24You mean you well, I thought you knew that
00:09:26And I'm simply crazy about you silly I suppose that knocks you over
00:09:32I'll Marge you really mean it
00:09:40Gee I was gonna wait a little while. I mean until I had plenty put by for us. I
00:09:46Thought a couple more gas stations. I thought I'd have a little more time to think about it
00:09:51I mean until I had plenty put by for us. I
00:09:55Thought a couple more gas stations. What a man gas on his mind and love in his heart
00:10:01And nothing in his stomach
00:10:04You know, that's what this place needs a woman any woman, huh? No silly you
00:10:10Hmm boy, that's a bet chicken pie ever ate
00:10:25Well it be drop of petrol please I'm sorry we don't sell less than a gallon
00:10:30I'm sorry. I'm sorry. I'm sorry. I'm sorry
00:10:33I'm sorry. I'm sorry. I'm sorry
00:10:35What'll it be?
00:10:35Drop of petrol, please.
00:10:37I'm sorry we don't sell less than a gallon.
00:10:39I mean to say, fill it up.
00:10:41Right-o.
00:10:48Maybe he knows where lives Mrs. Franklin's house.
00:10:52Oh, I see.
00:10:53Can you tell us where we shall find Mrs. Franklin's residence?
00:10:57Oh, I'm sorry, I can't help you out.
00:10:58I never heard of her.
00:10:59She back big house, near of the big ocean.
00:11:02Well, I hope she likes our little town.
00:11:04I'm sure we don't need to worry.
00:11:06We'll find it down near the ocean somewhere.
00:11:08Yeah, sure.
00:11:17That'll be $2.94.
00:11:19Charge it to Mrs. Franklin.
00:11:20What?
00:11:21Hey, wait a minute.
00:11:25Hey, Al.
00:11:26You know Mrs. Franklin?
00:11:27Oh, I knew a Mrs. Tilly Franklin once.
00:11:30Where did she live?
00:11:33Well, I'm not just quite sure.
00:11:34You see, she's been dead about 12 years now.
00:11:38Aren't you mama's great big helper?
00:11:50Hiya, Margie.
00:12:03Hello, Margie.
00:12:12Oh, I'm so sorry.
00:12:14That's all right.
00:12:23Gas?
00:12:24Please.
00:12:33You better not leave it there.
00:12:35I'm not very good on the turn.
00:12:45Think those buildings over there will be safe?
00:12:48Do you suppose you could move them just a trifle?
00:12:51Then I'd be sure to hit them all.
00:12:54Do you suppose you could move them just a trifle?
00:12:57Then I'd be sure to hit them all.
00:13:19That'll be $1.68.
00:13:20Charge it to Mrs. Franklin.
00:13:22To who?
00:13:23To Mrs. Franklin, my mother.
00:13:25Oh, yeah?
00:13:26Well, where is your mother?
00:13:27I don't know.
00:13:29Would you mind telling me where she lives?
00:13:31Why, that's just what I was going to ask you.
00:13:34Now, listen here, lady.
00:13:35I'm trying to run a business.
00:13:36I can't charge things to people who don't even know where they live.
00:13:40Well, let's see.
00:13:43I can let you have $0.60, a key, a beauty shop card, and my compact.
00:13:48Haven't you any idea of the address?
00:13:51Is there a Wadsworth place?
00:13:54Oh, the Three Gables.
00:13:55The big house on the point at Silver Beach.
00:13:57That's it.
00:13:58Silver Beach.
00:13:59Oh, there's a car full of accents.
00:14:00Just went through here for the day.
00:14:02Accents?
00:14:03Yeah.
00:14:04One bossus dos, one ooh-la-la, and one cheerio.
00:14:08Oh, the servants.
00:14:09Yeah.
00:14:10Now that you know where I live, would you tell me how to get there?
00:14:14Well, you go straight downhill, you come to the ocean.
00:14:16The way you drive, you can't miss the ocean.
00:14:20And then you turn to the left.
00:14:21Oh, the left?
00:14:22No, that's your right.
00:14:24This is your left.
00:14:27Well, you just keep bearing to your left until you come to the house.
00:14:30Well, thanks very much.
00:14:32I'm sure I'll find it.
00:14:46Kind of cute, isn't she?
00:14:47She sure is.
00:14:48Did you see what she did to my chaise lounge?
00:14:50What a reckless driver.
00:14:52I'll bet she's dangerous, too.
00:14:57Look, you're pretty busy.
00:14:58I'll run along.
00:14:59Okay, I'll see you tonight, honey.
00:15:00About 8.30.
00:15:01Okay.
00:15:02Never mind the gas, buddy.
00:15:06Where's Mrs. Franklin's house?
00:15:09Is that Mrs. Franklin?
00:15:10Yes.
00:15:13How do you do, Mrs. Franklin?
00:15:14I feel I know you.
00:15:17I've done a rushing business in your address today.
00:15:19Your daughter just drove by.
00:15:20I think she's swell.
00:15:21She wrecked my bench, but I can fix it all right.
00:15:24You owe me for 22 gallons of gas.
00:15:26Oh, but don't bother to pay me now.
00:15:27I've opened a charge account in your name.
00:15:29Hey, buddy.
00:15:30Excuse me.
00:15:32Will you tell me where it is?
00:15:33Yeah, you just go straight down here to the waterfront,
00:15:35then keep bearing to the left.
00:15:36You can't miss it.
00:15:37Right, thanks.
00:15:40Bye, Mrs. Franklin.
00:15:42Call again.
00:15:47Bye.
00:16:09Morning, Mrs. Franklin.
00:16:10Gosh, you got here fast.
00:16:11Well, speed's in the Gorman blood.
00:16:13My great-grandmother was frightened by Paul Revere's horse.
00:16:15What else seems to be the matter?
00:16:16Well, that jigger there is loose.
00:16:18It is for a little way, and then it isn't for a little while.
00:16:20And then all of a sudden, it is again.
00:16:23Well, that jigger's a front axle, and it's not loose.
00:16:25It's broken.
00:16:26You made a perfect shot that time.
00:16:28Yeah, the traffic signal.
00:16:29Look, it said go at the time.
00:16:32Yeah, you're doing OK.
00:16:35How long will it take you to fix it?
00:16:37You expect me to pull a rabbit out of my hat, too?
00:16:39What do you mean?
00:16:40Well, this car's got to go to the hospital.
00:16:43Oh, but I've got to go to the country club right away.
00:16:45I'm pouring.
00:16:46Pouring?
00:16:48Tea, silly.
00:16:50Well, I'll tell you what.
00:16:51I'll send a cab back for you.
00:16:52Oh, why can't I ride with you?
00:16:55Well, you don't care what you're riding or who sees you, do you?
00:16:58Well, if I'm not particular, why remind me of it?
00:17:00Come on, let's go.
00:17:09All right.
00:17:13Let's go.
00:17:36Sorry, I don't usually start that way.
00:17:38I nearly always do.
00:17:40Isn't that a grand idea?
00:17:42What's that?
00:17:43No fenders to be dented when you run into things.
00:17:46That's only one car for you.
00:17:48What's that?
00:17:49Maybe I'll get it.
00:17:50Well, it's got no fenders, no tires, no headlights.
00:17:53Practically unbreakable.
00:17:54It's called a tank.
00:17:58This is lots of fun.
00:18:00While riding in this heat?
00:18:01Oh, it's not so bad.
00:18:03Hey, you ought to see the slick little roadster I have when I step out.
00:18:07Step out?
00:18:08Sure.
00:18:09You wouldn't know me in my tux and wrought iron shirt.
00:18:12Where could you go around here?
00:18:14We've got nightclubs and roadhouses just like you've got in New York.
00:18:17Gyps and racketeers and everything.
00:18:19Take the Club High Tide, for instance.
00:18:21Can't crack down on that place with less than a tux.
00:18:24You go there often?
00:18:25Well, it's mostly supported by the summer crowds.
00:18:27Every once in a while us natives feel like suckers and give ourselves up.
00:18:34I'm not a bad-looking guy when I'm all dressed up.
00:18:39You haven't been dancing with me tonight.
00:18:41Huh?
00:18:43Okay, I'll buy it.
00:18:45No, I mean it.
00:18:46Well, you know darn well I've danced every number with you.
00:18:49Not with me, you haven't.
00:18:51Well, that's the first time two little drinks ever made you act this way.
00:18:55Oh, the feet have been dragging themselves around this little marsh.
00:18:59Oh, I'm sorry.
00:19:00Oh, I'm sorry.
00:19:01Oh, I'm sorry.
00:19:02Oh, I'm sorry.
00:19:03Oh, I'm sorry.
00:19:04Oh, I'm sorry.
00:19:05Oh, I'm sorry.
00:19:06Oh, I'm sorry.
00:19:07Oh, I'm sorry.
00:19:09The mind's been stepping out with little Glory.
00:19:11Me, dancing with Glory Franklin?
00:19:13Huh, what a laugh.
00:19:16Yeah, I'm practically convulsed.
00:19:19Don't be silly.
00:19:20We've been watching that door ever since we came in.
00:19:23You have too, liar.
00:19:25Well, I don't know what gives you these goofy ideas.
00:19:28We've been talking about her all evening.
00:19:30Well, all I said was...
00:19:32Not many rich dames would ride in the truck with a guy in greasy old clothes.
00:19:36Well, not many dames would.
00:19:38I've ridden with you when you looked a lot worse.
00:19:41I mean, I didn't hear any cheering.
00:19:43Well, you've seen me dressed up, and she hasn't.
00:19:46Which gives her something to live for, doesn't it?
00:19:52What'd that set you back, four bucks?
00:19:55A half.
00:20:08Tired, honey?
00:20:09Well, we'll finish this drink and then blow.
00:20:38Oh, look at that crowd.
00:20:40What'd I tell you, Sid? The whole town's out tonight.
00:20:46Still want to go?
00:20:49Well, whatever you say.
00:20:56Evening, sir. Table for two?
00:20:58Yeah, just this way.
00:21:08How's this one?
00:21:09I don't like it. It's too near the orchestra.
00:21:11Sorry, sir. It's the best I can do right now.
00:21:15Why don't you ask him to join us?
00:21:17What for?
00:21:19Well, I've heard so much about her, I'd like to meet her.
00:21:22And you can talk oil and gas to her boyfriend.
00:21:25What?
00:21:29I have got a nice table right over here in the corner.
00:21:31Oh, I'd rather go home.
00:21:33How do you do?
00:21:35I haven't hit anything for three whole days.
00:21:38Well, we'll have to get some kind of a medal for you.
00:21:40This is Mr. Larrick, Mr. Garber.
00:21:42How do you do?
00:21:43How do you do?
00:21:44We have an awfully nice table over here. Won't you join us?
00:21:46We'd love to.
00:21:48Oh, perhaps we'd better not.
00:21:51Oh, Miss Harris would like to have you, really.
00:21:53Oh, that's very sweet of her. Come on, Sid.
00:21:57Miss Harris, may I present Miss Franklin.
00:21:59How do you do?
00:22:00And Mr... I'm sorry, I forgot your name.
00:22:03Larrick.
00:22:04Mr. Larrick, Miss Harris.
00:22:05Won't you sit down?
00:22:12We drove in the open car. My hair must be a sight.
00:22:15No, it looks swell.
00:22:17Let's make faces. Come with me and I'll show you where.
00:22:20I'll show you where.
00:22:22It was sweet of you to ask us over, Miss Harris.
00:22:25Oh, don't call me Miss Harris.
00:22:27It's so rule and underwear-y.
00:22:29Marge is the name.
00:22:30And mine's Glory.
00:22:33Sid says I use too much. You think so?
00:22:38No.
00:22:39Blackies are the same way.
00:22:41These conquering males are certainly finicky.
00:22:43He says I use too much.
00:22:45You think so?
00:22:47No.
00:22:48Blackies are the same way.
00:22:51They're certainly finicky.
00:22:52Especially when you're engaged to them.
00:22:54You're telling me.
00:22:56Are you engaged?
00:23:01So are we.
00:23:03How's that, Marge?
00:23:05The boyfriend will think that's grand.
00:23:09Going to be married soon?
00:23:11Oh, one of these fine Sundays.
00:23:13When Blackie can divorce himself from his work.
00:23:15He's lots of fun, isn't he?
00:23:17And very attractive.
00:23:19Yeah.
00:23:21If he were mine, I'd marry him fast.
00:23:25You mean before he fell for somebody else?
00:23:27Somebody else fell for him.
00:23:31Well, he's a type, all right.
00:23:33But that's the chance you take.
00:23:35I wouldn't.
00:23:37I mean, if I were engaged to him.
00:23:39Mine isn't going to be one of those hit-and-run marriages.
00:23:41No ma'am.
00:23:43No wedding bells for baby until the blushing bridegroom
00:23:45has made up his mind for keeps.
00:23:48Of course, I hope he has.
00:23:52My, what a cute lipstick.
00:23:56With a watch.
00:23:58Like it?
00:24:00Oh, it's a honey.
00:24:06Have a cigarette?
00:24:08No, thanks.
00:24:10I have these made to order.
00:24:14I require an extra mild cigarette.
00:24:17Well, if this makes you dizzy or anything, just let me know.
00:24:27Oh, what lovely music.
00:24:29Shall we dance?
00:24:31Why, all right.
00:24:33I'm not very good at foxtrot,
00:24:35so I hope you don't mind.
00:24:37I know, you wouldn't surprise me.
00:24:47What's that?
00:25:03Was a kick at that.
00:25:05Me, dancing with a million bucks worth of class.
00:25:11Hey, wait a minute, Marge.
00:25:17Oh, I guess I'm just a big sap.
00:25:19No, you're not.
00:25:21You're just human.
00:25:23I want you to be that way.
00:25:25Only, Blackie, don't ever, ever try to hold out on me.
00:25:27Always tell me things.
00:25:29Everything's going to be all right, Marge.
00:25:31You just said so yourself.
00:25:33Oh, listen, honey.
00:25:35Glory Franklin doesn't mean a thing, and you know it.
00:25:37You and I are going to be married just like I told you.
00:25:41Why, there isn't a guy in this town
00:25:43that wouldn't give his right eye to be in my shoes.
00:25:45You can trot rings around Glory Franklin,
00:25:47or anybody else, see?
00:25:49No, I can't, but I'd love to hear you say so.
00:25:53You can trot rings around Glory Franklin,
00:25:55or anybody else.
00:26:15I'm afraid I've ruined your nice new bench.
00:26:19Don't be afraid, you have.
00:26:21The next one's going to be made out of iron
00:26:23with a red light and a bell on it.
00:26:25It's those darn brakes.
00:26:27Can you fix them for me?
00:26:29No, I'm afraid you'll have to take it to a garage.
00:26:31Here's the best place in town.
00:26:33A fellow named Brody's a friend of mine.
00:26:35He'll take care of you.
00:26:37Oh, isn't that a darling little house?
00:26:39Yeah, I think it is.
00:26:41Yours?
00:26:44Are you going to live there?
00:26:46You and Marge?
00:26:48Well, if she doesn't lose her nerve and run out on me.
00:26:50Gee, some girls are lucky.
00:26:52Well, you don't have it so tough.
00:26:54I suppose you think I have everything in the world I want.
00:26:56Well, if you haven't,
00:26:58you can have it ordered, sent, C.O.D.
00:27:00Yes, but when it comes, do you know what it'll be?
00:27:02No, what?
00:27:04Something that Mother and her silly old advisory staff
00:27:06decided was best for me.
00:27:08Gee, that doesn't seem right.
00:27:10Of course it's not right.
00:27:12And I'm sick of seeing the same old people
00:27:14and going to the same old places
00:27:16and listening to the same old cut-and-dry talk
00:27:18day in, day out.
00:27:20Every time I complain, it's,
00:27:22Glory, we know what's best for you.
00:27:24Best for me.
00:27:26Well, why don't you run out on them?
00:27:28Give them the air.
00:27:30You don't know Mother.
00:27:32I can't do anything I want to do.
00:27:34Why can't I get something out of life
00:27:36like other girls do?
00:27:38Well, now, don't you let her get you down.
00:27:41It's pretty soon now, isn't it?
00:27:43Oh, I don't know.
00:27:45They're even planning that for me.
00:27:49Well, now, don't you worry.
00:27:51All your troubles will be over then.
00:27:53You'll be on your own, and you can tell them all to go to...
00:27:55What's the matter?
00:27:57Did I say something wrong?
00:28:01Oh, I don't want to marry a dead Larry.
00:28:03Oh, you poor kid.
00:28:05You'll be all right.
00:28:11Now, that's all right.
00:28:19I think you'd feel a lot better
00:28:21if you came inside.
00:28:23I feel a whole lot better now.
00:28:25Well, you'll feel more comfortable in here.
00:28:35There you are.
00:28:37Now, you sit right down there.
00:28:40Now, you try and relax.
00:28:42Will you get me a drink of water?
00:28:44Sure.
00:28:51There you are.
00:28:53You ought to drink lots of water.
00:28:55It's great for the system.
00:28:57Got a cigarette?
00:29:01There you are.
00:29:10There you are.
00:29:12Now, you're all set.
00:29:16I'm sorry I've been such a nuisance.
00:29:18You've been awfully sweet.
00:29:34Hello, Marge. How are you?
00:29:36Hello, Blackie. Hello, Glory.
00:29:38Well, I must rush along.
00:29:40I've been having some trouble with my brakes.
00:29:42Don't forget to ask for Chick Brody.
00:29:44Oh, thanks. I will.
00:29:46If you'll wait just a few minutes, I'll drive you down.
00:29:48Oh, that's all right.
00:29:50Well, goodbye.
00:29:52Goodbye, Glory.
00:30:04Better wipe your lips.
00:30:07That isn't your shade at all.
00:30:09Oh, now, listen, Marge.
00:30:11It isn't what you think it is.
00:30:13Honest, it isn't.
00:30:15She came in to see me about her brakes.
00:30:17They're bad.
00:30:19Bad brakes for her, but a good brake for you.
00:30:21Huh?
00:30:23I didn't know whether you wanted mayonnaise or French dressing.
00:30:25What were you saying?
00:30:27Well, she started telling me her troubles,
00:30:29and, well, she's just a kid,
00:30:31and her mother and that gang ride her.
00:30:33She was so darn unhappy, the first thing I knew,
00:30:35Gee, I didn't know what to do.
00:30:37You didn't do so bad.
00:30:39Your lunch is ready.
00:30:41Oh, I acted like a sap, all right.
00:30:43But it doesn't mean a thing.
00:30:45Let's forget it.
00:30:47You can't forget it, Lackey.
00:30:49I don't know what you're talking about.
00:30:51You'll be crazier about her than ever.
00:30:53You have plenty cuckoo over her now.
00:30:55Listen, Marge.
00:30:57We're all set to get married.
00:30:59Does that sound like I was stuck on her?
00:31:01It sounds like a nice kid who made up his mind
00:31:04But we're not going through with it.
00:31:06You wouldn't want to be tied to me
00:31:08and in love with somebody else, would you?
00:31:10Well, it isn't that.
00:31:12In the first place, Gloria and I are in two different worlds.
00:31:14Why, she wouldn't have me in a million years.
00:31:18But suppose she would?
00:31:20Oh, we're talking like a couple of fools.
00:31:22Listen, Marge.
00:31:24We're gonna get married today, right now.
00:31:26Can you get this, Lackey?
00:31:28Marrying me isn't going to get Gloria out of your head, see?
00:31:30I wouldn't want you that way.
00:31:33I love you, but if I'm to be hurt,
00:31:35I'd much rather take it now than later.
00:31:39Gee, Marge, I...
00:31:41She's got an awful crush on you.
00:31:43Why, she'd take you in a minute.
00:31:45Do you know what I mean?
00:31:47A shortcut, Lackey, to everything you've wanted.
00:31:49It's there, waiting for you.
00:31:51A chance at heaven.
00:31:55Better grab it.
00:32:03We'll still be friends.
00:32:05Always, I hope.
00:32:07You have to have someone to talk to
00:32:09about your oil and gas
00:32:11and where to put the air compressor.
00:32:15And I'll still want to listen.
00:32:32There she goes again.
00:33:03The next place I visit's all gonna be on one floor.
00:33:05These stairs are getting me down.
00:33:07Oh, but where's Daniel Resistance?
00:33:09He's been looking all over for you two.
00:33:11What luck. Did you find him?
00:33:13No, we gave up the search.
00:33:15We looked and looked and looked.
00:33:17He's not here.
00:33:19He's not here.
00:33:21He's not here.
00:33:23He's not here.
00:33:25He's not here.
00:33:27He's not here.
00:33:29He's not here.
00:33:31We gave up the search. We looked and looked and looked.
00:33:33Well, I never saw a man acquire so much lipstick.
00:33:35Just looking.
00:33:39What's the report on Glory and her local Tarzan?
00:33:41We didn't see them.
00:33:43He must have gathered her up and swung into the treetops.
00:33:45I can't say I blame Glory.
00:33:47Watch your shoulders.
00:33:50Oh.
00:34:02Hey, Betty, they're out on the terrace.
00:34:04Come on.
00:34:06Oh, boy.
00:34:08It looks like a touchdown.
00:34:10It is a touchdown.
00:34:12What are they talking about?
00:34:14I mean after they exhaust the subject of gas and oil.
00:34:16They're not talking.
00:34:18There's nothing out there on a night like this.
00:34:20There wouldn't be any talking.
00:34:22These, Miss Bruce, they're a gentleman present.
00:34:24Scotch and soda, sir.
00:34:26Oh, yes.
00:34:28Come along, you peeping Toms.
00:34:30You've got a lot of drinking to do.
00:34:32I don't feel any happier about it than you do.
00:34:34Service station, Romeo.
00:34:36Well, it certainly places me in an awkward position.
00:34:38Oh, my dear Sid,
00:34:40he was invited here
00:34:42so that he could be made to understand
00:34:44how thoroughly out of place he is.
00:34:47It looks like there'll be no more trouble from him,
00:34:49I can assure you.
00:35:05Blackie?
00:35:07You seem so, so quiet.
00:35:09Anything wrong?
00:35:11It's that view.
00:35:13Did you ever see anything like it?
00:35:16I never noticed it before.
00:35:18You're crazy.
00:35:20You get this every night.
00:35:22They don't pull in those trees in that sky.
00:35:24I never saw those trees in that sky before.
00:35:26Well, what do you look at when you sit out here?
00:35:28Those lights.
00:35:30Way over there in the distance.
00:35:36Oh, Pleasure Park.
00:35:38What's that?
00:35:40A place where us commoners go when we want to have a good time.
00:35:42What do you do there?
00:35:44Oh, I'm serious.
00:35:46Well, you know.
00:35:48There's a scenic railway.
00:35:50It goes way down and then up again.
00:35:52Then there's a Ferris wheel.
00:35:54It goes around.
00:35:56Then there's sort of a scooter.
00:35:58It shakes you up and down.
00:36:00Worse than my truck.
00:36:02Then there's lots of other things.
00:36:04It's not much fun, though.
00:36:06I've always wanted to go to one of those places.
00:36:08I don't get you.
00:36:10Here you are sitting here looking at those lights,
00:36:13Fine.
00:36:15Blackie.
00:36:17Will you take me to Pleasure Park sometime?
00:36:19Anytime you say.
00:36:21Can we go there more than once?
00:36:23Every night if you want to.
00:36:25For how long?
00:36:27As long as you want.
00:36:35Huh?
00:36:37You really mean it?
00:36:39Uh-huh.
00:36:53I'll get my things.
00:37:07And every time I ask Claudia to set a date,
00:37:09she keeps putting me off.
00:37:11Well, you can't bully her into marriage.
00:37:13She's a romantic child and you've got to humor her.
00:37:15Well, what ought I to do?
00:37:17Well, make love to her.
00:37:19Oh, yes.
00:37:21Of course.
00:37:23And just what do you think would be the best way?
00:37:25Well, go downstairs and find her.
00:37:27Take her out on the veranda with you.
00:37:29Let her look at the trees and the sky.
00:37:31And then tell her how much you love her.
00:37:33And after that?
00:37:36After that?
00:37:38Why?
00:37:40Why, you'd sweep her off her feet.
00:37:42All right.
00:37:44I'll sweep her off her feet.
00:37:47Oh.
00:38:03Oh.
00:38:07Oh.
00:38:09Oh.
00:38:12Oh.
00:38:38Let's get out of here. Come on.
00:38:42Come on.
00:38:50Say, we've been turning you to all day.
00:38:52Just want to get a couple of pictures of you.
00:38:54Would you step over a little further?
00:38:56Just a little further. Don't be bashful now.
00:38:58Don't be bashful. They're all painless photographers.
00:39:00Right there.
00:39:02There they are, boys.
00:39:04Now look at them and smile.
00:39:06You know, a great big honey-dovey smile.
00:39:08Now put your arm around it.
00:39:10Now give one of them my itsy-bitsy bride smile.
00:39:12Now one for me, please.
00:39:14Hold her hand.
00:39:16Now, now, look at them as if you was Gaga.
00:39:18Now, more Gaga.
00:39:20There, that's it.
00:39:22Got it?
00:39:24Are you going to live here or at the Three Gables?
00:39:26Is it true that you were engaged to Sid Larrick?
00:39:28If I'd married Sid, there'd just have been
00:39:30a stuffy old church wedding instead of reporters
00:39:32and movies and everything.
00:39:34Say, Shrimp, when you married me,
00:39:36you hooked up with front-page stuff.
00:39:39I've been your father since you married.
00:39:41Would you mind telling me, Mrs. Gorman,
00:39:43what you wore at the wedding?
00:39:45What did I wear?
00:39:47Well, now it seems to me it was some kind of a dress.
00:39:49Isn't it fun?
00:39:51Oh, I'll get that.
00:39:53Now listen, fellas.
00:39:55We just got in and we're plenty tired,
00:39:57so if you'll excuse us while...
00:39:59Just a minute. I'll only take a second.
00:40:01Just a couple more questions.
00:40:03How many gallons of gasoline did she ask you for
00:40:05when you first met?
00:40:08Boy, are those babies
00:40:10a nosy bunch of guys.
00:40:12Who phoned?
00:40:14Marge.
00:40:16She called up to congratulate us.
00:40:18I asked her to come over.
00:40:20Oh, gee, honey, don't you think it's kind of funny?
00:40:22Why?
00:40:24I like her and I hope she likes me.
00:40:26I don't see why we can't continue
00:40:28to be friends.
00:40:30Do you like the house?
00:40:32Is it really ours?
00:40:34Do we own it?
00:40:36I don't know much, but it has no plaster on it.
00:40:38Oh, don't worry, darling.
00:40:40We'll have it put on later.
00:40:47Yeah, I know.
00:40:49Dust is kind of sacred to that cleaning gal of mine.
00:40:51But we'll get a regular maid
00:40:53who'll do all the work.
00:40:55I'm taking care of this place from now on.
00:40:57When I think we can afford a maid,
00:40:59we'll get one.
00:41:01Until then, a cleaning woman once a week
00:41:03and I'll pick her out.
00:41:06You've got pretty little hands in dishwater.
00:41:08That's exactly what I'm going to do.
00:41:10But, darling, you didn't marry a guy
00:41:12with one foot in the poorhouse.
00:41:14I got some money saved.
00:41:16Oh, I've other plans, too.
00:41:22This is a very charming home,
00:41:24but it'll be even more beautiful
00:41:26after it's all done over.
00:41:28Done over?
00:41:30You mean all four rooms?
00:41:32Oh, Blackie, can't you just see
00:41:34Oh, I forgot. There isn't any.
00:41:36Well, we can have one easily enough.
00:41:38Oh, never mind, darling.
00:41:40We'll take the dining room and we'll...
00:41:42Well, I wanted to get us a doorbell.
00:41:44That must be Marge.
00:41:46Hello, Marge.
00:41:48Well, well, well.
00:41:50If it isn't the old married man
00:41:52of the mountains himself.
00:41:54Honey, you haven't changed a single bit.
00:41:56Well, I pulled out all the gray hairs
00:41:58just before you came.
00:42:00Hello, Marge. How's the child bride?
00:42:03Is there anything you'd like to whisper in my ear?
00:42:05Oh, see, I brought you a present.
00:42:07Oh, Marge, you shouldn't have.
00:42:09Oh, it's nothing much, but it's the one thing
00:42:11you do need in this house.
00:42:13It's just outside the door, Blackie.
00:42:17Must be Marge's mellows.
00:42:23Oh, that's exactly what we do need.
00:42:25Thanks, Marge.
00:42:27Well, when I heard you were back
00:42:29and I thought of that poor little icebox
00:42:32I thought its little throat might need cooling.
00:42:34This ain't nothing of mine.
00:42:36I'm going to put this to work.
00:42:42Gee, Marge, you're a swell sport.
00:42:44Makes me feel
00:42:46as if I'd done something
00:42:48kind of sneaky.
00:42:50Oh, you precious infant.
00:42:52You know, I really didn't do it deliberately.
00:42:54I just couldn't help it.
00:42:56You're telling me?
00:42:58That's what he does to all us females.
00:43:00I like you, Marge, a lot.
00:43:02I want you to like me.
00:43:04I think you're a swell kid.
00:43:08Coming up.
00:43:10Serve us with a smile.
00:43:12Oh, that's a short one.
00:43:14That's for Glory.
00:43:16Since when can't I hold my liquor like a lady?
00:43:21Here's to you.
00:43:23And may trouble never darken your door.
00:43:25Any of them.
00:43:28Uh-oh.
00:43:38Blackie, what are we going to do?
00:43:40Well, we're married now.
00:43:42It's too late to do anything.
00:43:44Since when does marriage make it too late for anything?
00:43:54Won't you come in, Mrs. Franklin?
00:43:56Mother.
00:44:00How do you do, Mrs. Franklin?
00:44:02How do you do?
00:44:04Oh, Mother, this is Miss Harris.
00:44:06How do you do, Mrs. Franklin? Happy to meet you.
00:44:08Miss Harris.
00:44:10Oh, Blackie, fix Mother a highball.
00:44:12No, thank you.
00:44:16Well, I guess I'd better be going.
00:44:18Goodbye, Glory.
00:44:20Come and see me soon, won't you?
00:44:22I'd love to.
00:44:25Oh, Blackie, you need a baller.
00:44:27Oh, that's all right.
00:44:31Oh, Glory, Glory.
00:44:33How could you do such a heartless thing to your poor Mother?
00:44:37Now, Mother.
00:44:39I'll never get over it. Never.
00:44:41As long as I live.
00:44:51Here, take a sip.
00:44:54Oh.
00:45:00Darling, there's nothing to cry about.
00:45:02Blackie's the sweetest, most adorable thing in the world.
00:45:06And for the first time in my life, I'm genuinely happy.
00:45:10I know what's best for you, child.
00:45:12Now you've ruined your life completely.
00:45:14Oh, it's dreadful.
00:45:16Oh, it isn't, and you know it isn't.
00:45:18Don't you want me to be happy?
00:45:20Well, I am, if you only knew how much.
00:45:24Well, it's done now.
00:45:26I suppose I shall have to make the most of it.
00:45:28Darling, I knew you'd be sweet about it.
00:45:38Gee, Mrs. Franklin.
00:45:40I'm sorry our marriage upset you.
00:45:42I guess we should have let you in on it,
00:45:44but, well, I was so darn crazy about Glory
00:45:46when she said she'd marry me, I...
00:45:48Well, it couldn't have been too soon.
00:45:50I guess we shouldn't have...
00:45:52Anyway, I'll break my neck trying to make her happy.
00:45:54Honest, I will.
00:45:56I hope so.
00:45:58I'm sure you will.
00:46:04Now, we must decide
00:46:06what you're going to do with yourself.
00:46:08Who, me?
00:46:10Oh, I'm all set.
00:46:12Well, I'm afraid you don't understand.
00:46:14I'm afraid you don't.
00:46:16You see, I don't just work in the gas station.
00:46:18I own it.
00:46:21Yes, I know, but I mean
00:46:23we must find some suitable occupation
00:46:25for you in New York.
00:46:27We're not going to New York.
00:46:29We're staying here.
00:46:31Why, you can't bury yourself in this small town.
00:46:33Why, it's preposterous.
00:46:35Well, I suppose this sounds like Chamber of Commerce stuff,
00:46:37but we've the healthiest climate in the state.
00:46:39I've got a good business here,
00:46:41and it's steady.
00:46:43I hope to own a flock of gas stations someday.
00:46:45And someday I'm going to be head man in this burg.
00:46:47Well, you don't mind living here, do you, Glory?
00:46:49Oh, I love it.
00:46:51We're going to have the whole house done over.
00:46:53This room is going to be...
00:46:55You're only a child,
00:46:57and Mother knows what's best for you.
00:46:59I insist that you live in New York.
00:47:01Now, wait a minute.
00:47:03Glory stays right here.
00:47:05I know what's best for Glory.
00:47:07She happens to be my daughter.
00:47:09She also happens to be my wife,
00:47:11and I have a few ideas of my own on that subject.
00:47:13Glory stays here,
00:47:15and that's that.
00:47:19Some baggage for you.
00:47:21I must have the wrong house.
00:47:23No trunks coming here.
00:47:25Oh, wait.
00:47:27I sent a few things over for Glory.
00:47:29I thought you might need them, dear.
00:47:31My mistake, buddy. Bring it in.
00:47:33There we are.
00:47:35Put it right over there.
00:47:37Come on.
00:47:43Here.
00:47:45Oh, you can put one right here, too.
00:47:48Right here.
00:47:50Easy does it.
00:47:52Can you make it?
00:47:54Oh, dear, I must fly now.
00:47:56I'm late for my massage.
00:47:58Goodbye, dear.
00:48:00Goodbye.
00:48:02Blackie's the name.
00:48:04So long.
00:48:08Where do you want this one?
00:48:10Right there, I guess.
00:48:12There you go.
00:48:17There you go.
00:48:48Gee, Midget.
00:48:50For a minute, I thought something had happened.
00:48:52Something has happened.
00:48:54Come and see all the work I've done.
00:48:56Well, that oughtn't to take long.
00:49:00Oh, see, aren't they cute?
00:49:02I did all those.
00:49:04Why, you little toadstool.
00:49:06Oh, I missed a little there,
00:49:08but I can get it off with your razor.
00:49:10And I put it right over there, too.
00:49:12There you go.
00:49:15I can get it off with your razor.
00:49:17And I put six of them right up here.
00:49:19Aren't they cute?
00:49:21Yeah.
00:49:27What the?
00:49:33Hey, what are you doing here?
00:49:35Well, Glory phoned me
00:49:37and asked me to come right over.
00:49:39And when I got here, I found the little woman
00:49:41in the middle of the floor crying
00:49:43I couldn't paint beside her as big as she is
00:49:45crying because she couldn't get the lid off.
00:49:47So I started doing this to make her stop.
00:49:49What do you think of it?
00:49:51Isn't it beautiful?
00:49:53Help Marge down.
00:49:55I'll take this.
00:49:57Here we go.
00:49:59Blondie, you can finish.
00:50:01Oh, not me.
00:50:03Can't you paint?
00:50:05Oh, well, I can get paint on and off a brush
00:50:07if that's what you mean.
00:50:09My arm's tired from signing autographs all day.
00:50:12Well, I see you got rid of the trunks.
00:50:14What'd you do with them?
00:50:16We put them in the cellar.
00:50:18In the cellar?
00:50:20Say, did you two dig a cellar?
00:50:22No, in Marge's cellar.
00:50:24Oh, Glory, we can't do that.
00:50:26Why not?
00:50:28Where else was there to put them?
00:50:30I can just imagine your mother
00:50:32when she bumps her shins into one of them.
00:50:34Why the miniatures?
00:50:36Because I thought they were so cunning.
00:50:38They'll just match this room when it's finished.
00:50:40And about the same size.
00:50:42I got them at the five and ten
00:50:44and some silver material for the drapes.
00:50:46And, oh, Blackie, I saw the most wonderful rug
00:50:48for our bedroom.
00:50:50At the five and ten?
00:50:52No, Crossy. Isn't he cute?
00:50:54Oh, cut that out.
00:50:56He's just like a husband.
00:50:58They always come home cranky from work.
00:51:00Well, when'll it get here?
00:51:02I didn't buy it yet.
00:51:04I have to save for it.
00:51:06I'll have the house money.
00:51:09Let's stay out of the five and ten.
00:51:11Oh, Blackie,
00:51:13don't you know how to play?
00:51:15Play?
00:51:17Why, sure I know how to play.
00:51:19Come on, Marge.
00:51:21London Bridge is falling down,
00:51:23falling down, falling down.
00:51:25London Bridge is falling down,
00:51:27my fair lady.
00:51:39That's funny.
00:51:41She didn't even say goodbye.
00:51:43I wonder what's the matter with her.
00:51:45You must think I'm an awful
00:51:47past Marge, dear,
00:51:49but the new furniture arrived this morning
00:51:51and I'm so anxious to surprise Blackie
00:51:53I want to cook the dinner.
00:51:55Something he especially likes.
00:51:57Well, that would be chicken pie.
00:51:59Oh, it sounds complicated.
00:52:01Do you suppose you could tell me how to make it?
00:52:03Sure. It's very simple.
00:52:05First you get a nice fat chicken
00:52:08I can't do that.
00:52:10Well, of course you can get the butcher to do it,
00:52:12only I like to do it myself.
00:52:14You see, I like to render the fat
00:52:16and do things with the gizzard and liver.
00:52:18Let's skip that.
00:52:20Maybe I'd better write it down.
00:52:22All right, go ahead.
00:52:24Oh, you boil it first.
00:52:26Then you what?
00:52:28Oh.
00:52:30Wait a minute, Marge.
00:52:32I'm all mixed up.
00:52:34I don't know whether you said
00:52:36four cups of baking powder
00:52:38and a teaspoon of flour or...
00:52:40I think I'd better come over and make it for you.
00:52:42I'm all mixed up.
00:52:44I don't know whether you said
00:52:46four cups of baking powder
00:52:48and a teaspoon of flour or...
00:52:51I think I'd better come over and make it for you.
00:52:53I'll stop and get the chicken, too.
00:52:55Goodbye.
00:52:57It'll be the first year
00:52:59I haven't had a new one.
00:53:01Blackie says maybe next year.
00:53:03He wants me to keep this one
00:53:05and get new tires and top and new paint.
00:53:07He says it'll be just like new.
00:53:09Oh, is it finished already?
00:53:11Not quite, dear.
00:53:13It needs a little baking.
00:53:15Oh, here I meant to watch every move you made.
00:53:17How did I ever get so sidetracked?
00:53:19Gosh, Marge, I'll just never learn to cook things.
00:53:25Why are you so nice?
00:53:27After all, you know,
00:53:29we really shouldn't be such good friends.
00:53:31Oh, Glory Gorman, you're a goose.
00:53:33You know very well I'm always ready to help you
00:53:35any time you need me.
00:53:37All I want is to see you two kids happy.
00:53:45Now, you turn the oven regulator to 450.
00:53:48And leave it that way for 15 minutes.
00:53:52And then you turn it to 350
00:53:54and leave it that way till 630.
00:53:56But not a minute longer.
00:53:58No, I won't.
00:54:00Well, I better make sure.
00:54:18Well, Mr. Gorman,
00:54:20how do you like your nice new living room?
00:54:22Gee, it's swell.
00:54:28Well, Mr. Gorman,
00:54:30how do you like your nice new living room?
00:54:32Gee, it's swell.
00:54:35Well, Mr. Gorman,
00:54:37how do you like your nice new living room?
00:54:39Gee, it's swell.
00:54:45Oh, bread and butter.
00:54:47Bread and butter?
00:54:49See the new picture?
00:54:51Yeah.
00:54:55Isn't it grand?
00:54:57Oh, you don't like it.
00:54:59Oh, sure I do.
00:55:01I think it's a knockoff.
00:55:03What'd you do with the old one?
00:55:05I put it out in the garage with your old slippers.
00:55:07Come right over here and sit down
00:55:09in your nice easy chair
00:55:11and put on your new slippers and relax.
00:55:13I'll call you when dinner's ready.
00:55:15Gee, this is what I call solid comfort.
00:55:33Hey, where's the fire?
00:55:39You'll have to get out.
00:55:41Well, I just thought I'd try and help you out with the dinner.
00:55:43Well, you can save the salt and peppers on the table.
00:55:45All right.
00:55:47Hey, I'll get it.
00:55:49I'll get it.
00:55:51I'll get it.
00:55:53I'll get it.
00:55:55I'll get it.
00:55:57I'll get it.
00:55:59I'll get it.
00:56:02All right.
00:56:16Everything's okay, General?
00:56:18You can take those in and serve them
00:56:20and I'll be right in with the rest.
00:56:22All right.
00:56:32Boy, chicken pie!
00:56:34I hope you like it.
00:56:40Mmm, sure smells good.
00:56:42I'll get it.
00:56:44I'll get it.
00:56:46I'll get it.
00:56:48I'll get it.
00:56:50I'll get it.
00:56:52I'll get it.
00:56:54I'll get it.
00:56:56I'll get it.
00:56:58I'll get it.
00:57:00Mmm, sure smells good.
00:57:06There you are.
00:57:12Mmm.
00:57:14Get going, honey.
00:57:16Don't wait for me.
00:57:22Mmm, that's the best chicken pie I ever ate.
00:57:25Oh, hello, Marge.
00:57:27Oh, you sounded rather excited over the phone.
00:57:29What's the matter? Your house on fire or something?
00:57:31Well, I feel pretty shaky.
00:57:33Oh, Jen, could I have a drink?
00:57:35I thought you'd be crying for some.
00:57:37Go on, sit down.
00:57:39Make yourself over at our house.
00:57:43What do you have?
00:57:45Ginger ale or...
00:57:47Ginger ale.
00:57:49I'll just take mine straight.
00:57:51Quit kidding the bartender.
00:57:54No, I do want it straight.
00:57:58Well, rub it in your hair if you like.
00:58:00Thanks.
00:58:12I don't see how you can drink it that way.
00:58:14Well, if Dr. Jameson had told you
00:58:16what he just told me,
00:58:18you'd take a good drink, too.
00:58:20Glory.
00:58:22Really?
00:58:24Well, aren't you thrilled?
00:58:26Oh, I'm scared to death.
00:58:28Well, does Blackie know?
00:58:30Oh, I haven't told anyone yet.
00:58:32Oh, I'm so afraid.
00:58:34Well, I guess everyone is at first,
00:58:36but think how wonderful it would be
00:58:38why Blackie would be the happiest boy in the world.
00:58:42Yes, but what about me?
00:58:44Oh, Marge, I'm such a coward.
00:58:46I can't bear to suffer.
00:58:48Suffer?
00:58:51You talk as if you're the only woman in the world
00:58:53who's going to have a baby.
00:58:55Well, you talk as if it's fun to have one.
00:58:57Well, of course it isn't fun at first,
00:58:59but think of afterwards.
00:59:01Why, darling, it'll be the grandest fun
00:59:03you've ever had in your life.
00:59:05Imagine an adorable little baby
00:59:07all your own to take care of.
00:59:09A little Blackie to bathe
00:59:11and feed and undress
00:59:13and hold.
00:59:15You'll be the happiest woman in the world
00:59:17and Blackie will love you to death.
00:59:21How about another slug, huh?
00:59:23Oh, uh, I'll just take plain water.
00:59:31Okay, Doc.
00:59:33Okay, Papa.
00:59:35Huh?
00:59:37Congratulations.
00:59:39What are you going to name it?
00:59:41Junior?
00:59:43What?
00:59:45Hey, what's the joke?
00:59:47Well, I sure must be getting dumb.
00:59:49You're going to have a baby.
00:59:51I'm going to have a...
00:59:53Why, it's all over town.
00:59:55Everybody knows about it.
00:59:57Yeah, everybody but me.
01:00:00Why, you're only a child yourself.
01:00:02You haven't the faintest conception
01:00:04of what you'd have to go through.
01:00:06I'm your mother, darling,
01:00:08and I'm only thinking
01:00:10of your happiness.
01:00:12You must go to New York with me.
01:00:14I can't.
01:00:16I can't.
01:00:18I can't.
01:00:20I can't.
01:00:22I can't.
01:00:24I can't.
01:00:26I can't.
01:00:29You must go to New York with me.
01:00:49Say, Half-Pint,
01:00:51what's all this talk I'm hearing?
01:00:53What talk?
01:00:55Well, can you beat that?
01:00:57Can you beat anything to it, honey?
01:00:59Uh-huh.
01:01:01Aw, gee, darling.
01:01:03How come you never told me?
01:01:05I'll bet you knew all about it.
01:01:07Why shouldn't I? I'm her mother.
01:01:09And I've just been telling Glory.
01:01:11Yes, I can guess what you've been telling her.
01:01:13Well, now you let me tell you something.
01:01:15Now, Blackie, please.
01:01:17Okay, I'm sorry.
01:01:19How long have you been here?
01:01:21About two hours.
01:01:23Will you do me a favor?
01:01:26Tell my wife how much I love her.
01:01:40Hear that?
01:01:42I'm salting away all my small change.
01:01:44Gonna start a bank account for the offspring.
01:01:46First thing you know, that guy'll be born
01:01:48with a gold spoon in his mouth.
01:01:50Just like you.
01:01:52Blackie, Glory and I've been talking things over.
01:01:54And I'm leaving for New York tomorrow.
01:01:56And I think she should come along with me.
01:01:58I thought we had all that settled.
01:02:00Blackie, I know that you love Glory.
01:02:02Well, that's one of the few things
01:02:04you and I agree on.
01:02:06And I know that you want to do everything possible
01:02:08to make her happy and comfortable.
01:02:10Check.
01:02:12Then don't you see that it would be better
01:02:14for her to be in New York with me
01:02:16where she'd have every creature comfort and convenience
01:02:18and where she'd have her own mother
01:02:20to give her proper care and the finest doctors?
01:02:23That's why Gott's a baby shark.
01:02:25Why, all he does is have babies.
01:02:27He sets you back 250 bucks just to tell you
01:02:29you're gonna have one.
01:02:31We'd have found that out ourselves in time.
01:02:33I don't doubt that you're Dr. Satisfactory.
01:02:35But think of all the other things
01:02:37I could do for Glory.
01:02:39Things that you couldn't possibly do for her here.
01:02:41And I know that you want Glory
01:02:43to have the best of everything.
01:02:45Well, do you want to go, honey?
01:02:47Well, um,
01:02:49the change might do me some good
01:02:52and it would make Mama awfully happy.
01:02:54Okay.
01:02:56Only don't stay too long.
01:02:58Uh-huh.
01:03:22Hello?
01:03:24Hello, Mignon?
01:03:26Is that you?
01:03:28Yes, it's me.
01:03:30It's me.
01:03:32It's me.
01:03:34It's me.
01:03:36It's me.
01:03:38It's me.
01:03:40It's me.
01:03:42It's me.
01:03:44It's me.
01:03:46It's me.
01:03:48It's me.
01:03:50Hello, Mignon?
01:03:52This is Mr. Gorman.
01:03:54I want to speak to Mrs. Gorman.
01:03:56I say, this is Mr. Gorman.
01:03:58I want to speak to Mrs. Gorman.
01:04:00Is she there?
01:04:02She isn't?
01:04:04Well, what time will she be back?
01:04:06I say, what time will she be back?
01:04:08Oh, she's leaving New York.
01:04:10She's got her things all packed?
01:04:12Well, all right, never mind.
01:04:16Hello, Marge, old gal.
01:04:19You're going to say goodbye and leave the old Mignon?
01:04:21Better than that.
01:04:23Glory's coming home.
01:04:25Well, did she wire you?
01:04:27Uh-uh, I think she wants to surprise me.
01:04:29Well, how did you find out?
01:04:31I just talked to New York.
01:04:33I got kind of worried, and I...
01:04:35Well, I didn't talk to Glory,
01:04:37but Mignon said she was leaving New York.
01:04:39You're wrong, Blackie.
01:04:41She's leaving New York, all right,
01:04:43but she's not coming here.
01:04:45Well, what do you mean?
01:04:47My mother telling me to ship her trunks there.
01:05:01Keep an eye on things till I get back, will you?
01:05:03I'm hopping off for New York.
01:05:12I'm Mr. Gorman.
01:05:17Oh, hello, Blackie.
01:05:23Have a cigarette.
01:05:25No, thanks.
01:05:27Well, do sit down.
01:05:29You won't believe it,
01:05:31but packing boxes are very comfortable.
01:05:33I came to see Glory.
01:05:35Well, I didn't flatter myself
01:05:37into thinking that you made this trip to see me.
01:05:39Glory'll be here in a moment.
01:05:41Blackie,
01:05:43you'll find her quite lonely.
01:05:46You'll find her quite grown up.
01:05:48She's changed.
01:05:50Yeah?
01:05:52She's learned a great deal in these past few months.
01:05:54What are you trying to tell me, Mrs. Franklin?
01:05:56You've made a mistake in coming here, Blackie.
01:05:58What do you mean?
01:06:00Glory's not going back with you.
01:06:02You've been putting any ideas into her head.
01:06:04Blackie, you must be sensible.
01:06:06We'll arrange everything quietly,
01:06:08and you'll give Glory what she wants,
01:06:10her freedom.
01:06:12Does Glory want that?
01:06:15Hello, Blackie.
01:06:17Hello, Halfpoint.
01:06:19Gee, honey, I'm glad to see you.
01:06:21Don't, Blackie, please.
01:06:29I should have written to you,
01:06:31Blackie, and told you the truth.
01:06:33I'm sorry I didn't, but I just...
01:06:35Well, I couldn't, I guess.
01:06:37I didn't want to hurt you.
01:06:39You've been so sweet, and maybe...
01:06:41Well, Blackie, I'm a coward.
01:06:43I don't get you, honey.
01:06:45I didn't have the courage to tell you
01:06:47that it's all over.
01:06:49But it isn't. Can't you see?
01:06:51Oh, I can see.
01:06:53I can see how selfish I've been.
01:06:55But, Blackie, you married the wrong kind of a girl.
01:06:57Oh, no, I didn't, honey.
01:06:59Yes, you did.
01:07:01I found myself.
01:07:03This is my life right here,
01:07:05with my friends and with my mother.
01:07:07But that's what you never liked.
01:07:09I thought I didn't like it, Blackie.
01:07:12You've been the best of my life,
01:07:14but I was wrong.
01:07:16Oh, it isn't your fault.
01:07:18You were very sweet.
01:07:20You tried.
01:07:22Then let's give it another chance.
01:07:24Come back for just a little while, and we'll try...
01:07:26No, Blackie. It's all over.
01:07:33But what about the baby?
01:07:35Blackie, or Dr. Jameson, was wrong.
01:07:41I'm sorry.
01:08:11I'm sorry.
01:08:41I'm sorry.
01:09:11Good evening, Mr. Gorman.
01:09:13You're just in time for dinner.
01:09:15Marge.
01:09:17How'd you know I'd be here?
01:09:19I got word by Pony Express.
01:09:21You better get in there and wash up.
01:09:23I hardly know you with those cinders in your hair.
01:09:25Oh, Marge, you're just trying to...
01:09:27You seem to have forgotten where they do the washing.
01:09:29It's in there.
01:09:36What's the matter?
01:09:38Mama's little boy afraid of the dark?
01:09:40Well, Mama'll take him right in so the boogeyman won't get him.
01:09:46Here's the water.
01:09:48There's the soap.
01:09:50And a nice, fresh towel.
01:09:52Gee, honey, won't you listen?
01:09:54Sorry. The water's making too much noise.
01:09:56Honey, I don't know what to say. I...
01:09:58Well, for a guy who doesn't know what to say,
01:10:00you're certainly using plenty of words.
01:10:02But...
01:10:04You know, I've been thinking the last few weeks what a sap I've been.
01:10:06Then I got thinking about you, and...
01:10:08Well, you've been. But if you say that, Blackie Gorman,
01:10:10your life isn't worth the paper it's written on.
01:10:12Oh, gee, Marge, can't you see what I'm trying to tell you?
01:10:14I can see a lot of food getting cold if you don't park yourself at that table.
01:10:16Oh, but I've got to tell you.
01:10:18I know what you're going to tell me.
01:10:20Once upon a time,
01:10:22a knight rode away on a cloud with a princess.
01:10:24But one day,
01:10:26the princess pulled the cloud out from under him,
01:10:28and he fell right smack dab
01:10:30on his...
01:10:32Well, it's a good thing he wasn't wearing armor.
01:10:34It's funny how a good kick in the pants will make a guy's head work.
01:10:36What the boy didn't know
01:10:38was that the local Cinderella loved him,
01:10:40and she wanted him to be happy.
01:10:42And boy, is she happy.
01:10:44Now, will you go ahead and eat?
01:11:00Gee, that's the best chicken pie I ever ate.
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