- 5/19/2025
EL ARCA DE ORO Pot O'Gold, 1941, Full Movie, Spanish, Cinetel
Category
🎥
Short filmTranscript
00:00:00The Arc de Oro.
00:01:00James Hamilton Haskell, Musical Instruments.
00:01:16Hello, Mrs. Simmons. Hello, Mary.
00:01:19Hello, Mr. Haskell.
00:01:20I've brought you your shirts.
00:01:22Thank you very much.
00:01:24It's the least I can do to let Mary come and practice.
00:01:28It doesn't matter.
00:01:30How is she doing?
00:01:31Don't stop encouraging her. If she keeps practicing like this, she'll be very, very good.
00:01:35I'll be back in an hour.
00:01:37I'll take care of her.
00:01:39Get to work, Mary.
00:01:45Mary, can you play me a A?
00:01:57That's it. Good. Thank you.
00:02:04Jimmy, when will you bring new records?
00:02:13What for? You haven't exhausted the old ones yet.
00:02:16It won't take long.
00:02:19Hello, Tommy.
00:02:20Some eggs for our last class, Jimmy. I'll bring you the bacon tomorrow.
00:02:24Very good. Take the trombone. I think you left the scores there.
00:02:54Uncle Charlie, I'm so glad to see you.
00:03:14Hi, Jimmy. I'm glad to see you, too.
00:03:16What a surprise. What brings you to this remote corner of the world?
00:03:19I've come to see you because you didn't take the trouble to answer my letter.
00:03:24Your letter? Oh, yes. I needed time to think, but come in, Uncle Charlie.
00:03:32I wrote to you. I wrote to you three months ago.
00:03:37Yes? So long?
00:03:38Well, you know how things are when you're very busy.
00:03:42And you have to change the oil every thousand kilometers.
00:03:49That's it.
00:03:52Jimmy, Jimmy, I've come to see you to talk to you about an important matter.
00:03:57All right, go ahead. I'm listening.
00:04:00Can we go somewhere where you don't hear this hellish noise?
00:04:05Oh, yes, yes, of course. We can go to my room.
00:04:07Where is it?
00:04:08Right there.
00:04:13All right.
00:04:16Oh, no, no, no, no, no. Not in that chair, Uncle Charlie.
00:04:18It needs to be fixed. They changed it for a second-hand clarinet.
00:04:23Jimmy, I'm not going to beat around the bush.
00:04:27As you know, you and I haven't been very close.
00:04:30And after all, we're the last Haskells.
00:04:33Is that so important?
00:04:35For me, yes. I want the Haskells to stay connected to the food business.
00:04:39Yes, well, I know what you're thinking, Uncle Charlie,
00:04:41but I want it to stay connected to the music business.
00:04:44I'm talking about important business.
00:04:47Don't you realize?
00:04:49I need you, Jimmy.
00:04:51One day, everything I have will be yours.
00:04:55But I assure you that you will have nothing
00:04:57if you try to waste your life in this place,
00:05:00in this little town.
00:05:04I like it here.
00:05:06Dad was happy here.
00:05:09Oh, I never understood my brother.
00:05:12And I warned him when he opened this place that it would never be successful.
00:05:16Well, it was a failure that was successful for 25 years.
00:05:19It's not bad.
00:05:21If he had listened to me, he would have become rich.
00:05:25But no. And what did he have when he died?
00:05:28The best funeral he's ever seen in the city.
00:05:30There was no one missing.
00:05:32Did everyone owe him money?
00:05:34Maybe that's why.
00:05:36Dad had a wonderful life.
00:05:38He enjoyed hunting, fishing, music.
00:05:41Music.
00:05:43You know, he talked a lot about you.
00:05:46Oh, yeah?
00:05:48I think you always made him a little sad.
00:05:50What made him sad?
00:05:52Because life gave you nothing but money.
00:05:55And if it were so?
00:05:57Since when is it a crime to make money?
00:05:59Since when? No, I'm not going to argue with you.
00:06:02No way. I don't want to get mad.
00:06:04No, sir.
00:06:06Jimmy.
00:06:07Jimmy.
00:06:09Uncle, I'm sorry.
00:06:11Don't hit him, Jimmy. He's an old man.
00:06:13The chair has broken.
00:06:15Did you hurt yourself, Uncle Charlie?
00:06:17Don't worry about me.
00:06:19Can I talk to you?
00:06:21Yes, but let's go.
00:06:23Excuse me for a moment, Uncle Charlie.
00:06:26I have bad news for you, Jimmy.
00:06:28What is it, Dad?
00:06:30I'll have to close the store if you don't get some money.
00:06:33Oh.
00:06:35Well, you'll have to do it.
00:06:37Unless, all of a sudden, the eggs cost $500 a dozen.
00:06:41Look for the money.
00:06:43I'll delay it as much as I can.
00:06:45All right. Thank you, Dad.
00:06:50Oh.
00:06:52I wanted to talk to an agent.
00:06:54They want to buy some instruments.
00:06:56It's Sherry, isn't it?
00:06:58How do you know?
00:07:00I knew his father.
00:07:02Once I saw how he gave some documents to your father.
00:07:04Yes.
00:07:06Well, Jimmy, what do you say?
00:07:08Chase the rainbow or come with me?
00:07:10I can put a bow full of real gold at your fingertips.
00:07:12Well, I...
00:07:14Wait a minute.
00:07:16It's a good idea for my radio show tomorrow night.
00:07:18You'll have heard my hour of happiness.
00:07:20Of course, everyone has heard it.
00:07:22Have you ever?
00:07:24Listen.
00:07:26The clouds that tomorrow will bathe
00:07:28will leave sooner or later.
00:07:30There's always a bow of gold at the end of the rainbow.
00:07:33This is a good traditional philosophy.
00:07:36My God.
00:07:38Well, now I have to go.
00:07:40What are you going to do?
00:07:42Well, the truth is, Uncle Charlie,
00:07:44if...
00:07:46if a miracle doesn't happen in the next few days,
00:07:48I think I'm going to fall from the rainbow.
00:07:50Good.
00:07:52And I'll land on the bow.
00:08:00Healthy food, Haskel.
00:08:02What was I saying?
00:08:04And besides...
00:08:06And besides, I don't see any reason to change...
00:08:08What was I saying?
00:08:10And besides...
00:08:12And besides, I don't see any reason to change
00:08:14the air pumps we use
00:08:16to inflate our rice and other cereals.
00:08:20Our air pumps are completely silent devices.
00:08:24Therefore, I suggest that...
00:08:28And I start that band again.
00:08:32Oh, my God.
00:08:34Oh, my God.
00:08:44How am I going to focus on the business
00:08:46with that noise day after day?
00:08:48Tam-tams, jungle screams,
00:08:50are a threat to health.
00:08:52What was I saying?
00:08:54Tam-tams and jungle screams.
00:08:56No, no, but it's the truth.
00:08:58The Van Corkers have put that band in their house
00:09:00to annoy me.
00:09:02And that's why they ignore all my protests.
00:09:04I think it's a new band, just created.
00:09:06Who wants a new band?
00:09:08Go and create them in some cave.
00:09:12I'll finish this once and for all.
00:09:20Hey, you!
00:09:24You!
00:09:26Hey!
00:09:28Listen!
00:09:30What's wrong with you?
00:09:32Stop making that hellish noise
00:09:34or I'll make you do it.
00:09:36Yes, don't tell me.
00:09:38You and who else?
00:09:40The police.
00:09:42I'm going to have that gang of vandals
00:09:44put in jail for disturbing public order.
00:09:46And we disturb public order?
00:09:50And what do you tell me
00:09:52about your damn explosions day and night?
00:09:54I guess they're not
00:09:56the most pleasant things,
00:09:58no, you piece of chimpanzee?
00:10:00Those explosions are a business
00:10:02and we're used to it.
00:10:04The band is too.
00:10:06And you'll have to get used to it
00:10:08or worse for you.
00:10:10I'll get an order.
00:10:12Yes, really?
00:10:14Listen to me, you heartless bastard.
00:10:16For years I've tried by all means
00:10:18to sell my house
00:10:20to expand your factory.
00:10:22But I'm not going to sell it, Haskell,
00:10:24and not at your price.
00:10:26I'll do it if you think you can get rid of our band.
00:10:28Wait and see.
00:10:30You'll see.
00:10:36Go ahead.
00:10:38Hit me with all your strength.
00:10:40Haskell, go get Haskell.
00:10:42Haskell!
00:10:44Haskell!
00:10:46Come on, don't just stand there like a fool.
00:10:48I have to do it all, Haskell.
00:10:50Haskell!
00:10:52Are you looking for me, CJ?
00:10:54You're not here when I need you.
00:10:56The police are on their way.
00:10:58The police?
00:11:00And the army, if necessary.
00:11:02This is the last time Mrs. McCorkle insults me.
00:11:04She's said that before.
00:11:06Yes, I know, but this time she's serious.
00:11:08That band is driving me crazy.
00:11:10That's true.
00:11:12Haskell, arrest them.
00:11:14I'm on it.
00:11:24Hi, Sy.
00:11:26What's a-cookin'?
00:11:28Hi, Sy. How's she lookin'?
00:11:30Life will be as sweet as can be
00:11:32if I can find a cookie that you're lookin' for me.
00:11:34Hi, Sy.
00:11:36I'm doin' it all day,
00:11:38doin' it like it's high to the moon.
00:11:40All day long, I wash it and dry it
00:11:42to bring my little cookie out away from Shanghai.
00:11:44It shines for you.
00:11:46Ten cents of private revenue.
00:11:48Your dog will get a real shampoo.
00:11:50The real magoo.
00:11:52Raspberries!
00:12:14Are the apples good?
00:12:16They're the same ones I sell to the Ritz.
00:12:18The McCorkles will like them.
00:12:20Have dinner.
00:12:22Here, Willie.
00:12:24You think I'm a loader?
00:12:28Anything else, Mrs. Molly?
00:12:30No, thanks.
00:12:32Here, you idiot.
00:12:34Take it.
00:12:38Let's go.
00:12:42Can't you carry a few packages without complaining?
00:12:44Yes, I don't mind carrying them.
00:12:46Wow, who are you?
00:12:48The boy who carries the packages.
00:12:52I thought my brother Willie was behind me.
00:12:54No, he was in front of you.
00:12:56I'm so sorry.
00:12:58He must have been taken by surprise.
00:13:00I suppose life in the big cities
00:13:02is made of surprises.
00:13:04Like what?
00:13:06For example, a music band that plays in the heights
00:13:08in broad daylight.
00:13:10It comes from our roof.
00:13:12From your roof?
00:13:14The band will play up there until we find work.
00:13:16My sister Donna and I sing.
00:13:18My brother plays and my mother feeds us.
00:13:20It must be a great band.
00:13:22Not everyone here has the same opinion.
00:13:24Don't tell me the neighbors are complaining.
00:13:26No, the neighbors.
00:13:30We have problems.
00:13:34Mrs. McCorkle, as you can see, I have come with the law.
00:13:36To protect you?
00:13:38Of course not.
00:13:40To give you one last warning.
00:13:42That music must stop playing once and for all.
00:13:44What do you want this time?
00:13:48Nothing violent, officer.
00:13:52Hi, Mom.
00:13:54What a company, Mac.
00:13:56I'm here to give you one last warning.
00:13:58Really? Don't tell me.
00:14:00Yes, that band has to go.
00:14:02It's disturbing the peace of the whole neighborhood.
00:14:04Of the whole neighborhood?
00:14:06Does it bother you, Mrs. McCorkle?
00:14:08Not me. It makes me feel young.
00:14:10The whole neighborhood, huh?
00:14:12How are you, Mrs. Sweeney?
00:14:14I'm fine.
00:14:16My husband doesn't scream when he hears music.
00:14:18The same old thing.
00:14:20A bunch of thugs.
00:14:22Ruffians.
00:14:24All right, go back to your den
00:14:26and tell old Haskell what you heard.
00:14:28Let's go.
00:14:30What's going on here?
00:14:32You know the enmity between the Hatfields and the McCoys, right?
00:14:34Yes.
00:14:36Well, this is the same between the McCorkles and the Haskells.
00:14:38What? Who?
00:14:40Let me go!
00:14:42What are you doing?
00:14:44Looking for a good tomato.
00:14:46My hat! Don't touch my hat!
00:14:48Step aside.
00:14:50No, wait, wait, wait.
00:14:52You could fail.
00:14:54Get down.
00:15:00Now.
00:15:02Step aside.
00:15:04I've made a mistake as a man.
00:15:06Not at all.
00:15:08Run.
00:15:10But wait.
00:15:12Let's go.
00:15:14What's going on?
00:15:16Oh, it's blood.
00:15:18They shot me.
00:15:20Are you all right, CJ?
00:15:22No, I'm not.
00:15:24Call an ambulance.
00:15:26But it's not blood, CJ.
00:15:28It's not blood?
00:15:30Then what is it?
00:15:32Tomato, CJ.
00:15:34Someone threw a tomato at you.
00:15:36Phew.
00:15:38You know all the shortcuts around here.
00:15:40I would have arrived earlier if I hadn't had to wait for you.
00:15:42I didn't want to ask you to take my suitcase.
00:15:48Take a bite, hero.
00:15:50It's all I have.
00:15:52Thank you. Hero? Me?
00:15:54Of course.
00:15:56Maybe they'll lift a statue of you while you throw the tomato.
00:15:58Like the one in the disco ball.
00:16:00It was an accident.
00:16:02An accident?
00:16:04That's great.
00:16:06If you only knew how much everyone hates old Haskell.
00:16:08Yes, why?
00:16:10Why? I could give you a reason for every dollar he has in the bank.
00:16:12You know he wanted to kick us out of our house
00:16:14because he doesn't like music?
00:16:16What a bastard, isn't he?
00:16:18Yes.
00:16:20Believe me, the name Haskell is like the poison in this neighborhood.
00:16:22Yes?
00:16:26Well.
00:16:28I have to go.
00:16:30Why are you in such a hurry?
00:16:32I have to find a place to live.
00:16:34I was hoping I could go to a relative's house,
00:16:36but now I don't think it's a good idea.
00:16:38If you don't mind the continuous activity,
00:16:40you could stay here.
00:16:42Hey, Molly.
00:16:44What's going on here?
00:16:46Who are you and what do you want?
00:16:48I'm looking for a place to live, Mom.
00:16:50Oh, are you also in the band or are you going to pay me some rent?
00:16:52Mom, it's the guy who gave Mr. Haskell the tomato.
00:16:54God bless you.
00:16:58Honey, why didn't you tell me?
00:17:00It was you, wasn't it?
00:17:02Hey, young man.
00:17:04You don't have to look for more.
00:17:06You'll live here with us.
00:17:08Give me the suitcase.
00:17:10You're very kind.
00:17:12I'm going to install you in the best room in the house,
00:17:14even if you can't pay for it.
00:17:16Come on, give me the suitcase.
00:17:18I'll take it.
00:17:20Willie!
00:17:22I was looking for you, Molly.
00:17:24I've finished the arrangements.
00:17:26Willie, I want you to put this suitcase in the car.
00:17:28I'll do it.
00:17:30Stop grumbling and get in the car.
00:17:32Let me see it.
00:17:34The changes are great.
00:17:36Put Frankie aside.
00:17:38Let's go, guys.
00:17:58He plays a song
00:18:00All the kids will never fail him
00:18:02They sing a song
00:18:04Along with the pipe
00:18:08People gather round when they hear the sound
00:18:10The camels are coming, hooray, hooray
00:18:12When their lively feet
00:18:14Catch the piper's beat
00:18:16They start to sway
00:18:18And then it isn't long
00:18:20Till all the folks
00:18:22Are dancing, their hearts are gay
00:18:24When he will play
00:18:26Them a song
00:18:28When he's done all that
00:18:30They pass the hat for fascinating
00:18:32Pete the Piper Man
00:18:56He plays a song
00:18:58All the kids will never fail him
00:19:00They sing a song
00:19:02Along with the pipe
00:19:04They start to sway
00:19:06And then it isn't long
00:19:08Till all the folks
00:19:10Are dancing, their hearts are gay
00:19:12When they pass the hat for fascinating
00:19:14Pete the Piper Man
00:19:16When he will play
00:19:18Them a song
00:19:20When he's done all that
00:19:22They pass the hat for fascinating
00:19:24¿De veras? Yo no quería interrumpir
00:19:26¡Silencio!
00:19:28¿Sabes leer música?
00:19:30¡Claro!
00:19:32¿Yo?
00:19:34Ponte ahí
00:19:36Vamos allá, Frankie
00:19:54¡Vamos allá!
00:20:12People gather round when they hear the song
00:20:18The camels are coming
00:20:20¡Hurray! ¡Hurray!
00:20:22And then it isn't long
00:20:24Till all the folks are dancing
00:20:26Their hearts are gay
00:20:28When he will play them a song
00:20:30When he's done all that
00:20:32They pass the hat for fascinating
00:20:34Pete the Piper Man
00:20:44Fascinating Pete the Piper Man
00:20:46¡Guacalo!
00:20:52¡Mirad chicos ha venido Greddy!
00:21:04¡Mamá preciosa!
00:21:06¿Estáis de locos?
00:21:08Mi madre se lo ha encontrado por la calle. Muy cabizbajo.
00:21:12Tenías que haber estado aquí hace un momento. ¡Te habrias quedado de piedra!
00:21:14Yeah, what happened?
00:21:16Something fabulous.
00:21:18What is called poetic justice.
00:21:20It has been very good.
00:21:22It has been perfect.
00:21:26Well, let's go, let's release him at once.
00:21:28Well, the old husky came and made a fury.
00:21:31Yes.
00:21:32And he took a tomato.
00:21:35In the middle of the face.
00:21:41I guess it would be of the little plants, right?
00:21:44Yes, it slipped through the face.
00:21:49I guess no one will know who was responsible.
00:21:52No, only I know, but I'll tell you.
00:21:55Guys, our hero.
00:22:04Molly McCorkle, when will you learn to have your mouth shut at once?
00:22:09What did I say?
00:22:10Too much.
00:22:12Open up, guys.
00:22:13Step aside, step aside.
00:22:15Come on, step aside.
00:22:17Boy, they should give you a medal.
00:22:19I assure you that I regret having to give you this in his place.
00:22:22Thank you very much, officer.
00:22:25What is it?
00:22:26An arrest warrant for assault.
00:22:28The old husky has reported you.
00:22:32Come on, son.
00:22:37Wait, wait, Grady.
00:22:41Wouldn't you like to give me a slap before you go?
00:22:45No, no, no, it doesn't matter.
00:22:47I had a great time and I had a lot of fun running with you.
00:22:50If I can get rid of this, I hope to come back here sometime.
00:22:56And thank you for the chicken, it was very good.
00:23:03Let's go, Grady.
00:23:04Yes, let's go.
00:23:09Next case.
00:23:12Wait a minute, judge.
00:23:13We're here.
00:23:14Molly, where are you?
00:23:15Come on, it's going to start.
00:23:17Order, order in the room.
00:23:20Mary McCorkle, sit down.
00:23:23Hey, Mike, you don't want to give the important ones to me.
00:23:27Sit down.
00:23:31Let's see what the case is about.
00:23:34What is your name, young man?
00:23:37My name?
00:23:38I would prefer your real name.
00:23:41Uh-huh.
00:23:45My name is James Hamilton.
00:23:50James Hamilton, write that down.
00:23:53And where does James Hamilton live?
00:23:55With us, in my house.
00:23:57419 63rd Street.
00:24:01And tell me, James, under what circumstances did you go against the law?
00:24:08I threw a tomato.
00:24:12He's too modest.
00:24:15He threw a tomato and hit the old Haskell in the face.
00:24:19Really?
00:24:24Where were we?
00:24:26I just threw a tomato.
00:24:27Oh, yes, yes, yes, yes, yes.
00:24:31Now tell me, Jimmy, boy.
00:24:33Boy, did you aim with premeditation and with the deliberate intention of hitting Mr. Haskell in the face?
00:24:41Well...
00:24:42Let it be known that the defendant refuses to answer, claiming that the answer could go against him.
00:24:48Blessed be you, Mike, you do know about the law.
00:24:51Having evaluated the facts, the court determines that the case is closed...
00:24:57...and that the defendant is released on bail...
00:25:01...assuming that someone can pay for it.
00:25:04We have $200. Is that enough?
00:25:06That's exactly the amount the court had in mind.
00:25:10Who has them?
00:25:11Me, ma'am.
00:25:13The secretary will take care of them.
00:25:17Next case.
00:25:18Thank you, Mike.
00:25:19Step aside.
00:25:21Let me through.
00:25:22Don't push me.
00:25:23I didn't push him.
00:25:26What are you doing?
00:25:27I didn't push him.
00:25:29Open the windows! It smells like rotten tomatoes!
00:25:33Very funny, Mrs. McCorkle, very funny.
00:25:37I wish you were the one who threw that tomato at me.
00:25:40I agree. I would have put a stone in it.
00:25:42Yes, really? Well, you know what?
00:25:48Proceed with the case.
00:25:50I'm here.
00:25:52Where is the man who attacked me?
00:25:54If you don't mind taking this case, you don't need to advise me.
00:25:58Bien dicho, Mike.
00:26:15Moveos.
00:26:22Bien. En marcha, Eddie.
00:26:29Traigo cargos legítimos en contra de un canalla.
00:26:32Y antes de que presente mis pruebas,
00:26:34sueltan a ese gamberro delante de sus propias barbas.
00:26:37En primer lugar, yo no llevo barba.
00:26:39En segundo lugar, ha sido puesto en libertad bajo fianza.
00:26:43Y en tercer lugar, ha cometido desacato.
00:26:46Y le condeno a 25 días o 25 dólares.
00:26:49Eso no es suficiente, Mike.
00:26:50Silencio.
00:26:52Esto es un ultraje. Es una burla de la justicia.
00:26:5550 dólares o 50 días.
00:26:57¿Qué?
00:26:58Decídase.
00:26:59Por 50 vale la pena decir lo que pienso.
00:27:02¿Y por 100 también?
00:27:03Muy bien.
00:27:04Pero espere a las elecciones.
00:27:07Espere a qué.
00:27:09Estoy esperando.
00:27:10¿A qué?
00:27:13Señoría, por lo visto no llevo dinero encima.
00:27:17Alguacil, lléveselo.
00:27:18No puede hacerme esto.
00:27:19Se levanta la sesión.
00:27:21No puede hacerme esto.
00:27:25...
00:27:27...
00:27:29...
00:27:34...
00:27:36...
00:27:38...
00:27:42...
00:27:52Incre així.
00:27:53Eh, escuchadme. Ahora algo menososo, un poco más animado, algo con ritmo.
00:27:57¿Qué tal cuando Johnny toca la corneta?
00:28:00¿Cuándo Johnny toca la corneta?
00:28:02¿Cuándo Johnny toca la corneta?
00:28:05Genial, vamos allá.
00:28:07Seguro que sí.
00:28:11You gotta get up, you gotta get up. You're in the army now.
00:28:15Johnny blows the bugle, knows the calls from A to Z.
00:28:19But he's always at his best when blowing reveille.
00:28:31When Johnny toots his horn, disturbing the peace at break of the dawn.
00:28:35You gotta get up, you're in the army now.
00:28:39Before your eyes are open, you're dressing on the run.
00:28:43And standing at attention with the sergeant's hat on the corporal's gun.
00:28:48He totally toots you into your clothes and makes you rue the day that you were born.
00:28:54There's nothing anyone can do, the captain has to make you do.
00:28:59You gotta get up when Johnny toots his horn.
00:29:17Toot, toot, toot, toot, toot.
00:29:35He toots you out of slumber, he toots you out of bed.
00:29:39He toots you into line and then he goes somewhere and he hangs his head.
00:29:43But still he blows and blows and blows, blows and blows, blows and blows, blows and blows and blows and blows and blows, yeah, yeah.
00:29:50He wakes you with his crazy tune that goes to bed and sleeps till noon.
00:29:55You gotta get up when Johnny spooks his horn.
00:30:00He stands behind the barricade and plays his morning serenade.
00:30:04The private gets up!
00:30:05The corporal gets up!
00:30:06The sergeant gets up!
00:30:07The tenant gets up!
00:30:08The captain gets up!
00:30:09The major gets up!
00:30:10The colonel gets up!
00:30:11The general gets up!
00:30:13When Johnny spooks his horn!
00:30:23We're coming to the party!
00:30:53Look at you! You're a bunch of scoundrels!
00:30:58Jimmy, boy.
00:30:59Uncle Charlie, what a surprise to see you here.
00:31:01It's a grave mistake of justice.
00:31:03Oh, but this will not be so.
00:31:07Hey, what are you doing here?
00:31:09We could say that I am a boy from town who has frequented bad companies.
00:31:19What's up sheriff?
00:31:20We have more prisoners than condemned.
00:31:22Someone has sneaked into jail.
00:31:24Yes.
00:31:26It's a fraud to the taxpayers.
00:31:29All right, boys, step aside. Come on, let's go.
00:31:32You, what's your name?
00:31:33Haskell.
00:31:34Haskell.
00:31:35Good, there's a Haskell.
00:31:36Good, put it there.
00:31:38What's your name?
00:31:39Haskell.
00:31:40Well, funny, huh?
00:31:42I guess you're all called Haskell.
00:31:44What?
00:31:45Your initials?
00:31:46James H.
00:31:48There's no James.
00:31:49So you're the policeman, huh?
00:31:51Come on, get out of here.
00:31:52They should lock you up for fraud.
00:31:54Hey, James, I have the wallet in my office.
00:31:56Take it and pay my bail.
00:31:58All right, Uncle Charlie, I'll be right back.
00:32:00Goodbye, guys.
00:32:03Goodbye.
00:32:04Goodbye.
00:32:07Hey, do you know how to sing?
00:32:10No, I hate music.
00:32:11We have to fix this, guys.
00:32:15Come on.
00:32:16Let's go get him.
00:32:17It's daytime now.
00:32:21Ah!
00:32:35Hey, Jimmy.
00:32:37Where have you been?
00:32:39Well, I...
00:32:41I had to...
00:32:43What's up?
00:32:44We've been looking for you all over town.
00:32:47Yeah?
00:32:48Why?
00:32:49Because...
00:32:50Let's go!
00:32:51I'll get Jimmy.
00:32:53Molly, Jimmy's here.
00:32:54What?
00:32:55What did I tell you?
00:32:56I knew you'd come back.
00:32:58What happened?
00:32:59Where were you?
00:33:00They locked me up again, by mistake.
00:33:01Oh, you had the boys worried.
00:33:03They were biting their nails, thinking you'd left them standing.
00:33:06Why am I so popular all of a sudden?
00:33:08Have they used their instruments to get you out?
00:33:10It was Molly's idea.
00:33:12Oh, thank you.
00:33:14It's nice to know I'm worth $200.
00:33:17Last call for dinner!
00:33:20Jimmy, you're back!
00:33:22You're in charge of the table.
00:33:23Molly, take care of him.
00:33:29Don't touch anything.
00:33:30Get up, all of you.
00:33:32What's going on, Mommy?
00:33:33Aren't you going to teach the new member the rules of the class?
00:33:36Sit next to Horace.
00:33:37What?
00:33:38Come on, get up.
00:33:39Mom!
00:33:40How can I not?
00:33:41Jimmy!
00:33:48Who's that?
00:33:53Hail, McCorkle!
00:33:56Hail, McCorkle!
00:33:59We'll proudly sing thy praise!
00:34:04Mmm!
00:34:09Hail, McCorkle!
00:34:11Hail, McCorkle!
00:34:14Where no one ever appears!
00:34:20Welcome to this university
00:34:23For the fraternity so full of knowledge
00:34:26Welcome to our little college
00:34:29And as we march along
00:34:33We'll sing our college song
00:34:39A knife, a fork, and a spoon
00:34:42We'll beat out the happy tune
00:34:45You'll all feel chummy as you fill your tummy
00:34:48With a knife, a fork, and a spoon
00:34:50Start tap, tap, tap in the dish
00:34:53You'll get your favorite wish
00:34:56Send trouble dashing while you're born
00:34:58Be happy with a knife, a fork, and a spoon
00:35:01At Mama Corkle's table
00:35:04That's where we play each night
00:35:07We eat all that we're able
00:35:10So we may fuss, it's home to us
00:35:13So come on, lift up your cup
00:35:15Let's drink it down, bottoms up
00:35:18Through stormy weather
00:35:20We'll all stick together with a knife, a fork, and a spoon
00:35:32We're gathered round the table
00:35:37We're real friends through and through
00:35:43We're gathered round the table
00:35:49To eat Ma's Irish stew
00:35:55Ma's Irish stew
00:36:03Boarding House
00:36:20Boarding House, dear Boarding House
00:36:25From thee we'll never roam
00:36:33Oh, Boarding House, dear Boarding House
00:36:38To us, your home sweet home
00:37:02This stew looks good
00:37:06Tomatoes?
00:37:07Thank you
00:37:13I don't want tomatoes
00:37:33What's the matter?
00:37:34Nothing
00:37:37I'm sorry, I'm not feeling well
00:37:40Too many emotions, aren't you?
00:37:42I think so
00:37:43Prison and everything else
00:37:45I'll feel better if I go out and get some fresh air
00:37:47Willie, go with him
00:37:49Of course
00:37:50No, there's no need
00:37:53Maybe it's better if I go up to my room for a while
00:37:55Show him his room
00:37:57Come on, Willie does everything here except eat
00:38:00Let me know if you need anything
00:38:07Home sweet home
00:38:09Thank you
00:38:29When Johnny toots his horn
00:38:31Disturbing the peace at break of dawn
00:38:33You've got to get out
00:38:36Horrible, this is horrible
00:38:38Yes, but you're getting better
00:38:39I don't want to get better
00:38:41And I still hate music
00:38:43You're very unreasonable
00:38:45All right, all right
00:38:47Try again with more enthusiasm
00:38:50When Johnny toots his horn
00:38:52Disturbing the peace at break of dawn
00:38:54You've got to get out
00:38:57When Johnny toots his horn
00:38:59Disturbing the peace at break of dawn
00:39:01You've got to get out
00:39:03You're in the army now
00:39:05Before your eyes are open
00:39:07You're dressing on the run
00:39:09The corporal's got the sergeant at detention with his gun
00:39:13When Johnny blows and blows
00:39:15He's really good when he's on the run
00:39:19Hey Jimmy, for Pete
00:39:21Let me out
00:39:24Where have you been?
00:39:26Uncle Charlie, I...
00:39:27You're going to pay dearly
00:39:29Look what they've done to me
00:39:33How am I going to present the hour of happiness to Haskell tonight?
00:39:37Well, something would happen if you cancelled your show today
00:39:40What?
00:39:41I heard you were out of tune singing in jail
00:39:43Don't be ridiculous
00:39:47Ladies and gentlemen, for reasons other than our will
00:39:51We present to you the hour of happiness
00:39:53Councilor Haskell, pastry maker
00:39:55Sweet and healthy
00:39:59Ladies and gentlemen
00:40:01I can't, I don't have a voice, I'm mute
00:40:04Of course you can, Uncle Charlie, come
00:40:06Jimmy, you do it
00:40:07No, no, no, no, forget about that
00:40:09Mr. Haskell will speak to you immediately
00:40:11Shh, the microphone
00:40:13Read
00:40:16Ladies and gentlemen
00:40:18Shh
00:40:21Tonight I want to share a little poem with all of you
00:40:26All of you
00:40:28We should be as happy as the gods are
00:40:31Because the world is full of precious gifts
00:40:39Hey Willie
00:40:42What do you want?
00:40:43Listen to this
00:40:46Why do you want me to listen to it?
00:40:48Just a moment
00:40:51The daisies
00:40:53The daisies and the lilies of the beautiful spring
00:40:56Grow before our eyes without paying a single coin
00:40:59The light
00:41:15Good evening, sir
00:41:17Good evening, Sparrows
00:41:19Sparrows
00:41:22Is the guest room ready?
00:41:25Of course, sir
00:41:27This is my nephew, Mr. James Haskell
00:41:32Ben, I'm delighted to meet you
00:41:34I say the same
00:41:36Excuse me, your luggage is in the car
00:41:38Luggage? No, I brought a suitcase, but I forgot it
00:41:41Why are you whispering?
00:41:43Where have you been?
00:41:45I've been singing
00:41:47Singing? You?
00:41:48Yes, me
00:41:49I think I'm going to get my suitcase
00:41:51You don't need it, we have everything here
00:41:57What do you think, boy?
00:41:59All of this is yours from now on
00:42:01I'm glad you're finally with me
00:42:04Thank you very much, uncle
00:42:06If you need anything, here you have it
00:42:08Oh, perfect
00:42:10Breakfast is at 7.30
00:42:12I'll take you to the factory so that everyone knows you
00:42:15Better yet, Jimmy, I'm going to hire you
00:42:19I imagine you don't have much money
00:42:21Well, your cashier has paid me a check
00:42:23A personal check?
00:42:25How much?
00:42:27Uncle, I was satisfied
00:42:29$214 is all I had left when I closed the store
00:42:32Oh, come on, that unfortunate episode has been left behind forever
00:42:37Tomorrow will be another day
00:42:39With more music from the McCorkles, I'm sure
00:42:42Jimmy...
00:42:44That woman is deliberately trying to destroy my health
00:42:48But why?
00:42:49Just because I want to keep her property
00:42:51Oh, how unreasonable
00:42:53Yes, she takes me out of my house, I can't stand it anymore
00:42:56Hey, uncle Charlie, why don't you go on vacation?
00:42:59And for the McCorkles to think they've managed to kick me out of the city
00:43:03is exactly what they want
00:43:06I swear that nothing and no one in this world
00:43:08can stop me from going out with that damned bitch
00:43:11who threw that tomato at me
00:43:16If you want something, I'll sleep here
00:43:21I'll take a hot bath, I'll have a drink, and then I'll go to bed
00:43:24Good night
00:43:25Goodbye, uncle Charlie
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00:52:55Warning...
00:53:04I'll tell you that I hear music, maybe it's the radio in the library.
00:53:14No, it's not the radio.
00:53:19Do you still hear it, Uncle Charlie?
00:53:21Yes, it's still playing.
00:53:23Mr. Haskell, tell me, where do you think the music is coming from?
00:53:27I have no idea, but wait a minute, I'll tell you.
00:53:35It's coming from here.
00:53:40Uncle Charlie, you'd better go back to the house.
00:53:42I swear, Jimmy, I hear it.
00:53:45Yes, it's coming from here.
00:53:48It's coming from here, from the ventilation duct.
00:53:53Interesting.
00:53:55Listen to it yourself.
00:53:57Jimmy, please tell him, do you really hear it?
00:54:02I'll call Parkes, he'll help me.
00:54:06Parkes will help me.
00:54:08Yes, you'll see.
00:54:09What's going on?
00:54:11Here.
00:54:13And don't tell me you don't hear anything.
00:54:15Oh, yes.
00:54:16What time is it? I was getting nervous.
00:54:18A beautiful string quartet.
00:54:19String quartet?
00:54:21They're hornets, hornets!
00:54:23Hornets on the phone.
00:54:24I'm telling you, I hear hornets.
00:54:26Yes, well, hornets.
00:54:27Don't make fun of me.
00:54:28All right, well, let's go get some fresh air.
00:54:30As long as you don't start seeing things, there's no need to worry.
00:54:33I'm fine.
00:54:43Jimmy, look.
00:54:45Doctor, what do you see?
00:54:47What do you want us to see, Uncle?
00:54:48Some girls dancing on the grass.
00:54:50Where?
00:54:51There.
00:54:54Oh, oh, oh.
00:54:56Confuse pieces of paper with dancers.
00:54:59They were papers.
00:55:01You're right, Jimmy.
00:55:02I feel very bad.
00:55:04My nerves are broken.
00:55:06Doctor, what do you think I should do?
00:55:09Mr. Haskell, give your nerves a long rest.
00:55:12Get out of the city.
00:55:14I will.
00:55:16I'll go to a forest.
00:55:17I suggest you make the luggage.
00:55:19No, I won't go until I find the man
00:55:21who threw that tomato at me.
00:55:23Uncle Charlie, your health is more important than a stupid tomato.
00:55:26It's true.
00:55:27You're right.
00:55:28I'll take care of it.
00:55:29When I put my hands on it, it will prefer to be in jail.
00:55:32You'll see.
00:55:33While you rest, I'll take care of it.
00:55:35Don't worry about anything.
00:55:37I'm the best.
00:55:39All right.
00:55:40Tomorrow I'll catch the first plane.
00:55:43Oh.
00:55:44What's wrong now?
00:55:46The music has stopped.
00:55:49It only sounds like a cello.
00:55:51You see?
00:55:52You're getting better.
00:55:53Yes.
00:55:57Luderman.
00:55:58Vice President and Program Manager.
00:56:03Hello, Mr. Haskell.
00:56:04How can I help you?
00:56:05Mr. Luderman.
00:56:06I've come to try to make the hour of Haskell's happiness a little happier.
00:56:10Welcome.
00:56:11Sit down.
00:56:12What would you like to drink?
00:56:13Well...
00:56:14Hello, Mr. Bacchus.
00:56:16What is this meeting for?
00:56:18Well, we were going to talk about the program.
00:56:20You know that in the absence of Mr. Haskell, I am in charge of the program.
00:56:24He has entrusted it to me.
00:56:25Yeah, but not 100%.
00:56:26What do you mean?
00:56:27Look, here I have a note from my uncle in which he leaves me in charge of the program.
00:56:31Wow.
00:56:32It hasn't cost you to put him against me, has it?
00:56:35How do I know you haven't written it yourself?
00:56:37Mr. Luderman, will there be no changes in...
00:56:39Excuse us a moment.
00:56:40I would like to talk to you.
00:56:41Yes, let's talk about the subject.
00:56:42Yes, that.
00:56:43Yes.
00:56:44I'll be right back.
00:56:52I would like to improve certain things.
00:56:54Go ahead.
00:56:55I plan to use a band.
00:56:57No, no, no.
00:56:58Please, no.
00:56:59We have plenty of bands.
00:57:00Yes, but this one is perfect because my uncle hates it.
00:57:02What?
00:57:03Yes, that's why it's in Canada.
00:57:05And why does he want to include it in his program?
00:57:07Well, it's hard to explain, but that way the band will succeed.
00:57:11You'll have to thank my uncle and I'm sure that will make him feel very good.
00:57:14In Canada?
00:57:15In Canada.
00:57:16And there's also a family dispute.
00:57:18A dispute?
00:57:19Uh-huh.
00:57:20And there's also a girl.
00:57:21Oh, a girl.
00:57:22Yes, yes.
00:57:25It sounds a little messy, doesn't it?
00:57:27No, not at all.
00:57:28It sounds pretty good.
00:57:29Really?
00:57:30That's it.
00:57:31You'll play on Thursday night in a national program at the opening of the football club.
00:57:35That's great, Jim.
00:57:36How did you get it?
00:57:37I don't know.
00:57:38I started talking and he listened to me.
00:57:39I'm as surprised as you are.
00:57:41How much will they pay you?
00:57:43Um...
00:57:44Nothing.
00:57:45Nothing?
00:57:46No, not a cent.
00:57:48What's the big deal?
00:57:49When we play for the neighbors and old Haskell, we don't earn anything either.
00:57:52But this is an opportunity.
00:57:54You've convinced me.
00:57:55What can we lose?
00:57:56I agree.
00:57:58Bahia Hudson.
00:57:59Factory number 21.
00:58:09Give me a push.
00:58:11Bonsoir, monsieur.
00:58:14What did you say?
00:58:15Bonsoir, monsieur.
00:58:16You've made me carry this backpack for hours to take me to a place where no one knows how to speak my language.
00:58:22But what kind of guide are you?
00:58:25Uh, monsieur.
00:58:26Do you have a machine that speaks?
00:58:30Uh, no.
00:58:31I don't care.
00:58:32I have a very good one right there.
00:58:33I don't intend to sell it.
00:58:35It's just broken.
00:58:36I want to listen to an American show that starts at 8 o'clock sharp.
00:58:40All right.
00:58:41Suit yourself.
00:58:45Take this burden off my back.
00:58:47Oui, monsieur.
00:58:51Oui, monsieur.
00:59:07Let's go, ladies and gentlemen.
00:59:09We are ready to begin our radio show.
00:59:13Let's go, boys.
00:59:15Good luck.
00:59:17Are you scared?
00:59:18Take a deep breath.
00:59:25Good evening, ladies and gentlemen.
00:59:27The program will begin in a moment.
00:59:29I was told...
00:59:30Shut up!
00:59:31Be quiet!
00:59:32Good evening, ladies and gentlemen, the hour of happiness of Haskell is broadcast tonight from the dining room of the field club of Eastchester.
00:59:41Field club what?
00:59:43With the live presentation of a new band.
00:59:47Music?
00:59:48In my program?
00:59:50Thank you and good evening, dear audience. I'm Horace Hyde, and the first number of our program is Broadway Knight, presenting Miss Molly McCorkle.
00:59:59McCorkle?
01:00:00Y aquí la tienen, la encantadora Molly.
01:00:09He's disarming, alarming, charming and brave.
01:00:14First he steals your heart, then he throws it away.
01:00:19He will tell you of tropical nights, make you dream of a thousand delights.
01:00:25First you hold your hand, say you're simply grand, but soon you're thinking his way.
01:00:56He's never been south of the border.
01:00:58He's never been Argentine way.
01:01:01But when he starts to pet, the chances are he'll forget that he's a caballero from Broadway.
01:01:06South on Broadway.
01:01:09He'll hold you and say, señorita, right here in my arms you must stay.
01:01:14And from his dialect, I know you'd never suspect that he's a caballero from Broadway.
01:01:19South on Broadway.
01:01:22His daytime, he spends parading on the avenue.
01:01:27Then later, you'll always find me with a girl or two and a bird in two.
01:01:33He'll take you through all the gay places.
01:01:36He'll make every Latin cafe.
01:01:38He'll give you such a thrill.
01:01:40And then he'll hand you the bill, this charming caballero from Broadway.
01:01:44South on Broadway.
01:01:48When Madame Lozanga learned the conga, I swear, I gave her the lessons and I gave her the air.
01:01:54It seemed to be love in bloom.
01:01:55Suddenly, boom, another girl took over from there.
01:01:59I know if you meet him, you are likely to fall.
01:02:02His methods are sensed because it catches them all.
01:02:04He'll sing you a serenade, tenderly played upon an old mail-order guitar.
01:02:11You'll bring up the subject of dancing, and all of his pupils will say,
01:02:16he's such an awful crumb, but no one guesses a rumble like the caballero from Broadway.
01:02:22South on Broadway.
01:02:41He'll tell you he lives in Argentina's biggest house.
01:02:46But we know his hacienda is a boarding house run by Sanger Kraus.
01:02:52He's such an impetuous fellow.
01:02:54He's like a dog having his day.
01:02:57This pony Don D'Amico really comes from Oswego.
01:03:00For a caballero from Broadway, he does okay.
01:03:10Don D'Amico.
01:03:40Don D'Amico.
01:04:10Don D'Amico.
01:04:15Don D'Amico.
01:04:20Don D'Amico.
01:04:25Don D'Amico.
01:04:30Oh, you'd better lock your heart when you're prepared to part,
01:04:41then that is just the start of your trouble.
01:04:44You'd be up on top, but you're due for a copy,
01:04:46but your dreams will pop like a bubble.
01:04:48You'll be the kind of man that you will never forget.
01:04:51The shining caballero from Broadway.
01:04:53Ron, Meghan, Sharon...
01:05:10Molly! Molly! You've been amazing!
01:05:12Put this on and you'll have a cold.
01:05:14Do you know what Luberman says?
01:05:15He's willing to pay 1,500 dollars a week.
01:05:181,500 a week?
01:05:19Yes.
01:05:19Jimmy, we've done it!
01:05:22They've tricked me! I want a drink!
01:05:25Bands! Country clubs! The McCorkles!
01:05:28Are you coming to a drink or what?
01:05:30And now I want to tell you something.
01:05:32I thought you'd never decide to say it.
01:05:35No, this is something that worries me.
01:05:38You don't know anything about me, Molly, or who I am.
01:05:40That doesn't matter. You are you, and I am me.
01:05:43The time has come for you to know that...
01:05:45Ah, here.
01:05:46Oh, please.
01:05:47Let's continue.
01:05:48He won't be so happy when his uncle finds out.
01:05:50Believe me, CJ won't finance his romances.
01:05:55Haskel is your uncle?
01:05:56Yes, that's what I was trying to tell you.
01:05:58And if you let me explain it to you, you'll see...
01:06:00There's no need for an explanation. It's very clear.
01:06:02You sneaked into our house pretending you wanted to help us, and you made me believe...
01:06:05Wait, please, please, let me explain it to you.
01:06:07Bastard! Of course you're a Haskel!
01:06:09Jimmy! Molly!
01:06:10Molly! Shut up! They're listening to you.
01:06:12Great!
01:06:16Hello, everyone.
01:06:17I have very good news.
01:06:19As of next Thursday, Mr. Haskel, the sponsor of this program...
01:06:24...will give someone $1,000 in cash every week.
01:06:27$1,000 a week?
01:06:29That's a lie!
01:06:31How generous, isn't he?
01:06:37All right, Mr. Haskel, let's see how you get out of this one.
01:06:43I have to go home.
01:06:44How long will it take you to get out of here?
01:06:46Well, there's two days to the river.
01:06:48Two days?
01:06:49How long will it take you to get there?
01:06:50A week.
01:06:51If you're lucky, you'll be back in a week.
01:06:52A week.
01:06:53What?
01:06:54Let's go!
01:06:57Jimmy!
01:06:58Jimmy!
01:06:59Congratulations, boy.
01:07:01It was a great idea.
01:07:02How did you come up with it?
01:07:04Well, all of a sudden...
01:07:11The hour of happiness of Haskel has raised great expectations throughout the country...
01:07:15...by announcing that every week a $1,000 cash prize will be awarded.
01:07:18I know. I've read the press.
01:07:20Mr. Haskel, good morning.
01:07:22Your uncle's lawyer, Mr. Chalmers.
01:07:24Hello.
01:07:25Nice to meet you.
01:07:26Just a moment.
01:07:27Sign this paper, please.
01:07:28What is it?
01:07:29A statement saying that you didn't authorize Miss McCorkle to do what she did...
01:07:33...that she did it only to harm your uncle.
01:07:35Sign it, please.
01:07:37Not so fast.
01:07:38Don't worry.
01:07:39I assure you that we can bring the McCorkles to trial...
01:07:42...and since they won't be able to pay, we'll take away their property...
01:07:45...which is what your uncle has wanted for years.
01:07:48Sign here, please.
01:07:49It's curious, but I don't like to be pressured...
01:07:52...and besides, I don't sign anything without having read it before.
01:07:54Do me the favor of getting out of here, both of you.
01:07:56Don't hit me again, I'm wearing glasses!
01:07:59Mr. Haskel, your uncle...
01:08:01Good morning, sir. Good morning.
01:08:09Very good, Parks.
01:08:10Thank you, sir.
01:08:17Why don't you pick up the phone?
01:08:20Tell me.
01:08:22Jimmy, boy, how are you?
01:08:25Do you want to talk to Molly?
01:08:28Look, I don't think it's a good time to...
01:08:33One moment.
01:08:35Solve your problems.
01:08:37I can't do it for you.
01:08:38I don't want to talk to him.
01:08:42So?
01:08:44Listen, I'm sorry to bother you, but it's important.
01:08:46The $1,000 you offered last night was my idea.
01:08:49Understood?
01:08:51No, don't argue.
01:08:53And if anyone asks you about it, listen to what Grady tells you.
01:08:57Don't tell me to shut up. Why would I do it?
01:09:00Because if you talk too much, they'll take the house from you.
01:09:02What's this, another one of your tricks?
01:09:04I don't need your help.
01:09:05What?
01:09:06I said don't be stupid.
01:09:08I don't do it for you.
01:09:09It's for Mom and the kids.
01:09:13Excuse me, sir.
01:09:14Mr. Luderman and Mr. Samson.
01:09:16Let them in.
01:09:18Come in, please.
01:09:19Hello.
01:09:20Hello, Jimmy.
01:09:21Congratulations.
01:09:22Your program is a hit.
01:09:24Telegrams, calls from all over the country, people...
01:09:27Excuse me, Mr. Samson.
01:09:29Nice to meet you, Mr. Samson.
01:09:30Have a seat.
01:09:31Yes, thank you.
01:09:32Mr. Samson is an inspector for the federal government.
01:09:35I see.
01:09:36What does the government have to do with this?
01:09:39We're just worried about one detail.
01:09:41How are they going to give the money?
01:09:43Oh, I understand.
01:09:44I don't think it's going to be difficult.
01:09:46I don't know anyone who's had trouble giving away $1,000.
01:09:49Let's see...
01:09:50Keep in mind that it can't be a lottery.
01:09:52The government won't allow raffles or raffles of any kind.
01:09:55Oh, of course.
01:09:56Yes, yes, I understand.
01:09:57I understand.
01:09:58We won't do it.
01:09:59No.
01:10:00All right.
01:10:01What do you think?
01:10:02A contest program?
01:10:03It can't be either.
01:10:04They announced that the prize would be given through the radio.
01:10:08Oh.
01:10:09That complicates it a bit, doesn't it?
01:10:12Let me think.
01:10:13What if we took the telephone list of the city,
01:10:16chose a number, and gave the money to its owner?
01:10:19No, no.
01:10:20It would have a local character.
01:10:22And this concerns the whole country.
01:10:24Well, we'll cancel this matter, and we won't give my uncle's money.
01:10:27No.
01:10:28They said they'd give him the prize, and they should do it.
01:10:30Yes.
01:10:31If not, my company would lose the franchise,
01:10:33and your uncle's business would go down the drain.
01:10:35And you could be fined and put in prison.
01:10:38Oh, great.
01:10:40I don't have many options, do I?
01:10:43Either I give the money, and I go to jail,
01:10:46or I don't give the money, and I go to jail.
01:10:51Pass me the salt.
01:10:56You're sad for Jimmy, aren't you?
01:10:58Well, I don't think you'll see him again.
01:11:00And he'll probably be happy to have discovered what kind of girl he is.
01:11:04It's okay, Mom, please.
01:11:06No, it's not okay.
01:11:07A boy as good as Jimmy deserves a girl who truly loves him,
01:11:11even if her name is Hamilton, or Haskell, or Hasenpfeiffer.
01:11:17I hope you're satisfied.
01:11:18And now what?
01:11:20It seems that no one knows how to deal with that $1,000.
01:11:24And maybe Jimmy has to go to jail.
01:11:26Oh, that's terrible.
01:11:27But Jimmy is not responsible. He didn't make the offer, it was me.
01:11:30He said it was his program, and that he took responsibility.
01:11:33Are you going to stand there and watch the boy go to jail?
01:11:36But Jimmy told me...
01:11:37I know what he told you and why.
01:11:39So that we don't run out of room.
01:11:41But I'd rather lose our house than lose my pride.
01:11:47Oh, Mom.
01:11:49I've been thinking the same thing all week.
01:11:56Yes?
01:11:58No, not yet.
01:12:01Gentlemen, someone has to come up with a solution, and soon.
01:12:05Our program airs tonight, not next month.
01:12:10And we'll have the same answers as a week ago.
01:12:14Yes?
01:12:15I've got it!
01:12:16I got up this morning and it just occurred to me...
01:12:18Tell me.
01:12:19Look, we'll take a bomb, one of those crystal bombs that are used in raffles.
01:12:23Yes, that's it!
01:12:24Yes, I'm proud of you.
01:12:26That's it.
01:12:27No, gentlemen, no.
01:12:28What's wrong?
01:12:29The government forbids it.
01:12:30No, not yet.
01:12:32I'll go back to bed and see if I can come up with something in my dreams.
01:12:35You're not sleeping up there?
01:12:36I'm not sleeping.
01:12:37I've been taking aspirin for days, as if it were peanuts.
01:12:40Gentlemen, I've got it.
01:12:41What?
01:12:42It's the first time I've managed to finish it.
01:12:47Hey, why don't you all go to the station?
01:12:49Maybe if I stay alone, I'll come up with something.
01:12:51All right, Jimmy.
01:12:52We'll go.
01:12:53Come on, Samson.
01:12:55Yes?
01:12:56No, not yet.
01:12:57Hey, would you mind putting the phone down?
01:13:00Thank you, sir.
01:13:01You're welcome.
01:13:04Are you all right, Jimmy?
01:13:06Yes, I'm starting to catch my breath.
01:13:08You'll have to think of something.
01:13:09Yes.
01:13:21Is there any news from Jimmy at 7.30?
01:13:23No, he's not answering his phone.
01:13:25And what about the program?
01:13:26When the clock strikes 8 o'clock, the program will begin.
01:13:29From coast to coast.
01:13:44I'm coming, Mr. Haskell, I'm coming.
01:13:51Well, it's time.
01:13:52Why don't you answer your phone?
01:13:54You don't understand that...
01:13:55Wow, it's incredible.
01:14:00Come on, wake up.
01:14:02Come on, get up at once.
01:14:05Come on, I'm Molly, wake up.
01:14:10It's you.
01:14:11Yes, it's me, come on.
01:14:13I guess you want to know how I'm going to give you the $1,000.
01:14:16Well, I have no idea.
01:14:17Now go home, to the house.
01:14:19I'm going home?
01:14:21Listen, are you coming with me, like it or not?
01:14:24On foot, man.
01:14:25If you think the McCorkles will let a Haskell take the chestnuts out of the fire, you're crazy.
01:14:30And if you think the McCorkles are going to take the Haskells out of the fire, you're crazy too.
01:14:34Come on, get out.
01:14:35You still want to sleep, huh?
01:14:39Wait a minute, don't even think about it.
01:14:42Miss, I can't do that.
01:14:44Where's a phone?
01:14:50What do you propose?
01:14:51I'll tell the guy from the government what really happened.
01:14:53No way.
01:14:54Of course I will.
01:14:55No.
01:14:56I've decided.
01:14:57Come on.
01:14:58No, don't even dream about it.
01:14:59I don't want to.
01:15:00Okay?
01:15:01There are millions of phones.
01:15:06That's it.
01:15:07What?
01:15:08A needle pointing to millions of phones, millions of telephone guides.
01:15:12Parks.
01:15:13And it's not a lottery.
01:15:14You're crazy.
01:15:15Give me the key.
01:15:16Goodbye.
01:15:19Silence.
01:15:20In the air.
01:15:23The hour of Haskell's happiness presents the nation's sensation, the golden pot with
01:15:30hours, Heidi and her band.
01:15:36And don't forget, ladies and gentlemen, that before the end of this program, we'll
01:15:41give someone a thousand dollars in cash.
01:15:44Later we'll tell you how.
01:15:53We go.
01:16:24Step aside.
01:16:33Hey, we'll give the money by phone, understood?
01:16:36Divide the destinations into sections of 500 pages.
01:16:38And then number them.
01:16:39Okay.
01:16:41Can I help you?
01:16:42A table.
01:16:43Someone bring a table, please.
01:16:46You first.
01:16:48Good morning.
01:16:53Wow, perfect.
01:16:54Come on, Parks.
01:16:55We have to go.
01:16:59I say the same.
01:17:00Well done.
01:17:04Ladies and gentlemen of the audience, finally the news you've been waiting for.
01:17:08The thousand dollars will be allocated by phone, so be careful.
01:17:12It's my money you want to give away and I won't allow it.
01:17:16I'll sign my contract right away.
01:17:18I'll call you right now.
01:17:20Bring me a phone.
01:17:22A roulette.
01:17:23We have to take it.
01:17:24Lend it.
01:17:29You go behind and when Snooky shouts, you take it.
01:17:32Snooky?
01:17:33What's Snooky?
01:17:34Come on.
01:17:41Snooky!
01:17:42Where have you been, my little candy?
01:17:45You left me abandoned in Michigan, honey.
01:17:49Miss.
01:17:50But you're not my Snooky.
01:17:54She's crazy.
01:17:55What do you think?
01:17:56Let's continue.
01:17:58I've been robbed.
01:17:59Police!
01:18:00Call the police, please.
01:18:02Make way.
01:18:16Hi, kid.
01:18:17Can I use your phone?
01:18:19What, Mom?
01:18:20Daniel Boone wants you to let him use your phone.
01:18:23Get out, tramp.
01:18:24No one's going to touch the phone until you give him the thousand dollars.
01:18:29What?
01:18:30Daniel Boone?
01:18:33Watch out!
01:18:34Watch out!
01:18:35Watch out!
01:18:44Let's go.
01:18:45Hurry up.
01:18:46Let's go.
01:18:47Hurry up.
01:18:48Get out of here.
01:18:49Right here.
01:18:50We're live.
01:18:51I know.
01:18:52Put it there.
01:18:57Wait.
01:18:58You can't go in there.
01:18:59It's not a mountaineering program.
01:19:01I'll give you a shout.
01:19:03I'm PJ.
01:19:04When did you get to the city?
01:19:06Lunderman, I want to talk to you.
01:19:08Let's go.
01:19:10I've been looking for you for hours.
01:19:13Ladies and gentlemen, the roulette is ready to spin and give us the number of the round.
01:19:18Larry Johnson, go ahead.
01:19:19Ladies and gentlemen, this time we're looking for the number of the round.
01:19:23I hope you're lucky and your names are in that round.
01:19:27Besides, I'm not going to let go of a penny.
01:19:30I agree.
01:19:31I tell you that I have three good sponsors who are dying to buy this program.
01:19:35Buy it?
01:19:36They must be crazy.
01:19:37Yes?
01:19:38Do you think?
01:19:39Well, they represent the largest advertising agency in the country.
01:19:43What?
01:19:44Wait.
01:19:45Wait.
01:19:46We want you to be the person you're going to call in a while.
01:19:49The needle starts to stop.
01:19:50It goes down a little more and more and more and more.
01:19:53And it stops at number 124.
01:19:55124.
01:19:56124.
01:19:57124.
01:19:58124.
01:19:59124.
01:20:00I don't have it anymore.
01:20:04Now we will spin it again to know the number of the page.
01:20:07Go ahead, Larry.
01:20:08The roulette spins once more to let us know the number of the page of the round that we have chosen a moment ago.
01:20:14On this page will be the name of the lucky winner of the...
01:20:18I present to you, Mr. Johnson.
01:20:19Delighted, sir.
01:20:20It is the best advertising idea I've ever seen.
01:20:23Do you want to sell it?
01:20:24It's good.
01:20:25I'll give you $20,000 right now.
01:20:26It's so good.
01:20:27I'll give you $30,000.
01:20:28Do you want to steal it from me?
01:20:30It's not long before it stops.
01:20:32It goes down a little more and stops at page 66.
01:20:36Page 66.
01:20:3766.
01:20:3866.
01:20:42I have it now.
01:20:45And now the third and last round to discover on that page the name of the lucky winner who will receive our call of gold.
01:20:51Go ahead, Larry.
01:20:52Here we go, ladies and gentlemen.
01:20:54This time we will discover on the page of the round the exact name of the person to whom we will send the pot of gold worth $1,000.
01:21:00It will stop, go down a little more, and more, and more, and more, and more.
01:21:05And finally it stops at number 38.
01:21:07Let's look for number 38.
01:21:1210, 20, come on, 30, and 1, 2, 3, 4, 5, 6, 7, 8.
01:21:20It's...
01:21:21What?
01:21:22The winner is Mr. Olaf Swenson.
01:21:25341 de la calle perdida.
01:21:28Calle perdida?
01:21:29Plan, plan, plan.
01:21:31Plankett, Plankett Minnesota.
01:21:32Plankett, Plankett Minnesota.
01:21:35Operator, put me with Olaf Swenson.
01:21:37341 de la calle perdida.
01:21:40Plankett Minnesota.
01:21:41That's it.
01:21:53Aha, ya voy.
01:21:57No tardo ni un minuto.
01:21:59Diga.
01:22:00Parade el reloj, parade el reloj.
01:22:02Parade el reloj.
01:22:03Hola, es usted el señor Olaf Swenson?
01:22:05Ya, si, soy Olaf.
01:22:08Una olla de que?
01:22:11Mildo, que me...
01:22:14Oiga, no tengo tiempo para bromas.
01:22:18Que?
01:22:21Que ustedes me regalan mil dólares?
01:22:25Olga!
01:22:31Oiga, ha hecho que mi Olaf se desmaye.
01:22:34Que?
01:22:36Mil, mil dol...
01:22:42Hola, hola, hola.
01:22:46Se han quedado sin habla.
01:22:49Es una idea que vale un millón de dólares y es mía, solo mía.
01:22:52Oiga, el Cascarrabias está de vuelta, eh?
01:22:55Que hace usted aquí?
01:22:56Disfrutar de nuestro programa.
01:22:58De su programa, pero con que demonios me viene ahora?
01:23:01El programa es mío, ¿ha entendido?
01:23:03¿Está seguro? Pues la idea fue de Molino.
01:23:06Intente decirme lo contrario porque no pienso permitir...
01:23:08Dejota, dejota.
01:23:11Todo arreglado, le hemos sacado de este embrollo.
01:23:13A partir de ahora ya no tiene nada que ver con el programa.
01:23:15Lo hemos arreglado y la señorita McCorkle es la única responsable.
01:23:18¡Bravo!
01:23:20¡Inútiles!
01:23:22¡Dejota, dejota! ¿Qué le pasa?
01:23:25¡Cámara fuera de mi vista!
01:23:28¡Buen lanzamiento, Charlie!
01:23:30¿Charlie?
01:23:35¡Y Molly es la única responsable de este lío!
01:23:39¿A dónde vas?
01:23:40Afuera.
01:23:43Horas ha hablado con el ganador, así que todo arreglado.
01:23:48¿Sí? ¿Todo arreglado?
01:23:50Sí.
01:23:52Supongo que no hay nada que hacer.
01:23:55Los McCorkle son alérgicos a los Haskell.
01:23:57Y viceversa.
01:23:59Sí, y viceversa.
01:24:02Adiós, Molly.
01:24:04Adiós.
01:24:07¡Bueno, Jimmy!
01:24:08Tío, pero...
01:24:09¡Vamos, ven conmigo!
01:24:10¡Vamos, esto también va contigo!
01:24:11¡Mamá!
01:24:14¡Damas y caballeros!
01:24:17Quiero presentarles a los dos brillantes jóvenes que idearon este programa...
01:24:21...y que a partir de ahora representarán a la hora de la felicidad de Haskell...
01:24:25...la señorita Molly McCorkle y mi sobrino, el señor James Haskell.
01:24:33¡Di algo! ¡Di lo feliz que eres!
01:24:35Hola a todos.
01:24:37Solo quiero decirles lo feliz que me hace que todo haya salido bien para todo el mundo.
01:24:43Damas y caballeros, la razón por la que están felices es porque vamos a casarnos enseguida.
01:24:48Anda, señorita McCorkle, a ver cómo sales ahora de esta.
01:25:12© BF-WATCH TV 2021
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