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Short filmTranscript
00:01:30Oh
00:01:57When I was
00:02:00Hey!
00:02:01Hey!
00:02:02Father.
00:02:03Manjush!
00:02:04See you, honey.
00:02:05Hey!
00:02:06Oh, God.
00:02:07Father, forgive me.
00:02:08Where did he go?
00:02:09Where will you go, kid?
00:02:10Where is your mother?
00:02:11Where is your mother?
00:02:12You...
00:02:13You...
00:02:14You...
00:02:15You...
00:02:16You...
00:02:17You...
00:02:18You...
00:02:19You...
00:02:20You...
00:02:21You...
00:02:22You...
00:02:23You...
00:02:24You...
00:02:25You...
00:02:26You...
00:02:27You...
00:02:28You...
00:02:29Where's your mother?!
00:02:30Father, you have a family?
00:02:34Oh, my God.
00:02:36What did I do wrong while bringing you up?
00:02:38I blame you.
00:02:40I will never leave him!
00:02:59My jewel, it's the cheese.
00:03:06Asshole!
00:03:07How dare you hit my girl?
00:03:11I'll show you now!
00:03:14Stop!
00:03:15Stop!
00:03:16Stop!
00:03:17Stop!
00:03:18Stop!
00:03:19Stop!
00:03:20Stop!
00:03:21Stop!
00:03:22Stop!
00:03:23Stop!
00:03:24Stop!
00:03:29Stop!
00:03:36Stop!
00:03:41I don't know what you're talking about, son of a bitch!
00:04:12Hey!
00:04:13Out!
00:04:29Hey!
00:04:41Get inside the car and follow me!
00:05:09Wow!
00:05:10Wow!
00:05:11Wow!
00:05:12What a beautiful night!
00:05:16Will you spoil it by making noise, your honor?
00:05:18This is a night for shopa's nocturne, or a battle in silence.
00:05:26Get inside the car, Satyakam.
00:05:28What is this?
00:05:30Day after day you will make it unhygienic.
00:05:33Year after year I will make your mother and I ashamed.
00:05:36The world is telling you to go.
00:05:42Maybe you will change yourself.
00:05:45No, but...
00:05:47No, but what?
00:05:50Don't you dare!
00:05:53Don't you dare!
00:05:56Move your car, Singh!
00:05:57No, Singh!
00:06:00I don't care about your father-son relationship,
00:06:03morality, values.
00:06:06I just can't.
00:06:09Like I said last time,
00:06:12in future,
00:06:14don't try to block my path.
00:06:16The path you're taking is taking you straight towards hell.
00:06:20Suits me!
00:06:22It's better to be the king of hell,
00:06:25than to be a slave in heaven.
00:06:29Now, give me a value.
00:06:31Where are you going?
00:06:33Hell!
00:07:22A letter was sent to Kishore Khare.
00:07:25The queen of Bhunag is about to become a Khetun.
00:07:28I fought with her,
00:07:30but I lost my hope.
00:07:32Basanta went to Chukhera.
00:07:34Come with your Pathan army.
00:07:37We'll play Hori.
00:07:39We are Rajputs.
00:07:43I lost the war,
00:07:45I left the city.
00:07:51I was a Khetun.
00:07:53I lost all hope.
00:07:55I became a Khetun,
00:07:57and the queen gave me a letter.
00:08:00She was a Khetun,
00:08:02and the queen gave me a letter.
00:08:04I was a Khetun,
00:08:06and the queen gave me a letter.
00:08:08I came to her,
00:08:10Kishore said.
00:08:12I fought a lot,
00:08:14I sold my blood.
00:08:16Today, I understand,
00:08:18I'll die for her.
00:08:19Why did you go to the next line?
00:08:21It's my fault. You like me so much that I don't want to go to the next line.
00:08:28Will you go to Rajasthan?
00:08:31Hori Khela, Rajput, Rajkrini. Will you go?
00:08:37Robi Thakur is right. I have to go to Avan Thakur.
00:08:42Here is your Thakur. Go.
00:08:50Thakur?
00:08:53Come as you are.
00:08:56Don't do it again.
00:08:58If not Beni, it will be Eli.
00:09:00If not Shethi, it will be Maka.
00:09:03Or else, it will be all the work of writing a letter.
00:09:06What are you angry about?
00:09:08You are a Rajput.
00:09:10You don't have anything.
00:09:12Will you shut up, Thakur?
00:09:14I have been telling you for a long time.
00:09:19Why are you so sad?
00:09:21Then it's right.
00:09:23Do you like to stay at home at this time?
00:09:28You are right, Thakur.
00:09:30Kashmir.
00:09:32Have you eaten?
00:09:34You can travel as much as you want, but you don't dance on the path.
00:09:36You dance on your feet.
00:09:38What kind of religion is this?
00:09:40Who wrote this?
00:09:42Why should I tell you?
00:09:44When people have time, they arrange for Ganga Jatra.
00:09:46And you are talking about the poets of Bengali literature.
00:09:49This is the only religion that gave me life.
00:09:52If you don't know your own literature, you will have to cover your own literature.
00:09:58You said enough.
00:10:00Will you have tea?
00:10:02No, I can't now.
00:10:04Let's go at midnight.
00:10:06Will you go?
00:10:08Yes, let's go.
00:10:10How much will it cost?
00:10:12One thousand rupees.
00:10:14One thousand rupees?
00:10:16Then it won't be possible.
00:10:18Listen.
00:10:23Mr. Bhokesh.
00:10:25Yes, come.
00:10:40Mr. Bhokesh.
00:10:42Come.
00:10:44Nice to meet you.
00:10:45Please.
00:10:47Sit.
00:10:53What is the work?
00:10:55Nothing. A little adventure in our mundane lives.
00:10:58If I die for some reason, you will pay for it.
00:11:04Oh, if I die, I won't be able to pay you.
00:11:08One thousand rupees.
00:11:11Isn't the idea good?
00:11:13Yes, but I have to answer a few questions.
00:11:16I can give you the name of all the questions.
00:11:19Why do you say that I will commit suicide without saving you?
00:11:23There must be a reason.
00:11:26You don't have to feel uncomfortable.
00:11:36If I die by accident, then the righteous Mr. Bhokesh will commit suicide.
00:11:43By the way, is Kamini Bhola in Kolkata?
00:11:52I am coming.
00:12:13Actually, I am Basinda from Mussoorie.
00:12:16We have a big departmental store called Suchitra Emporium.
00:12:19Namaste, sir.
00:12:21Good morning.
00:12:23Good morning, sir.
00:12:25My grandfather used to run the shop in partnership with Ramana Choudhury and Usapati Das.
00:12:29Oh.
00:12:31Sit down.
00:12:33I am watching, sir.
00:12:35Now I and Usapati Das mean my father.
00:12:38Partner.
00:12:40My grandfather was a doctor in the British Army.
00:12:43He and his daughter, I mean my mother, run Suchitra Emporium.
00:12:50One minute.
00:12:52Is this your business?
00:12:55Since the age of 20.
00:12:57Love it.
00:12:59How old are you now?
00:13:01I was born on 7th July 1987.
00:13:03Now I am 92 years old.
00:13:05Therefore, 25.
00:13:07My wife is Satyavati.
00:13:09Madam.
00:13:11Satyavati, Satyaneshi, Satyakam.
00:13:15Lovely triangle.
00:13:17I have tea only once a day, madam.
00:13:19The rest...
00:13:23It is strange that women are so intelligent.
00:13:29You seem to have a special interest in girls.
00:13:33You can say that I love women.
00:13:35Rather, women love me a lot.
00:13:37Who told you about me?
00:13:39There is someone in Mussoorie.
00:13:41If you ever come, you will know.
00:13:43Of course, as long as I am alive.
00:13:45Will you be killed?
00:13:47I am sure.
00:13:49Death is the only thing that is certain in our lives, Mr. Bokshi.
00:13:52The whole Mussoorie has gathered to kill me.
00:13:59Why did they kill you?
00:14:01I am very famous.
00:14:03Very famous.
00:14:04They killed a woman.
00:14:06Yes, sir.
00:14:08Women are very happy to see me.
00:14:10Because I can appreciate them.
00:14:12I can make them happy, actually.
00:14:14You can say that I have gradually taken the society to a stage of art.
00:14:18Yes, sir.
00:14:20Gradually, gradually.
00:14:22You must have got closer to the girls of Bhadrakar.
00:14:25You are not a woman.
00:14:27When you think of a woman, you think about who is good and who is bad.
00:14:35I am sorry.
00:14:42Aren't they beauties?
00:14:46There is magic in my fingers, Mr. Bokshi.
00:14:48Whether it is a camera or...
00:14:50Come to Mussoorie.
00:14:52We can get acquainted with each other.
00:14:57I think you will die while we are in Mussoorie.
00:15:01Because before coming here, there was a shooting in Mussoorie.
00:15:04What is this collection?
00:15:08There is a bar called Red Moon in Mussoorie.
00:15:10I stay there every evening.
00:15:12If you come...
00:15:16And Mr. Bokshi...
00:15:18I know who wants to kill me.
00:15:21But I won't tell.
00:15:27See you then.
00:15:34What did you understand?
00:15:36I will teach him a lesson.
00:15:38He is just a boy.
00:15:40How can he go to Kolkata with a flower basket?
00:15:42Useless.
00:15:44Go.
00:15:48Kashmir.
00:15:50Mr. Sattar.
00:15:53The compass is lost.
00:15:55Then?
00:15:57Mussoorie.
00:15:59Take a train to Deradun.
00:16:01From there, take a car to Mussoorie.
00:16:02It won't take long.
00:16:04I smoke too much.
00:16:23Sir.
00:16:33Hold this.
00:16:35Good night, sir.
00:16:37Good night.
00:16:42Give me a kilo of safe.
00:16:46Look at this one.
00:16:53Hello, sir.
00:16:55Hello, Inspector Pandey.
00:16:57Hello, sir.
00:16:59How are you?
00:17:00Hello, Inspector Pandey.
00:17:04Can we talk?
00:17:06Sure.
00:17:08Put it in the car.
00:17:10Give me the driver's money.
00:17:12Yes, sir.
00:17:14Do you keep the news of the boy?
00:17:16I keep the news of the boy.
00:17:18But you don't keep all the news.
00:17:20How much do you know?
00:17:22Your son is misbehaving all over the city.
00:17:25What do you know?
00:17:27I'm sorry.
00:17:29I can't do this.
00:17:31This time, the water should go above the head, Your Highness.
00:17:36He has touched my honor.
00:17:39Look at it with your own eyes.
00:17:41He entered my house with my daughter.
00:17:46I warn you, Mr. Doss.
00:17:49Okay, Bhojan.
00:17:52Pandey's bullet won't miss the target again.
00:17:56I'll keep it here.
00:17:58And I'll break his skull.
00:18:00I'm warning you.
00:18:28I'm warning you.
00:18:48Do you have a lighter?
00:18:50I don't have a lighter.
00:18:59Fix it.
00:19:01Fix it.
00:19:03Fix it.
00:19:05Fix it.
00:19:11Do you want to speak to the boy or not?
00:19:16He has heard me.
00:19:18So what do you want to do.
00:19:21What do we do.
00:19:24He is misbehaving all over the city.
00:19:26He has to change his behavior.
00:19:28What do you want?
00:19:30A kiss, sir.
00:19:32Give it to him.
00:19:37A scoundrel, a pervert, an animal.
00:19:40He didn't even spare Inspector Pandey's daughter.
00:19:42I told him about the boy.
00:19:44Why don't you have a basic control?
00:19:48Pandey told me to go to the market.
00:19:51What will I say? Do I have an answer for that?
00:19:53Shut up!
00:19:57He tried to shoot Pandey.
00:19:59He missed it for a while.
00:20:01Maybe you'll understand.
00:20:03If you want to live in a bad society, you have to live in a bad one.
00:20:05Otherwise, I'll make sure that he rots in jail.
00:20:08He'll rot in jail.
00:20:10Oh, my God!
00:20:12I'll have to go crazy.
00:20:15Yes, do it.
00:20:17If you do it well,
00:20:19I'll give you a gold necklace.
00:20:21Will you give me?
00:20:22You said yes.
00:20:24And I have a house, Geeta.
00:20:27This house...
00:20:30I'll live in it.
00:20:32Shut up!
00:20:53The place is called Mussoorie or Mussoorie?
00:20:56There's a place called Mansoor.
00:20:59That's where the name Mussoorie comes from.
00:21:02A man from East India Company,
00:21:04Lieutenant Frederick Young,
00:21:06came to pick up Mussoorie.
00:21:08After that...
00:21:09But it's true that a few days ago,
00:21:12Mussoorie is written in the Maltol.
00:21:14It's the entrance of Indians and dogs.
00:21:17Really?
00:21:19Yes.
00:21:20Motilal Nehru didn't know about it.
00:21:22He would break the seal and get fined.
00:21:25He used to do that a lot.
00:21:36Hello.
00:21:37Satyakam to all, speaking.
00:21:39Sumki.
00:21:41Why is your voice like that?
00:21:43I have a sore throat.
00:21:45What should I do?
00:21:46Why are you yelling at me?
00:21:48What should I do?
00:21:50Mother and father know your name.
00:21:52Tell me something else.
00:21:54Tell me, my love.
00:21:56Stop it.
00:21:58Did I shoot you?
00:22:00Are you scared?
00:22:02I don't know.
00:22:04If you're not in front of me, I'm scared.
00:22:07But I can see you.
00:22:11That open wound,
00:22:13that open wound,
00:22:15I can smell your burn.
00:22:18Keep the window open at night, Sumki.
00:22:22Okay.
00:22:39Come fast, come fast.
00:22:41Take out the luggage from the car.
00:22:42You go, I'll be back in an hour.
00:22:51Open the door.
00:22:57I'll open it.
00:23:05Namaste, come in.
00:23:07Come, come.
00:23:09Chandana.
00:23:10Chowdhary.
00:23:12This is my room.
00:23:14The luggage is here.
00:23:16That will be ours.
00:23:40Okay.
00:24:10Come in.
00:24:33Did you drive this in my place?
00:24:3525 years.
00:24:37It has passed the blessings of my ancestors.
00:24:40Now I understand.
00:24:42No matter what happens,
00:24:44nothing can be said.
00:24:4625 years.
00:24:48That's true.
00:24:50You can't change the past.
00:24:52You can't change the future.
00:24:54Are you talking about God?
00:24:56No, not that.
00:24:58The clouds in the sky,
00:25:00they can be changed.
00:25:02But have you ever seen such a person?
00:25:04He doesn't want to save himself.
00:25:06He doesn't know who will kill him.
00:25:08He doesn't tell me that.
00:25:11Will you meet him once?
00:25:13I feel like meeting him.
00:25:21What is our future, Satyakant?
00:25:27Let me see the present first, darling.
00:25:30Are we not planning our future?
00:25:34These nights are our future.
00:25:40Please.
00:25:46Please think about it.
00:25:52I can't leave you.
00:25:56I am like the poison of a snake.
00:25:59A little bit is good.
00:26:02If it is too much, it will become too much.
00:26:05Do you really care about me?
00:26:07Emily!
00:26:09Satyakant!
00:26:11You scoundrel!
00:26:13How dare you touch me?
00:26:15No, no.
00:26:17This shirt is worth 300 rupees.
00:26:19If you lose your collar,
00:26:21you won't be able to buy a snooch.
00:26:23So leave me, beggar.
00:26:25I am warning you for the last time.
00:26:27I love Emily.
00:26:29You love Emily?
00:26:31You sold her to us.
00:26:32What about the refugee?
00:26:34Did you take my permission to love her?
00:26:36Your permission?
00:26:38If you remove the roof from my house,
00:26:40the refugee will fly away.
00:26:42Satyakant!
00:26:44I will kill you.
00:26:46I will kill you.
00:26:52Go on.
00:26:54Go on.
00:26:56I am enjoying the show.
00:26:58Good.
00:27:00If I don't kill you,
00:27:02I will kill you.
00:27:10Goodbye.
00:27:23Like Simla or Nainital,
00:27:25Mussoorie's name wasn't Mahat
00:27:28It was Arale Abdale.
00:27:29Do you understand?
00:27:31If you go...
00:27:35Look,
00:27:37you can grow up here.
00:27:39Yes, it's not unnatural.
00:27:41Look there.
00:27:43It's beautiful.
00:28:00Here you go.
00:28:02Take it.
00:28:06Look at the colour.
00:28:08Isn't it cute?
00:28:10Let me see.
00:28:12Take it.
00:28:14What did you say?
00:28:16Wait.
00:28:18Where did he go?
00:28:29Let's go.
00:29:00I'll be back soon.
00:29:02Make him sit.
00:29:04Yes.
00:29:07Mr. Bumkesh!
00:29:10Wow!
00:29:12You are a magician.
00:29:14Panditji...
00:29:16You appeared at my door.
00:29:18How?
00:29:20Meera!
00:29:22Come here.
00:29:24Father...
00:29:26Why do you leave your stuff in the city?
00:29:27You left this.
00:29:31Touch his feet.
00:29:33He is my friend.
00:29:35Touch his feet.
00:29:37No need.
00:29:39Mr. Ajit is coming with you.
00:29:41I don't have money.
00:29:43Very good.
00:29:45Come.
00:29:46Dr. Palit is good.
00:29:48He is better than Chimborochol.
00:29:50Where is he?
00:29:52I'll get him.
00:29:54Do you remember Narmada Shankar?
00:29:55He was hiding from the outsiders.
00:29:57I locked him inside.
00:29:59He won't come out for 20 years.
00:30:03Do you remember meeting these people?
00:30:05Banaras...
00:30:07Yes, I remember.
00:30:09Let's go after lunch.
00:30:11No, it's impossible.
00:30:13Panditji, stay for some more time.
00:30:15You are always like this.
00:30:17I'll bring tea.
00:30:19Go and bring tea.
00:30:21So, you are here...
00:30:22Satyabhati said she wanted to see the mountains for a long time.
00:30:26Musuri is such a beautiful place.
00:30:28When did you come here?
00:30:30Go and bring tea with your mother.
00:30:32Go.
00:30:34I was transferred from Banaras last year.
00:30:37Now, this is my daughter, Meera.
00:30:40Nice to meet you.
00:30:42She used to stay in my house.
00:30:44But this time, we decided to bring everyone together.
00:30:48Now, she has to get married.
00:30:49Panditji...
00:30:51Where is Suchitra Emporium?
00:30:53Take it easy.
00:30:55What are you doing?
00:30:57Did she tell you about me?
00:30:59There is someone in Musuri.
00:31:01If you ever come, you will know.
00:31:03A girl from Kolkata.
00:31:05She is a detective.
00:31:07Her father is her friend.
00:31:09Do you know?
00:31:11Sardar Vallabhbhaiji had also called her.
00:31:16Why Suchitra Emporium?
00:31:17Why Suchitra Emporium?
00:31:19Actually, I didn't bring anything for summer.
00:31:23It's too cold here.
00:31:25I heard you can get everything there.
00:31:28Yes, you can get good stuff there.
00:31:31You must go there.
00:31:34Uncle, I don't believe this.
00:31:37What is there to believe?
00:31:39She has a grudge against Shashank.
00:31:41She has a grudge against Emily.
00:31:43See what she is doing.
00:31:44I heard you can't beat a horse with a whip.
00:31:47Get lost.
00:31:49Get lost.
00:31:51Calm down, uncle.
00:31:53I will talk to your mother.
00:32:05Panditji's daughter is with Shruttakumar.
00:32:09Shruttakumar is Musuri's cousin.
00:32:11Look at the truth.
00:32:12I got news from Meena that Panditji's daughter is with Shruttakumar.
00:32:16Laugh a little.
00:32:18It's none of your business.
00:32:20That's why I told you not to laugh.
00:32:24Stop.
00:32:26Stop.
00:32:28Stop.
00:32:30Stop.
00:32:32Stop.
00:32:43Stop.
00:32:45Stop.
00:32:47Stop.
00:33:12Stop.
00:33:43Stop.
00:33:45Stop.
00:33:47Stop.
00:33:49Stop.
00:33:51Stop.
00:33:53Stop.
00:33:55Stop.
00:33:57Stop.
00:33:59Stop.
00:34:01That's Thakur's son.
00:34:03That's him.
00:34:05What's the matter?
00:34:07He thought we were casanova.
00:34:09He was in a hurry to Shruttakumar.
00:34:10Then you should also think about it.
00:34:12What if something happens to you?
00:34:14What will happen to me?
00:34:16I won't work.
00:34:18Okay, do your work.
00:34:20Truth.
00:34:22Truth.
00:34:24What kind of a man are you?
00:34:27You will need a new coat.
00:34:31You always say the same.
00:34:41Here.
00:34:43Come.
00:34:48It's good.
00:34:53It's good.
00:34:57Ah, Mrs. Bakshi.
00:34:59Greetings.
00:35:01Of course.
00:35:03Listen, this is Adham's shop.
00:35:05I thought you would know.
00:35:07Oh, just a minute.
00:35:08I have a gift for you.
00:35:10No, it's not a gift.
00:35:12Why?
00:35:14I won't take anything for free.
00:35:16I came to buy, but the price is out of my reach.
00:35:19Leave that to me.
00:35:21I have a great mink coat for you.
00:35:23No, thank you.
00:35:26I won't be able to make a coat for Jibjantu.
00:35:30It's sad.
00:35:32What will Jibjantu do with a mink coat?
00:35:34Of course.
00:35:35If I buy a mink coat, I will be able to kill a few more Jibjantus.
00:35:40Right?
00:35:42And how many minks do you need to kill to make a mink coat?
00:35:46And if you start killing Jibjantu to make a coat,
00:35:50there will be no Jibjantu left in this world.
00:35:53Okay, okay, I get it.
00:35:55There is no problem in buying a woolen coat.
00:35:58It's made of cashmere.
00:36:01Come in.
00:36:03I was saying, I see a lot of stars on the road.
00:36:07Oh, have you seen them?
00:36:09That's my job.
00:36:11Isn't it great?
00:36:13I really enjoy all this.
00:36:15Adventure.
00:36:17Mr. Usapoti Das, my partner.
00:36:20Momkesh Bokshi.
00:36:22My co-author, Satyabati.
00:36:24Famous writer, Ajit Bandopadhyay.
00:36:27Tourist.
00:36:28From Kolkata.
00:36:35Emily.
00:36:40Just a minute.
00:36:44Isn't she pretty?
00:36:55Hello.
00:36:56Hello, I was waiting for you.
00:36:57What took you so long?
00:36:58Come.
00:36:59Are you going to buy a sari again?
00:37:00No, no.
00:37:01I'm just looking.
00:37:03Emily, I was expecting you sooner.
00:37:04Where were you?
00:37:05Sorry, I'm late.
00:37:11We have a wonderful new collection.
00:37:12And here's your favorite perfume.
00:37:13See anything you like?
00:37:16This girl has no shame at all.
00:37:18She started it right in front of her father.
00:37:20Beautiful girls are beautiful.
00:37:23What do you mean by beautiful?
00:37:26Don't worry at all.
00:37:27Do you like it?
00:37:28It's lovely.
00:37:29Take it.
00:37:31Which one do you like?
00:37:32I'll just be back.
00:37:35Which one do you like?
00:37:37Excellent choice.
00:37:38100% cashmere.
00:37:40Just a minute.
00:37:41How much is it?
00:37:4350% discount.
00:37:45Special customer.
00:37:46I'll be back.
00:37:48This is not for my house.
00:37:50The retreat.
00:37:52You'll need it.
00:37:54There's a nice place nearby.
00:37:55Why don't you come over for tea?
00:37:57No.
00:37:58I don't feel like having tea right now.
00:38:01There's no time for tea and romance, ma'am.
00:38:05Let's remember this sweet moment with honey.
00:38:07Tea with honey?
00:38:09Just a second.
00:38:11I'm not hungry.
00:38:12I'll just be back.
00:38:16Lovely, lovely, lovely.
00:38:19Here you go.
00:38:24Come in.
00:38:31This is the most famous hotel here.
00:38:33I bring my guests here.
00:38:35Come in, ma'am.
00:38:47It's windy.
00:38:49Shall we go?
00:38:51Let's go.
00:38:57A country that smokes so well...
00:39:00Who knows how a dictator like Batista was born?
00:39:05Correct.
00:39:06Batista came to power for the second time.
00:39:08You know...
00:39:09People often don't speak up for others.
00:39:14When that person doesn't speak up...
00:39:16Then there's a revolution.
00:39:22Someone has to wait for a few more years.
00:39:26A revolution for that person.
00:39:29Okay.
00:39:30Your grandfather was a military doctor.
00:39:32How did your father come here?
00:39:35He's a very humble man.
00:39:37He moved to Kolkata when he was a kid.
00:39:39I met him there for some reason.
00:39:41Shall I tell you something else?
00:39:43I'm not very proud of being above 35.
00:39:52Do you know where that is?
00:39:54Madhav Bhavan.
00:39:55Oh.
00:39:56Good place.
00:39:58Your love for women is getting worse.
00:40:03I can't resist.
00:40:05Sorry, they can't resist me.
00:40:08Women want me.
00:40:11Is Madhu okay, ma'am?
00:40:12Does she want me?
00:40:17I don't think I'm ready for this.
00:40:21Let's go.
00:40:24Will you show me the coat?
00:40:37What an inauspicious boy.
00:40:39I've never seen such an inauspicious boy.
00:40:42And look at him.
00:40:43He's still talking with a cool head.
00:40:45What's the problem?
00:40:46I'm his headmaster.
00:40:47It's not my responsibility to teach him.
00:40:49He's a good boy.
00:40:50He's just a Bengali.
00:40:51He doesn't know how to talk to women.
00:40:53What's the matter?
00:40:54When will you come?
00:40:56What's the matter?
00:40:57He told me.
00:40:58Why should I tell you?
00:41:00You have a lover.
00:41:02She's a Bengali poet.
00:41:03Here, take this.
00:41:04Go home and rest.
00:41:05I'll come back in a while.
00:41:07Where are you going?
00:41:08Come back in the evening.
00:41:09I can't go to the government in the evening.
00:41:11Why are you so angry?
00:41:12I can't go out if there's a fight.
00:41:14Actually, I'm a little...
00:41:15Hurry up.
00:41:19Oh.
00:41:50Satyabati,
00:41:51I've seen a lot of beauty.
00:41:53But with your beauty,
00:41:54there's a lot of Kalidasa.
00:42:05I'm coming to understand the meaning of the stories.
00:42:19I'm coming.
00:42:50Oh.
00:42:52Oh.
00:42:56Oh.
00:43:00Oh.
00:43:04Go away!
00:43:05Go away!
00:43:10Why did you have to take a picture with Emily and Meera?
00:43:13What's your problem?
00:43:14A mental problem.
00:43:17Have you hidden your eyes?
00:43:18What are you doing?
00:43:19I've been working on it for an hour and a half.
00:43:21The way he's laughing is trying to be funny.
00:43:23What's he trying to be funny about?
00:43:25You'll have to understand that.
00:43:27A woman's body is very natural.
00:43:29But why would she go to a place where a woman is?
00:43:31And what could be the motive for murdering her?
00:43:34Revenge for the lamppost.
00:43:35Give it to me.
00:43:40Where are we going now, sir?
00:43:42To the road in the evening.
00:43:44We have to find out whose motive is the strongest.
00:43:48Let's go.
00:44:19In the smoke of the world
00:44:21In the love of love
00:44:23Why does it leave a scar today?
00:44:27If you cut the thread of love
00:44:31The night comes and goes
00:44:35The traveler is still burning
00:44:39The heart is filled
00:44:43Everything is filled
00:44:47Rock, my heart and
00:44:49Rock, straight to my lips and
00:44:51Rock, right in my lips and
00:44:53Rock, rock, rock and roll
00:44:55In the smoke of the world
00:44:59In the love of love
00:45:01Why does it leave a scar today?
00:45:05Why does it leave a scar today?
00:45:15Who knows what will happen
00:45:18At the end of the night?
00:45:22Who knows what will happen?
00:45:26Love is a game, I have your name
00:45:28Say it and play it tonight
00:45:31Your heart is on fire, don't skip the beat
00:45:35Rip it and slip it tonight
00:45:41Dark is the night and I'm blue
00:45:45There's spring in the air and I'm in blue
00:45:53Bring on the beat and rock and roll
00:45:56You look into my eyes and
00:45:58Rock, straight to my lips and
00:46:00Rock, rock, rock and roll
00:46:04In the smoke of the world
00:46:07In the love of love
00:46:18Bring on the beat and rock and roll
00:46:22You look into my eyes and
00:46:24Rock, straight to my lips and
00:46:26Rock, straight to my lips and
00:46:28Rock, rock, rock and roll
00:46:30You look into my eyes and
00:46:32Rock, straight to my lips and
00:46:34Rock, straight to my lips and
00:46:36Rock, rock, rock and roll
00:46:38Let's go
00:46:45Ajit
00:46:48Hey!
00:46:49Don't you dare!
00:46:53Don't you dare!
00:46:55Don't!
00:47:02Sir!
00:47:03Sir!
00:47:04Didn't you see him?
00:47:06Don't be late. It's getting late.
00:47:09We have to start early tomorrow.
00:47:11Mussoorie Club.
00:47:15I was the boss of the guy who fell off the Neil Blazer.
00:47:19Mussoorie Club.
00:47:22You're right. I'm in trouble.
00:47:26Good.
00:47:31The truth is in the dark, Bumkesh.
00:47:36What is it?
00:47:37You've been buying medicine for Khwaja for so long?
00:47:39Shut up.
00:47:43Who is it?
00:47:45Who is it?
00:47:47It's me, Satto.
00:47:49What's wrong?
00:47:50Satto?
00:47:54What's wrong, Satto?
00:48:01He was here.
00:48:02He was here.
00:48:06He was here.
00:48:15Listen to me.
00:48:25I won't stay here anymore.
00:48:28I won't. Take me away from here.
00:48:32I'm here, Satto.
00:48:35What are you afraid of?
00:48:38I've come here with a request.
00:48:41He's really in trouble.
00:48:45Trouble?
00:48:48And what about me?
00:48:51We're waiting for the death of a good-for-nothing.
00:48:56What if I hadn't stopped him?
00:49:01Tell me.
00:49:03Bumkesh is not a good man for a boy like him.
00:49:08I've given him my word.
00:49:11Why don't you understand?
00:49:13Why don't you understand? He's scaring me.
00:49:20Look, Sattobuti.
00:49:22Bumkesh is a woman.
00:49:24It's okay if you're scared.
00:49:26I'll take care of him.
00:49:28You don't worry about me.
00:49:30I'll take care of him.
00:49:49Satto.
00:49:54As long as I'm with you,
00:49:58you'll be safe.
00:50:00You'll be safe.
00:50:01You'll be safe.
00:50:25I'm sorry.
00:50:27I didn't mean to.
00:50:28I'm sorry.
00:50:31I didn't mean to.
00:50:35Do you know the name of the truth?
00:50:39Suchitra.
00:50:41No.
00:50:43Another truth.
00:50:45Tell me. I can't remember.
00:50:48Jabala.
00:50:50Yes, Jabala.
00:50:51Jabala.
00:50:56If there's no truth,
00:50:59there's no truth.
00:51:19Is everything okay in Kolkata?
00:51:21Yes.
00:51:23Pithan Rai is in good hands.
00:51:25But there's still a refugee problem.
00:51:28Yes, there are many refugees in Sindh province.
00:51:32Here too?
00:51:34But Bumkesh,
00:51:37how many people have been displaced
00:51:39since independence?
00:51:41Tea?
00:51:43And these young boys...
00:51:45Shame on them.
00:51:47They can't respect women.
00:51:49They don't know, Bumkesh.
00:51:52They don't understand
00:51:54what independence is.
00:51:57You're worried.
00:52:00And more than a police officer,
00:52:03a father of a daughter is worried.
00:52:06Yes, you can say that.
00:52:08What can I do if I have a daughter?
00:52:10I'm always worried.
00:52:12Pandeyji,
00:52:14do you know anyone in Mussoorie club?
00:52:16No?
00:52:17Yes, there's a secretary there, Harinder Singh.
00:52:20I'll tell him.
00:52:22Bumkesh.
00:52:24Come here.
00:52:26Next to Satyapati.
00:52:28Pandeyji.
00:52:30Smile.
00:52:39What's wrong with you?
00:52:41I'm sick.
00:52:43The English are gone.
00:52:44You'll have to study for 200 years.
00:52:46You'll need 100 years to get a job.
00:52:48Don't you agree, writer?
00:52:50I'll agree.
00:52:52How did you learn all this?
00:52:54Deepi agreed.
00:52:56You know, Bengalis,
00:52:58something very close to my heart, sir.
00:53:00Oh, Rabindranath.
00:53:02Rabindranathji, Subhashji is fine,
00:53:04but I'm crazy about cricket.
00:53:06Good morning, sir.
00:53:08And you're from Prabir Sen's Calcutta, right?
00:53:10Prabir Sen?
00:53:12Oh, yes.
00:53:14Did you stamp the government?
00:53:16Of course, sir.
00:53:18Come, come.
00:53:20Bhutnathji.
00:53:22Please.
00:53:26Bhutnathji.
00:53:28They're from Bengal.
00:53:30Bumkesh Bokshi.
00:53:32I wanted to talk to you about Satyakam Das.
00:53:41How do you know Satyakam?
00:53:42I know him.
00:53:44I saw him fighting last night,
00:53:46so I thought I'd come and talk to him.
00:53:48Why?
00:53:50Are you his follower?
00:53:52He's fighting, they're fighting.
00:53:54So, what's the reason for his aggression?
00:53:57Evil.
00:54:01He's a bad boy.
00:54:04His parents are good people,
00:54:06they're good people.
00:54:08But that boy is a scoundrel.
00:54:10He's a scoundrel.
00:54:12A lot of people have complained about him.
00:54:16He's very proud of the girls.
00:54:19No matter how many people stand in his way,
00:54:21they'll beat him up.
00:54:23Yes, Jerome, he's a characterless boy.
00:54:26He'll be a Mongolian if you talk to him.
00:54:28Just remember one thing.
00:54:30Don't do anything like that to Pranav.
00:54:32Just wash his clothes.
00:54:34Okay?
00:54:36Let's go, Ajit.
00:54:38Thank you, Mr. Singh.
00:54:40Namaste.
00:54:50He eats so well.
00:54:52What's his name?
00:54:54Honey Waffle.
00:54:56Honey Waffle.
00:54:58Tell me something.
00:55:00You're not angry with me
00:55:02for what I did to you?
00:55:04Of course I am.
00:55:06I gave you to the club to get rid of your anger.
00:55:09I'll be right back.
00:55:14Hey,
00:55:16take a break.
00:55:19He's a Greek.
00:55:21Send Rasita to your father.
00:55:33So much food?
00:55:35There's a prayer in the church tomorrow.
00:55:37Who's he?
00:55:39Sitanso.
00:55:41He's Sushitra's nephew.
00:55:45I'll see you later.
00:55:50Here's the case.
00:55:56Pujo Khando.
00:55:58The father of Singh Corbett.
00:56:00He was a senior postmaster.
00:56:02There are many people like him in the libraries.
00:56:04Here's the important news.
00:56:06There's a problem with the government in 1947.
00:56:11A lot of people came from the East Bengal.
00:56:14Here, take this.
00:56:16Panditji, your brother is a great man.
00:56:20Can you give him a government job?
00:56:23I haven't got a government job yet.
00:56:28There's a good man who gave me this job.
00:56:30If I get a job, I'll leave.
00:56:32Do you have less work here?
00:56:34Yes, there are small crimes here too.
00:56:37Crime in such a beautiful place?
00:56:40Irony of mankind.
00:56:42What were you saying about Bengali monuments?
00:56:45We saw it in the library.
00:56:49He came from a place in Bengal.
00:56:52What was his name?
00:56:54Ranagat Kupaskam.
00:56:55Ranagat Kupaskam.
00:56:57Yes, Ranagat Kupaskam.
00:56:59So, these people came from there.
00:57:01Some took the job at the hospital.
00:57:03Some went to Krishnan Missionary's ashram.
00:57:06And your people from Shruti Trayampuram?
00:57:10Ushaputi.
00:57:12They also brought a few people from there.
00:57:15Curd?
00:57:17No, I'm Amul.
00:57:19The curd vendor is over there.
00:57:25Kesh?
00:57:27There's an ancient river in South India.
00:57:30Dungabhadra?
00:57:32Yes, you're right.
00:57:55Let's go.
00:58:25Mother.
00:58:27I can't take it anymore.
00:58:29I'll end it.
00:58:31You've made me cry.
00:58:34I can't take it anymore.
00:58:36I can't live like this anymore.
00:58:39I can't.
00:58:41Sridhanshu.
00:58:43Sridhanshu, you're standing in front of me?
00:58:46I can't.
00:58:48I can't.
00:58:50I can't.
00:58:52I can't.
00:58:53You're standing in front of me?
00:58:55You can't do this to me.
00:58:58You can't.
00:59:00I've given you the right to end it.
00:59:04I have to do something.
00:59:06I have to.
00:59:08I have to.
00:59:12What will I do?
00:59:14I can't live like this anymore.
00:59:18Shut up.
00:59:20Sister.
00:59:21Give it to me.
00:59:23Give me the revolver.
00:59:25Give it to me.
00:59:27Give it to me.
00:59:28Don't.
00:59:31Don't do it.
00:59:37What are you doing?
00:59:51Give it to me.
00:59:57What are you thinking?
00:59:59Shantagopan and Sattakam have become saints.
01:00:04This boy won't be able to end it.
01:00:16If anything happens here, I won't feel good.
01:00:19It's true.
01:00:21There are good and bad sides.
01:00:26Mosuri's crime is well known.
01:00:29What do you mean?
01:00:31In 1911, a English lady died in a hotel in Sabai Hotel.
01:00:39During the first world war,
01:00:42a secretary took his birth detective through this story.
01:00:48I'm Prishti.
01:00:50Let's talk about something else.
01:00:52What is it?
01:00:54Mysterious affair styles.
01:00:56That's right.
01:01:02I don't feel like singing and dancing.
01:01:08What will you do?
01:01:10Get married.
01:01:12Let's go to Dehradun or somewhere else.
01:01:15We can't escape from Dehradun or anywhere else.
01:01:21Do you know my life?
01:01:29I was born to rule the world.
01:01:33I was born to set fire to the world.
01:01:37Life.
01:01:39The light of my life is like darkness.
01:01:44That's why I'm nocturnal.
01:01:47I'm a night owl.
01:02:08I'm a night owl.
01:02:38I'm a night owl.
01:02:53Bunkesh.
01:02:55Naukadubi.
01:02:57What?
01:02:59Last night, there was an emergency.
01:03:02Sai was saying something.
01:03:09Nothing should move from its place.
01:03:12We are old people. Behave respectfully.
01:03:17Panditji.
01:03:20Bunkeshji.
01:03:23What are you doing here?
01:03:25I heard that Satyakamdas died.
01:03:27Yes.
01:03:29Let's go there.