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  • 5/17/2025
🔥 Watch Peaky Blinders Season 2 Episode 2 in Hindi Dubbed – The legendary journey begins here! Dive into the gritty streets of post-WWI Birmingham as Thomas Shelby rises through the ranks of power, danger, and crime. Loaded with suspense, action, and drama, this is where the epic saga of the Peaky Blinders starts! 🕵️‍♂️

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Transcript
00:00What happened to the pub is Irish business.
00:04You shut your gypsy mouth and listen to your instructions.
00:09I'm in Dogen.
00:10My son and my daughter were taken from me when they were very small.
00:15We're planning an expansion.
00:18I'm taking premises in London.
00:19The Italian gangs and the Jewish gangs have been at war in London.
00:22The Jews have been having the worst of it.
00:24They need allies.
00:25We take the opportunity to show our hand.
00:26That arrived an hour ago.
00:31There's no name on it but it comes from Camden Town.
00:34Well done Tommy.
00:35Now you're at war with Sabini.
00:36Aida Shelby.
00:37No.
00:38Your brother broke the rules.
00:39My face is the last thing you'll ever see on earth.
00:40See if the bastard's still alive.
00:41Please don't rip me off.
00:42Please don't rip me off.
00:43Please don't rip me off.
00:44Please don't rip me off.
00:45Please don't rip me off.
00:46Please don't rip me off.
00:47Please don't rip me off.
00:48Please don't rip me off.
00:49Please don't rip me off.
00:50Please don't rip me off.
00:51Please don't rip me off.
00:52Please don't rip me off.
00:53Please don't rip me off.
00:54Please don't rip me off.
00:55Please don't rip me off.
00:56Please don't rip me off.
00:57Please don't rip me off.
00:58Please don't rip me off.
00:59Please don't rip me off.
01:00Please don't rip me off.
01:01Please don't rip me off.
01:02Please don't rip me off.
01:03Please don't rip me off.
01:04Please don't rip me off.
01:05Please don't rip me off.
01:06Please don't rip me off.
01:07Please don't rip me off.
01:09I don't know what really happened.
01:15I watched your disappointment
01:20Ended being misunderstood.
01:27I forgive you.
01:39Let me go.
01:47Get out of the car.
01:54No!
01:55Don't be scared Shalvi.
01:57We work for Toby.
01:58We are Peaky Blinders.
02:02But I am not Shalvi.
02:08I am not Shalvi.
02:22Are you ready to meet the visitor Mr. Shalvi?
02:25No.
02:26I have come on the orders of the king.
02:29Which cannot be avoided.
02:34Looks like you have paid for the light.
02:37Cheating is a tough business.
02:45Won't you thank me for saving your life?
02:52Give me my cigarettes.
03:07Three nights ago,
03:09A murder took place in the cooperative stables of Montague Street.
03:14A man named Doggan.
03:18The police of Oxfordshire found his body in a hollow grave.
03:25I need to go to the bathroom.
03:28Nurse.
03:30I know very well that you committed that murder.
03:37I know.
03:53Oh.
03:55Let me tell you.
03:58Grace.
03:59She went to New York.
04:01What was the name of the place?
04:04Poughkeepsie.
04:07She is married.
04:10She is a banker.
04:11She is rich.
04:12She must be happy.
04:16You have been in my sight for the past few weeks.
04:19I have been watching your every move.
04:21And that is why I was able to save your life, Mr. Shalvi.
04:26A woman's hand may hurt as much as a man's hand.
04:32It's just a shame.
04:35Do you know, Mr. Gamble?
04:37When I was shot,
04:39they gave me a medal.
04:42Yes.
04:44You won't get a medal.
04:47Mr. Shalvi.
04:50Our reunion
04:54is a part of a well-planned conspiracy
04:57that has been going on for a long time.
05:00With the help of the knife,
05:02you must have seen his face.
05:05According to all the information I have,
05:09I can charge you with murder at any time.
05:12And I can also bring two strong witnesses.
05:15With their testimony,
05:17you will be hanged.
05:21You are trapped in my trap,
05:23Mr. Shalvi.
05:25And from this moment on,
05:28you are under my control.
05:34So get well soon.
05:37As soon as I find out that you are going to the bathroom,
05:40I will meet you and tell you what to do.
05:58Curley.
05:59Did you leave the gate open?
06:01No. I closed it. I remember it well.
06:03I closed it.
06:04Cover all the luggage.
06:07Hey.
06:09Who is there?
06:16Tommy.
06:17Curley.
06:18Get the oil that you apply on your legs when you are in pain.
06:21Are you out of your mind, Tommy?
06:23Go.
06:25They said it will take three weeks for you to recover.
06:28I have to go to London by boat.
06:30Tonight.
06:34Did you get discharged on your own?
06:36I am in a bad situation, Charlie.
06:39Sabini can send someone any time.
06:41I have to do something important.
06:43You have a high fever.
06:45Tommy.
06:46But Tommy, that medicine is used on horses.
06:50I am also a horse.
06:51I am also a horse.
06:52If you were really a horse, they would have killed you by now.
06:57Hurry up and get the black powder, Curley.
06:59Go.
07:00That black powder.
07:01You gave so much money to the hospital.
07:03And here you are doing magic.
07:06I want to sleep under the open sky and on the boat, Charlie.
07:09Yes, Tommy.
07:11You are just like your mother.
07:13Do you have a boat?
07:16Yes. It's January.
07:17But it's full.
07:18It will take four days to go to London.
07:20It will be fine.
07:21Can you send Curley?
07:23He will be my doctor.
07:26May God protect you.
07:27Do you have tobacco, Curley?
07:29Yes. And tea and whisky too.
07:30You will start running like a rabbit.
07:32Take him on the boat. I will get ready.
07:36But I can sleep on the way.
07:37So let me tell you first that I am going to Camden Town.
07:39But what work do you have in Camden Town, Tommy?
07:41Tell Curley that he is in charge until I come back.
07:44If I don't come back.
07:46Then tell him that he is responsible for everything.
07:50CAMDEN TOWN
08:20CAMDEN TOWN
08:51CAMDEN TOWN
09:17Are you hungry, Tommy?
09:20Yes.
09:26Tell me one thing, Curley.
09:28Are you hungry?
09:31Where are we?
09:32Heathrow.
09:33We will be there in a day.
09:34I will cook something.
09:35Will you be able to run the boat till then?
09:38I will try.
09:43You have learned a lot, Tommy.
09:51HEATHROW
10:16Work properly.
10:18Do you understand?
10:21HEATHROW
10:24Keep it down.
10:26Keep it down, Ollie.
10:27It is small.
10:32Are you alone?
10:35I think so.
10:36Wow, you are very brave.
10:37Don't you want to see my bakery?
10:41We bake everything here.
10:44And let me tell you.
10:45We make more than 10,000 breads in a week.
10:47You didn't believe it, right?
10:48We bake white bread and brown bread.
10:52We bake everything.
10:54Would you like to taste it?
10:59Bread?
11:03Yes, taste it.
11:04Which one do you want?
11:05Brown or white?
11:08Brown.
11:09Brown.
11:10Okay.
11:19It's not bad.
11:20It's not bad?
11:22It's not bad.
11:25It's not bad.
11:26It's nonsense.
11:28This brown bread is only for the workers.
11:31Yes.
11:32And the white one is only for the owners.
11:35Come with me.
11:40I have heard bad things about you Birmingham people.
11:44I have heard bad things about you Birmingham people.
11:52Yes.
11:54You are gypsies, right?
11:57So do you live in a tent or caravan?
12:01I have come here for business, Mr. Solomons.
12:04Oh.
12:06Rum is for fun, right?
12:09Whiskey is for business meetings.
12:12Let's talk first, okay?
12:19Okay.
12:22I have heard that a policeman saved your life.
12:26I have hired a policeman.
12:28I don't like the police because you can't trust the police.
12:33Mr. Sabini.
12:34He has also hired a policeman.
12:36And maybe that's why he is winning in London.
12:39And you are losing.
12:40But the war is not over yet.
12:45You were also in the war.
12:51Once I beat an Italian to vent my anger.
12:59I stuck his face to a trench.
13:02And then I put a 6 inch nail in his nose.
13:05And then I hit him with a duck board.
13:10So don't come here and explain to me.
13:13And don't tell me sitting on my chair that I am losing the war.
13:19That's a long time ago.
13:22Today's truth is in front of you.
13:26Truth, huh?
13:29Truth?
13:31If you were winning the war, you wouldn't have sent me a telegram.
13:35Really?
13:36You forget the telegram.
13:37There is only one word in the telegram.
13:39Tell me.
13:40Now tell me.
13:41You want to sell me something.
13:45What?
13:46Let's work together.
13:47No, man.
13:50No.
13:51Tell me the truth.
13:53You are talking nonsense.
13:56Mr. Solomons.
13:59Your distillery is only a tenth of your income.
14:03Even the protection is a small part.
14:05And the rest of the earnings are from the racetrack.
14:09I know you have a gun in this drawer.
14:11I know you have whiskey next to it.
14:13And I know you kill people.
14:19I know you are angry with what I am saying.
14:22But I am putting a solution in front of you.
14:25Look, Mr. Sabini.
14:27All your clients are being driven out of your courses.
14:30And he is closing the places where your rum is sold.
14:35People don't believe in your protection anymore.
14:39You shot Billy Kimber, didn't you?
14:44Yes, you shot him.
14:45It was you.
14:47You betrayed him.
14:49So it won't be wrong if I do what I am thinking right now.
14:56I can give you a hundred people.
14:59With all the weapons.
15:01And a new relationship with the police.
15:04You are smart.
15:06Being smart is a very precious thing.
15:09But it often takes a long time to get it.
15:15Assume that I have shot you in the face.
15:20And then the bullet goes through the bone and the flesh and enters this cupboard.
15:24Now that cupboard is ruined.
15:26And now I have to remove it.
15:29So, do you know what I will do?
15:33It's very easy.
15:36I will cut that cupboard in half.
15:39Yes, I am telling the truth.
15:41I will cut that cupboard...
15:45I will cut that cupboard into two pieces.
15:49Then I will pick up half of the cupboard and put it in one barrel.
15:54And I will pick up the rest of the cupboard and put it in the other barrel.
15:59And then I will cut one barrel into two pieces.
16:02And I will put it in the other barrel.
16:04And then I will send one barrel to Mandalay.
16:08And the other barrel to...
16:13Timbuktu.
16:15Have you ever been there?
16:16No.
16:17No?
16:19Would you like to go?
16:22No.
16:26I always thought there would be a big gold ring in your nose.
16:33Forgive me.
16:35You tell me your plan.
16:54Ada.
16:56How did you find me?
16:57Are you reading Polly's letters?
16:59Polly showed me the letter.
17:00You think you are safe because you have changed your flat.
17:02But that's not the case.
17:03Polly also thinks the same.
17:04When will you understand?
17:06I want to stay away from all of you.
17:08Ada, look at me.
17:10Okay?
17:11And this will happen again and again.
17:13Yes, I know.
17:14And next time I will be ready.
17:15And I want him to come back.
17:16And this time I won't leave him.
17:17Ada, come inside quietly.
17:18Now get out of here.
17:19I am getting late.
17:20Okay, okay.
17:22Okay.
17:24Just keep this.
17:26Keep it.
17:28The place where you live now is right next to Sabini's area.
17:31All the police officers work there for her.
17:33I am getting a lot of money which I can't deposit in the banks.
17:36My accountant says it would be best to buy a property in cash.
17:39And deposit it in the name of a family member.
17:43One house.
17:44An entire house.
17:46Yes, it's yours.
17:48Four floors.
17:49Eight bedrooms.
17:51Kitchen. Wash area.
17:53And a room for the maid if your political ideology permits.
17:58At least go and see it once.
18:24Kill those bastards.
18:27Let's go.
18:31Mr. Sabini.
18:33The police are here.
18:36Tell them to come through the door.
18:50You haven't been able to do a single thing for me yet.
18:54We can't search for the train going to London.
18:57We use boats instead.
19:00All the boatmen are gypsies.
19:02And she's a gypsy too.
19:04Why do we have to tell her everything?
19:06Yes, but we can't search every boat.
19:12That's a good thing.
19:14We have a boy in the Jews Rum house.
19:17He went to meet Gypsy Solman.
19:19And after that, he drank whiskey and shook hands with her.
19:22And Elfie gave him some salt or something weird.
19:26Which means she'll be at peace now.
19:29Will you tell us what you want from us, Mr. Sabini?
19:41Do you have dung in your shoes?
19:46Let me see what you have.
19:48I can smell it.
19:50You have Thomas Shelby's photographs, don't you?
19:53We have his military ID photographs.
19:56When he was in Warwick, he won medals.
20:00They're all connected to each other.
20:03Why do we have to listen to their nonsense?
20:07We're wasting our time.
20:10Okay.
20:12You have his photographs, don't you?
20:14You have his photographs, don't you?
20:17If you see his face in Camden Town, you'll kidnap him.
20:21Right?
20:23Okay.
20:25Sometimes I feel something's going to go wrong.
20:28Something's not right.
20:30I feel something's going to happen next.
20:33I feel like I smell something.
20:36But it's not a smell, it's a feeling.
20:39That something's going to go wrong.
20:40Mr. Sabini, we'll try our best to deal with this man.
20:45Deal?
20:48You're going to deal with him now?
20:51That's not what I meant.
20:54What?
20:56What?
20:59Everyone's gone mad.
21:01You're talking nonsense.
21:03You're doubting me.
21:05You're meeting someone.
21:07And you're talking nonsense here.
21:08Mr. Sabini.
21:10We should leave.
21:12You've already made a deal with the police.
21:14You're taking money from both your hands.
21:18Get out of here.
21:20Stay away from me.
21:22Now you.
21:24Yes, you.
21:26You're going to follow Shelby.
21:28You're going to follow him and kill him.
21:31Go, follow him.
21:38Go.
21:40Oh, shit.
22:09Let's go.
22:26What's all this?
22:30When did you come back?
22:32I didn't want to miss your birthday, Paul.
22:35Get to work.
22:36How do you know it's my birthday?
22:38No one knows.
22:40They're gone.
22:42John, Finn, get the car.
22:44Where are we going?
22:46For your birthday present.
22:48Let's go.
22:58Good morning.
23:06Good morning.
23:12You said you were buying a house for Ada.
23:15Yes, I did.
23:18I just had some cash left.
23:22Is this ours?
23:25No, Polly.
23:27This is yours.
23:31You have a right to it.
23:37What am I going to do with all these rooms?
23:42You can relax here.
23:45Sometimes.
23:47You can spend the weekends here.
23:51There's a garden here.
23:53Look.
23:55You like gardens.
23:57You can grow roses, Paul.
23:59And you can put up a piano here.
24:01You can talk to people.
24:02Neighbors are going to be upset.
24:04To hell with the neighbors.
24:09Welcome home, Polly.
24:22Arthur, take them outside.
24:25I'll be right back.
24:27Okay.
24:32Wait for me.
24:44Paul.
24:47I know you haven't been happy in days.
24:53And I know why.
24:55Esme is a good girl, Paul.
24:59She's good at heart.
25:01Really.
25:04I talked to her.
25:06And she told me...
25:13What did she tell you?
25:15She told me what can make you happy.
25:19And I told her...
25:20She told me what can make you happy.
25:26I talked to my contacts at the police station.
25:29They have contacts in the council.
25:32And their records are the same as the parish records.
25:36Adoption records.
25:39The records of the children whose names were removed.
25:42So now, if you allow me...
25:45I'll warm up some people's pockets...
25:48And look at those records.
25:50That you've never seen before.
25:56Paul.
25:58I'll find out about your son and daughter.
26:01And I'll bring them home.
26:03That's why I brought them home.
26:05So that you...
26:07Can live here happily with your family.
26:20We're moving forward, Paul.
26:48Go and see how he is.
26:50Okay.
26:57How do you feel?
26:59Peace.
27:01Finally.
27:04And this is ours.
27:08Mom.
27:10Look at this.
27:12What's there?
27:20Come on.
27:44You're still here?
27:46A lot of things are happening here.
27:48As long as the money is coming...
27:51Everything is fine.
27:53He came for you today.
27:55Straight from America.
27:57From New York.
27:59The place is called Pauga Capes.
28:01And the decorators who work at Garrison need money.
28:04Arthur forgot, so he took out his gun.
28:06Then he stopped and now everything is fine.
28:08Okay, give him the money.
28:10And listen, we should also give an ad.
28:12In the mail.
28:14Garrison Grand Reopening.
28:16Oh, you said there was a letter.
28:18I wrote it in my diary.
28:20Yes.
28:22I haven't written it yet.
28:24Then you tell me, I'll write it.
28:27I've learned it.
28:29Very good.
28:33Dear Mr. Churchill.
28:39Is your pencil broken?
28:42No.
28:44You go on.
28:46Dear Mr. Churchill.
28:48An agent from the Crown has asked me to do some work.
28:53And I haven't told him about the work yet.
28:57His name is Major Campbell.
29:00And I'm sure he'll report you.
29:03That's why I decided to talk to you directly.
29:07So that some things can be understood clearly.
29:11Mr. Churchill, you should know that I'm an ex-British soldier.
29:14And when you see my war record,
29:17you'll see that I fought bravely in Verdun and Somme.
29:21And you'll see that I saved the lives of thousands of soldiers in Mons.
29:26I know that you gave up your position of minister and security
29:31and went to fight with the soldiers in the front line.
29:34I've also read that you also fought bravely, Mr. Churchill.
29:38That's why I hope that I'll be respected in any kind of work between us.
29:42One soldier's words are for another soldier.
29:45My demands are ordinary.
29:47And I'm ready to sacrifice myself for the service of this country.
29:52Your confidant, Thomas Shelby.
29:56Military Medal or DCM.
30:01Distinguished Conduct Medal.
30:05Those who raised their hands in this room who were in Somme
30:09and those who fought in Verdun,
30:18Thomas Shelby was digging a tunnel.
30:24His demands are extraordinary.
30:27He has requested the colonial office to give him an empire export license.
30:32A license which has the permission of India, Malay Peninsula, Canada and Russia.
30:39He wants to export some manufacturing goods from the popular docks of Birmingham.
30:45And are you going to fulfill his demands?
30:47Are you out of your mind?
30:49Major Campbell,
30:52once again putting his life in danger,
30:56we're asking this man to be killed by the Crown.
31:00And if we compare, his demands are ordinary.
31:04He can talk to the related ministers and fulfill his demands easily.
31:09Sir, I respect you.
31:12But Thomas Shelby is a murderer.
31:15A murderer.
31:17A two-bit gangster.
31:19And still,
31:21if he hadn't dug the tunnel so cleanly,
31:25we would have lost our heads.
31:27We would have been burnt.
31:31Get all the information from Thomas Shelby's Campbell
31:34and arrange for a Royal Appointment Stamp.
31:38For now.
31:40For now?
31:42Until the job is done.
31:44Am I right, Major Campbell?
31:47Then he can move forward as per the agreement.
31:52Okay, sir.
31:57Let's go.
32:10Come on, let's go inside.
32:13Pass the ball.
32:17Come on.
32:20Come inside, you two.
32:22How was the game?
32:24I'm very hungry. Did you make anything?
32:25First, go inside.
32:27And wash your hands first.
32:29Come on, mister.
32:31Mrs. Johnson.
32:33Yes.
32:35Who are you?
32:37I'm from Birmingham Council.
32:39Borsley Parish.
32:41I didn't get any letter about this.
32:43What do you want?
32:45I want to talk about your son.
32:47About Henry.
32:49Can I come in?
32:51Then don't come. We don't want to talk about him.
32:54So what does Henry know about his real identity, Mrs. Johnson?
32:58I only deal with Mr. Ross of the agency.
33:01And only he has authority.
33:03Who are you and why have you come?
33:05By the way, the child's 18th birthday is very near.
33:08This is wrong.
33:10You are not from the council and something is wrong.
33:14What does he know, Mrs. Johnson?
33:18That his mother couldn't handle him.
33:20She used to drink a lot.
33:22She used to smoke a lot.
33:24And she used to beat him too.
33:26But this is not true, Mrs. Johnson.
33:28Look, you can come when my husband is here.
33:31Do you know his real name?
33:33His real name is Johnson.
33:35Henry Johnson.
33:37And I want you to leave from here.
33:39And come when my husband is at home.
33:41The truth is that he was snatched from his mother.
33:43Without his permission.
33:45Henry, you go inside, please.
33:47Who are you?
33:48Your real name is Michael Gray.
33:50Your real mother wants to meet you.
33:52Her address is written behind this card.
33:54Your mother just wants to talk.
33:56Get out.
33:58Get out of here and leave us alone.
34:00Get out.
34:05Let's go inside.
34:07And let's go and eat something.
34:09Let's go, Henry.
34:13Let's go.
34:14Let's go.
34:17You call yourself Shelby?
34:19Hit him, Finn.
34:21Hit him.
34:23That's right.
34:25Isaiah, now it's your turn.
34:27Finn, you call yourself Shelby?
34:29Hit him.
34:31Hit him.
34:36What happened?
34:38What happened to him?
34:40Why are you hitting him?
34:42Leave him.
34:44That's enough.
34:46Stop him.
34:48He has gone mad.
34:50He has gone mad.
34:52That's enough.
35:15We had to clean this.
35:17He did go.
35:19Hurry up.
35:21There are still so many leaves here.
35:23He will eat them all.
35:39So, tell me. What happened?
35:41It was just a fight.
35:42It was just a fight.
35:44Yes.
35:45Arthur beat him up a lot.
35:51I saw the body.
35:52Don't lie to me.
35:54I saw the body.
35:55Tell me what happened.
35:58I'm not in the family.
35:59I won't say anything.
36:06Arthur...
36:08He had gone mad.
36:11He beat him up a lot.
36:15As if his mind wasn't working.
36:18He couldn't hear anything.
36:19Not even his own name.
36:23And then he cried a lot.
36:31Listen to me carefully.
36:33These are two different stories.
36:36Your brother killed a boy.
36:40His witnesses are present.
36:41We'll ask him questions.
36:43Fix your stories.
36:44It was an accident.
36:45Now get lost.
36:54I spoke to the doctor.
36:55He said...
36:57The boy had a weak heart.
36:59We'll take care of his mother.
37:02And everything will be fine.
37:05Paul said I should have taken the medicine.
37:10I said, you know better.
37:15My mind is like a boat.
37:20It's like coal or iron.
37:24Sometimes it slips.
37:28And the boat sinks.
37:32I'm slipping.
37:36And the boat is slipping.
37:41And I can't do anything.
37:46My mind is like a boat.
37:49A big black boat.
37:52And it's just...
37:54Swinging.
37:56From here to there.
37:58From here to there.
37:59It's been a long time since we came home, Arthur.
38:03We spent a lot of time at home.
38:07I thought you were fine.
38:08Yes, but...
38:12Maybe I'm not fine.
38:19Take this from me.
38:27Go to hell, Arthur.
38:31Can I tell you something?
38:36It's enough.
38:38It's enough.
38:40Go to hell.
38:44What are you saying?
38:46I'll take care of you like a little boy again.
38:50I'll keep you away from guns and ropes.
38:52Is that what you want?
38:54Do you think I don't have anything else to do?
38:56Stop it.
38:57Arthur, don't you understand how much I'm burdened?
38:59Stop it.
39:00The war is over.
39:01So get out of it.
39:02Stop it.
39:03Get out of it like I got out.
39:05Got it?
39:06You got out?
39:07Yes.
39:08Get out of it like I got out.
39:10I'm not like you.
39:12I'm not like you.
39:15And everyone knows that.
39:23Look at yourself.
39:24Look.
39:26Look at yourself once.
39:31Try to look at yourself carefully, Arthur.
39:37Look at yourself.
40:07I'm sorry.
40:08I'm sorry.
40:09I'm sorry.
40:25Sir, it's time for lunch.
40:26I thought we should eat at the desk like old times.
40:36Do you remember?
40:37Yes, of course, sir.
40:39Yes, but the smell of mustard.
40:44That's the real fun.
40:48The fun part is out.
40:51So tell me.
40:52How much does Thomas Shelby bribe you in a week?
41:01Well, I already know.
41:03Two pounds a week.
41:04Eight pounds a month.
41:05Eight pounds.
41:06And extra pounds for special tasks.
41:09You were an honest man before I left.
41:12And now you're on the payroll of Peaky Blinders.
41:18Shelby is an insect.
41:21One that grows on dirty parts of the mind.
41:24One that gets in through the ears.
41:26One that sniffs.
41:28One that reaches your tongue and makes you lie in front of the judge and the pastor.
41:35Mr. Moss.
41:37We're entering a bloody era of this bloody war.
41:41There's no room for mercy.
41:45But from this moment on, you're once again on the path of goodness.
41:52Shelby thinks you work for him.
41:55But in reality, you work for me.
41:58And I will not have mercy on him at all.
42:06I'm coming.
42:08I'm coming.
42:35I'm coming.
42:52Polly, here are the files of Michael and Anna Grey.
42:56And as you can see, one file is white.
43:00And the other is black.
43:06What you saw in your dreams was the truth.
43:13Your daughter is dead.
43:28You read it. I can't.
43:35After taking Anna away from you,
43:39he gave her to a railway station master in Stafford.
43:45She couldn't stay anywhere.
43:48So she kept running away.
43:53Once she boarded a Birmingham train.
43:57And finally, they sent her to Australia.
44:00Where she died of a disease called spring fever.
44:06I'm coming.
44:20You're my love, aren't you?
44:23You travelled the world and came back to me in my dreams.
44:31And that too, on your own.
44:35And you couldn't get her off this train.
44:47But Paul,
44:49Michael is alive.
44:58He's in England.
44:59He's in England.
45:04And I know where he lives. I went there.
45:08Look, Paul.
45:12Paul, listen to me carefully.
45:15Understand what I'm saying.
45:19Paul,
45:21that woman whom he calls his mother,
45:24she will never let him come here.
45:26Just tell me where he is, Tommy.
45:30Paul, if you go there,
45:32and you get angry,
45:34and that woman gets angry too,
45:36and she calls the police,
45:38they will never let you go to that boy.
45:40And that child will get scared.
45:42That's what will happen, Paul.
45:46Paul.
45:48Paul.
45:50Just tell me where he is.
45:51Paul.
45:56Just tell me where he is.
45:58Paul.
46:03That's the reason.
46:05That's why I won't tell you where he is.
46:11Paul, I'm sorry.
46:13You'll have to wait until he's 18.
46:16He's not old enough to make his own decisions.
46:22Wait.
46:25Tell me where he is.
46:32If you kill me, you'll never know.
46:51Paul.
47:16Mikey, hurry up. The party's about to start.
47:21Yeah.
47:24You guys enjoy.
47:26Finn, where are you going?
47:28To talk to Arthur.
47:30It's going to be fun. Let's go.
47:32Let's go.
47:34It's going to be fun.
47:36Harrison reopening.
47:38It's going to be fun.
47:40The production is great.
47:42The light is great.
47:52Arthur.
47:54Get out of here.
47:56What happened?
47:58Why aren't you ready yet?
48:00For what?
48:02Harrison.
48:05Your pub is reopening.
48:07Tonight.
48:09Tommy doesn't want me to come.
48:11Tommy asked me to bring you here.
48:13He said your name is on the door.
48:15So you have to come.
48:18Listen to me.
48:20Listen to me.
48:22Let me go.
48:24You go.
48:26Go away.
48:40I said go away.
48:47Sometimes...
48:50When I'm upset...
48:54I drink this.
48:57It's called Tokyo.
49:20This is amazing.
49:22It will help you.
49:26On special occasions.
49:49Hi.
49:56This is awesome.
49:58My favorite Harrison.
50:00Take this.
50:02Take this.
50:04I smoke.
50:06It's going to be fun.
50:08I'll be right back.
50:12My pub.
50:15Are you okay?
50:17I've got a lot of work.
50:19Arthur, Tokyo is only for races, understand?
50:25Have you ever seen a horse drunk after a race?
50:28Yes, yes.
50:29Grand openings and races are the ones that scare me.
50:32Understood?
50:34Understood, Tommy.
50:35Hey, you only took one drink.
50:37How are you?
50:38Is everything going well?
50:40No.
50:41Finn!
50:42Give me that.
50:44Keep the whiskey away from him, John.
50:47No, I'm good.
51:17Come on.
51:47No.
51:48No.
51:49No.
51:50No.
51:51No.
51:52No.
51:53No.
51:54No.
51:55No.
51:56No.
51:57No.
51:58No.
51:59No.
52:00No.
52:01No.
52:02No.
52:03No.
52:04No.
52:05No.
52:06No.
52:07No.
52:08No.
52:09No.
52:10No.
52:11No.
52:12No.
52:13No.
52:14No.
52:15No.
52:17Paul?
52:34Hey, love!
52:35I didn't know you were coming.
52:37Hello, Aunt Polly.
52:41Hey, look who's here.
52:43Should I go to them?
52:44Don't look at me like that.
52:45Be careful.
52:46Take care of him.
52:47Why don't you come home?
52:49Hello, Ida.
52:50You...
52:55Tommy.
52:57So, what do you think?
52:59He's very...
53:00Handsome?
53:01Yes.
53:04Hello, Ida.
53:05Hello, John.
53:06How are you?
53:07Don't spill my drink.
53:09Hey, Arthur.
53:10Look who's here.
53:12So, what do you want?
53:13What should I ask him?
53:14Just talk to him.
53:15No one can understand him.
53:17Tell him you don't have a choice.
53:20Thank you very much.
53:26Have another one.
53:27That's it.
53:29How are you, Arthur?
53:30Come here.
53:31Come here.
53:35Polly?
53:36Why don't you come and join us?
53:45What?
53:46I'm not a fool.
53:48He's the one who called you here, right?
53:58I don't want to talk.
54:00I just want the address.
54:01Until I get it,
54:04I don't want to say anything.
54:06Because this is a party.
54:09Yes, it is.
54:15And I don't need anyone else.
54:17No, Polly.
54:18Don't be stupid.
54:20Excuse me.
54:23Are you going to dance?
54:27Why not?
54:28I'll be very happy.
54:36My love,
54:38happiness has just begun.
54:44I love you.
54:45I love you.
54:47I love you.
55:14I love you.
55:15I love you.
55:16I love you.
55:17I love you.
55:18I love you.
55:19I love you.
55:20I love you.
55:21I love you.
55:22I love you.
55:23I love you.
55:24I love you.
55:25I love you.
55:26I love you.
55:27I love you.
55:28I love you.
55:29I love you.
55:30I love you.
55:31I love you.
55:32I love you.
55:33I love you.
55:34I love you.
55:35I love you.
55:36I love you.
55:37I love you.
55:38I love you.
55:39I love you.
55:40I love you.
55:41I love you.
55:42I love you.
55:43I love you.
55:44I love you.
55:45I love you.
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55:47I love you.
55:48I love you.
55:49I love you.
55:50I love you.
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55:53I love you.
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55:55I love you.
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56:13I love you.
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56:15I love you.
56:16I love you.
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56:18I love you.
56:19I love you.
56:20I love you.
56:21I love you.
56:22I love you.
56:23I love you.
56:24I love you.
56:25I love you.
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56:27I love you.
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58:36I love you.