Dileep, Siddique & Team Prince & Family Interview | Bha Bha Bha യിലെ ഗില്ലി റഫറൻസ് എന്താണ്?
#Dileep #princeandfamily #siddique #interview
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#Dileep #princeandfamily #siddique #interview
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00:00Don't you think it's a Dolphol bar?
00:02Yes, it's a Dolphol bar.
00:06Don't you think it's a Dolphol bar?
00:10I've seen a lot of films.
00:14I've seen a complete act.
00:15I've seen an infinite act.
00:18I've seen a lot of people in my life.
00:21I've seen a lot of people in my life.
00:25You got the words saying you know,
00:27you can write the excerpts in the book,
00:30they are not even sentences.
00:32I'm not sure you're going to read that.
00:34I had given him a message.
00:36I told you too.
00:36You will not read it.
00:38I will not read it.
00:40I will not read it.
00:41By the way, he will not read it.
00:43You're not reading it, my word.
00:44He won't read it.
00:45Can you tell me about the movie?
00:48Who has one in my life?
00:49No, he's not.
00:50No.
00:52Let's not read it.
00:54I thought I'd be happy to have a friend.
00:57I was like, I'm not sure.
00:59I'm going to show you how to get into social media.
01:02Where are you?
01:03I'm a man.
01:04I'm a man.
01:05I'm a man.
01:06I'm a man.
01:07I'm a man.
01:08I'm a man.
01:09I'm a man.
01:10I'm a man.
01:12I'm a man.
01:14I'm a man.
01:16I'm a man.
01:18I'm a man.
01:20Hi, hello, viewers.
01:22Welcome to your show, Untold with Azim.
01:24Today, we are talking about Untold Stories.
01:27We have Dilipetan, Siddhika, Jody Anand Zetan, and Bindo.
01:31So, welcome.
01:53We have to be back with the service.
01:55Now, let's talk about the service.
02:01Thank you so much.
02:05I want to know who you is.
02:07I wish you all my knowledge.
02:08The first thing he is and the first thing he is.
02:09I am not a friend.
02:11I really want him to know him as a man.
02:13Please come back in the hands.
02:15He is Moosa.
02:17Who is the producer?
02:18Yes, he is a hero.
02:20I am very proud of you.
02:22I am very proud of you.
02:26You are not a good person.
02:28I am very proud of you.
02:32I am a representative of the show.
02:36I am a director, a director, a director, a musician, a writer.
02:42I am very proud of you.
02:46It is not exciting.
02:48I am very proud of you.
02:52I am very proud of you.
02:56I am very proud of you.
03:01I am very proud of you.
03:04What is a speciality for delivering?
03:10I am very proud of you.
03:12If you don't have any advice, you will have any advice.
03:16But I am very proud of you.
03:19In her own life?
03:20I am two of them.
03:22It is my pleasure.
03:23And I am very proud of you.
03:25At the same time, I stand the beauty of it.
03:29I am very proud of you.
03:34that's the main joint with the main joint.
03:40I'm not really going to go to the real life in it.
03:45I was going to get to it.
03:49I'm not going to get too much advice.
03:52I was just talking to someone who is a child.
03:55I'm not going to say anything yet.
03:58I'm just joking.
03:59In social media, there was a lot of questions in social media.
04:04Then, I thought, there was a lot of heroines.
04:07So, I didn't understand that.
04:09I thought, there was a lot of heroines, but there was a lot of cinema.
04:14I thought, if you were a heroines, it would be correct.
04:18Then, if you were here, you would have to go to the church.
04:22Then, if you were here, you would have to go to the church.
04:24And finally, I think that they're not going to be able to do that.
04:29So, when I was a risk, I had no one in my hand.
04:35Because there were a few people who were there.
04:39There was a student in Kalamandala.
04:44He was a banker, Ph.D.
04:45I was a banker.
04:48I was a banker.
04:50He was a banker.
04:51He was a banker.
04:52His name is Raniya Rana. They came to the cinema.
04:56The cinema has a lot of joy in the world.
05:01In the end of the day, the cinema has a lot of joy in the world.
05:07The company, I'm going to tell you about John Chattana.
05:12Do you want to tell him about John Chattana's name?
05:18I'm going to tell him about John Chattana.
05:21These are the ones that I have.
05:24It says that you are being the one.
05:26I'm going to go to the theater and go to the cinema.
05:32The one thing I'm thinking about, is that you can see a scene.
05:34I'm going to tell you about the cinema and the cinema.
05:40He's getting KPMC on the stage and went to the cinema.
05:42He's going to be able to tell you about the cinema.
05:44I think I'm going to tell you about the cinema.
05:46There were many films that were still working on Siddhika.
05:51There were many films that were used to work on this weekend,
05:53and there were many films that were still doing a lot of film,
05:57and there were many films that were still there.
05:59Siddhika, personally, is it my first thing personally,
06:03Siddhika became a villain.
06:04I've seen some of those films that I've seen.
06:07It's very interesting that we've seen.
06:11But I've seen a lot of films that I started making.
06:14Why are you talking about this?
06:15I don't have any questions about the film in Amelie or the villain.
06:19No.
06:20They have to be a opposite character.
06:22They have to be a different person.
06:24Any personal attachment?
06:26Feeling?
06:27Any other.
06:28That's the cinema.
06:29I don't know.
06:30I don't know.
06:31I don't know.
06:32I don't know.
06:33Is this Jon Chater?
06:34Is this Jon Chater?
06:35Is there Jon Chater?
06:36Is there Jon Chater?
06:37He's a good friend.
06:38He's a good friend.
06:39He's a good friend.
06:41He's a great friend.
06:46He's a great actor.
06:47It's great so he will work on the film.
06:50He's a good friend.
06:51I won't leave him alone.
06:52He's a great actor.
06:54I'm ten a lot.
06:55That's right.
06:56I see Jon Chater in the whole family.
06:58In the other hand,
07:00I told him I am and I would love it.
07:02They asked him as a person.
07:04At that point,
07:06He said,
07:07What's your own?
07:08They just heard me.
07:10They said, the girl is in Phoenix.
07:13She said, the girl is when she will shoot her.
07:17She cannot shoot her.
07:19She has her.
07:20She can shoot her to shoot her for a silver bullet.
07:24She can shoot her to shoot her.
07:26Someone will shoot her at the top of the top.
07:28She can shoot her at the top of the top.
07:30I don't want to shoot her at the top, but I do not.
07:33They don't want to shoot her.
07:35That's not what they want.
07:37I was told that Joseph had his wife and asked him,
07:42He said, he was a kid.
07:44He said, I don't know.
07:50He was a writer.
07:52You used to have the job.
07:56I used to have the job that he had to do.
08:00He used to have the job as a girl.
08:04He used to have the job as a girl.
08:07So, that's right.
08:09No, that's right.
08:10When I met a guy, I met a guy in the park.
08:15I met a guy in the hospital.
08:17He would have been sent to him.
08:19He would have been sent to him.
08:21He would have been sent to him somewhere.
08:23That's right.
08:25He would have taken a message in the hospital and never did that.
08:28He didn't say anything about it.
08:30He would have been sent to him and asked him,
08:32I'm not talking about that.
08:34It's not just an issue.
08:36A short shot?
08:37Yes, have a short shot.
08:38It's a short shot for a short shot.
08:41I found a laughing picture.
08:43He didn't read the article.
08:45Yes, they did.
08:47You get a letter from a postbox.
08:50They took a short shot.
08:53Do you think they should be serious acting?
08:55No.
08:56Definitely.
08:58I don't know.
08:59If you have any culture in the competition, you can't get it.
09:06You can't have a drink.
09:10I'm the one who is in the competition.
09:16I know that I have a dream.
09:19How did you tell Dilib?
09:21We have a deal with Dilib.
09:27He picked five times, but there were some Pull-Chan.
09:31Then the Pull-Chan joined the Pull-Chan.
09:37He got his Pull-Chan on the other side.
09:38But then, he said,
09:40I'm not going to do this again yet.
09:42You'll either say anything about Pull-Chan or Pull-Chan.
09:46He was moving on the way to a certain stance.
09:49So, he was a person with a friend, and he worked with a guy.
09:52But then, he asked,
09:54I don't have to say anything about that.
09:57You are not a director.
09:59That is what we are doing.
10:01What do you say?
10:03We are going to say something about the earth.
10:07I am a scientist.
10:08I have to say that.
10:10I am a scientist and I am a scientist.
10:13I am a scientist and I am a scientist.
10:17I am a scientist.
10:20Even if we were in an studio, there was no scene that was happening.
10:29At one time, the one who was from the start was not the same.
10:33But then, Siddhika is the only one who is called by the name of the star.
10:43I told you, I said, there is no one in the past.
10:50They are happy to see the people who are interested in the past.
10:58They are happy to see the people who are interested in the past.
11:04It is not an average of great talent or great talent.
11:08We have a strong talent.
11:10Then, we have a strong talent.
11:14Now, we are going to be acting as a talent.
11:16We are going to be a strong talent.
11:20We are not going to be strong enough.
11:21We are going to be very strong.
11:23That young people have confidence in us.
11:26As we are saying,
11:28I am going to deliver.
11:31So, we were like, you know, what a film is, it's a film or a film.
11:36We used to have a little bit of a male or a man who was talking to a woman.
11:42Now, I'm not so happy, it's a good idea.
11:46But then, there is a guy who is a guy who is talking to a friend.
11:51He never was talking to a guy who was talking to a guy.
11:53I was talking to people, but I was like, no?
11:57I was walking a little bit at my house.
12:01That's why I don't go to the house.
12:03That's why I am going to go to the house.
12:05We should go to the house.
12:08I just want to go to the house.
12:09You don't have to talk to them.
12:13I was not going to talk to them.
12:18I have to tell them,
12:20I don't know why I was there.
12:22I didn't know why I was there.
12:25I didn't know why I was there.
12:28You know, I was there.
12:30I was there for a title card,
12:32I was there for a guy,
12:34I was there for a car.
12:36I was there for a different kind of title card.
12:38I was there for a movie.
12:40That's right.
12:42We all have to say.
12:44This cinema is a tribute to the cinema.
12:46We have to play,
12:48delivered this cinema where you can set the pace of the music.
12:55There is a post in the past few months and there is a symbolic post.
13:01That's why it's not like that.
13:04That's why it's me.
13:06We are here.
13:08That's why it's a pressure.
13:09I think that's what I'm saying.
13:13That's why it's not like that.
13:18But he was not the only way to work with him.
13:20We went to a very simple film to work with him.
13:25He asked that the film was the first film?
13:29He said, there's a conclusion.
13:31I don't think so.
13:31This film is really good.
13:32There are many careers and careers.
13:35One of the music directors were always celebrating, Suresh Peters.
13:39So, there was a wedding meeting at the film.
13:41I was talking about the family in Punjabi Osse.
13:46Punjabi was a runway.
13:50He was working on this.
13:51Yes.
13:52That's what he was doing.
13:53What kind of a special factor is he?
13:55What kind of talent is he?
13:56He's a talent.
13:56He's a talent.
14:00He's a talent.
14:04He's a talent.
14:05He's a talent.
14:08He's a manly actor.
14:10He's a manly actor.
14:12He's a director.
14:12He's a dance director.
14:14He's a dance director.
14:16He's a manly actor.
14:19Dr. George is also.
14:20He's a talent.
14:22He's like, there's a field.
14:24Music.
14:26He's also a manly actor.
14:29Here's the manly actor.
14:30He's a manly actor.
14:32He's a dancer.
14:34He's a dancer character.
14:36He's a samurai party.
14:38He's a manly actor.
14:40He's not a manly actor.
14:41That was the part that I think that would be a great team.
14:46Dr. Shergai, can you tell the lyrics...
14:48Dr. It is really a happy song, okay?
14:50No, no, no.
14:52Dr. You know, what's your name?
14:54No, no, no.
14:55Dr. Samurai Tharasura.
14:56Dr. Samurai Tharasura, it's really a happy song.
14:58Dr. Samurai Tharasura, it's really a happy song.
14:59Dr. Yes, that's right.
15:01Dr. Shergai, now the people who celebrate the two of us,
15:04One is a passenger.
15:06The person who say that,
15:07That's not enough until it comes to the end of its time,
15:10in the film.
15:11Now, the film is being watched by R&D film.
15:15No, the film is being watched by R&D film.
15:18It's not a real incident.
15:22The film is the question of journalists in their life.
15:27If you have to attend a couple of times,
15:30if you have to attend a couple of times,
15:34you have to ask yourself,
15:36you have to ask yourself,
15:38There was a lot of pressure on a journalist and said to me,
15:41I'm going to say, I'm going to go to a depression.
15:45I'm going to go to a movie called My Boss Cinema.
15:48I'm going to go to a movie called My Boss Cinema.
15:52That's what I'm going to say.
15:55So, that's what I'm going to tell you about.
16:00Passenger?
16:01Passenger, I'm going to go to a movie called New Generation Cinema.
16:06That's what I'm going to say.
16:08A movie called New Generation Cinema.
16:10The movie called Nirmadhi.
16:13But, you know, the movie,
16:17one of the things that I've been discussing.
16:20If you have got a movie called Nirmadhi,
16:24the movie has come to a movie called Nirmadhi.
16:29There's class movies.
16:31The whole movie movies are now playing.
16:34That's why a lot of writers, directors, and directors are the main actors.
16:45So, that's why I think it's a big deal.
16:51It's a big deal.
16:53It's a big deal.
16:56It's a big deal in New Generation Cinema.
17:01He worked with George Seat. He worked with him, with something. He worked with him, each other, another,
17:06He worked with him and got a game. He worked with me and again at the time.
17:10He worked with the story because he was always on stage.
17:14He worked with me and took a breath at him.
17:17A lot of people are happy to hear.
17:18It's true in all, I felt like a woman.
17:22There has been a lot to say.
17:24He was having a great job in a kind of clip and a lot.
17:25It's better.
17:27It's for a good cinema, everyone.
17:30There was a tragic climax.
17:35Gramophone?
17:36Gramophone?
17:37Right, it was a sadhanathar.
17:40It was a sadhanathar,
17:42The sadhanathar, of course, was the feeling I had to talk to.
17:45No, I was feeling that feeling I had to talk to.
17:47And if I saw a little cinema,
17:50I could say,
17:54It was a positive thing.
17:56The climax is shocking at all in the moment.
18:04But if we were told that, we were subject to the impact,
18:09then we were subject to the subject.
18:12That's why we were subject to the subject.
18:15Yes, Siddhika had a little bit of a status, a WhatsApp status, and a little bit more than Siddhika.
18:24He was a little bit of a film, and he was a little bit of a film.
18:29He was a little bit of a film, and he was a little bit of a film.
18:31How do you feel about Siddhika?
18:33Yes, I would like to say that, I would like to say that.
18:38I don't know if you have an album, but I don't know if you have one album.
18:43We can see the difference between the two and the two characters.
18:47In the same time, we have to see a few moments and it's the difference between the other actors.
18:54It's not true.
18:56We can see how many actors we see in the back of our lives.
19:01That's why we have complete actors.
19:04I mean, we have to see an ultimate actor.
19:06We have to see an infinite actor.
19:10There is no limit to acting.
19:14There is a lot of performance in the world.
19:17There is no one album.
19:20But there is no one album.
19:23Did you know that?
19:24We did not know that.
19:26We did not know that.
19:27We did not know that.
19:31We did not know that.
19:33We did not know that.
19:36There is a great reference.
19:38TN 5900.
19:39It is not a cinema.
19:41This is a cinema.
19:44It is a complete movie.
19:48We are not going to see the film.
19:50We will see the film.
19:52We will see the film.
19:54Now, I am going to tell you.
19:56The company has been laughing at the moment.
19:59The company has been laughing at the moment.
20:02How did the company have been laughing at the moment?
20:08And it is not a fan of our family.
20:12It is not a love for us.
20:16The two of us are the two people from Malayalika.
20:21We can't do it.
20:24We can't do it.
20:28When I was in the past, I was a Siddhika hero.
20:32Jagdish and Mughesh and Tsai-Chad are the heroes.
20:36We are four heroes.
20:37Jai Raman and Suresh.
20:40He was a hero.
20:44At that point, he came to the side of the world.
20:48So, I think it's a good thing.
20:50I think it's a good thing.
20:53I think it's a good thing.
20:57I think it's a good thing.
21:00I think it's a good thing.
21:03I think it's a good thing.
21:04Then, I've asked you to ask you to go on to let Siddhika and Lalatnat.
21:09After that, you've never done that.
21:12Only in London?
21:13That's what I did.
21:14Was he a Mahoul?
21:16Yes, that's it.
21:17She said that I have done it.
21:19I've never done that.
21:21We've already done it together.
21:23When we talk about this and we talk about it,
21:28it's about the screen space.
21:30Everyone shall know where we are.
21:33Because when we came back, we had a few heroes.
21:39Then we had a few heroes and we had a few heroes.
21:43That's not true.
21:45So, everyone, Abhimanu, Angaramu,
21:50Lala Etta came back.
21:51Lala Etta came back in front of Lala Etta,
21:53and I had a few sentiments in front of Lala Etta.
21:57That's not true.
21:58I was in the Aditha Cinema,
22:00I was in the Lala Etta.
22:01That's why I was born in 2020 and I was born in 2020.
22:05So, a fanboy, I have a connection with you.
22:12Then, if you look at the cinema, you can see it and see it.
22:17Let me tell you a little bit about it.
22:19If you want to talk about it in Delhi, you will be aware of it.
22:23You will be aware of it.
22:24You will be aware of it.
22:25You will be aware of it.
22:26It is the only 3th film in the company.
22:28They are 700 films from 70 to 80.
22:34I with our Mr. Baddell.
22:36No, I am neither.
22:38I wanted to watch Mr. Baddell.
22:40I was very excited.
22:42Who are you going to sing about this film?
22:44So, where did we sing about the film?
22:46Then, what I'm going to sing about the film is.
22:48You want to sing about the film?
22:51Maysand,
22:53Because I am not going to analyze his movie.
22:57I don't want to be doing the first time, this is Siddhika.
23:00My name is Meera Jasmind.
23:03I don't know.
23:04I don't know.
23:06They are different.
23:07There is a new person in the universe.
23:10You have a combo.
23:15I have different people in the universe.
23:18The movie is primarily different.
23:20What happened to me?
23:22Captain came to the captain.
23:24Dajjev.
23:25Did you tell me about Dhillip?
23:27Two films.
23:29Dhillip isn't it?
23:31Dhillip isn't it?
23:33That's not true.
23:35That's true.
23:36Dhillip isn't it?
23:37Dhillip isn't it?
23:39I don't know.
23:41Dhillip isn't it?
23:43Dhillip isn't it?
23:45Dhillip isn't it?
23:47Dhillip isn't it?
23:49Dhillip isn't it?
23:51Dhillip isn't it?
23:52Dhillip isn't it?
23:53Dhillip isn't it?
23:55No...
23:56I don't know.
23:58Don't you say special mention?
24:00Do not know special mention.
24:02They're friendly.
24:04What am I saying?
24:06If somebody is here or who is,
24:08They're in a car!
24:09I know I'm there.
24:11Dhillip isn't it?
24:12Dhillip isn't.
24:13Just special mention is that.
24:15Okay.
24:16Dhillip didn't leave three sides.
24:19I am not sure you have the same story.
24:21Yes, yes, yes, yes.
24:23I don't know the same story.
24:25You can't hear it.
24:27No, no.
24:29You can't hear it.
24:31You're not sure.
24:33The movie is the 3rd cinema.
24:35And the movie is the 3rd cinema.
24:37That's not the movie.
24:39The movie is the 3rd cinema.
24:41Is that the movie?
24:43The movie is the movie.
24:45The movie is the movie.
24:47Here is your name.
24:48Did you celebrate your social media?
24:51Has it been a great time?
24:53No, no!
24:55Yes, no, no, no.
24:57Do you know when you were talking about that?
24:59No, no, no.
25:00I was thinking about that.
25:02Yes, yes, I was talking about it.
25:04I was talking about it.
25:05Yes, I was talking about it.
25:07What is your name?
25:09Do you know who is?
25:10I don't know, I'm going to talk about it.
25:11I'm going to talk about it.
25:12Is it a book?
25:13No, it's a book.
25:14Yes, I will get a picture.
25:16It's not a vibe.
25:19Yes, it's like a dad.
25:20Yes, it's not a vibe.
25:21It's a vibe.
25:23How do you think Siddhika is the state of the world?
25:27Chundra.
25:28Chundra.
25:29Sassayam, Sumitra.
25:31Siddhika is a producer or a transsetter.
25:34Yes, he is a producer or a transsetter.
25:38That's not a transsetter.
25:40That's a transsetter.
25:42Siddhika and Abhinach are the two of us.
25:44I don't know.
25:46Do you have any questions?
25:48I am Jeeva Narori.
25:53I am Jeeva Narori.
25:55Subhash.
25:57Janna?
25:58Janna is not.
26:00Jeeva is not.
26:02Jeeva is not.
26:03Jeeva is not.
26:04Jeeva is not.
26:05Jeeva is not.
26:07Jeeva is not.
26:08Jeeva is not.
26:11Jeeva is not.
26:12Jeeva is not.
26:13Jeeva is not.
26:14Jeeva is not.
26:15Jeevacila is not.
26:21Jeeva is not.
26:23Jeevaです.
26:30So now this video is incredible.
26:35Are you excited now?
26:37Next to you please?
26:39It's natural.
26:40We have a film with many families.
26:43That's why we have a film with different different patterns.
26:46We have a performance of that type.
26:51It's not that type of cinema.
26:54There is a film with different different different.
27:00That's not Prince and Family.
27:03We have a lot of fun.
27:05We have a lot of fun.
27:07We have a lot of fun.
27:09We have a lot of fun.
27:11Thank you for the time.
27:15Thanks a lot.