Team Vyasanasametham Bandhumithradhikal Interview: Siju Sunny, Anaswara Rajan & Jassim Tarzan Interview | ചളി പറച്ചിലിൽ പെട്ട് അനശ്വര
#SijuSunny #AnaswaraRajan #JassimTarzan #VyasanasamethamBandhumithradhikal
~HT.24~PR.16~ED.21~
#SijuSunny #AnaswaraRajan #JassimTarzan #VyasanasamethamBandhumithradhikal
~HT.24~PR.16~ED.21~
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NewsTranscript
00:00I have to go to the stage for a certain person in the studio.
00:05Do you have any questions?
00:09I have no idea that my husband is asking me to send me an email.
00:13I'm not going to ask you a specific question.
00:16I'm not going to ask you a question.
00:19What's your name?
00:21You're like Pungjand, Suvind Charsan?
00:23I'm going to say Mowgli.
00:27Charsan is Mowgli, right?
00:29I don't know what I'm doing now.
00:31But now, you're going to be looking at this.
00:33But you're looking at me.
00:35I'm looking at you.
00:37I'm not going to be setting up.
00:39I'm going to be setting up.
00:41I'm going to be setting up.
00:43Why don't you try this?
00:45I'm going to be looking at this class.
00:47I'm going to be looking at this.
00:49I'm going to be looking at this.
00:51Uttar Pradesh!
00:53What is this?
00:55Dude!
00:57I'm going to be looking at this class.
00:59What's that?
01:01I'm not going to be looking at this class.
01:03I'm not going to be looking at this class.
01:05I'm not going to be looking at this class.
01:07You're going to be looking at this class.
01:09Hi, hello viewers.
01:11Welcome to our show, Untold with Tazin.
01:13Today, we're going to be talking about Untold Stories.
01:15We have Siju Sanni, Anusharajarajan, Subint Arasan, and Jasim.
01:19So, welcome.
01:23Malishu, I have two people in Tazin.
01:25Talisharajan, I have two people in Tazin.
01:27Then, when I can't find someone in Tazin.
01:29You get one guy on Tazin.
01:31It looks like someone that never becomes a victim.
01:33How many people do you say that?
01:35I always say that.
01:37How?
01:38How about you?
01:39Why are you studying Tazin with Tazin when you were studying Tazin?
01:41What?
01:42I don't know.
01:43Why are you talking about Tazin?
01:45I feel like that.
01:47We met RCO and we were shooting in a car and we were ready.
01:56We weren't ready to go to the car and get the maximum car on the car.
02:02We were able to play games and we were able to play a game.
02:08We were able to play a game.
02:11We were able to play a game.
02:15We have a different distinction between you and my family and my director.
02:23I was a good team.
02:29I must go to Juruwaya and the Juruwaya.
02:32There is a lot of combinations.
02:35We still have a lot of combinations.
02:36You don't know if it's on the first day.
02:39We have a beautiful each other.
02:41No, no.
02:43It's not a combination.
02:46It's a combination of people who are familiar with the family.
02:48That's right.
02:49I don't know if it's a song.
02:52No, I don't know.
02:53I don't know.
02:54In this video, the other two people have been playing Trivandra.
02:59I don't know.
03:01It's true.
03:02It's true.
03:03It's true.
03:04It's true.
03:06It's true.
03:08What happened to you?
03:11It's not true.
03:13I haven't seen anything after 26 morning.
03:17I've been doing a lot.
03:20I haven't seen anything from an unknown person.
03:23You don't have to learn an unknown person.
03:27I think I have no idea where I go,
03:29but yet I understand they're not.
03:32I think my name is fun.
03:34There was a lot of good things here in cinema.
03:37I think I am a kid.
03:40When I was a kid, I was a kid.
03:42When I was a kid, I was a kid.
03:44I saw the kid and I was a kid.
03:49I found that kid, no kid.
03:52I didn't think he had a kid.
03:56I had a kid, I didn't know.
03:58How was he?
04:03I said, I am a big one.
04:07Is it a good thing for me?
04:10I don't have to give a lot of people.
04:13I don't have anything to do with the food.
04:16If you want to give me a lot of food, you don't have to give me a lot of food.
04:20I don't have to give you a lot of food.
04:24I don't have to give up to me.
04:28I don't know why I'm so special.
04:34Why did I say that?
04:36Why did I say that?
04:39They came to me.
04:41I didn't know.
04:44I was excited about it.
04:47I was in my career.
04:50I couldn't figure it out.
04:52I could figure it out.
04:54Are you kidding me?
04:56I saw it.
04:58That's true.
04:59It's not that you're a real person.
05:01I'm not a real person.
05:03I have so many relationships with Reels.
05:07I can do it.
05:08I'm not a real person, I don't know, but I'm not a real person here.
05:13I'm not a real person.
05:15I'm not a real person.
05:17What do you see this course on?
05:20My personal person.
05:22I did not have to give up this interview.
05:28I saw that.
05:30I met Subin SB and I met Subin SB and I met him.
05:36I met him with a few names.
05:39Subin SB.
05:42I met him with a few names.
05:44I met him with a few names.
05:49I met him with a few names.
05:50Subin Tarsan.
05:52No.
05:53If Subin is a man, he is a man.
05:55He is a man.
05:56He is a Tarsan.
05:58Even Shemin is a man.
06:00Shemin is a man.
06:02Then Subin is a man.
06:04Shemin is a man.
06:06That's not Mowgli.
06:10Subin is Mowgli, right?
06:12That's not Mowgli.
06:14He is a man.
06:17I'm a man.
06:20Shereki, this is the first promo on Instagram.
06:23Do you want to take a real shoot in the studio?
06:25Shereki, I am a creator of the company.
06:27Do you want to take a real shoot in the studio?
06:29Do you want to take a real shoot in the studio?
06:31It's because of the show.
06:33It's because there is a look and costume.
06:35I think there is a real shoot in that time.
06:37I don't know.
06:39I think I do.
06:41In that time, there are a few moments.
06:43There are a lot of situations.
06:45I think there are a lot of things in the studio.
06:47What are the reals?
06:49I think there is nothing.
06:51I don't think there is a real shoot.
06:55It is not good.
06:56There are some options left.
07:00There are a few moments left and right.
07:02You know, it's not good.
07:04I think there is a real shoot.
07:05I think there is a difference between the real shoot.
07:08I think that's a problem.
07:10I think that's what I'm doing.
07:12Did you see that?
07:14You can support Chachi.
07:16You can support Chachi.
07:20You can support Chachi.
07:22She's not a sister.
07:24No, she's not a sister.
07:26She's like that.
07:28But Chachi is a real company.
07:30I don't know if Chachi is a real company.
07:34I don't know if I put a real company.
07:36I can't get a real company.
07:38I can't try it.
07:40I can't get a real company.
07:42I don't know if it's a real company.
07:44I'm trying to get a real company.
07:46I don't know if it's a real company.
07:48You're gonna have to do it.
07:50How could you respond to Maranamas?
07:52Will you respond to the CD release?
07:54I think that's right.
07:56How can I respond to that question?
07:58I didn't know you're predicting.
08:00I didn't know you were predicting.
08:02If you follow us on social media Facebook, we can go to the blog for what we call our Patreon.
08:09For yourself, no matter how many people you can do it.
08:11Then people are educated, we are not all the channels.
08:15So I am like, you never tell me what to do with the product.
08:19Do you know anything about it?
08:20If there are any products, the one that has aở the product will be the same.
08:24So the first thing I was working on is I would like to support my own product.
08:29There are four papers in my mind.
08:31Okay?
08:31You are almost there.
08:33This is why,
08:34little bit,
08:35you can see some things.
08:37Now, you'll see it here.
08:39If you see it on the presentation,
08:42you'll see a highlight.
08:43You'll see it on the presentation,
08:44you'll see it on the presentation.
08:46You'll see it on the opposite.
08:50That's the highlight.
08:52Now, for example,
08:53for example,
08:55if you want to do something,
08:58you can do something on the other side.
08:59You can ask yourself.
09:00You're going to go to the house and you're going to go to the house.
09:02That's why.
09:03And you're going to get out of it.
09:04For us, I'm going to get out of it.
09:06Okay.
09:07So clarity is what we're going to do.
09:09You're not going to be setting up for other people.
09:13I'm not going to get the set up.
09:15I'm not going to get in.
09:17Okay.
09:18That's all the question.
09:19Batsman loves chapati.
09:21Why?
09:22Can you tell me.
09:23Is it Batsman loves chapati?
09:25Yeah.
09:26Batsman loves chapati.
09:27Why?
09:28It is made in Gotham.
09:29Go-dham.
09:30Go-dham.
09:31Go-dham.
09:32I have a character.
09:33Go-dham?
09:34Go-dham.
09:35Go-dham city.
09:36Go-dham.
09:37Go-dham.
09:38Go-dham.
09:39Go-dham.
09:40What's John Wick?
09:41John Wick?
09:42He's a Wick.
09:43Oh, good.
09:45So, just to tell you, you have a presentation.
09:49Just tell me, you can tell me about the presentation.
09:53Okay?
09:54I'm going to tell you about it.
09:56Did they have a performance?
10:00I said that.
10:01You come to the speaker.
10:03OK, so she answers what she said.
10:05The answer is that right.
10:06Yes.
10:08Did you ask her to tell her?
10:09No.
10:10He's putting two of them.
10:11Why don't you say that.
10:13Why don't you say that?
10:14Why don't you say that?
10:16No.
10:17Why don't you say that.
10:21Why don't you say that?
10:22Why did you say that?
10:23Why don't you say that?
10:25I'm not sure.
10:27I'm not sure.
10:29I'm not sure.
10:31Oh, my God.
10:33Where are you?
10:35I'm not sure.
10:37I'm not sure.
10:39I'm not sure.
10:41In the class,
10:43what are you going to do in class?
10:45What are you going to do?
10:47I'm not sure.
10:49I'm not sure.
10:51I'm not sure.
10:53You put a costume mark?
10:55Uttar Pradesh.
10:57That's right.
10:59You can't see a percentage.
11:01You can't see a percentage.
11:03I don't know.
11:05Where are you going to be?
11:07Where are you going to be?
11:09No, I'm not sure.
11:11I'm not sure.
11:13I'm not sure.
11:15I'm not sure.
11:17I'm not sure.
11:19I don't know.
11:21You put a document.
11:23That's what I told you.
11:25That's what I did.
11:27You done it, right?
11:29That's right.
11:31There's one card.
11:33In my card, there's a place in Ramon.
11:35There's a place in Ramon.
11:37So,
11:39he's gone.
11:41That's right.
11:43He's gone.
11:45I thought, I'm going to take a picture of the dog.
11:51This is how the dog is going to be.
11:54I'm not going to be a dog.
11:58I'm going to be a dog.
12:02I'm going to be a dog.
12:04I'm going to be a dog.
12:09One of the best things I've ever seen in the past is that I've ever seen.
12:13How does he do it?
12:15I think I think he did it.
12:17Right.
12:19Dear, if you try one to one more question, he will not do it.
12:23How does he do it?
12:25He is wrong.
12:27Dear, if you try one to one more question, he will not do it.
12:31Right.
12:33I have no idea which story to me.
12:35Did you remember me?
12:37Did you remember me?
12:39I have been a fool in the middle of the year.
12:41Stop!
12:42Stop!
12:43Stop!
12:44Stop!
12:45Stop!
12:48How did you say that?
12:49Why did you say that?
12:50What do you say?
12:51It's not a big deal.
12:52They are like a picture.
12:53They are like a picture.
12:54They are like a picture.
12:55They are like a picture.
12:56They are like a picture.
13:00This is a picture.
13:02I am very proud of you.
13:05You have to love him with Mahalalum.
13:09I'm speaking in a university.
13:12In a university.
13:19There's a room.
13:21There's a MG room.
13:23There's no door.
13:25There's a door.
13:27There's a door.
13:29There's a balcony.
13:31There's a balcony.
13:33I'm talking in a hallway.
13:35I'm talking.
13:37I don't want to touch the bulb.
13:42I don't want to touch the bulb.
13:45It's not.
13:47It comes to light.
13:50Light, light.
13:53Klo?
13:57Chlo?
13:59Klo.
14:01Bulb will not touch the bulb.
14:04Do you have a light in the bulb?
14:06Sit.
14:07Do you have a light in the bulb?
14:08The bulb is a light in the bulb.
14:10You don't have a light in the bulb.
14:13Light in the bulb.
14:15Light in the bulb.
14:17I don't know where to go.
14:19I don't know where to go.
14:23Okay, I didn't know where to go.
14:25I'll tell you.
14:27I'm a light in the bulb.
14:29That's what I'm saying.
14:34What is this?
14:36This is a witness.
14:37This is a witness.
14:38This is a witness.
14:39Yes.
14:40We have a question and answer to this.
14:42I've got a voice.
14:44I told him to speak a lot.
14:46I never heard him.
14:48I was like, I don't know what you're saying.
14:50I don't know what I'm saying.
14:52My name is a very different.
14:56My name is very common.
14:59I don't know what it is.
15:02What is your name?
15:04Of course it is a joke.
15:08We use a little bit of the work to do with some foreign language.
15:12It's good to talk to people.
15:16That's true.
15:18I would like to play with a different personality.
15:21You don't even think I like that.
15:25The thing is that I have to play with.
15:30What cinema is all about? What's the film?
15:33I don't know how much it is.
15:35I have a little bit in the distance.
15:38Maybe it's not even if it's all about the altitude.
15:43I don't know how much it is.
15:44I can't talk about that.
15:47That's what I've been doing.
15:49Now, let me just start with a few things.
15:52I was on a great show.
15:54I was on a great show.
15:56I was like, I didn't know that I was going to be a comedy.
16:01I was like, I didn't know that I was going to be a comedy.
16:05I feel like I was going to be a comedy.
16:10That's the same thing as a comedy.
16:14I have a lot of ideas.
16:17I think it's a subject that I've been talking about in the comments.
16:21It's a different topic.
16:23I think I was going to be doing a script for the first time.
16:30But I was going to be doing a lot of the time.
16:32I was going to be doing a lot of the film.
16:35I don't know if you're a social media.
16:37I don't know if you're a little bit of a wire light.
16:42I don't know if you're a little bit of a wire light.
16:44I don't know if you're a KFC.
16:47What are the moments of the film?
16:49No, no.
16:51It's a good thing.
16:53I think it's very interesting.
16:56And I think it's a good thing.
16:58I think it's a great thing.
17:03But it's connected to all of the audience.
17:06I think it's a good thing.
17:08I'm not sure what I'm doing.
17:10I'm not sure how to do it.
17:12I'm not sure what I'm doing.
17:14I think it's a great thing.
17:18How do you work with them?
17:20How do you work with them?
17:22I don't have a combination of those things.
17:25When I was in the industry for about 90 years,
17:33I was working with a lot of scenes,
17:36and I was working with everyone.
17:39I was working with everyone,
17:41and I was working with everyone,
17:43and I was working with everyone.
17:46She was working with everyone.
17:49I was working with a professional,
17:53and I was working with a professional dialogue.
17:56I was working with someone that's correct.
18:00I was working with them.
18:02I've worked with them.
18:03I was working with them.
18:04I was working with them as a performer.
18:08I didn't have any new video about the title.
18:14In this world, I don't think we are going to have personal satisfaction.
18:21But we have to deal with the luxury of being a better climax.
18:25When you are doing some big things, now you are in your own world now,
18:32you are in your own world now.
18:34You are in your own world now and you are in your own world now.
18:39I was worried about the content that I was doing, and I was worried about it.
18:48I was worried about the character.
18:50I was worried about that character.
18:52I was worried about Jofield Jett's mind, so I was very glad to be here.
18:59Do you want to experiment with this comedy?
19:04That's why I was thinking about it.
19:07We have made a comedy in the past, but we have not done that.
19:12We have never done that.
19:16I have never done that.
19:18We don't have a situation like that.
19:20We don't have to do that.
19:23We don't have to deal with that situation.
19:27I've never done that.
19:31I've never done that.
19:34I've never done that.
19:37That is what happens when we get to the audience and that it's the best.
19:41We can't believe it.
19:44We have to say, we can't believe it.
19:48We are not going to do this anymore.
19:51We are not going to do it anymore.
19:54We have to do not do it anymore.
19:56We are not going to do it anymore.
19:59I agree that we will not do it anymore.
20:01We have to do it in other generations.
20:05Have we got that, not ourselves.
20:07It can be an experiment.
20:09It's not an experiment.
20:11They could be playing with you.
20:14That's the situation.
20:15I think so.
20:16There is a balance between the two guys and the guys.
20:18I've done a few shoots.
20:20And then I will try to figure out what you're going to do with us.
20:24That is why I'm not sure if I'm in the right direction.
20:26He is still unable to do anything.
20:30And I will try to figure out what's happening on the right track.
20:327G Rainbow Call, we're going to shoot two shoots.
20:36What's the story of the company?
20:39We're going to shoot a few more.
20:42We're going to shoot a few more.
20:44We're going to shoot a few more.
20:49The company is a cult classic.
20:52It remains one of the textbooks for the film.
20:55Does the company have any pressure on that?
20:57What's the name of the Rainbow?
20:59I've been a film that was a film in 2002.
21:04I've been a film in the 70's.
21:07I don't know how to shoot two shots.
21:12I don't know how to shoot two shots.
21:17I don't know how to shoot two shots.
21:23But I'm hoping for the best.
21:25We're going to shoot two shots.
21:27We're going to shoot two shots.
21:30We're going to shoot two shots.
21:32We're going to shoot two shots.
21:34We're going to shoot two shots.
21:36Thank you for the timing and all the best.