Igra sudbine 1441 Epizoda
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00:00This meeting, or what you call it, therapy, it got a little too long for me.
00:20I hope it will be soon.
00:23In contrast, Sarah would probably change your appointment.
00:26I expect her to come out at any moment.
00:29Okay.
00:34Hello.
00:35Hello.
00:36Hi.
00:37Good day.
00:38Good day.
00:39Goodbye.
00:40Nice to meet you.
00:41I don't like her energy at all.
00:42Do you understand?
00:43Oh my God.
00:44Oh my God.
00:45I can go whenever I want.
00:46It's important that you like what you like, what you don't like.
00:49Friendship, work, that's the point.
00:51It's not always work, work.
00:54I really don't understand you.
00:56Did something happen?
00:58I need your help.
00:59One step is enough for a man to return to the wrong path.
01:04You shouldn't drink at all.
01:09What's so funny?
01:10You can't behave like that, for God's sake.
01:13You're going to tell me how I'm going to behave now, right?
01:17Oh no, no.
01:19It has nothing to do with me.
01:22I'm sorry.
01:23No, no, please.
01:24Since when was that a problem for you?
01:26You're flirting with her.
01:27You're freeing her if she's taken.
01:30Maybe she didn't give it to you.
01:32How do you know?
01:34I surfed something on the Internet.
01:39And?
01:40Is there anything interesting?
01:41Nothing.
01:42It's stupid when I have free time, I go on the Internet and find something.
01:48I don't understand.
01:49And in front of others?
01:50No, no.
01:51While I was waiting for you.
01:52As we all know, right?
01:55Yes, Panchetta brought us some great...
01:58Oh, okay, okay, okay, blah, blah, blah.
02:01Can we do without that?
02:03Excuse me?
02:04What do you mean, excuse me?
02:05You're very generous.
02:07Take it, you're a generous man.
02:09Okay.
02:10I mean, as you say.
02:11I say.
02:12What did you start with?
02:14You see, Mr...
02:16Mukaši.
02:17Suvobrk.
02:19Mr. Suvobrk.
02:22I like you very much.
02:26And I would love to go on a date with you.
02:32We can do it now.
02:34Now?
02:35Yes, why not?
02:37Why not?
02:43I'm not going anyway.
02:44Excuse me?
02:45I can't, really.
02:46I'll stay a little at home to get some sleep, okay?
02:49What are you talking about?
02:50I don't accept it at all, no.
02:53I can't go, really, I'm sorry.
02:55I can't.
02:56What's wrong with you, woman?
02:58We agreed, you said you would.
03:00I said it, but I can't go to see Mila.
03:02I really can't, and I beg you to understand.
03:05But...
03:07As far as that campaign against Andrija Boštek is concerned...
03:14What about it?
03:16I don't know.
03:18Maybe.
03:20But it's not as if I know who's doing it.
03:46They say life isn't fair
03:51Sometimes it's better, but often it's worse
03:55And everything is unknown, except for fate
04:05Like in love and in war
04:10There are no rules in time
04:14You only have one life, one chance
04:18To become a hero, because the star gives everything
04:27The game of fate is like a wheel of fortune
04:32Someone wants it, someone doesn't
04:36Like in love and in war
04:40There are no rules in time
04:45You only have one life, one chance
05:06To be continued...
05:20Come in.
05:23Good evening, sir.
05:26Hello.
05:27How are you?
05:28I'm fine. I was expecting you.
05:31As always. Thank you.
05:37How are you, Vukacin?
05:39Are you okay?
05:40Yes, I'm working, as always.
05:43As soon as I finish one job, another one comes up.
05:47It's just work, uncertainty, work, uncertainty.
05:51When we're talking about uncertainty,
05:54I have to say that the job of a photographer is very, very uncertain.
05:58Is it?
05:59Yes. It's a very, very exciting, dynamic job.
06:03In the financial field, most of all.
06:06I don't like it.
06:08Yes, sometimes it pays well, I can complain.
06:11Sometimes it doesn't, sometimes they give you time,
06:14sometimes they don't at all.
06:16But it's just waiting.
06:18Everything is waiting, Vukacin, I don't like it.
06:20Yes.
06:21That's why I say it's a very exciting job.
06:27Does it bother you or do you feel some financial problems?
06:32Have you ever been in debt?
06:34No, no, no, Vukacin, I've never been in debt, thank God.
06:38But I'd just like to make a little more money in life.
06:43That's one of the reasons I came to you tonight.
07:03Come on, come on.
07:09Come on, come on.
07:16It's nice that we came.
07:18Yes, it's nice that we came.
07:20Here's the panchetta.
07:22Come on, Mom, come here.
07:26Good evening.
07:27Good evening.
07:28Good evening.
07:29We were just wondering, Natalija and me,
07:31if we could stand here with you a little bit.
07:33Ask away.
07:35Natalija, this is the panchetta, you know her.
07:38And this is Mina.
07:39That's her beloved apartment.
07:44So, what's up, people?
07:45Nothing, I was doing some reels for Instagram and that's it.
07:49What reels?
07:50With these famous people.
07:51I put it all together, I mean, what I was doing interviews with them.
07:54Really?
07:55Yes, yes.
07:56It must be exciting.
07:57Do you work with singers?
07:58I do.
07:59I do.
08:00I was just working with this famous Kajlica.
08:03I love her a lot.
08:05I can't believe you know her.
08:07Nothing special, I mean, honestly.
08:08But okay.
08:09She must have a follow.
08:11You have it, you have it.
08:12You have it on my Instagram.
08:13It says Vitomir Tutic.
08:15Tuto, make me a table.
08:18And Tuto, all of it.
08:21Cheers.
08:26Here you go.
08:39I have a business proposal.
08:41A business proposal?
08:42I'm listening.
08:43Yes, I've been thinking about it for a long time
08:45and it came to my mind that I might be able to offer my services.
08:50What kind of services?
08:52Photography, of course.
08:54This is a serious detective agency
08:56and I'm sure someone good at the camera is needed.
09:02And there are certainly many cases where someone needs to be followed,
09:05to be photographed, to be...
09:07You already know.
09:11Thank you for the offer, dear guys.
09:15But...
09:17At the moment, I can't...
09:21I don't need the services of a photographer.
09:23I mean, the agency has its own photographer,
09:25a photographer, as they say now.
09:28I mean...
09:30And you're a young, promising, good-looking guy.
09:34I'm sure you'll find a much nicer, more bearable job
09:37than to go and look for girls,
09:39or look for some women, or whatever.
09:43Well, I do nice things in my free time,
09:47but those nice things won't bring me any bread,
09:51as our people would say.
09:53You have to make a living from something.
09:55You have to earn something.
10:00And I'm really sorry that I can't offer you any job.
10:06You know what I can offer you?
10:09The best job in the world.
10:12Homemade.
10:14I won't refuse.
10:15You won't refuse.
10:17I don't know if you've ever had a better ride than this.
10:26Strong, homemade.
10:28Yes, real homemade.
10:30I have a farmer from Montenegro
10:33who brings me this once every ten days.
10:38And...
10:40Let's try it.
10:41Let's try it.
10:42I wish you good health, and that you find...
10:46And that you find that...
10:48nicer, paid job.
10:51Cheers.
10:56No, not like that.
10:58Come on.
11:00Cheers.
11:11How are you?
11:14I'm OK.
11:16Do you like the fact that we left the house?
11:20Yes, I like it.
11:21I think it's better than sitting at home and looking at the wall.
11:25Come on, Lenka, what wall?
11:28I promise we'll solve everything together.
11:30Everything will be OK.
11:32Are you sure?
11:33Yes.
11:36You're wonderful.
11:37Thank you for being there for me.
11:39And I'm telling you again, everything will be OK.
11:42Everything will be just fine.
11:44And Lula will get a brother or sister.
11:46I promise.
11:48I hope so.
11:51For better times, come on.
11:53For better times.
11:57We'll talk later.
11:58It looks like the party's about to start.
12:10Cheers.
12:23Cheers.
12:25We're glad, too.
12:26Yes.
12:27Thank you for coming.
12:28You're welcome.
12:29Tell me, how did you travel?
12:31Where did you stay?
12:32We have our own place in Belgrade.
12:34Yes, in the places we love.
12:36We want to feel at home.
12:39Belgrade is such a place.
12:41That's nice.
12:42I'm glad.
12:43It's better than sleeping in some hotels.
12:45That's what we think, too.
12:47Let's get down to business.
12:50Go ahead.
12:51But I have to admit that we were very happy.
12:54Yes.
12:55I was surprised by your invitation.
12:57But you came.
12:58Yes.
12:59We came because we're business people.
13:02Yes.
13:03I heard from Alex Ožegović
13:06that you're interested in the ownership of Don magazine.
13:11That's right.
13:13Why didn't you invite me or my husband first?
13:19That's my personal decision.
13:21I'm trying to work with Alex.
13:23It has nothing to do with you two.
13:26But since we're already here,
13:28I'm interested in what you have to say.
13:30I have to remind you that we didn't want to offend you.
13:34No, I didn't offend you.
13:36It's just a job.
13:37Yes.
13:38I'm glad you think that way.
13:40Let's get back to the main topic.
13:43I'm not sure if it's possible to enter our company's ownership right now.
13:49But I'm always open for conversation.
13:53And I have a proposition for you.
14:05HELLO
14:13Hey!
14:15Hi.
14:17How are you?
14:18Eh?
14:19How are you? The gig was great.
14:21It was great.
14:22Yes, it was.
14:28Nito!
14:29Huh?
14:30Nito!
14:31What is it, Ada? What's up?
14:33Do you see this guy? Do you see what he looks like?
14:35What's up with him?
14:36I don't know, he's totally gone.
14:37Gone?
14:38Gone.
14:38Well, you go and get him up there, come on.
14:41Here.
14:45Get up, you're gone.
14:46It's nothing, I'm not working today.
14:48You're not working today, huh?
14:49Did you serve this guy? You didn't, right?
14:51No.
14:51That's a shame.
14:54Young lady.
14:55What are you drinking?
14:57Maybe gin and tonic.
14:58Maybe gin and tonic.
14:59I'm sorry, it doesn't seem like the two of us have met somewhere.
15:02I can't remember where, but we've met somewhere.
15:05Really?
15:06Really, really. I just can't remember where we met.
15:09I saw you somewhere.
15:11I don't know where.
15:12Maybe it was in my dream.
15:15Shut up.
15:16I'm kidding, I think I know where it was.
15:18It was on the first issue of the Don magazine.
15:24Yes, I was...
15:25Yes, I was the host there.
15:26You were the host, yes.
15:27You were phenomenal, gorgeous, pretty, elegant, charming.
15:30Phenomenal, I remember everything.
15:33You're welcome, you're welcome.
15:34Gin and tonic, let's go.
15:35Gin and tonic.
15:38Hey, hi.
15:51What do you mean?
15:54I saw something really suspicious by accident.
15:58I was waiting in front of Sara Berger's office,
16:01and two men came out of the office.
16:07Okay, Mom, maybe it was a gay couple who were at therapy.
16:10Jan Gabriela, please.
16:12Those two definitely weren't in love,
16:14and there were even fewer patients, I think I know.
16:18Okay, and?
16:20When I went into Sara's office,
16:22I saw something even stranger.
16:24Mom, do you want to tell me what?
16:26On the whole screen of her laptop,
16:28there was a picture of Andrija.
16:30A picture of Andrija.
16:32A picture of Andrija Bošnjak?
16:34Who else?
16:36That's what I'm talking about.
16:38Yes, a picture of Andrija Bošnjak.
16:40Okay, so what was it?
16:42I asked her what it was,
16:44and she told me she was surfing.
16:46How did she surf when those two just came out of the office?
16:49Isn't that weird?
16:50Wait, I'm lost.
16:51Mom, please, let's go from the beginning.
16:53I didn't understand anything.
16:56Do you hear what she's saying?
16:58I went into Sara Berger's office.
17:00On her laptop,
17:02there was a picture of Andrija Bošnjak.
17:04When I asked her what it was,
17:06she told me she was surfing.
17:08How could she surf
17:10when those two were in her office?
17:12Do you understand?
17:26I try to get up that gravy hill
17:29of hope
17:32for a destination.
17:47Olga, this is for you.
17:49What is it?
17:51Champagne, sent by the gentleman
17:53who sits down in the corner.
17:56It's for you.
18:06Please, explain.
18:08Well, I can tell you right now,
18:10and Aleksa will tell you,
18:12that there is nothing from the sale
18:14of the company's shares.
18:16Of course,
18:18we are still interested
18:20in cooperating with you.
18:22And why is Aleksa not in this meeting?
18:24Well, we work as a team
18:26in our magazine,
18:28and everything I say in mine,
18:30I also say in his name.
18:32Is that so?
18:34Yes.
18:36Believe me, it is.
18:38Okay, what is your proposal?
18:40Well, the proposal is to start
18:42cooperation with your sponsorship.
18:44And then, if it goes well,
18:46maybe we can talk
18:48about some other possibilities.
18:50And that is much different
18:52from what we are doing right now.
19:00We are interested
19:02to enter the Serbian market.
19:04My proposal is
19:06to buy a smaller part
19:08of your shares.
19:10A few percent.
19:12We are not interested at the moment.
19:14We would pay you very well.
19:16We want to enter the business
19:18at the beginning.
19:20That would be a great success.
19:22And I suppose
19:24that in this phase of development
19:26up to the capitalization,
19:28it would be good for you.
19:30You did not answer my question
19:32about sponsorship.
19:34Yes or no?
19:36Maybe we should agree
19:38on that as the first step
19:40in establishing
19:42trust?
19:44Yes, I agree with the church.
19:46In that name,
19:49in the hope that
19:51we will create some kind of cooperation.
19:53And we hope so.
19:55Cheers!
20:07What should I do with this?
20:09Say thank you to the gentleman
20:11and return the champagne, please.
20:13I will, I will.
20:15Excuse me, who is the man?
20:17The man is sitting down there.
20:19He is a gentleman.
20:21He is very gallant.
20:23Interesting.
20:25He was there the first time
20:27when you played.
20:29Can you say that he is a fan?
20:31Yes, he is a big fan.
20:33He said hello and congratulated you.
20:35Listen to me carefully.
20:37Return the champagne to him
20:39and tell him that the lady
20:41is here with her partner
20:43who is a member of the band.
20:45A singer does not mean
20:47that everyone can perform
20:49in their own way.
20:51I know, I know.
20:53I am sorry.
20:57You said something wrong.
21:11So you think
21:14that Sara Berger is up to something?
21:16Maybe it is nothing.
21:18I am not 100% sure.
21:22Is there a picture of Andrija Bošnik
21:24or not?
21:26There is.
21:28Are you sure?
21:30I am sure.
21:32But you are not 100% sure.
21:34What is bothering you?
21:36Isn't it a bit crazy?
21:38Yes, it is.
21:40It is crazy.
21:42It is a strange reaction.
21:44As soon as I entered the room
21:46it seemed to me
21:48that Sara is up to something.
21:50When she saw me looking at the picture
21:52she covered me with the laptop.
21:54And when you told me
21:56about Andrija Bošnik
21:58I somehow connected it.
22:00Are you sure
22:02that those two
22:04were not patients?
22:06Gabriela, look at me.
22:08You know me well.
22:10I can tell you who is a patient
22:12and who is not.
22:14Those two were not patients.
22:16Who are they then?
22:18One is a suspicious guy
22:20in a suit
22:22with a God-like hairstyle
22:24and the other is a cello
22:26with a beard, a bit relaxed
22:28and dressed like a hipster.
22:30You always have a nose for intrigue.
22:32Interesting.
22:36I will take it as a compliment.
22:39Don't ask anything
22:41about this Sara.
22:43How can I ask her?
22:45Where can I find a place
22:47for such a question?
22:49Yes, yes.
22:51It is good that you told me this.
22:53I will see what I can do with this information.
22:55Are you going to attack Sara?
22:57She should refuse our orders.
22:59Are you crazy?
23:01I am not crazy.
23:03I will not go.
23:05I will not threaten us.
23:07I will do something.
23:09I will solve this.
23:11Come on.
23:13You have 100 mana but you are not stupid.
23:17I will take it as a compliment.
23:19It is a compliment.
23:33I asked you something.
23:35What did I say?
23:37I didn't say anything.
23:39You didn't say anything.
23:41But you are looking at me.
23:43I am looking at you.
23:45You have never played in a club.
23:47The audience is so nonchalant.
23:49What is wrong with you?
23:51You are too much.
23:53Let's continue in peace.
23:55Will you admit that
23:57the whole affair with champagne was true?
23:59It wasn't true.
24:01The man was just a bit unruly
24:03Yes, unruly.
24:05I should go there and explain him.
24:07Yes, please.
24:09Let's go home.
24:11We didn't come here to hang out
24:13but to perform.
24:15Hanging out is a part of the performance.
24:17You know that one can't do without the other.
24:19Hey.
24:21Is everything ok?
24:23Yes, yes.
24:25We just wanted to congratulate you.
24:27It was beautiful.
24:32Now we have to go home.
24:34See you.
24:36Bye.
24:40See you.
24:42What?
25:02Marijana
25:08Be careful, it's hot.
25:12Where is Marijana?
25:14She didn't come today.
25:16Why?
25:18She made a scandal.
25:22Scandal?
25:24What scandal?
25:26She came drunk and insulted us.
25:28Marijana?
25:30She said that we are rich people
25:32who don't understand her problems.
25:34Oh, God.
25:36Ivan tried to convince her to go home
25:38but she started to get drunk
25:40so I don't know
25:42if she will come here again.
25:44Why would she?
25:46I mean, really, what's going on with her?
25:48A lot is going on with her, believe me.
25:50She has financial and love problems.
25:52Everything collapsed
25:54all of a sudden.
25:56She has debts in the bank
25:58and she is being harassed by perpetrators.
26:00It's all her fault.
26:02How can you say that?
26:04It's not like that.
26:06It's not.
26:08Girls don't go to work during this period
26:10and you could have helped her
26:12only if you wanted to.
26:14I could have helped her?
26:16Yes, she asked you for a job
26:18in Cannes Capital.
26:20I would have hired her
26:22but we already talked about it.
26:24Girls need financial help
26:27in order to survive.
26:29Come sit down
26:31and eat with us, please.
26:33No, I'll eat in my room.
26:43Yes?
26:45Good afternoon.
26:47I would like to talk
26:49to Mrs. Olga Ožegović.
26:51This is for her.
26:53I will give it to her.
26:55Please sign here.
27:02Have a nice day.
27:04Goodbye.
27:25Goodbye.
27:43Good afternoon.
27:45I'm sorry for last night.
27:49Marijana,
27:51are you aware of what you have done?
27:53Yes, I am.
27:55And you have the right
27:57to show up here, right?
27:59It was very hard for me
28:01to come here.
28:03I'm ashamed.
28:05I would be ashamed
28:07if I behaved like you.
28:09I'm sorry.
28:11Ivan, I'm really sorry.
28:13Yes, I would be ashamed
28:15if you told me
28:17about the awful things
28:19you did to me and Olga.
28:21I'm sorry,
28:23but you're going through
28:25a difficult period.
28:27I'm also going through
28:29a difficult period
28:31so I can't drink alcohol like you.
28:33I'm really sorry.
28:35Yes, I'm sorry.
28:37I'm sorry,
28:39but it won't happen again.
28:41I was drunk.
28:43I can't drink alcohol
28:45because I'm an alcoholic.
28:47I'm sorry.
28:49What does it mean to be an alcoholic?
28:51I know I'm an alcoholic
28:53and I don't behave like an idiot.
28:55Guys, what's going on?
28:57What's going on?
28:59I'm sorry.
29:01I don't know what to do.
29:03I'm sorry.
29:05Please, let's continue
29:07with Marijana.
29:09Let's go.
29:19Let's go.
29:31No, no.
29:33Don't touch me.
29:35I know I'm drunk.
29:37No, no.
29:39Sit down.
29:41Sit down in my seat.
29:43Sit down.
29:45Take my life
29:47and you'll know better than me.
29:49Take the end of this house
29:51in your hands
29:53and do what I have to do.
29:55Come on.
29:57I'm the air
29:59through which you pass.
30:01So sit down.
30:03Kajol, how are you?
30:07Standard. And you?
30:09We are also standard.
30:11Fantastic.
30:13I'm sorry you didn't go with us
30:15to Maldives.
30:17It was very nice.
30:19Yes.
30:21It was very nice.
30:23But are you sure you're talking
30:25about Maldives and the performance?
30:27Yes, of course.
30:29Olga sings wonderfully.
30:31She knows how to hit you in the soul.
30:33Yes, that's true.
30:35Olga sings like Slavuj.
30:37And better.
30:39Like Accio.
30:41Yes, it was very emotional.
30:43Emotional.
30:45And not only because of the music.
30:47But?
30:49But because of Ivan and Olga
30:51and their love story.
30:53It's a combination
30:55of melodrama,
30:57drama
30:59and rom-com.
31:01Okay, I've already listened to it.
31:03I know you have.
31:05But since you won't tell your story,
31:07you want to lie
31:09and you won't be honest,
31:11so I'll tell my story
31:13until I change my mind.
31:21Kajo?
31:25How are you, Kajo?
31:29I don't know.
31:31This dress reminds me a lot of Mileta.
31:41Mileta.
31:49I'm sorry.
31:51I'm to blame for everything.
31:53What happened, Marijana?
31:55Everything happened, Aleks.
31:57My life is falling apart.
31:59Nothing is going as it should.
32:01I'm not happy at work.
32:03I'm not happy in love.
32:05Everything is falling apart.
32:07And you could have helped me.
32:09You know I was a TV director,
32:11I was a manager of a business club.
32:13I have qualifications.
32:15I know, Marijana, but it's not about qualifications.
32:17We've talked about this a hundred times.
32:19Then what is it about?
32:21It's about the fact that it wasn't the right time
32:23to hire you. It really wasn't.
32:25For me, it's never the right time.
32:27For others, it is, right?
32:29Marijana, it's not...
32:31Some people in your papers have less experience
32:33and are less capable than me.
32:35Who do you think I'm talking about?
32:37It doesn't matter who I'm talking about.
32:39But it's true.
32:43Olga told me you have some financial problems.
32:47I do.
32:49Problems with the executors?
32:51Yes.
32:53I think they'll take my apartment.
32:55No one will take your apartment.
32:57They'll find a solution, don't worry.
33:01Just tell me if I'm free now,
33:03so I know, or...
33:05I hope you're not relaxed,
33:07and I'll see if I can help you
33:09in some way.
33:13Go wash up,
33:15get some rest,
33:17everything will be fine.
33:19We'll figure something out.
33:25He always made me coffee
33:27in this cup, you know?
33:29And when I don't have this cup,
33:31and the coffee isn't in it,
33:33believe me, coffee doesn't taste the same.
33:35Oh my God.
33:37I can imagine how hard it is for you.
33:39You can't.
33:41Come on, tell us how you feel.
33:43Let it all out.
33:57Hey.
33:59I'm just telling you about Marijana.
34:01I heard you talking to her.
34:03I think it was a bit too deep.
34:05It shouldn't have been like that.
34:09What's that?
34:21Hey.
34:23Hey.
34:25What's up?
34:27Nothing, I'm trying to work,
34:29but it's not working.
34:33Ok, I see.
34:35You're alone.
34:37Where is that Vitomir?
34:47If I could get some brandy,
34:49I would sing here,
34:51I would go crazy.
34:53What does it mean?
34:55I wouldn't let you eat, man.
34:59Why did you come here,
35:01when I don't feel like eating?
35:03What kind of people are you?
35:05I don't feel like eating.
35:17Ok,
35:19but I feel awful.
35:21Why do you feel awful?
35:23What happened? What's the problem?
35:25I don't know.
35:29I don't know.
35:37I'm glad you came.
35:39I'm glad we found each other so quickly.
35:41I have to tell you,
35:43I was surprised by your invitation.
35:45We couldn't do this in the office.
35:47It was important to meet in person.
35:49I wouldn't have called you
35:51if I didn't think this was serious.
35:59How are you?
36:01Good, and you?
36:03Not bad, not bad.
36:05What's that?
36:07What?
36:09It's in your hand.
36:11I'm writing something.
36:13Look at him, he's a journalist.
36:15Congratulations, Stevan.
36:17Hi.
36:27Hi, Marijana.
36:29Hi.
36:31I changed my mind.
36:43Go get some coffee.
36:45Give yourself some space.
36:47Take some time.
36:49And then you'll see.