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  • 08/05/2025
Marihuana is a 1936 exploitation film directed by Dwain Esper and written by Hildagarde Stadie. The story follows Burma, a young woman whose life spirals out of control after attending a party where she unknowingly smokes marijuana. The film portrays her descent into tragedy, including unplanned pregnancy, crime, and addiction, as a cautionary tale about the dangers of drug use. While intended as a serious warning, the film's exaggerated depiction of marijuana's effects has made it a cult classic, often viewed as unintentional satire.

Credits:
Director: Dwain Esper
Producer: Dwain Esper
Starring: Harley Wood, Hugh McArthur, Pat Carlyle
Screenplay: Hildagarde Stadie
Cinematography: Roland Price

#Marihuana1936 #DwainEsper #ExploitationFilm #CultClassic
Transcript
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03:12But I don't mind.
03:14And the old parents knew what their kids were doing even though.
03:17If my mother and dad had come to places like this,
03:20I wouldn't be here now.
03:42I don't mind.
04:12I don't mind.
04:14It's awfully good of you to say that, Morgan.
04:29All right.
04:30Oh, here's Elaine now.
04:31Thank you, Mr. Droggers.
04:35Hello, dear.
04:36Hello, Morgan.
04:36I'll get my thing.
04:37All right.
04:38Good night, Mother.
04:39Morgan and I will be running along now.
04:41Don't be loathing.
04:42No, I won't.
04:43Your sister will be home early.
04:45Where is Burma tonight?
04:47She went over to her friend Jones to do homework.
04:49That's good.
04:50Now, don't worry about Burma.
04:52I know she's high-spirited.
04:54And you know Morgan's family.
04:56I understand.
04:57And Burma is just as anxious to see you safely married as I am.
05:01I'm sure she is.
05:02Ready, dear?
05:03Right on.
05:04You all go along.
05:05I won't be lonely.
05:06I'll be working on your trousseau.
05:08Good night.
05:08Good night.
05:09Good night.
05:09Good night.
05:09Good night.
05:09What are you laughing at, Burma?
05:37Oh, I'm enjoying the halls of higher learning, Joy.
05:40Ah, this is just the beginning.
05:41Soon I'll be working, and then we'll go to the high-rolling places.
05:44So you consider me one of the nation's nifty.
05:46Oh, you'll have your big moments.
05:48Wait till Dick makes his million.
05:50Then your mother won't care if you go out with him.
05:52Well, you can't blame her.
05:53She knows that you can't even make love on an empty stomach.
05:56Don't worry, Dick.
05:57You can always look forward to an old-age phantom.
06:00It's all right.
06:00Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
06:02Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
06:05Did you hear?
06:22Yeah.
06:22Over there.
06:24At the end of the bar.
06:25THE END
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09:00THE END
09:01CERTAIN
09:03IS
09:05LOVING
09:05THE END
09:06IS
09:08RIGHT
09:09THE END
09:10THE DIT
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09:14THEEND
09:15THE END
09:16IT
09:18IT
09:19IS
09:20DID
09:21THE END
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09:24THE END
09:26May I trouble you pretty much?
09:53My troubles are not matches.
09:56Oh, well.
09:58Ha!
10:02Ha!
10:09Ha!
10:16Ha!
10:17Ha!
10:21The first thing we got on to was a nice slippery rock.
10:34So we were talking about right down the hill.
10:36Head over heels again.
10:37And...
10:37I'm afraid we used that water just because...
10:39Blank.
10:40Well, I gotta go.
10:43No, I mean home.
10:51Well, that puppy over there gives me an idea.
10:59What do you say we have a weenie rose next Saturday?
11:01Yeah, but where?
11:02And if we can get the weenie?
11:04And if we can get the beer.
11:06Why not try my beach place?
11:08It's stocked with plenty of boats.
11:10Well, what would the tariff be if we don't decide it?
11:14Well, you'd be my guest, of course.
11:17Say, uh, next Saturday night?
11:19Well, that's certainly nice, eh, pal?
11:21As one gentleman to another, that's swell.
11:44Stop that, Jim.
11:46I'm not doing anything.
11:47You like music, don't you?
11:48Yes, but you were tickling my knee.
11:50Oh, there's nothing wrong with that, is there?
11:52I mean, music.
11:55Ah, come on.
11:56Haven't you got a little lovin' for a poor fella?
11:58You won't always be poor.
12:00Now you're talking.
12:01I know, but you won't always be poor.
12:04Gee, I'm glad you feel that way.
12:06Nick, stop.
12:22But I'm not doing anything.
12:27Well, if a couple of drinks are going to make you answer the call in a while, I won't go with you anymore.
12:31Oh, you're stopping me in my favorite sin.
12:34You're my girlfriend, aren't you?
12:36Yes.
12:41But no honeymooning until after we're married.
12:43Oh, come on back, honey.
13:02I won't go away.
13:06Oh, that's my friend.
13:06Oh, I'm glad you're with me.
13:08Oh, you'll be fine.
13:08Oh, it's not my friend.
13:10Oh, that's my son.
13:12Oh, dear.
13:13Oh, my God.
13:19Oh, my God.
13:20Oh, my God.
13:21Oh, my God.
13:22Oh, my God.
13:23Oh, I'm sorry.
13:24Oh, my God.
13:25Oh, my God.
13:28Oh, my God.
13:29Oh, my God.
13:30I'll teach her to see how it feels to go home alone.
13:40I'll teach her a lesson.
13:42I'll just let her walk home.
14:00I'll teach her a lesson.
14:30Are you over your savage peeve, honey?
15:00It's quite late, isn't it, dear?
15:21Maybe.
15:27Say, Mother.
15:28Yes, dear?
15:29All the other girls have evening gowns.
15:31Why can't I have one?
15:32Why, dear?
15:33I want one for Saturday night.
15:36An evening gown?
15:37Don't be silly.
15:39Oh, I never have anything.
15:41I'll fix over that lucid dress at Elaine for you.
15:44She never wears it anymore.
15:45It will look real pretty on you.
15:47Everything I have is Elaine's.
15:49Why can't I have something new of my very own?
15:51You know, Burma, we must sacrifice a little for Elaine.
15:55After she's married, your turn will come.
15:58Good night.
16:00Did you get all your homework done?
16:04Did you get all your lessons tonight?
16:07Yes, all of them.
16:12That's what Joanne always says.
16:13Well, I never know what to say when the teacher asks me.
16:16Hey, don't forget we're going to the beach tonight.
16:18I don't think I should, Dick.
16:20That homework alibi is wearing thin.
16:22Well, you got by with it the other night, didn't you?
16:25And besides, that fellow Tony seems like a pretty grand person to know.
16:28Ah, they're not going to miss you as long as your sister's around.
16:32Well, what kind of strategy would you suggest to springing through the interference?
16:36Leave it to Joanne again.
16:37She'll turn you out a healthy alibi.
16:39Okay by me.
16:41So long.
16:41So long.
16:42Step up and take your choice.
17:08They're all alike.
17:12Where's my dream?
17:18Where's my dream?
17:21Coming right up.
17:22I hope not.
17:23Hey, how you got there?
17:26Oh, ha, ha, ha.
17:28How's it worth it?
17:28Oh, ha, ha, ha.
17:31Oh, ha, ha, ha.
17:33Oh, ha, ha, ha.
17:35Oh, ha, ha, ha.
17:36Oh, ha, ha, ha.
17:37Oh, ha, ha, ha.
17:39Ha, ha, ha.
17:41Ha, ha, ha, ha, ha.
17:45Oh, ha, ha, ha, ha.
18:02Ha ha ha.
18:03What's the matter?
18:06All right.
18:07Oh, I'm here.
18:09Here we go.
18:11I don't wear it.
18:14Where's my face?
18:15Oh, it's all coming up.
18:16I don't know.
18:17Oh, my God.
18:20Oh, my God.
18:21Oh, my God.
18:24Oh, my God.
18:26Oh, my God.
18:28Oh, my God.
18:30Oh, my God.
18:33Oh, my God.
18:36Oh, my God.
18:44Hey, what is this?
18:45An arsenal?
18:48An inferior minister will sound me a shotgun.
18:52Married with that gun wouldn't be legal.
18:54Why not?
18:55It isn't loaded.
18:57Who said it wasn't loaded?
18:59This is going to be a slippery drink for sliding girls.
19:06Droning at the bar when we put off the seat.
19:24Is there anything here I haven't tried yet?
19:26It's the funniest cigarette I ever saw.
19:38The funniest cigarette I ever tasted.
19:40Here, Burma, try one of these on your algebra.
19:43What are they?
19:44I don't know.
19:45We tried Tony's giggle water, let's try his giggle weave.
20:00Good.
20:01Good.
20:02You're acting like a fool, Burma.
20:29Don't be silly.
20:31You're the one that's silly.
20:32There's not a lamp left in your larry.
20:38Romeo, Romeo, wherefore I saw Romeo?
20:43One hot lover coming right up.
20:45One right piece coming right down.
20:50Oh, for a worm's eye view of that.
20:53I've seen it.
20:53I'm going to go.
20:56How do you know this little battery knife?
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30:12Don't you worry kid
30:14I'll not let you down
30:16We'll get married
30:18I'll do anything
30:20I'll see Tony
30:22He'll make me alone
30:24Or give me a job
30:26Go ahead and talk to him
30:40What difference does he make?
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32:02If anybody says anything, leave it to me
32:04We are carrying tea, that's all
32:06Just tea, come on
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