- 5/5/2025
Miami Vice Season 4 Episode 19 Blood And Roses
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TVTranscript
00:00You get the feeling we've staked this crib before?
00:19Or down the street or on the next block or something, I don't know why.
00:24That's what I'm saying, they all look the same.
00:28Maybe one of these nouveau riche loadies with our brains enough to hole out in some split-level job in a two-car garage once in a while.
00:41You're losing that, Rico. You know that?
00:58That's why it's so successful.
01:00You're losing it.
01:01You're losing it.
01:02You're losing it.
01:03You're losing it.
01:04You're losing it.
01:05You're losing it.
01:07You're losing it.
01:08You're losing it.
01:09Good luck.
01:12Thanks,有利.
01:14That's why it's so successful.
01:15That's why you're so successful.
01:28I've been fortunate.
01:31Talented.
01:35Well, endowed with talent.
01:41What?
01:42It's an eccentricity of mine.
01:47I don't like to be pawed at at cocktail parties.
01:56Mike, you're always welcome, man.
02:01I'm bad.
02:05You're tired.
02:07Oh, yes, I'm tired of twiddling my...
02:11Gina, this is Frank...
02:24Mosca.
02:26Yes, I've read about you in the papers.
02:29Oh, really?
02:35What the hell is he doing there?
02:38Mike, this is Gina...
02:40Troiano.
02:41Gina Troiano.
02:42Troiano.
02:43Is it the Troiano family of Tuscany or Palermo?
02:49Try South Philly.
02:51South Philly?
02:52Oh, I have an uncle who has a cheese steak shop in South Philly on Broad and Pine.
03:01Oh, yeah, I know that place.
03:02Yeah.
03:03On a date, it was, um, hold the onions.
03:09Otherwise.
03:10Otherwise smothered.
03:12Here's an interior designer, Frank.
03:19Very hot.
03:21Very...
03:22I can see that.
03:24You know, I just, uh, I just bought a house.
03:29Maybe sometime you could come by and, uh, show me your interior design.
03:36That would be fine.
03:37You know, I made a little rhyme.
03:44Would you like that?
03:46We'll see.
03:47Okay.
03:48God.
03:49It's a pleasure to meet you.
03:50Likewise.
03:55Willie.
03:59What's up?
04:05He's a charming guy.
04:07He's a friend of yours.
04:10Uh, business.
04:15Investing with my windfall profits in some legitimate shelters.
04:22Complicated.
04:23Complicated.
04:37Complicated.
06:09He's going to put out as if I do, and I'd rather chew glass.
06:13However, I found a bigger fish to fry.
06:18Frank Mosca.
06:20He wants me to redecorate his house.
06:23What's he doing back here in Miami?
06:25Cook lets something slip.
06:28Sounds like Mosca's laundering his dirty money for him.
06:31Oh, so you heard about Mosca.
06:35Good.
06:36I may have a way of taking this guy down so hard this time it'll make his head spin.
06:41I've already established contact with him.
06:43This guy's a little crazy.
06:45Wait a minute, Sonny.
06:47He already knows you.
06:48How are we going to get around that?
06:50Gina, cultivate the relationship you've established to cover use it.
06:58I want you two guys to work out the cook angle.
07:04Lean on him.
07:05That's it.
07:06Why don't I call my accountant?
07:29He knows everything down to the...
07:31He knows W-2s.
07:34I know what's happening.
07:37Now, we have a deal, right?
07:39You had a half a million dollars a month that you want to clean.
07:43Am I correct?
07:44Right.
07:44And then you're going to tell Mr. Roth that you no longer needed his services.
07:49Am I correct?
07:50Right.
07:50Now I'm waiting two weeks for your check to clear in my account.
07:55Why is this, William?
07:56He said he killed me, Frank.
08:02He said what?
08:05He said he'd kill me.
08:10Look, I was trying to stall him, you know?
08:13I'm not backing out of our deal, Frank.
08:16Did he tell you how he was going to kill you, Willie?
08:20Huh?
08:20All right.
08:21Give me your keys.
08:28Give me four.
08:39Is this the key to the factory, Willie?
08:41Yep.
08:41Hmm?
08:47Collateral.
08:48I'll expect some cash flow coming my way by the end of business day, okay?
09:04Because the guy is psychotic, cold-blooded, sadistic, and that's all there is good to say about him.
09:11Son, I know what Frank Mosca did to your friend.
09:17Believe me, I really do appreciate your concern.
09:21But I can handle it.
09:26I can handle him.
09:31Hello?
09:32Yeah, Gina Troiano for, uh, Frank Mosca.
09:40Hello?
09:41Frank.
09:42Hi.
09:44Hi.
09:46Yeah, I just checked my machine.
09:49How'd you get my number?
09:50I got it from Cook.
09:53I hope you don't mind me calling.
09:55Of course not.
09:56So, um, how are you?
10:01Oh, not bad, not bad.
10:03You know, for a guy who just moves into, uh, 12 empty rooms and doesn't have a pot to, uh, place to sit.
10:12Ex-wife get all the furniture?
10:16Yeah.
10:17And I got all the good looks.
10:20Nah, nothing like that.
10:22I just, uh, I move around a lot.
10:24You know how it is.
10:26Yeah.
10:28I know.
10:31So, you want some, uh, decorating advice or what?
10:35Yeah, sure, if you're free tonight.
10:38I can make myself be.
10:42Terrific.
10:44Well, how about, uh, you come take a look and then maybe we could, uh, have a little dinner.
10:52What do you say?
10:54Manicott and a bottle of Dago Red, right?
10:59Yeah.
11:01Anything you want, baby.
11:04So, how about 7, 730?
11:06Is that all right for you?
11:07Yeah, sure.
11:09Okay, good.
11:12I'll, uh, give you the address.
11:14I don't know, Mr. Cook.
11:21Maybe we ought to get a busload of government agencies down here to find out what's going
11:26on around here besides pasta fazool.
11:30What the hell are you talking about?
11:33Well, I'm talking about how much money the pasta business generates as opposed to the drug
11:39business.
11:39And the laundry and the money through Frank Mosk.
11:46You got a warrant?
11:49We don't need one.
11:51Not yet.
11:52You see, if we don't get Mosk, we're gonna take you.
11:59What do you want?
12:08Now then, we'd like contracts, receipts, bank records, quarterly statements.
12:15Well, it'll take a little time.
12:15Take your time, Mr. Cook.
12:17No rush.
12:19Yeah.
12:19Tomorrow afternoon's fine.
12:20You can go.
12:30Bye.
12:47Bye.
12:47Bye.
12:48Bye.
12:48Bye.
12:49So, we agree the Santa Fe look has been done.
13:02To death.
13:05How about Memphis style?
13:09Memphis?
13:10What do you mean, like Elvis Presley?
13:12No.
13:14Okay, how about Art Deco, huh?
13:17Art Deco?
13:18Yeah.
13:19Art Deco, Art Schmecko.
13:22I don't like that.
13:23I don't want anything old in my house.
13:25I want new things.
13:28Tell you what, forget about it.
13:29Maybe I'll keep it just the way it is.
13:32What do I need, right?
13:34I need a phone and a bed.
13:37So, you want minimalism?
13:41Minimalism, yeah.
13:42Yeah, that's what I want.
13:44Well, there's a problem there.
13:47Why?
13:47Well, I charge extra for that.
13:50Oh, yeah?
13:50Yeah.
13:54I like you, Troy, I know.
14:03So, what is it with you and Cook?
14:08Wilson?
14:09Wilson?
14:13Nothing.
14:15No?
14:16He's okay.
14:19You think he's okay?
14:22He's not okay.
14:25He's a pig.
14:27Well, he's always been very nice to me.
14:39Why?
14:42I was just wondering.
14:43I mean, it's not any of my business, but...
14:48I would like to see you.
14:59And?
15:03And I don't share.
15:04I don't know.
15:15Hi, guys.
15:16How are you doing?
15:17Hey, Gina.
15:19How'd your date go?
15:24Date?
15:26That's supposed to be funny?
15:27Gina, come on.
15:34No, you come on, Sonny.
15:37We work undercover here.
15:39That's what you do.
15:40That's what I do.
15:41That's what I'm gonna do.
15:43That's what I'm gonna do.
15:55Mosca makes her.
15:58She's history.
16:00Hey, man, Gina's a cop.
16:02It's not your call.
16:08Hey, come on.
16:09Time's up for Cook.
16:13Hey, come on.
18:13We've gathered certain things from our wiretap in Cleveland, but clearly RICO, the racketeering influence and corrupt organization...
18:23I'm aware of the statute.
18:54I just don't want to have to worry about what the left hand is doing.
18:58Fine.
18:59How about the left hand stays out of your way as long as there's an open exchange of information?
19:05Only if you guarantee me there'll be no movement on Muska.
19:10Will I share what I'm getting?
19:13You got it.
19:14Who is it?
19:27Me, Sonny.
19:34Sonny.
19:35Nice evening wear.
19:45You gonna critique my evening dress or are you gonna come in?
19:57So...
19:59How are you?
20:02I'm good.
20:11Gina, it's about this Muska thing.
20:19It's not that I don't believe in you as a cop.
20:21You know that, don't you?
20:28I know that, Sonny.
20:33Would you give me a hand with this...
20:35clip?
20:39Sure.
20:40I just don't want you to do anything reckless.
20:50You hear me?
20:54Well, thank you, Mr. Level-headed.
21:03Okay, Sonny.
21:06I do appreciate your concern.
21:10As a cop.
21:14Well, I'm...
21:15I'm just sorry.
21:18I never meant to doubt your abilities.
21:21You better not have.
21:23Or else I would've broken your thumbs.
21:37I gotta go to work.
21:40You be careful.
21:47So, Frank, you want me at the wheel tonight?
21:53Frank, you want me at the wheel tonight, or what?
21:54Did you check out those things for me?
21:59Everything checked out.
22:00The College of Art and Design.
22:02Matter of fact, she's up for this, uh...
22:04Alumni of the Year Award.
22:08Alumni of the Year Award.
22:13Alumni.
22:13I don't know.
22:15Whatever.
22:18She's quite a work of art herself, huh?
22:20She's very nice, Frank.
22:22It's also nice that we don't have to worry about the competition no more.
22:27Who, cook?
22:28Yeah.
22:28Who, cook?
22:29Yeah.
22:29Who, cook?
22:34You.
22:37What are you doing?
22:38Who, cook?
22:39Who is who?
22:40Who's who?
22:41Who's who?
22:42Good.
22:43Who's who?
22:44What's up?
22:49What's up?
22:50Come on, let me sit down, let me sit down.
22:56Okay.
23:01Vinnie Anthony, this is Gina Troiano.
23:05A good friend of mine.
23:08What are we drinking?
23:10Whatever you buying, Frank.
23:12Oh, whatever I'm buying, huh? You like this guy?
23:15So what'll it be, huh?
23:18Bottle of Dego Red or champagne?
23:22Whatever you want.
23:24Whatever I want? Okay.
23:26Bottle of Dom Pea.
23:30Two straws.
23:34I like that.
23:36You like that?
23:40You hear the bad news about Cook.
23:43Yeah, yeah, it's a shame, you know.
23:47The random violence in this town is...
23:53Let's hope it never touches any of us, right?
24:04Alla dolce vita.
24:06So how do you feel?
24:07Hmm.
24:08Comfortable.
24:09Hey.
24:10What?
24:11I thought you were a family man.
24:12A family?
24:13A family?
24:14Oh, no, no, no.
24:15When he said family, he didn't mean, you know, like...
24:18Family.
24:19Like, mother, father, sister.
24:22I don't know.
24:23And he said family.
24:24You didn't mean, you know...
24:26Family.
24:27Hey.
24:28What?
24:31I thought you were a family man.
24:34A family?
24:36No, no, no.
24:38When he said family, he didn't mean, you know, like family, like mother, father, sister,
24:48you know.
24:49Oh.
24:50You know what I mean?
24:51Really?
24:52No, really.
24:57I know what we need.
25:04What are you doing?
25:07Stomping that grape yourself?
25:10I know the wholesaler.
25:12Oh, yeah?
25:13Oh, yeah.
25:15Good friend of mine.
25:18Part of the, um, family?
25:23Yeah.
25:24The Delaware Mosques.
25:27And then there are the, uh, Worcester Mosques.
25:33And they're, uh, oh yeah, they're from Boston.
25:37I got Mosques all up and down the Eastern Sea.
25:40But you already know about me, right?
25:42I mean, what I do.
25:43No?
25:44No.
25:45You don't?
25:46No.
25:47What do you do?
25:48Banking.
25:49I'm a freelance banker.
25:50Stop.
25:51You never heard of my bank?
25:52No.
25:53Oh, yeah.
25:54First National Bank of Frank.
25:55Yeah.
25:56I got branches all over.
25:57Cleveland, Chicago, Philly.
26:00I'm a freelance banker.
26:01What do you do?
26:02What do you do?
26:03Banking.
26:04I'm a freelance banker.
26:05Stop.
26:06You never heard of my bank?
26:07No.
26:08Oh, yeah.
26:09First National Bank of Frank.
26:12Yeah, I got branches all over.
26:19Cleveland, Chicago, Philly.
26:23I'm now in sunny Miami.
26:26Impressed?
26:27Yeah.
26:28That's an impressive thing.
26:39What are we gonna do?
26:42Something with it, huh?
26:43Yeah, I'm gonna think.
26:44Donut.
26:45You're gonna make a what?
26:47Donut.
26:48Donut.
26:49Donut.
26:50Okay, I got another one.
26:52I know.
26:53You need to think.
26:54Look at this.
26:55I got a thing.
26:56I got nothing.
26:57I got nothing.
26:58Look at all.
26:59I got a chess set.
27:00You play chess?
27:01I play the game.
27:02I got nothing.
27:15Anybody cool?
27:16Cleveland.
27:17Cleveland.
27:18They said it could wait.
27:19Cleveland?
27:20All right.
27:21Let's see you tomorrow.
27:24Come on.
27:25I'll do it.
27:26I'll do it.
27:27I'll do it.
27:28I'll do it.
27:29I'll do it.
27:30I'll do it.
27:31Make yourself comfortable.
27:33Dance, Philly Guru?
27:52Of course I dance.
28:03You dance pretty good for a, uh, what do you call it, what do you do, I forgot.
28:27Interior designer, that's right, yeah, that's right, I forgot, my mind must have wandered.
28:39Oh yeah, where'd you go?
28:44Down near Eastern Seaboard.
28:48You might not seem glad.
28:53Come on.
28:56Let's go redecorate the bedroom.
29:00No.
29:01Come on.
29:02Let's not.
29:03Come on.
29:04Come on.
29:05I want to dance anymore.
29:07No, I don't want to dance anymore, I want to redecorate.
29:11Okay, that's good, I like that, I like that.
29:15You hold back.
29:16I like it, girl.
29:17That's good, I like that.
29:19I'm not holding back.
29:20You're not?
29:21You're not giving in to me.
29:22I'm a girl.
29:24I love that.
29:52Okay.
29:53Stop.
29:59Stop.
30:01Stop.
30:05No.
30:11What?
30:13The white one?
30:15I like the white one.
30:17You like those white ones?
30:19I can't buy all these flowers. I like them all.
30:28Hey, Frankie.
30:31Muscle into the flower biz?
30:34Oh, yeah. I hear there's big money in tulips.
30:37Oh, I'm sure there is.
30:40Not as big as in money laundering, though.
30:44What do you think, Chase?
30:47I wouldn't think so.
30:49Chase wouldn't think so.
30:51Money laundering, isn't that...
30:54Well, some guy's got some money,
30:57and he doesn't want anybody to know that it's dirty,
31:00and he gives it to another guy,
31:02and that guy magically makes it legit for a percentage?
31:07Isn't that what that is?
31:08Yeah. You're pretty smart.
31:1115%, 20%.
31:13It adds up, though.
31:15Enough so that if a man was angry enough
31:18about not getting a slice,
31:20he may be willing to say,
31:22off Willie Cook.
31:28Well, I don't know anything about this stuff, you know,
31:30because I'm very bad at math, you know?
31:35Of course.
31:45Well, if you ever need any flowers or anything,
31:47you know, just, uh, give me a call.
31:50Let me know for a funeral or something.
31:52Well, you can count on it.
31:58You, too.
32:04Well, the thing that bothers me a little is,
32:07how come he was so free with the information?
32:10I told you, we were half in the bag.
32:13You both were.
32:15I don't think he would have talked if I was drinking Perrier.
32:25Look, eight to five, he killed Cook.
32:29It was the beginning of a war between Moscow and Jimmy Roth.
32:38He's laundering money now?
32:40Kept talking about banks in lots of cities.
32:46When did he tell you this?
33:03Stay on him.
33:15what happened?
33:36you do a number on you.
33:37He'd do a number on you.
33:49Trudy.
33:54I can't believe what I've done.
34:07I mean, I should never have let it go that far.
34:15Oh, honey, we all make mistakes behind champagne.
34:20No, it wasn't that.
34:24I know these bad news, but it was something about him.
34:37And I...
34:48I can't explain it.
34:55OK.
34:59It's like forbidden fruit or hormones or hell.
35:05Hell, we're just women, OK?
35:08We make bad choices.
35:10Don't you blame yourself.
35:16You're a good person, Gina.
35:18You just think about what you gotta do now.
35:23OK?
35:24OK.
35:35Is your wife having another kid or something, Chase?
35:39No, why?
35:42I just thought maybe what I'm paying you isn't enough.
35:45You know?
35:47To supplement your other income?
35:49No, no.
35:50That's not it, Frank.
35:54Then what?
35:55You're supposed to keep me apprised of things.
36:07A leg up on the feds.
36:10Remember?
36:11So how come your boss rousts me on the sidewalk like a common criminal?
36:25I don't know, Frank.
36:28You don't know.
36:30You don't know.
36:39Who's the least?
36:41I can't.
36:43I don't know.
36:44You can't tell or you don't know.
36:46Oh, love of God, Frank!
36:47That's for using the Lord's name in vain.
36:56Oscar.
36:58There's a vice cop close to you.
37:07Recently?
37:11Last couple of days.
37:13Who?
37:15I don't know, Frank.
37:17Why didn't you tell me?
37:22Why didn't you tell me?
37:24I didn't know which way to go, Frank.
37:27I'd be dead.
37:29Yeah.
37:31You got that right.
37:42I'll be dead.
37:47You got that right?
37:48I'll be dead.
37:49And I could do.
37:50I'm dead.
37:52I'm dead.
37:53No!
37:54No!
37:55No!
37:57No!
37:58No!
38:02No!
38:04No!
38:06No!
38:07No!
38:08No!
38:09No!
38:10No!
38:11No!
38:12No!
38:13No!
38:14Hello?
38:20Hello.
38:22Did you get the flowers okay?
38:26Yeah, I got them.
38:30Thanks a lot.
38:32Sure, sure.
38:35I was gonna ask you your dress size, but, uh...
38:38Frank, don't.
38:40Okay, all right. You're right.
38:43Uh, listen.
38:47I, uh...
38:49I'm sorry about last night.
38:53I acted incorrectly.
38:55And...
38:57I'm not going to defend myself for what I did.
39:01Because it was a lousy thing to do.
39:05I only did it because...
39:09You make things happen inside of me I can't control.
39:19And?
39:21And...
39:23I'm all out of breath.
39:25Frank...
39:29I don't know what to say.
39:31I mean, um...
39:33I have to think about this.
39:35Last night it wasn't the way I wanted things to go.
39:39You know?
39:41I know, I know, I know.
39:43Me neither, but...
39:47I just want to tell you I'm sorry.
39:51And...
39:53If you forgive me...
39:55I would like to see you again.
39:59You mean that?
40:03I mean that with all my heart.
40:07If you don't want to see me, I mean...
40:11I didn't say that.
40:13Okay, good.
40:15So what are you doing right now?
40:17Now?
40:19Yeah.
40:20Falling into a hot bath.
40:22Oh, that's perfect.
40:25I'll send Billy for you.
40:43What are you looking so unhappy about?
40:47This is no good, Frank.
40:49Can I be honest?
40:51Go ahead.
40:53Spit it out.
40:57I don't know if you remember last night in the limo...
41:01You, uh...
41:03Yeah?
41:07You were spilling your guts pretty good about Cook and all this monkey business.
41:12Yeah, yeah, yeah, yeah, yeah.
41:17Don't worry about it.
41:19I'll take care of it.
41:22Right now I'm more concerned about Roth.
41:27I'm glad you came tonight.
41:29I'll make it up to you.
41:33I promise.
41:39To the Moskers.
41:41And the Roths.
41:44To the memory of your father.
41:47Giant.
41:49And to his old friend from Detroit.
41:52And to clean living.
41:54To clean money.
41:56Gina here is an interior decorator.
42:09I'm sorry.
42:10No, I'm wrong.
42:11Interior designer.
42:12I'll get in trouble.
42:13I'll get in trouble.
42:14I'll get in trouble.
42:15There we are.
42:16Level lata cimaene, edulemer.
42:21The Hong austerity.
42:22For you.
42:23The shopper.
42:25And for my lovely lady.
42:28And for you, the shopper, and for my lovely lady,
42:45a questionero, the baby.
42:58You feeling okay?
43:17Yes.
43:18Actually, I'm tired.
43:28I'm tired.
43:43I'm tired.
43:48We'll go.
43:52I'm tired.
43:56Damn it, I gotta go over and see if she's all right.
44:08Sonny, I don't think you should do it.
44:10You're gonna cause more harm than good.
44:12She's already been attended to.
44:16I won't blow her cover.
44:26Let me see your report there.
44:35Jason Ambulance is now cracking?
44:40I heard you were a hit, Mosca.
44:42I was gonna come over here and pass out some yards.
44:47We had a little disagreement once.
44:52I'm glad it was only superficial.
44:53Yeah, yeah.
44:58You know, you ought to earn your four and a quarter a week and go roust Roth.
45:04He's the animal that put all this down.
45:07Frank, I gotta go home.
45:10Okay, baby. I'll take you home.
45:13Frankie, don't slip.
45:23I'm sorry about all this.
45:26It's okay.
45:28It wasn't your fault.
45:30Could have jeopardized her cover.
45:33She was down.
45:35Wanted to make sure she was all right.
45:39Still, it's been ten hours.
45:41She should have checked in by now.
45:43Hey, look, we've all been undercover.
45:45She probably can't get a secure minute away from this guy.
45:50Nothing to do but wait.
45:54See what you can get out of Roth.
45:57On Mosca.
45:59Yeah, he ought to be happy to flap his lips on that subject.
46:03I'd like to come.
46:05Well...
46:05Okay, wipe it down for prints.
46:11Lose it in a river.
46:13Nice work.
46:15Looked good.
46:17Even though a couple of those shots came pretty close.
46:21Well...
46:23While I was at it, I thought you'd whack out that chick cop.
46:26Hmm.
46:28That's why you don't get paid for your ideas, don't I?
46:33Give me a key to Cook's place.
46:34All right.
46:35All right.
47:04I think it was Roth who killed Cook, not Mosca.
47:25Gina?
47:28Hello?
47:28Gina?
47:28Hello?
47:30Gina?
47:34Yes, Frank?
47:45Of course I didn't order a hit on him.
47:50And I didn't order a hit on Wilson Cook either.
47:53That's all your boy Frank can do to generate a little heat in my life.
47:56Why is that?
47:59Because he's greedy.
48:00He wants me out of the business.
48:04The little heel wants to eat off everybody's plate.
48:08He's an ingrate.
48:09I knew this kid's father when he was a tadpole.
48:12We all know what an upstanding guy you are.
48:17Better yet, detective.
48:18I'm not so dumb.
48:19Well, let's save it a cop's life worth.
48:23Maybe we can make a deal.
48:26It's possible.
48:30The other side of the coin is I'll prosecute you for conspiracy if you hold out.
48:34What cop?
48:38What cop?
48:40Come on, don't insult me.
48:42What am I, an idiot?
48:43I've done my homework.
48:46The broad, the broad's a cop.
48:51So does Mosca think she's a cop too?
48:56Does Mosca think she's a cop too?
48:59Hey, I don't like the guy.
49:02But that man's not an idiot either.
49:04Mosca's made her.
49:09Where are you?
49:10About five minutes from the house.
49:11Maybe you think you're so clever.
49:23I've seen this way.
49:29We know this can't go on forever.
49:33We know this can't go on forever.
49:34We know this can't go on forever.
49:35We know this can't go on forever.
49:36We know this can't go on forever.
49:37We know this can't go on forever.
49:38We know this can't go on forever.
49:39We know this can't go on forever.
49:40We know this can't go on forever.
49:41We know this can't go on forever.
49:42We know this can't go on forever.
49:43We know this can't go on forever.
49:44We know this can't go on forever.
49:45We know this can't go on forever.
49:46We know this can't go on forever.
49:47We know this can't go on forever.
49:48We know this can't go on forever.
49:49We know this can't go on forever.
49:50We know this can't go on forever.
49:51We know this can't go on forever.
49:52We know this can't go on forever.
49:53Don't play with love, it's a dangerous game
49:59It'll tell you more, it'll drive you insane
50:06You'll pay the choice between treasure and pain
50:12Serious girl, it's a dangerous game
50:19Don't play with love, it's a dangerous game
50:24Yeah, I'm giving you a word, that you're out of bed
50:31You'll make the choice between treasure and pain
50:37Serious girl, it's a dangerous game
50:44Don't play with love, it's a dangerous game
50:49Don't play with love, it's a dangerous game
50:56Something wrong?
51:13I'm just not feeling well
51:20What's wrong?
51:24I'm fine
51:26Are you sure?
51:28Yes, I'm sure
51:31You're mine?
51:43No, you're mine what?
51:48You're mine what?
51:53I'm not kissing you
51:55I'm sorry
52:02Come on, let's get out of here
52:06We've been around here too long
52:08Let's go for a drive or something
52:09No, I don't think that's a good idea
52:11No, come on, we'll go for a drive
52:12We've been around here for too long
52:13Come on, a nice long drive, it'll make you feel better
52:16No, come on, I'll whisper nice things in your ears
52:20I'll tell you about the Chicago Moscow
52:24How we're gonna take over the Midwest Seed War
52:28Best Seed War
52:35I have an office I can redecorate
52:37I'm sure
52:49I told you
52:50Where's Gina?
52:51Who?
52:52I don't know
52:53Let me tell you something, pal
52:55If he takes her down, I swear to God you will do the full ride with Moscow
53:00They took off
53:01Where?
53:02I don't know, I told you
53:04Yeah
53:06Rico
53:07It's time to turn up the heat a little bit
53:14You know, a guy's gotta be real careful down here in sunny Miami
53:18It'll get badly burned
53:20Alright
53:21The factory
53:22Cook spaghetti factory, alright?
53:25Very nice, Billy
53:27Very nice
53:34You knew about me the whole time?
53:47No
53:50Not until after I had you
53:56That's real nice, Frank
53:59You're a real gentleman
54:02Oh, come on, Philly girl
54:05I was pretty good
54:08Anyway
54:10Right?
54:13Freeze, Moscow
54:14Move away from
54:18Okay
54:20No problem
54:23I was through anyway
54:24Get down on the floor
54:29You cops like them
54:32Don't you?
54:34Move!
54:38Get down!
54:44Gina?
54:45You alright?
54:46Yeah
54:54Give it to me
54:55Yeah
54:56Give it to me
54:57Is it the same
54:58Under the sky?
54:59Is it the same
55:00Under the sky?
55:07Black motorcycles and the
55:12Wilting survive
55:17Losers and winners
55:19Low and high
55:21In this glass of water
55:23In this glass of water
55:28Whoa
55:35Surly leeches gain the right
55:38Surly leeches gain the right
55:40It sets where a message screaming
55:47One that has no meaning
55:52To people who feel
55:57People who feel
56:09No!
56:30Questions and questions
56:34Late as you know
56:38But who would believe
56:42The little ones
56:45With a sad little turn
56:52But who would believe
56:56The little ones
56:59The little ones
57:00The little ones
57:01The little ones
57:02Transcription by CastingWords
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